Podcasts about national museum

Das Smithsonian National Museum of African Art zeigt die bislang umfassendste Präsentation zu dem Thema. In aktuellen Zeiten ein wichtiges Zeichen für Sichtbarkeit in den USA. Autor: Kosmas Hotomanidis Von Daily Good News.

We're joined by Chicago-based metal artist Eric W. Stephenson, founder of LunaBurn Studio and a fifth-generation craftsman. In addition to his own extensive career creating metal sculpture, Stephenson spent the final 23 years of Richard Hunt's life working alongside the legendary artist, helping bring ambitious abstract metal sculptures to life. Stephenson talks about how Hunt's career spanned more than 70 years and helped shape American metal sculpture, from his early civil rights–era work—including his response to the murder of Emmett Till—to major public commissions. His work appears in collections at the Museum of Modern Art (MoMA) in New York City, the National Museum of African American History and Culture in Washington, D.C., and at the Obama Presidential Center in Chicago. Stephenson reflects on the craft, the collaboration, and what it means to help carry forward Hunt's life's work today through the Richard Hunt Legacy Foundation. Email us at podcast@fmamfg.org with any comments, questions, or suggestions.

C.J. Chenier and squeezebox arrive Sunday In one Far Side cartoon by Gary Larson, angels greet newcomers with, "Welcome to heaven — here's your harp." Down below, the devil says, "Welcome to hell — here's your accordion." C.J. Chenier, who plays a bling-encrusted squeezebox, is laughing all the way to the bank. The man works: He has 18 gigs this month, in an arc from Texas to Minnesota to Rhode Island, including a stop at the Towne Crier in Beacon at 6 p.m. on Sunday (Feb. 22) with his group, The Red Hot Louisiana Band. Zydeco music from southwest Louisiana is a niche, of course, but within the realm, C.J. is royalty: His father, Clifton J. Chenier, who died in 1987 at age 62, is recognized as the king. C.J. switched from saxophone to accordion and kept the mojo going. On his website, he's described as the Crown Prince of Zydeco. "Other people said that, and it found me," he says. "I never sought it out." Zydeco pioneer Amede Ardoin used a button accordion, which Clifton Chenier dismissed in a documentary as "a small French" model. Still, its booming tone drowned out Dennis McGee's fiddle, which is nearly inaudible on the 22 tracks the two musicians made together from 1929 to 1934. The biracial duo exemplified the exchanges among the French-speaking population in Louisiana, who sharecropped or migrated to Port Arthur and Beaumont, Texas, where they were exposed to jazz and blues. "The difference between zydeco and cajun is the same as the blues and country," says C.J. Before establishing his music career, Clifton lived in Texas and began playing the louder, more versatile piano accordion with white and black keys instead of buttons, which filled rooms with sound in the days before amplification. In addition, he helped create the washboard vest, made from corrugated stainless steel. His brother, Cleveland Chenier, scraped out the rhythm with bottle caps, although C.J. says his player uses spoons. The original vest frottoir is in the collection of the National Museum of American History. With accordion and washboard as the base, Clifton began recording in the early 1950s. When electrified instruments revolutionized roots and popular music, Clifton added guitar, bass, drums, keyboards and horns. Unlike Ardoin, an old-timer who played a bit behind the beat, the king stomped out the rhythm. Playing the accordion is like wrestling with an alligator. "It keeps me in shape," says C.J. Pushing the keys with the right hand and keeping the bellows pumping is a challenge, but he pulls the shoulder straps tight to ensure that he can control the 25-pound instrument. The Towne Crier often clears out rows of tables to create space because, as C.J. says, zydeco is "happy-feet music that makes you smile, turns a bad day into a good one. Just joyful sounds from the swamps." The Towne Crier is located at 379 Main St. in Beacon. Tickets are $30 at townecrier.com or $35 at the door.

Music put Nashville on the map. And specifically, it's our music museums putting us on the U.S. Civil Rights Trail map.Jefferson Street Sound Museum and the new Museum of Gospel and Christian Music have just been added to the must-see landmarks — joining the National Museum of African American Music. Today, we go for a trifecta, visiting all three in one hour.This episode was produced by Blake Farmer and Mary Mancini.Guests Lorenzo Washington, founder, curator and president, Jefferson Street Sound Museum Karen Coffey, vice president, Jefferson Street Sound Museum Bill Jeffries, executive director, National Museum of African American Music Romello Smith, artist relations and fan engagement, National Museum of African American Music Jackie Patillo, Gospel Music Association Doe, recording artist Steve Gilreath, executive director, Museum of Gospel and Christian Music

What if some of your hometown's oldest, most haunted spaces were hidden in plain sight? What if they were so hidden, you quite literally walk and/or drive by them every day? The hometown in question is the museum's hometown of Houston, Texas. And today's guest, Texana Tours founder Richard Cook, joins the podcast to talk about places where you'd no doubt experience things from another dimension. Genevieve and Richard discuss the Jeff Davis Hotel (now an apartment complex) and the Donnellan Family Crypt, just two of many examples of paranormal places around the Greater Houston area. They tie it back to the museum's larger mission to educate and inform the public about the final rite of passage that we will all experience. Death. To learn more about Texana Tours, contact Richard HERE. To plan your visit to The National Museum of Funeral History, go HERE.See omnystudio.com/listener for privacy information.

We zitten down under in de schaduw van Uluru, een rots in Australië. Het is 17 augustus 1980 en de familie Chamberlain zit op de camping rond een kampvuur. Dan weerklinkt een huilende baby, mama Lindy herkent haar 9 weken oude dochter Azaria en loopt naar de tent. Plots weerklinkt een ijzingwekkende kreet. Hier is aflevering 175! Zit je met iets? Praat bij Tele-Onthaal over wat jou bezighoudt. Bel anoniem en gratis naar 106 (24u/7d) of chat via tele-onthaal.be 20% korting en gratis verzending met VOLKSJURY20 op www.colonelgustave.com. Honden en kattenvoeding, gemaakt van kwaliteitsvolle en lokale ingrediënten, zonder artificiële toevoegingen én met respect voor de planeet. Voornaamste bronnen: Australian Dictionary of Biography - Biography - Azaria Chantel Chamberlain Australian Geographic - Azaria Chamberlain final inquest Canberra Times - Botanist 'happy with tests' Canberra Times - Dingo could have taken child, ranger tells coroner Canberra Times - Drag mark, dingo tracks found near campsite Canberra Times - Father of missing baby tells of joy at birth Creighton - Rumors and Facts; Lindy Chamberlain Creighton - The Story; Lindy Chamberlain Creighton - Timeline of Events: Lindy Chamberlain Fairfax Digital - All the makings of a classic whodunnit National Museum of Australia - Azaria Chamberlain inquest The Australian - Discovery of jacket vindicated Lindy The Independent - Australia's fourth inquest opens in Azaria Chamberlain dingo case Wikipedia - Death of Azaria Chamberlain / Dingo / Uluru / Verdwijning van Azaria ChamberlainSee omnystudio.com/listener for privacy information.

