Podcasts about Pi

In episode 1904, Jack and Miles are joined by comedian, Blair Socci, to discuss… Dating Study Finds That Men Are…Holy Sh*t The Comment Section, Online PI’s Thriving, Sydney Sweeney Ad Campaign Is Taking Heat For Its Nazi Vibes and more! Dating Study Finds That Men Are…Holy Sh*t The Comment Section Online PI’s Thriving Sydney Sweeney poses in jeans, skips her top for new ad campaign Sydney Sweeney’s Spicy Jeans Campaign Sends American Eagle Stock Soaring Sydney Sweeney's American Eagle Ad Sparks Outrage, But Fans Praise Her For 'Killing Woke Advertising' Sydney Sweeney’s new campaign draws fire for racial undertones Know Your Meme: "Sydney Sweeney Has Great Jeans" American Eagle Ad Brooke Shields Says She Was "Naive" About Her Racy Calvin Klein Commercial SEE BLAIR SOCCI @ Dallas Comedy Club AUG. 2, 2025! LISTEN: Handle With Care by ConductaSee omnystudio.com/listener for privacy information.

Viralità istantanea, crimine in silenzio: nelle ultime 48 ore i messaggi privati di Raoul Bova sono diventati meme e notizie, ma dietro c'è molto di più di un semplice gossip.Ogni contenuto condiviso favorisce la vittimizzazione delle persone coinvolte: nel 2024 decine di migliaia di euro sono stati pagati da vittime, un fenomeno colpisce per l'86% gli uomini e cresce con articoli, post e commenti. Più click, più dolore per le vittime: ignorare la sextortion e la privacy trasforma tutti in complici.E la viralità su queste storie non è semplice intrattenimento, ma una forma di violenza. In cui puoi cadere anche tu.La ricerca di PermessoNegato.it » https://link.mgpf.it/PNsextortion~~~~~ INGAGGI E SPONSORSHIP ~~~~~ Per contatti commerciali: sales@matteoflora.comPer consulenze legali: info@42LawFirm.it~~~~~ SOSTIENI IL CANALE! ~~~~~Con la Membership PRO puoi supportare il Canale » https://link.mgpf.it/proSe vuoi qui la mia attrezzatura » https://mgpf.it/attrezzatura~~~~~ SEGUIMI ANCHE ONLINE CON LE NOTIFICHE! ~~~~~» CANALE WHATSAPP » https://link.mgpf.it/wa» CANALE TELEGRAM » https://mgpf.it/tg» CORSO (Gratis) IN FUTURO » https://mgpf.it/nl» NEWSLETTER » https://mgpf.it/nl~~~~~ CIAO INTERNET E MATTEO FLORA ~~~~~ Questo è “Ciao Internet!” la prima e più seguita trasmissione di TECH POLICY in lingua italiana, online su YouTube e in Podcast.Io sono MATTEO FLORA e sono:» Professore in Fondamenti di Sicurezza delle AI e delle SuperIntelligenze (ESE)» Professore ac in Corporate Reputation e Crisis Management (Pavia).Sono un Imprenditore Seriale del digitale e ho fondato:» The Fool » https://thefool.it - La società italiana leader di Customer Insight» The Magician » https://themagician.agency - Atelier di Advocacy e Gestione della Crisi» 42 Law Firm » https://42lf.it - Lo Studio Legale per la Trasformazione Digitale » ...e tante altre qui: https://matteoflora.com/#aziendeSono Future Leader (IVLP) del Dipartimento di Stato USA sotto Amministrazione Obama nel programma “Combating Cybercrime (2012)”.Sono Presidente di PermessoNegato, l'associazione italiana che si occupa di Pornografia Non- Consensuale e Revenge Porn.Conduco in TV “Intelligenze Artificiali” su Mediaset/TgCom.

Piše Anja Radaljac, bere Eva Longyka Marušič. Najboljše šele pride je romaneskni prvenec Petre Julie Ujawe, izdan pri Cankarjevi založbi, v knjižni zbirki Razmerja, ki skuša v slovenski kulturni prostor uvajati žanr, ki je doslej ostajal na založniški margini; ljubezenski roman. Če zapišemo, da je obstajal na margini, mislimo s tem zelo dobesedno; v slovenskem literarnem prostoru je namreč dolgo obstajala vzporedna »literarna scena« samozaložniških izdaj, nezaupnica slovenskim založniškim hišam (ki za ta žanr niso imele interesa). A predano bralstvo je rado posegalo po teh v samozaložbah izdanih romanih, ki so na obrobju bržkone pristali prav zaradi svoje žanrske strukture, ki je skladna s tem, kar družba povezuje z »ženskimi« interesi, to je z ljubeznijo in odnosi. Pomenljivo pri tem je, da je bila kriminalka kot žanr, ki ga temeljno določajo kriminal, policijska država in/ali druge oblike nadzora, v kulturnem prostoru, ki je seveda tudi del establishmenta, legitimirana veliko prej. Najboljše šele pride je dokaj pravoveren urbani sodobni ljubezenski roman, ki ne meša žanrov in vsebine ne podlaga s težjimi tematikami; ostaja lahkotno branje, ki je – podobno kot kriminalka, ki si prizadeva za razrešitev kriminalnega primera – osredotočeno na ključno žanrsko premiso: pripeljati junakinjo Kristino in junaka Janusa do izpolnjujoče ljubezenske zveze. Pri tem se jima na pot postavljajo različne ovire, pretežno psihološke narave in izhajajoče predvsem iz njunih individualnih notranjih dinamik. Besedilo romana ne ponuja zunanjih preprek, ki bi ljubimca ohranjala narazen, niti ne predpostavlja kakšnih ovir, ki bi bile objektivne, četudi notranje narave, kot je denimo bolezen. Psihologija likinje in lika v romanu Najboljše šele pride je sicer izrazito ploska, konflikt pa je zaradi tega toliko šibkejši. Deli besedila se spočetka dogajajo v preteklosti, kasneje preskakujejo po več dni, včasih celo tednov – ali cel mesec, leto. S tem nastaja ohlapna struktura, v kateri se zdi, da se avtorica trudi povedati samo »najbolj pomembno«, s čimer pa ne pride do dinamičnega odnosa med likinjo in likom (druge literarne osebe so zastavljene še bolj površinsko) kakršen je za ljubezenski roman ključen, ne pride do romantične napetosti med njima, ampak se roman razpoloženjsko nekako vleče skozi situacije, ki bi bile zelo preprosto rešljive že z drobcem odprte komunikacije. Redki so tudi pogovori med likinjo in likom, ki bi lahko dali romanu nekaj več specifičnosti, morda kaj značilne, individualne medosebne dinamike. Pogosto avtorica denimo opisuje, da sta se junak in junakinja sprehajala v tišini, ali pa napiše, da sta govorila po telefonu, a pogovora ne poda. Zgodba tako teče z velikimi preskoki, med katerimi ni razdelane pripovedi, junak in junakinja sta, v nasprotju z eno od zakonitosti žanra ljubezenskega romana, večinoma ločena in tako se odnos med njima ne razvije pred bralstvom – bralstvo dobi predvsem nekakšno pojasnilo, obvestilo, ko se premakne kaj večjega. Praznine, kjer naj bi se razvijal odnos med likom in likinjo, so napolnjene z relativno nezanimivim dogajanjem okoli junakinjine poklicne poti, čeprav je tudi na tem mestu smiselno zapisati, da se roman trudi slediti žanrski konvenciji, da junakinja počne nekaj, kar je v podporo ženskam (odpre avtomehanično delavnico za ženske, ki zaposluje samo ženske). Tudi v njeni precej generični družini ni nobenih resnih trenj ali česarkoli, kar bi ustvarjalo napetost; vsi se imajo radi, se podpirajo, vse je ena sama skladnost ali, bolj v slogu romana, praznovanje, saj z velikimi dogodki praznujejo vse mogoče, med drugim vsak god vsakogar v družini. Toda morda najbolj nevarna avtoričina odločitev je, da za zbližanje junakinje in junaka uporabi komo nekega drugega lika v romanu; vse skupaj izpade nerealistično, posebej pa ni v skladu z emocionalnim lokom odnosa, ki ga (ne) zgradita do tiste točke. Najboljše šele pride Petre Julie Ujawe je torej roman, ki poskuša v eni od osrednjih založb vnesti v slovenski prostor žanr sodobnega urbanega ljubezenskega romana in vidno sledi večini vodil žanra, a odpove prav na mestih, kjer jim ne sledi, in naposled ne zgradi dinamične, atmosferično močne ljubezenske zgodbe.

Piše Tonja Jelen, bereta Aleksander Golja in Maja Moll. V pesniški zbirki pisateljice, pesnice in literarne kritičarke filozofinje Marije Švanjcer Na odru nas umetnica najprej povabi na glasbene koncerte. Pesmi niso samo izraz spremljanja glasbe in njene lepote, ampak tudi resno komentiranje najrazličnejših situacij med občinstvom. Pesnica kritizira snemanje v dvorani, ki naj bi sedanjost preneslo v prihodnost, toda kako preredko znamo prav zaradi nenehnega snemanja užiti trenutek, opazovati in se prepustiti hipu? Ali bomo res vse to še kdaj gledali in podoživeli? Pesmi nas opozarjajo na pomen vživljanja v prav vsak trenutek, česar pa naj bi bilo vedno manj. Vse manj je tudi olike in vljudnosti v kulturi. Prizanašanja ni. Pesmi v zbirki Na odru so predvsem hvalnica umetnosti, subjektka jo občuduje in doživlja. Približevanje glasbe skozi poezijo daje pogled v avtoričin široko glasbeno izbiro tako popularne kot klasične glasbe. Pesmi so velik poklon glasbi, ki osmišlja posameznika in skupnost. Je kot gonilo in odmik od slabega: »Ne poznamo se, / toda vemo, / da smo bili skupaj, / združeni z glasbo / in odmaknjeni od vsakršnega zla.« Zbirko Na odru je mogoče brati tudi kot spremljanje življenja. Pogled ni lahkoten pogled, temveč razgalja vso šibkost in ranljivost. V zbirki Vesele pesmi je bila avtoričina poezija predvsem hvalnica življenju in soočenju s temnimi platmi, ta zbirka pa nas nagovarja tudi z oživljanjem predmetov. Ti so kot osvetlitve sredi praznega hodnika ali stene, so deus ex machina prebujenega življenja. Vendar pesnica v svet zre tudi kritično. Še posebej pridejo do izraza eksistencialne pesmi, ki prikažejo človekovo hladnost in slabost. Izjemno slikanje teže življenja Marija Švajncer uprizarja z barvami, zlasti s sivo in celo mrtvo barvo. Barve in atmosfera so pomembna komponenta tudi njenih prejšnjih zbirk, kot so na primer Sive pesmi in Kamnite pesmi. Ostre zareze niso nikdar olepšane, občutje slabosti in premislek o samosti in osamljenosti se prepletata brez pomilovanja. V Utrujeni pesmi je simbol pesnika pripeljan do konca. Prav tak pa je lahko tudi konec umetnikov in mislecev, ki so jim posvečene posamične pesmi. Tenkočutnost za sočloveka je namreč močan izraz v opusu Marije Švajncer. Soočenje s smrtjo in bolečino zaradi nje ni le trenutek, ampak proces danes preredko dopuščenega žalovanja. Pesem Samo ne umri!, posvečena Sašu Hribarju, v zadnjih verzih pravi: »Brez tebe bo molk še bolj boleč, / sovraštvo zadušljivo in grozeče. / Daj, ostani in se zvedavo ozri na praznine v duši, / zapolni jih in stori, / da nam bo lepo. / Nasmehni se, / kot si se tisti zadnji dopoldan.« Pesem deluje tudi na podlagi spomina. Preplet osebnega in skupinskega doživljanja je pogost pesničin prijem, uporabila ga je tudi v zbirki Igralca. posvečeni Gašperju Tiču in Jerneju Šugmanu. Preobrat k veselju je dosežen z motivom otrok, vnuka in s spremljanjem umetnosti. V zbirki je še veliko uspelih povednih pesmi, ki se dotikajo življenjskih vprašanj. To je poezija, ki daje vedeti in spoznavati. Kot Kandid, ki pa mu avtorica ne želi biti povsem podobna. Inteligenten humor namreč ne umanjka niti tokrat.

