Podcasts about national museum

The Seattle Athenaeum and Town Hall Seattle welcomes Dr. Audrey Whitty, Director of the National Library of Ireland and Hibsen as they launch the inaugural Irish Arts & Literature Showcase. Dr. Whitty is in conversation with UW Teaching Professor and poet Frances McCue. Dr. Audrey Whitty is an Irish archaeologist, librarian and curator. As Director of the National Library of Ireland, she oversees the work of the library in collecting, protecting and making accessible the recorded memory of Ireland. Whitty previously worked for the National Museum of Ireland (NMI) where she was curator of the ceramics, glass and Asian collections, in the Art and Industrial Division of the museum. While working with the museum, she was awarded a doctorate in the History of Art by Trinity College Dublin. Frances McCue is an arts instigator who has spent her career connecting literature to community life. Known for her literary start-ups, she is the co-founder of Pulley Press, a new publishing imprint that celebrates poets and poetry from rural places, and she was the Founding Director of Richard Hugo House for its first decade. She also instigated the Poetry Brigade at the University of Washington. Currently, she is a Teaching Professor at the University of Washington where she has been the winner of the UW Distinguished Teaching Award. A poet and prose writer she has published six books—four of poetry and two of prose, including a book of essays about Richard Hugo. Her forthcoming book is Spark and Whistle: Thinking Like a Poet in Leadership and Life from Columbia University Press. The National Library of Ireland collects, protects and makes accessible the recorded memory of Ireland. We collect, protect and provide access to over 12 million items and will continue to do so for decades to come. We provide access to the collections free of charge, at four sites and online to exhibitions and events and to our reference and research reading rooms. Folio: The Seattle Athenaeum connects a dynamic literary community through a curated book collection, diverse programming, and opportunities for engaging conversations and transformative ideas. The Irish Arts & Literature Showcase, organized and curated by Caroline Cumming and Paula Stokes, welcomes visiting Irish writers, publishers and artists in presenting a curated selection of lectures, conversations and workshops. More at https://www.folioseattle.org/irisharts Presented by Town Hall Seattle and Folio: The Seattle Athenaeum.

In the news this week, the President's birthday was added to the list of free entry days at the National Parks, meanwhile Martin Luther King Jr. Day and Juneteenth were removed from the list. On today's show, host Allen Ruff is joined by activist and scholar Nicholas Powers to talk about the Trump administration's attacks on Black history and his latest article for Truthout, “Black History Has the Power to Ignite Movements. That's Why the Right Fears It.” Powers says that the Trump Administration is waging attacks on Black history at three levels: the economic, the cultural, and through voting rights. The closed doors of the African American History Museum in DC are both a symbolic and material closing off of Black history and culture. And that's added to the mass firings of more than 300,000 Black employees from their federal positions. The Trump administration is also criminalizing the teaching of Black history in schools. Attacking school curriculum gives permission to conservative activists who are now rewarded for promoting greater and greater acts of racism. The softening or erasing of the historical reality of American slavery and racism creates what Powers calls “a cartoon image of the nation,” one in which the US is presented as a nation always living up to its values. In Black history, Powers says, there is an opposing grand narrative to the American Dream, that of the American nightmare. He says we need a vision of “American realism” that is taught by Black history: that Black Americans belong here through their blood sweat and tears and that we're all equal in the eyes of god. Moreover, Black history has a transformative effect, empowering people to see more clearly the strategies and tactics that Black people used to gain greater freedom. Powers previews that there's another social movement, another wave, on its way to counter the reactionary work of the Right. When it arrives, we should add ourselves to it so that it becomes stronger.  Nicholas Powers is the author of Thirst, a political vampire novel; The Ground Below Zero: 9/11 to Burning Man, New Orleans to Darfur, Haiti to Occupy Wall Street; and most recently, Black Psychedelic Revolution. He has been writing for Truthout since 2011. His article, “Killing the Future: The Theft of Black Life” in the Truthout anthology Who Do You Serve, Who Do You Protect? coalesces his years of reporting on police brutality. Featured image of the facade of the National Museum of African American History and Culture by Ron Cogswell via Flickr.  Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post The Transformative Power of Black History with Nicholas Powers appeared first on WORT-FM 89.9.

It started with a messy lab and a mysterious mold. But turning “mold juice” into the world's first antibiotic would take a sick policeman, a market cantaloupe, and an extraordinary wartime collaboration between scientists, governments, and industry. This is the story of how penicillin changed the world.Guests:Kevin Brown, Trust Archivist to Imperial College Healthcare NHS Trust and curator of the Alexander Fleming Laboratory Museum at St. Mary's Hospital; author of Penicillin Man: Alexander Fleming and the Antibiotic RevolutionDiane Wendt, curator in the Division of Medicine and Science at the Smithsonian's National Museum of American History

The Smithsonian's National Museum of African American History and Culture is partnering with Buffalo's Michigan Street African American Heritage Corridor to preserve local stories and family histories. In this episode, Dr. Doretha Williams shares an update on the community curation project and why documenting everyday lives matters.

Värvade soldater har spelat en viktig roll inom den svenska krigsmakten, ända sedan Gustav Vasa började rekrytera tyska legoknektar på 1500-talet. Det fanns ett behov av snabbt gripbara värvade soldater på fästningar och i städer både för den yttre och inre säkerheten. De värvade soldaterna tvingades leva under svåra förhållanden i undermåliga förläggningar, med låg lön och drakonisk disciplin. Och det omgivande samhället föraktade de värvade soldaterna som rekryterades från den lägsta skikten i samhället. De värvade regementena hade stora problem att rekrytera soldater, medan livet som indelt soldat med eget torp länge var eftertraktade tjänster.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Lars Ericson Wolke, professor i historia vid Försvarshögskolan och aktuell med boken Nationens avskum, militärens elit – Myt och sanning om de värvade soldaterna i Sverige.Det har funnits värvade yrkessoldater i den svenska armén sedan medeltiden vid sidan om de indelta och senare värnpliktiga soldater. Många värvade soldater var tvångsrekryterade, deras lön var usel, disciplinen hård och de inhystes i dåliga inkvarteringar. Att de sedan kunde beskrivas som ”nationens avskum” gjorde knappast deras situation bättre. Men bilden var inte entydig - elitförband som Svea och Göta livgarde utgjordes av värvade soldater.Under medeltiden var det vanligt med inhyrda knektar i hela Europa, men det var först under 1500-talet som de erfarna och välutbildade landsknektarna blev en viktig del av Sveriges krigsmakt. På 1700-talet kom värvade soldater att utgöra runt en tredjedel av krigsmaktens personal. De placerades som garnisoner i de viktigaste fästningarna i Sverige, såsom Sveaborg och Helsingborg, Lovisa (Degerby), Hangö och Svartholm. Det är först år 1952 som de värvade soldaterna avskaffas.Lokalsamhället såg de värvade soldaterna på fästningar och i städer som oönskade främlingar. Och tvånget att inhysa värvade soldater hos borgare ansågs mycket betungande.Men krigsmakten hade ett behov av snabbt gripbara soldater både för den yttre och inre säkerheten. Och under perioder av krig kunde hälften av soldaterna vara värvade.Dessutom krävde både armén och marinen krävde välutbildade i specialtruppslag som artilleriet och ingenjörerna. Dessa krav kunde inte de indelta soldaterna eller senare de värnpliktiga matcha.Efter införandet av värnplikten efter år 1901 var rekryteringen av stamanställda volontärer nödvändig för att förse armén med en tillräcklig mängd underbefäl och även underofficerare. Det stamanställda manskapet var under 1900-talets första hälft, en viktig förutsättning för utbyggnaden av ett värnpliktsförsvar.Bild: Värvare av Gustaf Cederström (1879), Nationalmuseum, Erkännande-DelaLika (CC BY-SA), Digitaltmuseum. Hosted on Acast. See acast.com/privacy for more information.

Vincent Versace is an American photographer and a Nikon Ambassador. He is a recipient of the Computerworld Smithsonian Award in Media Arts & Entertainment. His work is part of the permanent collection of the Smithsonian Institution's National Museum of American History. At age seven, Vincent was introduced to photography and the darkroom by his uncle, a wedding photographer. Vincent saved his allowance to purchase a Nikon rangefinder at a garage sale and, at the age of nine, he sold his first photo to a local newspaper for $50. In high school, Vincent followed in his uncle's footsteps and photographed weddings. He has published three books on photography. His first book was Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop and named as one of the top digital books of 2007 by Shutterbug Magazine. The second book, Welcome to Oz 2.0, a complete rewrite of his first to include the science of focus and blur, and ExDR. His third book, From Oz to Kansas: Almost Every Black & White Technique Known to Mankind, was published in 2012.Check out his website www.versacephotography.comand instagram www.instagram.com/vincent_versace/?hl=en

