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"Ballad Of A Small Player" is a British psychological thriller directed by Edward Berger and written by Rowan Joffé, adapted from Lawrence Osborne's 2014 novel of the same name. The film stars Academy Award-nominee Colin Farrell as Lord Doyle, a high-stakes gambler laying low in Macau, where he spends his nights playing baccarat. As his debts spiral out of control, Doyle finds an unlikely lifeline in Dao Ming (Fala Chen), a casino hostess who holds secrets of her own. The film had its world premiere at the 52nd Telluride Film Festival before continuing its run at TIFF, where it received strong acclaim for its flashy direction, bombastic score, and Farrell's high-wire committed performance. Farrell, Chen, and Berger were all kind enough to spend time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Chris Boardman is a master musician, arranger and composer. His resume is off the charts. He began his career in film, tv and recording in 1974. He's received an Academy Award nomination for his work on “The Color Purple”, 6 Emmy Awards, 13 Emmy nominations, and ASCAP and BMI film awards. He's worked with a Who's Who including Steven Spielberg, Barbra Streisand, Quincy Jones, Julie Andrews and Marvin Hamlisch. He's worked on the “Lethal Weapon” and “Die Hard” films, and on Anthony Newley's “Chaplin” on Broadway to name just a few. My featured song is “Catch You Later” from my 2012 album Spring Dance by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHRIS:www.soundbridgehealth.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Susan Orlean is the author of the memoir Joyride, available from Avid Reader Press, and she joins me for my 1,000th author interview. Orlean has been a staff writer at The New Yorker since 1992. She is the New York Times bestselling author of seven books, including The Library Book, Rin Tin Tin, Saturday Night, and The Orchid Thief, which was made into the Academy Award–winning film Adaptation. She lives with her family and her animals in Los Angeles and may be reached at SusanOrlean.com and on Substack at SusanOrlean.Substack.com. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
E. Elias Merhige's Shadow of the Vampire Sometimes it's simply a thrill to watch one your favorite actors let loose and have a great time. F.W. Murnau's 1922 Nosferatu: A Symphony of Horror is widely - and deservedly - considered one of the greatest films of all time. A mythology has formed around the making of the film including the idea that its star, Max Shreck, was an actual vampire. With this springboard, writer Steven Katz and director E. Elias Merhige's fashion an exciting, inventive, and thrilling historical re-telling of the making of Murnau's film. With a great supporting cast including Cary Elwes, Eddie Izzard, Udo Kier, and Catherine McCormack as actors and crew of Nosferatu. However the film belongs solely to a pair of unhinged and clearly fun performances from John Malkovich as Murnau, and (in an Academy Award nominated performance) Willem Dafoe as Schreck. For fans of Murnau's classic, silent films, and vampire stories, Shadow of the Vampire is a real treasure. Take a listen to see if you agree. As always we can be reached at gondoramos@yahoo.com - Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.
PODCAST: Donald Dell, Former Chairman at Sportive and considered one of the pioneers and founders of the sports marketing business, and his daughter Alexandra Dell, Founder of Big Sam Productions and award-winning documentary producer, join Sports Business Radio for a conversation. Donald Dell is a well-known sports agent, attorney, and commentator. He was a former US Davis Cup tennis player and undefeated Captain, and was the founder and chairman of sports marketing company, Proserv. Dell managed the careers of many professional athletes, including Michael Jordan, Patrick Ewing, Ralph Sampson, James Worthy, Joakim Noah, Boomer Esiason, Andy Murray, Pete Sampras, Gabriela Sabatini, Arthur Ashe, Stan Smith, Jimmy Connors, and Tracy Austin, to name a few. Alexandra Dell is a writer, director, producer who blends her passion for sports with powerful storytelling. She produced a documentary on tennis great Novak Djokovic with seven-time Emmy winner and Oscar nominee Sam Pollard, set to stream on Amazon in January 2026. She's also executive producing a scripted film about tennis legend and civil rights activist Arthur Ashe, with Skydance, Academy Award-winner Kevin Willmott (“BlacKKKansman”), director Elegance Bratton, Ashok Amritraj, CEO of Hyde Park Entertainment, and Warner Music Group. With LeBron James and Maverick Carter, Alexandra executive produced Who Is Stan Smith? a documentary on the tennis legend and sneaker icon with SpringHill Entertainment. The film premiered at DOC NYC and opened theatrically in 70+ cities. It's currently streaming on ESPN. This is the first time that Father and Daughter have done a joint podcast interview. LISTEN to Sports Business Radio on Apple podcasts or Spotify podcasts. Give Sports Business Radio a 5-star rating if you enjoy our podcast. Click on the plus sign on our Apple Podcasts page and follow the Sports Business Radio podcast. WATCH Sports Business Radio interviews by going to https://www.youtube.com/@sportsbusinessradiopodcast.Follow Sports Business Radio on Twitter @SBRadio and on Instagram, Threads and Tik Tok @SportsBusinessRadio. This week's edition of Sports Business Radio is presented by MAI Capital – the exclusive financial partner of Sports Business Radio. MAI Capital is a registered investment adviser and wealth management firm unified in purpose to empower clients to simplify, protect, and grow the wealth they work so hard to build. Founded in 1973, the firm helps clients achieve their vision and goals through objective advice, tailored planning, comprehensive and integrated solutions, and highly personal service. For more information, visit www.mai.capital or MAI's company page on LinkedIn. #SportsAgent #DonaldDell #AlexandraDell #Documentaries #SportsMarketing Learn more about your ad choices. Visit megaphone.fm/adchoices
In part 2 of our chat with Melissa, she shares how she became the first female trailer announcer and describes what it is like to announce LIVE backstage at the Academy Awards! Learn how ADHD can be a plus!Learn more about Melissa Disney by visiting her website at melissadisney.com
In this episode I spoke with Barry M. Putt, Jr about his book "Alice: Life Behind the Counter in Mel's Greasy Spoon". Alice: Life Behind the Counter in Mel's Greasy Spoon (A Guide to the Feature Film, the TV Series, and More) takes you behind the scenes of one of television's most beloved sitcoms. It all started with Martin Scorsese's Academy Award–winning film Alice Doesn't Live Here Anymore. Learn how the movie and series were developed, peruse the fact-filled episode log, and test your Alice trivia knowledge with a fan quiz featuring over 120 questions.Doug Hess is the Producer/Host. Forgotten Hollywood is on Facebook and the books are on Amazon!
The RP bois talk about one of the least spookiest movies we've ever reviewed in Spooktober. Thanks to our monthly supporters akai Jordyn Nevarez
Send us a textThe crew is in action talking about good versus bad characters in films both recent and distant.Support the show
On this week's show, we catch up on new singles from Sugar, Courtney Barnett and Margo Price, give it up for our good personal friends The Whiskey Charmers and Boygirl Rising, and give you all a break with a much shorter episode than usual. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast.
Sean and Amanda are joined by Chris Ryan and Yasi Salek to head over to 'State Trooper' town and cover Scott Cooper's ‘Springsteen: Deliver Me From Nowhere,' starring Jeremy Allen White. They unanimously agree that the movie is overwhelmingly unsuccessful, then dive into why it lacks dramatic stakes (1:42). Later, they hypothesize its box office potential and Academy Awards chances (36:20) before having a conversation about music biopics at large, where they share their personal favorites, as well as ones they hope to never see made (44:00). Finally, Sean and Amanda briefly cover Mary Bronstein's new film ‘If I Had Legs I'd Kick You' (1:00:48), before Bronstein herself joins the show. She walks through the long and arduous process of getting the movie made, speaks on why she needed to make this movie and the urgency behind her message, and shares insight on her deeply personal connection to the material (1:07:46). Hosts: Sean Fennessey and Amanda Dobbins Guests: Chris Ryan, Yasi Salek, and Mary Bronstein Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices
The rock legend Bruce Springsteen was cast away by Kirsty Young back in 2016.Bruce has won 20 Grammys, two Golden Globes, an Academy Award, and his albums sell in their millions around the world. He grew up in New Jersey in a family that teetered on the brink of poverty. His first guitar was rented rather than bought, and he spent his apprentice years as a musician and singer with local bands before landing a record deal in 1972.He spoke to Kirsty about his love of dancing and his first live performances.You can find the full episode on BBC Sounds.
Rich previews NFL Week 8's top matchups including Commanders-Chiefs, Giants-Eagles, Bears-Ravens, Cowboys-Broncos, Steelers-Packers, and 49ers/Texans. Two-time Academy Award-nominated actor Michael Shannon joins Rich in-studio to discuss his upcoming ‘Nuremburg' and ‘Death by Lightning' films, his ‘Eric LaRue' directorial debut, and shares his best memories about playing opposite Bill Murray in ‘Groundhog's Day,' making ‘8-Mile,' ‘Boardwalk Empire, ‘Man of Steel,' and ‘Knives Out' in a round of ‘Celebrity True or False.' Rich and the guys preview the Dodgers-Blue Jays World Series. Learn more about your ad choices. Visit podcastchoices.com/adchoices
"A House Of Dynamite" is an American apocalyptic political thriller film directed by Kathryn Bigelow and written by Noah Oppenheim. The film features an ensemble cast that includes Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King, Greta Lee, and Jason Clarke playing members of the U.S. government as they navigate an official response to a single nuclear missile launched by an unidentified enemy. The film premiered at the 2025 Venice International Film Festival, where it received positive reviews. Academy Award-winning film editor Kirk Baxter and Academy Award-winning Supervising Sound Editor & Re-Recording Mixer Paul N.J. Ottosson were both kind enough to spend some time speaking with us about their experience working on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Guest host comedian Shawn Murray returns! This week’s Nose looks at: Mr. Scorsese is a five-part, more-than-four-hour documentary series about the life and work of the director of Goodfellas and Taxi Driver and The Departed (and many more). It’s directed by Rebecca Miller and streaming on Apple TV. And: No Other Land won this year’s Academy Award for Best Documentary Feature. It covers the destruction of a Palestinian community in the West Bank, and it’s directed by a collective of four Palestinian-Israeli activists. No Other Land premiered at the 2024 Berlin International Film Festival, more than 20 months ago, and it has just become widely available to see in this part of the world basically for the first time this week. GUESTS: James Hanley: Co-founder of Cinestudio at Trinity College Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about Bill Yousman: Professor of media studies at Sacred Heart University The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Eugene Amatruda contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
We're covering the winners from our 10-movie bracket for the 79th Academy Awards or the films of 2006.The nominees were: Babel, The Departed, Letters from Iwo Jima, Little Miss Sunshine, and the Queen.The films we added were: Children of Men, Half Nelson, The Last King of Scotland, The Lives of Others, and Pan's Labyrinth. Note: SPOILERS - we talk through the full plots of all the movies we cover.2:15 - The Queen11:25 - Pan's Labyrinth22:40 - The Lives of Others35:45 - The Departed49:15 - Children of Men - Conclusions1:06:55 - Did the Oscars Get it Wrong?1:07:00 - Top 5 Films1:08:10 - Jake Gyllenhaal Corner1:11:30 - Come back to any of these films?1:12:10 - Patterns1:17:00 - Best Best Picture Ranking1:19:05 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice
In the latest episode of the Directors UK Podcast, recorded live at our exclusive Directors UK member event, Academy Award-winning director Kathryn Bigelow speaks with fellow director Peter Straughan on her approach to directing, and the work that went into directing her explosive new film A House Of Dynamite.