Efter Gustav III:s död ville den nya förmyndarregimen – med hertig Karl i spetsen – tona ner mordets politiska sprängkraft. Att det skulle framstå som ett adligt uppror måste undvikas. Och polismästare Nils Henric Liljensparres ihärdiga arbete med att kartlägga hela konspirationen blev snart ett problem.Karriäristen Liljensparres lojalitet mot Gustav III vändes snart i ett förföljande av gustavianerna i ett försök att blidka förmyndarregeringen. Men Liljensparre, som skaffat sig många fiender i arbetet som polismästare och spionchef, skulle bli en syndbocken som ett oroligt Sverige behövde.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med författaren Tomas Eriksson om den komplexa roll Liljensparre spelade i kölvattnet av kungamordet. Eriksson är aktuell med boken Syndabocken – Polismästare Liljensparres uppgång och fall (Stockholmia).Inledningsvis belönades Liljensparre för sina insatser med fortsatta ämbeten och stort förtroende. Men han var en man med många fiender – både bland de han tidigare spionerat på i Stockholm och inom den nya maktapparaten. Hans vilja att rädda vissa av de huvudmisstänkta undan dödsstraff tolkades som politiskt illojalt. Dessutom väckte hans aggressiva metoder alltmer kritik.Trots försök att vinna den nya regimens gunst – bland annat genom att rikta sina spioneriinsatser mot Gustav III:s gamla allierade, däribland Gustaf Mauritz Armfelt – lyckades han inte återvinna inflytande. I själva verket bidrog Liljensparre till Armfelts fall genom att sprida rykten.Hans impopularitet bland stockholmarna kulminerade i det så kallade Ebelska upploppet – en protest mot polisens hårda metoder, som han inte kunde stävja utan militär hjälp. Den mäktige Gustaf Adolf Reuterholm använde upploppet som svepskäl för att avsätta honom.I januari 1793 förflyttades han till Svenska Pommern under förevändning att reformera polisen där – i praktiken ett sätt att avlägsna honom från huvudstadens politiska scen. Det var början på hans definitiva fall.Efter flera år i Pommern tilläts Liljensparre återvända till Sverige 1799. Han återinsattes i statlig tjänst, men nu inom tullväsendet snarare än inom polisen. Som ledamot i Generaltulldirektionen beskrevs han som både effektiv och despotisk – egenskaper som följt honom genom hela hans karriär. Han pensionerades 1811 och avled i Stockholm 1814, vid 75 års ålder.Nils Henric Liljensparre var både banbrytare och paradox. Han byggde upp ett polisväsende som låg före sin tid i metod och effektivitet – men verkade i ett samhälle där rättssäkerheten var svag och politikens nycker ofta styrde rättvisan. Han blev hjälten som grep kungens mördare – och syndabocken som offrades när det politiska spelet krävde en syndabock. Hans historia visar vad som kan hända när lagens väktare själva blir brickor i maktens spel.Bild: Montage: Polismästare Nils Henric Liljensparre (1738–1814) av Johan Erik Bolinder, ur samlingarna på Nationalmuseum. Licens: CC BY-SA 4.0. I bakgrunden karta över Pommern. Ursprungligen skapad av Eilhard Lubin 1635 och senare publicerad av Willem & Joan Blaeu i deras berömda Atlas Blaeu (1662). Bilden visar det historiska hertigdömet Pommern med noggrant tecknade gränser och topografiska detaljer, typiska för barockens kartografi.Musik: Elegant Arguments av Boris Skalsky, Storyblock AudioKällorEriksson, Tomas (2025). Syndabocken: polismästare Liljensparres uppgång och fall. [Stockholm]: Stockholmia förlagSvenskt biografiskt lexikon, artikel om Nils Henric LiljensparreEricson Wolke, Lars (2005). Mordet på Gustav III. Lund: Historiska mediaNationalencyklopedin, artiklar om Gustav III och 1700-talets rättsväsendeKlippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

När kung Gustav III sköts vid en maskeradbal i mars 1792 mobiliserade Sveriges förste polismästare, Nils Henric Liljensparre, en intensiv jakt på konspiratörerna. Bara några timmar senare lyckades han gripa gärningsmannen Johan Jacob Anckarström.Liljensparre var en mästare på att få misstänkta att tala och använde sig av en systematisk bevisinsamling som låg långt före sin tid. Konspirationen visade sig sträcka sig djupt in i adeln, och hans beslutsamhet att avslöja sanningen skulle snart kosta honom dyrt.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med författaren Tomas Eriksson om mordet på Gustav III och den dramatiska roll som polismästare Nils Henric Liljensparre spelade i jakten på konspiratörerna. Eriksson är aktuell med boken Syndabocken – Polismästare Liljensparres uppgång och fall.Nils Henric Aschan Liljensparre (1738–1814), född Sivers, var jurist och erfaren ämbetsman. År 1776 blev han den första polismästaren i Stockholm, som del av en ny polisiär organisation. Han byggde upp ett effektivt underrättelsenätverk med informatörer som bevakade allt från tjuvar till politiska pamflettskrivare och moderniserade polisväsendet med metoder långt före sin tid.Men det var under krisåret 1792 som han verkligen trädde fram som en nyckelfigur. Då var han inte bara operativ polischef utan även tillförordnad överståthållare – med direkt insyn i ordningsmakten och maktens innersta kretsar.Vid den ödesdigra maskeradbalen på Operan – trots upprepade varningar mot kungens närvaro – deltog Gustav III bland de maskerade gästerna. En grupp män i svarta dominodräkter närmade sig, och ett skott avlossades bakifrån – laddat med kulor, spik och metallfragment. Kungen föll inte omedelbart, men var dödligt sårad. Tretton dagar senare, den 29 mars 1792, avled han.Liljensparre kallades omedelbart till platsen. Under kungens order inledde han en intensiv mordutredning. Operans utgångar spärrades, misstänkta identifierades genom intervjuer och avgörande bevis – däribland mordvapnet – säkrades. Redan samma natt organiserade han en rekonstruktion. Pistoler visades för stadens pistolsmeder, varav en kände igen vapnet han nyligen reparerat åt kapten Jacob Johan Anckarström.Liljensparres arbete var metodiskt och bevisbaserat. Genom vapenspåret kunde Anckarström gripas redan dagen efter attentatet – ett remarkabelt resultat med dåtidens mått. Förhören inleddes omedelbart. Genom att vädja till Anckarströms känslor för sina barn fick Liljensparre honom att bekänna och namnge medkonspiratörer.Nätverket av sammansvurna visade sig inkludera flera unga officerare – däribland Adolph Ribbing och Claes Fredrik Horn – samt den inflytelserike aristokraten Carl Fredrik Pechlin. Men högre upp i hierarkin blev det svårare att nå fram. Pechlin förblev tyst och undkom fällande dom.Bild: Montage: Polismästare Nils Henric Liljensparre (1738–1814) av Johan Erik Bolinder, ur samlingarna på Nationalmuseum. Licens: CC BY-SA 4.0. I bakgrunden Norrmalmstorg (nuvarande Gustav Adolfs torg) och Kungliga slottet med Gamla Norrbro.Akvarellerad konturetsning av Johan Fredrik Martin (1755–1816), Källa: Stadsmuseet. Licens: CC BY-SA 4.0.Musik: Elegant Arguments av Boris Skalsky, Storyblock AudioKällorEriksson, Tomas (2025). Syndabocken: polismästare Liljensparres uppgång och fall. [Stockholm]: Stockholmia förlagSvenskt biografiskt lexikon, artikel om Nils Henric LiljensparreEricson Wolke, Lars (2005). Mordet på Gustav III. Lund: Historiska mediaNationalencyklopedin, artiklar om Gustav III och 1700-talets rättsväsendeKlippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Ellen Kamhi, The Natural Nurse, talks with Angela Manno who studied at the San Francisco Art Institute, Parsons School of Design, and l'Ecole des Arts in Lacoste, France, through Sarah Lawrence College. Her work has been exhibited around the world, including by NASA, the Smithsonian's National Air and Space Museum, and the National Museum of Women in the Arts.  She also collaborates with the Center for Biological Diversity on its endangered species programs.  She presents each threatened species in a traditionally religious form—the icon—to illustrate its intrinsic value and true significance. www.angelamanno.com

In 2016 Tara Roberts was living in Washington DC feeling, in a new way, the deep fractures in America, including the way we understand our history.  She felt called to be part of trying to heal these divisions.   It was a chance encounter with a photograph at the National Museum of African American History and Culture that changed the trajectory of her life.  It was of a group of Black women on a boat in diving gear who she quickly discovered  were from an organization called Diving with a Purpose, an underwater archeology group with a mission to discover and document the wreckage of slave ships scattered on the ocean floor around the world, and by doing so recover a crucial part of history. Roberts soon quit her job and joined the group to document their work, learning to scuba dive in order to do so. She turned that journey into an award-winning National Geographic-produced podcast called “Into the Depths” and became the first Black female explorer ever to be featured on the cover of National Geographic Magazine.  This work also resulted in a memoir Written in the Waters which both invites us into the fascinating and groundbreaking work below the surface of the Ocean around the globe, and her own personal transformation. Roberts has travelled the world as a diver, backpacker, and adventurer,  bringing to this conversation a global view of history and culture, and a devotion to tell the stories that can bring us together.  She is currently Explorer-in-Residence at the National Geographic Society. Here's Tara Roberts in conversation with Shayna Schlosberg from the 2025 Portland Book Festival, on Literary Arts, the Archive Project. Tara Roberts spent the last six years following, diving with, and telling stories about Black scuba divers as they searched for and helped document slave shipwrecks around the world. Her journey was turned into an award-winning National Geographic-produced podcast called “Into the Depths” and featured in the March issue of National Geographic magazine. Tara became the first Black female explorer ever to be featured on the cover of Nat Geo. In 2022, Tara was named the Rolex National Geographic Explorer of the Year. Currently, she is an Explorer-in-Residence at the National Geographic Society. And her book Written in the Waters: A Memoir of History, Home and Belonging hits stands in January 2025. Tara also worked as an editor for magazines like CosmoGirl, Essence, EBONY and Heart & Soul and edited several books for girls. She was a Fellow at the MIT Open Documentary Lab. She founded her own magazine for women who are ‘too bold for boundaries..’ And Tara spent an amazing year backpacking around the world to find and tell stories about young women change agents. The journey led to the creation of a nonprofit that supported and funded their big ideas. Shayna Schlosberg is the Vice President of Community Connections at OPB and KMHD, where she leads initiatives to ensure that both organizations authentically reflect and serve the diverse communities of the Pacific Northwest. In this role, she shapes and drives the strategy, vision, and implementation of community representation and inclusion across all aspects of OPB and KMHD's work. Shayna joined OPB and KMHD in 2022. Prior to that, she was the Director of Operations and Strategy at Women of Color in the Arts, a national service organization committed to advancing racial and cultural equity in the performing arts. From 2017 to 2021, she served as Managing Director of The Catastrophic Theatre, an acclaimed experimental theater company in Houston, Texas. Before that, she was Associate General Manager at the Alley Theatre, where she played a key role in expanding the theater's international programming, particularly through partnerships with Latin American artists and companies. Shayna's expertise has been recognized nationally—she has served on grant panels for the National Endowment for the Arts. She is a graduate of several leadership programs, including the National Association of Latino Arts and Culture's Advocacy Leadership Institute, Women of Color in the Arts' Leadership Through Mentorship program, and the 2020 New Leaders Council Fellowship. She was also a founding advisory committee member of the Houston BIPOC Arts Network Fund, a groundbreaking effort born out of the Ford Foundation's America's Cultural Treasures initiative. Shayna served in the Peace Corps in Armenia from 2010 to 2012.