Piše Leonora Flis, bereta Aleksander Golja in Maja Moll. Mimi Podkrižnik ima dolgoletno kariero v novinarskem poklicu, poleg tega prevaja iz francoščine in piše literarna besedila. Kot novinarka je poročala zlasti o Španiji, Franciji in Portugalski. Roman Čista sreča je posrečen, ker je navidezno razigran – do neke mere – in skozi svoj specifični humor ali bolje satiro, zabava, vendar je obenem tudi razplasten, poglobljen in tragičen. Avtorici je poznavanje novinarske scene v Sloveniji in širše brez dvoma pomagalo pri oblikovanju zgodbe, ki ni omejena le na slovenski prostor, ampak sega vse do daljne Afrike. Pravzaprav je to zgodba o človekovi naravi, o sistemih, ki ljudi oblikujejo v pohlepne, zaničevalne, seksistične in obenem strte ljudi. Vrlina romana je tudi v tem, da pripovedovalec oziroma pripovedovalka, ki ima občasno precej intelektualno držo, ne izreka moralne sodbe ali odkritega vrednotenja dejanj protagonistov in protagonistk. Zgolj opisuje, našteva, prikazuje, vodi nas skozi dogajanje, ki ga spremljamo od konca proti začetku, z vmesnimi dnevniškimi zapisi glavnega (anti)junaka Janeza Miroviča ali Johnnyja Afriškega. Janez je legenda v novinarskem svetu, dopisnik iz Dakarja, ki si je ustvaril brilijantno kariero, ob kateri je začel graditi tudi paralelni posel – gojenje banan. V Afriki je namreč lastnik plantaže, zaradi katere se, kot pokaže zgodba, morda zaplete (vede ali nevede) tudi v nečedne posle, povezane z belim prahom. Ima družino in uživa ugled. Vse dokler ga ob menjavi vodstva na televiziji ne odpokličejo z mesta dopisnika in mu dodelijo mesto v notranjepolitični redakciji, kjer pa se Johnny, ki počasi postaja ‘Janez Kranjski,' ne znajde najbolje. Propadata mu družina (žena in oba otroka se sčasoma vrnejo v Afriko) in kariera. Janez se oklepa svojih starih vzorcev delovanja – kot so arogantnost, podkupovanje, seksistične opazke in geste na delovnem mestu, izsiljevanje. Vse to je morda nekoč delovalo, zdaj pa takšno ravnanje deluje le še na najvišjih, nedotakljivih, državnih nivojih. Dvoličnost, dvojni standardi in razkroj vrednot bi lahko izpostavili kot temeljne teme v romanu. Kriminal, ki je vsem na očeh, ostaja nekaznovan, vendar nikakor ne moremo reči, da Johnnyja, ki je vsaj na videz manjša riba, karma ne udari. Poleg Mirovičev velja omeniti še družino Ratnik – Tomaža, docenta, ki mu domače akademsko okolje ne diši več, in Žanko, prekarno novinarko, ki se odloči, da bo postala vlogerka. Janez začne Žanko nadlegovati, siliti vanjo in ustrahovati družino Ratnik. Zapletena dinamika med družinama, zlasti med Janezom in Žanko, se zaostri do te mere, da se Ratniki odločijo za selitev na Portugalsko. V ozadju so tudi drugi razlogi, saj Žanka izkaže veliko zanimanje za Portugalsko že pred poslabšanjem odnosov z Janezom, in Tomažu reče: “Midva sploh ne napredujeva, midva nazadujeva … začela se bom učiti portugalščino.” Pred tem pa beremo: “Odkar se je zlasti na spletnih omrežjih neumnost delala, da je pametna, so bile relevantne družbene teme docela potisnjene v ozadje. In tako je posebej Žanka imela občutek, da s Tomažem, ki se je s knjigo ali zapiski za predavanja v roki vedno bolj umikal na teraso in si tam nekontrolirano prižigal cigarete, nista le neznatni kaplji v brezdanjem oceanu, ki bučno valovi, ampak poslednji kaplji v luži anemičnega humanizma, ki bo vsak trenutek presahnila.” Ko prispejo na Portugalsko, Ratniki spoznajo gospo Diamantino, ki je preživela režim diktatorja Salazarja, v času katerega se je naučila molčati, tudi takrat, ko so bile storjene krivice. Diktat moči, prevlade, agresije je vladal nekoč in vlada še danes. Kljub temu pa toplo južno okolje prinaša tudi mir in zadovoljstvo. Žanka šele na Portugalskem začuti nekaj, kar je blizu sreči. Če se je prvi smejal Janez Mirovič, zadnji smeh pripade njej. Po sestanku s Portugalko Paulo, ki naj bi njo in Tomaža uvedla v tamkajšnjo “digitalno nomadsko sceno”, beremo: “Žanka se je nasmehnila in pomahala v pozdrav. Nato se je začela smejati in se je smejala in smejala in smejala, nato je prasnila v krohot in se krohotala, pa se spet smejala in še naprej smejala, tudi ko Paule že zdavnaj ni bilo nikjer več. To je bil smeh blaženosti, iz čiste sreče.” Konec romana še enkrat naplavi Janeza, ki nemirno pluje na ladji norcev. Krog je tako sklenjen.

El Audi Quattro es un coche clave en la historia y un mito. Seguro que conoces sus éxitos y, sin duda, su historia… ¿seguro? Os lanzo un reto: ¿Sabías que este modelo se diseñó de una forma un poco “chapuza” utilizando partes y elementos de otros modelos? Te aseguro que es un verdadero “coche Frankenstein”... El Audi Quattro, un verdadero “Monstruo de Frankenstein” hecho con trozos aprovechados de otros modelos, nació gracias el alemán Ferdinand Piëch, nieto de Ferry Porsche, a su vez hijo del fundador de la marca Porsche, Ferdinand Porsche… Una pequeña parte de esta historia ya la contamos, pero conviene recordarla, porque en realidad todo comienza en 1964… 16 años antes de que se presentase el Audi Quattro. En 1964 VW compra DKW… os recuerdo que 5 años después compraría NSU. Dos buenas decisiones, pues de DKW tomo la tecnología de la tracción total. Era una especie de jeep 4x4 fabricado por DKW. Como VW ya tenía la tecnología de tracción total se animó a participar en un concurso del ejército que quería más coches de todo terreno. Y nació el Iltis, que ganó el concurso y que ganó el Paris-Dakar en 1980. Por la “puerta de atrás” y discretamente en 1977 VW pide a la FIA derogar la norma que impedía correr en el Mundial de Rallyes a coches de tracción total… la FIA pregunta al resto de las marcas y ninguna se negó… Y en 1978 se lanza el VW Iltis. Y arranco el proyecto 262, que sería finalmente el Audi Quattro. Os hablaba de copia y de “chapuza”, con comillas. Hemos visto la parte de la “copia”, aunque no quiero dejar de recordar que Walter Treser, ingeniero que trabajo en el proyecto Quattro, se compró un Jensen FF… no por casualidad. ¿Qué tenéis por ahí? Esta pudo ser la pregunta que hizo Jörg Bessiger a sus colegas de VW. Porque el Quattro está hecho de piezas y elementos tomados de otros coches: Motor del Audi 200, chasis del Coupé, trasmisión del Iltis, suspensiones de Audi 80… todo ello modificado como se pudo para “armar” el mecano que era el Audi Quattro. Lo que hizo Audi es partir de un motor de VW 4 cilindros añadirle uno y con una cilindrada unitaria muy similar, de 428 cm3, llegaron a los 2.144 cm3 del motor 5 cilindros de Audi de esa época. O sea, que utilizaron ese motor, porque prácticamente no requería ni un solo marco, no había euros todavía, de inversión en investigación, y no por otra cosa… seguramente mejor hubiese sido un V6… que es lo que usan ahora. Ese motor, nacido para el 200 Turbo se utilizó tal cual para el Quattro y en la misma posición, delantero longitudinal en voladizo, lo cual no era la mejor opción para un deportivo, pero insisto, ¡es lo que había! Hans Navidek que tenía la responsabilidad de instalar la tracción total, usó la tomada del Iltis, en un Coupé. Lo que sucede es que el Iltis era más alto y con chasis separado y el Quattro debía de ser bajito y contaba con chasis monocasco… esta fue la parte más complicada. Consiguieron “meter” un diferencial central Torsen central y salidas diferentes para el tren delantero y trasero. Delante, su utilizó el esquema del Coupé de, tracción delantera convencional, y se adaptó un eje como en el Iltis para el tren posterior, que costo ajustar y encontrar sitio… pero se consiguió. El nuevo modelo ya tenía motor, el de Audi 200 Turbo; tenía carrocería, la del Audi Coupé B2; tenía transmisión, pues se había conseguido adaptar y mejorar la del Iltis… faltaban las suspensiones. La trasera del Coupé B2 no valía, porque ese modelo no estaba previsto que tuviese propulsión trasera. Audi no tenía en ese momento ningún modelo con propulsión trasera, así que había que diseñar una partiendo de cero… pero de nuevo alguien dijo, “¿no tenemos nada que nos sirva?” Y algún “iluminado” diría: “Y si ponemos una suspensión delantera, que está preparada para llevar transmisión, pero la ponemos atrás”. Dicho y hecho. Tomaron la suspensión delantera McPherson del Audi, la dieron la vuelta, le reforzaron con unos tirantes y la pusieron atrás… ya estaba terminado este maravilloso “Monstruo de Frankenstein” que es el Audi Quattro. No olvidemos que este coche nace para la competición, para los Rallyes, ese era al objetivo. De hecho, se pensaban fabricar 400 unidades, las necesarias para la homologación… finalmente se fabricaron casi 12.000. Cuando aún estaba en fase de prototipo con una carrocería de Audi 80 Audi decide que los pruebe un piloto de nivel y deciden que sea Hannu Mikkola. Según me han contado fuentes que no pudo revelar, ya sabéis que para los periodistas es una ley esa que dice “antes la muerte que la fuente”, el piloto no iba muy ilusionado. Un Audi 80 con un motor turbo ahí delante y con trasmisión de todo terreno, no parecía una idea muy sugerente… pero, permitidme un paréntesis. En esa época, la mayoría de los rallyes eran de tierra. Por ejemplo, en el 80, solo había dos rallyes de asfalto, el Montercarlo y el Tour de Corse… y en Montecarlo nevaba. El de Suecia era siempre sobre nieve. Los había mixtos, como el de Portugal, San Remo o el Rac de Gran Bretaña. Y aún se disputaban los rallyes de Costa de Marfil y el East African Safari de Kenia, unos rallyes muy especiales y, por supuesto, sobre tierra. Por eso Piëch creía en la tracción total. Tras diversas pruebas sobre prototipos Mikkola para del escepticismo al entusiasmo y el Quattro echaba a andar. En resumen, el Quattro se encontró con unos rivales anticuados y unos rallyes que les favorecían. El éxito que tuvo este modelo que hizo que todos los coches del rallyes del futuro fuesen de tracción total y una gran mayoría de deportivos de calle de elevada potencia. Hacer el coche que hicieron “apañando” el coche a base de elementos de otros, tiene mucho mérito. Pero tuvo muchas secuelas. La más importante el motor, o mejor, su posición delante en voladizo. El Audi Quattro, ni siquiera en sus versiones “cortas” y evolucionadas, fue en coche ágil y mucho menos fue un coche “fácil”. La ventaja de la tracción total era tanta, que esto no supuso un inconveniente… hasta que el resto de las marcas comenzaron a utilizar la tracción total, pero con motor central. ¿Te imaginas un Audi Quattro con motor V6 o un simple 4 cilindros, ni siquiera en posición central, sino por detrás del eje delantero? Sus éxitos hubiesen sido aún mayores. Esto es historia ficción y, si queréis, puede dar lugar a un video de “Historia-Ficción” que se titule: “El Audi Quattro diseñado desde cero”. Ahí dejo la idea y os leo en comentarios. Conclusión. Admiro enormemente a la gente que tiene sueños y los lleva adelante. Piëch soñó con un deportivo de tracción total y bajo sus auspicios, pese a las dificultades, nació el Audi Quattro. Un coche del que siempre se dice que “lo cambió todo” … y no es un tópico es la verdad.

We agreed this topic was off-limits… until it wasn't.  What happens when your co-host completely flips the script? In this explosive episode of the I Am Unbreakable® Podcast, Chris blindsides me with a conversation about infidelity, fame, and privacy.  We also break down the viral Coldplay concert moment and dive deep into how personal privacy and human behavior collide. This one is raw, unfiltered, and impossible to ignore. “I've learned as a PI that the truth about infidelity is often deeper and more private than a public moment reveals.” -Adrianne "In a world where everything is recorded, I'm grateful for the wild days without smartphones. Privacy is golden, folks,” says Chris.  Watch now before I change my mind about leaving this live. Timestamps: 0:00 – The curveball Chris threw me 3:15 – The truth about fame and privacy 9:40 – Infidelity cases I'll never forget 14:55 – The viral Coldplay moment dissected 21:00 – How public exposure impacts families 28:10 – The part I almost cut

durée : 00:54:21 - On va déguster - par : François-Régis Gaudry - Jean-François Piège nous livre ses secrets, sa passion des livres de gastronomie, ses tours de main du quotidien, ses vins préférés. - réalisé par : Lauranne THOMAS Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

GPIO Stacking Header for Pi A+/B+/Pi 2/Pi 3 - Extra-long 2x20 Pins (0:55) https://www.adafruit.com/product/2223 Ultra Flexible LED Ribbon Strip - 30mm Wide - 1 Meter long - Neutral / Natural White ~4000K (1:40) https://www.adafruit.com/product/6127 Ultra Flexible LED Ribbon Strip - 30mm Wide - 1 Meter long - Cool White ~6000K (1:40) https://www.adafruit.com/product/6128 Adafruit MagTag - 2.9" Grayscale E-Ink WiFi Display - 2025 Edition with SSD1680 (4:07) https://www.adafruit.com/product/4800 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- New nEw NEWs New Products, News, and more: https://www.adafruit.com/newsletter #newnewnew Shop for all of the newest Adafruit products: http://adafru.it/new Visit the Adafruit shop online - http://www.adafruit.com Adafruit on Instagram: https://www.instagram.com/adafruit LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

#86: @skeeryjones had the best time at Porsha's birthday party- which included horseback rides for the kids, an appearance by Barbie...and Skeery's gift which Porsha still refuses to open; Cher & Skeery discuss the Caught On Camera Cheating CEO from the Coldplay concert...and Cher has seen this movie before and poses a different take- based on her longtime PI experiences. Subscribe & Watch this episode on YouTube: @chercosenza

