Podcasts about Obie Award

DONNA TRINKOFF – Artistic Producer - of Amas Musical Theatre, a non-profit performing arts organization in New York City devoted the creation, development and production of new musicals and to the training and encouragement of inner-city young people. Since 1994, Donna has produced the original musicals Broadway and the Bard, starring Len Cariou, Red Eye of Love, The Other Josh Cohen, Triassic Parq! Wanda's World, Shout! The Mod Musical, Lone Star Love, Magpie, Stormy Weather: The Lena Horne Story, Zanna, Don't!, Latin Heat, From My Hometown, Langston Hughes' Little Ham, 4 Guys Named José, Rollin' on the T.O.B.A., among others, and she has presented over 90 original musicals in the Amas Musical Theatre Lab. As Starry Night Productions, Donna presented the Off-Broadway premiere of SILENCE! The Musical (Christopher Gattelli, Hunter Bell, Jon & Al Kaplan), the unauthorized parody of the iconic film “The Silence of the Lambs” to critical acclaim, sold-out houses and a two-year run. SILENCE! won the Off Broadway Alliance Award and the Obie Award for Best Musical and was named as one of the 'Top 10 Plays of the Year' by TIME Magazine. The original cast album has been released on Sh-K-Boom Records. Donna was an associate artistic director at the Cabaret and Performance Conference at the Eugene O'Neill Center in CT and worked with Aruba Productions on new and upcoming musicals. She holds a BA in English and Theatre from SUNY Binghamton, is a graduate of the National Theatre Institute, and she received a Certificate of Merit from the Drama Studio in London. Donna is a member of the League for Professional Theatre Women. She is a recipient of the New York Municipal Art Society Award of Merit and the Galaxy Award from the NY Women's Association.  Amas Musical Theatre is a non-profit, multi-ethnic theatrical organization founded in 1968 by Ms. Rosetta LeNoire. Amas (“you love” in Latin) is devoted to the creation, development and professional production of new American musicals, the celebration of cultural equity and minority perspectives, the emergence of new artistic talent, and the training and encouragement of underserved young people. Amas celebrates its impact in pioneering multi-ethnic casting in the American Theatre and reiterates its commitment to this reflection of our diverse society.​Amas Musical Theatre commits its work to: Contributing to the vitality of the American Musical Theatre - a unique American esthetic expression -- through the creation, development and professional production of original musicals.​Bringing creative, musical theatre to the American education system, and enhancing the experience of students.​Encouraging tolerance and civility among people of our diverse society by bringing them together through the art of musical theatre.​Audiences are built by bringing both children and other community members into Amas with free performances and free ticket programs. Amas actively combines artists and audience members from every possible racial, ethnic and religious background, bringing them together to work and learn from each other.​For 50 years, Amas has engraved its unique trademark on the world of musical theatre. We produce quality musical theatre presenting different cultural viewpoints, while reaching out to underserved audiences. Amas attracts actors and artists of distinction and reputation, while offering opportunities for new talent to learn and develop.

Ryan J. Haddad is an actor and playwright whose work across theater and television consistently challenges outdated narratives around disability, queerness and identity. He made a striking Off-Broadway playwriting debut with “Dark Disabled Stories” at The Public Theater, which enjoyed a sold-out, extended run and earned him the Obie Award for Best New American Play. His autobiographical solo show “Hi, Are You Single?” has become a defining part of his artistic voice, touring nationally and earning critical acclaim. Ryan's television credits include memorable appearances on Hulu's “A Murder at the End of the World” and Netflix's “The Politician.”In addition to performing, Haddad is a dedicated writer and access advocate. His essays have appeared in The New York Times and Out Magazine, and he is a contributor to the anthology “Disability Intimacy,” curated by Alice Wong. His creative work and activism have earned him a Drama Desk Award, a Paula Vogel Playwriting Award from Vineyard Theatre and a Disability Futures Fellowship. He is also a proud alum of the Public Theater's Emerging Writers Group.In this interview, conducted just a few days before he premiered his latest solo piece, “Hold Me in the Water,” at Playwrights Horizons in New York City, Ryan reflects on the pivotal experiences that shaped his journey as an artist, from performing fairy tales in his childhood living room to commanding major stages and screens. He speaks candidly about navigating the entertainment industry as a gay man with cerebral palsy, building a career on his own terms and advocating for authentic representation and accessibility in the arts.https://www.ryanjhaddad.com/https://www.playwrightshorizons.org/about/production-history/2020s/2425-season/hold-me-in-the-water

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

Katie checks in with director (Grangeville, Uncle Vanya, The Animal Kingdom, This Beautiful Future, Obie Award winner), Jack Serio.

Winner of the Obie Award for Excellence in Playwriting and the Outer Circle Critics Award for Outstanding New Off-Broadway Play Twenty years ago, Pastor Paul's church was nothing more than a modest storefront. Now he presides over a congregation of thousands. But Paul is about to preach a sermon that will shake the foundations of his church's belief. A big-little play about faith in America This award-winning play masterfully examines the price of conviction and the complexities of changing one's mind. Lucas Hnath's works include A DOLL'S HOUSE, PART 2 and HILLARY AND CLINTON which were produced on Broadway at the John Golden Theatre. "A smart, stimulating play…Mr. Hnath grants his characters the dignity of sincere belief, even as his play raises probing questions. Mr. Hnath is quickly emerging as one of the brightest new voices of his generation.” — New York Times This is the company's second production of a Lucas Hnath play. In 2017 NHTC mounted a critically acclaimed production of Hnath's A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY. THE CHRISTIANS is directed by Deena Nicol-Blifford, who appeared in the NHTC hit production of CRY IT OUT last season and whose prior directing credits with the company include Conor McPherson's THE SEAFARER. The cast includes company members Susan Kulp, Margaret Mann, Marty Tucker, and J. Kevin Smith, and visiting artist Gavin Whelan. ​​Performances for THE CHRISTIANS will take place on the NHTC Stage in the back of EBM Vintage, 839 Chapel Street, New Haven. Performance dates are February 27 and March 6 at 7:30 p.m., and February 28, and March 1, 7, and 8 at 8 p.m. Tickets are $25. https://www.newhaventheatercompany.com/

A ground-breaking ninety-minute new musical, Night Side Songs explores the intimacy of illness, mortality, and the incredible dignity of caregivers through the story of Yasmine Holly, a fictional character informed by interviews with real doctors, hospital staff, and patients, many from right here in Philadelphia. Night Side Songs is a musical convergence which reflects and celebrates Philly's “eds and meds” community with humor, grace, and profound empathy. The production will tour local hospitals, community centers, and places of worship for two weeks before its run at the Suzanne Roberts Theatre. Directed by Artistic Director Taibi Magar. Night Side Songs is supported by The Pew Center for Arts & Heritage.Taibi Magar is an Artistic Director of Philadelphia Theatre Company. As a freelance director, her most recent credits are We Live in Cairo (A.R.T. world premiere, upcoming at New York Theatre Workshop), The Half-God of Rainfall (New York Theatre Workshop and A.R.T.), Macbeth in Stride (co-direction with Tyler Dobrowsky), Help (The Shed), and Twilight: Los Angeles, 1992 (Signature Theatre and A.R.T., Lortel Award Best Revival). Other New York credits include Capsule by Whitney White and Peter Mark Kendall (Under the Radar Festival/The Public Theater, co-directed with Tyler Dobrowsky), Blue Ridge starring Marin Ireland and The Great Leap starring BD Wong (Atlantic Theater Company); Is God Is (Soho Rep, 2018 Obie Award;) Master (The Foundry); and Underground Railroad Game (Ars Nova, Obie Award). Regional: CTG, Woolly Mammoth Theatre, Shakespeare Theatre, Alley Theatre, The Guthrie Theater, and Seattle Repertory Theatre, among others. International: Hamburg Festival, Edinburgh Festival, Malthouse Theatre (Melbourne), and Soho Theatre (London). MFA: Brown University.Daniel and Patrick Lazour are brothers and music theater writers. Projects in development include a musical adaptation of Ritesh Batra's film The Lunchbox (Lincoln Center Theater) and their show with communal singing, Night Side Songs (Under the Radar, A.R.T./PTC co-production). They wrote original music for Caroline Lindy's debut feature Your Monster (Sundance 2024) and their movie musical Challenger: An American Dream is being developed with Bruce Cohen Productions and Spark Features. Their original musical We Live in Cairo makes its off-Broadway premiere this Fall at New York Theater Workshop after a world premiere at the American Repertory Theater in 2019, directed by Taibi Magar. Original songs by the Lazours can be heard on their independently released albums: Freres, Flap My Wings (Songs from We Live in Cairo), Beth's Homemade Cowboy Breakfast and Lullabies. They are Jonathan Larson Grant and Richard Rodgers Award recipients, MacDowell and Yaddo Fellows, and New York Theater Workshop Usual Suspects. They have worked with Noor Theatre Company, Ars Nova and PAC NYC, and are proud teaching artists. Patrick holds a B.A. from Boston College and Daniel holds a B.A. from Columbia University. @frereslazourFOR MORE INFORMATION: https://philadelphiatheatrecompany.org/night-side-songs/

