Podcasts about Pink Floyd

Dive deep into the strategic mindset of level design, the shift from AAA development to indie studio entrepreneurship, and a radical new business model for creating innovative "Cocktail Games."Key Takeaways & Discussion PointsThe Reality of Level Design Beyond Architecture: Willem, a former level designer at Velan (Knockout City) and Zynga (Star Wars Hunters) , defines level design not as architecture, but as the execution of the game's intent and vision. You are the "great implementers" who build the playground for the core mechanics. Finding the Fun: Execution requires risk-taking. Good levels break the traditional norms—like the restrictive three-lane structure in some shooters —to find unexpected fun and keep the experience fresh. Inspiration Outside the Engine: To avoid creative blocks, step outside your comfort zone. Willem found inspiration for a level in Knockout City (Rooftop Rumble) by listening to Pink Floyd and used JFK assassination podcasts to conceptualize Darth Vader's Castle.

In this episode of The Identity at the Center Podcast, hosts Jim McDonald and Jeff Steadman catch up with John Tolbert, Director of Cybersecurity Research at KuppingerCole Analysts, to talk about the rapidly evolving world of Fraud Reduction Intelligence Platforms (FRIP).They explore:The six capabilities of modern fraud reduction systemsHow AI and machine learning are both helping and hurting fraud preventionWhy shared signals and orchestration are critical for financial and e-commerce use casesHow identity verification, device intelligence, and behavioral biometrics work togetherThe role of usability and integration in FRI adoptionPlus, stick around for a fun discussion about concerts, classic rock, and which legendary bands they wish they'd seen live.Listen now to learn how identity, fraud, and AI are colliding — and what's next for fraud intelligence.Connect with John: https://www.linkedin.com/in/john-tolbert/Fraud Reduction Intelligence Platforms - Finance (KuppingerCole Report): https://www.kuppingercole.com/research/lc80841/fraud-reduction-intelligence-platforms-financeFraud Reduction Intelligence Platforms - eCommerce (KuppingerCole Report): https://www.kuppingercole.com/research/bc81030/fraud-reduction-intelligence-platforms-ecommerceConnect with us on LinkedIn:Jim McDonald: https://www.linkedin.com/in/jimmcdonaldpmp/Jeff Steadman: https://www.linkedin.com/in/jeffsteadman/Visit the show on the web at http://idacpodcast.comChapter Timestamps:00:00 – Jim's passwordless rant and setup woes05:00 – Introducing guest John Tolbert06:30 – Catching up: four years since John's last appearance07:30 – What is CIAM and how has it evolved?09:30 – Understanding Fraud Reduction Intelligence Platforms (FRIP)10:00 – The six core capabilities of FRI solutions13:00 – Are most vendors point solutions or full platforms?14:00 – How identity verification is improving16:00 – SaaS and API-driven fraud detection models18:00 – What kinds of fraud can (and can't) FRI prevent?21:00 – The growing problem of bots and automation22:00 – Fraud trends in finance: scams, account takeovers, and synthetic identities25:00 – Information sharing and the role of shared signals28:00 – Collaboration vs. competition in fraud prevention31:00 – Fraud in e-commerce: bots, loyalty points, and returns abuse34:00 – Streaming and citizen fraud use cases36:00 – Where do FRI capabilities fit within IAM platforms?43:00 – The importance of orchestration and integration44:30 – The role of AI and ML in fraud prevention47:30 – Smart questions for evaluating FRI vendors50:30 – Concert talk: Pink Floyd, Metallica, and the ones that got away58:00 – Wrap-up and where to find John Tolbert's reportsKeywords:Fraud Reduction Intelligence, FRI Platforms, John Tolbert, KuppingerCole, Identity at the Center, IDAC, IAM, CIAM, Cybersecurity Research, Fraud Prevention, Machine Learning, Artificial Intelligence, Behavioral Biometrics, Device Intelligence, Identity Verification, Risk Orchestration, API Security, Financial Fraud, E-Commerce Fraud, Shared Signals, Jim McDonald, Jeff Steadman, IDAC Podcast

What do Hermitage, The Sex Pistols, Tavel and Pink Floyd have in common? They all, ahem, featured at a particularly funky recent London tasting of top Rhône wine appellations, or Crus, aimed at reminding us how delicious and diverse these wines can be. And how fun, too.So join us as we explore the best wines of the Rhône Valley, from Côte-Rôtie to Condrieu via Vacqueyras and Vinsobres, discovering why they taste like they do, and how they're evolving and adapting for the future. Our expert guides are Rhône expert Matt Walls plus producers Marie Perret, François Miquel and Guillaume Boissonnet. We're also regaled with live music from Bristol four-piece Adult Leisure.Thanks to Côtes du Rhône Crus for sponsoring this episode and bringing the party to Wine Blast. As if we needed an excuse...And thanks for tuning in. We love to hear from you so please do get in touch! Send us a voice message via Speakpipe. Or you can find all details from this episode on our website: Show notes for Wine Blast S7 E10 - Rock and Rhône: from Côte-Rôtie to Cairanne via The ClashTo get early access to new episodes, full archive access to our back catalogue and exclusive bonus content, subscribe to Wine Blast PLUS at wineblast.co.ukInstagram: @susieandpeter

Review of “The Endless River” by Pink Floyd Grades: Music          A- Lyrics           B- Production   A Overall         A- Email your comments and album suggestions to Feedback@FiveMinuteMusicReviews.com Follow us on Twitter @FiveMinuteMusic Like us on Facebook at www.Facebook.com/FiveMinuteMusicReviews Listen to us on SoundCloud at [...]