We'll start today's episode with Jose Mari Ruiz who reflects on the weekend sport.We take a fascinating look into Gibraltar's deep past with Professor Clive Finlayson, as the National Museum prepares for a public lecture. With recent storms prompting questions about how unusual our weather really is, he'll also be reflecting on historic extreme weather events. Gibraltar's teenage entrepreneurs are once again trying their hands at building a business. The young enterprise scheme has just launched and today we'll find out about GibThreads. The annual Gibraltar Festival for Young Musicians has come to an end this weekend, we'll be speaking to some of the successful participants, with some live performances as well. And with midterm round the corner are you planning your next break? With evolving travel trends, from changing budgets to new destination hotspots, we'll speak to travel agent Jerome Mascarenhas. Hosted on Acast. See acast.com/privacy for more information.

Amin, Nina www.deutschlandfunk.de, Eine Welt

Amin, Nina www.deutschlandfunk.de, Eine Welt

Fluent Fiction - Korean: A Night at the Museum: Sujin's Seollal Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2026-02-07-08-38-20-ko Story Transcript:Ko: 조용한 겨울 저녁, 눈이 천천히 내렸다.En: On a quiet winter evening, snow fell slowly.Ko: 설날을 맞은 서울은 더욱 활기가 넘쳤다.En: Seollal, New Year's Day, brought more energy to Seoul.Ko: 하지만 국립중앙박물관의 분위기는 정적이었다.En: However, the atmosphere at the National Museum of Korea was still and serene.Ko: 수진은 가족과 함께 오긴 했지만 특별한 목적이 있었다.En: Sujin came with her family, but she had a special purpose.Ko: 그녀는 코트를 단단히 여미고 서둘러서 박물관 안으로 들어갔다.En: She tightened her coat and hurried into the museum.Ko: 그곳에는 이제 곧 다른 장소로 옮겨질 유물이 있었다.En: Inside, there was an artifact that was soon to be moved elsewhere.Ko: 그것은 수진 가족의 역사와 깊이 연관된 것이었다.En: It was deeply connected to Sujin's family history.Ko: 작고 정교한 청자 화병이었다.En: A small, intricately crafted celadon vase.Ko: 수많은 전시품 중 하나였지만, 그녀에겐 너무도 특별했다.En: Among numerous exhibition items, it was extraordinarily special to her.Ko: 수진은 고민에 빠졌다.En: Sujin was conflicted.Ko: “박물관이 닫히면 몰래 남아 유물을 봐야 해.” 그녀는 결심했다.En: “I have to stay after the museum closes to see the artifact secretly,” she resolved.Ko: 가족에게 잠깐 시간을 달라고 했고, 혼자서 몰래 걸었다.En: She asked her family for a moment alone and walked covertly by herself.Ko: 박물관의 복도는 길고 복잡했다.En: The museum hallways were long and complex.Ko: 문마다 경보 장치가 있었다.En: There was an alarm system on every door.Ko: 수진은 두려움을 느꼈다.En: Sujin felt fear.Ko: "잘해야 해... 경보가 울리면 안돼," 그녀는 속삭였다.En: "I have to do this well... The alarm can't go off," she whispered.Ko: 갑자기 주변이 완전 어두워졌다.En: Suddenly, everything went completely dark around her.Ko: 박물관 직원이 모두 떠난 것이다.En: The museum staff had all left.Ko: 수진의 심장은 빠르게 뛰었다.En: Sujin's heart raced.Ko: "지금이야," 그녀는 생각하며 조용히 움직였다.En: "It's now," she thought, moving quietly.Ko: 유물이 있는 전시장은 깜깜했지만 여러 구역을 지나 드디어 도착했다.En: The exhibition room where the artifact was located was pitch black, but after passing through several sections, she finally arrived.Ko: 유리가 두껍게 가려져 있는 유물 앞에 서는 순간, 피곤함도 두려움도 사라졌다.En: Standing in front of the artifact covered by thick glass, her fatigue and fear vanished.Ko: 그녀는 설레였다.En: She was thrilled.Ko: 그러나 시계가 똑딱이고 갑작스레 경고음이 울렸다.En: But then, the clock ticked, and suddenly an alarm sounded.Ko: 수진은 놀라 잠깐 멈칫했다.En: Sujin was startled and paused for a moment.Ko: “뭐 해야 하지?” 그녀는 혼잣말을 되뇌며 선택의 기로에 섰다.En: “What should I do?” she murmured to herself, standing at a crossroads of choice.Ko: 결국 다른 통로를 통해 조심스럽게 빠져나갔다.En: In the end, she carefully slipped out through another pathway.Ko: 결국 경비원도 보지 못한 채 빠져나왔다.En: She managed to leave without being noticed by any guards.Ko: 밖에 나오니 차가운 공기가 얼굴을 때렸다.En: Once outside, the cold air struck her face.Ko: 수진은 얼어붙은 손을 비비며 미소를 지었다.En: Sujin rubbed her frozen hands together and smiled.Ko: 모험은 위험했지만 가족의 소중한 역사를 가까이서 보게 된 기쁨이 더 컸다.En: The adventure was dangerous, but the joy of seeing her family's precious history up close was greater.Ko: 그날 저녁, 수진은 집으로 돌아가며 새로운 깨달음을 안았다.En: That evening, Sujin returned home with a new realization.Ko: 때로는 목숨을 걸고 나아가는 것이 얼마나 중요한지를 알게 되었다.En: Sometimes, risking oneself is crucial to understand the importance of moving forward.Ko: 자신이 성장할 수 있는 기회는 자신이 만든다는 것을 말이다.En: She realized that the opportunity for her growth is created by herself.Ko: 설날 밤하늘에 불꽃이 터졌다.En: Fireworks burst into the Seollal night sky.Ko: 수진에게는 그 희미한 빛들이 모든 것을 환하게 비춰주는 것만 같았다.En: To Sujin, those faint lights seemed to illuminate everything completely. Vocabulary Words:artifact: 유물serene: 정적intricately: 정교하게covertly: 몰래complex: 복잡한fatigue: 피곤함alarm: 경보pitch black: 깜깜한startled: 놀라다crossroads: 기로maneuver: 움직이다faint: 희미한illuminate: 비춰주다opportunity: 기회realization: 깨달음thrilled: 설레다resolve: 결심하다covert: 은밀한chilly: 차가운exhibition: 전시fear: 두려움crafted: 만들어지다exquisite: 아름다운contemplate: 고민하다revelation: 깨달음venture: 모험guard: 경비원navigate: 항해하다legacy: 역사contentment: 기쁨