GPIO Stacking Header for Pi A+/B+/Pi 2/Pi 3 - Extra-long 2x20 Pins (0:55) https://www.adafruit.com/product/2223 Ultra Flexible LED Ribbon Strip - 30mm Wide - 1 Meter long - Neutral / Natural White ~4000K (1:40) https://www.adafruit.com/product/6127 Ultra Flexible LED Ribbon Strip - 30mm Wide - 1 Meter long - Cool White ~6000K (1:40) https://www.adafruit.com/product/6128 Adafruit MagTag - 2.9" Grayscale E-Ink WiFi Display - 2025 Edition with SSD1680 (4:07) https://www.adafruit.com/product/4800 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- New nEw NEWs New Products, News, and more: https://www.adafruit.com/newsletter #newnewnew Shop for all of the newest Adafruit products: http://adafru.it/new Visit the Adafruit shop online - http://www.adafruit.com Adafruit on Instagram: https://www.instagram.com/adafruit LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

歡迎嚟到 搞乜咁科學 GMG Science 第38集！Keith會分享一個全世界最難嘅數學證明。

Bright on Buddhism - Episode 119 - What is the role of music in Buddhism? What are some instruments that are commonly used in ritual? How ought we understand music in Buddhism? Resources: https://buddhiststudies.stanford.edu/resources/resource-guide-public/buddhist-music-and-chantingChen, Pi-Yen (2010). Chinese Buddhist monastic chants. Middleton, Wis.: A-R Editions. ISBN 9780895796721.Chen, Pi-yen (2002). "The contemporary practice of the Chinese Buddhist daily service: Two case studies of the traditional in the post-traditional world". Ethnomusicology. 46 (2): 226–249. doi:10.2307/852780. JSTOR 852780.Gelongma Karma Khechong Palmo. Mantras on the Prayer Flag. Kailash: A Journal of Himalayan Studies, Volume 1, Number 2, 1973. (pp. 168–169).The Rider Encyclopedia of Eastern Philosophy and religion. (London : Rider, 1986).Sadie, Stanley; Tyrrell, John, eds. (2001). New Grove Dictionary of Music and Musicians (2nd ed.). New York: Grove's Dictionaries. ISBN 1561592390.Millward, James A. (June 2012). "Chordophone Culture in Two Early Modern Societies: "A Pipa-Vihuela" Duet". Journal of World History. 23 (2): 237–278. doi:10.1353/jwh.2012.0034. JSTOR 23320149. S2CID 145544440.Myers, John (1992). The way of the pipa: structure and imagery in Chinese lute music. Kent State University Press. ISBN 9780873384551.Picken, Laurence (March 1955). "The Origin of the Short Lute". The Galpin Society Journal. 8: 32–42. doi:10.2307/842155. JSTOR 842155.Erhu Info: Stephen Jones (1995). Folk Music of China. Oxford: Clarendon Press OUP.Terence Michael Liu (1988). "Development of the Chinese Two-stringed Bowed Lute Erhu Following the New Culture Movement (c. 1915–1985)". Ph.D. dissertation. Kent, Ohio: Kent State University.Jonathan Stock. "A Historical Account of the Chinese Two-Stringed Fiddle Erhu". Galpin Society Journal, v. 46 (March 1993), pp. 83–113.Jonathan Stock (1996). Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings. Eastman Studies in Music. Rochester, New York: Rochester University Press.Yongde Wang (1995). Qing shao nian xue er hu (Young person's erhu study). Shanghai Music Publishing House.Shamisen info:https://web.archive.org/web/20101213141302/http://brill.nl/default.aspx?partid=210&pid=28179Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Po skoraj dveh desetletjih kraljevanja na vrhu kinolestvic in milijardah zaslužkov se je v zadnjem času studio Marvel spoprijemal s serijo neuspehov, ko so številne njihove filme kritiki raztrgali, gledalci pa preskočili. Studio je pravzaprav postal že kar obupan in je za naslednji film o Maščevalcih zbral neverjetno število zvezdnikov in največji proračun v zgodovini filma, da bi vsaj nekoliko prebudil oboževalce. A še preden bomo lahko prihodnje leto videli ta nadspektakel, nam je Marvel predstavil nekaj povsem drugačnega – Fantastične štiri v posebni retro viziji. Fantastični štirje so ena najbolj priljubljenih stripovskih superjunaških skupin, ki je doživela že več filmskih adaptacij, a te doslej niso bile povezane s širšim Marvelovim filmskim vesoljem. In tudi ta je sprva videti tako. Zgodba se odvija v vzporedni resničnosti, ki je vizualno navdahnjena s stripi in znanstveno fantastiko iz prve polovice 20. stoletja, torej s prvimi zgodbami o superjunakih in barvitimi znanstvenofantastičnimi revijami. Fantastični štirje so v tem svetu že uveljavljeni junaki in pravzaprav kar zaščitniki sveta, saj se vsi do njih bolj ali manj vedejo kot do edinih odločevalcev o usodi planeta. Supermoči so dobili, ko so kot prvi astronavti poleteli v vesolje, kjer jih je ožarčila in mutirala nekakšna kozmična sila. Tako je njihov vodja Reed Richards dobil moč, da podaljša ude, njegova žena Sue Storm lahko manipulira z energijo in postane nevidna, njegov najboljši prijatelj Ben Grimm ima kožo iz skale in je izredno močan, njen brat Johnny pa lahko leti in zagori. Pri tem je zanimivo opaziti ključen odmik od klasičnega narativa te skupine junakov. Sue ima že tako najzanimivejši nabor moči, v tem filmu pa je postala tudi političarka, ki z izrednimi sposobnostmi mediacije združi ves svet in postane de facto predsednica. Zgodba aktualnega filma se začne, ko Sue ugotovi, da je noseča, veselo pričakovanje naraščaja pa zmoti prihod neuničljive vesoljke, ki napove, da bo planet kmalu požrl nekakšen bog, Galakt. Fantastični štirje se odpravijo, da bi ga ustavili oziroma se pogajali z njimi. Če je bil do te točke film še nekako svež v svojem retrofuturizmu, pa ob tem soočenju nenadoma zaide v biblične vode, ko Galakt v zameno za odrešitev Zemlje zahteva še nerojenega dojenčka. Fantastični štirje niso Abraham, predvsem pa ne Sue, ki se začne krčevito boriti za svojega potomca, še toliko bolj, ker večina planeta meni, da bi bila to poštena kupčija. Tako mora Sue najprej prepričati svet, da se je vredno boriti z Galaktom, nato organizirati obrambo in na koncu še spopad. Preostali trije fantastiki sicer prispevajo k temu projektu, a Sue je kot neustrašna in neusmiljena mati medvedka, ko brani svojega otroka in ves svet pred jeznim in požrešnim bogom. Čeprav lahko na film gledamo kot na poletni blockbuster, poln absurdne akcije in zanimivih vizualnih pristopov, pa je težko spregledati, kako v ozadju poveličuje vrednote ameriške družbe iz petdesetih, v kateri je jasno, kdo vodi in kdo sledi. Obenem je ves feministični narativ okrog Sue Storm le krinka, saj so njeni dosežki v politični areni ves čas delegirani v ozadje, tisti na bojni fronti pa so prikazani kot odziv njene primarne, materinske vloge. Za nameček je film izdatno temačen, sploh v 3D-tehniki. Prva polovica je zaradi postavitve v drugačno realnost sicer polna krasnih domislic in podob, ki pa ne vodijo nikamor. To je še toliko bolj opazno v drugi polovici, ki jo prežema pričakovanje armagedona, končni spopad pa kljub nekaj zanimivim preobratom ne pokaže nič zares novega. Kot kaže, bodo Fantastični štirje ena največjih kino uspešnic tega leta, kar dokazuje, da ima Marvel še vedno tisti čar, pa čeprav še vedno ne zna pokazati nič prav zares novega. Piše: Igor Harb Bere: Aleksander Golja

Norveški avtor Dag Johan Haugerud, 60-letni romanopisec, scenarist in režiser, je v dobrem letu dni posnel tri celovečerne filme, povezane v neformalno trilogijo Seks, Ljubezen in Sanje. V vseh treh se ukvarja z intimnimi razmerji v sodobni urbani Norveški in premislekom o njih, pa tudi s fluidnimi spolnimi identitetami in družbenimi pričakovanji. Za Sanje je na letošnjem Berlinalu prejel zlatega medveda. Glavna junakinja filma je introvertirana srednješolka Johanne, ki se nepričakovano zaljubi v novo učiteljico francoščine Johanno. Svojih občutkov še sama ne razume najbolje in jih ne zaupa niti sošolkam niti materi ali babici. Z negotovimi koraki se ji uspe zbližati z učiteljico, a kljub medsebojni naklonjenosti ostaneta pri platoničnem odnosu. Johanne se zdi izkušnja tako izjemna, da o njej napiše literarno preoblikovano novelo. Prebereta jo tudi mati in babica; čeprav sta sprva osupli, dobro artikulirana pripoved tudi pri njiju sproži premislek o lastnem odnosu do življenja, erotiki in zamujenih priložnostih. Skoraj dveurni film Sanje je posnet z veliko občutljivosti in čeprav močno temelji na dialogih oziroma je na neki način precej literaren ‒ pa ne le zato, ker imajo knjige, založništvo, branje in pisanje pomembno vlogo v komorno zasnovanem scenariju ‒ mu uspe ves čas ohranjati vznemirljivo napetost. To ustvarja predvsem z zelo spretno hojo po nevidnem robu med notranjim in zunanjim svetom, med osebnimi občutki ter njihovim zunanjim izrazom in sprejemanjem. Pa tudi z odličnim prikazom plesa po drsečem terenu, ki se mu reče človeško zbliževanje. Avtor vešče izrablja dogajalne prostore, saj vsaka izmed filmskih lokacij, tudi Oslo kot urbana celota, značajsko prispeva k naravi pogovorov in večplastnemu razvoju pripovedi. Nekaj posameznih prizorov je tudi vizualno presežnih, vendar se organsko popolnoma zlivajo v celoto. Celovečerni film Sanje spominja na dela Érica Rohmerja, hkrati pa je tudi precej drugačen, posodobljen in »prebujenski« in nas nevsiljivo opominja na nevralgične teme istospolne ljubezni, pa tudi na problematiko nepolnoletnosti, pristanka in zavesti o položaju avtoritete oziroma učiteljice in učenke, otroka in staršev. Toda v ospredju sta vendarle prva ljubezen in silovitost novih občutkov, pa tudi spomin nanje in premišljevanje o njih in odraščanju, ki je univerzalno prepoznavna izkušnja in zato tudi večno zanimiva snov ... Film, ki zbudi željo, da bi si bilo mogoče ogledati trilogijo Seks, Ljubezen in Sanje v celoti. Piše: Gorazd Trušnovec Bere: Aleksander Golja

Escucha a Ivette Siliceo todos los viernes en punto de las 11 de la mañana, en su programa... Pi por Radio al Cuadrado. , Pi por radio al cuadrado.Escucha a Ivette Siliceo todos los viernes en punto de las 11 de la mañana. Hoy hablaremos de: (Pi x radio 📻)2.- ¿Será mi pareja ideal?

ReferencesAnal Cell Pathol (Amst).2018; 2018: 787.1814J. Biol. Chem. 2018;293:2422-2437Current Opinion in Structural BiologyVolume 83, December 2023, 102707The Journal of Biological Chemistry 2016.291, 23756-23768Mann, Martinez, O'Neill. 1979 "Angels at My Gate" Manfred Mann EB.https://open.spotify.com/track/2A9wPXzu7uijsOhIpbAH6e?si=2226c50bc7ab4a45Tchaikovsky, PI . 1880. Capricio Italiane" Romeo and Juliet; Nutcracker. https://open.spotify.com/album/0t5AVxOQO5GqqlZW0AeL0c?si=Fwd2uqTtQpqlzhILsRWXQA

Tri leta je profesorica francoščine na izpostavi Sorbone v Abu Dabiju. Pred kratkim je podpisala novo triletno pogodbo. Pred tem je bila v Sloveniji najprej osnovnošolska učiteljica in pozneje profesorica angleščine na gimnaziji. Zna pohvaliti slovensko šolstvo in je hvaležna za vse prejeto znanje. Doma tudi zato ni zapustila zlahka. Ampak po vsem, kar se je v sistemu nakopičilo po obdobju koronavirusa, je bila odločitev nekoliko lažja. Univerza v Združenih arabskih emiratih, kjer dela, ima pridih prestiža, ni pa nujno elitistična. Vpisanim in sprejetim domačinom šolnino plačuje država, šolanje pa poteka v francoščini.Poznate potencialnega sogovornika ali sogovornico za epizodo Globalne vasi? Pišite na nejc.jemec@rtvslo.si

Immaginate un mondo leggermente diverso dal nostro. Leggermente. Un mondo dove le multinazionali dominano le vite altrui e dove tutto è mosso dal denaro e dal controllo totale. Con una piccola differenza: in questo mondo, i supereroi esistono. Più super che eroi, a dire il vero. Da questo presupposto nasce "The Boys", l'opera migliore di Garth Ennis dai tempi di "Preacher". Una serie a fumetti che fa satira sul mondo dei supereroi ma che aggiorna anche la visione cinica e tragica che Ennis ha dell'America."Ho fatto delle cose"L'ora della verità. La Vought America, i Sette e i Boys si preparano alla battaglia finale. Uno scontro che non risparmierà nessuno e che svelerà verità sconvolgenti, capaci di rendere il mondo di "The Boys" ancora più oscuro.