Sara Alberani"Material for an Exhibition"Storie, memorie e lotte dalla Palestina e dal MediterraneoMuseo di Santa Giulia, BresciaEdizioni Skirawww.skira.net“Material for an Exhibition. Storie, memorie e lotte dalla Palestina e dal Mediterraneo”, un importante volume edito da Skira che, attraverso una raccolta sistematica di opere provenienti da numerose zone di conflitto nel Mediterraneo – da Gaza, al Libano, alla Cisgiordania – evidenzia la capacità dell'arte di instaurare e difendere legami di solidarietà profondi fra le diverse realtà mediterranee, creando spazi di dialogo e confronto anche in contesti difficili come quello palestinese. A cura di Sara Alberani, il catalogo accompagna l'omonima mostra in corso fino al 22 febbraio 2026 presso il Museo di Santa Giulia di Brescia, che presenta le opere sopravvissute dell'Eltiqa Group for Contemporary Art di Gaza, dopo la distruzione causata da un bombardamento nel 2023. A partecipare all'ideale ricostruzione dello spazio artistico sono due dei fondatori del collettivo, gli artisti Mohammed Al-Hawajri e Dina Mattar, insieme all'artista libanese Haig Aivazian e alla palestinese Emily Jacir, Leone d'Oro a Venezia. Il titolo della mostra, Material for an Exhibition, rende omaggio all'opera Material for a Film di Emily Jacir, dedicata alla memoria del poeta palestinese Wael Zuaiter.Come accade nell'opera originale, anche in questo caso il termine material richiama le creazioni artistiche – installazioni, video, sculture, pittura, disegni e lavori su carta – e rimanda alle condizioni materiali in cui operano gli artisti provenienti da zone di conflitto. Elemento centrale è anche il rifiuto della cancellazione e della perdita delle opere, che spesso caratterizza tali contesti, in una riflessione sull'importanza dell'arte come archivio e memoria collettiva.In apertura del volume e della mostra spiccano le opere salvate degli artisti palestinesi Mohammed Al-Hawajri e Dina Mattar, co-fondatori di Eltiqa Group for Contemporary Art (“Eltiqa” in arabo “incontro”), una delle prime gallerie d'arte contemporanea nella Striscia di Gaza. Attraverso queste opere, che hanno viaggiato insieme agli artisti che le hanno prodotte, si mette in evidenza un altro volto di Gaza: quello della quotidianità, della cultura tramandata e dei luoghi della memoria, simbolo della volontà di un popolo che si rifiuta di scomparire. A seguire, una sezione dedicata alla ricerca dell'artista libanese Haig Aivazian riflette – attraverso sculture, installazioni, disegni e performance – sulle strutture di potere proprie della società contemporanea sullle dinamiche di controllo, sorveglianza e repressione dietro ai rapporti tra Medio Oriente e Occidente, indagando le dinamiche di controllo, sorveglianza e repressione.Il percorso si conclude con le creazioni dell'artista palestinese Emily Jacir, tra le voci più significative dell'arte contemporanea internazionale. La sua pratica attraversa un ampio repertorio di media – film, video, fotografia, scultura, installazione e performance – per indagare il modo in cu la memoria storica lascia il suo segno nel tempo, nelle geografie e nelle popolazioni della regione.             Le opere in mostra e raccolte nel volume provengono da importanti prestiti internazionali, da istituzioni newyorkesi, dal National Museum of Contemporary Art di Atene e della Sharjah Art Foundation di Sharjah. Si tratta di lavori realizzati nel corso di residenze artistiche e di alcune riproduzioni, di cui restano soltanto reperti digitali dopo la distruzione delle opere originali. Sara Alberani   Curatrice indipendente e attivista basata a Roma, esprime la sua ricerca curatoriale attraverso pratiche artistiche socialmente impegnate che coinvolgono comunità e spazi pubblici, concentrandosi sulle lotte di classe, la giustizia sociale e climatica attraverso progetti a lungo termine. Dal 2020 co-dirige LOCALES, una piattaforma curatoriale per la produzione di interventi site-specific e pratiche decoloniali nello spazio pubblico di Roma, nominata Miglior progetto curatoriale 2024 al Flash Art Italia Award. I suoi progetti sono stati presentati da numerose istituzioni. La sua ricerca curatoriale attuale indaga gli impatti dell'estrattivismo e del capitalismo sugli ecosistemi idrici nella sua regione d'origine, l'Emilia-Romagna, soprattutto alla luce delle alluvioni del 2023–2024, intendendo i corpi d'acqua come soggetti politici di insorgenza e resistenza.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

The National Museum of African American Music is known to be the only museum in the United States devoted to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. During the interview, Alyssa highlights some of her favorite immersive exhibits and experiences and talks about how the museum has grown significantly in visitor traffic since opening during the pandemic almost five years ago. The museum continues to expanded its reach through digital platforms and educational programs, including partnerships with local schools. It also continues to engage the community through events, memberships, and partnerships while planning its upcoming 5-year anniversary celebration, with ongoing efforts to preserve and promote African American musical heritage.SummaryOpening the National Museum of African American Music in Nashville - The National Museum of African American Music, located in Nashville, Tennessee, celebrates more than 400 years of African American music history with a mission to preserve, educate, and raise awareness of this rich cultural heritage. Alyssa Dituro, Assistant Director of Partnerships, explains that the museum's journey began 20 years ago with community efforts to establish it in Music City, ultimately finding its home on 5th and Broadway. The museum showcases the cultural impact of African Americans and their influence on various genres of music.National Museum of African American Music - Alyssa discusses some of her favorite exhibits at the National Museum of African American Music, highlighting "One Nation Under a Groove" and "The Message" for their representation of cross-genre collaborations and hip-hop culture. She emphasizes the museum's unique immersive experiences, such as creating personalized playlists, writing blues songs, and participating in a gospel choir. Jeremy notes the educational value of tracing musical influences and the global context provided by the museum's exhibits. Alyssa expresses hope that visitors would understand the interconnectedness of American music and its power to foster connection and understanding.Museum Exhibits and Anniversary Plans - Alyssa discusses the current and upcoming exhibits at the museum, including "Jubilation!" about the Fisk Jubilee Singers and "Woven Winds" by a local artist. She mentions a temporary lobby exhibit honoring the late R&B singer D'Angelo. Alyssa also talks about the upcoming 5-year anniversary celebration of the museum, which will coincide with MLK Day. The event will feature live music, giveaways, and a celebration of the museum's supporters.Museum Growth and Community Engagement - Alyssa discusses the museum's growth since its opening during the pandemic almost five years ago, and its role as a hub for African American music, noting significant international and national visitor traffic. She highlights ongoing efforts to expand the museum's reach through digital kiosks, podcasts, and educational programs, including partnerships with Metro Nashville Public Schools and Vanderbilt for free student access. Alyssa also mentions plans for weekend programming for families and older adults, emphasizing the museum's commitment to lifelong learning.Supporting the National Museum of African American Music - Alyssa discusses various ways the community can support the National Museum of African American Music, including memberships at different price tiers, a young members group called the Jefferson Club, and sponsorship opportunities. She highlights upcoming events like the December 2nd tree lighting and musical gifts, emphasizing the chance for meet-and-greets with artists. Alyssa encourages potential partners to reach out for corporate partnerships and mentions community partnerships as a focus. She concludes by providing contact information, directing listeners to the museum's website and social media platforms.Visit https://www.nmaam.org to learn more and to get involved with the National Museum of African American Music.https://www.facebook.com/theNMAAM/https://www.youtube.com/thenmaamMembershipDonateEvents

December 2, 2025 - The Smithsonian's National Museum of Asian Art presents Korean Treasures: Collected, Cherished, Shared, the first U.S. exhibition of significant works from the renowned Lee Kun-Hee Collection. On view through February 1, 2026,  Korean Treasures features over 200 works, including a dozen National Treasures designated by the Korean government. The largest and most comprehensive presentation of Korean art ever mounted at the National Museum of Asian Art, the exhibition spans 1,500 years—from ancient Buddhist sculptures and ceramics to paintings, furnishings and modern masterpieces of the 20th century. Donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, the collection reflects more than 70 years of generational collecting and comprises more than 23,000 works, a testament to a decades-long commitment to preserving and sharing Korea's artistic legacy and cultural heritage. Korean Treasures presents a remarkable selection from the collection to American audiences for the first time, alongside additional loans from the Leeum Museum of Art in Seoul, Korea, shown exclusively in Washington, D.C. In a conversation with The Korea Society, three curators from the National Museum of Asian Art–Carol Huh, J. Keith Wilson, and Sunwoo Hwang–explore the depth and diversity of Korean art and reflect on the practice of collecting in Korea. For more information, please visit the link below: https://www.koreasociety.org/arts-culture/gallery-talks/2081-korean-treasures-collected-cherished-shared-the-curatorial-roundtable

Episode 10 of 15 | Series 36: Serial Killers in HistoryFinland's first documented serial killer terrorized two continents across three decades. This episode traces Matti Haapoja's brutal journey from famine-ravaged Finland to Siberian exile and back—a life defined by escape, violence, and ultimately, one final act of defiance.Victim HumanizationHeikki Impponen was forty-two years old when he walked along that frozen road in December 1867. A farmer with a wife named Kaisa and three children waiting at home, he had known young Matti since childhood—their fathers had worked neighboring fields, they had been boys together in the harsh Finnish countryside. He carried what little money he had, perhaps hoping to buy food during Finland's devastating Great Famine. Maria Jemina Salo was in her early twenties, trying to survive in Helsinki's rougher districts, wearing a silver necklace her mother had given her. Guard Juho Rosted had worked at Kakola Prison for eleven years, with a pregnant wife expecting their fourth child—a daughter who would never know her father.Why This Case MattersMatti Haapoja's crimes fundamentally reshaped Finland's approach to criminal justice and prison security. His four successful escapes from Kakola Prison exposed critical weaknesses in the nation's penal system, earning the facility the mocking nickname "Pakola"—the escape prison. His case prompted a complete overhaul of prison architecture and security protocols throughout Finland. The investigation techniques developed to track him helped establish the framework for modern Finnish police procedures, while the case demonstrated how the Great Famine of 1866-1868, which killed 270,000 Finns, created conditions where desperate violence flourished.Content WarningThis episode contains descriptions of violent murders and suicide. Listener discretion advised.Key Case DetailsHaapoja's criminal career spanned three decades across two continents, leaving eight confirmed victims dead and exposing the limitations of 19th-century criminal justice systems across Finland and Siberia.• Timeline: First murder December 6, 1867, during Finland's Great Famine; sentenced to Siberian exile in 1880; returned to Finland September 1890; final escape attempt October 10, 1894; death by suicide January 8, 1895• Investigation: Haapoja's escapes revealed major security flaws in Finnish prisons; his capture after Maria Salo's murder came when his notorious reputation led to his recognition in Porvoo just days after the crime• Resolution: Sentenced to death in 1891 (automatically commuted to life imprisonment as Finland had abolished capital punishment in 1826); died by his own hand while awaiting trial for murdering Guard Juho Rosted• Historical Context: The puukkojunkkari (knife-fighter) culture of Southern Ostrobothnia shaped Haapoja's violent identity; his skeleton was displayed in the Finnish Museum of Crime for 99 years before burial in 1995Historical Context & SourcesThis episode draws on records from the National Museum of Finland, the National Biography of Finland, and the BiographySampo database. Prison museum collections preserve the tools of Haapoja's escapes—rope, wooden slats, and a floorboard with a drilled hole. Contemporary newspaper accounts from the 1890s, which sensationally compared his crimes to Jack the Ripper's London murders, provide crucial details about his final trial and death. The Circuit Court records of Hausjärvi from 1891 document his arrogant confession and the commutation of his death sentence.Resources & Further ReadingFor listeners interested in exploring this case and era further, these historically significant sources provide additional context:• The National Museum of Finland maintains archival materials on 19th-century Finnish criminal justice and the puukkojunkkari phenomenon• The Finnish National Biography database (Biografiakeskus) contains verified biographical details on Haapoja and his contemporaries• Academic research on the Great Famine of 1866-1868 illuminates the devastating conditions that shaped Haapoja's early crimesCall-to-ActionNext week on Foul Play: Francisco Guerrero Pérez terrorized Mexico City for decades, targeting women the newspapers refused to mourn. Subscribe now to follow Season 36: Serial Killers in History to its conclusion.Support this podcast at — https://redcircle.com/foul-play-crime-series/donationsAdvertising Inquiries: https://redcircle.com/brands

The third installment of our Charles Sumner episode covers how, two days after Charles Sumner delivered an incendiary speech before the senate, Representative Preston Brooks of South Carolina came into the Senate chamber and attacked Sumner at his desk. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