We're taking a bit of a pivot here at the podcast factory with this one, pinching from the season-opening episode of Writer's Bone, our flagship podcast at the Writer's Bone Podcast Network.  “As Told To” producer and Writer's Bone host and founder Daniel Ford featured a conversation with the writing team of Hannah Bos and Paul Thureen, co-creators of the enchantingly poignant HBO series “Somebody Somewhere,” starring actress/comedian Bridget Everett—a conversation that brushed up against so many relatable aspects of collaborative writing that we decided to rebroadcast it (to re-podcast it?) here.  “Somebody Somewhere” ended its three-season run in December, shortly after the creators sat with Daniel Ford to discuss the series—hailed by The Los Angeles Times as “epic television”—and we were charmed by their conversation, inviting listeners behind the scenes to reflect on how the show came about, and the singular place it now holds in the annals of bittersweet television.    Paul Thureen is a founder and co-Artistic Director of The Debate Society, a Brooklyn-based theater company.  He received an OBIE Award for his performance in the company's Blood Play. Hannah Bos, also a founder and co-founder of the company, received a Drama Desk Award for her performance in the Signature Theater Company's production of Will Eno's The Open House. Together, they have written for “Mozart in the Jungle” and “High Maintenance,” and developed pilots for HBO, FOX, Amazon and Paramount.  “This has been a dream come true,” Hannah reflected on the duo's “Somebody Somewhere” run as the series came to a close. “It was a dream that they made the pilot. It was a dream that they made the first season, the second season, the third season. And it was a dream that we made it with really fun, good people. So I hope we can do it again.” Paul's reflections were a little less…well, reflective, as he shared what it was like to write for a group of midwestern-ish characters who weren't used to talking about their feelings. “If it gets a little too real,” he said, of the pain and heartache that could often be found at the show's core, “then you have to make a fart joke.”  Indeed.  Learn more about Hannah Bos and Paul Thureen: “Somebody, Somewhere” Season Three Trailer Hannah Bos Website Paul Thureen Instagram The Debate Society Please support the sponsors who support our show: Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

In Episode 21, Mark-Eugene and David celebrate both their milestone 21st episode and the brilliance of Shaina Taub's As You Like It and Twelfth Night. They welcome an incredible lineup of guests, including Obie Award-winning, Emmy-nominated songwriter, and two-time Tony winner Shaina Taub, alongside Tony-nominated moderator Ato Blankson-Wood. The conversation explores Twelfth Night, a rousing contemporary musical adaptation of Shakespeare's classic comedy of mistaken identity and self-discovery, as well as As You Like It, a folk-pop, immersive dream-like tale of faithful friends, feuding families, and lovers in disguise. Later, Mark-Eugene and David dive into David's viral moment at Cabaret after his open letter to Adam Lambert. Join the celebration of theatre and the magic it creates! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hell's Kitchen wins the Grammy, Cole / Cats / Salesman bring home 2025 Obie Awards, JLo KISSed at Sundance. After the news, Matt chats with Gracie Hyland and Gretchen Cryer about the upcoming concert and recording release of ‘House on Fire’ Since 2016, “Today on Broadway” has been the first read more The post Today on Broadway: Monday, February 3, 2025 appeared first on BroadwayRadio.

Neil Berg's latest musical The Sabbath Girl: The Musical, written with book writer/co-lyricist Cary Gitter, just finished an incredible, sold-out run at The Penguin Repertory Theatre (directed by Joe Brancato), before transferring to NYC for a six-week summer run Off-Broadway at 59 East 59th Theaters to rave reviews. The Original Off-Broadway Cast Recording of The Sabbath Girl: The Musical is available on Centerstage Records. Producers are now in the process of moving the show for an open-ended commercial run. Neil is the composer/co-lyricist, along with Pulitzer Prize/TONY-winning playwright Robert Schenkkan, of the award-winning new musical The 12, which just finished a very successful pre-Broadway tryout to critical and audience acclaim at the Goodspeed Opera House, directed by TONY award-winning director John Doyle, produced for Broadway by Cody Lassen & Joe Grano. The 12 previously ran at The Denver Center to unanimous rave reviews and won the 2015 HENRY Award for best new play or musical. Original Cast recording will be available in the winter of '24. Broadway opening anticipated in 2025/2026 season. Neil is currently in development as the composer of the new Broadway-bound musical version of My Cousin Vinny, based on the iconic movie, with book/lyrics by original screenwriter, Dale Launer. Neil has a new commissioned musical, How My Grandparents Fell in Love, opening in July of '25 at The NJ Rep Theater, collaborating again with book writer/co-lyricist Cary Gitter, directed by Artistic Director SuzAnne Baribas. Neil's other new musical, Charlie Hustle, with book/lyrics by Ryan Noggle, is about controversial baseball icon Pete Rose and the story of his gambling addiction that led to his downfall. Charlie Hustle will have its first developmental production in Detroit, Michigan in the fall of '24. Neil is the composer for the popular musical version of Grumpy Old Men: The Musical, based on the Warner Brothers movie classic starring Jack Lemmon and Walter Matthau, which had its official U.S. Premiere at The Ogunquit Playhouse in Maine to rave reviews, and La Mirada Theater in LA, starring Cathy Rigby. Other actors include F. Murray Abraham, TONY Award winner George Hearn, Marilu Henner, and Carole Kane. It is currently produced/licensed at many regional & community theaters across the United States. Licensing rights are with TRW (Theatrical Rights Worldwide). The Original Cast Recording of Grumpy Old Men: The Musical is available on Centerstage Records. Neil Berg is also the composer/lyricist of the hit Off-Broadway musical The Prince and the Pauper, which ran for two years at the Lambs Theater in New York City. The New York Times raved that The Prince and the Pauper "[soars] on wings of theatrical fun." The original cast CD is released internationally on Jay Records, sheet music published by Hal Leonard, and licensing by Samuel French Inc. Songs from this show are also featured with many other classic songs in the official Off-Broadway Songbook, published by Hal Leonard. CARY GITTER is the playwright-in-residence at Penguin Rep Theatre in Stony Point, New York. His plays include THE STEEL MAN (Penguin Rep); GENE & GILDA (George Street Playhouse, Penguin Rep); THE VIRTUOUS LIFE OF JOSEPH ANDREWS (Penguin Rep), adapted from the Henry Fielding novel; and THE SABBATH GIRL (off-Broadway, 59E59 Theaters; Penguin Rep; Invisible Theatre; Theatre Ariel; published by Stage Rights). His musicals include THE SABBATH GIRL (59E59, Penguin Rep) and HOW MY GRANDPARENTS FELL IN LOVE (New Jersey Repertory Company), both written with composer/co-lyricist Neil Berg. His play HOW MY GRANDPARENTS FELL IN LOVE was a New York Times Critic's Pick as part of the Ensemble Studio Theatre's (EST's) 36th Marathon of One-Act Plays. It was later recorded for the acclaimed podcast Playing on Air, as was his one-act THE ARMY DANCE. He has received commissions from the EST/Alfred P. Sloan Foundation Science & Technology Project, Penguin Rep, and West of 10th. He is an alumnus of EST's Obie Award-winning Youngblood playwrights' group. His full-length plays have been developed by the Berkshire Playwrights Lab, the Chameleon Theatre Circle, the Cincinnati Playhouse in the Park, EST, the Jewish Ensemble Theatre, the Jewish Plays Project, the Levine Jewish Community Center, NJ Rep, NYU, Seven Angels Theatre, West of 10th, and Wordsmyth Theater Company. He is a three-time O'Neill semifinalist and a two-time Jewish Playwriting Contest finalist, and he has received NYU's John Golden Playwriting Prize and honorable mentions for the New England Theatre Conference's Aurand Harris Memorial Playwriting Award and the Kennedy Center's Rosa Parks Playwriting Award.

pWotD Episode 2799: Linda Lavin Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 357,593 views on Monday, 30 December 2024 our article of the day is Linda Lavin.Linda Lavin (October 15, 1937 – December 29, 2024) was an American actress and singer. Known for her roles on stage and screen, she received several awards including three Drama Desk Awards, two Golden Globe Awards, two Obie Awards, and a Tony Award as well as nominations for a Daytime Emmy Award and a Primetime Emmy Award. She was inducted into the American Theater Hall of Fame in 2010.After acting as a child, Lavin joined the Compass Players in the late 1950s. She made her television debut in Rhoda and had a recurring role in Barney Miller (1975–1976). She gained notoriety for playing the title role of a waitress at a roadside diner in the CBS sitcom Alice (1976–1985), a role for which she was nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series and won two consecutive Golden Globe Awards for Best Actress – Television Series Musical or Comedy. She later starred in NBC's sitcom Sean Saves the World and the CBS sitcom 9JKL and took recurring roles in the legal drama The Good Wife (2014–2015) and the sitcom B Positive (2020–2022). She was set to star in Hulu sitcom Mid-Century Modern at the time of her death with a pilot and ten of thirteen episodes filmed and to premiere in 2025. The production team issued a statement but plans for re-cast have yet to be determined.On stage, she won the Tony Award for Best Actress in a Play playing a strong-willed mother in the Neil Simon play Broadway Bound (1987). She was Tony-nominated for her roles in Last of the Red Hot Lovers (1970), The Diary of Anne Frank (1998), The Tale of the Allergist's Wife (2001), Collected Stories (2010), and The Lyons (2012). She is also known for acting in It's a Bird... It's a Plane... It's Superman (1966), On a Clear Day You Can See Forever (1967), Gypsy (1990), The Sisters Rosensweig (1993), and Follies (2011). She made her film debut in Damn Yankees! (1967) and later had roles in The Morning After (1974), The Muppets Take Manhattan (1984), I Want to Go Home (1989), and Being the Ricardos (2021).This recording reflects the Wikipedia text as of 01:53 UTC on Tuesday, 31 December 2024.For the full current version of the article, see Linda Lavin on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joanna.