The Smithsonian Institution is restoring a gunboat that sank in a 1776 Revolutionary War battle. As part of a series with the Smithsonian Institution presenting 25 objects that tell the story of America, Jennifer Jones, a curator at the National Museum of American History, talks about the story of the vessel, its recovery and its restoration. Then, Young People's Records was a popular mail-order subscription club in the 1940s, '50s and '60s. Smithsonian Folkways director and curator Maureen Loughran talks about why the music became such a hit, how the record club works and why it's important for telling the story of America.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Hillary Langberg discusses Wisdom of the Goddess, an online exhibition she curated for the Smithsonian's National Museum of Asian Art featuring nine goddesses across Hindu and Buddhist traditions. Langberg traces her path from fieldwork at western Deccan cave temples to public humanities, and addresses the curatorial choices, pedagogical design, and theological framing involved in presenting devī traditions to diverse audiences. The conversation explores the Hindu-Buddhist interface in goddess worship, visual texts as evidence, and transmission beyond academic containers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Robert Kesten, President and CEO of Stonewall National Museum, Archives & Library in Fort Lauderdale, Florida talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™. Founded in 1973 the Stonewall National Museum, Archives & Library has grown into the largest lending library of its kind in the U.S. with more than 34,000 books and audio-visual materials. The archives also contain more than 6 million pages of documents and more than 2,000 objects of critical importance to our LGBTQ history. Rotating exhibitions, talks, lectures and films have attracted thousands to the Stonewall National Museum each year enriching the lives of countless others. Some of the upcoming events include their fourth annual Gala fundraiser where they will ceremoniously and historically induct architect, philanthropist and president of the Arcus Foundation Jon Stryker, retired Congressman Barney Frank and Grammy winning singer-songwriter Janis Ian into its nationally traveling “Standing on the Shoulders of Heroes” exhibition on February 21st. This fabulous fundraising event takes place at The VENUE in Wilton Manors, FL from 6P to 9P for a fabulous night of celebration with cocktails, dinner, conversation and community. Other events include Amazon Rising: The Legacy of Wonder Woman that runs now through February 17th and Sahara: NYC's Lesbian Legacy that will be on display February 28th to April 5th. Also the Stonewall National Museum, Archives & Library in partnership with the LGBTQ Sports Hall of Fame will celebrate the 2026 class of inductees recognizing the achievements and contributions of LGBTQ athletes, coaches, advocates and sports enthusiasts. We talked to Kesten about what he would like to accomplish at the Stonewall National Museum and his spin on our LGBTQ issues.  Robert Kesten is a seasoned nonprofit executive with extensive experience in the for profit and government sectors. Kesten has had the unique experience of working on the break-up of the USSR on the ground in the Soviet Union and being in Tahrir Square during the Arab Spring in Egypt. This has given him a special understanding of human rights, the need for democracy and the role education plays in the transformation of nations and their people. Kesten's varied career also includes writing and producing an award-winning documentary film on learning the lessons from the Holocaust winning the Jury Prize at the Moscow Film Festival. The Stonewall National Museum, Archives & Library is a safe welcoming place that inspires and promotes understanding through collecting, preserving and sharing the proud culture of our LGBTQ community and their significant role in American society.  For More Info… LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Frederik Larsen, Deputy Director of the Greenland National Museum & Archives in Nuuk, Greenland. CASCADE OF HISTORY reached out to the museum in Greenland to find out what steps staff there are taking to collect the artifacts and stories of the very recent - and very turbulent past - as the President of the United States has, at times, threatened military annexation of the sovereign Arctic island. Mr. Larsen also shared his observations of what it's been like in Greenland over the past several weeks of threats, and following more restrained remarks made last week in Davos, Switzerland. CASCADE OF HISTORY spoke with Frederik Larsen on Wednesday, January 28, 2026. Greenland National Museum & Archives https://en.nka.gl/ CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

Angela Manno studied at the San Francisco Art Institute, Parsons School of Design, and l'Ecole des Arts in Lacoste, France, through Sarah Lawrence College. Her work has been exhibited around the world, including by NASA, the Smithsonian's National Air and Space Museum, and the National Museum of Women in the Arts. Angela Manno was commissioned by NASA to commemorate the U.S. return to space flight with the launch of Discovery, the first after the Challenger accident. She is the only female visual artist selected for this honor. The program she narrated,  “Responding to the Cry of the Earth,” was created for the Vatican,  which features images from her series Contemporary Icons of Endangered Species  She also collaborates with the Center for Biological Diversity on its endangered species programs. The Sacred Biodiversity Oracle stimulates empathy and meaningful action for planetary healing. Exploring the richness and necessity of biodiversity, this 36-cardfull-color deck features the work of world-renowned artist Angela Manno and reveals how the loss of biodiversity is leading to the warming of our planet. A unique feature of this work are QR codes that lead to the websites of one of 18 specially curated conservation organizations from all over the world that are helping to protect species, including EarthJustice, The Center for Biological Diversity, The Wildlife Justice Commission and The Orangutan Project. She presents each threatened species in a traditionally religious form—the icon—to illustrate its intrinsic value and true significance.

TRANSLATION MENU: LOOK UPPER RIGHT BELOW THE SOCIAL MEDIA ICONS. IT OFFERS EVERY LANGUAGE AVAILABLE AROUND THE WORLD! Pictured here and below: the seven-meter tall statue of Charles de Gaulle, as you enter China's National Museum, on Tiananmen Square, Beijing. He was a visionary leader who kept France from being a whore for the USA... The post President Charles de Gaulle made France the first major Western power to be mutually recognized by the People's Republic of China, 27 January 1964. A great leader of vision and principles, whom the Chinese respect and admire. China Rising Radio Sinoland 260127 appeared first on RADIO SINOLAND.

As part of a series with the Smithsonian Institution presenting 25 objects that tell the story of America, Daniel Piazza, chief curator of philately at the Smithsonian National Postal Museum, talks about the significance of the first stamps issued by the federal government. Plus, few people know the real story of "The Star-Spangled Banner," or that the massive flag that inspired it still exists. Jennifer Jones, a curator of the Smithsonian Institution's National Museum of American History, shares the history of the banner.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Smithsonian's National Museum of African Art in Washington, D.C. this week opens Here: Pride and Belonging in African Art, a new exhibition focusing on LGBTQ+ artists from across Africa and its diaspora. Ben Luke talks to its co-curator, Kevin Dumouchelle, about the exhibition and forthcoming book. We explore the cultural effects of the protests in Iran that began at the end of last year, and the brutal crackdown that followed, with Sarvy Garenpayeh, one of The Art Newspaper's reporters on the Middle East. Sarvy has attempted to contact art workers after the Iranian government cut off the internet two weeks ago. And this episode's Work of the Week is Louise Nevelson's Moon Garden Plus One (1958), a landmark installation first staged in New York that is being reprised, at least in part, in a new survey of the American sculptor's work at the Centre Pompidou-Metz in Metz, France. We speak to the curator of the exhibition, Anne Horvath.Here: Pride and Belonging in African Art, National Museum of African Art, Washington, D.C., 23 January–23 August. The related book, published by Smithsonian Books, will be available later this year.The London gallery Ab-Anbar, which was founded in Tehran in 2014, has announced that it has extended its solo exhibition of the Iranian artist Amin Bagheri's work until 22 February. The gallery has been hosting what it describes as “moments of togetherness for its London community: a space to gather, talk, and be together”, in solidarity with the people of Iran.Louise Nevelson: Mrs. N's Palace, Centre Pompidou-Metz, Metz, France, 24 January-31 AugustTo buy The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events, visit theartnewspapershop.com. £14.99 or the equivalent in your currency. Hosted on Acast. See acast.com/privacy for more information.

Paul Scott in print studio with cut Wild Rose detail Paul Scott (b. 1953, United Kingdom) is a UK-based artist, living and working in Cumbria, with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft, and design, he is well known for his research into printed vitreous surfaces, as well as his characteristic blue-and-white artworks in glazed ceramic. Scott's artworks can be found in public collections around the globe, including the National Museum, Norway; the Victoria and Albert Museum, London, UK; National Museums Liverpool; the Carnegie Museum of Art, Pittsburgh, PA; and the Brooklyn Museum, Brooklyn, NY. Commissioned work can be found in a number of UK museums, as well as in public places in the north of England, including Carlisle, Maryport, Gateshead, and Newcastle upon Tyne. He has also completed large-scale works in Hanoi, Vietnam, and at the Guldagergård public sculpture park in Denmark. A combination of rigorous research, studio practice, curation, writing, and commissioned work ensures that his practice continues to develop. His work is fundamentally concerned with the reanimation of familiar objects, landscape, pattern, and a sense of place. He was professor of ceramics at the Oslo National Academy of the Arts (KHiO) from 2011–2018. Scott received his Bachelor of Art Education and Design from Saint Martin's College and his PhD from the Manchester Institute for Research and Innovation in Art and Design in England. His current research project, New American Scenery, has been supported by an Alturas Foundation artist award, Ferrin Contemporary, and funding from Arts Council England. Cumbrian Blue(s), New American Scenery, Souvenir of Portland OR Black Lives Matter (After Killen & Howard)/Trumpian Campaigne, No.5, 2021. Transfer print collage on partially erased Staffordshire transferware souvenir plate by Rowland & Marsellus, c.190010.25″ Dia. x 1” D Cumbrian Blue(s), New American Scenery, Residual Waste (Texas) No.5/1, 2022Transfer print collage, shell-edged pearlware platter, 13″ H x 17.25″ W x 1.25” D Cumbrian Blue(s), New American Scenery, The Sleep of Reason, Wood Cuts (After Spode’s Woodland/Wild Rose) 2, 2024Transfer print collage on pearlware plate with Kintsugi, 11″ Dia. x 0.5″ D Cumbrian Blue(s), New American Scenery, Sampler Jug, No.7 (After Stubbs), 2021Transfer print collage on pearlware jug, 15″ H x 14″ W x 11.75″ D

Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque).  "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.