Todd and Paul travel to the National Museum of the Czech Republic to see the first exhibition of the Lucy skeleton in Europe! They stood in line with throngs of other people to witness this seminal Australopithecus skeleton firsthand. In this first in a series of three episodes recorded in Czechia, Paul and Todd describe what they saw and what it was like to view the original bones. What surprised them about seeing them in person? What religious overtones did the exhibit take on? Were the bones even real??? Find out in the latest episode of Let's Talk Creation, and be sure to come back in two weeks for part two of Todd and Paul's Czech Adventure!Materials for this EpisodePictures from the episode are found in the show noteshttps://letstalkcreation.org/wp-content/uploads/2025/11/LTC_Episode125_ShowNotes.pdfDoes Lucy Prove Evolution? (Todd's Blog)https://toddcwood.blogspot.com/2025/01/does-lucy-prove-evolution.htmlPaul and Todd's Czech Anthropology Adventurehttps://toddcwood.blogspot.com/2025/10/paul-and-todds-czech-anthropology.htmleLucy - an evolutionary resource with scans of some of her boneshttps://elucy.org/National Museum of the Czech Republichttps://www.nm.cz/Episodes mentioned in this episodeEpisode 97: Paul, Todd, and the Lucy Skeleton Part 1https://youtu.be/AL0DtPB7xvYEpisode 98: Paul, Todd, and the Lucy Skeleton Part 2https://youtu.be/NkHHI5ZIA30Playlist of Paleoanthropology Episodeshttps://www.youtube.com/playlist?list=PLOzn-NecEi8EQEPL-CsmVZRo--osOXXFf

Drawing on vivid contemporary accounts, this is a fascinating exploration of how and why the Revolutionary War descended into a brutal existential struggle.This engrossing history of the Revolutionary War conclusively shows that those caught up in it believed they had nothing to lose by fighting without regard for the rules of so-called “civilized warfare.” The clarion call to arms “Liberty or Death” was far more than just rhetoric. At its grimmest level, it was a conflict in which military restraint was more the exception than the rule, a struggle in which combatants believed their very existence was in question. This led to an acceptance of violence against persons and property as preferable to a defeat equated with political, cultural, and even physical extinction. It was war with an expectation and acceptance of ferocity and brutality – anything to avoid defeat.A number of historians have previously concluded that United States' founding struggle reached a level of ferocity few Americans now associate with the movement for independence. However, these studies have described what happened, without looking in detail at why the conflict took such a violent a turn. Written by two esteemed Revolutionary War historians, War Without Mercy does exactly that. Based on years of research and enlivened by little known primary sources, this is an intriguing and fresh look at a period of history we thought we knew.Mark Edward Lender is Professor Emeritus of History at Kean University. He is author or co-author of more than a dozen books including, with James Kirby Martin, the acclaimed A Respectable Army: The Military Origins of the Republic, 1763–1789 (Wiley, 2015) – which for several years was required reading at West Point – and, with Garry Wheeler Stone, the award-winning Fatal Sunday: George Washington, the Monmouth Campaign, and the Politics of Battle (University of Oklahoma Press, 2016). He served on the design team for the Army's special 250th Anniversary Exhibit at the National Museum of the U.S. Army. He lives in Richmond, Virginia.#americanrevolution #americanrevolutionarywar #1776 #authorpodcast #speakingofwriterspodcast

After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year's Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode's Work of the Week is the Cree artist Duane Linklater's wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It's part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work.Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026.Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year's digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99. https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.

水族館 shuǐzúguǎn – aquarium離島 lídǎo – outlying island基隆 Jīlóng – Keelung (a city in northern Taiwan)潮境智能海洋館 Cháojìng Zhìnéng Hǎiyángguǎn – Intelligent Ocean (i OCEAN)結合 jiéhé – to combine; integrate智能 zhìnéng – smart; intelligent場館 chǎnguǎn – venue; facility沉浸式 chénjìn shì – immersive海底世界 hǎidǐ shìjiè – underwater world熱帶魚 rèdàiyú – tropical fish水母 shuǐmǔ – jellyfish珊瑚 shānhú – coral展示 zhǎnshì – display; exhibit場外 chǎngwài – outside the venue海風吹拂 hǎifēng chuīfú – sea breeze blowing野柳海洋世界 Yěliǔ Hǎiyáng Shìjiè – Yehliu Ocean World悠久 yōujiǔ – long-standing; historic海豚 hǎitún – dolphin海獅 hǎishī – sea lion海洋隧道 hǎiyáng suìdào – ocean tunnel鯊魚 shāyú – shark魟魚 hóngyú – stingray在地物種 zàidì wùzhǒng – local species生態保育 shēngtài bǎoyù – ecological conservation規模 guīmó – scale; size屏東 Píngdōng – Pingtung (a city in southern Taiwan)國立海洋生物博物館 Guólì Hǎiyáng Shēngwù Bówùguǎn – National Museum of Marine Biology and Aquarium台灣水域館 Táiwān Shuǐyù Guǎn – Taiwan Waters Pavilion珊瑚王國館 Shānhú Wángguó Guǎn – Coral Kingdom Pavilion世界水域館 Shìjiè Shuǐyù Guǎn – World Waters Pavilion壯觀 zhuàngguān – spectacular; magnificent夜宿 yèsù – overnight stay遠雄海洋公園 Yuǎnxióng Hǎiyáng Gōngyuán – Farglory Ocean Park美人魚 měirényú – mermaid澎湖 Pénghú – Penghu (an outlying island of Taiwan)周邊海域 zhōubiān hǎiyù – surrounding waters近距離接觸 jìn jùlí jiēchù – close-up interaction海星 hǎixīng – starfish海膽 hǎidǎn – sea urchinFollow me on Instagram: fangfang.chineselearning !

The second installment of our episode on Charles Sumner picks up in the wake of his controversial antiwar speech. He next argued a school integration case before the Massachusetts supreme judicial court. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

A mystery hidden in time. Wrapped in gold. Stowed secretly in Lincoln's pocket. We dig into the family story of a secret message etched inside Abraham Lincoln's pocket watch. Is this a tall tale or a hidden piece of history waiting to be discovered? Join us as we dive into this incredible tale of family lore, historical detective work, and the Smithsonian's decision to open a priceless artifact.  Guests: Lisa Kathleen Graddy, curator of American political history at the Smithsonian's National Museum of American HistoryHarry Rubenstein, curator emeritus in the Division of Political History at the Smithsonian's National Museum of American HistoryDoug Stiles, great-great-grandson of watchmaker Jonathan Dillon

In the second part of then & now's special presentation of the panels from the “Future of History” conference, David Myers, host of then & now, moderates a conversation on the precarious state of history, democracy, and cultural institutions in the United States. The panelists include Lonnie G. Bunch III, the 14th Secretary of the Smithsonian Institution; Athena N. Jackson, UCLA's Norman and Armena Powell University Librarian; and Robin D.G. Kelley, Distinguished Professor and holder of the Gary B. Nash Chair in American History at UCLA.Lonnie Bunch warns that today's political climate poses an unprecedented threat to cultural institutions, from politicians claiming historians can be replaced by AI to direct pressure on the Smithsonian. Extending these concerns to the university, Athena Jackson highlights mounting challenges to libraries and archives, including politically driven limits on collecting and anxieties over corrupted digital data. Robin Kelley situates these pressures within a long history of attacks on curriculum, public knowledge, and racial justice, insisting that scholars must continue to expose structural inequality and resist resurgent fascism.David Myers is the host of then & now, director of the Luskin Center for History and Policy, and the Sady and Ludwig Kahn Chair in Jewish History at UCLA. He also directs the UCLA Initiative to Study Hate. He has written extensively in the fields of modern Jewish intellectual and cultural history. He previously served as chair of the UCLA History Department and as director of the UCLA Center for Jewish Studies.Athena N. Jackson became the Norman and Armena Powell University Librarian in March 2024, marking her return to UCLA after previously serving as director of UCLA Library Special Collections. She is an active member of the Association of Research Libraries and she served as chair of the Association of College and Research Libraries Rare Books and Manuscripts Section executive committee.Lonnie G. Bunch III is the 14th Secretary of the Smithsonian. His most recent book, A Fool's Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump, chronicles the making of the museum that would become one of the most popular destinations in Washington. In 2021, Bunch received France's highest award, The Legion of Honor.Robin D.G. Kelly is Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is currently completing two books, Making a Killing: Cops, Capitalism, and the War on Black Life (Henry Holt, 2027) The Education of Ms. Grace Halsell: An Intimate History of the American Century (in progress, Henry Holt).

In the town of Windmere, a kind baker named Juniper Bly never used a timer, she baked by the rhythm of her own heart.

The first installment of the deeper examination of Charles Sumner's life begins with his early years, including his close relationships with Henry Wadsworth Longfellow and Samuel Gridley Howe. Research: "Sumner, Charles (1811-1874)." Encyclopedia of World Biography, Gale, 1998. Gale Academic OneFile, link.gale.com/apps/doc/A148425674/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=95485851. Accessed 31 Oct. 2025. “Roberts v. City of Boston, 5 Cush. 198, 59 Mass. 198 (1849).” Caselaw Access Project. Harvard Law School. https://case.law/caselaw/?reporter=mass&volume=59&case=0198-01 “The Prayer of One Hundred Thousands.” https://www.senate.gov/artandhistory/history/resources/pdf/PrayerofOneHundredThousand.pdf Alexander, Edward. “The Caning of Charles Sumner.” Battlefields.org. 3/6/2024. https://www.battlefields.org/learn/articles/caning-charles-sumner Beecher, Henry Ward. “Charles Sumner.” Advocate of Peace (1847-1884) , MAY, 1874. Via JSTOR. https://www.jstor.org/stable/27905613 Berry, Stephen and James Hill Welborn III. “The Cane of His Existence Depression, Damage, and the Brooks–Sumner Affair.” Southern Cultures , Vol. 20, No. 4 (WINTER 2014). Via JSTOR. https://www.jstor.org/stable/10.2307/26217562 Boston African American National Historic Site. “Abiel Smith School.” https://www.nps.gov/boaf/learn/historyculture/abiel-smith-school.htm Boston African American National Historic Site. “The Sarah Roberts Case.” https://www.nps.gov/articles/the-sarah-roberts-case.htm Child, Lydia Maria. “Letters of Lydia Maria Child.” Houghton, Mifflin and Company. 1883. https://archive.org/details/lettersoflydiam00chil Commonwealth Museum. “Roberts v. The City of Boston, 1849.” https://www.sec.state.ma.us/divisions/commonwealth-museum/exhibits/online/freedoms-agenda/freedoms-agenda-8.htm Frasure, Carl M. “Charles Sumner and the Rights of the Negro.” The Journal of Negro History , Apr., 1928, Vol. 13, No. 2 (Apr., 1928). Via JSTOR. https://www.jstor.org/stable/2713959 Gershon, Livia. “Political Divisions Led to Violence in the US Senate in 1856.” JSTOR Daily. 1/7/2021. https://daily.jstor.org/violence-in-the-senate-in-1856/ History, Art and Archives. “South Carolina Representative Preston Brooks’s Attack on Senator Charles Sumner of Massachusetts.” U.S. House of Representatives. https://history.house.gov/Historical-Highlights/1851-1900/South-Carolina-Representative-Preston-Brooks-s-attack-on-Senator-Charles-Sumner-of-Massachusetts/ Longfellow House Washington's Headquarters National Historic Site. “An Era of Romantic Friendships: Sumner, Longfellow, and Howe.” https://www.nps.gov/articles/an-era-of-romantic-friendships-sumner-longfellow-and-howe.htm Lyndsay Campbell; The “Abolition Riot” Redux: Voices, Processes. The New England Quarterly 2021; 94 (1): 7–46. doi: https://doi.org/10.1162/tneq_a_00877 Mahr, Michael. “Sumner vs. Cane.” National Museum of Civil War Medicine. 5/24/2023. https://www.civilwarmed.org/sumner-vs-cane/ Meriwether, Robert L. “Preston S. Brooks on the Caning of Charles Sumner.” The South Carolina Historical and Genealogical Magazine , Jan., 1951, Vol. 52, No. 1 (Jan., 1951). Via JSTOR. https://www.jstor.org/stable/27571254 Mount Auburn Cemetery. “Charles Sumner (1811-1874): U.S. Senator, Abolitionist, & Orator.” https://mountauburn.org/notable-residents/charles-sumner-1811-1874/ National Park Service. “Charles Sumner and Romantic Friendships.” https://www.nps.gov/articles/000/charles-sumner-and-romantic-friendships.htm Potenza, Bob. “Charles Sumner.” West End Museum. https://thewestendmuseum.org/history/era/west-boston/charles-sumner/ Ruchames, Louis. “Charles Sumner and American Historiography.” The Journal of Negro History , Apr., 1953, Vol. 38, No. 2 (Apr., 1953). https://www.jstor.org/stable/2715536 Senate Historical Office. “Senate Stories | Charles Sumner: After the Caning.” United States Senate. 5/4/2020. https://www.senate.gov/artandhistory/senate-stories/charles-sumner-after-the-caning.htm Sinha, Manisha. “The Caning of Charles Sumner: Slavery, Race, and Ideology in the Age of the Civil War.” Journal of the Early Republic , Summer, 2003, Vol. 23, No. 2 (Summer, 2003). Via JSTOR. https://www.jstor.org/stable/3125037 Sumner, Charles. “Barbarism of Slavery.” 6/4/1860. https://dotcw.com/documents/barbarism_of_slavery.htm Sumner, Charles. “Freedom National; Slavery Sectional.” 8/26/1852. https://en.wikisource.org/wiki/Freedom_National;_Slavery_Sectional Sumner, Charles. “The equal rights of all.” Washington, Printed at the Congressional globe office. 1866. https://archive.org/details/equalrightsofall00sumn Tameez, Zaakir. “Charles Sumner: Conscience of a Nation.” Henry Holt and Co. 2025. United States Senate. "The Crime Against Kansas.” https://www.senate.gov/artandhistory/history/minute/The_Crime_Against_Kansas.htm United States Senate. “REPORT.” 5/28/1856. https://www.senate.gov/artandhistory/history/resources/pdf/SumnerInvestigation1856.pdf United States Senate. “The Caning of Senator Charles Sumner.” https://www.senate.gov/artandhistory/history/minute/The_Caning_of_Senator_Charles_Sumner.htm Various, “Southern Newspapers Praise the Attack on Charles Sumner,” SHEC: Resources for Teachers, accessed October 31, 2025, https://shec.ashp.cuny.edu/items/show/1548. See omnystudio.com/listener for privacy information.

In our Singapore Home Brew segment “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys shine a spotlight on the Museum of U & Me, a special SG60 pop-up museum at the National Museum of Singapore’s Lawn. Running from 9 October to 14 December, the exhibition invites visitors to journey through Singapore’s story told not by grand monuments, but by everyday objects donated and loaned by Singaporeans themselves. Joining us are John Tung, Independent Curator in charge of the National Heritage Board project, and Cecilia Gaspar, a donor whose grandfather, Dioscoro Asinas San Gaspar, once played alongside a young Louis Soliano and many others. Together, they share how personal artefacts—like a retro Setron television, a brick from Alexandra Brickworks, or even Princess Diana’s measurements by designer Benny Ong—become powerful touchpoints of national memory. With interactive digital displays, 3D-printed artefacts, and thematic sections spanning food, labour, leisure, and national development, the Museum of U & Me is designed as an accessible “first-touch” experience for all. Admission is free, making it the perfect way to connect with Singapore’s living heritage.See omnystudio.com/listener for privacy information.

My guest today on the Online for Authors podcast is Lya Badgley, author of the book The Thirty-Fifth Page. Lya Badgley was born in Yangon, Myanmar, to Montana parents—a political scientist and an artist—who sparked her lifelong love of creativity and critical thought. After moving to the Pacific Northwest in the 1980s, she became part of Seattle's arts and music scene. In the 1990s, she returned to Southeast Asia as a videographer documenting interviews with Burmese insurgents, then went on to lead Cornell University's Archival Project at Cambodia's Tuol Sleng Museum, preserving evidence used to prosecute war crimes. She later opened the 50th Street Bar & Grill in Yangon—one of the first foreign-owned businesses of its kind at the time.   Lya writes internationally set fiction that blends suspense with cultural nuance, exploring women's journeys through landscapes shaped by historical legacy, grief, and transformation.   Her debut novel, The Foreigner's Confession (2022), set in Cambodia, was a finalist for the Nancy Pearl Award for Best Fiction. Her second, The Worth of a Ruby (2023), set in Myanmar, was also honored as a finalist for multiple international awards. She now lives outside Seattle, Washington in the United States, and is excited to release her third novel, The Thirty-Fifth Page—a gothic-tinged literary suspense set in Bosnia.   In my book review, I stated The Thirty Fifth Page is a literary suspense laden with magical realism and a dash of historical fiction. Miri is a researcher whose specialty is medieval manuscripts. She flies to Bosnia to study the Sarajevo Haggadah, an illustrated Jewish text of the Passover Seder housed at the National Museum. Unfortunately, Sarajevo is on the brink of war, so Miri has to work quickly.   As she works, she believes the Haggadah has strange powers. Before she can figure it out, war breaks out, and the Haggadah is lost. But when it finally returns to its place of honor at the museum, it has a new page. And she is called back to find out why. This thirty-fifth page merges history and folklore, putting Miri and those she cares deeply about into the middle of an ancient curse.   I loved going on this adventure with Miri as she tries to figure out who she is and what she wants in the world. I also loved seeing how the past directly affects our present and future - and how we pass that on from generation to generation.   You are definitely going to love this new novel by Lya Badgley!   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Lya Badgley Website: https://lyabadgley.com/ FB: @lyabadgleyauthor IG: @lyabadgleyauthor   Purchase The Thirty-Fifth Page on Amazon: Paperback: https://amzn.to/3JBzcpP Ebook: https://amzn.to/4q5ai1W   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #lyabadgley #thethirtyfifthpage #suspense #historicalfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with Jordana Pomeroy, the director and CEO of the Currier Museum of Art. An art historian, author, and curator, Jordana started at the Currier in September 2024.In this episode, we'll chat about Jordana's career at the Museum of Modern Art, National Museum of Women in the Arts, and more. Jordana shares what brought her to New Hampshire (spoiler alert: it was the Currier!) and how she thinks about the future of the Currier. We'll also chat about Jordana's book, the young adult novel titled Daring: The Life and Art of Elisabeth Vigee Le Brun.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

Genevieve Keeney-Vazquez turned a childhood curiosity about death into a lifelong mission of education and advocacy. Her journey began with an early fascination with mortality at age seven and led to her role as president and CEO of the National Museum of Funeral History. Shaped by personal loss and her experiences in military medicine and funeral services, she promotes open dialogue and cultural respect surrounding end-of-life rituals. Through her leadership, she transforms grief into empowerment and education for thousands of people each year. This story is part one of a two-part interview in which Genevieve Keeney-Vazquez was a guest of Ashley Gould's on her podcast, On the Table with Ashley. Plan your visit to the museum today at nmfh.org and take a journey through over 30,000 square feet of fascinating history. Subscribe to The Final Curtain Never Closes on Apple Podcasts, Spotify, or wherever you get your podcasts. Key Takeaways 1. Genevieve and Ashley discuss how society often avoids talking openly about death, even though it is inevitable. Both share personal experiences with loss, emphasizing that talking about death and preparing for it—whether through conversations about wishes or understanding options—can provide significant peace and clarity to families. Open dialogue helps ensure that loved ones are honored according to their own wishes, not merely default traditions. 2. The conversation delves into how rituals and cultural practices shape how we approach death. Genevieve Keeney-Vazquez shares stories about family cremation preferences, memorial objects, and how personal items or actions (like distributing Neccos candies at a funeral) can become powerful vessels for memory and grief processing. This highlights how diverse, meaningful rituals can help mourners feel connected and supported. 3. Through Genevieve Keeney-Vazquez’s background as an Army medic, nurse, and funeral director, the theme of professional responsibility and respect for the dead emerges strongly. She discusses developing standard procedures, advocating for cultural and personal rights of the deceased and their families, and the fulfillment found in supporting others through loss. The focus is on treating death with dignity, cultural sensitivity, and attention to detail. 4. The transcript explores the museum’s founding, its expansion, and its mission: preserving and educating the public about funeral history, practices, and death’s role in human culture. The museum acts as a bridge, helping demystify death, honoring the industry's legacy, and fostering healthy conversations about our own mortality. 5. A moving discussion centers on the psychological aspects of grief, especially how sensory experiences—like smells or cherished objects—help us process loss and keep memories alive. These small details can anchor us, offer comfort, and carry the essence of our relationships forward.See omnystudio.com/listener for privacy information.

A contemporary artist took the world by surprise this week when he snuck an AI-generated print into the National Museum of Cardiff.Elias Marrow, who maintains anonymity in his work, used AI software to create his work, ‘Empty Plate', which he says represents Wales in 2025.The secretive artist carried out similar stunts at Bristol Museum and Tate Modern, but denied it was “vandalism”.This has sparked a heated debate about the place of AI in art and whether it ought to be displayed…Conceptual artist Elias Marrow joins Seán to discuss.Image: Elias Marrow

領土・主権展示館の拡張オープンに合わせた記念式典で公開された１９３４年に島根県・竹島でのアシカ猟を撮影した映像、１４日、東京都千代田区領土問題に関する日本の立場を発信する「領土・主権展示館」が１４日、拡張オープンした。 A new facility equipped with a three-screen display opened Friday at the National Museum of Territory and Sovereignty in Tokyo's Chiyoda Ward, aiming to help visitors to learn about Japan's territory through immersive video presentations.

Marjorie Merriweather Post is most often mentioned today as the person who built Mar-a-Lago. But she was a unique figure as a woman who helmed a huge corporation when she was still in her 20s in the early 20th century. Research: Britannica Editors. "C.W. Post". Encyclopedia Britannica, 22 Oct. 2025, https://www.britannica.com/biography/C-W-Post “C.W. Post a Suicide in California Home.” New York Times. May 10, 1914. https://timesmachine.nytimes.com/timesmachine/1914/05/10/100089022.pdf?pdf_redirect=true&ip=0 “The Diplomatic Legacy of Marjorie Merriweather Post.” National Museum of American Diplomacy. April 8, 2021. https://diplomacy.state.gov/stories/the-diplomatic-legacy-of-marjorie-merriweather-post/ Hillwood Estate, Museum & Gardens. https://hillwoodmuseum.org/ “Mrs. Marjorie Merriweather Post Is Dead at 86.” New York Times. Sept. 13, 1973. Gruson, Kerry. “Post Home for Sale for $20 Million.” New York Times. July 16, 1981. https://timesmachine.nytimes.com/timesmachine/1981/07/16/195929.html?pageNumber=59 Martin, Roland. "Marjorie Merriweather Post". Encyclopedia Britannica, 8 Sep. 2025, https://www.britannica.com/biography/Marjorie-Merriweather-Post Merolle, Guilhem. “Marjorie Merriweather Post’s most famous jewels.” Collectissim. Dec. 15, 2024. https://www.collectissim.com/en/marjorie-merriweather-post-most-famous-jewels/ Reid, Jan. “C.W. Post.” Texas Monthly. March 1987. https://www.texasmonthly.com/news-politics/c-w-post/ Stuart, Nancy Rubin. “American Empress: The Life and Times of Marjorie Meriweather Post.” Villard. 1995. Stuart, Nancy Rubin. “Marjorie Merriweather Post: The Philanthropic Heiress Who Built Mar-a-Lago.” Saturday Evening Post. November 14, 2023. https://www.saturdayeveningpost.com/2023/11/marjorie-merriweather-post-the-philanthropic-heiress-who-built-mar-a-lago/ See omnystudio.com/listener for privacy information.

Democrats in the US have released emails which, they say, raise new questions about Donald Trump's relationship with the convicted sex offender Jeffrey Epstein. Also: The health secretary, Wes Streeting, denies he's plotting to challenge the Prime Minister. And a replica woolly mammoth skeleton in the National Museum of Cardiff has been named Tom Bones.

Interview with Antonia Tricarico. Antonia Tricarico is an incredible photographer who is working on releasing a new book Be My Rebel. "Be My Rebel is a photography book born from my belief that powerful images can shift perceptions, raise awareness, and spark empathy. This project captures the raw intensity and emotion of protest—from the quiet determination of a young climate activist to the unstoppable unity of a crowd marching for women's rights." Antonia Tricarico on Be My Rebel.  Link to kickstarter!  Be My Rebel Book Kickstarter  Antonia Tricarico was born in Potenza, in Italy's Basilicata region. At 16, she joined the Feminist Collective of Potenza. After graduating from high school, she enrolled in the Law School at La Sapienza University in Rome and became active in the Women's Health Collective in Trastevere. She worked with Paolo Bedini's AZ Music agency, where for nearly a decade she helped bring renowned musicians to Italy. In the 1990s, she was involved in Rome's Rights to Housing movement and supported squatting public buildings with and for immigrants, for their right to housing. In 1997, after moving to the United States, she began pursuing photography more seriously. In the past years, she has worked as an archivist for Pulitzer Prize–winning Washington Post photographer Lucian Perkins and collaborated with independent labels such as Tolotta Records, Dischord Records, Kill Rock Stars, and Youth Action Research. Her photographs are represented in both private and public collections, including the National Museum of American History at the Smithsonian Institution, the permanent exhibition and special collections archive of the Martin Luther King Jr. Memorial Library in Washington, DC (Punk and Go-Go music archives), the Michelle Smith Performing Arts Library at the University of Maryland,the DC History Center, and the Library of Congress. Her work has been exhibited both nationally and internationally. She is the author of three books: • Frame of Mind: Punk Photos and Essay from Washington, DC, and Beyond, 1997–2017 (Akashic Books, 2019) • The Inner Ear of Don Zientara: A Half Century of Recording in One of America's Most Innovative Studios, Through the Voices of Musicians (Akashic Books, 2023) - Oltre l'Influenza-Italian Novel-Sensibili alle Foglie Publisher-Rome,Italy 2023 Her work has appeared in Photo Review, Guitar World, Kerrang, All Music, Razorcake, Chicago Reader, The Oregonian, The Quietus, The Echo, Exclaim!, Fretboard Journal, Washington City Paper, and Washingtonian.   Antonia Tricarico website.

Joy Bailey-Bryant, Lord Cultural Resources President, returns to the show as The Center for Black Excellence and Culture building comes to completion. As an expert in cultural spaces and innovative museums, Baily-Bryant is involved in supporting the development of The Center for Black Excellence and Culture in Madison, WI. They connect over shared Black culture and tell stories of the power of preserving culture, demonstrating the resilient power of culture that has space to speak into itself. As leader of cultural planning at the largest cultural consultancy in the world, Joy works with city officials, institutional leaders, and developers, in global municipalities like Chicago; New York; Dhaka, Bangladesh; and Dharan, Saudi Arabia to creatively plan cities and bring people (life!) to public institutions. Joy led the teams for institutional and cultural planning on remarkable projects like the National Museum of African American History and Culture in Washington, D.C., reaching more than 1,000 stakeholders across the country to learn their expectations for the new museum; the National September 11 Memorial and Museum at the World Trade Center, directing citywide engagement in locations as large as Chicago and small as Decatur, Georgia – speaking with thousands of individuals in meetings and on social media – to assess, project, and plan for their cultural needs; and planning and opening the expansion of the Albany Civil Rights Institute in Albany, Georgia—unearthing thousands of untold stories of the Southwest Georgia Civil Rights Movement.  A cultural planning specialist, certified interpretive planner, and outreach facilitator, Joy honed her specialized skill working in collaborative roles at the Institute of Museum and Library Services (IMLS) and notable cultural planning projects. alexgee.com Support the Show: patreon.com/blacklikeme Join the Black Like Me Listener Community Facebook Group

Mary Golda Ross was the first Indigenous woman in the U.S. known to have become an engineer. Her impact on the field of aerospace engineering is hard to quantify, because much of her work is still classified. Research: Agnew, Brad. “Cherokee engineer a space exploration pioneer.” Tahlequah Daily Press. 3/27/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Agnew, Brad. “Golda’ Ross left teaching to support war effort.” Tahlequah Daily Press. 3/20/2016. https://www.tahlequahdailypress.com/news/golda-ross-left-teaching-to-support-war-effort/article_c500cbc4-eeba-11e5-9b57-2b127651fcb5.html Brewer, Graham Lee. “Rocket Woman.” Oklahoma Today. July/August 2018. Cochran, Wendell. “Cherokee Tear Dress Facts.” The People’s Paths. https://www.thepeoplespaths.net/Cherokee/WendellCochran/WCochran0102TearDressFacts.htm Hogner-Weavel, Tonia. “History of the Cherokee Tear Dress.” Cherokee Nation. Via YouTube. 9/15/2016. https://www.youtube.com/watch?v=90V5fM0DiMk Lake, Timothy. "Mary Golda Ross". Encyclopedia Britannica, 5 Aug. 2025, https://www.britannica.com/biography/Mary-Golda-Ross. Accessed 21 October 2025. Margolis, Emily. A. “Mary Golda Ross: Aerospace Engineer, Educator, and Advocate.” Smithsonian National Air and Space Museum. https://airandspace.si.edu/stories/editorial/mary-g-ross-aerospace-engineer Museum of Native American History. “Historic Trailblazer: Mary Golda Ross.” Via YouTube. 12/17/2020. https://www.youtube.com/watch?v=OzC14hGbPug National Park Service. “Mary G. Ross.” https://www.nps.gov/people/mary-g-ross.htm New Mexico Museum of Space History. “Mary Golda Ross: First Native American Aerospace Engineer.” Via YouTube. 3/31/2023. https://www.youtube.com/watch?v=IT9r5trwZEs Oklahoma Hall of Fame. “Mary Golda Ross Induction Ceremony Video.” 11/22/2023. https://www.youtube.com/watch?v=Bovabx6ITW4 Rosengren, Paul Lief. “Mary Golda Ross: She Reached for the Stars.” IEEE-USA and Paul Lief Rosengren. 2025. Schroeder, Mildred. “A Far-out Cherokee Chick.” San Francisco Examiner. 4/16/1961. Smith, Betty. “Pure Cherokee Gold.” Tahlequah Daily Press. 6/26/2008. https://www.tahlequahdailypress.com/archives/pure-cherokee-gold/article_44c0a25a-94e2-53d8-b80c-be1ff86305e7.html Viola, Herman. “Mary Golda Ross: She Reached for the Stars.” American Indian: Magazine of Smithsonian’s National Museum of the American Indian. Vol. 19, No. 4. Winter 2018. https://www.americanindianmagazine.org/story/mary-golda-ross-she-reached-stars Wallace, Rob. “Mary Golda Ross and the Skunk Works.” National World War II Museum. 11/19/2021. https://www.nationalww2museum.org/war/articles/mary-golda-ross-and-skunk-works Watts, Jennifer. “John Ross: Principal Chief of the Cherokee People.” Tennessee State Museum. https://tnmuseum.org/junior-curators/posts/john-ross-principal-chief-of-the-cherokee-people Yang, John. “The cutting-edge work of Native American aerospace engineer Mary Golda Ross.” 11/26/2023. https://www.pbs.org/newshour/show/the-cutting-edge-work-of-native-american-aerospace-engineer-mary-golda-ross Zhorov, Irina. “Years Later, Miss Indian America Pageant Winners Reuniteg.” NPR Code Switch. 7/12/2013. https://www.npr.org/sections/codeswitch/2013/07/12/201537264/Years-Later-Miss-Indian-America-Pageant-Winners-Reunite See omnystudio.com/listener for privacy information.

I Nationalmuseums vinterutställning Porträtt! visas bilder på allt ifrån kungligheter till rockstjärnor. Lyssna på alla avsnitt i Sveriges Radio Play. Verken i utställningen kommer ifrån statens porträttsamling, som anses vara världens äldsta porträttsamling. Några porträtt som ställs ut är flera hundra år gamla medan andra är nutida. Men vad är egentligen ett porträtt, och hur har urvalet gått till? P1 Kulturs Kajsa Sander har diskuterat frågorna tillsammans med Nationalmuseums utställningschef Per Hedström.

For the James Beard Award–winning writer and culinary historian Michael W. Twitty, kitchens provide a multitude of significant purposes that stretch far into the past and carry through to the present. Beyond being places where people cook, share, and eat food, they also serve as vital spaces in which to gather in community, to grieve and process trauma, to teach and learn, to dance, to heal, and to experience Black love and joy. Twitty's multilayered cooking draws on his family roots, his personal history, and his deep culinary knowledge of the American South. His latest title, the cookbook Recipes From the American South (Phaidon), brings his skill as a home cook and historically informed recipe-maker to the fore, allowing ingredients and dishes to transform into cultural and temporal touchpoints. On this episode of Time Sensitive, Twitty reflects on what researching and uncovering his ancestry has taught him about Southern cooking and himself, and shares why, for him, food functions as a tangible form of cultural reclamation and emotional healing.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Michael W. Twitty[7:43] Saidiya Hartman[8:43] Their Eyes Were Watching God (1937) and Mules and Men (1935) by Zora Neale Hurston[9:42] Gonze Lee Twitty[16:50] Brer Rabbit [14:33] National Museum of African American History and Culture[19:42] “Amazing Grace”[29:22] Gullah Geechee[54:04] Recipes From the American South (2025)[54:56] Southern Discomfort Tour[1:03:44] Koshersoul: The Faith and Food Journey of an African American Jew (2023)[1:03:44] Rice: A Savor the South Cookbook (2021)[1:03:44] The Cooking Gene: A Journey Through African-American Culinary History in the Old South (2018)[1:07:52] Ryan Coogler[1:19:17] James Hemings[1:19:17] Edith Fossett and Fanny Hern[1:19:17] Ursula Granger[1:19:31] Gage & Tollner[1:19:31] John Birdsall[1:19:31] Tennessee Williams[1:19:31] Truman Capote

Featuring: 'The First King of England: Æthelstan and the Birth of a Kingdom' by David Woodman, Professor and Fellow in History at Robinson College, University of Cambridge; 'Queer Georgians', by historian Dr Anthony Delaney; 'Ireland: Mapping The Island', with Joe Brady, co-author; and Changing Ireland at the National Museum of Ireland, with Dónal Maguire, Keeper of Art & Industry collections, and Sandra Heise, Curator of Historical Collections.

“Prospector” is a special documentary telling the incredible story of Paddy Hannan from Gorteen near Quin, Co Clare. In the early 1860s, Paddy left Clare for the goldfields of Australia and New Zealand. In 1893, he and two friends made a discovery that sparked one of the great Western Australian Gold Rushes. That find, in the scorching Australian outback, ultimately led to the founding of the city of Kalgoorlie where the main thoroughfare is named Hannan Street. This programme has been produced to mark the 100th anniversary of Paddy Hannan's death in Melbourne on November 4th 1925. “Prospector” is the story of Paddy Hannan and has been produced by Pat Flynn and was recorded in Clare and Kalgoorlie-Boulder, WA. Special thanks to: Timothy Moore, Local History and Archives Officer City of Kalgoorlie-Boulder; Tim Cudini, President Eastern Goldfields Historical Society, Kalgoorlie-Boulder; Annette Watt, Manager, Hannan's North Tourist Mine, Kalgoorlie-Boulder; Michael Talty, Executive Librarian at the Clare Local Studies Centre in Ennis, Co Clare; Mary Cahill, former Keeper of Irish Antiquities at the National Museum of Ireland and Larry Brennan, Clare Roots Society, Ennis.

This week's case comes from way back in the 1400s. It's a story about a boy surrounded by extreme violence. He returned to his home in Romania to find his family brutally slaughtered. Listen to this week's episode to hear about the horrific acts of violence committed by Vlad III aka Vlad the Impaler. Sources:The German (Saxon) Pamphlets (1460s–1480s) — Printed in Nuremberg & Lübeck, these woodcut pamphlets spread the legend of Vlad's atrocities across Europe, including tales of boiling, mutilations, and the infamous “forest of the impaled.”The Russian Chronicle / “Skazanie o Drakule voevode” (late 15th century) — A Slavic narrative of Vlad's reign, sympathetic to him as a strong ruler against the Ottomans, but still full of detailed executions.Laonikos Chalkokondyles, Histories (1490s) — A Byzantine historian who described Vlad's campaigns and cruelty, especially the confrontation with Sultan Mehmed II.Ottoman chronicles (including accounts by Tursun Beg) — Recorded Vlad's wars with the empire and the shock at his use of mass impalement.Radu R. Florescu & Raymond T. McNally, Dracula: Prince of Many Faces (Little, Brown & Co., 1989) — Classic modern history blending the fact and legend of Vlad III.Elizabeth Miller, Dracula: Sense & Nonsense (Desert Island Books, 2000) — Separates Bram Stoker's fictional Count from the historical Vlad.Matei Cazacu, Dracula (Tallandier, 2004; English translation, Brill, 2017) — A comprehensive biography from a Romanian historian, with close readings of chronicles.Constantin Rezachevici, Vlad the Impaler (Dracula): Between Legend and History (Romanian Academy, 2002) — Focuses on Vlad's reign in Wallachia and his political strategies.Florin Curta, Southeastern Europe in the Middle Ages, 500–1250 (Cambridge University Press, 2006) — Broader context of Wallachia and Ottoman frontier politics.National Museum of Romanian History (Bucharest) — Exhibits on Vlad III and Wallachian history.“The Impaler Prince: Vlad III Dracula” — Smithsonian Magazine, Oct 2011.“Vlad the Impaler: The Real Dracula” — History Extra (BBC History), Oct 2020.

In listening to James Otis, Jr.'s arguments against the Writs of Assistance in 1761, John Adams remarked that it was there that American Independence was born.  There is no question of Otis' erudition or passion for liberty, but while he fought for the rights of his country, he was also fighting a personal battle for his mental health.  We talk with Gerald Holland, aurhor of a new biography of Otis,  Lucy Pollock, Kate LaPine, and Paul Piwko as they discuss the new  online exhibit. Patriot, Hero, and Distracted Person. a collaboration  between Revolutionary Spaces and the National Museum of Mental Health Project on the life and struggles of James Otis, Jr.https://www.nmmhproject.org/jamesotisjrhttps://revolutionaryspaces.org/Tell us what you think! Send us a text message!

Fluent Fiction - Swedish: The Art Detective: Linnea's Hidden Masterpiece Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-10-25-07-38-20-sv Story Transcript:Sv: De första gula löven lade sig som en gyllene matta på marken utanför Nationalmuseet i Stockholm.En: The first yellow leaves lay like a golden carpet on the ground outside the Nationalmuseum in Stockholm.Sv: Inne i museet florerade besökarna längs korridorerna, ivriga att beundra konsten.En: Inside the museum, visitors flourished along the corridors, eager to admire the art.Sv: Linnea, en ung konserverare, rörde sig tyst mellan tavlorna med en blandning av koncentration och hemlig spänning.En: Linnea, a young conservator, moved quietly between the paintings with a mixture of concentration and secret excitement.Sv: Hon älskade konst, men ännu mer älskade hon mysterier.En: She loved art, but even more, she loved mysteries.Sv: Mats, hennes kollega, knackade henne lätt på axeln.En: Mats, her colleague, tapped her lightly on the shoulder.Sv: "Har du hört?En: "Have you heard?Sv: En målning har försvunnit.En: A painting has disappeared.Sv: En av de tillfälliga utställningarna."En: One of the temporary exhibitions."Sv: Linnea såg förvånad ut.En: Linnea looked surprised.Sv: "Seriöst?"En: "Seriously?"Sv: Mats nickade allvarligt.En: Mats nodded seriously.Sv: "Erik är redan igång, men han verkar säker på att det är ett enkelt misstag."En: "Erik is already on it, but he seems sure it's a simple mistake."Sv: Erik, säkerhetschefen, var en man med stark självsäkerhet.En: Erik, the head of security, was a man with strong self-confidence.Sv: "Vi har det under kontroll," sade han självsäkert när Linnea frågade om vad som hade hänt.En: "We have it under control," he said confidently when Linnea asked about what had happened.Sv: "Det är troligtvis bara en felräkning."En: "It's likely just a miscount."Sv: Linnea kände sig tveksam.En: Linnea felt doubtful.Sv: Hon hade sett säkerhetskameror visa samma klipp om och om igen, och viktiga stunder saknades.En: She had seen security cameras showing the same clip over and over again, and important moments were missing.Sv: Linnea bestämde sig för att undersöka på egen hand.En: Linnea decided to investigate on her own.Sv: Hon gick runt i utställningen och studerade knappt märkbara detaljer i varje verk.En: She walked around the exhibition and studied barely noticeable details in each piece.Sv: Hon var noggrann och märkte plötsligt en detalj som verkade ovanlig i en tavla av en höstskogslandskap.En: She was meticulous and suddenly noticed a detail that seemed unusual in a painting of an autumn forest landscape.Sv: En hörna var mörklagd på ett sätt som inte passade med resten.En: A corner was darkened in a way that didn't fit with the rest.Sv: Hon närmade sig sakta och märkte en liten nyckel som stack ut under ramen.En: She approached slowly and noticed a small key sticking out from under the frame.Sv: Med nyckeln i handen närmade hon sig en dörr längst bort i huvudhallen.En: With the key in hand, she approached a door at the far end of the main hall.Sv: Erik anslöt sig oväntat.En: Erik joined unexpectedly.Sv: "Vad gör du här?"En: "What are you doing here?"Sv: frågade han med en skeptisk blick.En: he asked with a skeptical look.Sv: Men Linnea öppnade dörren och där, inom ett gömt rum, hängde den saknade målningen.En: But Linnea opened the door, and there, within a hidden room, hung the missing painting.Sv: Bredvid fanns andra glömda konstverk.En: Beside it were other forgotten artworks.Sv: Erik, förbluffad, kunde inte annat än att beundra Linneas skarpa iakttagelseförmåga.En: Erik, astonished, couldn't help but admire Linnea's keen observation skills.Sv: Mats log stort när han såg målningen.En: Mats beamed widely when he saw the painting.Sv: "Bra jobbat, Linnea," sade han stolt.En: "Great job, Linnea," he said proudly.Sv: Från den dagen förändrades saker för Linnea.En: From that day, things changed for Linnea.Sv: Hon blev mer självsäker i sina förmågor och belönades för sina insikter.En: She became more confident in her abilities and was rewarded for her insights.Sv: Hennes kollegor, inklusive Erik, hade fått stor respekt för henne.En: Her colleagues, including Erik, had gained great respect for her.Sv: Mysterierna i konstens värld hade fått en ny mästare.En: The mysteries of the art world had gained a new master. Vocabulary Words:conservator: konserverareflourished: floreradeeager: ivrigaadmire: beundracorridors: korridorernaexhibition: utställningenself-confidence: självsäkerhetmeticulous: noggrannobservation: iakttagelseförmågaastonished: förbluffadskeptical: skeptiskdoubtful: tveksamconcentration: koncentrationmysteries: mysteriertemporarily: tillfälligamiscount: felräkningbarely: knapptnoticeable: märkbaralandscape: landskapautumn: höstdarkened: mörklagdframe: ramenhidden: gömtforgotten: glömdarewarded: belönadesinsights: insikterrespect: respektabilities: förmågoradmired: beundracorner: hörna

Fluent Fiction - Swedish: Rekindling Family Ties Among Stockholm's Masterpieces Find the full episode transcript, vocabulary words, and more:fluentfiction.com/sv/episode/2025-10-25-22-34-02-sv Story Transcript:Sv: Det var en krispig höstdag i Stockholm.En: It was a crisp autumn day in Stockholm.Sv: Träden utanför Nationalmuseum skiftade i gyllene och röda färger, som om de själva var konstverk.En: The trees outside the Nationalmuseum were changing to golden and red hues, as if they themselves were artworks.Sv: Sofia och Linnea gick långsamt genom museets magnifika salar.En: Sofia and Linnea walked slowly through the museum's magnificent halls.Sv: De skulle på en efterlängtad konstutställning.En: They were going to a long-awaited art exhibition.Sv: Sofia älskade konst.En: Sofia loved art.Sv: Det gav henne en känsla av ro och inspiration.En: It gave her a sense of peace and inspiration.Sv: Men den här dagen grumlades hennes glädje av oro.En: But this day, her joy was clouded by worry.Sv: "Linnea, tänk om vi stöter på Albin idag?"En: "Linnea, what if we run into Albin today?"Sv: viskade Sofia.En: whispered Sofia.Sv: Hennes blick flackade i oroliga mönster, speglande de intrikata målningarna omkring dem.En: Her glance flickered in worried patterns, mirroring the intricate paintings around them.Sv: "Du har velat återförenas med honom länge nu, Sofia," svarade Linnea mjukt och la en hand på Sofias axel.En: "You've been wanting to reunite with him for a long time now, Sofia," Linnea replied softly, placing a hand on Sofia's shoulder.Sv: "Kanske är det ett tecken."En: "Maybe it's a sign."Sv: Sofia nickade, men en tyngd vilade kvar i hennes bröst.En: Sofia nodded, but a weight lingered in her chest.Sv: Hennes bror Albin, som hon inte hade träffat på flera år, hade plötsligt dykt upp i hennes tankar denna dag.En: Her brother Albin, whom she had not seen for several years, had suddenly appeared in her thoughts today.Sv: Han bodde utomlands och deras relation hade varit kylig.En: He lived abroad and their relationship had been chilly.Sv: Gamla konflikter låg fortfarande och pyrde under ytan.En: Old conflicts were still simmering beneath the surface.Sv: Som de långsamt vandrade genom utställningen, de njöt av varje konstverk.En: As they slowly wandered through the exhibition, they enjoyed each artwork.Sv: Mitt bland färger och former såg de en bekant gestalt.En: Among the colors and shapes, they saw a familiar figure.Sv: Där stod Albin.En: There stood Albin.Sv: Han såg äldre ut, men de där igenkännande dragen fanns kvar.En: He looked older, but those recognizable features remained.Sv: "Sofia", uppmanade Linnea tyst och knuffade henne försiktigt framåt.En: "Sofia," Linnea urged quietly and nudged her gently forward.Sv: Sofia kände en hemsk blandning av förväntan och rädsla.En: Sofia felt a dreadful mix of anticipation and fear.Sv: Skulle hon säga hej?En: Should she say hello?Sv: Vad skulle hon säga?En: What would she say?Sv: Om han bara ignorerade henne?En: What if he just ignored her?Sv: Men denna plats, dessa konstverk, gav henne mod.En: But this place, these artworks, gave her courage.Sv: Hon satte kurs mot Albin.En: She set a course toward Albin.Sv: "Hej, Albin," sa hon, rösten skakig men tydlig.En: "Hello, Albin," she said, her voice shaky but clear.Sv: Albin vände sig långsamt och såg på henne.En: Albin turned slowly and looked at her.Sv: Blicken mjuknade något, men han såg också förbluffad ut.En: His gaze softened somewhat, but he also appeared astonished.Sv: "Sofia," svarade han till sist.En: "Sofia," he finally replied.Sv: De stod där mitt bland mästerverken, två syskon som delade mer än bara gener.En: They stood there among the masterpieces, two siblings sharing more than just genes.Sv: Orden kom först långsamt.En: The words came slowly at first.Sv: Samtalet blev snabbt uppriktigt och känsloladdat.En: The conversation quickly became sincere and emotional.Sv: Sofia talade om sina känslor, om saknaden och ängsligheten.En: Sofia talked about her feelings, about the longing and anxiety.Sv: Albin berättade om sitt liv utomlands, om varför han hållit sig undan.En: Albin spoke about his life abroad, about why he had stayed away.Sv: Det var svårt.En: It was difficult.Sv: För gamla sår läkte inte omedelbart.En: For old wounds do not heal immediately.Sv: Men där, bland konsten, hittade de en sällsynt gemensam mark.En: But there, among the art, they found a rare common ground.Sv: Insikten om att det som en gång verkade omöjligt att reparera kanske kunde bli helt.En: The realization that what once seemed impossible to repair could perhaps become whole.Sv: När Sofia och Linnea senare den kvällen lämnade museet, vilade ett lugn över Sofia.En: When Sofia and Linnea left the museum later that evening, a calm rested over Sofia.Sv: Hon hade gått igenom en storm av känslor, men hittade ett frö av hopp.En: She had gone through a storm of emotions, but found a seed of hope.Sv: Hennes mod belönades och hon kände sig starkare.En: Her courage was rewarded and she felt stronger.Sv: Människor förändras.En: People change.Sv: Förbindelser kan återuppbyggas.En: Connections can be rebuilt.Sv: Höstens färgglada löv viskade om nya början, och mitt i allt detta, fann Sofia en ny början med sin bror.En: The colorful autumn leaves whispered of new beginnings, and in the midst of it all, Sofia found a new beginning with her brother. Vocabulary Words:crisp: krispigautumn: hösthues: färgermagnificent: magnifikaclouded: grumladesflickered: flackadeintricate: intrikatalingered: vilade kvarabroad: utomlandschilly: kyligsimmering: pyrdewandered: vandradefamiliar: bekanturged: uppmanadedreadful: hemskanticipation: förväntanastonished: förbluffadmasterpieces: mästerverkensincere: uppriktigtanxiety: ängslighetheal: läkterare: sällsyntrealization: insiktenimpossible: omöjligtrepair: repareracalm: lugnstorm: stormseed: fröcourage: modrewarded: belönades

A new exhibition of Cambodian bronze sculptures from the Khmer Empire and other significant pieces opens at the Minneapolis Institute of Art on Saturday. It's the first time some of these pieces have been on display in the U.S. and Mia is the only U.S. museum that will host this exhibition. The exhibition is part of a collaboration between Mia, the National Museum of Cambodia and the Guimet, the National Museum of Asian Arts, in France. Virajita Singh, Mia's chief diversity officer, and Chhay Visoth, the director of the National Museum of Cambodia, joined MPR News host Nina Moini to share more about the exhibition's significance. Royal Bronzes: Cambodian Art of the Divine is at Mia from Oct. 25 to Jan. 18, 2026.

In this episode, Dr Sam Willis discusses the conservation of HMS Victory. As the flagship of Admiral Lord Nelson at the Battle of Trafalgar, Victory holds immense historical and cultural significance, but preserving her is proving to be a monumental challenge.Simon Williams, who leads the ship's conservation project 'HMS Victory: The Big Repair', shares the unexpected realities of working on the 260-year-old wooden vessel, including the discovery of extensive degradation. What began as a plan to replace six futtocks has grown into a massive effort to conserve 150 futtocks on the starboard side alone. With limited documentation from previous restorations, Simon explains how the team navigates risk management and decision-making in uncharted territory. Simon also discusses the delicate balance between public access and preservation, revealing how the team has had to repair structural elements while ensuring visitor safety and offering the public a rare opportunity to witness conservation in action. He reflects on the privilege of working on HMS Victory, and his fascination with the hidden stories embedded in the ship's construction and maintenance. To ensure future generations can continue this work, the team is creating a detailed historical record of the conservation process - laying the foundation for informed maintenance and repair for years to come.Carolina Sophie Henham also offers a fascinating glimpse into the daily realities of conservation work, from managing water ingress to battling persistent pests like the 'Death Watch' beetle, which is notoriously resistant to traditional treatments and particularly fond of oak, HMS Victory's primary timber. Carolina explains the difficulty of treating infestations without compromising the ship's structure, and shares insights into the team's ongoing research into sustainable pest control methods. She also discusses the innovative approaches being explored to protect this historic vessel.Tony Noon offers a behind-the-scenes tour of the conservation workshop at the National Museum of the Royal Navy in Portsmouth, revealing bays dedicated to tasks like laminating futtocks and carving ornate timbers. The space also houses materials and artefacts from other historic ships, showcasing the broader scope of maritime preservation. This episode offers a rare behind-the-scenes look at one of the most ambitious maritime conservation projects in recent years.This episode is supported by the Society for Nautical Research, the Save The Victory Fund (STVF) and the Lloyd's Register Foundation. Hosted on Acast. See acast.com/privacy for more information.

In this commemorative episode of Mariner's Mirror Podcast, host Dr Sam Willis marks the anniversary of the Battle of Trafalgar by exploring the exact location and circumstances of Admiral Lord Nelson's death aboard HMS Victory on the 21st of October 1805. Joined by Andrew Baines, Executive Director of Museum Operations at the National Museum of the Royal Navy in Portsmouth, and Dr Dan O'Brien, historian of undertakers and funerals in Eighteenth Century England, the discussion unfolds on the very decks where history was made - the quarter deck where Nelson was shot, and the orlop deck where he died.This episode offers a poignant reflection on the emotional weight that the decks of the Victory still retain. Baines observes how visitors respond to these spaces onboard the ship, noting the evolving significance and the solemn atmosphere on the flagship. The plaque on the quarter deck is polished every morning by the Royal Navy crew to commemorate Nelson's death. Once a functional part of the ship, the purpose of the orlop was forever transformed by the events of Trafalgar. O'Brien explores how this quiet, confined area has become a site of reverence - not only for Nelson's final moments but also for the countless anonymous sailors who perished. These spaces onboard HMS Victory now stand as a powerful reminder of sacrifice, legacy, and the human cost of naval warfare.Listeners are immersed in the chaos of battle on October 21, 1805, with vivid accounts of Nelson's final moments, the ship's damage, and the emotional impact on the crew. The episode also reflects on the significance of HMS Victory as a national memorial, contrasting it with Trafalgar Square and other public monuments. This is more than a retelling - it's a journey into the heart of naval heritage, recorded on the ship that still carries Nelson's legacy.This episode is supported by the Society for Nautical Research, the Save The Victory Fund (STVF) and the Lloyd's Register Foundation. Hosted on Acast. See acast.com/privacy for more information.

In this week's show: Turkish Airlines may shift their large B737 MAX of 150 aircraft order to Airbus; DHL Airbus A300 suffers tail strike during landing at London Heathrow; and Ryanair a flight lands with 6 minutes of fuel left following a storm and subsequent diversions.    In the military: An RAF A400M conducts a historic landing on a remote arctic Island in a NATO mission; and  he National Museum of the USAF is Dayton, Ohio is to Display the MiG-25 ‘Foxbat' aircraft.    Also joining us on the show this week is Ian Parrott from Flight Zone 320 (more about Ian in a second) and we have Part 5 of the Alan Munro interview that Captain Nick did for us. Take part in our chatroom to help shape the conversation of the show. You can get in touch with us all at : WhatsApp +447446975214 Email podcast@planetalkinguk.com or comment in our chatroom on YouTube.

[Historic American Art] We go deep into the world of American illustration with today's guest, Judy Goffman Cutler, the founder and director of the National Museum of American Illustration in Newport, Rhode Island. Judy tells us about the incredible mansion that houses the museum's collection, and also goes into her own history as an art dealer before founding the museum, which is home to a world-class collection of illustration from artists such as J.C. Leyendecker, Norman Rockwell, N.C. Wyeth and many others. Today's episode is sponsored by American Fine Art Magazine. Learn more at americanfineartmagazine.com.

Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson. The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35. Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677. Instagram: Andrea Carlson, Tyler Green.

On this episode, Payton unravels the chilling history and dark legends surrounding the world's most cursed doll. Links: Patreon: https://www.patreon.com/murderwithmyhusband NEW MERCH LINK: https://mwmhshop.com Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Twitch: twitch.tv/throatypie Instagram: https://www.instagram.com/paytonmorelandshow/ Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Watch on Youtube: https://www.youtube.com/channel/UCUbh-B5Or9CT8Hutw1wfYqQ Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7 Case Sources: The Little House of Horrors - https://thelittlehouseofhorrors.com/annabelle-the-demonic-doll/ Boston Ghosts - https://bostonghosts.com/annabelle-the-haunted-doll/ i95 - https://i95rock.com/annabelle-doll-left-connecticut-museum-heres-whats-happening-now/ NBC News - https://www.youtube.com/watch?v=s3Rric-i6NI CT Insider - https://www.ctinsider.com/entertainment/article/annabelle-missing-rumor-warren-occult-museum-ct-20346806.php New England Society for Psychic Research - https://tonyspera.com/annabelle/ National Museum of Play - https://www.museumofplay.org/toys/raggedy-ann-and-andy/ USA Today - https://www.usatoday.com/story/entertainment/2025/05/25/annabelle-new-orleans-plantation-fire/83743565007/ All That's Interesting - https://allthatsinteresting.com/annabelle-doll New York Post - https://nypost.com/2025/07/15/us-news/paranormal-investigator-dan-rivera-dies-on-annabelle-haunted-doll-tour/ Yahoo! Entertainment - https://www.yahoo.com/entertainment/articles/annabelle-doll-handler-dan-rivera-021708827.html Learn more about your ad choices. Visit podcastchoices.com/adchoices

October 4, 1915. President Woodrow Wilson designates Dinosaur National Monument as a national historic site. That's a big deal, right? There must've been a grand ribbon-cutting ceremony, maybe even a parade. But no. In 1915, nobody really cares about dinosaurs. But that is all about to change. And when it does, it is largely because of two paleontologists. Two guys who started off as best friends … until their growing obsession with unearthing and cataloging dinosaur bones would turn them into rivals. Then enemies. How did the competition between a pair of paleontologists lead to unprecedented dinosaur discoveries? And how did their rivalry unhinge them both?  Special thanks to guest Dr. Hans Sues, curator of vertebrate paleontology at the Smithsonian's National Museum of Natural History. ** This episode originally aired October 3, 2022. Get in touch: historythisweekpodcast@history.com  Follow on Instagram: @historythisweek Follow on Facebook: ⁠HISTORY This Week Podcast⁠ To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's the most recognizable TV theme in America. But Jeopardy's “Think Music” wasn't originally written for a game show… It was written for a toddler. In this episode, we trace the unlikely journey of the Jeopardy theme, from Merv Griffin's living room to over 10,000 episodes across six decades. Along the way, we explore the show's sonic evolution, including honking buzzers, 80s synths, and orchestral remixes. Featuring Lisa Broffman, Jeopardy's Consulting Co-Executive Producer.This episode was written & produced by Casey Emmerling.Visit the Smithsonian's National Museum of American History to see some of the Jeopardy objects we have in the collection. MUSIC FEATURED IN THIS EPISODEHarry Endivo - Don't Bore Me Alberto!Medité - This Round's On MeFlickering - The SquadAndreas Dahlbäck - 808 or 909Trevor Kowalski - Watercolor Motion IGavin Luke - The Power of One Art by Michael Zhang.This episode of Twenty Thousand Hertz is part of our summer playlist to keep you entertained while Sidedoor is on summer break. We'll be back in the fall with brand new episodes of Sidedoor.

All over the world, for all of human history – and probably going back to our earliest hominid ancestors – people have found ways to try to keep themselves clean. But how did soap come about? Research: “Soap, N. (1), Etymology.” Oxford English Dictionary, Oxford UP, June 2025, https://doi.org/10.1093/OED/1115187665. American Cleaning Institute. “Soaps & Detergents History.” https://www.cleaninginstitute.org/understanding-products/why-clean/soaps-detergents-history Beckmann, John. “History of Inventions, Discoveries and Origins.” William Johnston, translator. Bosart, L.W. “The Early History of the Soap Industry.” The American Oil Chemists' Society. Journal of Oil & Fat Industries 1924-10: Vol 1 Iss 2. Cassidy, Cody. “Who Discovered Soap? What to Know About the Origins of the Life-Saving Substance.” Time. 5/5/2020. https://time.com/5831828/soap-origins/ Ciftyurek, Muge, and Kasim Ince. "Selahattin Okten Soap Factory in Antakya and an Evaluation on Soap Factory Plan Typology/Antakya'da Bulunan Selahattin Okten Sabunhanesi ve Sabunhane Plan Tipolojisi Uzerine Bir Degerlendirme." Art-Sanat, no. 19, Jan. 2023, pp. 133+. Gale Academic OneFile, dx.doi.org/10.26650/artsanat.2023.19.1106544. Accessed 18 Aug. 2025. Costa, Albert B. “Michel-Eugène Chevreul.” Encyclopedia Britannica. https://www.britannica.com/biography/Michel-Eugene-Chevreul Curtis, Valerie A. “Dirt, disgust and disease: a natural history of hygiene.” Journal of epidemiology and community health vol. 61,8 (2007): 660-4. doi:10.1136/jech.2007.062380 Dijkstra, Albert J. “How Chevreul (1786-1889) based his conclusions on his analytical results.” OCL. Vol. 16, No. 1. January-February 2009. Gibbs, F.W. “The History and Manufacture of Soap.” Annals of Science. 1939. Koeppel, Dan. “The History of Soap.” 4/15/2020. https://www.nytimes.com/wirecutter/blog/history-of-soap/ List, Gary, and Michael Jackson. “Giants of the Past: The Battle Over Hydrogenation (1903-1920).” https://www.ars.usda.gov/research/publications/publication/?seqNo115=210614 Maniatis, George C. “Guild Organized Soap Manufacturing Industry in Constantinople: Tenth-Twelfth Centuries.” Byzantion, 2010, Vol. 80 (2010). https://www.jstor.org/stable/44173107 National Museum of American History. “Bathing (Body Soaps and Cleansers).” https://americanhistory.si.edu/collections/object-groups/health-hygiene-and-beauty/bathing-body-soaps-and-cleansers New Mexico Historic Sites. “Making Soap from the Leaves of the Soaptree Yucca.” https://nmhistoricsites.org/assets/files/selden/Virtual%20Classroom_Soaptree%20Yucca%20Soap%20Making.pdf “The history of soapmaking.” 8/30/2019. https://www.open.edu/openlearn/history-the-arts/history/history-science-technology-and-medicine/history-science/the-history-soapmaking Pliny the Elder. “The Natural History of Pliny. Translated, With Copious Notes and Illustrations.” Vol. 5. John Bostock, translator. https://www.gutenberg.org/files/60688/60688-h/60688-h.htm Pointer, Sally. “An Experimental Exploration of the Earliest Soapmaking.” EXARC Journal. 2024/3. 8/22/2024. https://exarc.net/issue-2024-3/at/experimental-exploration-earliest-soapmaking Ridner, Judith. “The dirty history of soap.” The Conversation. 5/12/2020. https://theconversation.com/the-dirty-history-of-soap-136434 Routh, Hirak Behari et al. “Soaps: From the Phoenicians to the 20th Century - A Historical Review.” Clinics in Dermatology. Vol. No. 3. 1996. Smith, Cyril Stanley, and John G. Hawthorne. “Mappae Clavicula: A Little Key to the World of Medieval Techniques.” Transactions of the American Philosophical Society, vol. 64, no. 4, 1974, pp. 1–128. JSTOR, https://doi.org/10.2307/1006317. Accessed 18 Aug. 2025. Timilsena, Yakindra Prasad et al. “Perspectives on Saponins: Food Functionality and Applications.” International journal of molecular sciences vol. 24,17 13538. 31 Aug. 2023, doi:10.3390/ijms241713538 “Craftsmanship of Aleppo Ghar soap.” https://ich.unesco.org/en/RL/craftsmanship-of-aleppo-ghar-soap-02132 “Tradition of Nabulsi soap making in Palestine.” https://ich.unesco.org/en/RL/tradition-of-nabulsi-soap-making-in-palestine-02112 “Soaps.” https://www.fs.usda.gov/wildflowers/ethnobotany/soaps.shtml van Dijk, Kees. “Soap is the onset of civilization.” From Cleanliness and Culture. Kees van Dijk and Jean Gelman Taylor, eds. Brill. 2011. https://www.jstor.org/stable/10.1163/j.ctvbnm4n9.4 Wei, Huang. “The Sordid, Sudsy Rise of Soap in China.” Sixth Tone. 8/11/2020. https://www.sixthtone.com/news/1006041 See omnystudio.com/listener for privacy information.