2024 has been the year of the iconic lovers Romeo and Juliet, and director Sam Gold has brought a bold new production of the timeless tragedy to Broadway. With a fresh, contemporary approach, Gold transforms Shakespeare's classic love story into an immersive experience that features a dynamic young cast led by Rachel Zegler (West Side Story) and Kit Connor (Heartstopper) and an innovative score by Grammy-winning musician Jack Antonoff, blending live music seamlessly into the action. Gold discusses how he re-envisioned the play for today's world, capturing the urgency and intensity of youth while staying true to the emotional heart of the original. He reflects on the challenges and joys of reinterpreting a well-known story and shares the creative process behind staging a Romeo and Juliet that feels relevant to a whole new generation of theatergoers, many of whom may be seeing their first Broadway. Sam Gold is a Tony Award-winning director with an extensive Broadway and theater resume. His Broadway credits include An Enemy of the People (this season) with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll's House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home (Tony Award), The Real Thing, The Realistic Joneses, and Seminar. Recent credits include Hamlet at The Public Theater, Othello at New York Theatre Workshop, The Flick (Lucille Lortel Award nomination) at Playwrights Horizons, Barrow Street Theatre, and the National Theatre, The Glass Menagerie (Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nominations), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among many others. From the Shakespeare Unlimited podcast. Published December 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Kiki Smith, a professor from the theater department at Smith College, joins the “Photo Detective” podcast to discuss her unique journey with the Smith College Historic Clothing Collection. Initially joining the department temporarily, Smith found herself organizing a chaotic costume storage area into a vital educational and research resource. Her book “Real Clothes, Real Lives” documents 200 years of women's everyday attire using items from this collection. With a focus on ordinary garments rather than high fashion, Smith emphasizes the stories and social history these clothes tell. Her efforts have transformed the collection into a recognized academic and historical resource, gaining attention for its unique focus and prompting further institutional support.Her book, “Real Clothes, Real Lives,” explores 200 years of women's attire, focusing on garments from everyday life.Smith's work highlights the importance of preserving ordinary clothing for educational and historical insights.The collection started modestly but grew through contributions and Smith's persistent efforts to catalog and display the items.There is currently an exhibit of clothing from the collection at New York Historical Related Episodes:Episode 181: Clothing Care at the New Canaan Historical Society Episode 135: Stitch by Stitch: Saving Historic Clothing a Piece at a Time with Conservator Maria VasquezLinks:Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help preserving your photos? Check out Maureen's Preserving Family Photographs ebook Need help identifying family photos? Check out The Family Photo Detective ebookHave a photo you need help identifying? Sign up for photo consultation.About My Guest:Kiki Smith is the Director of the Smith College Historic Clothing Collection that was founded 42 years ago by a student and is based there in the basement of the Theatre Building near the Costume Shop. The collection now numbers over 4000 pieces.  Her book Real Clothes, Real Lives: 200 Years of What Women Wore (Rizzoli), published this September, documents garments and accessories that are what she calls “real” clothes worn by “real” women for all aspects of their lives.  She is also a professional costume and set designer, working with theatre companies including Shakespeare & Co. in Lenox, Ma and the Talking Band in New York, and received an Obie Award for a production with that company.About Maureen Taylor:Maureen Taylor, The P I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

DAPHNE RUBIN-VEGA BIO  Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix).  A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman.  ELIZABETH RODRIGUEZ BIO  An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under.  Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company.  ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th  Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood.  Here's the trailer:   Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Christopher Akerlind, has designed lighting, and occasionally scenery, for over 650 productions of theater, opera, and dance across the U.S. and around the world, including 24 shows on Broadway. Chris's recent work includes Waiting for Godot at Theatre for a New Audience, Lynn Nottage's play Clyde's on Broadway and at the Mark Taper Forum, The Light in the Piazza, for which he won his first Tony, Paula Vogel's play Indecent, winning him both the Tony and Drama Desk Awards, Rocky the Musical, which garnered him a Tony nomination, Sting's musical The Last Ship, and The Gershwin's Porgy and Bess, for which he was also Tony nominated. Among Chris's other Broadway lighting designs are: August Wilson's The Piano Lesson and Seven Guitars, Talk Radio, and the musical, Waitress.Chris's numerous shows not on Broadway include: Scene with Cranes for CalArts Center for New Performance; the premiere of M Butterfly for the Santa Fe Opera; and Martha Clarke's devised pieces God's Fool, Angel Reapers, and Cheri. Chris has also received an Obie Award for Sustained Excellence, four Drama Desk Awards, the Michael Merritt Award for Design and Collaboration, two Chicago area Joseph Jefferson Awards, as well as numerous nominations for the Drama Desk, Lucille Lortel, and Outer Critics Circle Awards.Chris has taught lighting design at schools like Cal Arts, USC, CMU, and his alma mater, Yale.

Julian Schlossberg (2 Oscar Noms, 2 Primetime Emmy Noms, 6 Tony Awards, 2 Obie Awards, 7 Drama Desk Awards, 5 Outer Critic Circle Awards) and club promotions manager, artist, DJ, producer extraordinaire Mark Loverush join us on this episode of The Jimmy Star Show with Ron Russell broadcast live from the W4CY studios on Wednesday, August 28th, 2024.Our Sponsors:* Check out BetterHelp: betterhelp.com/JIMMYSupport this podcast at — https://redcircle.com/the-jimmy-star-show-with-ron-russell9600/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our: Guest: Heather Alicia Simms (Actor/Educator ) Follow/Contact IG: @bkjamchild X: @HeatherASimms __ __ Our: Guest: Heather Alicia Simms (Actor/Educator ) IG: @bkjamchild X: @HeatherASimms__Heather Alicia Simms is a multifaceted talent, renowned for her compelling performances on stage, screen, and in voiceover. Raised in Brooklyn, New York, she is a trailblazer, being the first in her Jamaican family to be born in the United States. Her journey through the public school system ignited her passion for the arts, leading to a dynamic career spanning theater, film, and television. Heather's theatrical prowess has graced both Broadway and acclaimed off-Broadway productions. Notably, she captivated audiences in Theater for a New Audience's "Des Moines" and Soho Rep's Pulitzer Prize-winning production, "Fairview," earning accolades for her role. Under Lynn Nottage's residency at The Signature Theatre, Heather delivered powerful performances in "Fabulation" and "By The Way, Meet Vera Stark," winning a prestigious 2019 Obie Award. --Simms has appeared in a number of Broadway and Off-Broadway productions, including Ma Rainey's Black Bottom , A Raisin in the Sun and Gem of the Ocean. Her film credits includes Broken Flowers (2005), The Nanny Diaries (2007), and The Light of the Moon. She also provided voice acting for All the Beautiful Things, Red Dead Revolver, Grand Theft Auto: San Andreas, Grand Theft Auto: The Ballad of Gay Tony and Mafia III. Simms guest-starred in a number of television series, including Homicide: Life on the Street, Law & Order, Law & Order: Criminal Intent, Third Watch, and The Good Wife. She had recurring roles in the Netflix series Luke Cage in 2018 playing Auntie Ingrid, and in the Oprah Winfrey Network prime time soap opera The Kings of Napa as Yvette King in 2022. —----Join the conversation LiveChat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : www.youtube.com/ProfessorSoraMusic ** OneMicNite Theme Song "Chance" & Background Song "Kanye" Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis and www.MarcosLuis.com —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www.Anchor.fm/onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com ****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

This week Johnny C has a special guest from his early days at NYU and the New York City theater. Eric Bogosian is one of the most prolific actors/playwrights today. You may have seen him recently on Anne Rice's Interview With A Vampire.   Eric Bogosian was born in Boston and grew up in Woburn, Massachusetts. After graduating from Woburn Memorial High School in 1971, he attended the University of Chicago and graduated from Oberlin College in 1976, whereupon he moved to New York City. In New York he was hired by the Kitchen as an assistant, established a dance series there and after five years left to devote all his energies to his theater work. Between 1976 and 1982, Bogosian wrote, directed and/or starred in over sixteen productions Off-Off-Broadway. In 1982, he toured the Midwest with Fab Five Freddy and the Rock Steady Crew.   In the early 1980's Eric Bogosian became well-known in New York for his intense one-man theater pieces, winning the Obie Award three times as well as the Drama Desk Award. In 1983, after attending one of his one-man shows, Larry Cohen cast Bogosian as the homicidal director in his low-budget film Special Effects (1984). Four years later, Bogosian's Pulitzer-nominated play, (in which he also starred), "Talk Radio" caught the attention of the greater film world. Robert Altman cast Bogosian in his film of The Caine Mutiny Court-Martial (1988) while producer Edward R. Pressman obtained the rights to the play and brought it to director Oliver Stone. Stone and Bogosian adapted the play script to film script, Bogosian again played the lead and the film of Talk Radio (1988) opened in December 1988. Bogosian received the prestigious "Silver Bear" at the 1989 Berlin Festival for his work on the film.   After the release of "Talk Radio", Bogosian worked regularly as an actor in film and television while remaining very active in the theater. 1994 was a banner year in which Bogosian co-starred with Steven Seagal in Under Siege 2: Dark Territory (1995) as the diabolical "Travis Dane", was featured in Dolores Claiborne (1995), staged another one-man show Off-Broadway and authored the play, "subUrbia" directed by Robert Falls and produced by Lincoln Center Theater, ("subUrbia" was adapted for film by director Richard Linklater). Around this time, Bogosian would also cameo appearances in Woody Allen's Deconstructing Harry (1997), Atom Egoyan's Ararat (2002), Cindy Sherman's Office Killer (1997) and Mike Judge's Beavis and Butt-Head Do America (1996).   In the 1990's Bogosian continued to write for film and TV, adapting his own work as well as receiving assignments from studios. He began to write for television when he was invited to co-create a show for Steven Spielberg: High Incident (1996) in 1996. As an actor, in 2003, he co-starred with Val Kilmer as the notorious Eddie Nash in James Cox's Wonderland (2003). In 2006 he was invited onboard Law & Order: Criminal Intent (2001) as Captain Danny Ross (where he appeared in over sixty episodes).   In 2010, Bogosian starred on Broadway in Donald Margulies' "Time Stands Still" with Laura Linney, Brian d'Arcy James, Alicia Silverstone and Christina Ricci.   In 2013, Bogosian created a website featuring his numerous monologues performed by notable actors. Visit 100monologues.com to view the complete catalog of over 75 monologues.   More recently, Bogosian landed a series of featured television roles on Netflix's The Get Down (2016), Showtime's Billions (2016) and as Senator Gil Eavis on HBO's Succession (2018).   Bogosian has been featured in Josh Safdie and Benny Safdie's Uncut Gems (2019) (starring Adam Sandler).   In addition to his numerous plays, Bogosian is the author of three novels "Mall", "Wasted Beauty" and "Perforated Heart." His non-fiction history, Operation Nemesis: The Assassination Plot that Avenged the Armenian Genocide was published by Little, Brown in 2015.   He lives in New York City with his wife, director Jo Bonney with whom he has two children; Travis Bogosian and Harry Bogosian Produced by John C McGinleye and Angie Quidim  Copyright TME Productions 2023-2024 all rights reserved  May not be used without permission.  Contact connectivetissuejcm@gmail.com