After stints in New York, London, and Paris, the third annual edition of Vogue World is taking place this weekend in Hollywood, paying homage to the role of fashion in film (and vice versa). As such, the starring roles this year belong not to actors and models—though, yes, all your favorites will be in attendance—but to costume designers and their work. Joining Nicole Phelps and Virginia Smith, Global Head of Fashion Network, on this week's edition of “The Run-Through” is Arianne Phillips, a stylist and Academy Award– and BAFTA-nominated costume designer best known for her work with Madonna; Tom Ford's A Single Man; Quentin Tarantino's Once Upon a Time in Hollywood; and most recently A Complete Unknown, among many, many others.In this episode, Phillips details how she began in the industry assisting veteran stylists and fashion editors, graduated to work with pop sensations like Lenny Kravitz and Madonna, and soon found her way to costume design, the only job “in the whole process of filmmaking that is like, ‘nice to meet you, take your clothes off.'”Plus, Vogue's Fashion Market Director, Naomi Elizée, joins straight from Vogue World Hollywood to share a special announcement about the show! Learn about your ad choices: dovetail.prx.org/ad-choices
Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss Bong Joon-ho's ‘Parasite,' which features one of the greatest movie endings of all time. They celebrate its nuanced portrayal of what systems do to people; highlight the small, formal decisions that elevate the movie's ideas; and remember its iconic Best Picture win that changed the trajectory of the Academy Awards. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack SandersUnlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices
It's that time again! It's October. The sun goes down in the afternoon now. Night has a chill. And at CVS and Walgreens, they are already putting up the Christmas decorations. That's right, it's Halloween. But none of that for us! We are firmly planted in autumn. As Ray Bradbury once wrote, “Something, something, something, autumn something.” By Ray Bradbury. We have enough show here to stuff your pillowcase, so grab a bag of candy and settle back. Howard Berger and Marshall Julius are here to discuss their new book, Making Monsters, inside stories from the creators of Hollywood's most iconic creatures. This is a terrific book, basically it's a high school yearbook for professional monster kids. Rick Baker, Tom Savini, Michael Giacchino, Larry Karaszewski, Ve Neill, Richard Edlund, Derek Mears, Bill Corso, David Dastmalchian, Mick Garris, Mike Mendez. The list goes on and on and on. Monster kids who grew up but never put it away, and followed their passions right into show business. Packed with photos and interviews, it's really a terrific piece. Making Monsters, by Howard Berger. The Academy Award winning make up artist, he is the B in KNB FX and Marshall Julius, author and film critic and - get this – he's British. He's from the United States of Britain. Daren Docterman is also here. Daren is an illustrator and set designer, he's worked on The Abyss, Monster House, Master and Commander, he was the VFX supervisor on the director's cut of Star Trek - The Motion Picture. He, along with Mark Altman and Ashley Miller, make up The Inglourious Trexperts. Check out that podcast. And, like Howard Berger and Marshall Julius. He's a pal. We've had meals. Quite a few. Daren Dochterman. True Tales From Weirdsville takes a deep dive into American International Pictures and it's genre output in the '50s and '60s. It gave us Roger Corman, It Conquered The World, Invasion Of The Saucer Men, The Amazing Colossal Man, I Was a Teenage Werewolf. And then it segued into the '60s with the Vincent Price / Edgar Allen Poe films like The House Of Usher, The Pit and The Pendulum, and so and and so forth. And then, as a Halloween bonus, we're going to go back into the archives and present you the True Tales we did on Orson Welles' War Of The Worlds broadcast. It's all here. It's all for you. And now, I can hear the kids at the door, and so it is on to our filthy business.
Matty Durkin is back after a well-deserved hiatus, and he's catching you up on everything — from major work events and exciting podcast appearances to weddings in the mountains of New Hampshire, including the unforgettable celebration of The Pop Corner's own AJ Hernandez!This week, Matty dives into the latest Oscar contenders, sharing his takes on Kiss of the Spider Woman starring Jennifer Lopez (already generating serious Academy Awards buzz) and One Battle After Another featuring Leonardo DiCaprio and Sean Penn.He also pays heartfelt tribute to the legendary Diane Keaton, reflecting on her extraordinary career and lasting impact on Hollywood.Of course, it wouldn't be The Pop Corner without a full dose of pop culture — from Taylor Swift's “Life of a Showgirl” era to Housewives returning to Broadway, Matty's weighing in on it all. Plus, don't miss his must-watch list, including Monster: The Ed Gein Story, The Girlfriend, The Morning Show, and so much more.Tune in for laughs, heart, and the latest from the world of entertainment — because at The Pop Corner, Matty always keeps it real, relatable, and a little bit fabulous.Follow us: IG:@mattydurkin IG/TikTok: @thepopcornerpod Hosted on Acast. See acast.com/privacy for more information.
Even before Patricia Arquette signed on to play Maggie Murdaugh in Hulu's Murdaugh: Death in the Family, she was already “obsessed” with the infamous case of convicted murderer Alex Murdaugh. “I had been following it and watched documentaries and different shows about it,” she told Newsweek's H. Alan Scott. “I was just really doing a deep dive looking at Narcissistic Personality Disorder.” One of the things that really fascinated Arquette about Maggie was her slow, tragic realization of her husband's true nature. “I like that her awakening starts to happen but even until the last second she still never thinks he's capable of that.” In the end, it was “that danger of your own partner being capable of something so scary was so chilling to me and for her and for all these women.” The Academy Award and Emmy winning actress has been busy in recent years with various projects like Severance on Apple TV+, and her busy schedule is not something she takes for granted. "I'm just grateful honestly at this age that I'm still able to work and getting really good parts and being able to do some more character work, because when you're a young girl, you don't get parts like that, and you don't get chances like that." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this ZFF Masters* 2025 session, award-winning composer Hildur Guðnadóttir talks to composer Mirjam Skal about her distinctive approach to film scoring, her latest work on the film HEDDA, her iconic Academy Award–winning music for JOKER, the role of women in film music, and what inspires her future work. HEDDA will be available for streaming on Amazon prime from October 29. With her singular style, Hildur Guðnadóttir counts among the most innovative composers of our time and serves as a role model for young talents worldwide. Her groundbreaking score for HBO's CHERNOBYLearned her an Emmy, for JOKER, she became the first solo woman to win a Golden Globe for Best Original Score, before also receiving an Oscar and a Grammy. Her diverse body of work spans SICARIO: THE DAY OF THE SOLDADO, MARY MAGDALENE, WOMEN TALKING, JOKER: FOLIE À DEUX, and TÁR. Beyond film and television, the Icelandic cellist and composer has released four solo albums and created original works for theatre and dance. ZFF Masters are in-depth conversations with renowned voices from world cinema, offering audiences an inspiring insight into their creative process and artistic vision. *Please note that the music excerpts in this episode have been edited due to licensing reasons Cover-Photo: Sandro Bäbler
Phil and David are thrilled to welcome Academy Award-winner Brie Larson ("Room") and former Milk Bar culinary director Courtney McBroom to the "Naked Lunch" room to celebrate their new book, "Party People: A Cookbook For Creative Celebrations," published by Penguin Random House on October 21st. This is a sweet and satisfying conversation serving up tasty topics like mixed feelings about ice cream, favorite international frankfurters, dream party guests in world history, the psychology of theme parties, the best party music, "The Bear," Thornton Wilder's "Our Town" and favorite food scenes in movies. To order Brie and Courtney's book, go here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
From the international success of “Fauda” to Academy Award nominations and prestigious festival awards, the Israeli film and television industry was at a high point before the October 7 attacks. Throughout the two-year Gaza war, the industry has struggled as international funding and festival invitations dried up, and Hollywood A-listers circulated petitions to boycott any association with the Israeli industry. Domestically, Benjamin Netanyahu’s government has been hostile, especially when infuriated by films they view as too sympathetic to the Palestinian cause. Assaf Amir, chairman of the Israeli Academy of Film and Television, joins host Allison Kaplan Sommer to talk about the threat by Culture Minister Miki Zohar’s extreme reaction to the fact that the film winning this year’s Academy for Israel’s Best Picture was “The Sea” – about a Palestinian boy’s journey from the West Bank to Tel Aviv – which is now poised for submission in the Best Foreign Language film category at the Oscars. As a result, Zohar said he will defund the Academy prize and set up an alternative government award ceremony to choose a different Best Picture. Amir said on the podcast that he was unimpressed by the threat. “We'll see who submits their films to his prize and who he chooses to decide which of the films should win,” Amir said. As for the Hollywood boycotts, Amir said he would point to Israel’s Best Picture this year and ask the professionals signing the petitions where they stand on it. “Will they watch this Arabic-language film that was made by an Israeli and a Palestinian about a Palestinian boy from the West Bank trying to go to Tel Aviv – or would they boycott it? I think that's the question they should ask themselves, and I'm wondering what the answer is – because I would definitely urge them to watch this film.” Read more: Israel's Best Film Award Goes to 'The Sea,' Chosen to Represent Country at the Oscars Government Says It Will Cut Israel Film Academy Funding After Film 'Depicting Israel Negatively' Wins 'If We Stop Deteriorating': Head of Israel's Film Academy Still Sees a Bright Future, Despite Political Pressures 1,300 International Actors and Filmmakers Pledge to Avoid Israeli Film Institutions 'Implicated in Gaza Genocide' Debra Messing, Liev Schreiber Among 1,200 Hollywood Figures Opposing Israeli Film Boycott Opinion | As an Israeli Filmmaker, Thank You to Everyone Who Is Boycotting My WorksSee omnystudio.com/listener for privacy information.
This week, the boys head to the jungle for one of Amazon Studios' first films, James Gray's “The Lost City of Z”. That's pronounced “Zed” for you British purists. The film stars Charlie Hunnam, Robert Pattinson with a beard and glasses, and Sienna Miller. It was produced by Brad Pitt's Plan B and was SOMEHOW filmed on a $30 million budget, half of which was spent flying the dailies out of the actual Amazon jungle. We get drinking with a few mini-reviews at the top, and Jeff must have started early because he recorded with his microphone facing the wrong way. Luckily, Dave has fixed Jeff & John's crap many times before. Grab a beer and listen in! linktr.ee/theloveofcinema - Check out our YouTube page! Our phone number is 646-484-9298. It accepts texts or voice messages. 0:00 Intro; 6:11 “Good Fortune” Dave & John's mini-review; 9:15 “Anemone” John's mini-review; 12:06 “Blue Moon” Dave's mini-review; 13:53 “Tron: Ares” John's mini-review; 17:54 Gripes; 19:08 2016 Year in Review; 37:17 Films of 2016: “Lost City of Z(ed)”; 1:35:45 What You Been Watching?; 1:46:51 Next Week's Episode Teaser Additional Cast/Crew: David Grann, Tom Holland, Edward Ashley, Ian McDiarmid, Matthew Sunderland, Jared Leto, Jeff Bridges, Aziz Ansari, Keanu Reeves, Seth Rogen, Keke Palmer, Sandra Oh, Stephen McKinley Henderson, Ethan Hawke, Richard Linklater, Bobby Cannavale, Margaret Qualley, Daniel Day-Lewis, Ronan Day-Lewis, Sean Bean. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/Tags: Rocky, I Play Rocky, Alex Murdaugh, Gangs of New York, Peacemaker, Invasion. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.