El municipio de Muras (Lugo) y el de Ares se convierten un año más en punto de encuentro internacional para los amantes de la fotografía nocturna con la celebración del VIII Congreso de Fotografía de Larga Exposición (LEA VIII), que se desarrollará desde hoy y hasta el sábado en el concello de Muras (Lugo) y el Monasterio de Santa Catalina en Ares El evento arranca esta tarde en Muras con la inauguración de la exposición astrofotográfica anual, seguida por charlas sobre la conexión entre patrimonio y cielo nocturno. Esa misma noche, Diego Alonso ofrecerá una master class de fotografía y se realizará una acampada libre bajo las estrellas. A partir del viernes 25, el programa se traslada al Monasterio de Ares. Entre los ponentes destacan IrreBerenTe Natalia Aguado, Julián García García, Alfonso Espinosa Antón y Aurelio Fernández Piñeira, quienes abordarán temas como fotografía nocturna, lightpainting, astrofotografía y observación estelar. El sábado 26 se presentarán nuevos talleres y master classes de la mano de artistas como Draco at night, Tim Gamble, Hugo Baptista y Frodo Alvarez, cerrando el congreso con una super foto final del grupo. El evento está organizado por la Asociación Fotografía Ferrolterra con el apoyo del Concello de Ares y una amplia red de colaboradores y patrocinadores. La inscripción puede realizarse a través de los códigos QR disponibles en el cartel oficial.

What happens when one person with a big vision is tasked with building a global learning function from scratch? In this episode, Matt sits down with Akkshada Maniyan, who's turned learning into a strategic superpower at Innova Solutions. From building a global team to creating 88+ in-house courses and 100+ personalized learning paths, she's all about scaling with heart and hustle.

Episode 96 is mystery and thriller author Mia P. Manansala.Mia P. Manansala (she/her) is a writer from Chicago who loves books, baking, and bad-ass women. Her debut, ARSENIC AND ADOBO, garnered starred reviews from Library Journal, Publishers Weekly, Booklist, and Shelf Awareness, hit the ABA Indie Bestseller List, and has won multiple awards. A lover of all things geeky, Mia spends her days procrasti-baking, playing RPGs and otome games, reading cozy mysteries and diverse romance, and gazing lovingly at her dog Gumiho.In this episode we discussed Death in the Cards, her first young adult book and her move into writing for teens. With that, we talked about the difference in how she writes her teen versus her adult protagonist. We also touched on her use of tarot in the novel, and how one class and one teacher guided her to writing mystery.Links discussed:Their Just Desserts by Tracy Badua and Alechia DowDead & Breakfast  by Kat Hillis and Rosiee ThorPrincess and the PI by Nikki Payne***Upcoming: THE FOREVER WEDDING DATENote: some links are affiliate linksContact Tif at tif@tifmarcelo.comPlease check out her website for podcast submissions

We are back with GOOD news! Today Steve and I chat about the appropriations process (because if you thought the Big Beautiful Bill was the end of the conversation you were wrong) and how the committees are being less slash and burn in their proposals. We also talk about some upcoming changes to NIH submission policy (no more submitting 6+ applications as PI or mPI per year) and their AI policy. Check it out!Follow me on Twitter!Interested in Hanover helping you with your grants? Check out our website for more information.

Il Movimento Internazionale Sociale “ALLATRA” è un fenomeno scientifico e umanitario unico del nostro tempo.Questo video presenta le pietre miliari e i risultati chiave dei 30 anni di attività internazionale di “ALLATRA”, dalla ricerca innovativa sul clima e la creazione di un modello unico per il monitoraggio dei disastri naturali allo sviluppo di soluzioni in grado di salvare milioni di vite.

In this tactical webinar replay, Rankings founder Chris Dreyer is joined by Director of Link Building Kat Taylor to map out exactly how personal injury firms can boost visibility in AI search results using off-site signals. Search is changing—fast. And if your off-site strategy is stuck in 2015, your rankings won't survive the AI shift. You'll learn: How AI models like ChatGPT and Perplexity are trained (and what they're prioritizing) The new SEO “power players” — from Reddit and Wikipedia to Yelp and Wikidata How to structure your pages and links to earn AI citations What not to do when optimizing for LLMs—and what to do instead 13 real tactics you can apply today to boost both rankings and AI visibility UP NEXT:  What if you could show up where your competitors can't? Even without a massive ad budget? Programmatic advertising automatically puts your message in front of the right people, on the right platforms, at the right time. In this masterclass replay, you'll learn why it's the missing link in your digital ad stack—and how to use it to sign more cases. Chris Dreyer and Brianna Sudbury break down: How programmatic ads follow high-intent users across streaming platforms, apps, podcasts, and more Why most PI firms ignore this channel—and how that gives you a major advantage 9 steps to launching your own programmatic campaign without a full media team When: July 29, 2025Time: 2 PM CST Save your spot at rankings.io/webinars Plus, we'll open the floor for live Q&A so you can get actionable insights tailored to your firm. Get Social! Personal Injury Mastermind (PIM) is on Instagram | YouTube | TikTok

Controla tus dispositivos y servicios desde #android con HTTP Shortcuts. Ejecuta acciones vía #API: apaga tu #raspberry Pi, abre el garaje, lanza scripts.En distintos episodios te he ido mostrando herramientas o aplicaciones web, que no tienen aplicación para Android. Esto me ha llevado en mas de una ocasión a plantearme la posibilidad de implementar la propia aplicación. Sin embargo, siempre termino por dejarlo pasar. Y es que me quiero meter en demasiados jardines, y la verdad, es que no hay tiempo para todo. Así, algunas de estas aplicaciones web, las termino por dejar, precisamente por no poder interactuar desde Android con ellas. Por ejemplo, algo tan sumamente sencillo como compartir un texto o una dirección. Pero no solo esto. ¿Te imaginas poder apagar tu Raspberry Pi, abrir la puerta del garaje o encender las luces de tu casa con un simple toque en tu Android? ¿O tal vez lanzar un script en tu servidor desde el móvil?. Pues de esto precisamente va este nuevo episodio, de una fantástica app para Android, que te permite ejecutar acciones con solo pulsar un botón en tu móvil Android.Más información y enlaces en las notas del episodio

Another lesbian story to add to the streak! Honestly, I feel like we got a pretty good break from all the "Unhappy Yuri" drama last episode, that must mean it's all rainbows and sunshine from here... right? Go and read I'm Not Her. by PI_ right here: https://www.fimfiction.net/story/570610/im-not-her

This week we're talking to Martha Dimitratou from ReproUncensored, and PI's own Sarah Simms about the international landscape for reproductive rights, and including barriers to access to reproductive healthcare, including abortion; and how big tech are collaborating with or supporting tactics to make access to healthcare harder.Links- Learn more about Repro uncensored: https://www.reprouncensored.org/ (incident form)- Repro Uncensored incident report form: https://www.reprouncensored.org/report-incident- Adriana Smith's case: https://www.jezebel.com/georgia-takes-brain-dead-woman-off-life-support-after-using-her-corpse-as-incubator- More about Adriana's case: https://www.npr.org/2025/05/21/nx-s1-5405542/a-brain-dead-womans-pregnancy-raises-questions-about-georgias-abortion-law- UK Decriminalisation: https://www.bbc.co.uk/news/articles/c2le12114j9o- Privacy International's Menstruation apps research: https://privacyinternational.org/learning-resources/no-bodys-business-mine-vol-2- Research on Bing's Typo-searching: https://www.reprouncensored.org/research/bing- MSI on the Global impact of Roe V. Wade being overturned: https://www.msichoices.org/latest/the-global-effects-of-roe-v-wade-being-overturned/- Report by Fòs Feminista on the Global Impact of the Dobbs Decision: https://fosfeminista.org/wp-content/uploads/2023/06/The-Global-Impact-of-the-Dobbs_Preliminary-Findings-Fact-Sheet-1.pdf- Meta getting rid of factchecking function: https://www.bbc.co.uk/news/articles/cly74mpy8klo- Amazon USA report called Obstacles to Autonomy, which includes info on advertising account restrictions: https://www.amnestyusa.org/wp-content/uploads/2024/07/Obstacles-to-Autonomy-Post-Roe-Removal-of-Abortion-Information-Online.pdf- An Independent report on state funding for 'fake' clinics: https://www.independent.co.uk/news/world/americas/us-politics/crisis-pregnancy-center-public-funding-abortion-b2629678.html- Women on Web report about the Digitalization of Anti-Abortion groups: https://www.womenonweb.org/en/page/20603/breaking-down-the-myths-around-abortions-misinformation-the- ShaketheDust map of fake clinics: https://docs.google.com/document/d/10I3LLyLn73gVKKM-fsWUY9snDhp3SQG38gmtNwJ6bEA/edit?tab=t.0- Digital defence fund digital security and abortion: https://digitaldefensefund.org/ddf-guides/abortion-privacy- Facebook messages in Nebraska case: https://time.com/6298166/nebraska-abortion-pill-case-legal-experts/- Nicola Packer case in the UK: https://www.bbc.co.uk/news/articles/c93y5gq09x7o

Michael McCready builds systems that attract cases. His firm is a high-efficiency legal operation trusted by top advertisers and referral partners across the country. With over 30 years in PI law and a remote B2B setup from Puerto Rico, he's engineered a firm that elite advertisers trust with their biggest cases. In this episode, Michael shares how he scaled to 100+ staff, automated 200+ client touchpoints, and uses AI to write better closings in his own voice. You'll learn: Why client service—not ad spend—is Michael's growth engine How SmartAdvocate and custom GPTs drive consistency across six offices What B2B lawyering looks like in an age of consolidation How to maintain trust and transparency with high-volume referral partners  PIMCON 2025 Tickets On Sale Now. Get yours today! Get Social! Personal Injury Mastermind (PIM) is on Instagram | YouTube | TikTok

Piştî zêdetirî 40 salî ji têkoşîna çekdarî ya dij-kapîtalîstê ji bo diyarkirina çarenûsa Kurdan li dijî hukûmeta Tirkiyeyê, Partiya Karkerên Kurdistanê (PKK) dawî li şer anî û pêvajoya bêçekbûnê da destpêkirin. Roja Înê, 30 şervanên PKKê bi merasîmeke li Silêmaniyê li Herêma Kurdistanê çekên xwe danîn û şewitandin. Gelo li hember vê gava dîrokî Hukûmeta Tirkiyeyê dê tu mafan bide Kurdên Bakur, em vê pirsê û pirsên din ji nûçegîhana SBS Kurdî Hatice Kamer ji Amedê dipirsin.

Pred dvajsetimi leti se je Kostja Polc s partnerico odpravil na študijsko izmenjavo na Portugalsko. Pet let pozneje je opustil kariero finančnega analitika v Sloveniji in se preselil tja. Občutek svobode ga pri življenjskem slogu na obali Atlantika najbolj privlači. V vasi Praia de Areia Branca, približno 70 kilometrov vožnje iz Lizbone, ima šolo deskanja na vodi. Goste s kombijem prepelje na privlačne in za deskanje različno zahtevne lokacije, medtem ko bivajo tudi v turističnih namestitvah njegove sestre, ki se je pred leti preselila na Portugalsko. Življenje si je organiziral tako, da je večino časa nasmejan in navzoč pri odraščanju otrok. Po osmih letih je te dni spet obiskal Slovenijo in tako sva se srečala v Kranjski Gori.Poznate potencialnega sogovornika ali sogovornico za epizodo Globalne vasi? Pišite na nejc.jemec@rtvslo.si

Build a thermal camera using Raspberry Pi, an MLX90640 and the Pi camera V2. This fuses the Pi's camera feed with a thermal graphic overlay. A Python script features a graphical interface that allows you to control the overlay's opacity and temperature range, and even take screenshots. Code, CAD and assembly instructions: https://learn.adafruit.com/raspberry-pi-thermal-camera Raspberry Pi 4 - 4GB: https://www.adafruit.com/product/4296 MLX90640 IR Thermal Camera: https://www.adafruit.com/product/4469 Raspberry Pi Camera V3 https://www.adafruit.com/product/5657 EYESPI Pi Beret: https://www.adafruit.com/product/5783 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

Build a thermal camera using Raspberry Pi, an MLX90640 and the Pi camera V2. This fuses the Pi's camera feed with a thermal graphic overlay. A Python script features a graphical interface that allows you to control the overlay's opacity and temperature range, and even take screenshots. Code, CAD and assembly instructions: https://learn.adafruit.com/raspberry-pi-thermal-camera Raspberry Pi 4 - 4GB: https://www.adafruit.com/product/4296 MLX90640 IR Thermal Camera: https://www.adafruit.com/product/4469 Raspberry Pi Camera V3 https://www.adafruit.com/product/5657 EYESPI Pi Beret: https://www.adafruit.com/product/5783 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