Christopher Chen (winner of a 2024 Windham Campbell Prize for Playwriting) joins Michael Kelleher to talk about the eternally fascinating Jorge Luis Borges story, ""Tlön, Uqbar, Orbis Tertius." Timelines slip, worlds collide, and Borges's lasting impact is felt. Reading list:  "Tlön, Uqbar, Orbis Tertius" by Jorge Luis Borges • Italo Calvino • Rosicrucianism • Caught by Christopher Chen • Borges, Between History and Eternity by Hernán Díaz For a full episode transcript, click here. Christopher Chen is the author of more than a dozen formally innovative and politically provocative plays, including, most recently, The Headlands (2020) and Passage (2019). The recipient of a United States Artists USA Fellowship (2021), a Steinberg Playwright Award (2020), and an Obie Award for Playwriting (2017), among many other honors, Chen holds a BA from the University of California, Berkeley, and an MFA in playwriting from San Francisco State University. He lives in California. The Windham-Campbell Prizes Podcast is a program of The Windham-Campbell Prizes, which are administered by Yale University Library's Beinecke Rare Book and Manuscript Library.

Jim and award-winning actor and writer Martin Moran conclude their discussion into “Baby Reindeer” Martin Moran wrote the OBIE Award winning “The Tricky Part” and “All The Rage” and starred in the Broadway musical “Titanic.”

The Tonys are coming up! And Backstage Babble is giving you the perfect way to celebrate. On this episode, I am joined by Eila Mell, the author of the wonderful new book “The Tony Awards: Celebrating Excellence in the Theater,” a must-have for any theater fan, and Heather Hitchens, the CEO of the American Theater Wing, which presents the Tonys every year. Tune in for some fascinating anecdotes and insights, including how the legacy of Antoinette Perry influences the Tony Awards later on, how the Obie Awards were incorporated into the American Theater Wing, the Tony nominee that was hardest to track down for an interview, the many photo collections that were used in creating the book, the best Tony performances and biggest upsets from over the years, a last minute pedi-cab incident in getting to the ceremony, the logistics of choosing a host and a venue, the beauty of the Working in the Theater series, the Tony-nominated theater writers who received the Wing's Jonathan Larson grant (and one who didn't!), the experience of watching all the awards ceremonies, and so much more. Don't miss this fascinating insider glimpse into the biggest night of the season!

Jim delves further into “Baby Reindeer” With his good friend, Martin Moran, award-winning Writer, Actor and Advocate. Join them for this enlightening conversation…Martin Moran wrote the OBIE Award winning “The Tricky Part” and “All The Rage” and starred in the Broadway musical “Titanic.”

This episode we are joined by two time Obie Award winner, Brenda Wehle!  Brenda is currently starring in Mary Jane at MTC and has a long career not only in theater but tv and film as well.  We talk with Brenda about Mary Jane, her experience with the show and what she hopes the audience takes away from it.  We also talk to her about some of her career highlights, the importance of theater etiquette and much more!Don't miss seeing Brenda in Mary Jane at MTC until June 30th!

One of the shows Mickey-Jo recently saw during his recent two week trip to New York was SUFFS, the brand new Musical currently playing at the Music Box Theatre on Broadway. This is Mickey-Jo's ★★★★★ review of the musical. Suffs, the six-time Tony Award-nominated musical from Shaina Taub about the lives and legacies of unsung changemakers in the women's suffrage movement of 1920, is marching onto Broadway with producers Hillary Rodham Clinton and Malala Yousafzai. Just about century ago, the Nineteenth Amendment secured the voting rights of some women, largely thanks to key figures of the women's suffrage movement: Inez Milholland, Ida B. Wells, and Alice Paul, to name a few. However, this movement was not without its faults. With an honest, 21st-century lens, the Suffs musical examines both the crucial building blocks and the cracks in the foundation of the women's suffrage movement through the women that pioneered it. With a book and score by fast-rising composer Shaina Taub (also known for collaborating with Elton John on The Devil Wears Prada musical), Suffs off Broadway brings forth an exciting new voice in musical theatre. Taub now makes her Broadway debut after winning the 2014 recipient of the esteemed Jonathan Larson Award and earning acclaim with her work composing and starring in the Public's Twelfth Night and As You Like It musical adaptations. Tony Award nominee and two-time Obie Award winner Leigh Silverman (Violet) directs Suffs on Broadway. Alongside Taub in the cast is Tony Award winner Nikki M. James as Ida B. Wells, Tony Award nominee Jenn Colella as Carrie Chapman Catt, Grace McLean as President Woodrow Wilson, Hannah Cruz as Inez Milholland, Kim Blanck as Ruza Wenclawska, Anastacia McCleskey as Mary Church Terrell, Ally Bonino as Lucy Burns, Tsilala Brock as Dudley Malone, Nadia Dandashi as Doris Stevens, and Tony Award nominee Emily Skinner as Alva Belmont/Phoebe Burn. Rounding out the company are Hawley Gould as the Alternate for Alice Paul, Jaygee Macapugay as Mollie Hay, and Laila Drew as Phyllis Terrell/Robin. The ensemble will feature Dana Costello as well as Jenna Bainbridge, Monica Tulia Ramirez, and Ada Westfall making their Broadway debuts. The cast will also include Christine Heesun Hwang, Kirsten Scott , Housso Semon , and D'Kaylah Unique Whitley. • 00:00 | introduction 02:14 | overview / synopsis 07:02 | the material 15:38 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Jeremy Shamos was nominated for a Tony Award for his performance in the Pulitzer Prize winning play CLYBOURNE PARK, for which he also received Lucille Lortel Award and Drama League Award nominations. His other stage appearances include the Broadway productions of Steve Martin's METEOR SHOWER, Michael Frayn's NOISES OFF, Richard Greenberg's THE ASSEMBLED PARTIES, and David Mamet's GLENGARRY GLEN ROSS, as well as the off-Broadway productions of the original GUTENBERG! THE MUSICAL, IF I FORGET (Drama Desk Award nomination), ANIMALS OUT OF PAPER (Drama Desk Award nomination), THE QUALMS, THE COMPLETE WORKS OF SHAKESPEARE (ABRIDGED), DINNER WITH FRIENDS (Lucille Lortel Award), and ENGAGED, for which he received the Obie Award. He appeared most recently on stage in Stephen Sondheim's final musical HERE WE ARE. His work on film and television has provided the opportunity to collaborate on many acclaimed features, including MA RAINEY'S BLACK BOTTOM, BAD EDUCATION, THE BIG SICK, and BIRDMAN, and many prestigious series including THE HANDMAID'S TALE, BETTER CALL SAUL, SUCCESSION, DEAD RINGERS, NURSE JACKIE, and FOSSE/VERDON. For his recurring roles as part of the ensembles of both THE GILDED AGE and ONLY MURDERS IN THE BUILDING, he earned SAG Award nominations for his work on both award winning series. An MFA graduate of New York University, he resides with his family in Brooklyn. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shannon Tyo (2023 Obie Award for Sustained Excellence) is a prolific and versatile actor who can take on just about any role. She shares her experience as a transracial, transnational adoptee, and how the mysterious unknown of her origins was the source of her vivid imagination - something that has led to enormous strengths as an artist, and also something she's had to work on in terms of choosing the narratives that serve us best. Learn more about your ad choices. Visit megaphone.fm/adchoices

A two-time Obie Award-winning director and choreographer, Lee Sunday Evans is the Artistic Director of Waterwell. She recently directed The Poisoner, currently playing at La MaMa. Some of Lee's other credits include Oratorio for Living Things, Dance Nation, the Courtroom, Sunday, In the Green, Miller, Mississippi, Home and Porto. Lee is also directing the Broadway-bound musical adaptation of A Wrinkle in Time.  This episode was recorded April 12, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are excited to bring you another episode in our podcast series Choreographers in Conversation.  This series allows choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Choreographer Camden Gonzales interviews Choreographer Sonya Tayeh. They explore Sonya's choreographic process, philosophy around the importance and impact of choreography and dancers in the theatre world, as well as delving into the work she has done throughout her career.  Bios:  Camden Gonzales is an artist, performer, and choreographer based in NYC. She is currently the Associate Choreographer for Moulin Rouge The Musical overseeing multiple companies across the globe. She is also the Associate Choreographer for the upcoming musical Gatsby (featuring original music by Florence Welch) which will debut at A.R.T. in Boston this summer. Other select credits include Sing Street (Associate Choreographer) at The Huntington Theatre, A Sherlock Carol (Assistant Director) New World Stages, Peter and The Starcatcher (Choreographer) White Heron Theatre, Hamilton (Dance Captain/Swing) National Tour, Groundhog Day (Dance Captain/Swing) Broadway. www.camdengonzales.com  Sonya Tayeh is a New York City based TONY® Award winning choreographer and director. Since paving her professional career, her work has been characterized as a blend of powerful versatility and theatrical range.   Selected credits include: Moulin Rouge! Broadway, Australia, UK, Tour (Hirschfeld theatre/Dir Alex Timbers), UP HERE (Hulu Musical Series), The Sign in Sidney Brustein's Window Broadway (James Earl Jones Theatre), Is It Thursday Yet? (La Jolla Playhouse), Sing Street Broadway (Huntington Theatre, Boston/Dir Rebecca Taichman), Martha Graham Dance Company (Joyce Theatre/Tour), American Ballet Theatre/What Becomes of Love Film, Unveiling with Moses and dancers (Fall For Dance/City Center), Rent Live! (Fox Network/Dir Michael Grief and Alex Rudzinski), The Lucky Ones (Ars Nova/Dir. Anne Kauffman), Face the Torrent for Malpaso Dance Co. (commissioned by The Music Center/LA), You'll Still Call Me By Name (commissioned by New York Live Arts and Jacobs Pillow Dance Festival), Martha Graham Dance Company's Lamentation Variation Series (Joyce Theatre), Hundred Days (New York Theatre Workshop/Dir. Anne Kauffman), The Skin Of Our Teeth (Theatre for a New Audience/Dir. Arin Arbus), Andrew Lippas' The Wild Party (City Center Encores!/Dir. Leigh Silverman), Kung Fu (Signature Theatre/Dir. Leigh Silverman) Tayeh has directed and choreographed for world renowned music artists including Miley Cyrus (Directed and Choreographed The Gypsy Heart Tour), Florence and the Machine (Choreographed performances for The Brit Awards, The Voice and American Idol), Kyle Minogue (Aphrodite Tour)  She has gleaned many accolades for her versatile work, including a Tony award, two Emmy noms, one Drama Desk award, an Obie Award and two Lucille Lortel Awards for “Outstanding Choreography.” https://www.sonyatayeh.com/