This was a nice Monday crossword, the 17th by Adam Aaronson, who is more partial to Saturday but we're glad to see him wander over to this half of the week. Jean tore through the puzzle so quickly her iPad caught fire, whereas Mike's was never at risk. The clues were mainly Monday fare, but we did have the fabulous 2D, End of some sentences, PAROLE (walked right into that one!); the high-falutin' 39D, Aforementioned, VERYSAME; and an apt description of this VERYSAME podcast, 55D, Not interrupted by commercials, ADFREE. In addition to today's crossword, we are proud to announce our latest JAMCOTWA. If you've listened to last week's episodes it won't be any surprise, but just in case we won't spoil it here: listen in for the Big Reveal.Show note imagery: HAYAO Miyazaki, who recently won an Academy Award for The Boy and the Heron.We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!
In today's Daily Fix:Adam Driver has revealed there was a Kylo Ren movie he was attached to that was rejected by Disney. Academy Award winning director Steven Soderbergh was also involved, possibly to direct, and the script was co-written with Soderbergh's frequent collaborator, Scott Z. Burns. Although approved by Lucasfilm, Disney CEO Bob Iger rejected the pitch and the whole thing fell apart. In other news, Warner Bros. Discovery may be up for sale again. The company was previously acquired by ATT and then merged with Discovery Networks, and is now in the middle of spinning off some of its entertainment subsidiaries like HBO and DC into a separate company. And in related news, HBO Max is raising prices again.
Before he won an Academy Award for Parasite, Bong Joon Ho wrote & directed The Host, a 2006 monster movie about a creature that emerges from the Han River in South Korea. Aaron joins us to talk about this film, as part of our annual 13 Days of Halloween series.https://justincasewedie.com/
Alan Barillaro sits down with me to talk about his fatherhood journey. He shares the values he looks to instill into his kids. We talk about certain things that his kids have taught him as they were growing up. Next we talk about his latest book, Bunns Rabbit. In addition, he shares his creative process and how much his family has been an influence in his career. After that he shares what it was like to win an Oscar for the animated short film Piper. Lastly, we finish the interview with the Fatherhood Quick Five. About Alan Barillaro Alan Barillaro is the Academy Award–winning writer and director of the animated short film Piper and has been supervising animator on many other popular theatrical releases, including The Incredibles, Incredibles 2, WALL-E, and Brave. In addition, he is the author and illustrator of Where the Water Takes Us and Bunns Rabbit. He has been honored with an ASIFA-Hollywood Award, an ICFF Award for Outstanding Career and was recognized by House Commons of Canada for his artistic and cultural contribution to the city of Niagara Falls, Ontario. Alan began his career in animation at sixteen years of age, graduated from Sheridan College in 1996, and spent twenty-five years at Pixar Animation Studios. He lives in California with his wife and three children. Make sure you follow Alan on Instagram at @alan.barillaro. Plus go to alanbarillaro.com to learn more about Alan and his work. In addition, pick up his latest book, Bunns Rabbit wherever you purchase books. Kidde Fire Safety Is This Week's Podcast Sponsor Founded by Walter Kidde, a pioneer in early smoke detection and fire suppression, Kidde is a leading manufacturer of fire safety products. Each day, they work to expand upon their legacy of innovation, providing advanced solutions to protect people and property from fire and related hazards. Kidde is a part of Kidde Global Solutions. As North America's #1 home fire safety brand (based on total household installations as of December 2023), Kidde provides you with the confidence to protect what matters most in your life. Kidde's latest smoke and combination smoke + carbon monoxide (CO) detectors are bringing you the next level of fire and CO safety. For more information please go to their website over at kidde.com. About The Art of Fatherhood Podcast The Art of Fatherhood Podcast follows the journey of fatherhood. Your host, Art Eddy talks with fantastic dads from all around the world where they share their thoughts on fatherhood. You get a unique perspective on fatherhood from guests like Bob Odenkirk, Hank Azaria, Joe Montana, Kevin Smith, Danny Trejo, Jerry Rice, Jeff Foxworthy, Patrick Warburton, Jeff Kinney, Paul Sun-Hyung Lee, Kyle Busch, Dennis Quaid, Dwight Freeney and many more.
The RP bois break down one of the worst spooktober movies to date. Thanks to our monthly supporters akai Jordyn Nevarez
Join Justin as he chats with filmmakers Micheline Pitt and R.H. Norman about haunted attractions, V/H/S: Halloween, Stephen King, paranormal experiences, and more!Micheline Pitt and R.H. Norman bio:Micheline Pitt was recognized as an LA Weekly Person of the Year in 2020, and named Allure Magazine's top 10 Gothic Beauty Icons. Her breakout directorial and writing debut is her short film Grummy made along side her creative partner and husband R.H. Norman. The Normans' short films have screened in Academy Award-qualifying film festivals and their feature scripts have placed in the finals of high profile competitions including Final Draft's Big Break Contest, Shore Scripts, Screencraft, and others.Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.
For this episode I delved into our Patreon archives (https://www.patreon.com/ERRP) to a 2018 conversation where Paul got to pick who he would have had as the winners of the 1980s Oscars, in a little feature I called Easy Does It.
Canary Canard is your Paris Home Companion without the Prairie... Presented from the stage of the Muffy Drake Lost Bistro Cabaret, you will hear quirky & absurd songs and stories with a French sensibility and worldview. Xavier Combe had a storied career while working at French public radio for decades as a translator that included being the voice of Nobel Prize winners and Academy Award recipients. Jim Hall is a 2-time Peabody Award winner for his work in television as part of an investigative team. Together, they forged a Franco-American alliance with Canary Canard Studios that produces the podcast and short films that have over 100 Official Selections to festivals around the world. You can visit the website here: canarycanard.com
Day 19 – Episode 169: An American Werewolf in London (1981)On Day 19 of The Conner & Smith Show's 31 Days of Halloween, Ryan and I head across the pond to revisit An American Werewolf in London (1981) — John Landis's genre-blending masterpiece that's equal parts horror, comedy, and tragedy. This film not only redefined transformation effects (earning Rick Baker the very first Academy Award for Best Makeup), but it also became a personal “gay gateway” for me — with its dark humor, male vulnerability, and the unforgettable charm and body of David Naughton. We talk about how Landis's tonal tightrope still works today, why the movie's blend of wit and carnage feels so unique, and how that haunting ending still hits like a punch to the gut.Support The Conner & Smith Show on Patreon here:
A new SBS documentary series, The Idea of Australia, delves into the myths of Australia, not to question their truth, but to invite a deeper exploration of the stories, beliefs, and cultural narratives that have shaped our understanding of the land and its people. Presented by Academy Award nominee Rachel Griffiths, the series explores nation's rich history and complex evolution. - Susuriin ng isang bagong serye ng SBS na 'The Idea of Australia' ang mga nakasanay at nakagisnang paniniwala't kultura sa Australia upang bigyang-liwanag ang pagkakakilanlan ng mga Australyano. Pangungunahan ng Academy Award nominee na si Rachel Griffiths ang pagtuklas sa mayamang kasaysayan at ang kahulugan ng pagiging isang Australyano sa kasalukuyan.
Based on Walt Disney's version of the classic fairy tale, and featuring his rendition of the characters. We find the queen who gets reassurance from her magic mirror that she…
"It Was Just An Accident" is a thriller film written and directed by legendary Iranian filmmaker Jafar Panahi. The film is a co-production between Iran, Luxembourg, and France, the latter selecting it as the country's official submission for Best International Feature Film at the 98th Academy Awards. The film explores political repression in Iran and morality as a group of former political prisoners kidnap their torturer and decide what to do with him. Panahi, who is critical of the Iranian government and has been imprisoned several times, made the film without official filming permission from the Iranian authorities. The film had its world premiere at the main competition of the 78th Cannes Film Festival, where it received universal acclaim and won the prestigious Palme d'Or. Panahi and editor Amir Etminan were kind enough to spend some time speaking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
"After The Hunt" is a psychological thriller film directed by Luca Guadagnino and written by Nora Garrett that premiered at the 2025 Venice International Film Festival out of competition and opened the 63rd New York Film Festival. Starring Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg and Chloë Sevigny, it contains a number of powerhouse performances from big and small names. In our first casting director interview for this awards season (brought on by the fact that there is now a new Oscar for Best Casting being bestowed at the 98th Academy Awards), Jessica Ronane was kind enough to spend some time speaking with us about the nature of her job, her experience working on the film, and more, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Amazon MGM Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Quite the story, this. Phil Johnston, in a special episode of Film Stories, takes us through his own tale, and how it led to a nomination at the Academy Awards. He and Simon chat through the struggles to get The Twits - an adaptation of Roald Dahl's book - off the ground, and how for a few weeks it all looked like it'd fallen apart. Plus, how he landed at Disney with Wreck-It Ralph, how Ralph Breaks The Interest earned him an Oscar nomination, and a bit of Cedar Rapids too... Learn more about your ad choices. Visit megaphone.fm/adchoices
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish
Ever wonder why Bob Hope still lands with new audiences today? I sit down with Bill Johnson, a gifted Bob Hope tribute artist who grew up in Wichita and found his way from dinner theater to USO stages around the world. We talk about radio roots, World War II entertainment, and how “history with humor” keeps veterans' stories alive. You'll hear how Bill built a respectful tribute, the line between tribute and impersonation, and why audience connection—timing, tone, and true care—matters more than perfect mimicry. I believe you'll enjoy this one; it's funny, warm, and full of the kind of details that make memories stick. Highlights: 00:10 - Hear how a Bob Hope tribute artist frames humor to build instant rapport. 01:41 - Learn how Wichita roots, a theater scholarship, and early TV/radio love shaped a performer. 10:37 - See why acting in Los Angeles led to dinner theater, directing, and meeting his future wife. 15:39 - Discover the Vegas break that sparked a Bob Hope character and a first World War II reunion show. 18:27 - Catch how a custom character (the Stradivarius) evolved into a Hope-style stage persona. 21:16 - Understand the “retirement home test” and how honest rooms sharpen a tribute act. 25:42 - Learn how younger audiences still laugh at classic material when context is set well. 30:18 - Hear the “history with humor” method and why dates, places, and accuracy earn trust. 31:59 - Explore Hope's USO tradition and how Bill carries it forward for veterans and families. 36:27 - Get the difference between a tribute and an impersonation and what makes audiences accept it. 41:40 - Pick up joke-craft insights on setup, economy of words, and fast recoveries when lines miss. 46:53 - Hear travel stories from Tokyo to Fort Hood and why small moments backstage matter. 50:01 - Learn the basics of using Hope's material within IP and public domain boundaries. 