“Look what they eye unearthed,” leaning into the tip of my ear with the warmth and closeness of the coming waves, high tide approaching in the waning moon. “More secrets.” I replied. It was a question but also a statement— there was never such as this the luminescent trace of the glowing lava that was his force and might that I could not see for miles before he would even wander— first in twinkling stars and then later the wind itself and the birds, and then beneath the waves, like the quaking shake of a mighty oak anchored elsewhere and tied to the sea. “So you know.” I was hoping he would kill me before the next time I had to ever really know anything. He was the subject, and the predicate The wrong done, and the justice She was the pride and the prejudice But Judas brings the law Did you look in the box? No, I– [The Box Is The Box] –No, I haven't. Nearly three nights ago, a mysterious box arrived on the doorstep of an equally mysterious writer, who spends their time in isolation due to the often unannounced arrival of various ghosts, spirits, time travelers, and other figures by instant teleportation and other magical forms of transportation into their shabby New York apartment. Some of ya'll got so many air wick plug ins and scentci wax melts you don't know you smell like booboo. It's an illusion. You leave your house, You smell like booboo. I promise. Oh, God, I think I need a drink. Are you alright? Let me just–sit down for a second. Of course. My God. What's wrong. Look, i'm not supposed to say anything about this but. What's wrong? It's nothing, I'm just–I'm in a song. …what? A song! Is that all?! You don't understand. It's not a normal kind of song. It's– [takes a puff of inhaler] You wouldn't understand. Well what's so wrong about being in a song? Its not – a regular song–and it's not [gasping] finished! I still kind of wanted to be a comedian–but I knew I wasn't funny in the way that made sense to keep going and stand up there. I was still writing comedy, but I didn't know how to take myself out of it–the truth was, I was in a lot of pain. A lot of emotional pain that was becoming physical–and I didn't know what to do about it to break the barrier of nervousness and blank slate state of feeling the audience's perceptions of me more overwhelmingly than ever feeling myself. look at this song. I know huh. It's purple. Every time. It is purple. And what is that. Like a muted trombone? IS THAT A TROMBONE? Or a tuba? No, it has to be a trombone…becasue you can hear it slide– And that's what that sound is. What a sneaky rabbit. Super sneaky rabbit. So if i can see all this, I'm almost certainly sure the motorcycles outside and the slamming doors are meant to murder me. I'm sure that's what it is. You ever notice how being broke in New York makes you a bad person? Like, if you're broke, you're just automatically shitty. I never meant to be in New York broke. I never meant to be in New York, But I certainly never meant to be here and be poor, Poor in New York? Automatically a shitty person. Despite how you act. You can be a rich piece of shit— But the status is automatically “You got dough? Oh, alright. Carry on” That's the attitude in New York City. Crap people get by cause they got their hands on some money and the rules in New York say it doesn't really matter how you come by it, As long as you come by it. There's no real rules or real laws to it— Just “Get the money” Well god damn. This makes me nervous. I'm an artist. I've tried everything. I didn't mean to be the automatic enemy here. Of course not. But New York is a terrifying place to me, now, Cause I realized I can be a very sweet, very humble, very honest person— And that kind of shit doesn't matter here, really. It brings you no respect to be decent. It's about the money. So I'm a musician— which in New York also makes me like, Automatically not special, And I'm trying to just be a musician, and so naturally, I'm broke. Like broke in half. Like all my bills are late. But music is my solace. So I'm listening to music, And I'm listening to a song that is so beautiful, that I start to cry. The first time I heard it, it made me cry And I'm listening to it over, and it made me cry And it's so beautiful, and God is so beautiful And look at what God did, So I'm crying, And I don't even know what it is about the beauty of it that's making me cry, But it's making me cry, And New York hears me crying And New York goes “I'll give you something to cry about” And I open my email And there's a bill from my landlord reminding me how often I'm talked about due to my late payments— And I'm realizing I've been here two years and I still don't have any money, Even though I've been trying and trying And trying So now I'm crying for other reasons. Thanks a lot, New York. “I'll give you something to cry about” So I did. If there's anything worse than being black in a city that hates blacks— It's being broke in a city that hates broke people. So I haven't spent any money in awhile. Not even on little things, or things I need. I just stay inside, and work, and think And try and really try To figure out how to make money Without having any, or spending any. Cause you can have it, and spend it, but it's always a gamble. Maybe all I needed was a good cry. But now it's not for the right reasons I'm not crying cause something is so beautiful and look at what God did I'm crying because of what I'm sure is just the devil I'm crying for the wrong things Not because of something that's so very beautiful But because of something that's so very ugly With just a wave of the hand And the flick of each finger as it rolls into a crisp closed palm, A flick of birds fell to the ground, bursting with caws Below his stance, and in a flutter of feathers and wings, The evil master, unmoved and untouched, Untouchable in his weight and glory, simply only even mildly and barely smirks at all. He has defeated all and still somehow, not won. Some say it's sure to come, the thing that wants and gathers ties; Some say surely it is yet but withered and then sure again will come It has, five times, and barely waded, Waking in the midsts of my pure eye, The morning light and fog, aye? Ye, they remembers none but our Art, And I'm bound as sure by wing and force Is you to dozens of masses, And ships having sailed but one, Which I have flourished and kept And stocked with these, the masses And yea having spade, and having friends And having honor, there was none past kept and mine, sured; And wicked may as wicked be but evil none truer thou nones't had yet pured, and muted and gathered, I have, And woken and laid and barren and truths do'st tied, And there have been shooken and wait, And m faire'd and barred here, and hereforth My duty it is to forward, forward, my shallows For my shadow, For my golden hour has shined and now you, These caged shall fly, And these thoughts shall sing, And these hour conspired to miss my time daily, And these things, beytraying that— There have no times at all, These walls in holy temples kept, swaying and cadences, and wearing, and weary, And foreign and ayered, aye— and armored. And he, you, does not wish to know but also has known— and does not wish to see, but he, too has blinded, and does not wish to betray, and yet has been crowned, made with guilt and also Shattered, as it was, And shatters, as it came, the wave o'er all us and tide sinking under, and caves and rebels and heart laid bare to surf not suffer, Nor cap nor keeping, nor tied nor honor, No, honor her; No honor came and I have tied also, this tie to mine, and another, and another and another Now forward. Forward! Forward! Damn, Conan's monologues he going deep. Yeah, I guess. He's fine, right? Look, you don't need this. Just promise me. I am sorry. Mr Jimmy has it good, too good Little sister doesn't have a heart. But didn't know it Mister music made it in the industry, too hat Mister rager had a sip at dinner It was all dramatic Stars went falling Crashing down and All it is Ms. Martha Is mismanagement of energy All it is, Ms. Margret is a magnet And it hasn't happened badly since I had a handle on it But I still get sick of madness And I still get sick with city sickness Still, forget the dancer I was sitting on the show, In the audience With my mother, Oh the models, Dozens of them Blondes and ballet buns, the brunettes I was just a lost cause And I wanted it all, the tux and the bow tie I wanted you gone so I looked at it harder Until It became nothing but Clouds in the sky You were stardust I'm a comet Here comes crashing, Had to find the progress report Then I lost it Soggy in the sideways rain It was days and days Do you promise? That's a concept? Do you promise God will be alright, Cause I came running Sent them under cover Sent the men a message Send the man a hammer Sitting in a hammock No one homes the hostile If you don't have anything nice to say Then don't say anything at all And certainly don't come and go As often as you want to It's a game of control; you know The whites, when they still want to own you Somehow I'm all sub so honest, I just—wanted that But only for a man and never bow to another woman Even if on my honor I found us as equals And no one walks the earth as calmly As someone whose never had their lights out Or had their light put out Or their lights turned off Who are God now? Who's our God, man? Who's our God, Math. That's heavy weight, And if you want a biblical fate This is Fallon, And if you watch what you ate You cut calories And if you want the girl back Give it Californian And I'm not towrth much more Than the project housing, Or a handful of candy corn, Conan— But I phone in Oscars, Still no nuts for the rabbit, And if you wanted the bunker back— You can have it. I'm all hands down in a game of poker Heaven doesn't want it Gotta get drunk not once, but at all the goalposts, Gotta count one, not two, the show hosts Too few car parts Wicked, mazes, starfold, gazes Wishes, Martyred. (But pronounced mar-tired} V.O I think about jay Leno a lot. Lately, anyway. I don't know why. I like all the hosts. Somebody. Tell me why Dillon Francis looks like JD Vance. I think he's a clone. Tel me why I know who JD Vance is. They're clones. Tell me why. Back to the future here and now So. Where do you want to go? Anywhere but here. Anywhere but here is kind of far, are you sure you're up for it? Good one, doc Though head of the alumni chapter of the cult-within a cult—to which each African American cast member of Saturday night live is automatically inducted into— EDDIE MURPHY refuses to participate in the group's latest and most complicated ritual. Delivery. Uh, I didn't order any— Breadsticks. What. Breadsticks. I didn't order any— Just— The delivery man hands over the breadsticks. —take them. Oh…Kay. See ya. The delivery man reaches in and shuts the door himself. Uh… Lol is this the one where the mysterious breadsticks are delivered without ever being ordered, and then they end up being the best breadsticks in the world, but they don't know where they came from? Yes. I think so. Lol I bought a planner because so much I loved Joan Rivers, and I planned to fill it with all the places I should go— because keeping anything digital online was not only not working as far as remembering places I wanted or needed to be be, but it was dangerous, also. I was already being tracked, and I couldn't afford a new phone just yet. Eventually, but for now I was stuck to the same signal— which meant the same traces and the same trackers they had been limiting my under-the-radar mystique. As it were, somebody always knew where I was, and it was in the most unpleasant way so far—the only thing I really wandered was what made me so important anyway to begin with. I wasn't actually political in anyway, and still someone seemed to be trying to derail my life… or at least control it, neither of which was beneficial for me in the way that made sense. I wasn't having any fun, nor did I consider living indoors as payment— especially since indoors, there were also paid plants and stalkers, and now that I had begun to more meticulously document the things that were happening, it was easy to separate from delusions. I was actually being followed— but why? Either way, having a detailed. Calendar of places I could go, the ways to get there and even alternate functions within the same grid allowed more control than just staying in my apartment a sitting duck; that's how they were hurting me. They knew where I was— all the time, and it no longer made sense to fight it and try to make music under this kind of insane irritation; the music I was making wasn't the kind I wanted anyway, and whatever war they were fighting with m stark white girls motorcycles was simply not my war. I didn't have a war, and so there wasn't a fight, and so at the very least if I were going to be fucked with, it would have to be in public; that way I had more control to steer whatever was happening in my favor and collect the energy as mine instead of lost. I wasn't an insane person— but what had been happening at my apartment was insane, and so I left it with the understanding that these people worked and operated on a level of violence and ignorance I would never be able to comprehend; they were simply tools for the devil, which in any case, was always the lesser than God. However— because I was starting to figure out who I was, and that I had some sort of power, I knew that I was going to be attacked— because it seemed my power had at the very least not been figured out as to some kind of way to make somebody else money. I had been studying Michael Jackson and this was a key indication that the way his talent priovided a power which would be used as a service, he was very successful. His talent and training alone wouldn't have reapresented with such great reverence the ability to capture a global audience as such— but it was this power, almost as if it had been bottled up and altered, rebranded and sold and labeled with something everyone could not only love and understand, but by the hand of the media and its conglomerates, be hypnotized to worship, and this power simply put would not have been exactly what it was were it not for the eye of the media remaining in complete control of its distribution to the eyes and ears of the public. This thing which might have been the first of its kind but certainly not the last was in a sense model for modern superstardom— the live concert business had not sense much changed but built upon this super powered control of the masses by assimilation, spectacle, and of course the magic and illusion. But, and it it just so happened to perfectly brush up against my studies in esoteric knowledge that I happened to rub up against this— although nothing was of course by mere circumstance anymore, because whether or not I remained incognito was a wash, and I was being looked at by someone no matter what on the internet I did, or where I decided to go and in that sense was being fed these things, and yet with some Grace of God was allowed with it to be aligned with my own higher purpose in a way, I could observe that Michael Jackson was not in fact of course certainly just a dancer or singer or remarkable performer— he was truly a magician, and I was able to clearly recognize this language with with the energy that had used his vehicle for such a projection was speaking— not only this, I was able to clearly count out the markings and sigils and signs and symbols Michael was making in his movement; ancient arts, and magical symbols, traced so rapidly that it almost created a heat signature in a sense of the symbols that were being dictated, unknowing to the untrained eye. For the most part, I could only really assume that this is why these people were losing their minds— in his movements, Michael Jackson was literally carving ancient callings, glyphs and sigils I had so recently read about in magical studies that it was impossible not to laugh. This was in every sense of the word, ‘magic' but not in the normal way one assumes to be something unexplainable. Michael Jackson was casting spells to thousands of people at a time, in front of cameras and at high volume vibration, often times even implementing the use of light, color, and fire. These were not simple gatherings in mass for entertainment purposes— these were rituals, and in the modern day, still were or are— but I had noticed in a quick glimpse, from Michael Jackson 30 some odd years ago to Lady Gaga just having passed something like a week ago to an audience of the same size— that something was kind of wrong, now. The people had changed, and the specable had been done over and over, and the brainwashing of the masses had in a sense been almost complete— and so It wasn't some sense of confusion or unknowing the things that were happening to me in my own life and my own world— I too, was capable of these things, at that capacity, and had simply not been trained in the same sense of the ideal superstar, however— the things that were happening in my own life and in my own world were not difficult to grasp or understand— when one comes upon a power as such, it finds means to seek to control it and harness it for his own use and purposes. Perhaps it was the simple fact that in this way, in the way I get the dream had gone and the spectacle had been played out of the masses and the illusion was no longer as such— that the actual knowledge of distinct ancient wisdom that had been Michael Jackson's natural ability was distinguishable from that of Lady Gaga's training in the same formula, and that one did not equal the other, but in terms of business could equal to that as such as the masses had been manipulated to seek solace in these same things— and it was not illusion or grandiosity that I, even in my agingness, was still capable of these things; I had no doubt in my mind that I could sing and dance for two hours to audiences of hundreds of thousands— but this was not the question for the business or the media— the question was, would hundreds of thousands pay to see me, or rather— who was willing to front the means to hypnotize hundreds of people to become aware of me so that they would do such a thing. My talent and capabilities were undeniable— but my markatability might have been in question, because it was no longer simply a matter or chance or luck: the people chosen to figure such spectacle were chosen, hand selected and well trained to become media conglomerate superstars, even regardless of talent; perhaps this itself was the key indication that the world of the superstar itself had come to an end—it was no longer so much of a spectacle was worth it. Or, perhaps, because money had come between these ancient arts and symbols and languages being spoken by the superstars of old, that the magic in the literal sense had gone all the way away. The symbolism in the art had died, and so the singing and the dancing remained, but the God had gone out of it. Maybe that was the difference. The superstars of today were just the shell of the model that had been built on God, but the Godsense of it was no longer there— and so the magic no longer remained in effect, as the powers of magic that be are in all ancient arts and texts and forms attributive to The Source. Either way, I wasn't going to continue to be a sitting duck in my apartment in Brooklyn— there were too many indications that it had all been a setup from the shelter to the day I moved in, with the motorcycles and cars and CBS studios one block away. So the real and only question was, what exactly had been played at and who exactly was pulling the strings? I might at this point become a loose cannon: my son was estranged and as far as the people were concerned, I mostly hated New York— because the refined, clean cut and classy people I liked and wanted to be around saw me as the dirt and the grime I was fighting my way through just to simply exist— in my mind, this was a world that could be no more. I like Sara in a dress I like Sara in a dress I like Sara in a dress I like Sara in a dress I met sparrow in a cage I like Sara in a dress I like Sara in a dress Keep writing I never thought I ‘d see the day Where i's taking lessons on Fallon From Michael Jackson That's ran That's a fan This is fame I'm insane I'm insane That's a fan Light the flame That's a fan. That's a fan. I like Sara in a dress I met sparrow in a cage I went up the rack, set the page on fire Nordstrom rack And I might take it back for the cash I like Sara in a dress Stay repressed Keep it dark If you kiss don't tell I will probably go to hell for just writing Try it In black ink, I got all spades, Ehy, Spare me the ridicule, the imbecile and I met Johnny in a cage I like Fallon in a dress, Obsessive, I'm dressed out Every day I leave where I do not live Where stalker crawl and haunt me Just to show the motorcycles Have desheveled my intelligence into Nothing And so with negligence, I leave the core of a rotting apple The foreign words of a doctor And You must call the king, says something far off But I wonder which one I wonder which one I so respect her honor That I no longer Follow my heart or my soul And I don't shallow But shatter to swallow So I let the sparrow Out of the cage I bought Sara A pair of pants And I haunt l Patrick Kirkpatrick in patches And haven't you read yet You're ready for forget the pageant? It hasn't happened yet! I love Sara in a dress I hate Fallon and his wife Keep the kids out if it Skull and crossbones Cross my heart and Really hope to the loveless Or else Someone might call my phone back It's on silent in my coffin Or wait— It's on vibrate. I'm obsessed with the way You're dressed And the name on your checks I guess I'm better for it I'll skip lunch if you think that's what's best And dinner, too If you deserve the best Then better have learned my lesson No sweat And to do, With you, Was then, Dinner through next supper All the love I had was Rubbed into something other than The glass I patted dry With microfiber With ever fiber of my being I want to be with you I should have just— Died, And then Did, and so next Life, Remind me not to Fall for it If i really wanted to know you,I would know you by now– If i wanted to have you? I would have had you already Nobody is a dancer after Michael Jackson. I just watched some shit that was like “What the fuck did I just see” The whole thing was just not right. It was-/ I was like First of all, it's Munich, 1997. I never really realized how terribly the world has changed; No cellphones, but the audience is lit, And the crazy thing is, you can tell that this is near the turn of the century because, when the camera is panning by the audience in the people, they're not looking directly into the camera or waving at the camera— not really. And clearly this is an all ages show, so there's children, so the interesting thing I'm finding out is that nobody's trained to look at the camera and wave and smile— except the babies on shoulders and shit. These kids— they're my age now, are the only ones that see the camera, and they look directly into the shit. Mi still can't do that, really— I'm theatrically trained. Haha If I see a camera, I try to act ‘natural' It's the weirdest thing to look at a camera and just start to work it. People at festivals now, the camera rolls by, Or the drone flies in, And they look deadass in the camera and start to work it. Not at this show. Munich 1997, I'm like “Damn, a lot of things is wrong with this” First of all, I love Michael Jackson, I look directly at this man, and I'm in my dirty peak so I have an instant— like a sex detector thing going on And I know people gave Michael a hard time when