James "Jay" Gardner Harrison III is a descendant of two American Presidents, William Henry Harrison and Benjamin Harrison, as well as English colonists Harmon Harrison and his cousin John Rolfe, who arrived at Jamestown, Virginia, in the early 1600s. He works as a Community Programs Assistant with the Museum Learning & Programs department of the Smithsonian Institution's National Museum of the American Indian (NMAI) in Washington, D.C. Additionally, Jay has regularly portrayed James Monroe in first person since 1987, in over 300 living history programs mainly for the James Monroe Museum in Fredericksburg, Virginia. Jay joins NAI's Song Stott and Paul Caputo.

Fluent Fiction - Mandarin Chinese: Finding Her Voice: A Winter Journey at the National Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-18-08-38-20-zh Story Transcript:Zh: 在冬天的一个早晨，梅琳和金海跟随学校一起去中国国家博物馆参观。En: On a winter morning, Meilin and Jinhai went with their school to visit the China National Museum.Zh: 博物馆坐落在北京的中心，宏伟壮观，有着数不清的历史文物。En: The museum is located in the center of Beijing, majestic and spectacular, with countless historical relics.Zh: 每个人都很兴奋，因为这是一次特别的机会，他们也正值过年期间，博物馆里充满了节日的气氛。En: Everyone was excited because it was a special opportunity, and it was during the New Year period, so the museum was filled with a festive atmosphere.Zh: 梅琳是一个内向的女孩，她很喜欢历史和文物，总是安静地观察、思考。En: Meilin is an introverted girl who loves history and cultural relics, always quietly observing and thinking.Zh: 少言的性格让她在小组活动中常常显得安静。En: Her quiet nature often makes her seem silent in group activities.Zh: 相反，金海总是充满活力，喜欢和同学分享他的见解，对任何事物都充满好奇。En: In contrast, Jinhai is always full of energy, enjoys sharing his insights with classmates, and is curious about everything.Zh: 导游带着大家到了古代文物馆。En: The tour guide led everyone to the Ancient Relics Hall.Zh: 金海在大家面前滔滔不绝地谈论古代兵器，引得同学们都围着他，表现出浓厚的兴趣。En: In front of everyone, Jinhai talked eloquently about ancient weapons, attracting his classmates who showed great interest.Zh: 梅琳站在一旁，她想参与讨论，但内心的羞涩让她犹豫不决。En: Meilin stood to the side, wanting to join the discussion, but her inner shyness made her hesitate.Zh: 时间有限，梅琳决定独自离开团队，去找寻自己心中的宝藏。En: With limited time, Meilin decided to leave the group on her own to search for her own treasure.Zh: 她静静地走到另一边的展厅，那是一片安静的角落，展示着关于传统节日的文物。En: She quietly walked to another exhibition hall, a quiet corner displaying artifacts related to traditional festivals.Zh: 一个精美的陶瓷灯笼吸引了她的目光。En: A beautifully crafted ceramic lantern caught her eye.Zh: 灯笼的旁边摆放了一块说明牌，上面讲述了这盏灯笼在古代春节时如何被用作祈福用具的故事。En: Next to the lantern was an information board, recounting the story of how this lantern was used as a blessing tool during the ancient Spring Festival.Zh: 梅琳被深深打动，她觉得这是一个很好的机会。En: Meilin was deeply moved, feeling it was a great opportunity.Zh: 回到团队后，看到大家还在讨论，她鼓起勇气走到金海身边，“金海，大家，我发现了一个有趣的东西！En: Upon returning to the group and seeing everyone still in discussion, she mustered up the courage to walk over to Jinhai's side, "Jinhai, everyone, I found something interesting!"Zh: ”大家安静下来，看向梅琳。En: Everyone quieted down and looked at Meilin.Zh: 梅琳稳了稳心神，开始讲述陶瓷灯笼的故事，解释它如何与春节的传统相关联，并描述了那个年代的人们如何通过灯笼来祈求好运。En: She steadied herself and began to tell the story of the ceramic lantern, explaining how it is related to the Spring Festival traditions and describing how people of that era used lanterns to pray for good luck.Zh: 随着她的讲述，更多的同学也被吸引过来，他们对梅琳的分享产生了浓厚的兴趣。En: As she spoke, more classmates were drawn over, taking a keen interest in Meilin's sharing.Zh: 金海惊讶地看着她，“这真是一个精彩的故事！En: Jinhai looked at her in surprise, "That's truly an amazing story!Zh: 你知道的真多。En: You know so much."Zh: ”他鼓励她讲更多。En: He encouraged her to tell more.Zh: 大家开始积极讨论这个文物的意义，气氛变得活跃而热烈。En: Everyone started actively discussing the significance of the artifact, and the atmosphere became lively and enthusiastic.Zh: 在这次经历后，梅琳意识到，其实她有很多可以分享的，不用害怕被忽略。En: After this experience, Meilin realized that she had a lot to share and didn't need to fear being overlooked.Zh: 她找到了自己的声音，明白了在团队中，她同样可以贡献出自己珍贵的视角和思想。En: She found her voice, understanding that in a group, she too can contribute her valuable perspectives and thoughts.Zh: 这个冬日的博物馆之旅，不仅让她亲眼看到了历史，也让她发现了内心的勇气。En: This winter museum trip not only allowed her to see history firsthand but also helped her discover the courage within her heart. Vocabulary Words:introverted: 内向的relics: 文物majestic: 宏伟spectacular: 壮观festive: 节日的opportunity: 机会curious: 好奇的eloquently: 滔滔不绝地weapons: 兵器hesitate: 犹豫不决exploring: 找寻treasure: 宝藏ceramic: 陶瓷lantern: 灯笼blessing: 祈福significance: 意义artifact: 文物mustered: 鼓起perspectives: 视角lively: 活跃enthusiastic: 热烈courage: 勇气steered: 稳了稳recounting: 讲述observe: 观察participation: 参与shyness: 羞涩mustering: 激起insights: 见解discovery: 发现

Fluent Fiction - Japanese: Heartwarming Science: A Winter's Lesson in Tokyo's Miraikan Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-01-18-08-38-20-ja Story Transcript:Ja: 東京の冬は寒くて風が冷たい。En: Winter in Tokyo is cold, and the wind is chilly.Ja: そんな中、新年の休みを迎えた晴樹と由奈は、日本科学未来館、通称ミライカンを訪れていました。En: In the midst of this, Haruki and Yuna found themselves visiting the Miraikan, also known as the National Museum of Emerging Science and Innovation, during the New Year's holidays.Ja: 未来館は、科学や未来の技術を紹介する展示がたくさんあり、人々で賑わっていました。En: The Miraikan was bustling with people, as it featured numerous exhibits showcasing science and future technologies.Ja: 子どもたちや家族連れが、きらきらと輝くロボットや未来の乗り物を見て歓声を上げています。En: Children and families were raising their voices in excitement at the sparkling robots and futuristic vehicles.Ja: 晴樹はとても楽しみにしていました。En: Haruki was looking forward to it very much.Ja: 彼は科学が大好きな高校生で、いつも優しいお姉さん、由奈を尊敬していました。En: He was a high schooler with a deep love for science, and he always respected his kind older sister, Yuna.Ja: 「今日は、由奈に迷惑をかけたくない」と思いながら、晴樹は周りの展示に夢中になっていました。En: "I don't want to trouble Yuna today," he thought as he got engrossed in the exhibits around him.Ja: しかし、冬の乾燥した空気の中で、晴樹の呼吸は少し苦しかったのです。En: However, in the dry winter air, Haruki found it a bit hard to breathe.Ja: 「大丈夫だ。きっと大丈夫。」晴樹は小さく自分に言い聞かせ、由奈には何も言わないことに決めました。En: "I'm okay. I'll be okay," Haruki quietly reassured himself, deciding not to say anything to Yuna.Ja: お姉さんの由奈は大学生で、晴樹をよく気遣ってくれる存在です。En: His sister, Yuna, was a university student who often looked after him.Ja: でも今日は、彼は自分の力で楽しみたいと思っていました。En: But today, he wanted to enjoy the day on his own strength.Ja: やがて、二人はインタラクティブな展示の前に立ち止まりました。En: Eventually, the two stopped in front of an interactive exhibit.Ja: 「すごいね！」由奈は目を輝かせながら言いました。En: "This is amazing!" Yuna said with sparkling eyes.Ja: しかし、晴樹の呼吸はさらに苦しくなって来ました。En: However, Haruki's breathing became even more difficult.Ja: 彼は一生懸命に辛さを隠していましたが、体が言うことを聞いてくれません。En: He tried hard to hide his discomfort, but his body wouldn't cooperate.Ja: 急に彼は立っているのが大変になり、ひざをつくと、苦しそうに息を吸いました。En: Suddenly, he found it hard to stand and dropped to his knees, struggling to breathe.Ja: 「晴樹！大丈夫？」由奈はすぐに弟に駆け寄りました。En: "Haruki! Are you okay?" Yuna immediately rushed to her brother.Ja: 彼女は慌てて人々の間をかき分け、助けを呼びに行きました。En: She hurriedly parted the crowd and went to call for help.Ja: すぐにスタッフが駆け付け、晴樹にインヘーラーを渡しました。En: Soon, staff arrived and handed Haruki an inhaler.Ja: 「ゆっくり吸って」とスタッフが優しく声を掛けます。En: "Breathe slowly," the staff gently advised.Ja: その後、ベンチに座り、落ち着きを取り戻した晴樹は、静かになった展示室で由奈に向かって「ごめんね、由奈」と小さな声で言いました。En: Afterward, sitting on a bench and regaining his composure, Haruki quietly said to Yuna, "I'm sorry, Yuna."Ja: 由奈は弟の手を優しく握り返し、「晴樹が無事でよかった。En: She gently squeezed his hand back and smiled, saying, "I'm just glad you're okay, Haruki.Ja: それが一番大事だよ。」と微笑みました。En: That's the most important thing."Ja: その瞬間、晴樹は大切なことに気付きました。En: At that moment, Haruki realized something important.Ja: 「自分の健康を無視してはいけない。En: "I shouldn't ignore my health.Ja: 由奈は、いつも僕のことを大事に思ってくれているんだ。」En: Yuna always cares deeply about me."Ja: そう思うと、彼は安心感に包まれました。En: With that thought, he felt wrapped in a sense of relief.Ja: 帰り道、由奈は「また一緒に来ようね」と笑い、晴樹も「うん！」と元気に答えました。En: On the way home, Yuna laughed and said, "Let's come again together," to which Haruki cheerfully replied, "Yeah!"Ja: 二人の中には、強い絆がありました。En: Between the two of them, there was a strong bond.Ja: 新たな決意を胸に、寒さの中でも二人は心温まる一日を過ごしました。En: With a renewed determination in their hearts, they spent a heartwarming day despite the cold.Ja: 未来館の魅力と共に、新年の始まりを感じながら、二人は家路につくのでした。En: Feeling the allure of the Miraikan and the beginning of the new year, they headed back home. Vocabulary Words:chilly: 冷たいemerging: 新たなbustling: 賑わっていましたexhibit: 展示futuristic: 未来的なengrossed: 夢中になっていましたdiscomfort: 辛さcomposure: 落ち着きrelief: 安心感allure: 魅力determination: 決意introduction: 紹介attraction: 魅力interactive: インタラクティブなreassure: 言い聞かせるgently: 優しくignore: 無視するbond: 絆sparkling: きらきらと輝くtrouble: 迷惑resolve: 決意breathe: 呼吸hurry: 慌ててinhaler: インヘーラーcourage: 勇気empathy: 気遣うenthusiastic: 元気にkindness: 優しいstruggle: 苦しんでannouncement: 歓声