51:28 - See the ethical close: making sure a “reasonable person” knows they saw a tribute. About the Guest: With a career spanning over thirty years, Bill has forged his niche on stage, screen, and television as a dependable character actor. Bill's tribute to the late, great Bob Hope was showcased in New Orleans, LA at Experience the Victory, the grand opening of the National WWII Museum's first expansion project. In the ceremony, Bill introduced broadcaster Tom Brokaw, and performed a brief moment of comedy with Academy Award winning actor, Tom Hanks. Bill continues to appear regularly at the WWII Museum, most recently in On the Road with Bob Hope and Friends, which was under-written by the Bob & Dolores Hope Foundation. Highlights from over the years has included the 70th Anniversary of the End of WWII Celebration aboard the USS Midway in San Diego, and the Welcome Home Vietnam Parade in Tennessee. Additionally, Bill has been honored to appear around the world as Mr. Hope for the USO in locations such as the Bob Hope USO centers in Southern California, the USO Cincinnati Tribute to Veterans (appearing with Miss America 2016-Betty Cantrell), USO Ft. Hood (appearing with the legendary Wayne Newton), USO of Central and Southern Ohio, USO Puget Sound Area in Seattle, USO Guam, USO Tokyo, USO Holiday Shows in Virginia Beach for US Tours, and a Tribute to the USO on the island of Maui with country music superstar Lee Greenwood. Other notable appearances include Tribute Shows for Honor Flight chapters in Alabama, South Carolina, and Ohio, the Vietnam Helicopter Pilots Association, the US Army Ball, the annual 1940's Ball in Boulder, CO, “USO Cuties Show” at the Tropicana in Atlantic City, the Les Brown Jazz Festival in Tower City, PA, and Hosting “So Many Laughs: A Night of Comedy” at the National Veterans Memorial and Museum in Columbus, OH. Through the years, Bill has been “murdered” on CSI, portrayed Michael Imperioli's banker in High Roller: The Stu Unger Story, as well as, roles in films such as Ocean's 11, Three Days to Vegas, TV's Scare Tactics, Trick Shot, an award winning short film for Canon cameras, and the series finale of Dice, where Bill appeared as John Quincy Adams opposite Andrew Dice Clay. Bill is currently based out of Las Vegas, NV where he lives with his wife, author Rosemary Willhide, and rescue dog, Brownie. Ways to connect with Bill: http://www.billjohnsonentertainment.com http://www.GigSalad.com/williampatrickjohnson About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:23 This is your host, Mike hingson, and you are listening to unstoppable mindset. You know, we have a saying here, unstoppable mindset, where inclusion, diversity and the unexpected meet, and we're going to definitely have unexpected today. This is also going to be a very fun episode. By the time you hear this, you will have heard a couple of conversations that I had with Walden Hughes, who is the president of the radio enthusiast of Puget Sound. And he's also on the on other boards dealing with old radio show. And he introduced me to Bill Johnson, who is a person that is well known for taking on the role of Bob Hope, and I'm sure that we're going to hear a bunch about that as we go forward here. But Bill is our guest today, and I just played a little segment of something for Bill with Bob Hope and Bing Crosby, two characters by any standard. Well, anyway, we'll get to all that. Bill, I want to welcome you to unstoppable mindset, and I'm really honored that you're here with us today. Bill Johnson ** 02:31 Oh, thanks a million. Michael, it's such a pleasure to be here. Well, this is going to be a fun discussion. Michael Hingson ** 02:38 Oh, I think so. I think absolutely by any standard, it'll be fun. Well, why don't we start before it gets too fun with some of the early stories about Bill growing up and all that. Tell us about the early bill. Bill Johnson ** 02:52 Okay, well, I was born and raised in Wichita, Kansas, of all places. And I used to say, I used to Marvel watching Hope's Christmas specials with my family that sort of spurred my interest. But grew up in Midwest, went to Wichita State University, and then after graduation, I had a job with an independent film company and a move to Los Angeles seeking my fortune. Well, the film company pulled it in three months, as those things do, and so I was left with my, I guess, my pursuit of the entertainment career from there. Michael Hingson ** 03:42 So did you what you went to school and high school and all that stuff? Bill Johnson ** 03:46 Yes, oh yes, I went to Wichita East High I didn't graduate with honors, but I graduated with a B, Michael Hingson ** 03:56 that's fair B for Bob Hope, right? Yeah. Bill Johnson ** 04:01 And then I actually went to college under a theater scholarship, wow. And so that, in those days, that would pay for everything, books, class, which delighted my parents, because we were a family of simple means. So that was the only way I was going to go to college was having a scholarship and but as it turns out, it was for the best years of my humble life, because I got a lot of hands on experience in a Wichita State medium sized College, yeah, but back then it was Much smaller, so I had a lot of opportunity. Michael Hingson ** 04:43 I've actually been to Wichita State. I've been to Wichita and, oh, great, did some speaking back there. And we're probably going to be doing more in the future. But it's an it's a nice town. It's a great town to to be a part of. I think, Bill Johnson ** 04:56 yes, people are so nice there. And what I. I've noticed living in other places and then going home to visit Wichitas are cleaned. Just something you noticed, the streets are usually pretty clean and foliage is well manicured. So hats off to the city for keeping the place up to date or keeping it clean Michael Hingson ** 05:22 anyway. Well, yeah, you got to do what you got to do, and that's amazing. And in the winter, everything gets covered up by the snow. Bill Johnson ** 05:30 Yes, you do get all four seasons in Wichita, whether you like it or not. See there, yeah, it's one of those places where they have that saying, If you don't like the weather, wait 10 minutes and it'll change. Michael Hingson ** 05:43 Yeah. So, so, so there. So you majored in theater in college? Bill Johnson ** 05:49 Yes, I did. Actually, the official designation at Wichita State was speech communication, ah, so that's what I got my Bachelor of Arts Michael Hingson ** 06:02 degree in so what years? What years were you there? Bill Johnson ** 06:05 I was there in the fall of 75 and graduated a semester late. So I graduated in December of 79 Okay, Michael Hingson ** 06:17 yeah, but that was after basically the traditional golden days and golden age of radio, wasn't Bill Johnson ** 06:24 it? Yes, it was still in the days of black and white television. Michael Hingson ** 06:29 But yeah, there was a lot of black and white television, and there were some resurgence of radio, radio mystery theater CBS was on, and I think that was before, well, no, maybe later in 7879 I don't know when it was, but NPR did Star Wars. And so there were some radio, radio things, which was pretty good. Bill Johnson ** 06:53 And I think our friends in Lake will be gone began. Michael Hingson ** 06:56 Oh yeah, they were in, I think 71 garrison. Keillor, okay, it'll be quiet week in Lake will be gone my hometown. I know I listened every week. Oh, I Bill Johnson ** 07:06 did too. So my interest in radio was, I think, started back then. Michael Hingson ** 07:12 Yeah, I enjoyed him every week. As I love to describe him, he clearly was the modern Mark Twain of the United States and radio for that matter. Is that right? Bill Johnson ** 07:26 Oh, gosh, well, I, I'm, I'm, I'm glad to agree with you. And a lot of that wasn't it improvised to his weekly monolog. He'd have, oh, sure, yeah, Michael Hingson ** 07:39 he, had ideas. He may have had a couple notes, but primarily it was improvised. He just did it. He just did it. Bill Johnson ** 07:47 I let some of the episodes you take a lot of find a lot of humor in the fact he's kind of pleased with himself. And he goes, Well, look what we just said, or something. He'll do. Michael Hingson ** 07:57 Yeah, it was, it was fun. So what did you do after college? Well, Bill Johnson ** 08:03 after college, when I had moved to Los Angeles, after that, did not work out. I pursued my living as a as an actor, which didn't last long. So I of course, had to get a secondary job, I guess. Let me back up. It did last long, although I didn't have enough to pay my bills. Oh, well, there you go. I had a secondary job as whatever I could find, bartending. Usually, I did a lot of work as a bartender and but you get at least doing something like that. You get the people watch, yeah, oh. Michael Hingson ** 08:47 And, that's always entertaining, isn't Bill Johnson ** 08:49 it? Well, it can be, yeah, that's true. Back in my that's where I kind of develop your little stick you do for customers to get them to laugh and maybe tip you. My big thing was that you'd always see a couple, say, making out at the bar because it was kind of dark in there. And I would always say, Hey fellas, you want to meet my wife, Carol? Oh, that's her boss. Don't worry about it. They're having a good time or something like that, just to try to get a few laughs. Michael Hingson ** 09:23 I've done similar things at airports. I know that the TSA agents have a such a thankless job. And one of the things I decided fairly early on, after September 11, and you know, we got out, and most people, and most of the TSA people don't know it. But anyway, whenever I go through the airport, I love to try to make them laugh. So, you know, they'll say things like, oh, I need to see your ID, please. And, and I'll say things like, Well, why did you lose yours? Or, you know, or you why? I didn't want to see it. It's just a piece of paper, right? You know? But, and I get them to laugh. Mostly, there are few that don't, but mostly they they do. And then the other thing is, of course, going through with my guide dog. And we go through the portal. They have to search the dog because he's got the metal harness on that always sets off the detector. Oh my, yeah. And, and so they say, Well, we're going to have to pet your dog. I said, Well, just wait a minute. There's something you need to know. And I really sound very serious when I do this. You got to understand this before you do that. They go, oh yeah. And they back up, and I go, he only likes long searches. If you don't take a half hour, he's not happy because his tail is going 500 miles a second, you know? Oh, great coming. But it is fun, and we get him to laugh, which is, I think, important to do. We don't laugh at enough in life anyway. Bill Johnson ** 10:57 Amen to that. It's That's my philosophy as well, my friend. And there's not a lot to laugh about these days. And hopefully we can find the humor, even if we create it ourselves. Michael Hingson ** 11:11 Yeah, I think there's a lot to laugh at if we find it. You know, there are a lot of things that are not going very well right now, and there are way too many things that make it hard to laugh, but we can find things if we work at it. I wish more people would do that than than some of the things that they do. But what do you do? Bill Johnson ** 11:31 Yes, yeah, from from your mouth to God's ears, that's a great plan for the future. Michael Hingson ** 11:39 Well, we try so you you did some acting, and you had all sorts of other jobs. And then what happened? Bill Johnson ** 11:47 Well, I finally got fed up with the whole bartending thing and the rat race of trying to make it in Los Angeles. I did some commercials. I had a couple of small roles in some independent movies, as they say. But on my first love being theater, I hit the road again doing some regional theater shows to where I finally ended up back in Kansas, once again, that the there was a dinner theater in my hometown of Wichita, and I got hired to do shows there. Oh, so eventually becoming a resident director so and my my family was going through some challenges at the time, so it was good to be home, so I hadn't really abandoned the dream. I just refocused it, and I got a lot of great experience in directing plays, appearing in plays, and I met my white wife there. So so that was a win win on all counts. Michael Hingson ** 13:00 I first got exposed to dinner theater after college. I was in Iowa, in Des Moines, and the person who was reading the national magazine for the National Federation of the Blind, the magazine called the Braille monitor guy was Larry McKeever was, I think, owner of and very involved in a dinner theater called Charlie's show place, and I don't remember the history, but I went to several of the performances. And then he actually tried to create a serial to go on radio. And it didn't get very far, but it would have been fun if he had been able to do more with it, but he, he did do and there were people there who did the dinner theater, and that was a lot of fun. Bill Johnson ** 13:45 Oh, gosh, yeah, although I must say that I was sort of the black sheep of the family being in the arts. My My mom and dad came from rural communities, and so they didn't really understand this entertainment business, so that was always a challenge. But there's one footnote that I'm kind of proud of. My grandfather, who was a farmer all his life. He lived on a farm. He was raised on a farm. Every year at the Fourth of July Co Op picnic. The Co Op was a place where they would take the crops and get paid and get supplies and so forth. They would have a picnic for all the people that were their customers every year he would supposedly play the unscrupulous egg buyer or the egg salesman. And so he'd go to the routine, was an old vaudeville routine. He'd go to this poor farmer and say, Here, let me pay you for those eggs. That's here. There's one two. Say, how many kids do you guys have now? For the No, five. 678, say, How long have you and your wife been married? What is it? Seven years, eight, they get the guy go, no, 1011, 12, so that was the bit, and he would do it every year, because I guess