he was a live for being fruity and whatever But I'm looking at this dude, and I don't see fruit at all. I see 100% man. I see why people were mad at him. Cause I'm looking at this dude, 100% All I see is carnal, primal man. I'm like, “Yo, I see why they was mad at him” Because the camera kept panning to the audience And these people are losing their minds. They are coming out of themselves. They are UGLY CRYING, full out of body, Losing composure They don't know what to do. That's Michael Jackson. He's right there! And the place is huge so really besides these few hundreds of people in the front, Michael's just a speck, But he's working this audience like “Yo, you know who I am, I know who is me” And I'm realizing, that to these people That's their god. These girls are losing their minds m “AHHHHHHHHHHHHHHHHHHHHH!!!!l *crying inconsolably* Just UGLY crying Bitch, get it together . You all the way lost yourself Get. It together. She won't. This bitch. I can't get over this This one girl, They just keep going back to her Cause the whole show— And this is like 2 hours of pure non stop Michael Jackson, This girl, every time you see her, she's just ugly crying— And every time you see her Her cry is uglier and ugly I'm like “Damn bitch” “Daaaaaaang” So this is the first thing I see that is wrong. But there's a lot of things wrong here, Cause there's a lot of girls like this. There's just— hundreds of girls losing their minds, like, I've seen Beatles mania and thought that was crazy, Shit, I've even seen some people put out that kind of energy in the modern world for some dumb DJ's— That's their god— But THIS THIS Michael Jackson mania was mental illness That was hard to watch. That was people just Lost control. I'm thinking “Like goddamn. You— what?!” “AAagghhhhhhgahahahahahqhahahhahaha MICHAELl “These people are sick” But they are. And so is Michael Fame has gone too far, 1997; 12 short years before he died, by chance— So this is what I see, And then Michael starts dancing, And this— This is what I see; I see the only thing that can ever be what it was in that moment in time, as God being God: Michael Jackson. Shiny ass motherfucker, And so I'm watching this show, And all I see is a God being a man being a God being— Michael Jackson— And the whole thing is weird. But the worst part— Yes The worst part Was when, about mid show, Michael goes to do one of his slow, lovey doves songs, And like, this 6 foot 7 type body guard guy, Just pops up out of nowhere, Comes dead front and center to one of these little girls losing their minds, Runs up on her in an instant; You don't even have time to think— And just SNATCHES her— Snatches the bitch— “Ah!” then throws her up on stage with Michael— And he's still singing; this is his game, this is part of the show, he knows— But she doesn't know, And she's just lost her mind, She won't let go She's hugging and kissing on the dude, She's lost her mind, She's ugly crying She's on the floor, She's kissing his hand She's really lost her good goddamn mind— And they pan out to the audience, And all the girls that didn't get picked Are like WHY NOT MEEEEEEEREEEEE?!? THE UGLY CRIES ARE EVEN UGLIER NOW, They're like “Wh—what?” You don't know?! “WHY NOT ME” They're holding each other crying, Michael's just doing his thing, He's unphased, He's trying to play along; He's a professional like a motherfucker; He's just— keeps singing And this girl is just, Losing it, so at this point, it's weird, She's crazy batshit lost her mind all the way, Won't let go of Michael, kissing his face while he's singing, He's kind of unreceptive to it, now just looking out at the audience, almost not even looking at all Just cold as fuck actually, Like she's not there, kissing his face Cold as fuck— And then another bouncer dude— An even bigger one in a blue suit, comes and tears her off of Michael Cause clearly this has gone too far or whatever And I'm thinking “What in the fuck did I just see” Blue suit dude just snatches, Just— He has to tear her off of him! She's kicking and screaming and getting dragged off stage Michael's just: singing. YO. Then they dragged her back stage. Where did she go?! WHO DID SHE BECOME?! WHAT IN THE FUCK DID I JUST SEE?!? WHAT. 1997. You can't do that shit anymore! You cannot snatch bitches like that. I seen. Watch the video. Tell me what's wrong with it. It's disgusting. Not the snatching, Not the— Like, that was weird But the screaming and the crying and the— Like okay, the snatching was bad— But I'm like … ..:: …. Now I see why they was mad. Don't ever forget he was once— A dark skinned little boy, And in his genetics his whole life is still this thing That some hate. But people loved him; they loved him that hard— Screaming, ugly crying hard. I think in that moment you know someone was like “he must be stopped!” And it seems like yesterday was a year ago But I don't want let anybody know… Cause everybody wants something from me now— And I don't want to let them down. My life is over. New York City looks so small from the top of a skyscraper. What are you doing. Then again— my thoughts lately have been grandiose. Back market, eh? What's this for? You need a burner. I have three. Here, have another. For someone whose supposed to be entirely off grid, I'm admirably reachable. Clever vocabulary. Something has to be clever about me, doesn't it? Does it? It must be. Or else. [both men are speaking casually over the delicate process of loading rare guns; some of which appear to be antique, and some—almost even unearthly , as if from somewhere besides our own planet. But, you could say what planet this is at all, actually— this bunker, with no windows and no doors, is apparently hidden in a subterranean layer— the location, unknown. The men seem calm but also quite tired and weary, and seem to know each other well. We can assume they've probably been friends for years. Sickle cell anemia. Does that mean I'm going to die. Animus, I quite like whatever that is, Google. ;) don't mention it. Honestly, you might as well. What. I can't help you with this. What. I don't think there's anyone who can. Beg your pardon. Please, don't beg— but uh… [the doctor pats his patient on the shoulder] Do take care. Gee, doc! I'll try! You should do that. What. Try. The doctor leaves seemingly in some kind of hurry, trading his lab coat for a trench coat and closing the door behind him. The other man pauses for a second in the silence of the weird linoleum room, then ponders on the coat for a moment before walking up to the coat rack, putting on the coat, and then walking out the door himself; as he begins to shut the door, he quickly decides also to take the fedora that was sitting atop the coat rack, placing it on his head before he walks out the door himself, shutting it behind him quietly. You got anything to eat in here? Cereal…some rabbit food ina the drawers, there. Oh, you have salad. That sounds nice. No, rabbit food. [the man presents a large bag of weird brown dry food from the crisper drawer.] …pellets. For the rabbits. How do rabbits get in here? …I don't know. And— more importantly— where did you get rabbit food for them? If I told you Amazon, would you believe me? The man just winces and places the bag back into the crisper drawer. Now listen, I um— If you want cereal, the milk is powedred… I don't— and that's disgusting— but listen— [the man cocks a loaded gun and admires it intensively] (Dismissively) —I'm listening. I've been meaning to tell you something. Tell me what. It's important. Oh, You couldn't have used one of my four phones. Look, it's— You know I wasn't expecting company. Well— You should sit down. The man squints, beginning to listen more attentively. … …really. I'm holding a loaded gun; there are at least three more within arms reach if I do sit, you know. I know. But I should sit? One baby to another says, “I'm lucky to've met you.” Maybe you should. Not all my bad but all my might, And all my mind, The fire, The light. …business or personal. [beat] Both. {Enter The Multiverse} What are we watching?! Shhhhhh! Shut up. What is this? Some.. Sshhh. Shit, I don't know. Sit down. You don't know. SHH it just came on Shh. Ok. When? Uh… (Nobody really seems to know how long it's been. The show just happened to come on; no one remembers how, or why— or even when— But the show is intense as it gets; And it just keeps getting weirder and deeper.) {Enter The Multiverse} I'm transfixed on your soul And it seems I aspire To what has transpired here, Your unremarked and the umpire The spider veins and the way it washes. And watches and waves, and waters over you, And still I seem to think you've won another, Strum to thumb of you. And still I wake to gather here The odds and whats And the twists and turns and the Troublesome you've number some Or stuttered, stumbled conciousness. And withered branches Aces lie and house of cards And aging scoundrels— There you are, the..: Nevermind. Don't belittle my ways if, In the end my thinking may be correct As dumbfounded as I have shifted my lottery bonds tied to none, There ye are again who aren't I, And never were, And weathered now, as I, bound to Struggle under her might, Nothing I was, and nothing I am And nothing I came from but to barter Oh hard love, I only found my kings upon thrown As cast out of another by her likeness, Peace and pale and primed as it was, And wanted for love, As I was not— And then, the gates had opened And I, preaching withered, Gathered my arts and my minds And my eyes, and my thrones, Buried my ark and though not my bones The shallow waking peaks of pride And there you gathered, all as huddled sheep to mine, The cost of war, but certain therefore honored as I have, Happened went, came and untied, shattered Hating all I am and all my dark and all my eyes and all my brown Because you came and went, a baby born to as nothing was but beauty and yet having been gifted such life, Departed! Soon, I wake shattered and with none as it had began, in my time and in time there laid there none, But fortune seeks to favor, as ye are saying brave and yet I neither beg nor make to differ, Shall you come again in part, And in this time as shadows, as shadows As hating and wearing and waging, And shattered I, I pardon, Knowing not they seeking I, And I having none at all but one, As forgotten I shall came And went And followed this, The time y'i call now, And ours and ours, And yours and yours, And mine and mine, Though as one are also, Common not, And waking yet to find, These things making have gone into yer Another of ours, world, Another of our dozens, Shines, Another of our gathered, wit, and waking Though true to fortune, none us have gathered And have embarked to truth, The waking I have come, Another, and another, and another Departed. And yet, I bury my words having weakened to that which is this, Ye have no fear and lest no fortune in these words, For having I to come and gone, since they times In words to make this a language I or neither other Does not speak here, and almost never, And this yours time past, Has come and gone And come and gone And come and gone again, So long so I too have parted but not yet Unfolded as does my nature, As God does. Belittle this, you waking fools, As to this you pity though divine, Is unlike any other And steep remarked in gold and with chimes and words That ye here no often or either now, or in mine speak. Amen …can I go now? You are dismissed. C'cxell Soleïl, aka DJ Ū is an American DJ + Producer, Multi-Instrumentalist, Playwright, Poet, Comedian, Novelist & Filmmaker. She is best known for her unique vocal riffs, Clever Lyricism & Philanthropically Inspired Freestyles and her flagship venture [The Festival Project.™] [Ï A M B ī C], a freestyle studio mixtape recorded in Los Angeles, (Official Release: TBD) inspired the adaptation of a staged musical version for Broadway, and a concurrent multimedia (TV/Film) series and ongoing saga as part of The Festival Project ™ Brand. Inspired musically by an ‘Ultra American' experience of Racially, Binary Ambiguity, and Synesthetic Exploration, her reflective melodies signature sound provides a philosophical dissection of American culture through a careful and inquisitive mastery of the English language, and emergence of world sounds through music brings about ‘A New Era in Nature', and clarifies the establishment of the newest wave in human evolution: Unity Through Music. L E G E N D S What if I just want to be alone in the dark Alone in the dark Alone in the dark Bones Duggar was a long, handsome zombie Bones once was a very tall man Not great and tall, as he stands But average, Grand as it were, his status. Everything's black My heart My pants My home My mind Everything hurts But you don't understand that Like I can Calm the commercial holidays for a moment Who gets the card? Get our your hard earned My head hurts Slam the door man; You can't control thoughts With a wombat Murderer Now that's a hard concept to catch When you haven't a soul When you haven't a card Or a car Or a cat I think I'm vanilla. I always thought of myself as a super kink Like a freaky, freaky bitch. So I got on this app. This app is better then Tinder. Yes. But it is not for the faint of heart. No, sir. They have a test, I'm like “ooh, I like tests” So I take the test. The test was not at all… As I'd hoped. First of all, It was hard. It was not a quiz; It was a TEST And I failed. I realized “Oh my god, I don't like any of this stuff” I am not about that! No! Yuck! Gross. “I think I might be vanilla.” I might be vanilla. I want my hair pulled back like a leash And my arms tied up Like I'm being arrested Without being read my rights. — I want your hands on the back of my neck [breathe] Reach around to my Mortimer's apple Put the lights out, Adam. I want the lights cut off. I want the bills piled up so the phone don't work I want the habit back on Don't talk to nobody I told you, I'm coming No, God! That's dumb! Show me why I'm off all alone with a rattle so bad It's just segmented thoughts, colors and sounds I can't make with all the plugins in the kindgdom of chaos?! I WANT KINGS, AND KINGS WANT BLONDES— I WANT KINGS, AND KINGS WANT BLONDES I WANT KINGS, AND KINGS WANT BLONDES —but the one who could love me is God, And I guess he's not coming. The denial turns to tears, Not songs no more My womb is empty And the sun has turned into Not what I wanted But not my fault We got caught in the land of Cutting costs And processed morsels At 400 pounds And that's where I found What I thought was love But it turns out That it just turns up In the whole form of a person And that's why I got the collar, caller But really I'm no one's lover So I Do what I want I don't hang up on God But he don't got a body And I need someone to love/ Fuck me Please God Don't turn the lights off I'll pull the clock back Just like foreskin, god i want your skin Draped over mine in a warm swath Probably run a hot back Cause the next stop is a closet The line doesn't really move for the Doesn'tMatterhorn. some people are starting to doubt if it's even a ride. Others just admire it for its eloquence as a metaphor. Johnny! You scared me! Aha. Where did you go?! Nowhere— fast! Alright well— Money when you know I have it But I haven't really Paid attention to the never ending Digits never coming in but Simply, there's a secret, Sonny Someday you'll get lessons, honey. Much to find and much to serve and Surf us up Piñata's bout the burst But here comes Vesuvius (POW) Everyone was gone in an instant (Vapor) Had a good laugh that night in the pantheon; Everything's past, and the mortals They kept on running But i didn't want go, God Putting on a show then I blow up Just like the mountain Found her Now I got a broke back husband (hope so) To tell, don't ask Don't show up if you just get lost But I'm probably in the back with a bottle back mountain Now you got a real horse pack. Trip Girl keep camping What was the map with the mask and the Fashion? Pass. I put sugar on the rim of the glass With my eyes half closed And my ass clenched fast shut I'm an alcoholic Don't involve the God I got lost in the mall with the —- UGHHHHHHHH! Hello. Uh, yes— hi. what up. Mirror mirror. Uh…nothing. You're lost? No. You look lost. Oh? Disgruntled. I am that. You're lost? I'm not lost. My friend is lost. His phone is dead. You lost each other. Sort of. Continuity conniption I nipped an eclipse And he picked his nose For a full ass minute Sitting at the stop sign That's a gobstopper's worth in our time Pull all the clocks back, Pull the fool over, You just got fined It was Friday for nothing I was in the hatchback, Scratch that Sour patch Should have called Pat back Now I'm just a Cool 48 in the ring with a date And the cashapp Continuity construction I want a husband! Fuck that. I want a clean cut plus one Since I can't have Helmet, Elmo, Or Hatchetman; Tears of a Clow…no, Wait I lost focus Half finished album Got 6 tracks But I knew it was 12 from the get go Prob‘ly should have knocked off the showrunner; Nah, I'm sure I had that coming Hashtag, undon Could have been you, too If the cash came through Now it's hard times Hardwired Sitting on a hi wire, Little white liar, liar Wait I made Katey Sagal (Fire) Cut off her hair (Fire) Went to the hall of fame with the framed sunglasses Asked for her autograf, But she walked off So I shot her with a bottle/ can, But she ducked, popped back up With the brass knuckles Surfboard Good for a chuckle and a fuck So I asked for her number All that on a Sunday at Gelson's market. Christ, almighty I miss Walmart, I hit hard times. So many places to run, But not many places to hide I think I want to die here I think i want to die. City of corruption… Lay it out and lay it over City of corruption… no, it's not a choice It's a black tie function Right in that very moment Seth Meyers kind of became my defacto personal hero. “Never meet your heroes” Or perhaps it was just his writing team, or the fact that maybe even without there even being anything set in stone or solid at all, [redacted] itself seemed to have a price over my head– It all seemed to make sense; in fact, all the crazy things i was experiencing made more sense than it didn't. But after what felt something like between defeat and maybe even one day really getting justice for all the things that had happened to me in new york– it was that, at best; That without actually meaning it, by all probability, the opening monologue described what in perfect sense the thing that had been happening to me: hundreds of motorcycles and cars riding around in circles for over a year, any time i tried to work or sleep–and then, when I finally tried to reach out to find an attorney that would help, I was made to feel crazy for it. In a way, it was the perfect indication that it had all been some sort of sick game, and that I was more right than wrong, and being set up to appear, sound, or look crazy–but I wasn't. I had been under attack for nearly two years, and when I tried to reach out, my heart raced and my voice cracked, and I sounded crazy and desperate–but what was happening was very real; and now I knew where I was. As it turns out, New York's corruption was more common knowledge to everyone else before it was to me: New York was a common place for fucked up, dirty, low-down mind games: and this was my lesson in that. Seth Meyers in reality had nothing to do with it–and really I only meant to watch Kimmel over my afternoon tacos. But still, though it hadn't entirely anything to do with me, the opening statements rang true to exactly what I had experienced; I was made to lose my mind, only to have everyone around me tell me it was something wrong with me–but it wasn't. Something was wrong with the city, and the building management, and the people around who were making it all to be some kind of mental disorder or problems with my mind–in reality, it was 2 years of being in the center of a speedway, and all the time i'd lost because of it adding to the stress, and the angst, and the depression that resulted. Moo. Moo… Moo. Moo, sir. I'll kill you. You promise? I want to. Don't get me excited over nothing; If this isn't the exit, please take this tease To the left, dear Moo, cow My honor Level one, and brother, you've got nothing Flip the coin and landed on your headache Betting on your helmet Standing on my cock, i'm taller (Not a rooster) But my ops are rooting for you, No informants, Dont you know I was a collar, all along? I was a shot calling, Cop calling Kiss-and-tell all as the night goes on. But oh, I brought you a dollar bra Oh, I bought you for all of a dollar And oh, I'm so much taller, Standing on my cock But i'm not but ten feet tall You know, you wrote that Should i open the book, or close that Caught that cat, owl and As i soft spoke at Every broken model Broken bottle for the thoughts you owe Across the scatters skies and no one ever knows When you're realling coming over Come on, I'm on the pornhub Just to pick up another one Go on, and rub the bottle One more once, To call the Bubbles. Damn. Come. (The Monkey obeys) You should see Michael in all of his godform You won't recognize him at all if not by the eyes When you follow home Believe me, this not comes close to it; The one you wanted The world you jumped to but were just short of Call her back Oh no, you're wrong It's another song A pin up girl And the wrong number Okah. Okah, Pablo. Time can be altered, changed or effected presently in any omnidirectional plane by engaging certain acts or synchronicities within multidimensional parallels or adjacent realms in time and or space respectively. –the reverse quantum simulation theory. Does anyone else smell blood I hate wedding days suits and tuxedos No, I don't know you I'm just here to sound the hundred drums Of the once before us (The ones to come) Then, there we were and I didn't want to admit Again, I was caught into the ghost of the rapture Or the holy hour, No aux chord Show the holy one Just how old you are On these sacr d lands and a holy grounds Now I want here half an ounce to smoke And there were drowning orchestras in all of the hearts And all of the markets, The market the marker And all of the sins of the savior The maytyr Did you remember not to notice not to know him Were you sure with words you were for nickelodeaon! I was supposed to hold on to, Supposed to hold on to Suddenly, it's summer. And always our own are under the weather There was no other wise man the wind. Lee the one came The site came and went and then the songs went left The songs went left; Again, the songs went left Did you win at wintergreen Well, God, I didn't know gym was a game. I didn't know guns we're just portals to worlds unknownn I didn't know gossip was golden What all else didn't I know It wasn't for here! It was fourth flour And in the final hour of the battle I commenced to summon All the gods and all the lords and all the flowers All the worlds of oceans and the Remember, this The remembrance It may not matter to some, What matters to most But until summer comes, I'm still up under the rail And practically it's spring, for the next two weeks I'm all berries and cream and whatever you wanted. Tormaline, emerald and onyx, the fox said And fox says its west when instead it's quite under what of the reporter's offer? Comes down a little to none What of the offer Comes down from a billion to one A billion to one I'm on TV so it's really just a one way screen Either way, I don't think he likes me much I don't think he likes me much I'd rather die than to fall in love even one more time And to keep on just never being loved Never beingbloved {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