Elizabeth Ajunwa is a DC-based art librarian and memory worker. She currently serves as the Director of the Betty Boyd Dettre Library and Research Center at the National Museum of Women in the Arts. As Library Director, she oversees a collection of over 25,000 books and archival resources including zines and artists' books.  Elizabeth's journey in the library field began in public libraries, where she gained invaluable hands-on experience at the Prince George's County Memorial Library System. While working in public libraries, she obtained a master's degree in Library and Information Science from Catholic University of America, where she focused her graduate studies on cultural heritage management and art librarianship. She was a 2019-2020 ALA Spectrum Scholar in the American Library Association Spectrum Scholarship Program. Her current work includes advocating for the care and diverse representation of Black, Indigenous, and POC artists in libraries and archives.//////////////////////////////“Paper Cuts Theme” by The Early@theearly_band // http://theearly.net

THE FORBIDDEN MUSEUM OF SHANTOU Colleague Tanya Branigan. Tanya Branigan discusses her book, Red Memory, and her visit to the Cultural Revolution Museum in Shantou. Founded by former official Peng Qi'an, this was the only museum in China dedicated to recording the era's violence and chaos. Built in a remote location on a site of mass graves to avoid scrutiny, the museum was eventually suppressed by authorities. Branigan recounts visiting during the Hu Jintao era while being monitored by undercover police. Today, the site is closed, unlike the National Museum, which relegates the decade-long catastrophe to a single "dingy corner." TANYA BRANIGAN NUMBER 11905 SHANGHAI MIXED COURT

Fluent Fiction - Japanese: Mystery in the Snow: The Tokyo National Museum's Rescue Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-01-10-08-38-20-ja Story Transcript:Ja: 東京国立博物館は、上野公園の静かな一角にあります。En: The Tokyo National Museum is situated in a quiet corner of Ueno Park.Ja: 冬の雪が庭園に静かな美しさを加え、館内では日本の豊かな文化遺産を祝う鮮やかな展示が広がっています。En: The winter snow adds a serene beauty to the garden, while inside the museum, vibrant displays celebrating Japan's rich cultural heritage are spread out.Ja: 新年を迎えるこの時期、外は白い雪で覆われ、静けさが漂っています。En: At this time of year, as the New Year approaches, the outside is covered in white snow, enveloped in tranquility.Ja: 館内では、一つの騒動が迫っていました。En: Inside the museum, however, a disturbance was brewing.Ja: 貴重な遺物が謎の状況で消えていたのです。En: A precious artifact had mysteriously disappeared.Ja: 歴史に情熱を注ぐ美術保存家のユキは、この事態を非常に心配しています。En: Rekishi, a conservationist passionate about history, was extremely concerned about this situation.Ja: 彼女は自分の能力を証明し、博物館の評判を守りたいと願っていますが、期待に応えられないことへの不安に苦しんでいました。En: She wishes to prove her capabilities and protect the museum's reputation, but she struggles with anxiety about possibly not meeting expectations.Ja: 一方、警備員のレンは、とても観察力に優れていますが、過去に美術品の贋作に関わったことがあるため、その件を隠したいと思っています。En: On the other hand, Keibiin Ren is highly observant, but he wishes to hide his past involvement with art forgeries.Ja: この事件を解決したいという思いと、過去を明かしたくないという思いが交錯しています。En: He's torn between the desire to solve this case and the fear of exposing his past.Ja: ユキはレンと協力することを決めました。En: Yuki decided to team up with Ren.Ja: レンの観察力を借りて何か手がかりを見つけようとします。En: She attempts to find some leads by borrowing his observational skills.Ja: レンもまた、偽作に対する知識を上手く使い、事件に解決をもたらすつもりです。En: Ren, too, plans to use his knowledge of forgeries skillfully to resolve the incident.Ja: 二人は隅々まで博物館を調べました。En: The two of them thoroughly investigated the museum.Ja: ある日、隠れた小部屋を発見します。En: One day, they discovered a hidden small room.Ja: その中にあったメモには、忙しい新年の祝賀行事中に遺物を持ち出す計画が書かれていました。En: Inside was a note outlining a plan to smuggle out the artifact during the busy New Year's celebrations.Ja: ユキとレンは協力して計画を阻止し、無事に遺物を取り戻します。En: Yuki and Ren, working together, managed to thwart the plan and successfully retrieve the artifact.Ja: 事件が無事に解決したことで、ユキは自分の能力に自信を持ち始めます。En: With the case resolved, Yuki began to gain confidence in her abilities.Ja: そして、彼女はレンの過去には触れず、成功を喜びます。En: She chose not to touch on Ren's past and instead rejoiced in their success.Ja: レンもまた、自分の能力を正しく使うことで、独自の達成感を得ました。En: Ren also gained a unique sense of accomplishment by using his abilities correctly.Ja: 東京国立博物館は再び平和を取り戻し、冬の雪景色の中、輝きを増しました。En: The Tokyo National Museum regained its peace and shone even brighter amidst the winter snow scene.Ja: ユキとレンは、新しい信頼と共に、新たな年を迎える準備を整えました。En: Yuki and Ren, with newfound trust, prepared to welcome the new year.Ja: ちょうど静かな雪が降り積もるように、彼らの心にも静けさと希望の光が差し込んでいました。En: Just as the quiet snow was falling and accumulating, a light of tranquility and hope also shone into their hearts. Vocabulary Words:situated: ありますdisturbance: 騒動artifact: 遺物mysteriously: 謎の状況でdisappeared: 消えていたconservationist: 美術保存家passionate: 情熱を注ぐprove: 証明しcapabilities: 能力reputation: 評判anxiety: 不安observant: 観察力に優れていますforgeries: 贋作torn between: 交錯していますresolve: 解決をもたらすincident: 事件leads: 手がかりthoroughly: 隅々までhidden: 隠れたsmuggle out: 持ち出すthwart: 阻止しretrieve: 取り戻しますconfidence: 自信accomplishment: 達成感regained: 取り戻しshone: 輝きwelcomed: 迎えるaccumulating: 降り積もるtranquility: 静けさheritage: 遺産