Jeg har et stykke tid taget tilløb til programmet, jeg gerne vil præsentere en bred vifte af deres musik fra starten i 67 og frem til 83, men mange af deres numre varer både hele og halve pladesider. Jeg har taget en radikal beslutning for, at få plads til alt det jeg syntes skal med, fader jeg i nogle af numrene. Lyt med til: See Emily Play, Fearless, Wish You Were Here, Mother, Brain Damage med flere.

Episode 162 – Pink Floyd Part 22, A Momentary Lapse of Reason Remixed and Updated 2019 In this episode the group considers the updated version of Pink Floyd's A Momentary Lapse of Reason. This is an album that was originally made to be “of its time.” It seems that Gilmour and company thought that maybe it didn't quite stand the test of time that way. Does this update and remix create a “timeless” sound or does it remove some of the original magic? Follow along with us as we consider these ideas and so much more. X: @progpala Instagram: www.instagram.com/progressivepalaver/ Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3D8wbv-AcJ_7Z__w/featured Theme music provided by: Dave DeWhitt

Considéré comme l'un des albums iconiques du rock progressif des 70's, voire pour beaucoup le meilleur de YES alors à son apogée créative : "Close To The Edge" est effectivement un incontournable et c'est avec un extrait de ce monument que s'est ouvert l'épisode de ce 444ème numéro d'Amarok. Le groupe aujourd'hui emmené par Steve Howe s'apprête encore à nous faire les poches avec deux coffrets à paraître début 2026. En janvier en son et en images avec la réédition deluxe du "Symphonic Lives" de 2002 consécutivement à la tournée de promotion de l'album "Magnification" avec orchestre symphonique (la formation étant alors privée de claviériste) et dernier tour de piste de Jon Anderson en son sein. Puis en février, celle du double album "Tales From Topographic Ocean" de 1973 avec son lot de prises alternatives, inédites, instrumentales, remix  de Steven Wilson et tout le toutim ! S'il vous reste quelques pennies après les fêtes....A votre bon cœur !

It's not an uncommon Q: can Christians be demon possessed? Along the same lines—deep conflict and spiritual disconnect—can a person be a Christian but continue to live and operate inside the Matrix? In this episode, my good friend Mark and I discuss: what is the Matrix? What does it do and why does it do it? How does it manifest? What are some daily, and recently in-yer-face, examples of the Matrix? We offer different analogies for how the Matrix operates in the minds of believers. Then we mix in the element of trust. Why do you trust whom you do? Should we all operate in a hermeneutic of suspicion? Is it non-charitable for believers to ask questions for and from leaders when the Bible teaches that all people are sinful? And then we get even more particular: what anthem did Pink Floyd sing that is today a bit farcical given Roger Waters' public disposition? What's the difference between the deceived and the deceitful? Finally, on what basis, or by what grid, should we trust people? Come and think and laugh with me and Mark as we work through and around the critical topic of trust.

Gonna use my…imagination.1980 saw the UK chart taking some incredible leaps forward into the new decade. As the 1970s biggest superstars, Pink Floyd, stepped aside as the last chart topper of that decade and ushered in something fresh, new and suitably brassy. As always, the pop landscape would continue to be varied, diverse, sometime a bit bonkers but of course nothing short of fascinating. Would we have it any other way?Welcome to the eighties. And as viewed through the lens of the ultimate compilation collections of NOW - the yearbook, extra volume and vault, it's a fascinating opportunity to revisit that iconic year 1980. A year of punk, pop, disco, funk, new wave and electronica. Could there possibly be a more transitional and eclectic year? Special guests and pop aficionados Mark Wood and Andrew Harrison turn the clock back to explore an amazing twelve months of pop culture. The new decade was exploding into a world of new possibilities, new technology, new trends. And whether it was through TV, film, magazines or of course music, this is a year you really need to return to. Let's take a chance and fly away, somewhere…. Hosted on Acast. See acast.com/privacy for more information.

Ian's back for his fourth run at the game, hoping to beat his previous high score of 22 and looking for questions about Star Trek and Pink Floyd. He is one of those players who, thanks to the magic of podcasts, you can hear over time getting better and better at quizzing. His secret, as he mentions in this episode, is a system of flash carding - and he has generously made those available to the public using the In Rainbows PWYW pricing model. If you're trying to get better, go buy some of Ian's stuff on Kofi.Episode StuffWhat has he been up to since his last appearance in April?Hiking the Long Trail in Vermont between Canada and Massachusetts with his dog Toby.What does he recommend?Brain Ladle Trivia, Fantastic Four: First Steps, and MurderbotWhat's he looking forward to?Fall in Vermont, and camping with family.Where does he quiz?Tuesday nights with the Trivia Workshop Twitch stream, podcasts, Learned League, and OQL.Thanks, Ian!#######JOIN THE DISCORD!!!The best way to get the latest updates about the podcast and the Tuesday night Twitch stream is to join the Discord server. It's easy to do by clicking this link: https://discord.gg/z95CZGQrKQWant to build your own game of Tangents?All you have to do is pick a date that works for you: https://calendly.com/triviaworkshop/ And be sure to check out the other Trivia Workshop links here:https://linktr.ee/TriviaWorkshop New Start Time for the Tuesday Night Live StreamStarting October 14, 2025, we'll be moving the Trivia Workshop Tuesday night stream up to 7:30 pm Central. Unless the bottom falls out for viewership, we'll probably stick with this time.Thank You Patreon Crew!This podcast wouldn't be possible without your support. Thank you all - and welcome to our newest member, Scott Anglemyer! If you'd like to join, it's easy! Just go to https://www.patreon.com/TriviaWorkshop for your options.And as always, thanks to the entire Patreon Crew - Andrew Buxbaum, Anne Putnam, Asha Ouseph, Brandon Fellows, Brian Irving, Brock Kwiatkowsky, Bryan Nash, cheyenne fletcher, Chris Collins, Christian Hernandez, Claire Bancroft, Dalton McGhiey, Danielle Fields, Ian Schulze, Jane Hansen, Jay Borsom, Jeff Clear, Jillian Hawkins, JJaz, John Liu, Kevin Kuschel, Leslie Hyman, Luc Leavenworth, Madeleine Garvey, Martin Ebert, Matt Lamia, Nabeel Bader, Nanci Skinner, Nicole Bates-Rush, Paul Paquet, Quizmaster Caleb, Samantha Kuchar, Sarah Collins, Scott Anglemyer, Scott Barber, Shaun Bernstein, Skilletbrew, Steven Beningo, StitchinStacey, Tamara Morgan, The Professional Left, Tim Robert Gomez, Tony Schmit, Wendy Curtis, and Will Gilbert