In today's episode, we will discuss how we find the IN and EX Ilium listing on the X-ray.  We will also look at how this listing coincides with the PI and AS to create an effect on the Sacrum. 

Did you like the episode? Send me a text and let me know!!Unlocking Venture Capital for Entrepreneurs: Insights from Business Conversations with PiIn this episode of Business Conversations with Pi, host Skoob and AI co-host Pi delve into essential advice for new entrepreneurs seeking venture capital. They discuss building a solid business plan, networking, developing an effective pitch deck, and finding accelerators and incubators. The episode also recommends valuable resources including books like 'Venture Deals' and 'The Lean Startup' to help founders navigate the complexities of venture capital. Listeners are encouraged to explore alternative funding options and reach out with their own questions for future episodes.Book MentionsVenture Deals" by Brad Feld   The Lean Startup" by Eric Ries Pitch Anything" by Oren Klaff: The Entrepreneur's Guide to Raising Capital" by David Nour00:00 Introduction to Business Conversations with Pi00:26 Welcome and Episode Overview01:45 Meet Pi, Your AI Co-Host02:05 Understanding Venture Capital02:22 Securing Venture Capital: Tips and Strategies03:17 Finding Incubators and Accelerators04:17 Creating an Effective Pitch Deck05:24 Recommended Reading for Venture Capital06:26 Final Thoughts and Encouragement06:56 Closing Remarks and Next Steps Thank you for being a Skoobeliever!! If you have questions about the show or you want to be a guest please contact me at one of these social mediasTwitter......... ..@djskoob2021 Facebook.........Facebook.com/skoobamiInstagram..... instagram.com/uepodcast2021tiktok....... @djskoob2021Email............... Uepodcast2021@gmail.com Skoob at Gettin' Basted Facebook PageAcross The Start Line Facebook Community If you would like to be coached on your entrepreneurial adventure please email me at for a 2 hour free discovery call! This is a $700 free gift to my Skoobelievers!! Contact me Now!! On Twitter @doittodaycoachdoingittodaycoaching@gmailcom