Hey Friends & Kin!   FYI: THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way... _________   Friends and Kin in this episode I was blessed enough to be in conversation with a Black unicorn, Jonathan McCrory of the National Black Theatre! His story is one of overcoming, perseverance and understanding WHO you are. What an amazing way to close out Black History Month!   In this two part conversation we learn all about my guest. We learn where he comes from, the obstacles and blessings that he navigated during his journey and what he is up to currently. It was a spiritually uplifting conversation that I am truly excited to share with you. Here's a little bit about Jonathan:   Jonathan McCrory is a Tony Award and Emmy Award nominated producer, 2x Obie Award-winning, Harlem-based artist who has served as Executive Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. He has directed numerous professional productions and concerts. He has been acknowledged as an exceptional leader additionally through Craine's New York Business 2020 Notable LGBTQ Leaders and Executives. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University's TISCH School of the Arts.   Enjoy this conversation, as I had such a wonderful time speaking with Jonathan about his life and his work. His story, the work he is doing as well as the work of the National Black Theatre should be something that we know about & THAT, friends & kin is exactly why I am sharing his story with you. Even though, Black History Month is over on the calendar - we should live a life where we strive to learn more and more about our history and the heroes of our communities today.    "GO WHERE YOU ARE ADORED. NOT WHERE YOU ARE TOLERATED..."   MeMe's Jam No. 83

We are excited to bring you this new episode in our podcast series, The Art of Collaboration. This series focuses on directors and choreographers in conversation with some of their collaborators on a specific production. This series explores the ins and outs of these processes, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. In the second episode of this two episode arc, Director Alex Timbers, Sound Designer Peter Hylenski, and Scenic Designer Derek McLane are interviewed by Foundation Director Dani Barlow to discuss their experience working together on Moulin Rouge! The Musical. Learn more about this episode's guests below.    Bios: ALEX TIMBERS (Director) is the recipient of Tony, Drama Desk, Outer Critics Circle, and London Evening Standard Awards, as well as two Obie and Lortel Awards. Broadway credits include Gutenberg the Musical; Here Lies Love; Moulin Rouge!; Just For Us; Beetlejuice; David Byrne's American Utopia; Oh Hello with Nick Kroll and John Mulaney; The Pee-wee Herman Show; Peter and the Starcatcher; and Bloody Bloody Andrew Jackson (also bookwriter). For television, he co-created Amazon's “Mozart in the Jungle” (Golden Globe Award) and has helmed the Netflix specials “John Mulaney: Kid Gorgeous,” “Ben Platt: Live at Radio City,” and most recently “John Mulaney: Baby J” (2023 Emmy Award nomination). His debut picture book, Broadway Bird, set in an all-animal version of Broadway, is published by Macmillan. @alextimbers PETER HYLENSKI (Sound Designer). Peter received a Tony Award, Drama Desk Award, and an Outer Critics Circle Award Honor for his work on Moulin Rouge! The Musical. A Grammy, Olivier, and eight time Tony nominee, his selected Broadway designs include: Moulin Rouge!, Frozen, Anastasia, Beetlejuice, Once On This Island, Something Rotten, King Kong, Rock of Ages, After Midnight, Motown, The Scottsboro Boys, Side Show, Rocky, Bullets Over Broadway, Shrek the Musical, On A Clear Day, Lend Me A Tenor, Elf.  Other designs: Awakening, Le Rêve and Lake of Dreams at Wynn Las Vegas.  He's designed for Carnegie Hall, Radio City Music Hall, Madison Square Garden, London's O2 Arena, and The Kennedy Center.  Peter holds a BFA from Carnegie Mellon University. DEREK MCLANE (Scenic Designer) SELECTED CREDITS: BROADWAY: MJ the Musical, Moulin Rouge!, Purlie Victorious, A Soldier's Play, American Son, The Parisian Woman, Children of a Lesser God, The Price, Noises Off, Fully Committed, Beautiful, Gigi, China Doll, Anything Goes, The Heiress, Nice Work If You Can Get It, The Best Man, Follies, How to Succeed In Business Without Even Trying, Bengal Tiger at the Baghdad Zoo, Million Dollar Quartet, Ragtime, 33 Variations The Pajama Game, I Am My Own Wife. OFF-BROADWAY: Black No More, Merrily We Roll Along, The True, Jerry Spring the Opera, If I Forget, The Whirligig, Into The Woods, Love, Love, Love, Sweet Charity, Evening at the Talk House, Two Gentlemen of Verona, Buried Child, The Spoils, Sticks and Bones, The Last Five Years, A Lie of the Mind, Ruined, Hurlyburly. TELEVISION: He designed the 2013, 2014, 2015, 2016 & 2017 Academy Awards as well as the NBC LIVE! Musicals The Sound of Music, Peter Pan, The WIZ & HAIRSPRAY. AWARDS: Winner of 1997 + 2004 OBIE Awards, 2004, 2005, 2007 Lortel Awards; 2009 + 2021 Tony Award, 2011 Drama Desk Award, 2015, 2016 Art Directors Guild Award, 2014 + 2017 Emmy Award.  

Hey Friends & Kin!   FYI: THIS, JUST LIKE ALL EPISODES OF HAND ME MY PURSE, CONTAINS PROFANITY. THIS PODCAST IS FOR ADULTS AND CONTAINS ADULT CONTENT. Now that we've gotten that out of the way... _________   Friends and Kin in this episode I was blessed enough to be in conversation with a Black unicorn, Jonathan McCrory of the National Black Theatre! His story is one of overcoming, perseverance and understanding WHO you are. What an amazing way to close out Black History Month!   In this two part conversation we learn all about my guest. We learn where he comes from, the obstacles and blessings that he navigated during his journey and what he is up to currently. It was a spiritually uplifting conversation that I am truly excited to share with you. Here's a little bit about Jonathan:   Jonathan McCrory is a Tony Award and Emmy Award nominated producer, 2x Obie Award-winning, Harlem-based artist who has served as Executive Artistic Director at National Black Theatre since 2012 under the leadership of CEO, Sade Lythcott. He has directed numerous professional productions and concerts. He has been acknowledged as an exceptional leader additionally through Craine's New York Business 2020 Notable LGBTQ Leaders and Executives. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr. He is a founding member of the collaborative producing organizations Harlem9, Black Theatre Commons, The Jubilee, Next Generation National Network and The Movement Theatre Company. McCrory sits on the National Advisory Committee for Howlround.com and was a member of the original cohort for ArtEquity. A Washington, DC native, McCrory attended the Duke Ellington School of the Arts and New York University's TISCH School of the Arts.   Enjoy this conversation, as I had such a wonderful time speaking with Jonathan about his life and his work. His story, the work he is doing as well as the work of the National Black Theatre should be something that we know about & THAT, friends & kin is exactly why I am sharing his story with you.    "GO WHERE YOU ARE LOVED. NOT WHERE YOU ARE TOLERATED..."   MeMe's Jam No. 82 Jonathan McCrory's Website National Black Theatre SUBMIT A QUESTION FOR “STRAIGHT FACTS”! PRACTICE LOVING KINDNESS MEDITATION FIND A THERAPIST.   _______   EVERYTHING YOU NEED IS HERE! ⬅️ click that Rate + Review on Apple Podcasts. ⬅️ click that     And as always, "Thank you for your support…"  (said exactly like the 80s Bartles and Jaymes commercials)   xoxo MeMe *****************See omnystudio.com/listener for privacy information.