Jase, Al, and Zach launch a heated debate over what can technically be considered worship music, with Phil still remembered as the king of spinning secular songs into spiritual messages. The guys dig into the truth behind Jesus' final words on the cross, and Jase pulls out the weirdest rule in the entire Bible off the top of his head. Plus, a trucker's unexpected testimony has the guys wondering if a country music collab might be on the horizon. In this episode: John 19, verses 1–37; Genesis 22, verses 1–14; Isaiah 53, verse 12; Leviticus 16, verses 15–22; Psalm 22, verse 18; Psalm 34, verse 20; Exodus 12, verse 46; Numbers 9, verse 12; Deuteronomy 21, verse 22; Deuteronomy 20, verses 19–20; Luke 23, verses 32–43; Hebrews 13, verses 11–15; Ephesians 2, verses 21–22 “Unashamed” Episode 1215 is sponsored by: https://rocketmoney.com/unashamed — Cancel unwanted subscriptions with Rocket Money. The average person save up to $740 a year when using all of the app's premium features! https://cozyearth.com/unashamed — Get up to 40% off when you use our link or code UNASHAMED! https://tomorrowclubs.org/unashamed — For a limited time, all donations to this “Binga Blitz” will be matched! Join us now and double your impact! https://www.puretalk.com/unashamed — Get their best unlimited plan for just $29.95 a month! http://unashamedforhillsdale.com/ — Sign up now for free, and join the Unashamed hosts every Friday for Unashamed Academy Powered by Hillsdale College Check out At Home with Phil Robertson, nearly 800 episodes of Phil's unfiltered wisdom, humor, and biblical truth, available for free for the first time! Get it on Apple, Spotify, Amazon, and anywhere you listen to podcasts! https://podcasts.apple.com/us/podcast/at-home-with-phil-robertson/id1835224621 Listen to Not Yet Now with Zach Dasher on Apple, Spotify, iHeart, or anywhere you get podcasts. Chapters: 00:00-06:24 Jase chooses Al's new “walk up song” 06:25-14:30 Why Phil hated country music 14:31-19:00 Nashville is rediscovering Jesus 19:01-26:10 Pilate tries & fails to straddle the fence on Jesus 26:11-34:31 The four worst major aspects of crucifixion 34:32-41:33 Jesus last words before death  41:34-50:26 The scapegoat & sacrificial lamb in one 50:27-58:20 The thief on the cross makes his choice — Learn more about your ad choices. Visit megaphone.fm/adchoices

„Šansonové zpívání je taková zprofanovaná věc, že přijde nějaký zpěvák a začne hrát prožitek a hned se tomu říká šanson,“ říká zpěvák Ondřej Ruml. „Ideální je, když si text, který zpíváš, připodobníš k něčemu, co jsi skutečně zažila nebo co jsi viděla. A v ten moment nemusíš nic hrát,“ vysvětluje. Jak bude znít jeho nová deska? Inspirovali ho při tvorbě Pink Floyd? A kdy začal veřit svému hlasu? Poslechněte si rozhovor.Všechny díly podcastu Host Lucie Výborné můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Alex and Ben discuss money with barely a mention of Pink Floyd or Dire Straits.Thanks for listening! CONNECT with CCFC:Visit us on FacebookVisit our websiteDownload our app!

The Deadcast's overstuffed season finale unpacks Blues For Allah's oft-misunderstood title track, the unlikely story of its album art, & the remarkable coalition that manifested the Dead's September 1975 Golden Gate Park show, officially the New Age Bio-Centennial Unity Fair.Guests: David Lemieux, Ron Rakow, Al Teller, Ned Lagin, Steve Brown, Bill McCarthy, Larry Weissman, Gary Lambert, Ed Perlstein, Joan Miller, Geoff Gould, Dan Hanklein, Raymond Foye, Nicholas Meriwether, Shaugn O'Donnell, Chadwick Jenkins, Keith EatonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lots to do this weekend in the Jax area. "CLUE" continues its run at the Moran Theatre. In Jacoby Hall, the Jacksonville Symphony's presents "Tim Burton's The Nightmare Before Christmas" - you watch the movie, and the Jax Symphony plays the soundtrack live! The Florida Theatre's weekend lineup includes "RAIN - A Beatles Christmas Tribute" tonight, and Floyd Nation performs their "Wish You Were Here" tribute to Pink Floyd on Friday. There is always a great art exhibit on display at the MOCA (Museum of Contemporary Art) downtown, including current display "Whitney Oldenberg: left behind." And the Jax Zoo's "Colors of the Wild" is on now -- and rumor has it Santa will be at the Zoo this weekend! All this and more in the Weekend Spotlight story! Tell us what you're up to!