he did it Michael Hingson ** 15:15 really well. Drove the farmers crazy. Bill Johnson ** 15:18 Yeah, so, so humble beginnings in the lineage, Michael Hingson ** 15:23 but on the other hand, once you started doing that, at least being in the theater was enough to pay the bills. Yes. Bill Johnson ** 15:30 So my parents really couldn't complain about that. Michael Hingson ** 15:34 Well, see, it worked Bill Johnson ** 15:36 out, yes indeed. And I met my wife, so I'm not complaining Michael Hingson ** 15:41 about any of it. Now, was she in the theater? Yes, she was a performer. Bill Johnson ** 15:46 We met in a show called lend me a tenor, and she was the lead, and I was at this point doing my stage management duties. But suffice to say we have gone on and done many shows together since then, and even had been able to play opposite each other a couple of times. So that cool, yeah, that's, that's a you can't ask for better memories than Michael Hingson ** 16:13 that. No, and you guys certainly knew each other and know each other well. So that works out really well. Bill Johnson ** 16:20 Yeah, that works out pretty good, except, you know, you sometimes you have to have a conversation and say, Okay, we're just going to leave the theater on the stage and at home. We're at home. Yeah? Michael Hingson ** 16:32 Well, yeah, there is that, but it's okay. So how did you get into the whole process of of portraying Bob Hope, for example, and did you do anything before Bob of the same sort of thing? Bill Johnson ** 16:51 Well, interestingly enough, to complete the whole circle of my experience, when I was performing in Wichita, I got a job opportunity here in Lacher. I'm living in Las Vegas now, to move out here and audition, or come out and audition for a new dinner show that was opening at Caesar's Palace. It was called Caesar's magical Empire, and it was, it was in 1996 and during that time, there was this big magic craze in Las Vegas. Everybody was doing magic Michael Hingson ** 17:27 shows. You had Siegfried and Roy and yeah. Bill Johnson ** 17:30 So I came out, I auditioned and got hired. And so then it was like, Well, now you got to move. So we moved on a just on hope and a prayer. And luckily, they eventually hired my wife, and so we got to work together there, and I eventually went on to become the, what they called the show director. I didn't do the original show direction, but it was my job to maintain the integrity of the attraction. So during those years it was that was kind of difficult, because you have to listen to being on the administrative team. You've got to listen to all the conflict that's going on, as well as and try to keep the waters calm, keep peace. Yes. So anyway, doing my show and being interactive, you talk back and forth to the audience, and after it was over, you take them out to a next the next experience in their night, when they would go see magic in a big showroom. And a lady came up to me and and she said, say, I've got this world war two reunion coming up next month. I'd like you to come and be, pretend to be Bob Hope. Do you know who that is? And I was like, yes, he's one of my heroes. And so that was the first opportunity, suffice to say, I guess I did. Should have prefaced it by saying, when the magical Empire first opened, we were all playing these mystical wizards and dark characters. Well, that didn't fly. That wasn't any fun. So then the directors, the producers said, well, everybody, come up with your own character, and we'll go from there. And so I created this character named the Stradivarius, because I like to fiddle the room. I get it and Michael Hingson ** 19:37 but I played it like Bobby and you like to stream people along. But anyway, hey, I wish I would have Bill Johnson ** 19:42 thought of that. My approach was like Bob Hope in one of the road pictures. So the show would be sort of a fish out of water type thing. Come on, folks. You know, I laughed when you came in that type of thing. Yeah. So when this lady saw the show that. How she got that inspiration? Michael Hingson ** 20:04 Well, your voice is close enough to his that I could, I could see that anyway. Bill Johnson ** 20:09 Oh, well, thank you. Sometimes I'd say it drives my wife nuts, because I'll come across an old archival material and say, Hey, honey, how about this one? So she's got to be the first audience, yeah. Michael Hingson ** 20:23 Well, I'm prejudiced, so you could tell her, I said, so okay, Bill Johnson ** 20:27 that you would, you'd love to hear it, right? Yeah. Michael Hingson ** 20:31 Well, absolutely. Well, so you went off and you did the the World War Two event. Bill Johnson ** 20:38 Did the World War Two event shortly after that, the met this, well, I should tell you another story, that shortly after that, a young man came to my show, and during the show, he stopped me and said, say, You remind me of someone very dear to me. Have you ever heard of Bob Hope? And I said, yeah, he's again. I said, one of my heroes. The guy said, Well, you kind of remind me of him. Went on his merry way, and I didn't think much of it. Well, it just so happens. The next day, I was watching the biography documentary of Bob Hope, and all of a sudden this talking head comes up, and it's the same guy I was just talking to in my show the day, the day before, it turns out that was, that was Bob's adopted son, Tony Tony hope. So I took that as a positive sign that maybe I was doing something similar to Mr. Hope, anyway. But then, as I said, The show closed very soon after that, sadly, Mr. Hope passed away. And 2003 right, and so there was, there was no real demand for anything like that. But I didn't let the idea go. I wanted something to do creatively. I continued to work for the same company, but I went over and ran the 3d movie at Eminem's world in Las Vegas 20 years. So I had plenty of time to think about doing Michael Hingson ** 22:26 something creative, and you got some Eminem's along the way. Bill Johnson ** 22:30 They keep them in the break room for the employees. So it's like, here's all the different brand I mean, here's all the different flavors and styles. So to have a way and you can tell guests, oh yeah, that's delicious. It tastes like, just like almonds or 22:45 something. Yeah. Bill Johnson ** 22:47 So based on that, I decided to pursue this, this tribute, and it, I'll tell you, it's difficult getting started at first, you got to practically pay people to let you come and do a show. I'd go to retirement homes and say, Hey, you want to show today. Sometimes they'd let me, sometimes they wouldn't. But the thing about doing a show at a retirement community is they will be very honest with you. If you ain't any good, they'll say, man, no, thanks. Oh, nice try. So know where my trouble spots were, Michael Hingson ** 23:29 but, but audiences don't treat you as the enemy, and I know that one of the things I hear regularly is, well, how do you speak so much and so well. You know the one of the greatest fears that we all have as a public speaking, and one of the things that I constantly tell people is, think about the audiences. They want you to succeed. They came because they want to hear you succeed, and you need to learn how to relate to them. But they're not out to get you. They want you to be successful and and they love it when you are and I learned that very early on and speaking has never been something that I've been afraid of. And I think it's so important that people recognize that the audiences want you to succeed anyway. Bill Johnson ** 24:17 That's so true. And you kind of touched on a quote I remember one of the books from Bob hopes. He said how he approaches it. He said, I consider the audience as my best friends, and who doesn't want to spend time with your best friend, right? Michael Hingson ** 24:34 And I and I believe that when I speak, I don't talk to an audience. I talk with the audience, and I will try to do some things to get them to react, and a lot of it is when I'm telling a story. I've learned to know how well I'm connecting by how the audience reacts, whether there's intakes of breath or or they're just very silent or whatever. And I think that's so important, but he's. Absolutely right. Who wouldn't want to spend time with your best friend? Yes, amen. Did you ever get to meet Bob? Hope Bill Johnson ** 25:07 you know I never did, although I at one point in my when I was living in Los Angeles, a friend of mine and I, we were in the over the San Fernando Valley, and they said, Hey, I think there's some stars homes near here. Let's see if we can find them. And we said, I think Bob Hope lives on this street. So we went down Moor Park Avenue in Toluca Lake, and we finally saw this home with a giant H on the gate. And it's like, Oh, I wonder. This has got to be it. Well, all of a sudden these gates began to open. And we, kind of, my friend and I were like, and here, here, Hope came driving home. He was, he arrived home in a very nicely appointed Chrysler Cordoba, remember those? And he had one, he just was just scowling at us, like, what are you doing in my life? You know, and they drove it. So that's as close as I got to the real guy. But I wish I could have had the pleasure of seeing him in person, but never, never was fortunate enough. Michael Hingson ** 26:18 Well, one of the things that's interesting is like with the World Trade Center, and I've realized over the past few years, we're in a world with a whole generation that has absolutely no direct Memory of the World Trade Center because they weren't born or they were too young to remember. And that goes even further back for Bob Hope. How does that work? Do you find that you're able to connect with younger audiences? Do they talk with you know? Do they do they react? Do they love it? How Bill Johnson ** 26:52 does that go? Well, interestingly enough, a lot of times, if there are younger people at shows, they're usually dragged there by their parents and I have found that they will start chuckling and giggling and laughing in spite of themselves, because that old humor of hopes that, granted, it is corny, but there's some great material there, if presented in the proper context. Yeah. I was funny story. I was doing a show at the National World War Two Museum in New Orleans. They were dedicating a new theater or something, and the color guard was a group of local leaf Marines that were serving in a local base, and they were standing there right before they went on, and this young man kept looking at me, and finally he said, very respectfully, says, I'm sorry, sir, but who are you? So I said, luckily, there was a picture of Bob Hope on the wall. And I said, Well, I'm trying to be that guy. And I said, Hang around a little bit. You'll hear some of the material so, but that's the thing I that you did bring up. An interesting point is how to keep your audience, I guess, interested, even though the humor is 4056, 70 years old, I call it like all my approach history with humor. The first time I did the Bob Hope, as in the national natural progression of things, I went to an open call, eventually here in Vegas to do they were looking for impersonators for an afternoon show at the Riviera in a place called Penny town. It was just a place for Penny slots. And they had, and they hired me. They said you can do your Bob Hope impression there. And so they had a stage that was on a one foot riser. You had a microphone and a speaker and a sound man, and you had to do a 10 Minute monolog six times a day every Yeah, do 10 minutes. You'd have about a 40 minute break. Do 10 more. And I didn't do it every day, but you would be scheduled. Maybe they'd have, you know, have a Reba McEntire one day. They'd have an Elvis one day. Well, so I would it was a great place to try your ad, because, and that's what turned me on to the whole idea of history with humor. Because when I started, I was just doing some of his material I'd found in a hope joke book that I thought were funny. Well, once in a while, people would be playing the slots. Granted, they were looking at the machines. Nobody was looking at me. And once, when I'd have somebody who. Ah, you know, crank the arm, one arm banded against and then, or I make the sound man laugh. And that was my goal. Well, there was a snack bar right in front of us with a rail that people. They weren't tables, but you could go, lean against the rail and eat your I think it was called Moon doggies hot dog stand so you could eat your hot dog and watch Bob. Hope so if I could make the moon doggy people hot dog folks choke on their hot dog while they were laughing. That was like a home run. Yeah. But to keep them interested, tell them something that they will know. For instance, Hope's first show for the troops was May 6, 1941 down in March field in Riverside California. And you start giving dates and specifics that i i can see the people in the audience go, oh yeah, in their mind's eye, they if they were around, then they will go back to that day. What was I doing then? Okay, and so you kind of make the world relevant for them. So that's how I approach World War Two, Korea and Vietnam. Is give dates and places, which you got to be accurate, because the veterans Michael Hingson ** 31:27 will set you straight. Oh yeah, because they