Ben Nighthorse Campbell (Northern Cheyenne) is remembered as an effective congressional leader who passionately advocated for Native American issues. He served in both the U.S. House of Representatives and the U.S. Senate. Among other things, he was instrumental in the political advocacy for establishing the National Museum of the American Indians (NMAI). Harvey Pratt (Cheyenne and Arapaho) was a national voice in support of Native American arts. A large part of his career was as a police sketch artist. He also headed the Indian Arts and Crafts Board for a decade. A former U.S. Marine, he was an advocate for military veterans. His design for a Native American Veterans Memorial was chosen and built on the NMAI campus in 2022. GUESTS Suzan Shown Harjo (Cheyenne and Hodulgee Muscogee), president of the Morning Star Institute and recipient of the Presidential Medal of Freedom Rick West (Cheyenne and Arapaho), founding director and director emeritus of the Smithsonian National Museum of the American Indian Shanan Campbell (Northern Cheyenne), founder and CEO of Sorrel Sky Galleries and daughter of Ben Nighthorse Campbell Gina Pratt (Muscogee and Yuchi), wife of Harvey Pratt Nathan Pratt (Cheyenne and Arapaho), artist and son of Harvey Pratt Dee Cordry, former Oklahoma State Bureau of Investigation and author of “Children of White Thunder” Break 1 Music: I Walk with You (song) Joseph Fire Crow (artist) Face the Music (album) Break 2 Music: Put Your Feathers On (song) Blue Moon Marquee & Northern Cree (artist) Get Your Feathers Ready (Album)

Kitty Cone and Brad Lomax were key players in the 1977 sit-ins which pressured the Department of Health and Human Services to establish policies to implement section 504 of the 1973 Rehabilitation Act. Research: R.8070 - Rehabilitation Act of 1973. https://www.congress.gov/bill/93rd-congress/house-bill/8070 Grim, Andrew. “Sitting-in for disability rights: The Section 504 protests of the 1970s.” National Museum of American History. https://americanhistory.si.edu/explore/stories/sitting-disability-rights-section-504-protests-1970s “Celebrating Kitty Cone: 1944-2015.” https://dredf.org/celebrating-kitty-cone-1944-2015/ Feingold, Lainey. “Disability Rights Leader Kitty Cone Dies at 70.” BeyondChron. 3/23/2015. https://beyondchron.org/curtis-kitty-cone-disability-rights-hero-dead-at-70/ Gardiner, Kathryn S. “Forgotten Foremothers: Kitty Cone - Disability Activist.” League of Women Voters of Indiana. 7/9/2022. https://www.lwvin.org/content.aspx?page_id=5&club_id=42001&item_id=77659 Lu, Wendy. “Overlooked No More: Kitty Cone, Trailblazer of the Disability Rights Movement.” New York Times. 3/26/2021. https://www.nytimes.com/2021/03/26/obituaries/kitty-cone-overlooked.html Center for Learner Equality. “Brad Lomax – Uniting the Civil Rights and Disability Rights Communities.” https://www.centerforlearnerequity.org/news/brad-lomax-uniting-the-civil-rights-and-disability-rights-communities/ Essien, Markus, director and producer. “Renegades: Brad Lomax.” PBS. https://www.pbs.org/wnet/americanmasters/brad-lomax-documentary/33589/ Connelly, Eileen AJ. “Overlooked No More: Brad Lomax, a Bridge Between Civil Rights Movements.” New York Times. 7/20/2020. https://www.nytimes.com/2020/07/08/obituaries/brad-lomax-overlooked.html See omnystudio.com/listener for privacy information.

 In 2016, Tara Roberts was living in Washington D.C. and working at a nonprofit when she visited the National Museum of African American History and Culture and a photograph she saw there changed her life. The image was of Black scuba divers from the group Diving with a Purpose which searches for and documents slave shipwrecks around the world. Roberts quit her job, learned to scuba dive and chronicled the work of these scuba divers. Her book about that journey is “Written in the Waters: A Memoir of History, Home and Belonging.”

On New Year's Eve, America250 Commission Chair Rosie Rios talks about the special celebrations tonight related to the U.S.'s 250th birthday in 2026, New York City & New Orleans are among the cities increasing their New Year's Eve security and world leaders issue New Year's messages; House Republicans schedule a hearing looking at Minnesota social welfare programs fraud, inviting both Republican state lawmakers and Gov. Tim Walz (D-MN) to testify; number of Jeffrey Epstein-related files the Justice Department is working through to release now reportedly tops 5 million; New York City mayor-elect Zohran Mamdani (D) names a new schools chancellor a day before he takes office; former Sen. Ben Nighthorse Campbell (D-CO) has died. We  hear his 2004 remarks at the dedication for the Smithsonian Institution's National Museum of the American Indian. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do animals mean to us? Naomi Alderman explores how animals shape human understanding, from ancient burial rites to modern science.The psychologist Justin Gregg specialises in dolphin social cognition. He introduces his new book, Humanish, a witty and provocative look at anthropomorphism — our habit of seeing human traits in animals, objects and machines — and how it helps us make sense of the world and increases empathy.Peter Fretwell is a leading scientist at the British Antarctic Survey, and author of The Penguin Book of Penguins. He celebrates the charm and complexity of penguins, from their evolutionary quirks to their cultural symbolism, alongside the threats they face today.Marianne Hem Eriksen is Professor of Viking Studies at the National Museum of Denmark and part of the BBC / Arts and Humanities Research Council scheme of New Generation Thinkers. She draws on archaeological evidence to show how Viking societies had a complex relationship with animals, seeing them not just as pets or food, but as extensions of human identity and mythology.Producer: Katy Hickman Assistant Producer: Natalia Fernandez

American newspaper publisher and all-around eccentric, Charles Francis Hall, was an unlikely candidate to become an Arctic explorer. Nevertheless, he made three trips to the frozen north, until he died there under suspicious circumstances. Sharpen your powers of deduction and join us on Sidedoor for an epic frozen whodunit, featuring shipwreck, romance, and a social media darling with a dark secret. We're resharing this longtime favorite from 2021 to bring you some wintry vibes. Guests:Stephen Loring, anthropologist and archeologist at the Arctic Studies Center of the Smithsonian's National Museum of Natural History Heidi Moses, volunteer with the Smithsonian Transcription CenterEmily Niekrasz, social media manager, Smithsonian Institution 

It started with a messy lab and a mysterious mold. But turning “mold juice” into the world's first antibiotic would take a sick policeman, a market cantaloupe, and an extraordinary wartime collaboration between scientists, governments, and industry. This is the story of how penicillin changed the world.Guests:Kevin Brown, Trust Archivist to Imperial College Healthcare NHS Trust and curator of the Alexander Fleming Laboratory Museum at St. Mary's Hospital; author of Penicillin Man: Alexander Fleming and the Antibiotic RevolutionDiane Wendt, curator in the Division of Medicine and Science at the Smithsonian's National Museum of American History

Episode 10 of 15 | Series 36: Serial Killers in HistoryFinland's first documented serial killer terrorized two continents across three decades. This episode traces Matti Haapoja's brutal journey from famine-ravaged Finland to Siberian exile and back—a life defined by escape, violence, and ultimately, one final act of defiance.Victim HumanizationHeikki Impponen was forty-two years old when he walked along that frozen road in December 1867. A farmer with a wife named Kaisa and three children waiting at home, he had known young Matti since childhood—their fathers had worked neighboring fields, they had been boys together in the harsh Finnish countryside. He carried what little money he had, perhaps hoping to buy food during Finland's devastating Great Famine. Maria Jemina Salo was in her early twenties, trying to survive in Helsinki's rougher districts, wearing a silver necklace her mother had given her. Guard Juho Rosted had worked at Kakola Prison for eleven years, with a pregnant wife expecting their fourth child—a daughter who would never know her father.Why This Case MattersMatti Haapoja's crimes fundamentally reshaped Finland's approach to criminal justice and prison security. His four successful escapes from Kakola Prison exposed critical weaknesses in the nation's penal system, earning the facility the mocking nickname "Pakola"—the escape prison. His case prompted a complete overhaul of prison architecture and security protocols throughout Finland. The investigation techniques developed to track him helped establish the framework for modern Finnish police procedures, while the case demonstrated how the Great Famine of 1866-1868, which killed 270,000 Finns, created conditions where desperate violence flourished.Content WarningThis episode contains descriptions of violent murders and suicide. Listener discretion advised.Key Case DetailsHaapoja's criminal career spanned three decades across two continents, leaving eight confirmed victims dead and exposing the limitations of 19th-century criminal justice systems across Finland and Siberia.• Timeline: First murder December 6, 1867, during Finland's Great Famine; sentenced to Siberian exile in 1880; returned to Finland September 1890; final escape attempt October 10, 1894; death by suicide January 8, 1895• Investigation: Haapoja's escapes revealed major security flaws in Finnish prisons; his capture after Maria Salo's murder came when his notorious reputation led to his recognition in Porvoo just days after the crime• Resolution: Sentenced to death in 1891 (automatically commuted to life imprisonment as Finland had abolished capital punishment in 1826); died by his own hand while awaiting trial for murdering Guard Juho Rosted• Historical Context: The puukkojunkkari (knife-fighter) culture of Southern Ostrobothnia shaped Haapoja's violent identity; his skeleton was displayed in the Finnish Museum of Crime for 99 years before burial in 1995Historical Context & SourcesThis episode draws on records from the National Museum of Finland, the National Biography of Finland, and the BiographySampo database. Prison museum collections preserve the tools of Haapoja's escapes—rope, wooden slats, and a floorboard with a drilled hole. Contemporary newspaper accounts from the 1890s, which sensationally compared his crimes to Jack the Ripper's London murders, provide crucial details about his final trial and death. The Circuit Court records of Hausjärvi from 1891 document his arrogant confession and the commutation of his death sentence.Resources & Further ReadingFor listeners interested in exploring this case and era further, these historically significant sources provide additional context:• The National Museum of Finland maintains archival materials on 19th-century Finnish criminal justice and the puukkojunkkari phenomenon• The Finnish National Biography database (Biografiakeskus) contains verified biographical details on Haapoja and his contemporaries• Academic research on the Great Famine of 1866-1868 illuminates the devastating conditions that shaped Haapoja's early crimesCall-to-ActionNext week on Foul Play: Francisco Guerrero Pérez terrorized Mexico City for decades, targeting women the newspapers refused to mourn. Subscribe now to follow Season 36: Serial Killers in History to its conclusion.Support this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brands