Brian, Blake, and Richard are back for Episode 592 of the Chasing Tone Podcast - What's happening to the price of US guitars, the rise of the robots, and Brian's goth phase  Blake has a wallet bursting conundrum as not one but two of his favorite bands are on the same bill and he needs help which Brian and Richard are more than happy to not give. Richard bores Brian to near death with Pink Floyd related updates and then talks about his new old music discoveries. Richard has AI based concerns and he expresses them via the medium of terrible analogies. Brian is not convinced that he is right but there is a business idea and a possible confession. The horrors persist for Richard as he discusses a brand new release from Gibson and Brian taunts him with emojis. There are some language barriers that need to be broken down and there is much confusion. Marshall have released an amp in conjunction with Spinal Tap and Brian ponders the possibilities of an infinitely loud amplifier. Fishing, The Great British Bake off, Ticket Touts, The nuttercut, Lorries...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

Come nasce il nome dei Pink Floyd? Storie legate ai vostri ex storici, ne avete?

Here's a short cool description: “The Guitar Man” arrives November 19 — a hypnotic new release featuring guitar legend Tim Pierce and the cinematic violin of Milana Resta. Produced and performed by Anthony J. Resta. A Pink Floyd–inspired psychedelic journey into the iconic 70s classic by Bread. Watch the Guitar Man Video Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Episode 161 – Pink Floyd Part 21, Animals 2022 Remix Upfront apologies for the tense energy at the beginning of this otherwise charming episode considering the 2022 remix of Pink Floyd's Animals. The backstory of this remix involves some now-standard drama from the band members. Once past that, however, the Palaver group find this remix to be a breath of fresh air for an album that deserved some upkeep. The sound is enhanced and the songs benefit from the treatment, making this a welcome update. Twitter: @progpala Instagram: www.instagram.com/progressivepalaver/ Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3D8wbv-AcJ_7Z__w/featured Theme music provided by: Dave DeWhitt

Join Scott Kummer, Josh Hohbein, Andrew Robot-Dinosaur, Paul Schlagel and  Steve Banyai for a discussion of Pink Floyd: Dark Side Of The Moon and Uncle Tupelo: No Depression. Check out Steve's Record Store: Rare Bird Records: https://www.facebook.com/rarebirdrecordsnd/ Fill out the Poll for this show.  Remember....its never too late: https://docs.google.com/forms/d/e/1FAIpQLScDhK-WOxjA0ezimRoVMsOoOjyBqauaHnOfM0iWFZLnESgoAw/viewform?pli=1&fbclid=IwY2xjawOFb2VleHRuA2FlbQIxMQBicmlkETFzWDNCZXFoNFBpSkh5T2Mxc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MghjYWxsc2l0ZQIzMAABHrjeKppcdtNX9Tb54NQ6BhZd8V4cxMlDxC0Ax0pW8uHMLfiY-PtSNQxIVsXg_aem_dsNh04g3o0tQfabG590IPA All the other shows and forms can also be filled out on our website: https://igtov.com/vote-here Or just view the chart: https://igtov.com/chart-of-essentiality Get on the mailing list my emailing: igtovpod@gmail.com JoIn the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: https://www.instagram.com/igtovpodcast/ Or email us anytime at IGTOVpod@gmail.com Intro and Outtro music by The Feat: https://thefeatchicago.bandcamp.com/album/schemes-for-decades

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Albuquerque by "Weird Al" Yankovic (1999)Song 1: My World by Guns N' Roses (1991)Song 2: Atlantic City by The Band (1993)Song 3: Hotel California by Gipsy Kings (1990)Song 4: Bugs by Pearl Jam (1994)Song 5: Pacific Coast Highway by The Hip Abduction & Trevor Hall (2021)Song 6: California Love by 2Pac (1995)Song 7: Seamus by Pink Floyd (1971)Song 8: Indian Outlaw by Tim McGraw (1994)Song 9: California Girls by The Beach Boys (1965)Song 10: Drunk and Hot Girls by Kanye West (2007)

On the November 14 edition of the Music History Today podcast, Michael Jackson premieres in a theater & on tv, Pink Floyd is an opening act, & Jay-Z releases a hit album. Also, happy birthday to Aaron Copland, Run & Travis Barker.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Billie Eilish fragte neulich zurecht: „Wenn ihr Milliardäre seid, warum seid ihr dann Milliardäre?“ Pink Floyd, mittlerweile auch keine bettelarme Band mehr, veröffentlichte Anfang der 70er den Song „Money“, eine zynische Analyse des Kapitalismus und den dekadenten Gepflogenheiten der Millionäre. Und warum macht niemand Politik für junge Menschen? Warum klammern sich vermögende Boomer an dicke Autos und ihr Klimaschädigendes Verhalten? Wie sang einst John Farnham: You´re the voice!Ihr habt recht, Selig: Wenn ich wollte…! Henning & Till wollen. Und haben Standpunkte. Die Songs der Sendung: 1) Wenn ich wollte / Selig2) Tick Tack / Les Bumms Boys3) Solitary man / Johnny Cash4) Es geht / Marathonmann5) (It´s not war) Just the end of love / Manic Street Preachers6) You´re the voice / John Farnham7) Money / Pink Floyd8) War pigs / Black Sabbath Hosted on Acast. See acast.com/privacy for more information.