Olivia Westbrooks is an award-winning interior designer and the proud owner of Olivia Westbrooks Interiors, a boutique firm specializing in residential new construction and renovation. With nearly two decades of experience in the residential interior design and building industries, Olivia brings a unique blend of design expertise and construction knowledge to every project she undertakes. Olivia's journey in interior design began at Louisiana State University, where she pursued her passion and earned a bachelor's degree in Interior Design in 2004. Her career took off when she secured a position with esteemed architect George Resse, known for his collaborations with Atlanta icon Herman Russell of HJ Russell & Co., on multiple multi-family developments. This valuable experience exposed Olivia to the intricacies of architectural design and further fueled her passion for creating captivating interior spaces. As a Project Manager at a prestigious Atlanta interior design firm, Olivia honed her skills and worked with discerning residential clients both domestically and internationally. During her seven-year tenure, she played a pivotal role in executing high-end projects, leaving a lasting impression on her clients and earning her a reputation for delivering exceptional results. Throughout her career, Olivia's work has received widespread recognition and numerous accolades, including the prestigious OBIE Award for Neighborhood of the Year and ASID Design Excellence Gold and Silver Awards. These achievements reflect her commitment to excellence and her ability to create stunning, functional, and awe-inspiring interiors. In 2020, fueled by her entrepreneurial spirit and desire to create meaningful spaces for busy entrepreneurs and families, Olivia took a leap of faith and established Olivia Westbrooks Interiors. Her mission is to design beautiful, functional, and enduring spaces that perfectly suit her clients' lifestyles. Olivia's style can be described as tailored and timeless, infused with a touch of modern flair. However, her ultimate objective is to showcase her clients' unique personalities and breathe life into their living spaces. When she's not immersed in designing captivating interiors, you can find Olivia enjoying quality time with her husband Mike and cherishing precious moments watching Disney movies on repeat with her daughters, Mya and Morgan. Her commitment to family and her innate understanding of the demands of a busy lifestyle make her uniquely empathetic to her clients' needs and allows her to create spaces that truly enrich their lives. https://www.oliviawestbrooksinteriors.com/ https://www.instagram.com/oliviawestbrooksinteriors/

Winner of the Pulitzer Prize and just recently on Broadway, Cost of Living traces two relationships: one between a wealthy graduate student with cerebral palsy and his female caregiver, the other between a woman recovering from a terrible accident being tended to by her ex-husband. Heartfelt, funny, and deeply moving, this exquisitely written play examines the fiscal and emotional cost of human connection.Ross Beschler - EddieGianna Castro - JessRachel Handler - AniChristian Prentice - JohnJeffrey L. Page (director), an Emmy-nominated director and choreographer celebrated for his dynamic theater and dance direction, earned the Douglas and Ethel Watt Critics' Choice Award for his vibrant choreography in the 1776 Broadway Revival. Collaborating with icons like Beyoncé and influencing productions from Memphis to Ain't Misbehavin', Page's work resonates globally. His film credits include Making Micheaux (director) and Freedom(choreographer). Academically distinguished as the first African American to receive The Juilliard School's Marcus Institute Fellowship, Jeffrey also imparts knowledge at Harvard and The New School. As the leader of Movin' Legacy, Page's artistry continues to innovate with projects like The Trojan Women, solidifying his stature in modern performing arts. | @jeffreylpage | www.jeffreylpage.comMartyna Majok (playwright) was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama and received a nomination for Best Play at the 2023 Tony Awards for Cost of Living. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Other awards include the Obie Award for Playwriting, the Hull-Warriner Award, the Academy of Arts and Letters' Benjamin Hadley Danks Award for Exceptional Playwriting, the Off-Broadway Alliance Best New Play Award, the Lucille Lortel Award for Outstanding New Play, the Hermitage Greenfield Prize as the first female recipient in drama, the Champions of Change Award from the NYC Mayor's Office, the Francesca Primus Prize, two Jane Chambers Playwriting Awards, the Lanford Wilson Prize, the Lilly Award's Stacey Mindich Prize, the Helen Merrill Emerging Playwright Award, the Charles MacArthur Award for Outstanding Original New Play, the Jean Kennedy Smith Playwriting Award, the ANPF Women's Invitational Prize, the David Calicchio Prize, the Global Age Project Prize, the NYTW 2050 Fellowship, the NNPN Smith Prize for Political Playwriting, and the Merage Foundation Fellowship for The American Dream. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for Plan B, Pastel, and MRC.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/cost-of-living/

The Stagecraft podcast is hosted by Jan Simpson. It is a series of interviews with playwrights (and musical book writers) of shows opening on Broadway and off-Broadway. Sarah Gancher (Playwright) is an Obie Award-winning playwright whose work has been seen on stages worldwide including London's National Theatre, Edinburgh's Traverse Theatre, read more The post Stagecraft: Sarah Gancher, Playwright of “Russian Troll Farm” appeared first on BroadwayRadio.

“Dance Talk” ® with Joanne Carey and  Jamel Gaines of Creative Outlet. In this episode of  “Dance Talk” ® with Joanne Carey,  join host Joanne Carey as she chats with Special Guest: Jamel Gaines, founder and Director of Creative Outlet.  This year marks a special moment for JGCO's annual program as more than 3,000 New York City Public School students will experience the lessons of Remembering. The Company will travel to Cape Coast and Accra, Ghana giving performances and workshops in Africa. Listen in as we talk about the impact Arts in Education had and continues to have in Jamel's life. The February 15 performance of Remembering is in collaboration with Brooklyn Borough President Antonio Reynoso, City Council Member Crystal Hudson, and NAACP Brooklyn Chapter, and pays tribute to New York City Board of Education principals and teachers. The February 16 performance is in collaboration with the Delta's Chapter of Brooklyn. The February 17 performance is in collaboration with the Brooklyn Brownstones Organization https://youtu.be/x8JgSjd3S_M?si=HIB-br85c8s4xW0M Tickets are available through the link belowhttps://www.bam.org/dance/2024/remembering Brooklyn Academy of Music on February 15 and 16 at 7:30 PM and February 17th at 2 PM. Jamel Gaines is the Founder and Artistic Director of Creative Outlet.Jamel has dedicated his life to delivering artistic excellence and stirring, soaring performance to audiences everywhere.  With more than 22 years of teaching and choreographing experience, Jamel seeks to inspire, motivate and nurture dancers and artists.  Under his leadership, Creative Outlet has set itself apart as a highly acclaimed performing arts organization with a proven record in training the next generation of professional dancers and artists. Some of Jamel's more recent choreography includes the crowd pleasing presentation live streamed across the internet during Spike Lee's Annual Tribute Concert to Michael Jackson (August 2017) televised choreography and dramatic performance by contestants on So You Think You Can Dance. (2010).  In addition, Mr. Gaines has created and staged over 25 repertory and concert productions.  He has had the distinction of working with such distinguished artists as Jennifer Holiday, Michael Jackson, Whitney Houston, Savion Glover, Malik Yoba, George Fasion, Ornette Coleman, Ossie Davis, Olatunje Babatunde, Max Roach, Cassandra Wilson and Rick James. Founder and Artistic Director, Jamel Gaines has dedicated his life to delivering artistic excellence to artists and audiences. Jamel has appeared on Public Television's American Talent in which he was presented The Teacher Recognition Award, during the Presidential Scholars in the Arts Committee at The Kennedy Center, and has been featured in publications such as Essence Magazine, The New York Times, The Seattle Times and The Daily News.  His work has been staged by the Actors Theater Workshop, The NYC Department of Parks, Alvin Ailey American Dance Center, the Paramount Theatre and The Martha Graham School.   Mr. Gaines serves as the director of St. Paul's Eldad Medad Danced Ministry. His work at St. Paul's includes “He Got Up”, the commemoration of the African Holocaust and the acclaimed “Black Nativity” for which he won an Obie Award. Gaines began his dance career in the mid-1990s under the direction of Diane and Adrian Brown, and James Grant and Received his BFA from SUNY Purchase. He credits the development of his unique and nurturing approach to teaching and composing to Kevin Iega Jeff. Follow on Instagram @jamelgainescreativeoutlet  Find out more https://www.creativeoutlet.org/⁠ ⁠⁠⁠Follow Joanne Carey on Instagram @westfieldschoolofdance And follow  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Jonathan McCrory is a Tony Award and Emmy Award nominated producer and a two-time Obie Award-winning artist who has served as executive artistic director at the National Black Theatre since 2012. In this episode, hosts Jordan Ealey and Leticia Ridley talk with McCrory about his work with the National Black Theatre and his ongoing commitment to nourishing and cultivating Black creativity and Black life.

Actress Tala Ashe sat down for a one-on-one interview to talk about her work on stage and screen. Daytime TV fans will recognize Tala from her role as Ameera Ali-Aziz on As the World Turns. For five years, Tala was a series regular on DC'S Legends of Tomorrow playing “Zari Tomaz,” the 1st Muslim-American superhero on television.She has had major arcs on Smash and American Odyssey on NBC. Tala has also had guest starring roles on 30 Rock, Law & Order: CI, and Law & Order. She has a recurring role on the upcoming Max series, The Girls on the Bus.Tala won an Obie Award and was nominated for a Drama Desk and Lucille Lortel for her performance in the Pulitzer Prize winning play, English at the Atlantic Theater Company. English is headed to Broadway with Tala in December of this year. She also starred in the critically acclaimed Vagrant Trilogy at the Public Theater.Don't miss the chance to catch up with this talented and award-winning actress.