do remember. Oh yes, they were there. Bill Johnson ** 31:33 So some of them and but it's, it's amazing, as you say, you can tell if the audience is engaged by if they inhale or if they make some complimentary noises during the show. Sometimes I'll get fellas who will sit there and ponder just looking at me, and then they'll come up afterwards and say, Man, I hadn't thought about that in years. Michael Hingson ** 32:04 Yeah, thank you. And you know you're connecting, yeah, yeah. Bill Johnson ** 32:09 And because hope represented, I think, a good memory in a kind of a rough time for a Michael Hingson ** 32:16 lot of folks. Well, he did. He did so much for the troops with the military. And as you said, May 6, 1941, and it went from there. And of course, during the whole war, he was all over and entertaining people and and he was also very active in radio as part of all that. Bill Johnson ** 32:38 Oh my goodness, I don't know how the man found time to sleep, because if he were alive today, he would love social media and podcasts and things, because he was always trying to get his name in the paper or get some publicity, but he never forgot about his audience. He would want to do a show for the troops, no matter where they were stationed or he said I couldn't look at myself in the mirror if I didn't try. Michael Hingson ** 33:10 Yeah, well, you do a lot with veterans and so on. So you've kind of kept up that tradition, haven't you? Bill Johnson ** 33:19 Yes, I have been fortunate enough to play a lot of reunions and some, maybe some uso themed shows, because that first show he did, hope did, in May of 1941 was they just was a radio show that his, one of his writers had a brother stationed it in Riverside, California, and the war hadn't started, so they had nothing to do, right? These guys were bored, and so he said, Let's take our show down there and hope. So hope didn't want to leave the comfort of his NBC studio. It's like, you know, what's the idea? And they said, how big is the crowd? And they said, Well, I don't know, maybe 1000 and of course, you know 1000 people. And you know, in Hope's mind, he says, I'd give my arm and a leg to hear 10 people laugh. 100 people is like a symphony, but 1000 people, yeah, sheer fantasy. So he said, Oh, wait a minute, are you 1000 people? Are you sure? And this guy, Al capstaff, said, Well, maybe two. So that was it. And they went down. And when the audience, of course, they were just hungry for anything, the response was just so great that hope said, well, where has this been? And he said, shortly after that, we teamed up with the USO and been going steady. Ever since, yeah, Michael Hingson ** 35:02 and that's so cool. And again, you've, you've kept a lot of that going to now, we've talked on this show with Walden about reps and the showcase and so on. Are you going to be up at the recreation in Washington in September? Bill Johnson ** 35:18 Yes, I am. I'll be there, and we're, I believe we're doing a one of the cavalcade of America shows that sort of incorporates a lot of his initial, well, one of his initial tours over in World War Two. But it's because a cavalcade is a recreation. A lot of it's drama, dramatized, but it's, it's and it's encapsulated you go bang, bang, bang across a big section of World War Two and Hope's experience in Europe. But it's, to me, as a fan of that genre, it's fascinating, so I just looking forward to it. I think it's going to be a lot of fun. Michael Hingson ** 36:04 Well, we ought to, one of these days, we need to just do a Bob Hope radio show or something like that, and get you to come on and get an audience and and, and just do a show. Bill Johnson ** 36:15 Oh, that would be great. I would love. That would be fun. That would be great, you know. And if there's any naysayers, you just say they said, Why do you want to do radio? Say, well, as hope would say, radio is just TV without the eye strain, Michael Hingson ** 36:30 yeah, and the reality, you know, I'm one of my favorite characters, and one of my favorite shows is Richard diamond private detective, and I was originally going to actually be at the showcase doing Richard diamond, but I've got a speaking engagement, so I won't be able to be there this time, so we'll do it another time. But I remember, you know, at the beginning of every show, the first thing that would happen is that the phone would ring and he would answer it and say something cute, and it was usually his girlfriend, Helen Asher, who is played by Virginia, or who is, yeah, played by Virginia. Greg and one of his shows started. The phone rang. He picked it up. Diamond detective agency, we can solve any crime except television. That's great. I love that one. I love to use that. Bill Johnson ** 37:20 I gotta remember that that's a great line, yeah, Michael Hingson ** 37:24 but it's really fun. Well, so you classify yourself as a tribute artist. How do you really get started in doing that, and how do you keep that going? Bill Johnson ** 37:38 Well, that's, that's a, that's the million dollar question. Basically, I I found all the archival material I could find, and there's a ton of information on Bob Hope on YouTube nowadays, and you need to decide, are you a tribute, or are you an impersonator? Because there is a slight difference. Michael Hingson ** 38:04 What difference a tribute? Bill Johnson ** 38:08 Well, first off, an impersonator is someone who resembles someone famous and dresses up in a manner as to portray them, and that can include a tribute artist who may not look identical to the person, but can capture a mannerism or a vocal vocal rhythm to suggest enough that the audience will accept it. I I do it. I am, I feel like I can capture a little bit of his face with some, you know, some of the expressions people have told me my eyes resemble his, as well as wear a hat or something from try to copy a costume from a picture that is very you feel like is iconic of this character. So if you can come out and present that, that's the battle hope would always he began his radio shows, as you recall, by saying where he was and like, how do you do ladies and gentlemen, this is Bob live from Santa Ana Air Base, hope and and then do a two, two line rhyme about his sponsor, usually Pepsodent, just to get on to start the show with a laugh like Pepsodent on your brush and use plenty of traction and none of Your teeth. They'll be missing in action. 39:39 Yeah. Bill Johnson ** 39:42 Huge, but, but you to to pursue it. As I said, you've just got to, you've got to kind of forage out in the real world and see if see somebody's looking for a show, and hopefully get someone to take a chance. Okay? Give you an opportunity. That's why I went to that open call to do that show at the Riviera. It is difficult to tell jokes at people that are chewing at you, but it's a good learning ground, plus doing the shows at the retirement homes made you prepared for anything because, but I found that I got the strongest response from veteran mentioned some of those history moments, historical moments. And so I thought maybe I'll just focus on this, not to put together the other comedy. And the other experiences are very important too. But the things I have found people remember the most were those shows for the troops. Yeah, and basically, in a nutshell, and they don't remember what did he What did he say? Do you remember a joke? Sometimes they'll tell me a joke, but most, most times, they don't remember what he said, but they remember how he made them feel, Michael Hingson ** 41:06 yeah, and the fact that he said it, yes, yeah, Bill Johnson ** 41:10 there's a there's a common joke I'd heard for years, and a friend of mine told me he was a 10 year old kid at Fort Levin fort, Leonard Wood, Missouri. And hope came out and told the joke. The guy goes into a bar. Oh, no, excuse me. Let me back up. A grasshopper goes into a bar. The bartender says, Hey, we got a drink named after you. The grasshopper says, you got a drink named Irving cute. And I'd heard that. Yeah, I guess hope told it and so you never know what what inspires your comedy, but there's a lot of common things I heard growing up that I will find hope said. Hope said it at one point or another in his either his radio show or on one of his specials. So Michael Hingson ** 41:58 do you think that a lot of what he did was ad lib, or do you think that it was mostly all written, and he just went from a script? Bill Johnson ** 42:07 That's a good point. He was one of the first performers to use cue cards, okay? And a lot of it was was written, but from what I've read is that he was also very fast on his feet. That's what I thought. Because if something happened, he would come in with a bang, with with another line to top it, yeah. Well, you know, like we were talking about that command performance, where with Lana Turner that he said, she said, Well, they've been looking at ham all night, and you're still here. Ah, big laugh. Haha, yeah. And he said, Now I'm bacon with the double entendre, you know, like, yeah, you burn me, whatever. But that was, I thought that was Michael Hingson ** 42:51 cute, yeah, and he, and he is, clearly there had to be a whole lot more to him than than writing. And so I absolutely am convinced that there was a lot of bad living. And there was just, he was fast, he was good at it and them, and the more he got comfortable, because of those big crowds that they got him started, the better he became Bill Johnson ** 43:16 absolutely you can there's a great book by, I know, do you know Bob mills? He was one, was one of Bob Hope's writers wrote a right and he explains the formula behind a lot of their jokes situation, and then it would have a payoff, you know, like, I don't know what happened, but now that you know this is set up in a setup and then the joke. Hope supposedly liked an economy of dialog. He didn't like a lot of language going from point A to point B to tell his joke. That's why the rapid fire delivery. And he had a lot of jokes in his shows. The radio shows had, at least, was it something like 10 jokes a minute? Michael Hingson ** 44:08 Well, they were, they were very fast. And there were, we've got a few rehearsals of Bob Hope shows. And clearly some of the things that he did, because at first he wasn't getting the reaction that he thought he was going to get, but he pulled it out. And again, it's all because he was fast. He was good. Bill Johnson ** 44:29 Yeah, I've got some blooper reels from some of the Christmas specials, and he'll try and try and try. And then finally, he'll say, take that card and tear it up, throw it away. And that's funnier than the joke itself. Michael Hingson ** 44:44 Yeah, than the joke itself. It's really cute. So you obviously like performing. Does that run in your family? Bill Johnson ** 44:55 Well, not necessarily, as I said, I'm kind of the black sheep of the. Family, because I was in the arts, they would rather have a more what do I want to say? A more safe career, a career choice as a you know, because entertaining, you're always wondering, well, where's my next job? Yeah, as opposed to something else, where you might have a better idea of what are your next paychecks coming? But I do have always had a day job, and this is sort of like my way to flex those creative muscles. Michael Hingson ** 45:33 So what's your day job today? My Bill Johnson ** 45:35 day job is I still do technical support for the good folks at Eminem's world on the script. Only they after covid happened, they closed the 3d movie that I was overseeing. And another fellow, when I do tech support, we just basically make sure the lights come on. And as well as I have a job at the College of Southern Nevada, on the support staff, trying to help folks who have English as a Second Language get a job. So I find those are both rewarding challenges. Michael Hingson ** 46:15 It's a good thing I don't go to Eminem's world because I don't really care if the lights are on or not. Bill Johnson ** 46:20 Oh, well, there you go. We need somebody here doing rim shots. Michael Hingson ** 46:26 Yeah, you like dependent people are all alike. You know, you got to have all those lights. Yes, I don't know that I've been to Eminem's world. I've been to the Eminem store in New York City, but I don't think I've been to the one in Las Vegas. Bill Johnson ** 46:40 I was actually at the opening of that Eminem store in New York City. Funny story, they know they have people that put on the character suits, right? And when I was there to help them kind of get their get acclimated to wearing those suits and then peering in front of people. Well, the kids were doing around, say, two in the afternoon. Well, the New York Times showed up at noon, one pick they wanted a picture of and so I had to put on the I was yellow, the peanut, and this other person that was there put on the red suit, and we walked down on 46th Street and started walking on the street, wave and and carrying on. I thought, Here I am. I finally made it to Broadway. Yeah, and I'm and I'm dressed as a nut so, Michael Hingson ** 47:30 and you had Hershey right across the street, Bill Johnson ** 47:32 right across the street, so I don't know. I imagine her, she's still there, probably still going head to head, to this Michael Hingson ** 