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Ever wondered why the “darkest” country songs linger long after the last note fades? We crack open that list and find more than shock value—there's craft, confession, and a lineage of storytelling that made the genre brave. From murder ballads to Whiskey Lullaby, we unpack what makes a song haunt you and why those narratives still matter.Then we sprint through the modern pulse: Jelly Roll's global moment and community work, stacked festival lineups, Abbey Road sessions, and the not-so-silent rise of subtitles in streaming. Captions might sound boring, but they're changing how fans absorb lyrics and stories, especially in a word-first genre like country. We also talk about videos that miss the mark and why listeners instantly sense when visuals don't serve the song.The centerpiece is a rowdy, smart bracket to crown the best album of all time. You sent your picks—Rumours, Abbey Road, Pet Sounds, Tapestry, Van Halen I, The Wall, George Strait, Shania, Garth—and we fought it out. Journey's Escape made a bold run, but Pink Floyd's Dark Side of the Moon took the crown for cohesion, sequencing, and sheer sonic gravity. Along the way, we teased apart “favorite” versus “best,” and what a truly great album must do from first second to last.We close with charts and indie highlights, then an ear-opening A/B test: a studio cut vs an AI-recreated version of the same song. The AI track is polished and passable, but side-by-side it lacks depth, stereo motion, cymbal realism, and those tiny human edges at the ends of phrases that make a vocal feel lived. It's not anti-tech—it's pro-feel. And the mailbag nails the theme: country isn't a costume; it's a culture. Americana is carrying a slice of that soul, and live shows still matter because sweat and risk can't be automated.Hit play for sharp opinions, a few laughs, and a lot of heart. If you enjoyed the ride, follow the show, share it with a friend, and drop your “best album ever” in a review—we'll read the spiciest ones on air.Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Ce 10 novembre, Marjorie Hache ouvre une nouvelle semaine de Pop-Rock Station avec deux heures entre rock intemporel et nouveautés. Pink Floyd, Queen, Sonic Youth et Editors côtoient les riffs de Kasabian et le punk californien de NOFX. L'album de la semaine est signé des Londoniens de Sorry avec "Cosplay", un troisième opus pop psyché et décalé dont est extrait "Candle". Parmi les découvertes, on retrouve aussi les Australiens de The Southern River Band avec "All Over Town" et les Écossais de The Twilight Sad, de retour après sept ans d'absence avec "Waiting For The Phone Call", en collaboration avec Robert Smith de The Cure. La reprise du jour est "Solsbury Hill" de Peter Gabriel, revisitée par Lou Reed. Pop-Rock Station célèbre également les 50 ans du mythique "Horses" de Patti Smith avant de conclure la soirée avec Florence + The Machine, Led Zeppelin et Genesis. Kasabian - Hippie Sunshine Editors - An End Has A Start Patti Smith - Gloria U2 - Vertigo NOFX - Linoleum Queen - Crazy Little Thing Called Love Elvis Presley - Jailhouse Rock Sorry - Candle Placebo - Battle For The Sun Police - Wrapped Around Your Finger Pink Floyd - Wish You Were Here Foo Fighters - Asking For A Friend Lou Reed - Solsbury Hill Amy Winehouse - Back To Black The Southern River Band - All Over Town The Animals - House Of The Rising Sun Muse - Muscle Museum Florence + The Machine - Everybody Scream Led Zeppelin - Immigrant Song Sonic Youth - Bull In The Heather The Twilight Sad- Waiting For The Phone Call Depeche Mode - Little 15 Townes Van Zandt - Waiting Around To Die Travis - Side Genesis - The Cinema ShowHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's a packed house with the crew: Matt, Ron the Waiter, Tony P, Little Foot, Scott Watson (straight from up the river), killer comedian Erik Angel, and Michael G Potter crushing acoustic covers of Pink Floyd's "Wish You Were Here" and Neil Young's "Down by the River"! We dive into NYC's new mayor Zohran Mamdani – what can this guy actually DO to win us over? Opie's got  a few tears from watching the NYC Marathon this year. Israeli comedian Erik Angel drops by – the guy who's got a hit show with a Muslim, an Iranian, and a Christian, proving laughter is the ultimate peace treaty. We get real about raising daughters, debate thumbs up or down on the legendary queef, and way more unfiltered chaos.You know the vibe: raw, hilarious, zero filter. Grab a beer and hit play!