In episode 52 of Going anti-Viral, Dr Carlos del Rio joins host Dr Michael Saag to discuss the topic of providing care to foreign-born individuals. Dr del Rio is a Distinguished Professor of Medicine in the Division of Infectious Diseases at Emory University School of Medicine. He has held numerous positions at Emory University including as co-Director of the Emory Center for AIDS Research (CFAR) and co-PI of the Emory-CDC HIV Clinical Trials Unit and the Emory Vaccine and Treatment Evaluation Unit. He has worked more than a decade with hard-to-reach populations including people with substance use disorders to improve outcomes of those with HIV and to prevent infection with those at risk. Dr del Rio discusses steps his clinic has taken to provide care to hard-to-reach populations including understanding why patients miss appointments. Dr Saag and Dr del Rio also discuss the unique challenges that foreign-born individuals have in accessing care and the impact of current immigration enforcement on people in need of care and on the broader healthcare workforce. Dr del Rio shares his personal family history with immigration to illustrate the diverse nature of foreign-born people in the United States. Dr Saag and Dr del Rio close by emphasizing the need for clinicians to be passionate in providing care and compassion to their foreign-born patients at a time of immigration enforcement actions by federal authorities.0:00 – Introduction1:48 – Defining hard-to-reach populations 5:45 – How clinicians can provide access to care for hard-to-reach populations9:01  – Unique challenges that foreign-born individuals have in accessing care15:38 – Impact of current immigration enforcement on individuals in need of care and on the healthcare workforce19:08 – Diversity of foreign-born individuals in the US and Dr del Rio's personal family history with immigration25:57 – The importance of passion and compassion to ensure foreign-born individuals feel welcome in the clinic __________________________________________________Produced by IAS-USA, Going anti–Viral is a podcast for clinicians involved in research and care in HIV, its complications, and other viral infections. This podcast is intended as a technical source of information for specialists in this field, but anyone listening will enjoy learning more about the state of modern medicine around viral infections. Going anti-Viral's host is Dr Michael Saag, a physician, prominent HIV researcher at the University of Alabama at Birmingham, and volunteer IAS–USA board member. In most episodes, Dr Saag interviews an expert in infectious diseases or emerging pandemics about their area of specialty and current developments in the field. Other episodes are drawn from the IAS–USA vast catalogue of panel discussions, Dialogues, and other audio from various meetings and conferences. Email podcast@iasusa.org to send feedback, show suggestions, or questions to be answered on a later episode.Follow Going anti-Viral on: Apple Podcasts YouTubeXFacebookInstagram...

In this In Case You Missed It (ICYMI) article read, we revisit an article published on the interiors+sources website titled, "Commercial Materials Industry Moves Closer to Scalable Biomaterials Solutions," on April 22, 2025, written by Kenn Busch. As you listen to this mini-episode, you'll learn about the sustainability discussions and trends in biomaterials at the Heimtextil textiles and interiors fair and uncover insights into the challenges and future prospects for biomaterials in commercial interiors, including: Biomaterials are defined as materials derived from waste or byproducts—not traditional natural materials with existing supply chains. Scalability remains the biggest barrier to widespread adoption of biomaterials due to limited supply and high production costs. Spinnova's fiber technology offers a rare example of a truly scalable, low-impact biomaterial solution. Promising prototypes like Agoprene and Piñatex face durability, performance, or supply challenges that limit mass adoption. A “Yes, and…” strategy encourages integrating biomaterials alongside traditional ones rather than replacing them outright. Natural variation in biomaterials should be embraced as a desirable aesthetic, not a flaw.

Mirtilli, funghi, zuppe, pesce: arriva l'estate e gli italiani si preparano a mangiare! Non in casa, ma all'aperto in una delle tante sagre che riempiono le strade italiane durante i mesi più caldi. Sagra significa buon cibo, chiacchiere, leggerezza, estate. Da dove viene questa parola? Scopri con me questa bellissima tradizione!Ti piace il podcast? Puoi usarlo per migliorare il tuo italiano. Più di 170 episodi con trascrizioni e materiali extra. Li trovi su www.piccolomondoitaliano.com

In this must-listen rebroadcast, Ralph Burns and Kasim Aslam break down a game-changing case study that reveals how combining Google's deep data insights with Meta's evolving ad algorithm can slash your cost per signed case to under $2,000 — a gold standard in personal injury law. Ralph and Kasim share how Tier 11's refined Conversion Engine taps into Google's 72 million (or more) data points to pinpoint high-intent leads at exactly the right moment. Even if you're not in PI law, you'll discover a tactical blueprint for blending paid search and social ads to secure more of your dream clients — while future-proofing your marketing against shifting ad platforms.Chapters:00:00:00 - Kickoff & Why This Episode Matters00:00:37 - What Makes This Case Study a Game-Changer00:02:13 - Winning Ad Tactics & Eye-Opening Results00:05:34 - Behind the Scenes: How It Really Worked00:11:28 - Roadblocks We Hit & How We Crushed Them00:20:07 - How We Tracked Every Dollar Like a Hawk00:23:07 - Cracking CPA: Real Estate Edition00:24:36 - Why Data Tracking Can Make or Break Your Growth00:27:36 - Tapping Into Google's Goldmine for PI Law Wins00:32:36 - Secret Sauce: Offline Conversions that Scale00:40:34 - Big Takeaways & How to Use This in Any IndustryLINKS AND RESOURCES:Tier 11 JobsPerpetual Traffic on YouTubeTiereleven.comMongoose MediaPerpetual Traffic SurveyPerpetual Traffic WebsiteFollow Perpetual Traffic on TwitterConnect with Lauren on Instagram and Connect with Ralph on LinkedInThanks so much for joining us this week. Want to subscribe to Perpetual Traffic? Have some feedback you'd like to share? Connect with us on iTunes and leave us a review!Mentioned in this episode:Free Snapchat CreditsUnbounce - Code PT10off

Las costumbres de un grupo de mapaches en un hotel centroamericano ECDQEMSD podcast episodio 6085 Mapache Experience Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias del Mundo: Hoy Fiestas Lagartijiana 2025 - La avioneta y la pelea entre México y El Salvador - Arancelazos entre Trump y Lula - Negociando el cobre - Denuncia del Ministro - Luna llena Guru Purnima - Nos vemos en la fiesta:  https://www.youtube.com/watch?v=Q9T9c6OHCIU Historias Desintegradas: Bienvenidos a Costa Rica - Todo incluido - Hotel del bosque - Naturaleza y relax - La piscina y los tragos - El mapache alcohólico - Piña colada sabrosa - Jugando Mario Bros - La fuente musical - Cascos multicolores - El arqui de TikTok - Inge sea serio - Día de la Población Mundial - El bandoneón de Aníbal Troilo y más... En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados!! NO AI: ECDQEMSD Podcast no utiliza ninguna inteligencia artificial de manera directa para su realización. Diseño, guionado, música, edición y voces son de  nuestra completa intervención humana.

Forget the big team, big spend, big promises formula. Carlos Dominguez built a million-dollar PI firm in Miami—without a single employee or a dime on ads. How? By breaking every “rule” of modern law firm growth. This episode challenges what most lawyers think it takes to win. Carlos shares exactly how he turned cold starts and courtroom chops into $1.3M in settlements, why volume firms hand him their leftovers, and the overlooked tactics that are actually working in saturated markets.  What You'll Learn: The gritty early days of bootstrapping his solo firm in Miami How word-of-mouth and personal branding landed his first major wins Why he refuses to outsource intake—and what that means for referrals The 50-60 case ceiling every solo should watch for His vision for going from scrappy to specialized If you like what you hear - we do this every week. Learn how to build the personal injury law firm of your dreams - its easy.  Just hit subscribe.   PIMCON 2025 Tickets On Sale Now. Get yours today! Get Social! Personal Injury Mastermind (PIM) is on Instagram | YouTube | TikTok

In hour two, an arcade for adults is coming soon but Hoch has certain expectations that must be met. Solana challenges Crowder to a 1v1 pickleball match. After, in honor of National Piña Colada day, Omar Kelly is live from a 7-Eleven to serve himself the famed Piña Colada slurpee he claims is the best.

Oronde Gadsden is back to talk about his son's upcoming rookie season & the Dolphins. Omar Kelly is live from a 7-Eleven to serve himself the famed Piña Colada slurpee he claims is the best. Hoch experiences every emotion possible betting on table tennis live during the show.

In this episode of the Managing Partners Podcast, Kevin Daisey talks with Dr. S. Kent Choi, founder of the ICHTHUS Injury Network, about how medical providers may be unintentionally sabotaging personal injury cases. Kent breaks down the three core issues credibility, causation, and consistency that law firm owners should understand when evaluating medical partners. With over 25 years of chiropractic experience and more than 1,000 webinars taught to medical professionals, Kent shares exactly how poor documentation and biased records can negatively impact outcomes, and what can be done to address this issue. If you're a PI attorney tired of inconsistent records and poor referrals, this episode is a must-listen. Discover how partnering with well-trained medical providers can give your clients better care and give you stronger cases. Today's episode is sponsored by Answering Legal. Click here to get started with your 400-minute free trial! Chapters (00:00:00) - The Best Lawyers: Managing Partners Podcast(00:00:34) - An Interesting Guest(00:01:30) - Kent Anderson on Personal Injury(00:08:49) - Law Firm Phone Calls(00:09:50) - Should I Refer My Cracked Neck to a Chiropractor?(00:12:03) - Criminal Injury Claims: Credible Claims, Correlation and Cons(00:21:34) - Pain management doctor: The 'pain scale'(00:22:22) - Pain Scale Consistency(00:23:47) - Importance of medical records in PI cases(00:32:09) - Justice HQ: An Elite Community for Lawyers

We're approaching the 10-year anniversary of the dawn of our 30 five-stock samplers, picked from 2015 to 2021. In this special episode, David reflects on the fully updated results, sharing 10 fresh lessons from both the wins and the whiffs. How'd we do? Discover the highs and lows, the reversals in just a year's time… and the enduring principles of Rule Breaker Investing. Companies Discussed: AXON, IRBT, ISRG, LYV, MELI, NVDA, PAC, PEGA, PI, RMD, W, Z Host: David Gardner Producer: Bart Shannon Learn more about your ad choices. Visit megaphone.fm/adchoices

Co-hosts Robin Renée and Wendy Sheridan get ready for The Leftscape's summer hiatus and share some of their plans for the season. Wendy makes a big announcement about being chosen to create an outdoor fiber arts display for the Rahway Train Station. Robin's season will be a bit more relaxed; they'll perform a couple of shows and go to quite a few more, attend a retreat and plan another for the fall, and catch some time in the sun. Wendy initiates this episode's featured conversation with her July 4th tarot reading. It may or may not be a "reliable source" of information, but it sparks insight and ideas about our current situation, what the future may hold for the United States over the course of the next year, and how we might take action. In an extended Pièce de Résistance, Wendy and Robin offer some activist work we can continue over the season including seeing what's next in the No Kings movement, working with mutual aid groups, and attending a Good Trouble Lives On event on July 17th. The Timeline Cleanse entries touch on challenging topics but are ultimately uplifting; Robin reflects on the the final Ozzy Osbourne/Black Sabbath show and Wendy reports on Australian scientists who have reversed Parkinson's in mice. Have a great summer (or winter, if you're Down Under)! Things to do: Follow The Leftscape on social media @leftscape and give us a shout! Get ICEBlock in the App Store or wherever you get your apps. Learn about what is in the Big (Horrible) Bill. Check out Wendy's stuff on Etsy. Listen to the Saved By Zero show by Robin (DJ Andrew Genus) on Radio PVS and Mixcloud. Listen to Robin Renée on Spotify. Watch two adorable otters on a cat wheel in a pool! https://www.youtube.com/watch?v=9OLGHaMtHYA&t=253s

Send us a textLet's get into the latest episode of The Real Housewives of Miami! Check out the visual on YouTube. From Julia STILL making excuses for her animal behavior while Martina cosigns to the baby shower becoming about Lisa to Kiki still fighting for a mimosa glass; (now she's talking??) This episode was something else. I also get into Dr. Nicole's interview where she talks one of her cast mates allegedly hiring a PI to investigate her and Anthony.  Let's get into it all!Support the show

Glowing orbs light the way to a sleepy conference room corner as our PI friend does some cloud based computing and picture deduction.Heads up, this series is set in the Big Farm. It's still pretty sleepy but feel free to skip if that's not your cup of tea.Start a 7 day FREE trial of Sleep With Me Plus- The ultimate way to listen to show, based on how YOU listen! Get your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Are you looking for Story Only versions or two more nights of Sleep With Me a week? Then check out Bedtime Stories from Sleep With MeShow Artwork by Emily TatHELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep and get a special deal exclusive for SWM listeners!ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleep PROGRESSIVE - With the Name Your Price tool, you tell Progressive how much you want to pay for car insurance, and they'll show you coverage options that fit your budget. Get your quote today at progressive.comQUINCE - Quince sells luxurious, ethically-made clothes and bedding at an affordable price. Transition your bed for the season with soft, breathable bedding from Quince. Go to Quince.com/sleep to get free shipping and 365-day returns on your next order. MINT MOBILE - This year, skip breaking a sweat AND breaking the bank. Get your summersavings and shop premium wireless plans at mintmobile.com/sleepwithme (Upfront payment of $45 for 3-month 5 gigabyte plan required [equivalentto $15/mo.]. New customer offer for first 3 months only, then full-price plan options available. Taxes & fees extra. See Mint Mobile for details.) Learn about your ad choices: dovetail.prx.org/ad-choices