47:40 day, the last time I heard they were so well, I don't know, I don't know whether anything really changed with covid, but the last I heard they were Bill Johnson ** 47:49 well, more powerful, Yeah, funny story. Michael Hingson ** 47:56 Well, so you will, you travel basically anywhere to do a show? Are there any limits? Bill Johnson ** 48:03 Or no, I'll go anywhere. My this tribute has taken me as far as Tokyo, Japan for the USO there. I've done shows in the Pacific and Guam I'm not too sure I want to travel internationally these days, but if somebody has an opportunity, I'll think about it. Funny thing happened at that, that show I did in Tokyo, I was, it was, it was a gala for the local uso honor the the troops who were serving in that area. So they had that representative from each branch that was serving our Navy, Marines and the Japan, nation of Japan now has what they call, this, the Civil Defense Group. I believe that's what they call because after World War Two, they signed that document saying they would not have an organized military. But right, they have their civil defense, and so we were honoring them, that there was a group, an Andrew sisters trio, performing, singing and dancing and and I was standing off off stage, just waiting to go on and finish the show. And this, this has been 20 years ago. Let me preface that this older Japanese gentleman came up to me, and he said, I would like to make a toast. And there was a lady in charge who, you know this was. There was some, some admirals there, and leaders of the Seventh Fleet were, were there. So everything had to be approved. Everything went according to schedule. The military events are just boom, boom, boom. And so I said, Well, okay, I need to ask Judy, when this Judy was in charge, when we can do this? And he just said, I want to make a tow. Toast. And I said, okay, but I have to clear it with Judy. Well, I finally got Judy and said that older Japanese man would like to make a toast. And she said, Yes, let him do whatever he wants. Turns out, he was an admiral in the Japanese Navy during during World War Two, and he was attending the event here, although these many years later, just as you know, everyone else was sure. So to bail myself out of it, I went back on said stage and said, And now, ladies and gentlemen, our honored guest would like to make a toast. And he, of course, I can't remember the toast, but as I at the time, I thought that was very sweet and very eloquent. So it's just these incredible little snippets of life you you go through. It's like, how could I ever know, when I was a five year old kid in Kansas, that Monday I'd be chatting with a world war two Admiral from the Japanese Navy, right? Just, it's just mind boggling. Michael Hingson ** 51:06 So I'm curious. Bob Hope copyrighted a lot of his jokes. Are you able to still use them? Well, that's a Bill Johnson ** 51:13 good question. Yes, he did. He copyrighted his jokes and everything, however, and I have spoken to the lawyer for the hope estate. There are the, what do you call that? It just flew out of my head that the the laws surrounding Michael Hingson ** 51:32 intellectual property, copyright laws and intellectual property and public domain, yeah, yeah. Bill Johnson ** 51:38 The song, thanks for the memory is in public domain, and hope would always change the lyrics to where he went because he hated the song. Supposedly he had, how did I get hung with that old dog of a song? Michael Hingson ** 51:52 Yeah, well, he kept using it every week, so I can't believe it was too anti song. Yeah, Bill Johnson ** 51:57 that's true, but the hope is they did copyright his jokes, but as long as I don't write a book and try to sell them as my jokes, I should be fine as well as I am. Allow you the those laws allow you to present impersonate someone, no matter who it is. You could impersonate your next door neighbor, even though he's not famous, as long as you do not do something to harm them, yeah, or represent it in an unflattering way Michael Hingson ** 52:28 well, and clearly, what you're doing is pretty obvious to anyone who knows at all that it's Bob Hope and that you're trying to do a tribute to him. So I would think it would make sense that that would work Bill Johnson ** 52:39 well it should and but the final caveat is that a reasonable person must come away from the show knowing full well they did not see the original. You must tell them. And Bob Hope's been gone for Michael Hingson ** 52:55 many years. Yeah, 22 years now. Bill Johnson ** 52:59 So that's usually not a problem, but that's how I finished my tribute as vice is, I usually wear a hat to complete the illusion, with the bill flecked up. I'll take the hat off and say, now if I could break character and tell about how hope was named an honorary veteran, and at the age of 94 it was an amendment passed by Congress designated him as an honorary veteran, and it was received unanimous bipartisan support Michael Hingson ** 53:30 as it should yes and Bill Johnson ** 53:33 Hope went on to say, sort of all the awards I've received in my lifetime being now being listed among the men and women I admire the most. This is my greatest honor, so that's a good way for me to wrap up my tributes whenever possible. Michael Hingson ** 53:54 Do you have, oh, go ahead, no, Bill Johnson ** 53:56 I was gonna say there's another funny story. You know, hope lived to be 100 Yeah, and George Burns. Michael Hingson ** 54:03 George Burns, lived to be 100 Bill Johnson ** 54:05 lived to be 100 Supposedly, the two of them had a bet as to who would live the longest. Now, the thing is, what were the stakes and how do you collect? Yeah, because some guy, you're not going to be there. But in any event, George Burns was born in the 1890s and so he was older than hope. Hope was born in 1903 George Burns lived to be 100 years and 10 days old. Bob Hope lived to be 100 years and 59 days 54:41 Oh, Bill Johnson ** 54:42 so hope. Well, the story goes that in his final, final months, he was just he was pretty much bedridden and slept and slept a lot. His wife, Dolores went to his bedside. He had that 100 years 10 day mark, and she said. Well, Bob, you won the bet. You have now lived longer than George Burns. And supposedly, even though he was fat, he was like they thought he was asleep, this huge smile just curled up his lips so he heard, that's great. Michael Hingson ** 55:18 That's great. Well, if, if you have, do you have something that you could do for us, or do you have something that you could play or something that would give us just a little flavor? Bill Johnson ** 55:28 Um, yeah, I Well, if you, I would tell your listeners that they want to catch a little bit more. They can go to my website, Bill Johnson entertainment.com, and there's some video clips there, but I like to do is that hope would always, he would always joke about traveling to the event, and that's how I like to begin my shows with him arriving. Since I just flew in on a wing of prayer. I was on the wing because as a soldier, I wouldn't have a prayer nicely. My flight was very nice, but the plane was rather old. In fact, the pilot sat behind me wearing goggles and a scarf. This plane was so old that Lindbergh's lunch was still on the seat. The fasten seat belt sign was in Latin. To get to the washroom, you had to crawl out on the wing. But I come on, folks, I said, to get to the washroom, you had to crawl out of the wing. But hey, I don't know about you, but I have a fear of flying that dates back to my childhood. See, when I was a baby being delivered by the stork, that blasted bird dropped me from 400 feet. Yeah, he did that to stay out of the range my father's shotgun. See, Dad already had my brothers, Eenie, Meenie and Miney. When I came along, he didn't want 56:55 no moat. I get it just Bill Johnson ** 57:00 it goes along in those words. Well, we are, Michael Hingson ** 57:05 we are definitely going to have to just work out doing a radio show and getting you to to do a whole show, and we'll have to get some other people to go along with it. We'll figure it out. Oh, that sounds great. I would buy a lot of fun to do. Count me in. Well, I want to thank you for being here. This has been absolutely wonderful to be able to talk about Bob Hope and to talk about you. Even more important, I'm sure that Bob Hope is monitoring from somewhere, but by the same token, you're here and we're here, so we do get to talk about you, which is important to do as Bill Johnson ** 57:41 well. Well, that's very kind, Michael. I was hopeful that you would be at the rips. Michael Hingson ** 57:47 I was planning on it because I wanted to, I want to really do the Richard diamond show. I'll, I told you I'd send you the command performance that we talked about Dick Tracy and B flat, or, for goodness sakes, is he ever going to marry Tess true heart? Oh yes. And I'll also send you the Richard diamond that we're going to do the next time I'm able to be at the rep show. It's, it's Bill Johnson ** 58:06 really hilarious. Oh, that sounds great. Michael Hingson ** 58:09 But I want to thank you for being here once again. Tell us your website. Bill Johnson ** 58:14 My website is, it's my name and followed by entertain Bill Johnson, entertainment.com there's there's some video clips there, and some great pictures of some of the folks I've had the pleasure of meeting and performing with. I don't want to name drop, but just to give the the act a little more credence, pictures with Les Brown Jr. Rest his soul. I did it floored. I was able to do a show with Lee Greenwood on the island of Maui Wow, as well as perform with Wayne Newton at Fort Hood, Texas. Wayne Newton actually took over for Bob Hope with the USO when Bob just got too old to travel. Yeah, so, so that's just for a humble, humble guy. It's some incredible stories Michael Hingson ** 59:19 well, and you're keeping some wonderful memories alive, and we'll definitely have to do something with that. But I want to thank you for for being here and again. Bill Johnson, entertainment.com, so go check it out, folks and and there's a lot of old radio out there online. We've talked about yesterday usa.com or yesterday usa.net they're the same. You can listen. You can go to reps online, R, E, P, S online, and listen to a lot of radio programs there. There are a number of people we've had Carl Amari on who several years ago, did come. Complete redos of all of the Twilight zones, and he made them scripts for radio, which was a lot of fun. Have you ever heard any of those? Bill Johnson ** 1:00:07 I've never heard. I was a big fan of the show when it was on TV, but I never heard any of the Michael Hingson ** 1:00:12 radio. Stacy Keach Jr is is the Rod Serling character, but, oh yeah, Twilight radio, Bill Johnson ** 1:00:19 that's great. I will check it out, Michael Hingson ** 1:00:22 or we'll send you some that's even better. But I want to thank you for being here, and thank you all for being here with us. I hope you had fun today. It's a little bit different than some of the things that we've done on the podcast, but I think it makes it all the more fun. So thanks for being here. Please let us know what you think. Email me. I'd love to hear from you. Michael, H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to get your thoughts wherever you're listening. Please give us a five star review. We appreciate those a lot. Tell other people about the podcast. We really would like to get as many people listening as we can, and we want to be sure to do the kinds of things you want on the podcast. So if you know anyone else who ought to be on the podcast, Bill, that goes for you as well, please introduce us. We're always looking for more people to come on unstoppable mindset that we get a chance to chat with. So hope that you'll all do that and again. Bill, I want to thank you one more time for being here. This has been fun. Bill Johnson ** 1:01:21 This has been a blast. Michael, thank you so much for having me. I really enjoyed it. Michael Hingson ** 1:01:32 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
For episode 261, I'm joined once again by my co-host Myles Hughes, with producer Steve Prusakowski working behind the scenes. This time around, we discuss spooky season viewings a bit, but much more time is given to our Oscar predictions, as well as two big films. One has already opened in Roofman (my rave review out of TIFF is here), which Myles caught. The other is the New York Film Festival's Closing Night selection, Is This Thing On? (which I reviewed as my final NYFF piece for the year here). The early Academy Award picks come at the end of the episode, as these are Myles' first crack for the season, while I talk out what my next update will look like. Throw in some questions and it's a nice long episode for you all...As always my friends and faithful listeners/readers, I do hope you all enjoy the latest episode of the Awards Radar Podcast, our 261st one to date (here's to many more). Of course, feel free to revisit the previous installments by clicking the Podcast tab (here) on the top of the page. Plus, listen to us on Apple Podcasts (iTunes), Spotify, and other platforms. More to come each and every single week, so from the bottom of my heart, thank you for listening!