The Deadcast explores Bobby Weir's guitar étude, “Sage and Spirit,” speaking with one of the song's namesakes, Sage Scully, before taking an extended trip to legendary Dead show at the Great American Music Hall in August 1975, where the song received its only full live performance.Guests: David Lemieux, Donna Jean Godchaux MacKay, Sage Scully, Ron Rakow, Al Teller, Steve Brown, Roger Lewis, Lee Brenkman, Steve Schuster, Gary Lambert, Deb Trist, Ed Perlstein, Danno Henklein, Joan Miller, Steve Silberman, Michael Parrish, Keith Eaton, Shaugn O'Donnell, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We get out our electric guitar and surreal imagery to kick off "Rock'n World" Month where we are looking at musicals involving a rock band (s). The Crew have a spirited debate over the classic movie "Pink Floyd's The Wall". We talk the visual artistry, the fascist imagery, and just the meaning of it all. Kicking the Seat Podcast: https://www.kickseat.com

Send us a textA twenty-year reunion turns into a masterclass on survival, adaptation, and the art of playing for keeps. We sit down with guitarist, writer, and singer George Cintron to trace a line from a Puerto Rican household in Bayshore—where top 40 radio was the cultural gateway—to roaring Long Island clubs, studio sessions with heavy hitters, and a phone call that vaulted him onto arena stages with Enrique Iglesias. George shares how a gold-top Les Paul and theory class became real gigs, why auditions used to be about skill, and how the drinking age shift quietly gutted a thriving band economy.The story pulls no punches on today's bar math: band pay that never rose, owners who book by headcount, and hobby acts undercutting rates. Yet it's not a rant; it's a roadmap. You'll hear the Enrique break—how speaking Spanish got George hired to help form the touring band and teach phonetics to non-Spanish speakers—and what it felt like when Bailamos turned a summer tour into a year-end sprint. Then we jump to Trans Siberian Orchestra and the long-running Windborne Music shows, where Zeppelin, Queen, and Pink Floyd get rebuilt with a full symphony and a rock band at center. Charts are precise, subs are surgical, and the result draws multiple generations without diluting the punch.Woven through the tour stories are studio truths (why producers say “be yourself” then ask for less), candid talk about health and aging, and the case for steady rehearsal as the secret engine of great bands. If you care about live music, gig economics, and how players actually make it work, this conversation is a clear-eyed, generous guide. Subscribe, share with a musician friend, and leave a review with your take: should clubs prioritize draw or musicianship?Support the show

The music business from the late '60s through the '90s was an exciting time that mirrored the music and the musicians making it. It was also a time of new and creative ideas on how to market this groundbreaking cultural phenomenon. Eccentric characters were everywhere, and often the managers, promoters, disc jockeys, and record company staff were just as big a show as the performers themselves. And nobody was bigger and better in promoting rock records than Rap. Paul "Rap" Rappaport enjoyed a storied (and very appropriate) 33 1/3 year career in rock promotion at Columbia Records, where he was instrumental in the careers of an amazing roster of legends, including Bob Dylan, Bruce Springsteen, Pink Floyd, The Rolling Stones, Elvis Costello, Billy Joel, Blue Oyster Cult, Judas Priest, Alice In Chains, and many, many more. Gliders Over Hollywood: Airships, Airplay and the Art of Rock Promotion is Rap's dynamic, entertaining memoir captures the magic of these times and the people who made it happen, revealing the never-before-heard secrets of the promotion and marketing that turned the music industry on its head. From creating the Pink Floyd airship to sword-fighting with Bruce Dickinson of Iron Maiden and receiving a guitar lesson from Keith Richards, it's a book packed full of extraordinary adventures with some of the biggest names in rock. This week, Rap joins us as our Third Lad to recount the wild tales of his Top 5 Album Rollouts. These are stories you have to hear (or read) to believe! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!On this early episode of Revolutions Per Movie, I was joined by VERA DREW (writer, director, and star of THE PEOPLE'S JOKER), who picked a film that had a massive influence on her art, Pink Floyd: The Wall. It seems totally incredible that at the time of recording this episode, there was a legal battle between the release of her film and DC Comics, trying to squash its release. In the end, goodness prevailed, Vera's incredible film was released to worldwide praise and awe. I can't wait to see what Vera brings to us next (although we do discuss her remaking The Wall...yes! YESSS!!!)(Episode 8 originally aired on Nov 2nd, 2023).The original podcast show notes:This week, we talked about Pink Floyd: The Wall with actor/director/writer Vera Drew (The People's Joker, Tim & Eric, Sasha Baron Cohen's ‘Who Is America?'). We discussed how both the album and the film ended up being one of her biggest inspirations in making her film, how Pink Floyd has influenced her life immensely (including her name change), the battle over the release of The People's Joker, copyright law and fair use, the band Negativland, working with child actors, as well as her time working with Tim & Eric.Join us as we ask…is there anybody out there...is there anybody out there…is there anybody out there…on this week's episode of Revolutions Per Movie!Vera Drew:veradrew.comwww.thepeoplesjoker.comwatch.eventive.org/weirdweekend@VeraDrew22REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Jerome presents historical rock, roots and blues events that occurred in the month of November in years gone by. Podcast includes, in order of appearance, tracks by Jerry Lee Lewis, Slim Harpo, Fats Domino, Johnnie Ray, John Lennon, The Who, Rolling Stones, The Band, Milli Vanilli, Link Ray, Robert Johnson, Kokomo Arnold, Mississippi John Hurt, Big Joe Turner, Sharon Jones, Billie Forrester, Carl Perkins, Tampa Red, Bill Haley, Johnny Horton, Eva Cassidy , Sonny Boy Williamson, John Lee Hooker, Carey Bell, Joe Hill Louis, Sylvester Weaver, Howlin Wolf, Nick Drake, Jimi Hendrix Experience, Cream, Pink Floyd. Size: 130 MB (136,790,330 bytes) Duration: 1:11:19