Theater artist Stevie Walker Webb joins Midday. In October, he began his tenure as the new Artistic Director at Baltimore Center Stage. Walker Webb is an Obie Award winner and a Tony Award nominee. He is a director, playwright and educator, for whom social activism is a core tenet of his work.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

Eccentric billionaire Rudolph Deutsch wants someone to figure out what (or who's) been haunting the old Belasco mansion, the “Mt Everest of haunted houses.” Apparently the house has something to do with the secret to life after death, so Deutsch enlists a team of potential rivals to get to the bottom of it:  physicist and sometime paranormal investigator Barrett and his wife Ann; mental medium Florence Tanner; and physical medium Ben Fischer, the sole survivor of the last attempt to exorcise the old home. Almost from the jump, something's off – no one trusts each other, science butts heads with pseudoscience, and when the actual haunting comes, no one really wants to discuss it.  No one, that is, except for Florence and Ben, who've seen enough in their time to recognize the dangers that lie within Belasco House.  And by the time the possessions begin, furniture starts shaking, and chandeliers start tumbling, it's too late to turn back.  The team must see this through, and get to the bottom of what's been driving Hell House's off-the-charts psychic energy. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-30:32Honor Roll and Detention (spoiler-heavy): 30:33-1:04:30Superlatives (spoiler-heavier): 1:04:31-1:20:20 Director John HoughScreenplay Richard Matheson, based on his novel Hell HouseFeaturing Peter Bowles, Roland Culver, Pamela Franklin, Michael Gough, Gayle Hunnicutt, Roddy McDowall, Clive Revill Christopher Shinn is a playwright and screenwriter who lives in New York. Several of his plays have premiered at the Royal Court Theatre: Four, Other People, Where Do We Live (Obie Award), Dying City (Pulitzer Prize finalist) and Now or Later, which was shortlisted for the Evening Standard Theatre Award for Best Play. His other plays include The Narcissist (Chichester Festival Theatre), Teddy Ferrara (Goodman Theatre and Donmar Warehouse), An Opening in Time (Hartford Stage), Picked (Vineyard Theatre), What Didn't Happen (Playwrights Horizons), On the Mountain (South Coast Rep), The Coming World (Soho Theatre), and Against (Almeida Theatre). His adaptation of Hedda Gabler premiered on Broadway in 2009 and his adaptation of Judgment Day premiered at Park Avenue Armory in 2019 and was nominated for a Drama Desk Award for Outstanding Adaptation. His awards and grants include a Guggenheim Fellowship in Playwriting, a grant from the NEA/TCG Residency Program, and the Robert Chesley Award. He was a Radcliffe Fellow at Harvard in 2019-2020, a Cullman Fellow at New York Public Library in 2020-2021, and a MacDowell Fellow in 2023. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Jonathan McCrory has served as the artistic director at the National Black Theatre for over ten years. Along the way, he earned three Obie Awards, the highest honor for off-Broadway theater. He shares his Brief But Spectacular take on love, joy and the pursuit of happiness. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Ayad Akhtar, American playwright, novelist, and screenwriter, joins Eboo Patel at the Chicago Humanities Festival to discuss art, creativity, and cultural sensitivity. They emphasize the need to engage with and respect different identities in a diverse democracy rather than resorting to simplistic labels like "victim" or "racist." Bio: Ayad Akhtar is a novelist and playwright. His work has been published and performed in over two dozen languages. He won the Pulitzer Prize for Drama, the Edith Wharton Citation of Merit for Fiction, and an Award in Literature from the American Academy of Arts and Letters. Akhtar is the author of Homeland Elegies (Little, Brown & Co.), which The Washington Post called "a tour de force" and The New York Times called "a beautiful novel…that had echoes of The Great Gatsby and that circles, with pointed intellect, the possibilities and limitations of American life." His first novel, American Dervish (Little, Brown & Co.), was published in over 20 languages. As a playwright, he has written Junk (Lincoln Center, Broadway; Kennedy Prize for American Drama, Tony nomination); Disgraced (Lincoln Center, Broadway; Pulitzer Prize for Drama, Tony nomination); The Who & The What (Lincoln Center); and The Invisible Hand (NYTW; Obie Award, Outer Critics Circle John Gassner Award, Olivier, and Evening Standard nominations). 

Jonathan McCrory has served as the artistic director at the National Black Theatre for over ten years. Along the way, he earned three Obie Awards, the highest honor for off-Broadway theater. He shares his Brief But Spectacular take on love, joy and the pursuit of happiness. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

"Clowning is about revealing the truth of things. It's about that moment of epiphany when the world makes sense and laughter emerges." - Bob Berky  In a world where destiny can take unpredictable turns, one man's journey from the symphony to the circus is a wonderful story of learning and accomplishment.  From the enchanting sound of the French horn to the uproarious laughter of working as an accomplished professional Clown, Bob Berkey's path took an unexpected twist that changed his life. But what led Bob to embrace the world of clowning? Join us as we unravel the captivating story of Bob Berky, a tale of passion, reinvention, and the boundless power of laughter. Get ready for a good narrative as we dive into his remarkable journey. And we learn what lies ahead with his new project in the works with Global Arts Corps called the Children's Radio Exchange. My special guest is Bob Berky: Bob Berky is an accomplished performer and Obie Award winner, renowned for his exceptional work on major stages and festivals worldwide. With a career that spans notable venues such as the Kennedy Center, Lincoln Center, and various art centers across the globe, Bob's talent and artistry have garnered widespread recognition. Born into a musical family, Bob's early exposure to different cultures and environments shaped his perspective on equality and empathy. Transitioning from a musician to a theater artist, Bob discovered the power of connection and understanding through his performances. His journey led him to study with esteemed teachers, including Tony Montanaro, and eventually establish himself as a solo artist. Bob's unique blend of humor, spontaneity, and deep understanding has made him an expert in the art of clowning and a sought-after instructor in the field. Join us as we delve into Bob's captivating story and explore the profound impact of empathy and forgiveness in his personal and artistic journey. In this episode, you will be able to:  Discover the power of storytelling in different cultures - gain a deeper understanding of how stories shape our identity and foster connection.  Embrace the importance of diverse representation in media - explore how diverse characters can inspire empathy and challenge societal norms.  Recognize the significance of real stories and the need to listen to them - discover the power of listening to authentic voices and the impact it can have on our understanding of the world.  Embrace Diverse Representation Representing diverse perspectives is imperative for a comprehensive understanding of the world. Bob's work in the Children's Radio Exchange brings to light the stories of children from various cultural backgrounds. This initiative not only enriches global storytelling but also fosters empathy and connection among different communities, proving that representation matters not just on stage, but across all media platforms. The resources mentioned in this episode are: Visit the website of Wyoming Humanities to learn more about their programs and initiatives.  Global Arts Corps Children's Radio Exchange Learn more about professional theatre artist, Bob Berky Consider attending upcoming events and programs organized by Wyoming Humanities  Learn more about clowning as an art form and consider training in clowning techniques.    Connect with me here: FaceBook Website LinkedIn YouTube As always leave a review if you enjoyed these stories and follow us on Instagram or visit the webpage of the Wyoming Humanities! Sign up for the podcast newsletter using the QR code of follow this link: http://eepurl.com/igy4fH

THE FANTASTICKS, with book and lyrics by Tom Jones and music by Harvey Schmidt, opened Off-Broadway in May of 1960 and closed forty-two years later, becoming the longest-running production in the history of the American stage and one of the most frequently produced musicals in the world. Their first Broadway musical, 110 IN THE SHADE, was nominated for a Tony Award and was successfully revived by the New York City Opera starring Karen Ziemba, and later produced on Broadway by the Roundabout Theatre Company starring Audra McDonald and John Cullum. I DO! I DO!, their two character musical with Mary Martin and Robert Preston, ran for a year on Broadway and a year on the road and is frequently done around the country and the world. (One production, in Minneapolis, played for twenty-two continuous years with the same two actors in the leading roles.) Tom in recording studio.JPG For several years Jones and Schmidt worked privately at their theatre workshop, concentrating on small musicals in new and often untried forms. The most notable of these efforts were CELEBRATION, which moved to Broadway, and PHILEMON, which won the Outer Critics Circle Award and was filmed for television. They contributed incidental music and lyrics to the Off-Broadway play COLETTE starring Zoe Caldwell and Milddred Dunnock, then later did a full-scale musical version under the title COLETTE COLLAGE. In addition to an Obie Award and the 1992 Special Tony for THE FANTASTICKS, in 1999 Jones and Schmidt were inducted into the Broadway Hall of Fame at the Gershwin Theatre, in 2012 they were inducted into the Songwriter's Hall of Fame, and in December of 2017 they received the Oscar Hammerstein Award. 