Academy Award-nominated writer/director Ron Shelton discusses his new musical version of ‘Bull Durham,' reveals that Charlie Sheen, not Tim Robbins, was his first choice to play Nuke LaLoosh opposite Kevin Costner in the original movie, says what his favorite line is from the Oscar-nominated screenplay, and explains why ‘The Hustler' is his all-time favorite sports movie. ESPN's Chase Daniel and guest host Tom Pelissero discuss Josh Allen and the Buffalo Bills' 2-game losing streak, Caleb Williams' improvement under new Chicago Bears head coach Ben Johnson, what the next Tennessee Titans regime must do to get the most out of rookie QB Cam Ward, and why the Dallas Cowboys' Dak Prescott is playing the best of any quarterback in the NFL right now. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television. Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand. In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards. The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble. Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME. Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award. She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar. Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ! She is also a member of Turbine Arts Collective (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.
MUSICThe BBC Ozzy Osbourne documentary Coming Home is on Peacock as of tonight!Rob Zombie will drop a new album in February called "The Great Satan". Check out the first single, "Punks and Demons". https://consequence.net/2025/10/rob-zombie-new-album-the-great-satan-single-punks-and-demons/ Trent Reznor and Atticus Ross of Nine Inch Nails have more than just the Tron: Ares score out this month. They've also done some score work for the new Julia Roberts film After the Hunt, which is out now. The soundtrack will be released on November 14th. Check out one of Reznor and Ross's pieces, "After the Hunt, One" on YouTube. youtube.com/watch?si=wxG3cjzFSup1Tobn&v=-U7ZZmSNwcM&feature=youtu.be RIP: The disgraced frontman of the band Lostprophets, Ian Watkins, has been killed in prison. https://www.mirror.co.uk/3am/celebrity-news/ian-watkins-dead-lostprophets-paedophile-36052854 RIP: Thommy Price, the drummer in Joan Jett and the Blackhearts from 1986 to 2016, died Friday at 68. He also played on Billy Idol's Rebel Yell as well as with Scandal, Roger Daltrey, Steve Lukather, Debbie Harry, Ronnie Wood, and Blue Oyster Cult. RIP: The Moody Blues singer and bassist John Lodge has died at 82. TVTOP TALK SHOWS GUESTS:Jimmy Fallon has actors Steve Martin, Martin Short & Selena Gomez, actress Michelle Dockery, musical guest Karan AujlaStephen Colbert has actors Keanu Reeves & Alex Winter, musical guest J.I.D.Jimmy Kimmel has actor Bill Murray, actress Kat Dennings, musical guest ClipseSeth Meyers has actor Jason Bateman, actress Jinkx Monsoon Darius McCrary was arrested on an outstanding felony warrant at the U.S./Mexico border. MOVING ON INTO MOVIE NEWS:RIP: Diane Keaton, the Oscar-winning actress whose offbeat charm and fearless choices transformed her into a cinematic icon, died Saturday in California at 79, her family confirmed.Best known for her role in Annie Hall, for which she won the Academy Award, Keaton also starred in The Godfather series, The First Wives Club and Something's Gotta Give. The sci-fi sequel 'Tron: Ares' bombed at the box office over its opening weekend, bringing in only $33.5 million across 4,000 North American theaters. https://variety.com/2025/film/box-office/tron-ares-box-office-opening-weekend-roofman-kiss-of-the-spider-woman-123654437 Charlie Sheen discussed feeling overshadowed by his brother Emilio Estevez's fame as a member of the Brat Pack, saying, "I felt like I was just taking up the rear. I felt like a valet on certain nights." https://www.foxnews.com/entertainment/charlie-sheen-opens-up-about-feeling-excluded-during-brother-emilio-estevezs-brat-pack-era· Ellen Ripley's sacrificial death at the end of "Alien 3" seemed pretty finite . . . or so we thought. Sigourney Weaver told fans at New York Comic Con on Friday that "Alien" franchise producer Walter Hill has plans to bring her BACK. https://www.hollywoodreporter.com/movies/movie-news/alien-star-sigourney-weaver-has-met-with-disney-1236397969/ Walmart has purchased the Monroeville Mall in Pennsylvania, where George A. Romero shot the 1978 zombie classic "Dawn of the Dead" . . . and they plan to demolish it. https://bloody-disgusting.com/the-further/3908419/walmart-hopes-to-demolish-the-dawn-of-the-dead-mall-within-the-next-two-years/AND FINALLYSo you want your kids to enjoy the darker side of Halloween, but you don't wanna go too dark? Here are 10 "gateway" horror movies you can stream on Disney+:1. "The Adventures of Ichabod and Mr. Toad" (1949). Includes a surprisingly scary animated version of "The Legend of Sleepy Hollow".2. "The Black Cauldron" (1985)3. "Don't Look Under the Bed" (1999)4. "Escape to Witch Mountain" (1975)5. "Halloweentown" (1998)6. "The Haunted Mansion" (2003). This is the one with Eddie Murphy.7. "Mr. Boogedy" (1986)8. "Phantom of the Megaplex" (2000)9. "Return to Oz" (1985)10. "Something Wicked This Way Comes" (1983)https://bloody-disgusting.com/editorials/3908456/10-disney-gateway-horror-movies-you-can-stream-on-disney-this-halloween/ AND THAT IS YOUR CRAP ON CELEBRITIES!MUSICThe BBC Ozzy Osbourne documentary Coming Home is on Peacock as of tonight!Rob Zombie will drop a new album in February called "The Great Satan". Check out the first single, "Punks and Demons". https://consequence.net/2025/10/rob-zombie-new-album-the-great-satan-single-punks-and-demons/ Trent Reznor and Atticus Ross of Nine Inch Nails have more than just the Tron: Ares score out this month. They've also done some score work for the new Julia Roberts film After the Hunt, which is out now. The soundtrack will be released on November 14th. Check out one of Reznor and Ross's pieces, "After the Hunt, One" on YouTube. youtube.com/watch?si=wxG3cjzFSup1Tobn&v=-U7ZZmSNwcM&feature=youtu.be RIP: The disgraced frontman of the band Lostprophets, Ian Watkins, has been killed in prison. https://www.mirror.co.uk/3am/celebrity-news/ian-watkins-dead-lostprophets-paedophile-36052854 RIP: Thommy Price, the drummer in Joan Jett and the Blackhearts from 1986 to 2016, died Friday at 68. He also played on Billy Idol's Rebel Yell as well as with Scandal, Roger Daltrey, Steve Lukather, Debbie Harry, Ronnie Wood, and Blue Oyster Cult. RIP: The Moody Blues singer and bassist John Lodge has died at 82. TVTOP TALK SHOWS GUESTS:Jimmy Fallon has actors Steve Martin, Martin Short & Selena Gomez, actress Michelle Dockery, musical guest Karan AujlaStephen Colbert has actors Keanu Reeves & Alex Winter, musical guest J.I.D.Jimmy Kimmel has actor Bill Murray, actress Kat Dennings, musical guest ClipseSeth Meyers has actor Jason Bateman, actress Jinkx Monsoon Darius McCrary was arrested on an outstanding felony warrant at the U.S./Mexico border. MOVING ON INTO MOVIE NEWS:RIP: Diane Keaton, the Oscar-winning actress whose offbeat charm and fearless choices transformed her into a cinematic icon, died Saturday in California at 79, her family confirmed.Best known for her role in Annie Hall, for which she won the Academy Award, Keaton also starred in The Godfather series, The First Wives Club and Something's Gotta Give. The sci-fi sequel 'Tron: Ares' bombed at the box office over its opening weekend, bringing in only $33.5 million across 4,000 North American theaters. https://variety.com/2025/film/box-office/tron-ares-box-office-opening-weekend-roofman-kiss-of-the-spider-woman-123654437 Charlie Sheen discussed feeling overshadowed by his brother Emilio Estevez's fame as a member of the Brat Pack, saying, "I felt like I was just taking up the rear. I felt like a valet on certain nights." https://www.foxnews.com/entertainment/charlie-sheen-opens-up-about-feeling-excluded-during-brother-emilio-estevezs-brat-pack-era· Ellen Ripley's sacrificial death at the end of "Alien 3" seemed pretty finite . . . or so we thought. Sigourney Weaver told fans at New York Comic Con on Friday that "Alien" franchise producer Walter Hill has plans to bring her BACK. https://www.hollywoodreporter.com/movies/movie-news/alien-star-sigourney-weaver-has-met-with-disney-1236397969/ Walmart has purchased the Monroeville Mall in Pennsylvania, where George A. Romero shot the 1978 zombie classic "Dawn of the Dead" . . . and they plan to demolish it. https://bloody-disgusting.com/the-further/3908419/walmart-hopes-to-demolish-the-dawn-of-the-dead-mall-within-the-next-two-years/AND FINALLYSo you want your kids to enjoy the darker side of Halloween, but you don't wanna go too dark? Here are 10 "gateway" horror movies you can stream on Disney+:1. "The Adventures of Ichabod and Mr. Toad" (1949). Includes a surprisingly scary animated version of "The Legend of Sleepy Hollow".2. "The Black Cauldron" (1985)3. "Don't Look Under the Bed" (1999)4. "Escape to Witch Mountain" (1975)5. "Halloweentown" (1998)6. "The Haunted Mansion" (2003). This is the one with Eddie Murphy.7. "Mr. Boogedy" (1986)8. "Phantom of the Megaplex" (2000)9. "Return to Oz" (1985)10. "Something Wicked This Way Comes" (1983)https://bloody-disgusting.com/editorials/3908456/10-disney-gateway-horror-movies-you-can-stream-on-disney-this-halloween/ AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this week's episode of The Chazz Palminteri Show, I sit down with my good friends Bobby Moresco and his wife Barbara Moresco for an inspiring and deeply personal conversation about life, art, storytelling and Barbaras new book "From Hells Kitchen to the City of Angles". Bobby Moresco the Academy Award-winning screenwriter, producer, and director behind Crash, 10th & Wolf, and Bent opens up about his journey from New York City to Hollywood. We talk about how real-life experiences shaped his work, the creative process behind some of his most iconic films, and what it means to tell stories that move people. Barbara joins in to share her own creative path, offering insight into what it's like collaborating in Hollywood as a couple and how they've balanced their passion for storytelling with their marriage and family life. We also talk about: The real-life inspiration behind Crash and 10th & Wolf Staying grounded while working in the entertainment industry The power of authenticity and truth in writing What it takes to succeed as a filmmaker and storyteller today Lessons from a lifetime of art, struggle, and triumph This is a powerful and emotional episode that celebrates creativity, perseverance, and the human stories behind great cinema.
Over the past three decades, Matthew McConaughey has starred in more than 50 films, won an Academy Award for Dallas Buyers Club, delivered an Emmy-nominated performance in True Detective and topped bestseller lists with his memoir, Greenlights, but he's still chasing something more meaningful. In his latest project, The Lost Bus, he tells the gripping true story of a school bus driver who risked everything to save 23 children during the 2018 Camp Fire, California's deadliest wildfire. McConaughey sits down with Willie Geist to reflect on acting alongside his teenage son Levi and his 93-year-old mother in the film and how the project deepened his perspective on fatherhood, legacy, and what really matters. He also discusses his new book Poems & Prayers, the power of belief in a cynical world, and why risk-taking has defined his career. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The musical partnership of Glen Hansard and Marketa Irglova has captivated worldwide audiences, even earning them an Academy Award in 2007 for the song "Falling Slowly".