In Episode 331 of History in Five Songs with Martin Popoff, Martin ponders the bands and albums that helped invent multiple rock and metal genres at once—from Hendrix, Cream, and Pink Floyd shaping psychedelia, prog, and metal, to King Crimson, Uriah Heep, Sabbath, and Venom forging the foundations of progressive metal, power metal, goth, thrash, and black metal. Jimi Hendrix Experience – “Love or Confusion" King Crimson – “The Court of the Crimson King” Uriah Heep – “Poet's Justice” Venom – “Witching Hour” Metallica – “No Remorse” Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you know that the original name of Michael Jackson’s “Thriller” was “Starlight” or “Dark Side Of The Moon” by Pink Floyd was going to be called “Eclipse”. Christopher and Tom start the show with a chat about the original titles of great albums – from the very good… to the very dumb. With the recent announcement of the new Rush tour with a new drummer, we thought we’d present a really great collection of clips from the Famous Lost Words archives. They are mostly with Geddy Lee and Neil Peart in the early ‘80s talking about the first nine Rush albums. Plus, we have a bonus clip of Christopher in conversation with Geddy in 1987 – today’s show is a must for any Rush fan. And we’ll close out the show with a tribute to KISS lead guitarist Ace Frehley. After Ace’s passing, Tom reached out to Brent Jensen of the podcast No Sleep Til Sudbury, who was as much of an Ace Frehley fan as Tom is. We’ll talk about Ace’s enormous influence on other rock stars and fans – and we’ll listen to three clips of Ace from the archives. This segment was a real labour of love for Brent and Tom – a couple of devoted KISS fans going way back.

Oasis are undoubtedly the biggest band to rise out of Brit Pop. And it's hard to describe how massive their return is. For years, the public fighting between the Gallagher brothers suggested they'd never come back. And one day, they did.Oasis have been playing all over the world to stadiums of screaming fans, young and old. And as they finally return to Australia, we're celebrating by sharing a Take 5 for the ages from the archives.A couple of years ago Zan Rowe sat down with Noel Gallagher in his own studio, in Kings Cross, London. At this stage, the reformation tour was not on. He was recording and touring with his band the High Flying Birds, and had just released an album called Council Skies. Noel's history is everywhere in his songs. And the songs he loves, too. You'll hear songs you're expecting, but it's the ones you're not that'll pack a real punch. And the stories? All time.Noel Gallagher's song choices:1.Pink Floyd – 'Nobody Home'2.The Smiths – 'Asleep'3.Herb Alpert & The Tijuana Brass – 'This Guy's In Love With You'4.Air – 'All I Need'5.The Beatles – 'I Am The Walrus'00:00 Introduction and Oasis' Impact00:57 Noel Gallagher's Studio and memorabilia from The Haçienda nightclub02:11 SONG 1: Pink Floyd – 'Nobody Home'07:35 Reflecting on life as a rock star & post-fame09:45 SONG 2: The Smiths – 'Asleep'14:55 Growing up in Manchester17:02 SONG 3: Herb Alpert & The Tijuana Brass – 'This Guy's In Love With You'17:11 A Memorable Encounter with Burt Bacharach24:09 Remembering Burt Bacharach25:38 SONG 4: Air – 'All I Need'30:52 The Shift to Digital Music31:30 Wild Times with Oasis35:09 Transition to a Calmer Life36:33 SONG 5: The Beatles – 'I Am The Walrus'39:48 The Night That Changed Everything for Oasis41:37 Reflecting on Oasis' Final Tour42:55 The Joy of Songwriting44:25 Closing Thoughts and Future GuestsWatch Take 5 on ABC iview:https://iview.abc.net.au/show/take-5-with-zan-roweContains strong language. This episode was originally broadcast in 2023.

In Episode 331 of History in Five Songs with Martin Popoff, Martin ponders the bands and albums that helped invent multiple rock and metal genres at once—from Hendrix, Cream, and Pink Floyd shaping psychedelia, prog, and metal, to King Crimson, Uriah Heep, Sabbath, and Venom forging the foundations of progressive metal, power metal, goth, thrash, and black metal. Jimi Hendrix Experience – “Love or Confusion" King Crimson – “The Court of the Crimson King” Uriah Heep – “Poet's Justice” Venom – “Witching Hour” Metallica – “No Remorse” Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of The Rhythm Section Podcast, hosts Derrick and Jeff kick things off by celebrating some exciting music news — their friend John Roth has officially joined the legendary rock band Foreigner as their newest guitarist! Derrick also shares his own big announcement about stepping in as the new bassist for Pulse: Memphis Tribute to Pink Floyd. For the feature interview, the guys sit down with Tom Slagle, saxophonist and keyboardist for Thumpdaddy, Rock The Boat, Back In Time, and Heartless. Tom reflects on his musical roots, including his father Ed Slagle, a WWII veteran and Polka Hall of Fame inductee. He shares stories of his journey through various projects, his love for performing, and how he taught himself music theory the old-fashioned way — by reading books from the library.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

The Mighty Manfred's guest this week is legendary producer, Bob Ezrin! Bob tells us about how he came to work with Alice Cooper, his dealings with KISS and Pink Floyd, as well as Hanoi Rocks. Join the Mighty Manfred and Bob Ezrin for this week's Coolest Conversation, presented by Hard Rock