Paul Rudnick is a novelist, playwright, essayist and screenwriter, whom the New York Times has called, “one of our pre-eminent humorists.” His plays have been produced both on and off Broadway and around the world, and include I HATE HAMLET, JEFFREY, THE MOST FABULOUS STORY EVER TOLD, VALHALLA, REGRETS ONLY, and THE NEW CENTURY. He has won an Obie Award, two Outer Critics Circle Awards and the John Gassner Playwrighting Award, and two of his short plays have been included in STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS. His novels include SOCIAL DISEASE and I'LL TAKE IT, both from Knopf and PLAYING THE PALACE from Berkley. He's a regular contributor to The New Yorker and his articles and essays have also appeared in The New York Times, Esquire, Vogue and Vanity Fair. HarperCollins has published both Mr. Rudnick's Collected Plays and a group of essays entitled I SHUDDER. His essays have also been included in the New Yorker anthologies FIERCE PAJAMAS and DISQUIET, PLEASE.Mr. Rudnick is rumored to be quite close to Premiere magazine's film critic Libby Gelman-Waxner, whose collected columns were published by St. Martins under the title IF YOU ASK ME. Ms. Gelman-Waxner has also reviewed in the pages of Entertainment Weekly, and the column now appears every few weeks on The New Yorker website.Mr. Rudnick's screenplays include IN & OUT, SISTER ACT, the screen adaptation of JEFFREY, and ADDAMS FAMILY VALUES. His Young Adult novels, entitled GORGEOUS and IT'S ALL YOUR FAULT, have been published by Scholastic.Mr. Rudnick has appeared on the Today show, Real Time with Bill Maher, Conan O'Brien, A Prairie Home Companion, and Fresh Air, among other programs. Mr. Rudnick's new play, Guilty Pleasure, will be directed by Christopher Ashley and produced at the LaJolla Playhouse. On September 12, 2020, HBO began airing Coastal Elites, written by Mr. Rudnick, directed by Jay Roach, and starring Bette Midler, Dan Levy, Issa Rae, Sarah Paulson and Kaitlyn Dever. He's currently writing a screenplay called EX-HUSBANDS, based on an original idea by Billy Eichner, for Amazon. His new novel, FARRELL COVINGTON AND THE LIMITS OF STYLE, will be publshed in June of 2023 by Simon&Schuster From his humble beginnings growing up on his grandfather's dairy farm in New York, JOEL THURM became one of the most admired, powerful, and accomplished casting directors in Hollywood, Early on, Thurm's instincts proved beyond reproach when he recognized John Travolta as much more than a teen idol, casting him in the TV movie THE BOY IN THE PLASTIC BUBBLE. It was during his years as Vice President of Talent and Casting for both Paramount Television and NBC that he discovered the remarkable Phoenix family, from which River and Joaquin became A-list movie stars. With his insider's knowledge, irreverent style, and biting wit, Thurm tells the stories of his key involvement in such iconic movies and shows as GREASE, AIRPLANE!, THE ROCKY HORROR PICTURE SHOW, CHEERS, TAXI, THE LOVE BOAT, FANTASY ISLAND, STARSKY & HUTCH, CHARLIE'S ANGELS, THE GOLDEN GIRLS, KNIGHT RIDER, THE COSBY SHOW, HILL STREET BLUES and many, many more. SEX, DRUGS, AND PILOT SEASON is the ultimate backstage pass to the boardrooms of Manhattan and the executive suites of Hollywood where show-business history was made. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's guests are Sam Lowe '20, Scott Diekema '19, Nicholas Byrne '19, and Jonny Huang '24, who Zoomed with Morehead-Cain from Brooklyn. Sam, Scott, and Nicholas are the co-founders of recycleReality, a creative technology studio in New York that specializes in bespoke design and software solutions in music, fashion, art, and architecture. Jonny interned with the alumni this summer for his Morehead-Cain Professional Experience summer. On this episode, the Morehead-Cains share about the early collaborations at UNC–Chapel Hill that led to forming their own company, how their different backgrounds and skillsets (computer science to communications and music) complement one another, and a music responsive light box that recycleReality plans to release within a year.recycleReality garnered recognition earlier this year with two OBIE Awards as part of the 2022 “Breakthrough Artist” ad campaign by Amazon Music and Overall Murals. The alumni won the OBIE Craft Award for Best Illustration and a Silver OBIE Award in the Billboards category. The OBIE Awards, presented annually by the Out of Home Advertising Association of America, recognize outstanding contributions to the world of advertising and design.Nicholas and Sam are returning Catalyze guests. The two (along with Eric Lee '18) spoke with Morehead-Cain back in 2020 during a road trip across the country with a U-Haul-turned-mobile-recording-unit. The episode's intro song is by scholar Scott Hallyburton '22, guitarist of the band South of the Soul.How to listenOn your mobile device, you can listen and subscribe to Catalyze on Apple Podcasts or Spotify. For any other podcast app, you can find the show using our RSS feed.Catalyze is hosted and produced by Sarah O'Carroll for the Morehead-Cain Foundation, home of the first merit scholarship program in the United States and located at the University of North Carolina at Chapel Hill. You can let us know what you thought of the episode by finding us on Twitter or Instagram at @moreheadcain or you can email us at communications@moreheadcain.org.

Dan has been making music most of his life.  While attending East Carolina University's School of Music, he auditioned and was hired at age 19 to join the cast of the Off-Broadway show "STOMP".  After performing in the New York company, he joined the national tour, eventually playing the lead role and becoming the Rehearsal Director. During this tour, he had the opportunity to perform on stage with Bobby McFerrin for the Presidential Millenium Celebration and appeared on several tv shows, including "Good Morning America", among many others. Dan has since moved back to NYC to continue his music career and has performed at such venues as Madison Square Garden, Town Hall, The Grand Ole Opry, Radio City Music Hall and The Meadowlands Arena.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Dan recently played drums on Broadway for "The Cher Show," a biographical musical co-produced by Cher herself which premiered in December of 2018 at the Neil Simon Theater.  He also acted as the house drummer for seasons 7, 8 & 10 of NBC's "America's Got Talent" and played for the PBS special "From Broadway With Love" featuring Chita Rivera, Kelli O'Hara, Jesse Mueller, Norbert Leo Butz and Lilias White.  He held the percussion chair for the Broadway show "Holler If Ya Hear Me," and has also subbed on drums in the orchestra pit for Broadway shows like "Wicked" and "Little Shop Of Horrors," played hundreds of auditions the casting office of Bernard Telsey Casting and recently played drums for the Obie Award-winning show "The World Is Round" at BAM.  He plays often for Grammy Award winning artist Tim Kubart and was grateful to contribute percussion to his winning album "Home."  He has played for a number of artists including Cher, Andrea Bocelli, Tituss Burgess, Melinda Doolittle (American Idol Finalist), Stephanie Block, Kelli O'Hara, Heather Christian, Montego Glover, Lucie Arnaz, and Randy Rainbow. In addition, he occasionally performs for corporate events for companies such as GM, Microsoft, Pfizer. etc.  Also trained in music production and recording, Dan produces, engineers and mixes music on a for-hire basis. Recently, he produced, engineered and mixed a Christmas record for Randy Rainbow with the title track co-written by Marc Shaiman. It reached #1 on the Billboard Comedy charts and #7 on iTunes Top Albums. Dan also recorded vocals for bounce music legend Big Freedia(the artist featured on Beyonce's “BREAK MY SOUL”) for an upcoming track. He also produced (and played drums for) "The Sedaka Sessions", where he had the honor of working with Neil Sedaka and an incredible team including engineer Roy Hendrickson (Paul McCartney, Miles Davis, Frank Sinatra, etc) and Grammy Award-winning executive producer Tony McAnany. Some other audio production highlights include a national commercial for "The Grinch That Stole Christmas", a track for Coca-Cola's 125th Anniversary Celebration and mixing of promotional content for Broadway shows like "Natasha Pierre & The Great Comet of 1812," and “Smokey Joe's Cafe”.  He also had the opportunity to contribute as an engineer (as well as a background vocalist and percussionist) on the album "LISTEN", which features Hall & Oates, Carly Simon, and Duncan Sheik.Dan proudly endorses Paiste Cymbals and ACS Custom In-Ear Monitors.http://www.danweinerdrums.comClayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Broadway Drumming 101 YouTube HERE! YouTubeThank you for reading Broadway Drumming 101. This post is public so feel free to share it. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Paul Rudnick discusses the first pages of his latest novel, Farrell Covington and the Limits of Style, how he discovered Farrell's character during his writing process, the love story that gave his story its spine, the fever dream of productivity that produced his riveting, rifting style, and how he refuses to take the missteps and messiness of early drafts too seriously.Rudnick's first pages can be found here.Help local bookstores and our authors by buying this book on Bookshop.Click here for the audio/video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Paul Rudnick is a novelist, playwright, essayist and screenwriter, whom the New York Times has called, “one of our pre-eminent humorists.” His plays have been produced both on and off Broadway and around the world. He has won an Obie Award, two Outer Critics Circle Awards and the John Gassner Playwrighting Award. His novels include SOCIAL DISEASE, I'LL TAKE IT, PLAYING THE PALACE and the YA novels GORGEOUS and IT'S ALL YOUR FAULT. His screenplays include IN & OUT, SISTER ACT, the screen adaptation of JEFFREY, and ADDAMS FAMILY VALUES.  His new novel, FARRELL COVINGTON AND THE LIMITS OF STYLE, was published in June by Simon&Schuster.Thank you for reading The 7am Novelist. This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Beowulf Boritt is currently represented on Broadway by the Tony Award® winning set for Susan Stroman's production of New York, New York. He designed the Tony Award® winning set for James Lapine's Act One. He has received four additional Tony Award® nominations for his designs of The Scottsboro Boys, POTUS, Therese Raquin, and Flying Over Sunset, for which he won a Drama Desk award. His book about set design, Transforming Space Over Time, is available on Amazon. He is the founder and manager of The 1/52 Project which provides financial support to encourage early career designers from historically excluded groups, with the aim of diversifying and strengthening the Broadway design community. Beowulf designed Harold Prince's final Broadway shows: Prince of Broadway and LoveMusik. In addition, he designed the sets for Sondheim on Sondheim, The Twenty-Fifth Annual Putnam County Spelling Bee, Steve Martin's Meteor Shower, A Bronx Tale, August Wilson's The Piano Lesson, Come From Away. Freestyle Love Supreme, Ohio State Murders, Mike Birbiglia's The New One and The Old Man and The Pool. Other highlights include the New York and Russian productions of Chaplin, the revival of On The Town, Rob Askins' Hand To God and the long running hit Rock of Ages. Off-Broadway, he has designed over one hundred shows, including Much Ado About Nothing, Merry Wives, and Coriolanus for Shakespeare in the Park, Fiddler on The Roof (in Yiddish), The Last Five Years, Mike Birbiglia's The New One, Sleepwalk With Me, My Girlfriend's Boyfriend, Thank God For Jokes and Strindberg's Miss Julie. His designs are in the permanent collections of The Smithsonian Museum of American History and the New York Public Library for the Performing Arts as well as several private collections. In addition to a Tony Award he has been honored with an 2007 OBIE Award for Sustained Excellence in Set Design, an Audelco Award, a Barrymore award, a Live Design Award for Innovation in Scenic Design, a Broadway Beacon Award, and a St. Louis Theater Circle Award. He has been nominated for four Drama Desk Awards, three Lucille Lortel Awards, four NY Outer Critic's Circle Awards, an LA Ovation Award, an LA NAACP Award, a San Francisco Critic's Circle Award and six Henry Hewes Awards. 

Robert O'Hara joins us to talk about directing last year's Shakespeare in the Park production of Richard III, starring Danai Gurira of Marvel's "Black Panther." He tells us about gathering a diverse cast of actors with disabilities, wanting to “trigger” his audiences, and what it's like to get a call about directing Shakespeare in the Park (spoiler: it's a whirlwind). Robert O'Hara is interviewed by Barbara Bogaev. A film of Richard III premiered on PBS's Great Performances on Friday, May 19, and is streaming now on the PBS App and at pbs.org/gperf. Robert O'Hara is a two-time Obie Award and two-time NAACP Award Winner whose work has been seen around the country. He was nominated for a Tony Award for his direction of Jeremy O. Harris's Slave Play. From our Shakespeare Unlimited podcast. Published May 23, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from CDM Studios in New York and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.