The third installment of our Charles Sumner episode covers how, two days after Charles Sumner delivered an incendiary speech before the senate, Representative Preston Brooks of South Carolina came into the Senate chamber and attacked Sumner at his desk. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

The second installment of our episode on Charles Sumner picks up in the wake of his controversial antiwar speech. He next argued a school integration case before the Massachusetts supreme judicial court. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

A mystery hidden in time. Wrapped in gold. Stowed secretly in Lincoln's pocket. We dig into the family story of a secret message etched inside Abraham Lincoln's pocket watch. Is this a tall tale or a hidden piece of history waiting to be discovered? Join us as we dive into this incredible tale of family lore, historical detective work, and the Smithsonian's decision to open a priceless artifact.  Guests: Lisa Kathleen Graddy, curator of American political history at the Smithsonian's National Museum of American HistoryHarry Rubenstein, curator emeritus in the Division of Political History at the Smithsonian's National Museum of American HistoryDoug Stiles, great-great-grandson of watchmaker Jonathan Dillon

The first installment of the deeper examination of Charles Sumner's life begins with his early years, including his close relationships with Henry Wadsworth Longfellow and Samuel Gridley Howe. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

Marjorie Merriweather Post is most often mentioned today as the person who built Mar-a-Lago. But she was a unique figure as a woman who helmed a huge corporation when she was still in her 20s in the early 20th century. Research: Britannica Editors. "C.W. Post". Encyclopedia Britannica, 22 Oct. 2025, https://www.britannica.com/biography/C-W-Post “C.W. Post a Suicide in California Home.” New York Times. May 10, 1914. https://timesmachine.nytimes.com/timesmachine/1914/05/10/100089022.pdf?pdf_redirect=true&ip=0 “The Diplomatic Legacy of Marjorie Merriweather Post.” National Museum of American Diplomacy. April 8, 2021. https://diplomacy.state.gov/stories/the-diplomatic-legacy-of-marjorie-merriweather-post/ Hillwood Estate, Museum & Gardens. https://hillwoodmuseum.org/ “Mrs. Marjorie Merriweather Post Is Dead at 86.” New York Times. Sept. 13, 1973. Gruson, Kerry. “Post Home for Sale for $20 Million.” New York Times. July 16, 1981. https://timesmachine.nytimes.com/timesmachine/1981/07/16/195929.html?pageNumber=59 Martin, Roland. "Marjorie Merriweather Post". Encyclopedia Britannica, 8 Sep. 2025, https://www.britannica.com/biography/Marjorie-Merriweather-Post Merolle, Guilhem. “Marjorie Merriweather Post’s most famous jewels.” Collectissim. Dec. 15, 2024. https://www.collectissim.com/en/marjorie-merriweather-post-most-famous-jewels/ Reid, Jan. “C.W. Post.” Texas Monthly. March 1987. https://www.texasmonthly.com/news-politics/c-w-post/ Stuart, Nancy Rubin. “American Empress: The Life and Times of Marjorie Meriweather Post.” Villard. 1995. Stuart, Nancy Rubin. “Marjorie Merriweather Post: The Philanthropic Heiress Who Built Mar-a-Lago.” Saturday Evening Post. November 14, 2023. https://www.saturdayeveningpost.com/2023/11/marjorie-merriweather-post-the-philanthropic-heiress-who-built-mar-a-lago/ See omnystudio.com/listener for privacy information.

Mary Golda Ross was the first Indigenous woman in the U.S. known to have become an engineer. Her impact on the field of aerospace engineering is hard to quantify, because much of her work is still classified. Research: Agnew, Brad. “Cherokee engineer a space exploration pioneer.” Tahlequah Daily Press. 3/27/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Agnew, Brad. “Golda’ Ross left teaching to support war effort.” Tahlequah Daily Press. 3/20/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Brewer, Graham Lee. “Rocket Woman.” Oklahoma Today. July/August 2018. Cochran, Wendell. “Cherokee Tear Dress Facts.” The People’s Paths. https://www.thepeoplespaths.net/Cherokee/WendellCochran/WCochran0102TearDressFacts.htm Hogner-Weavel, Tonia. “History of the Cherokee Tear Dress.” Cherokee Nation. Via YouTube. 9/15/2016. https://www.youtube.com/watch?v=90V5fM0DiMk Lake, Timothy. "Mary Golda Ross". Encyclopedia Britannica, 5 Aug. 2025, https://www.britannica.com/biography/Mary-Golda-Ross. Accessed 21 October 2025. Margolis, Emily. A. “Mary Golda Ross: Aerospace Engineer, Educator, and Advocate.” Smithsonian National Air and Space Museum. https://airandspace.si.edu/stories/editorial/mary-g-ross-aerospace-engineer Museum of Native American History. “Historic Trailblazer: Mary Golda Ross.” Via YouTube. 12/17/2020. https://www.youtube.com/watch?v=OzC14hGbPug National Park Service. “Mary G. Ross.” https://www.nps.gov/people/mary-g-ross.htm New Mexico Museum of Space History. “Mary Golda Ross: First Native American Aerospace Engineer.” Via YouTube. 3/31/2023. https://www.youtube.com/watch?v=IT9r5trwZEs Oklahoma Hall of Fame. “Mary Golda Ross Induction Ceremony Video.” 11/22/2023. https://www.youtube.com/watch?v=Bovabx6ITW4 Rosengren, Paul Lief. “Mary Golda Ross: She Reached for the Stars.” IEEE-USA and Paul Lief Rosengren. 2025. Schroeder, Mildred. “A Far-out Cherokee Chick.” San Francisco Examiner. 4/16/1961. Smith, Betty. “Pure Cherokee Gold.” Tahlequah Daily Press. 6/26/2008. https://www.tahlequahdailypress.com/archives/pure-cherokee-gold/article_44c0a25a-94e2-53d8-b80c-be1ff86305e7.html Viola, Herman. “Mary Golda Ross: She Reached for the Stars.” American Indian: Magazine of Smithsonian’s National Museum of the American Indian. Vol. 19, No. 4. Winter 2018. https://www.americanindianmagazine.org/story/mary-golda-ross-she-reached-stars Wallace, Rob. “Mary Golda Ross and the Skunk Works.” National World War II Museum. 11/19/2021. https://www.nationalww2museum.org/war/articles/mary-golda-ross-and-skunk-works Watts, Jennifer. “John Ross: Principal Chief of the Cherokee People.” Tennessee State Museum. https://tnmuseum.org/junior-curators/posts/john-ross-principal-chief-of-the-cherokee-people Yang, John. “The cutting-edge work of Native American aerospace engineer Mary Golda Ross.” 11/26/2023. https://www.pbs.org/newshour/show/the-cutting-edge-work-of-native-american-aerospace-engineer-mary-golda-ross Zhorov, Irina. “Years Later, Miss Indian America Pageant Winners Reuniteg.” NPR Code Switch. 7/12/2013. https://www.npr.org/sections/codeswitch/2013/07/12/201537264/Years-Later-Miss-Indian-America-Pageant-Winners-Reunite See omnystudio.com/listener for privacy information.