We explore how the dreamy delicacy of Crazy Fingers came about at a time of great tumult in Grateful Dead history, with visits from new record company boss Al Teller of United Artists and Seastones composer Ned Lagin, plus a stop at Winterland for the Bob Fried Memorial Boogie.Guests: David Lemieux, Al Teller, Ron Rakow, Ned Lagin, Gary Lambert, Michael Parrish, Danno Henklein, Ed Perlstein, Geoff Gould, Jay Kerley, Blair Jackson, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Corey Feldman On Streamily: Yet another disaster of an interview to throw on the pile with the rest. This one has it all, excuses, his life story, the box set and more! Adrien Skye: We even get a guest spot on the interview with up and coming CIFI Records artist Adrien Skye! Circus Queen: And we roll right along with the debut of Adrien's new single, CIRCUS QUEEN. COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREYWEEN!, ANTI COREY POD!, LISTEN TO THE SONG!, BREAK THE PACT!, ADRIEN SKYE!, EASIEST PACT!, SNIPPET!, PACT BREAKING!, GET THERE!, BUILD IT UP!, PO BOX!, SELF ADDRESSED STAMP ENVELOPE!, FELDMAS!, FELDSGIVING!, STREAMILY!, LINDSAY!, MOVING!, DANCING WITH THE STARS!, RUMORS!, NEPO BABY BODYGUAR!, SPECIAL WHEN LIT!, PINBALL!, BEATLES!, PINK FLOYD!, HISTORY!, MATTY O!, MINEFIELD!, BOX SET!, FUNKO POP!, ADRIEN SKYE!, PLASTIC STANDARDS!, EP!, ANTI COREY POP!, GHOSTS IN THE CORNER!, VAMPIRE'S BALLAD!, EDOC!, REMIX!, DJ!, LADY GAGA!, SUCK US QUEEN!, DANCE!, BANGER!, CLUB!, HAUNTED MANSION!, JARED LETO JOKER GIRLFRIEND!, BROKEN PACT!, NEPTUNES!, NEW FOUND GLORY!  You can find the videos from this episode at our Discord RIGHT HERE!

MUSICOfficial Charts Company unveiled its list of the Biggest Rock & Metal Albums of the 21st Century The Top 10 is as follows:American Idiot - Green DayHybrid Theory - Linkin ParkPermission to Land - The DarknessFallen - EvanescenceBlack Holes & Revelations - MuseThe Black Parade - My Chemical RomanceSilver Side Up - NickelbackMeteora - Linkin ParkAll the Right Reasons - NickelbackChocolate Starfish and the Hot Dog Flavored Water - Limp BizkitThe complete list contains 40 titles with the Foo Fighters having the most with four followed by Green Day, Nickelback, Linkin Park, Muse and My Chemical Romance with three, and Blink-182 and Paramore with two.AC/DC also made the list with 2008's Black Ice at 31, followed by Pink Floyd's last studio album, 2014's The Endless River at 32. Heart's Nancy Wilson, Alice in Chains guitarist Jerry Cantrell, and Mick Fleetwood have been added to the list of presenters and performers at the Rock & Roll Hall of Fame Induction Ceremony on November 8th in Los Angeles. The Rock Hall's Class of 2025 is Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outkast, Soundgarden, The White Stripes, Salt-N-Pepa, Warren Zevon, Nicky Hopkins and Carol Kaye.TVJohn Stamos called Lori Loughlin a saint, and went off on her ex-husband, Mossimo Giannulli, calling him a “narcissist” who masterminded the couple's 2019 college admissions scandal. https://pagesix.com/2025/10/20/celebrity-news/john-stamos-blasts-lori-loughlins-ex-mossimo-giannulli-for-masterminding-college-admissions-scandal/ Joe Walsh and Zac Brown will serve as a Mega Mentors on Season 28 of NBC's The Voice. Walsh will mentor contestants on teams for Niall Horan and Reba McEntire, and Brown will do the same on teams for Michael Buble and Snoop Dogg. The two will team up to mentor the remaining contestants as they prepare for the Knockouts round, which begins next Monday. With the success of the Golden Bachelor, Survivor host Jeff Probst was asked if the same senior transition could be done to his long-time reality show. https://www.yahoo.com/entertainment/tv/articles/jeff-probst-reveals-why-golden-172629827.html?guccounter=1&guce_referrer=aHR0cHM6Ly9wcmVwcGx1cy5mdXR1cmltZWRpYS5jb20v&guce_referrer_sig=AQAAANazakzLidHfptxmdBkBVLjW4fsP2XdiQ6DZuJ96FPBbVxo4PPDvE7HOlP3uTjXfWmW2gceKAhcifR0SaoGMUaHCF2VoWx9iauTbPPRy6ozLash-tYCKEayCTztdXxm--49lBzkGesCdml2s-ZQcyuunx17UlT_zz1ORI3_TcHBr MOVING ON INTO MOVIE NEWS:Today is "Back to the Future" Day, and Casio is re-releasing Marty McFly's calculator watch. https://www.watchpro.com/back-to-the-future-watch-returns/ In Emma Stone's latest film, Bugonia, the actress shaves her head bald. Now it's your turn! https://ew.com/emma-stone-bugonia-holds-early-screening-for-moviegoers-willing-to-go-bald-11832627 Sinners is coming back to movie theaters in time for Halloween. https://gizmodo.com/sinners-movie-re-release-imax-halloween-2000674433 Examples of actors being WAY overpaid for their efforts: https://www.buzzfeed.com/hannahmarder/actors-who-were-paid-tons-for-little-work AND FINALLYWho doesn't love a good slasher movie? "Paste" magazine ranked the 50 best of all time. https://nofilmschool.com/best-slasher-villains AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Pink Floyd guitarist and singer talks about the 50th anniversary of Wish You Were Here, a new live album and concert film for his latest solo release Luck And Strange, and more.Weekly Reset: Rowing on an autumn lake.Enjoy the show? Share it with a friend and leave us a review on Apple, Spotify, or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy