POPULARITY
Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Last November Nick and John introduced Dimitra Fimi, the magnificent maven of Tolkien Studies and Professor of Fantasy and Children's Literature at the University of Glasgow, to students of J. K. Rowling's work. In that discussion, ‘Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra Fimi,' she shared her thoughts about Rowling's creative use of mythology in Harry Potter but especially in the Cormoran Strike series.The Hogwarts Professor team asked her to join us again because of Rowling's yuletide charm bracelet gift to Strike fandom and the recent announcement of the Strike 9 title, Sleep Tight, Evangeline. Her insights about the Longfellow poem as a possible even likely source of the next book's epigraphs are engaging, but it is her expertise in the arcane area of miniature books as well as mythology and the light each shines on the two items attached to the last link of the charm bracelet that open up exciting possibilities.Her idea is that the Psalter on the ninth link of the charm bracelet may actually be, unlike the other tokens on the bracelet's nine links, an object that will play a part in the story, a miniature book. It turns out that one inch high books were something of an industry as curios in the 19th and early 20th century, a means of demonstrating technological mastery.Dr Fimi discussed several projects she has been a part of in conjunctions with nano-technologists and the librarians at the University of Glasgow's special collections division. The one that has the most obvious link to English literature is the ‘Tiny Alice project,' a contemporary effort to minituarize Lewis Carroll's Alice stories to unfathomable minuteness:The Tiny Alice Project has produced one of the world's smallest books: a tiny reproduction of Lewis Carroll's children's classic Alice's Adventures in Wonderland (1865). All 78 pages and 26,764 words of the story have been transposed on to a tiny silicon chip, with each page just the width of a human hair (60 microns). Each individual letter is just two microns high, and made from pure gold!Click on the icons below to find out more about the project, the technology behind it, and Lewis Carroll and his interest in the minuscule. Via the tabs above you can also discover the long tradition of miniature books, and teaching resources.Clip: Twixter link to tweet aboveYou can read Dr Fimi's write-up of ‘Tiny Alice' and the Miniature Book exhibition she curated at the University of Glasgow to highlight their special collection of these treasures at her 2019 blog post about them. Pictures that include annotated miniature books — copies in which their owners made notes in the miniscule margins of the printed pages — can be seen here.Later this week, Nick will be sharing his thoughts on Robert Browning's The Ring and the Book as the Ironbridge Murder story's template within Hallmarked Man, John, Nick, Sandy Hope, and Ed Shardlow will be parsing the ring within Strike8's Part Seven, and more about Longfellow's Evangeline — stay tuned!The Ten Questions Guiding Today's Conversation with Dr Fimi with the Necessary Links for Fun Follow-Up:(Intro) So everything Serious Strikers are thinking and talking about this month made me think of you, Dimitra, and to write you hat-in-hand with an invitation for your return to HogwartsProfessor to share your perspective, knowledge, and first impressions. Thank you for making time to join us!1. (John) Jumping right in, then, two of the charms on the Strike9 or ‘Evangeline' bracelet are Fimi areas of unique expertise: the Psalter and the Head of Persephone. I had urged readers to read your Miniature Books in Children's Fantasy at A Kind of Elvish Craft: The Dimitra Fimi Substack Site in the links after our conversation here last November but I confess to being surprised still when you asked for the dimensions of the Psalter charm after Nick and I posted our thoughts on the subject. For those who haven't read your ‘Miniature Books' post, please share how one of the world authorities on the writing of J. R. R. Tolkien became interested in the smallest of texts, the ‘Little Books' of 19th century printing.2. (Nick) So you asked for the dimensions of the Psalter, you weren't thinking as we were that the Psalter charms would be a box holding a folded up paper with a psalm, maybe two, inside it. You're thinking it might actually be a complete Coverdale Psalter? Is that possible?3. (John) What Nick and I hope to contribute to the nascent field of Rowling Studies, as you know, is a refocusing of the scholarship and the serious reader attention about her work on to her Lake Springs -- the biographical part of story inspiration -- her Shed Tools or intentional artistry, and the Golden Threads, the plot points and themes that run throughout her work, i.e., to bring Rowling Studies more in line with all literary scholarship about notable authors, living and dead.One of the Golden Threads we talked about in our Kanreki series last summer was the ‘Embedded Text,' the books inside a book topos that is in almost every book Rowling writes (Kanreki Golden Thread posts one and two). Detective fiction is always about an embedded text, the narrative ‘written' by the criminal to prevent the detective from reading the real story of what happened and Rowling-Galbraith often makes this narrative an actual book (Dumbledore Chocolate Frog Card, Tales of Beedle the Bard, Bombyx Mori, Talbot's ‘True Book,' The Predictions of Tycho Dodonus, etc.). How do you think a Psalter miniaturized book would appear in a Strike novel?4. (Nick) Has an author used a miniaturized book before in this way? Were there 19th Century Psalters that people wore as talismans or carried as the original Pocket Books?5. (John) And what about the Head of Persephone charm on that bracelet? It's on the ninth and last link, paired with that Psalter. You shared your first thought about the Persephone charm, a hopeful note, on the comment thread here. As our go-to authority on Greek mythology, I'm dying to know more of your thinking about (a) the specific charm and its relation to the Cupid and Psyche myth-template to the Strike series, (b) its pairing with the Psalter, and (c) its position as the last charm on the bracelet. Do you still think it's a sign that Robin will survive Sleep Tight, Evangeline?6. (Nick) As someone immersed in mythological studies and more than familiar with Rowling's use of myth, do you think the Jungian interpretation of that myth as the ‘actualization of feminine identity' is a better lens through which to read that embedded text or is the Spenserian lens of Eros/Anteros, False Cupid and Cupid more helpful? Or is this not a case of Either/Or but Both/And? Valentines Day Special7. (John) Rowling is a close reader and admirer of J. R. R. Tolkien, though that is more evident in the clear pointers to his work in her own work than from her interviews. How does her use of myth contrast with that of Tolkien and Lewis? (See John's 2008 post about Rowling's debts to Tolkien and the two part podcast with Tolkien scholars and Rowling Readers Dr Amy H Sturgis and Dr Sara Brown here and here for more on that influence.)8. (Nick) In an in-person meeting with UK Serious Strikers last week, Rowling shared with them and later via X with everyone the title of the ninth Strike novel, Sleep Tight, Evangeline. We're pretty sure that title refers to a song by an American Blues group called ‘The Whiskey Shambles' (story of the hunt, why Whiskey Shambles is a good bet). There is a famous poem, though, by Henry Wadsworth Longfellow called ‘Evangeline,' one perhaps not as famous as ‘Aurora Leigh' or ‘The Ring and the Book,' other texts Rowling may have used as back-drops to her novels, but still another poem very famous in its own time akin to those epics. Is its subject matter as good a match-up with the possible direction of Sleep Tight as the Victorian poetry back-drop is with other Rowling models?9. (John) You're a native Greek speaker; what does ‘Evangeline' mean in Greek? Is it a common name in Greece or is it a ‘Virtue Name' in the Puritan tradition of grace-filled names (cf., Credence Barebone is probably a reference to an Englishman named “Praise-God Barebone, whose son Nicholas may have been given the name If-Jesus-Christ-had-not-died-for-thee-thou-hadst-been-damned[3]“).10. (Nick) Don't leave before trying to tie together the pieces of this conversation! Is there a thread joining the Psalter, the Head of Persephone, miniaturized books, and the title Sleep Tight, Evangeline?Dimitra Fimi is Professor of Fantasy and Children's Literature at the University of Glasgow and Co-Director of the Centre for Fantasy and the Fantastic. Her Tolkien, Race and Cultural History won the Mythopoeic Scholarship Award for Inklings Studies and she co-edited the critical edition of A Secret Vice: Tolkien on Invented Languages which won the Tolkien Society Award for Best Book. Her Celtic Myth in Contemporary Children's Fantasy won the Mythopoeic Scholarship Award in Myth and Fantasy Studies. Other work includes co-editing Sub-creating Arda: World-building in J.R.R. Tolkien's Work, its Precursors and its Legacies and Imagining the Celtic Past in Modern Fantasy. She has contributed articles for the TLS and The Conversation, and has appeared on numerous radio and TV programs.When the rightly famous and beloved ‘The Great Courses' series decided to offer a Lord of the Rings entry for their catalog of the very best in scholarship for adult-learners, they asked Dimitra Fimi to create ‘The World of J. R. R. Tolkien,' one of their most popular courses and one you can enjoy in an Audible edition.Links Promised in Conversation:A Kind of Elvish Craft: The Dimitra Fimi Substack Site* Miniature Books in Children's Fantasy* Parabasis: A Tribute to Dionysis Stavvopoulos* On Tolkien's Letter 131 (4): “Romance” vs. ScienceDimitra Fimi articles at ‘The Conversation'* After 150 years, we still haven't solved the puzzle of Alice in Wonderland (2015) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Happy Valentine's Day!Mrs Murray met the UK StrikeFans.com contingent and Badly WiredLamp (“and friends”) on Thursday to talk about the Cormoran Strike novels. Yesterday, Friday the 13th, Rowling tweeted about the secret she had told them — the title of Strike9:Nick Jeffery found the most likely source of the title Sleep Tight, Evangeline, assuming it is not an anagram, in six minutes:BadlyWiredLamp who was at the Rowling meeting congratulated Nick on twixter seven minutes later: “Well done for finding it Nick!” with a hand salute emoji. Which semi-confirmation from a witness suggests he is spot on.Even more impressive, Nick wrote up a flash post about The Whiskey Shambles and other ‘Evangeline' possibilities at the HogwartsProfessor weblog, ‘Sleep Tight, Evangeline – Title Release for Strike 9.' Nick and John will be discussing this news as well as the Psalter and Head of Persephone charms with miniature book, Tolkien, and mythology expert Dimitra Fimi this weekend for a post here next week. See her ‘Miniature Books in Children's Fantasy' to prepare for that conversation. Stay tuned!But it's Valentine's Day! John and Nick celebrate this Hallmark Holiday with a journey through the Cormoran Strike novels' V-Day celebrations and a discussion of the various Valentines and Cupid's in the story, with special emphasis on the Cupid and Psyche myth that Rowling has suggested is the series story template.That suggestion came the week after Hallmarked Man's publication in the first of her Public Service Announcements to “Robin and Strike fans:”This image came as a surprise even to Hogwarts Professor subscribers because, though we have been writing and talking about the Cupid and Psyche myth as one of the mythological templates behind the Strike series since early 2021, it was the first time Rowling had acknowledged this publicly. Since the September revelation of this connection by the author and the appearance of the head of Persephone at the end of her Strike9 clues Christmas Charm bracelet, Strike fandom is now on board with the idea. Which on-boarding Nick and John celebrate with this Hearts and Flowers conversation, in which:* Nick reviews the Valentines Day events in the Strike series, the importance of which makes 14 February to Serious Strikers what Halloween is to Harry Potter fans;* John discusses the post American Bar office scene in Troubled Blood that let the cat out of the bag about the Cupid and Psyche myth just beneath the Strellacott romance;* Nick updates that with Rowling's PSAs and charm pointers to the Trials of Psyche in Robin's story;* John lays out how and where Hallmarked Man features Valentine Longcaster, the character with the Cupid name, and a Valentine's Day conflict with dogs to Guard the Gates of Hell (from charting Parts Five and Six);* Nick journeys back to Cuckoo's Calling and explains how Lula Landry's death and Robin's first meeting with Strike are twist on Cupid and Psyche with Venus, Psyche, and Cupid, Hephaestus, and Ares all with their equivalents in Charlotte, Robin, and Cormoran;* John ups the ante of the conversation by bringing in Edmund Spenser and C. S. Lewis, two writers Rowling loves, both of whom wrote stories that turn on Cupid and Psyche, and suggesting that Galbraith, in using the Eros-Anteros distinction of those writers in the Strike series is answering allegorically the core question of human life: whether to focus the soul on the ephemeral body and its desires or on the noetic faculty of soul, the Heart, logos within us;* Nick and John then discuss Robin and Strike's individual relationships Cuckoo to Hallmarked in light of Cupid-False Cupid and taking turns going through the Strike novels with a look at the principal murder victim and murderer and their respective relationships;* John shares the Jungian interpretation of Cupid and Psyche as the mythic representation of feminine actualization, the chrysalis of female identity;* And more!Below are the links to posts on this subject mentioned in their back and forth and to a translation of the original myth. Happy Valentines Day — and stand by for more discussion of Sleep Tight, Evangeline, the Psalter and Persephone Charms, and all things Strike and Mythology with Dimitra Fimi.Links Mentioned in the Valentines Day Celebration Conversation:Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man (8 September 2025, Nick Jeffery)Nick shares the context of Rowling's tweet (fan disappointment!) and the background information about the illustration she chose for it.The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche (Apuleius)A translation of the Silver Age Latin tale from Apuleius' Golden Ass.A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (22 April 2021, John Granger)The first post to discuss Rowling's use of this specific myth within Cormoran Strike, it is essential reading and comes in four parts:* a discussion of Rowling's stated beliefs about the soul and how it is the focus of her story-telling,* a review of her psychological artistry in Potter and the post Potter novels and screenplays,* a synopsis of the Eros and Psyche myth, and* a point to point look at the parallels in the story thus far with speculation about novels to come.Robin's Two Perfumes: The Meaning of Philosychos and Narciso (9 June 2021, John Granger)The names of Robin's baseline perfume, Philosychos, and the one she and Strike choose at story's end, Narciso, both point less to the bedroom than to Robin's allegorical, psychological, and mythological role as Psyche in the series.Erich Neumann in his Amor and Psyche: The Psychic Development of the Feminine describes this discipline as a “prohibition against pity” which “signifies Psyche's struggle against the feminine nature.” …Psyche's last trial involves her having to confront death, a “marriage” to which she was condemned as a sacrifice at the story's start, a meeting she can only survive by transcending her feminine qualities of nurturing and pity. She must become, if only temporarily, a narcissist to pass through Hades and return to the world of the Sun and to Cupid. The myth, in Jungian lights, is about her transcending the accidental self, here her feminine and sexual relation to Eros or Cupid, for “ego-stability” leading to “individuation,” ascent to the greater, immortal Self.Robin as resident psychologist and loving soul is the Psyche-cipher of the Strike mysteries. She differs from the relatively passive Human Beauty of the myth in her active and determined “struggle against the feminine nature,” her “What. I. Do!” She not only wrestles with her desires for domesticity and maternity in her thinking but stands up to Strike-Cupid in their Valentine's Day Street Fight and demands his respect or at least more considerate behavior. But she is still struggling with her difficulty to be the narcissist rather than the Great Mother when circumstances and her heroine's journey of psychological individuation demand that.Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra FimiNick Jeffery and John Granger converse with Dr Dimitra Fimi about Harry Potter, Cormoran Strike, Tolkien, Jane Eyre, and the Mythological Artistry of J. K. Rowling, Hogwarts Saga to Hallmarked ManThe Hallmarked Man's Mythological Template‘Cupid and Psyche's importance for grasping the depths of Strike 8, from the “necessity” of the Silver Vault and the three men in Robin's life, to spaghetti carbonara and ‘Maid of the Silver Sea'Ink Black Heart: The Mythic Backdrop (10 September 2022, John Granger)What Rowling is depicting in Robin's journey through the events and mystery of Ink Black Heart include a trap set by Venus, one that takes Robin to a personal and professional underworld or hell, her survival and endurance of every temptation by her determination to be steely rather than empathetic, especially with respect to a certain “lame fellow” (!), and her re-surfacing from hell a changed person, one worthy of begrudging Venereal approval (or Zeus' intervention — Rokeby!).Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (10 November 2022, John Granger)These traditional portrayals of the every person's human and divine aspects, soul and spirit as man and woman in dynamic, cathartic relationship — think Romeo and Juliet, Redcrosse Knight and Una, Cupid and Psyche — are perhaps, with her alchemical symbolism, sequencing, and coloring, Rowling's greatest literary ‘reach' and achievement in the Strike series, albeit one largely lost on her her vast reading audience. The deliberate conjunction-melange of archetypal psychology, mythology, and spiritual allegory in these novels is, especially in combination with her hermetic artistry, intertextual playfulness (Aurora Leigh!), and chiastic structures, testimony to the author being one of the most accomplished and challenging writers of the age in addition to the most popular (and least well understood, even by her fans).Hallmarked Man: Freemasonry and J. K. Rowling (7 February 2024, Nick Jeffery)The Royal Arch degree is unique in England for including the ceremony of “Passing the Veils” symbolising the path to enlightenment that a mason undergoes as he progresses in the craft. Given Peter Rowling's upward social mobility from working class apprentice to engineer and moving from the Bristol suburbs to middle class Tutshill, it isn't beyond reason to wonder if Peter might have been tempted by the social and career advantages that freemasonry might have offered him and exposed a young Joanne to some of the symbolism.Edinburgh, as well as being the home of the Grand Lodge of Scotland, is also home to if not the oldest lodge in the world, then at least the one with the oldest records. Lodge of Edinburgh (Mary's Chapel) No. 1 has minutes of meetings from 31st July 1599. There have long been arguments between this Lodge and the one in Kilwinning on the other coast of Scotland as to which is the oldest. (see IVº of the Rite of Baldwyn above)J. K. Rowling's ‘G-Spot' and ‘Triple Play:' The Lake & Shed Secret of Her Success (21 September 2024, John Granger)I want to try tonight to explain as succinctly — and as provocatively — as possible why I think Rowling's ‘Lake and Shed' metaphorical explanation of how she writes offers a compelling reason for both why she writes and why readers around the world love her novels the way they do. I call this her ‘G-Spot' and ‘Triple Play' because it is her point of singular genius, the defining quality that separates her from contemporary story-tellers, which involves ‘Shed' artistry of three particular literary tools, all subliminal, which work together to achieve her aims.The Hallmarked Man's Flood of Names, Characters, and Plots (22 September 2025, John Granger)Rowling's seven Shed tools — psychomachia, literary alchemy, ring composition, misdirection towards defamiliarization, Christian symbolism, mythology, and inter-intratextuality (writing about reading and writing) — are all about the transformation of the human soul by cathartic experience in the imaginative heart, i.e., our spiritual reorientation. These traditional tools alone don't do it, of course; her capacity for creating archetypal characters that we care about in profound fashion is what gives the tools their grip on the heart.But, if a writer uses these tools in his or her Shed, the game being played and its stakes are not in question. Everything Rowling has written to date, with greater or lesser success (largely dependent on her control of the final product, cough*Warner Brothers*cough), shares this aim. Her global popularity testifies that much more often than not she hits her target to the delight of her readers.I assume this was her aim in Hallmarked Man. It's early days on the full exegesis of Strike8 in light of Rowling's Shed tools, Lake springs, and Golden Threads, but there are encouraging signs. My third reading of the book included my first ‘Aha!' moments with respect to the mythological template of the series, the Shed tool Rowling was openly urging her readers to think about in her recent Cupid and Psyche tweet.Jungian Interpretations of ‘Cupid and Psyche:'* Erich Neumann: Amor and Psyche: The Psychic Development of the Feminine (A Commentary on the Tale by Apuleius)* Paul Diel: Symbolism in Greek Mythology: Human Desire and Its Transformations (A “psychological study of the symbols condensed in the fate of the mythological hero”)* Robert A. Johnson: SHE: Understanding Feminine Psychology (An interpretation based on the myth of Amor and Psyche and based on Jungian mythological principles)* Marie-Louise von Franz: Golden Ass of Apuleius: The Liberation of the Feminine in Man (originally A Psychological Interpretation of The Golden Ass of Apuleius)‘Tamspells' Point to Point Correspondence List of Events in the Strike-Ellacott Novels and the Myth of Cupid and PsycheThe list ‘Tamspells' made will be Nick and John's starting point in their upcoming conversation with her about how to see the myth beneath the surface of the storyCupid and Psyche Myth Highlights to Look for in Your Review at Home of the Strike Series:* Jealousy of Venus* Psyche's Wedding/Funeral March to Mountain Crag* Psyche Rescued by Cupid, stuck with his own arrow* Retreat to Hidden Castle, Love in Darkness* The Two Sisters* The Confrontation with Lamp and Knife* Psyche's Return Home; Death of Sisters (Pan cameo)* Psyche's Search for Cupid/Venus: Ceres Interview* Brought to Venus (Worry and Sadness)* First Trial: Seeds and Grains (Ant)* Second Trial: Wool from Golden Sheep (Reed)* Third Trial: Crystal glass for Black Stygian water (Zeus, Eagle)* Persephone Odyssey: Box for Beauty (Tower instructions)* Barley Cakes for Cerberus and Two Coins for Charon* Must ignore: “a lame man driving a mule loaded with sticks, a dead man swimming in the river that separates the world of the living from the world of the dead, and old women weaving.”* Meal in Underworld with Persephone* Return Trip, Falling to Temptation* Cupid intervention; intersession and deal with Zeus* Olympian Court Date* Marriage of Cupid and Psyche post Ambrosia, birth of PleasureStrike Novel Victim Eros Anteros Murderer Eros Anteros Cuckoo's Calling Lula Landry Evan Duffield Marlene Higson,Yvette Bristow, Guy Some, Jonah Agyuman John Bristow Alison Creswell Yvette Bristow The Silkworm Owen Quine Kathryn Kent Leonora/Orlando Elizabeth Tassel Michael Fancourt Owen Quine? Career of Evil Kelsey Platt Rock Band Leader Ray Williams, (Hazel Furley) Donny Laing Rhona Bunyan, hostage women Agnes Waite Lethal White Jasper Chiswell Ornella Seraphin, Kinvara Patricia Fleetwood Raphael Chiswell Kinvara Hanratty Ornella Seraphin Troubled Blood Margot Bamborough Paul Satchwell Roy/Anna Phipps Una Janice Beattie Steven Douthwaite/Diamond Dead Mother Dennis Creed Louise Tucker Agnes Waite Ink Black Heart Edie Ledwell Philip Ormond? Joshua Blay, Grant Heather Ledwell Gus Upcott Anomie/Paperwhite, Vikas BhardwajMorehouse Katya Upcott The Running Grave Daiyu Wace, Kevin Pirbright (Jacob) Louise Pirbright Abigail Glover Patrick, Baz Jennifer Wace The Hallmarked Man Tyler Powell Anne-Marie Morgan Chloe Griffiths/Jolanda Lindvall Ian Griffith Jolanda/Sapphire Rita Lindvall? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels, joined Nick and John to discuss the Charm Bracelet that J. K. Rowling posted on her Twixter home page as a Christmas gift to her readers. She said that that the thirteen charms on nine links were a set of clues about the next Strike novel, the ninth in a ten book series.In the first Part of Elizabeth, Nick, and John's conversation, they discussed Rowling's charm bracelet history, speculated about why she posted this picture when she did, decided to look at each charm on the bracelet for its stand-alone meaning and its place in the nine link set, and to read the whole series as if it were a ring composition, one reflecting a nine Part structure in Strike 9. They then made deep dives into the details of each charm: the heart shaped box containing a ‘You and Me' engagement ring, a golden diamond-laden egg, a foul anchor, two angels, and a Trojan horse.In this second Part of that conversation, the trio of Serious Strikers continue with the remaining charms on the bracelet, namely, a Jack-in-the-box, an Hourglass, a White Rose and Crocodile, a Corvid head, and a Psalter paired on the last link with the Head of Persephone. They share their thoughts, too, about the bracelet as a symbolic integer and its ring meaning.The notes below are in support of references they make mid-flight and to other resources of interest to Magic Charm Decoders! Enjoy.Thank you to all our subscribers with special gratitude and appreciations for our paid subscribers; you are the wind in our sails, the heat from our vents… Serious Strikers are reading Browning's The Ring and the Book, charting Hallmarked Man Part Six, and reviewing the Myth of Cupid and Psyche to look for parallels in the Strike-Ellacott series. See you soon!Jack-in-the-Box Charm* Rowling claims this as her favorite charm (Nick and John in the conversation mistakenly attribute this preference to the Psalter charm):* Badly Wired Lamp ID'd it* Is it a devil — or a Racoon?* The jack in the box toy, the 'Jack' being a devil, was invented in Germany in the 16th century as a mockery of the Roman Catholic doctrine of the Real Presence of Christ in the Eucharist. * The shape of this charm, the golden circular center in the inside of the open box top, represents the transcendent spiritual realm and the square bottom with its four directions, the fallen world. The ‘jack' devil lives in the latter but is from the former.* The charm is the third latched object in the chain, the heart box and Trojan horse preceding it and the psalter at chain's end following it — which means the ring latch and center are latched objects with surprises inside. The two interior objects at center have deadly surprises and the beginning and end eternal life interiors. The symbolism here is of the human being and its capacity via choice for either spiritual perfection in sacrificial love (anteros) or consumption by individual desires (eros). The thing hidden inside, man's spiritual capacity or heart, is either light or darkness, the inside bigger than the outside. (John)* What is the Strike 9 connection, the analogue to the demonic Jack in the box? Is it RFM? Uncle Ted? Ilsa's husband Nick? Polworth?* The Jack's position is at the center of the bracelet and between the hourglass and the Trojan horse. So it's placed between cleverness and craftiness and things that we can control and bad surprises, but also time, because we can't control time. (Elizabeth)Hourglass Charm* tempus fugit ‘like sand in an hourglass'* memento mori* infinite symbol* The Strike series may be a collection of mystery-story genres, each one illustrating a unique type of story, different from all the others while keeping the same core of characters and overarching narrative (cf., Rowling's note in The Running Grave acknowledgements that that book was her “cult” book). The hourglass, then, may be Rowling's pointer to Strike9 being a suspense drama in which the good guys not only have a challenging mission (find and rescue the missing Robin, Strike, Lucy, Pat, whomever) but have to do it before a literal deadline arrives. The Ticking Clock plot device.* If the Jack at link five is the center of the bracelet ring of nine links, how does the hourglass mirror the Trojan horse? It's two parts? The deadline aspect? “Reveal the crazies inside before the hourglass empties”?White Rose Charm* White Rose of Yorkshire* The interior of the flower charm is a literal Turtleback or ring composition diagram.* White Rose of Dante: Paradiso Cantos XXXI and XXXIIThe true home of all the blessed is with God in the Empyrean, a heaven of pure light beyond time and space. Dante sees the blessed systematically arranged in an immense white rose: like a hologram, a three-dimensional image, the rose is formed from a ray of light reflected off the outer surface of the Primum Mobile (30.106-17). The queen of this white rose is the Virgin Mary, traditionally represented as a rose herself (see Par. 23.73-4). This celestial rose recalls large rose windows of Gothic cathedrals, many of which are dedicated to Mary. The image of the rose, often red, is also used to represent Christ or, in other contexts, earthly love. The white rose is symmetrically structured according to various criteria, including belief, age, and gender. One half of the rose, already full, holds those who, according to Christian tradition, believed in Christ to come (the blessed of the Hebrew Bible); the other half, with only a few seats still unoccupied, contains those who believed in Christ already come (saved Christians). Two gendered rows mark this division of the rose in two halves. In the row below Mary appear women of the Hebrew Bible (Eve, Rachel, Sarah, Rebecca, Judith, Ruth, and unnamed others); Beatrice is seated next to Rachel, on the third row from the top. Opposite Mary, John the Baptist heads a row of men containing Francis, Benedict, Augustine, and other Christian fathers. Mary is flanked by Adam (first man) and Moses on one side, and Peter (first pope) and John the Evangelist on the other. John the Baptist is flanked by Lucy on one side and Anna, the mother of Mary, on the other. While only adults are seated in the upper section of the rose, below a certain line the rose contains souls of blessed children, their precise location based not on their own merits (since they lacked the power of free will) but on predestination. As physical laws do not apply in the Empyrean, Dante's ability to see these figures is not diminished by distance (30.118-23; 31.76-8).* White Rose of Mockingjay (Hunger Games finale)The prevailing symbol of Catching Fire and the most meaningful token the Christ figure of the series gives Katniss is a pearl, the solid-light symbolism of which we've discussed before. I think Commander Paylor's name may be our last Madge-Pearl-Mags name reference in being a “pale orb.” That gold and pearls have a similar translucency and metaphysical correspondence with the ‘Light of the World' make the twin possibilities that much more rich — and Commander Paylor's ascending to Panem's Presidency that much more meaningful and appropriate.Katniss steps into the Garden with the Pearl's blessing (“on my authority”) and discovers roses of every possible color. There are red, of course, and “lush pink, sunset orange, and even pale blue.” She knows what she wants, though; the rose colored like light, the white rose, Dante's symbolic prelude to the beatific vision and transcendence. Just as she cuts the “magnificent white bud just about to open” “from the top of a slender bush” (ibid, p. 355), the manacled, “pale, sickly green” President Snow, our snake in the Garden, speaks.“The colors, are lovely, of course, but nothing says perfection like white.”Our story Satan, you recall, left her a white rose in District 12 in chapter 1 and dropped roses with the bunker buster bombs in Part 1 to terrify Katniss. Now we know why. He was taunting her with her end, that as a seeker's soul he knew her goal was perfection in Christ and taunted her with it, especially when he held Peeta-Christ and understood the cartharsis and chrysalis she would have to pass through to claim it herself. Now that she is in the inner sanctuary, the High Place, he tells her the truth she could not hear anywhere else, the final, ugly truth about the cause for which Katniss had sacrificed everything. Snow reveals, just as Peeta had told her at the story's start, that she was deceived by those she trusted. President Coin killed Primrose with a weapon designed by Gale.Having been to the Absolute center, the world navel, and taken away the beatific vision as a white rose, Katniss is no longer a seeker but the resolution of contraries, an androgyn of justice and mercy. She is above right and wrong now as the phoenix-mockingjay and hears the voice of the “murderer” on the Hanging Tree at last. She deceives President Coin at the Victors Meeting as something of an avenging angel; she becomes a murderer herself by assassinating President Coin. Peeta-Christ comes down from the tree as her savior once again and prevents her suicide via Nightlock by his out-of-nowhere intervention.* Why does the White Rose share the seventh bracelet link with a crocodile? Faerie Queene!Crocodile Charm* The Crocodile in Shed, crocodile skin handbags (Hallmarked Man) “Maybe the4 crocodile or whatever they're keeping in the shed's chewed its way out,” said Strike. “ (Chapter 22, p 176; center chapter of Part 2)* Crocodile entry, Cirlot's Dictionary of SymbolismCrocodile Two basically different aspects of the crocodile are blended in its symbolic meaning, representing the influence upon the animal of two of the four Elements. In the first place, because of it viciousness and destructive power, the crocodile came to signify fury and evil in Egyptian hieroglyphics (19); in the second place, since it inhabits a realm intermediate between earth and water, and is associated with mud and vegetation, it came to be thought of as an emblem of fecundity and power (50). In the opinion of Mertens Stienon there is a third aspct, deriving from its resemblance to the dragon and the serpent, as a symbol of knowledge. In Egypt, the dead used to be portrayed transformed into crocodiles of knowledge, an idea which is linked with that of the zodiacal sign of Capricorn. Blavatsky compares the crocodile with the Kumara of India (40). Then, finally, come the symbols of Inversion proper and of rebirth. (67)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crocodile:'Crocodile The mercurial *serpent or transforming arcanum in its initial chthonic aspect during the dark, destructive opening of the opus alchymicum. Like the *bee, the crocodile was classified as a serpent in te bestiaries of the sixteenth and seventeenth centuries. The amphibious nature of the crocodile made it an apt symbol for the dual-natured *Mercurius. When Lepidus in Shakespeare's Antony and Cleopatra says, ‘Your serpent of Egypt is bred of your mud by the operation of your sun; so is your crocodile' (2.7.26-7), he is referring to the generation of gold in the earth, and the generation of the mercurial serpent through the heat of the secret *fire or ‘sun'. With the phrase ‘operation of your sun' Lepidus also alludes to the final law of the alchemical Emerald Table: ‘That which I had to say about the operation of the Sun is completed' (48)* Sandy Hope on Crocodile symbolismIsis Church crocodile in Faerie Queene: Book 5, Canto VIIBook V Canto vii. The speaker praises the virtue of justice and cites Osyris as an example of the just man. His wife, Isis, represented equity and to the Temple of Isis Britomart and Talus come to spend the night. Talus, however, is not allowed into the temple. Britomart enters and sees a statue of Isis with her foot on a crocodile. The temple is also full of the priests of Isis who are not allowed to drink wine as it leads to rebellion. Britomart sleeps under the statue of Isis and dreams that the crocodile comes alive and threatens the Goddess. The Goddess subdues the crocodile and it becomes meek and then impregnates the Goddess. She gives birth to a lion which conquers all other beats. Britomart awakes and tells her troubling dream to a priest. He tells her that the crocodile represents Arthegall, Isis represents Britomart, and the lion their son whom they will conceive. Grateful for the interpretation, Britomart leaves and comes to Radigund's castle. Radigund and Britomart battle, Britomart is wounded in the shoulder, and finally Britomart beheads Radigund. Talus enters the castle and wreaks carnage on the Amazon women inside. Britomart finds Arthegall dressed, like other, in women's clothing. she is shamed by the sight, and it is not quite clear whether her suspicions that Arthegall has been unfaithful are confirmed or refuted. She finds Arthegall some armour, arms him, and the rest in the castle. during this time Britomart rules as a princess and reforms the Amazon society so that women are restored to proper subjection to men. Finally, Arthegall leaves to complete his quest against Grantorto. Britomart lets him leave because she knows that his success in this quest is important to restore his ego. After residing further at the Amazon castle she finally leaves to help keep her mind off the absent Arthegall.* The Spenser Encyclopedia entry for ‘Church of Isis:' (408) Clifford DavidsonWhen Britomart spends the night in the temple, she sees a ‘wondrous vision' in which she participates first as a votary of Isis and then as the goddess herself. Her devotion to the statue causes her to become Isis in her dream: she is serving at the altar when she sees herself transformed into Isis but wearing the royal robe. The crocodile awakens, devours the flames which threaten to destroy the temple, and threatens to eat Isis/Britomart until it is driven back by her rod. Then it seeks her ‘grace and love,' she yields, it impregnates her, and from their union she gives birth to a lion. As the Priest explains, the crocodile is Osiris (the Egyptian god of Justice) who sleeps under the feet of Isis ‘To shew that clemence oft in things amis,/ Restraines those sterne behests, and cruell doomes of his' (22), and who shows thereby the proper relation of justice and judgment to equity. The Priest also explains to Britomart that the crocodile is Artegall, ‘The righteous Knight,' who will settle the storms and ‘raging flames, that many foes shall reare' and restore to her the heritage of her throne, and who will give her a ‘Lion like' son (23), the new British monarchy of the Tudors.The crocodile is a symbol both of guile and of a regeneration that will affect future history. As guile, its relation to Isis is reminiscent of Vice figures under the feet of triumphing Virtues in medieval art. An iconographic association between the crocodile in its demonic aspect and medieval saints' legends derives ultimately – significantly for Spenser – from the classical figure of Britomartis (Miskimin 1978). In Plutarch's Isis and Osiris 50, it is linked to Typhon, the enemy of justice and order, while in Renaissance iconographic tradition it is often symbolic of the need for prudence (for one must be prudent to avoid the wily crocodile). Cesare Ripa's Iconologia (sv Lussuria) shows the nude Luxury (or Lechery) seated upon a crocodile, an interesting analogy to its phallic sexuality in Britomart's dream. Yet along with these primarily negative associations, there are also positive ones in the crocodile's identification with Osiris/Artegall/Justice and in the implication that Isis/Britomart/Equity is incomplete without her partner. The image contains its own contradiction, unresolved by the Priest.* Troubled Blood and Faerie Queene: Where Britobart and Artegall are used as stand-ins for Robin and Cormoran:Troubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayCorvid Charm* Rowling Twixter headers: 12 January 2016, 9 April 2017 (Nick)* Fantastic Beasts reference? The Lestrange Family Motto features a crow and the ‘Lost Child' of that series is named ‘Corvus'* Crow Symbolism per Cirlot, Dictionary of Symbols:Crow Because of its black colour, the crow is associated with the idea of beginning (as expressed in such symbols as the maternal night, primigenial darkness, the fertilizing earth). Because it is also associated with the atmosphere, it is a symbol for creative, demiurgic power and for spiritual strength. Because of its flight, it is considered a messenger. And, in sum, the crow has been invested by many primitive peoples with far-reaching cosmic significance. Indeed, for the Red Indians of North America it is the great civilizer and the creator of the visible world. It has a similar meaning for the Celts and the Germanic tribes, as well as in Siberia (35). In the classical cultures it no longer possesses such wide implications, but it does still retain certain mystic powers and in particular the ability to foresee the future; hence its claw played a special part in rites of divination (8). In Christian symbolism it is an allegory of solitude. Amongst the alchemists it recovers some of the original characteristics ascribed to it by the primitives, standing in particular for nigredo, or the initial state which is both the inherent characteristic of prime matter and the condition produced by separating out the Elements (putrefactio) … In Beaumont's view, the crow in itself signifies the isolation of him who lives on a superior plane (5), this being the symbolism in general of all solitary birds. (71-72)* Lyndy Abraham's Dictionary of Alchemical Imagery entry for ‘Crow:' (49)Crow, crow's head, crow's bill A symbol of the *putrefaction and *black nigredo which is the first stge of the opus alchymicum. The old body of the metal or matter for the Stone is dissolved and putrefied into the first matter of *creation, the *prima materia, so that it may be regenerated and cast into a new form. The Hermetis Trismegisti Tractatus Aureus said of this initial stage of death and dissolution in the work: ‘The First is the Corvus, the Crow or Raven, which from its blackness is said to be the beginning of the Art' (bk. 2, 235). In his Aurora, Paracelsus wrote that when the matter has been placed in the gentle heat of the secret fire it passes through corruption and grows black: ‘This operation they call putrefaction, and the blackness they name the head of the Crow' (55). Thomas Charnock likewise wrote of the putrefaction: ‘The Crowes head began to appere as black as Jett' (TCB, 296). In Zoroaster's Cave the matter produced during this stage is identified with the name of the process: ‘When the matter has stood for the space of forty dayes in a moderate heat, there will begin to appear above, a blacknesse like to pitch, which is the Caput Corvi of the Philosophers, and the wise men's Mercury' (80). According to Ripley the terms ‘crows head' and ‘crows bill' are synonymous: ‘The hede of the Crow that tokeyn call we,/And sum men call hyt the Crows byll' (TCB, 134) (see ashes). In A Fig for Momus Thomas Lodge listed the crow's head amongst other alchemical enigmas: ‘Then of the crowes-head, tell they weighty things' (Works, 3:69). When Face in Jonson's The Alchemist says that the matter of the Stone has become ‘ground black', Mammon enquires of him, ‘That's your crowes-head? And Subtle replies, ‘No, ‘tis not perfect, would it were the crow' (2.3.67-8).Psalter Charm* In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the psalm as charm:Charm first meant the incantation itself, and then the amulet that carried that incantation to protect the wearer and then – from the 19th century – the small ornamental trinkets, fastened to girdles, watch-chains and bracelets, that resembled those original, talismanic charms. This means that Rowling's clue-charm of a Psalm book (which can actually carry a sacred text) circles back beautifully to the original meaning of the word – in which a charm was an amulet carrying a holy text. These charms do not always hold texts but Rowling has confirmed that this one does: ‘The book is a psalm book and holds real, miniature psalms' I think this protective hinterland of charms make it likely that the specific psalm that such a psalm-book charm would carry would be the most comforting and talismanic of psalms – Psalm 23. This psalm famously describes the Lord's love as protective, even unto the valley of the shadow of death* John argues that, in addition to the 23rd Psalm, Psalm 90 (91 in Masoretic or KJV reckoning), the so-called ‘Soldier's Psalm' is at least as likely as an insert for this charm, which is to say, as a talisman a soldier might give a woman about to enter Hades to beg a gift from Persephone…The Head of Persephone Charm* Rowling's clarifying picture* Psyche's Last Task from Venus:One final task is then given to Psyche, one in which Psyche is commanded to bring back a bit of Persephone's beauty from the Underworld. In Greek mythology no living soul is meant to be able to enter the Underworld, let alone leave it, and so Aphrodite felt that she would be rid of Psyche once and for all. Indeed, it seemed that Aphrodite would be proved right, for Psyche's only idea about entering the Underworld was to kill herself. Before Psyche can commit suicide a voice whispers to her instructions about how to complete the task. Thus Psyche finds an entrance to the Underworld and is soon crossing the Acheron upon the skiff of Charon, and the princess even manages to gain an audience with Persephone. Persephone on the surface appears to be sympathetic to the quest of Psyche, but Psyche has been warned about accepting food or a seat in the palace of Hades, for both would bind her to the Underworld for all time. But eventually, Persephone gives Psyche a golden box, said to contain some of the goddess' beauty.* The Head of Persephone charm is paired with the Psalter on the ninth and last link; again, if the Psalm is 22 (23) or 90 (91), then the connection is an invocational prayer for help traveling through the “valley of death,” for protection from the “asp and basilisk,” the “lion and dragon.”* As above, note that the beginning, middle, and end of the bracelet feature clasped objects, with the Psalter being a codex that opens and Psyche's journey to Persephone is in pursuit of a “golden box” containing the means to otherworldly beauty. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
On 23 December last year, Rowling changed her Twixter home page header and cameo with this tweeted explanation:The Charm Bracelet header features thirteen charms on nine links:Rowling tweeted an addendum about the Psalter and Jack in the Box charms:Nick Jeffery dropped an explanatory post two days later at the Hogwarts Professor weblog: J. K. Rowling Drops All the Strike 9 Clues for Christmas! It remains the only complete survey of the pieces and compendium of what Serious Strikers around the world have discovered about them.Beatrice Groves, author of Literary Allusion in Harry Potter, wrote up her charm bracelet thoughts at ‘The Strike Ellacott Files' a month later. In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,' Prof Groves discusses the magical quality of charms as talismans and even incantational song:Rowling points out in this 2013 piece the link between the name given to charm bracelets and the magical world: ‘Why do we call those little masterpieces “charms” if not in allusion to their talismanic properties?… they are personal amulets.' To charm someone is also to slightly to bewitch them, something Rowling plays with when Riddle exerts his charm on Ginny and literally possesses her: ‘If I say it myself, Harry, I've always been able to charm the people I needed.' Witch Weekly's Most-Charming-Smile Award is given to a smile that is both literally, as well as metaphorically, bewitching.The word ‘charm' comes, through French, from the Latin ‘carmen' which means ‘song, verse, oracular response, incantation.' Its first meaning in English, therefore, was the magical one: ‘the chanting or recitation of a verse supposed to possess magic power or occult influence; incantation, enchantment; hence, any action, process, verse, sentence, word, or material thing, credited with such properties; a magic spell; a talisman, etc.' (Oxford English Dictionary). From the sixteenth century onwards, ‘charm' meant ‘anything worn about the person to avert evil or ensure prosperity' because such amulets might contain the text of such a charm. And thinking about this made me aware for the first time of how in the most important charms in Harry Potter – the Fidelius Charm and the Patronus Charm – the word is not simply a synonym for spell but encodes this original, protective meaning. These magical ‘Charms' like the charms on charm bracelets encode what Rowling calls ‘talismanic properties.'Nick and John invited Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels to talk about these charms, especially about what she had written briefly on the subject. The goals of this conversation? * To introduce the subject to everyone not familiar with the Christmas tweets and bracelet-header, * to discuss the ‘Why?' of this present to Strike fans everywhere, * to speculate about the meaning of the bracelet pieces individually and in a series, and * to brainstorm their qualities as clues for Strike9, the penultimate novel in the decalogy.Which is a lot! The good news is that the conversation never flagged and the revelations and possible meanings of the charms, thirteen in total on nine links, reward anyone listening in.Nick starts off the conversation with a review of the six charm bracelets in Rowling's life and writing, one of which was a long forgotten piece in the margins of a Rowling web site:[You can read about those internet ‘Easter Eggs' in ‘Hidden Photos at Rowling's Website' here, here, here, and here.]Nick offered as a guiding idea for our conversation the likelihood that the nine links in the bracelet were meaningful, i.e., that they reflected the structure of the book for which the bracelet is meant to be a clue. There are thirteen charms, he noted, but certainly Rowling-Galbraith could have had a thirteen link chain made if she hadn't thought the nine links more than sufficient, even a pointer to Strike 9 being a nine Part mystery. Since, as Nick noted, she has trouble even passing up a shop selling charms, it seems likely she has been collecting the pieces for this one for some time. Perhaps this bracelet is a “target” toward which she has been writing with these books. It is certainly not something she just threw together for a header photo shoot. The trio elected to read the circular collection of charms, consequently, as pieces with individual meaning — as magical talismans of sorts per Prof Groves — and as a ring composition, with both aspects indicating the place and meaning of the piece in the book.After a brief discussion of why Rowling, Inc., would release this set of clues now, with another Strike novel or Bronte Studios television adaptation in the distant future — John offered the possibility that this bit of fan servicing was meant as a touch of appeasement qua Christmas gift to the many fans disappointed with Hallmarked Man — Elizabeth, John, and Nick tackled the thirteen charms on nine links.In Part One of their conversation, they talk about * the heart shaped engagement ring box;* the golden diamond-laden egg;* the anchor;* the two angels; and * the Trojan horse.Their preliminary conclusions at the half-way point?Mrs. Murray in her Nativity gift to her readers offers them clues not only to the next Strike-Ellacott novel but to the meaning of human life. Each of these five charms is a symbol with obvious and not so obvious Christian meaning. John reconsidered his answer to the ‘Why now?' in light of this avalanche of symbolism; instead of it being fan servicing to rescue the brand, he thinks it may be Rowling's attempt — on the most celebrated remnant Christian holiday in a post-Christian world — to reset her serious readers' understanding of what she is about as a writer, what sort of transformation she is trying to create via story within her readers.Part two of this interpretative deep dive into Rowling's artistry in metallurgical symbolism, her “charm work” literary alchemy, will follow shortly. There are five links with seven charms to come — Jack in the Box, Hourglass, White Rose, Crocodile, Corvid, Psalter, and the Head of Persephone — all as rich in meaning as the first four links.Below are links to subjects mentioned in this first conversation and additions not discussed but discovered after the fact, all shared for your consideration and comments!Thank you as always from the Hogwarts Professor team for your joining us with special appreciation to our paid subscribers!Subjects that Elizabeth, Nick, and John Discussed: The Heart Shaped Engagement Ring Charm:* The first, fourth, fifth, and ninth links are clasped objects with surprises inside,* Ink Black Heart and Deathly Hallows: The Heart is Not About Emotions and Affection but the Human Spiritual Center (John, October 2022)* Hallmarked Man, Part Five: The Center of Strike 8 is about “Inner Light” (Ed Shardlow)* Gold as “solid light” and diamonds as “inner light,” both reflecting in nature the Light of God's Word or Logos that is found with in every man (cf., John 1:9 and Rowling's comments about Casual Vacancy being “all about” her belief that “the light of God shines in every soul”);* The consequent symbolism of a golden wedding/engagement band with two diamonds;* The human being as a ‘heart in a box' either enlightened ‘gold and diamonds' or a dark ‘jack in the box' devil* The two-stone ring, as Nick notes, is a “me and you” ring, alluding to a certain theme song. Also, Elizabeth notes, Robin is faced with a choice between two very different types of proposals, so the duality of the ring in the box connects to that conundrum, and since that is apparently where 9 will begin, it gives us a good idea that we are right in “reading” the bracelet starting with this oneThe Gold Diamond-Laden Egg Charm:* Assuming it is an ‘Easter Egg,' the two meanings of that phrase;* Again, ‘gold and diamonds,' as above; * Paschal meaning of Eggs: The custom of exchanging colored eggs entered the life of the Church. The symbolic meaning of the egg as the beginning of a new life was known even earlier. Christians saw in this symbol confirmation of their faith in the coming general resurrection. The Easter egg's red color symbolized the all-conquering Divine Love, which alone could destroy hell!The Foul-Anchor Charm:* ‘Strike 9 to Heads to Portsmouth!' (Nick, September 2025)* Foul Anchor (Wikipedia);* Eagle, Globe, and Anchor (Wikipedia);* Meaning of ‘Hector' in Homeric Greek is ‘Holding Fast,' and, by interpretation, ‘anchor;'* The Greek word for ‘Anchor' found in the New Testament is ἄγκυρα, pronounced ‘ang-chor-a;' * Hebrews 6:19:13 For when God made promise to Abraham, because he could swear by no greater, he sware by himself,14 Saying, Surely blessing I will bless thee, and multiplying I will multiply thee.15 And so, after he had patiently endured, he obtained the promise.16 For men verily swear by the greater: and an oath for confirmation is to them an end of all strife.17 Wherein God, willing more abundantly to shew unto the heirs of promise the immutability of his counsel, confirmed it by an oath:18 That by two immutable things, in which it was impossible for God to lie, we might have a strong consolation, who have fled for refuge to lay hold upon the hope set before us:19 Which hope we have as an anchor of the soul, both sure and stedfast, and which entereth into that within the veil;20 Whither the forerunner is for us entered, even Jesus, made an high priest for ever after the order of Melchisedec.* Meaning of "Anchor of the Soul" in Hebrews 6:19?The Immediate Context of Hebrews 6:13-20The writer reassures wavering Jewish Christians by citing God's oath to Abraham (Genesis 22:16-17). Two “unchangeable things” (God's promise and His oath, v. 18) make it “impossible for God to lie.” The “hope set before us” (v. 18) functions as an anchor that has already “entered … behind the curtain” (v. 19), where Jesus, our High Priest, intercedes (v. 20; cf. 4:14-16).Anchor as Hope: Theological Significance1. Objective, not subjective: “hope” (ἐλπίς) is grounded in the historical, bodily resurrection of Jesus (1 Corinthians 15:17-20).2. Already-but-not-yet: the anchor is cast forward into the heavenly holy of holies, securing believers' future inheritance (1 Peter 1:3-4) while exerting a present stabilizing pull.3. Firm and secure: βεβαία (reliable) and ἀσφαλής (incapable of slipping). The compound assures permanence beyond circumstantial change (Malachi 3:6).Christ Our Forerunner Behind the VeilThe anchor “enters” (εἰσερχόμενον, pres. tense) the inner sanctuary “behind the curtain,” alluding to the Day of Atonement (Leviticus 16). Jesus is πρόδρομος (“forerunner,” v. 20), implying that others will follow where He has gone (John 14:2-3). The anchor-rope is His indestructible life (Hebrews 7:16), tethering the believer to God's throne of grace.* Hence its use as a symbol within Christianity: Christ having defeated death is an anchor to those members of His Mystical Body which anchors them to life after death, “beyond the veil;”* The pairing of the anchor charm with the golden egg on the second link of the bracelet reinforces this Paschal symbolism;* Charles Williams' “Co-inherence” ideas: “Who Saved Draco's Soul?” Co-Inherence in Harry PotterThe Two Angels Charms (paired on Link three)* Cupid and Psyche? Maybe!* Angels? Ghosts?* Orlando drawings! A Silkworm flash-back to the Monkey-Bag with the essential clue inside…The Trojan Horse Charm* Trojan Horse (Wikipedia)In Greek mythology, the Trojan Horse (Greek: δούρειος ίππος, romanized: doureios hippos, lit. ‘wooden horse') was a wooden horse said to have been used by the Greeks during the Trojan War to enter the city of Troy and win the war. The Trojan Horse is not mentioned in Homer's Iliad, with the poem ending before the war is concluded, and it is only briefly mentioned in the Odyssey. It is described at length in the Aeneid, in which Virgil recounts how, after a fruitless ten-year siege, the Greeks constructed a huge wooden horse at the behest of Odysseus, and hid a select force of men inside, including Odysseus himself. The Greeks pretended to sail away, and the Trojans pulled the horse into their city as a victory trophy. That night, the Greek force crept out of the horse and opened the gates for the rest of the Greek army, which had sailed back under the cover of darkness. The Greeks entered and destroyed the city, ending the war.Metaphorically, a “Trojan horse” has come to mean any trick or stratagem that causes a target to invite a foe into a securely protected bastion or place. A malicious computer program that tricks users into willingly running it is also called a “Trojan horse“ or simply a “Trojan”.* Could the Strike Series be a Re-telling of Virgil's Aeneid? (John, July 2017)If Cormoran Strike's story is Rowling's postmodern re-telling of the Aeneid, then the Fates theme is more than apt.It is all about, after all, the hero's destiny or fate to recreate Troy in Italy as Rome, a fate which it is pointless for Aeneas to resist. The refugee from Troy, son of the goddess of beauty, is forced ever onward, often over-riding his preferences and pledges, to his destiny to found Rome as the New Troy. A soldier in an eastern country ‘coming home,' Aeneas is a wounded man, haunted by his divine mother, a man of destiny forced to leave a beautiful, powerful woman who curses him at his departure.Sound familiar? The Aeneid is a reverse reflection and re-telling of Homer's Iliad and Odyssey in that it's first six books are about the Trojan's travels and the last six relate his battles with the local tribes in Latium. It seems possible that Rowling might be trying to do with the Aeneid what she did with the Weird Sisters of Macbeth, namely, present what seems to be a tale of inevitability or fate, something prophesied or otherwise seemingly inescapable, as a function really of character choice.In the Peg-Legged PI's story that could mean Rowling's revisiting fate vs choice vis a vis whether he is able to choose to take-or-leave an investigation of Leda's death (and face the dangers inherent in threatening his biological father, Jonny Rokeby) or whether he feels doomed to follow it to its end, whatever the costs to him and to those he loves.* The Trojan Horse is the wisdom of Athene as given to Odysseus, her favorite. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Running Grave, book Seven of the ten novel Cormoran Strike murder mystery series by Joanne Murray (‘J. K. Rowling') writing as ‘Robert Galbraith,' is what the author described as her “cult novel.” The cult in question is the Universal Humanitarian Church led by Jonathan Wace; the Strike-Ellacott Agency is hired by a father to rescue his youngest son who has disappeared into the UHC's Chapman Farm property. Robin Ellacott successfully infiltrates the compound and she and the young man escape.Soon after Robin's near-thing deliverance and return to London, Strike attends a UHC rally in that city with hopes that he will be spotted by Wace and invited to meet back-stage. ‘Papa J' takes the bait and he and Strike square off in the cult leader's dressing room. Strike reveals much of what Robin and he have learned about the UHC's criminal past and present in that verbal confrontation. Strike exits only after delivering a warning; stay away from his partner or “I will burn your church to the f*****g ground” (Part 8, chapter 112, 808; italics in original).In the midst of this tense back-and-forth between private detective and religious guru, Strike thrice mentions a book published in 1930, Who Moved the Stone?, a relatively short work of popular Christian apologetics:‘I see you're one of those who prides themselves on disrespecting rites, mysteries, and religious observance,' said Wace, smiling again. ‘I shall pray for you, Cormoran. I mean that sincerely.'‘I'll tell you one book I've read, that's right up your street,' said Strike. ‘Came across it in a Christian mission where I was spending a night, just outside Nairobi. This was when I was still in the army. I'd drunk too much coffee, and there were only two books in the room, and it was late, and I didn't think I'd be able to make much of a dent in the Bible, so I went for Who Moved the Stone? by Frank Morison. Have you read it?'‘I've heard of it,' said Wace, sitting back in his chair, still smiling. ‘We recognise Jesus Christ as an important emissary of the Blessed Divinity, though, of course, he's not the only one.'‘Oh, he had nothing on you, obviously,' said Strike. ‘Anyway, Morison was a non-believer who set out to prove the resurrection never happened. He did an in-depth investigation into the events surrounding Jesus' death, drawing on as many historical sources as he could find, and as a direct result, was converted to Christianity. You see what I'm driving at?'‘I'm afraid not,' said Wace.‘What questions d'you think Morison would've wanted answered, if he set out to disprove the legend of the Drowned Prophet?' (805)This calling into question of the UHC's historical claim to other-worldly power causes those of Wace's inner-circle minions to chafe and counter with traditional Oriental wisdom about wrestling with pigs. Strike again alludes to Morison's book:‘Is that from the I Ching?' asked Strike, looking from Zhou to Mazu. ‘Funnily enough, I've got a few questions on the subject of degradation, if you'd rather hear those? No?' he said, when nobody answered. ‘Back to what I was saying, then.'‘Let's suppose I fancy writing the new Who Moved the Stone? – working title, “Why Paddle in the North Sea at Five a.m.?” As a sceptical investigator of the miraculous ascension into heaven of Daiyu, I think I'd start with how Cherie knew Jordan Reaney would oversleep that morning. Then I'd be finding out why Daiyu was wearing a dress that made her as visible as possible in the dark, why she drowned off exactly the same stretch of beach as your first wife and – parallels with Who Moved the Stone? here – I'd want to know where the body went. But unlike Morison, I might include a chapter on Birmingham' (805-806).John Granger and Nick Jeffery, as part of their Kanreki celebration of Rowling-Galbraith's 60th birthday last July, discussed Texts-Within-the-Text as a Golden Thread that runs through all of the author's work. Most of those embedded texts, though, are of Rowling's invention, e.g., Dumbledore's Chocolate Frog Card, Tales of Beedle the Bard, Bombyx Mori, The Predictions of Tycho Dodonus, Wace's The Answer, etc. It's fairly rare for Rowling-Galbraith to drop a reference to a real world book even in the relatively non-magical Strike series.In addition to the I Ching, however, Running Grave has Prudence Donleavy recommend two psychology texts to Robin (Lifton's Thought Reform and the Psychology of Totalism: A Study of Brain Washing in China and Hassan's Combatting Cult Mind Control: Protection, Rescue, and Recovery from Destructive Cults) in addition to Strike's weaponization of Morison's Who Moved the Stone?John and Nick chose to discuss Who Moved the Stone? this week rather than an embedded text that works as a template (cf., Aurora Leigh) or a Rowling favorite-book that shaped her perspective (e.g., I Capture the Castle) or a real-world book tied to the plot of Hallmarked Man (Bridge to Light, Pike's Morals and Dogma) because it seemed to connect the dots of several recent Rowling revelations:* the “God-shaped vacuum” tweet; * the unforced admission that she suffers from VWD, a blood-clotting disorder; * the search for the coming Big Twist in the final books of the Strike series;* the Psalter charm on the Strike9 Christmas gift bracelet-of-clues; * the Church of St Giles in the Fields' existence and its incredible absence from the first eight Strike books despite its overshadowing Denmark Street; and* the absence of Strike-series parallels to the Christian content and meaning of the Potter series, especially with respect to the Struggle to Believe in Deathly Hallows.For reasons the two discuss, all the above are pointers to possible Christian content of Strike books nine and ten, even that this content will be a substantial part of the mind-bending surprise finish to the series, namely, Strike's transformation from a skeptic with respect to all things religious to believer. What bigger clue has Rowling presented in the series for that possibility than Strike's confronting a religious “fraud and hypocrite” (799) with a book by an English skeptic about the evidence for belief in Christ's Resurrection from the dead?Nick and John discuss both Who Moved the Stone? itself, its use in Running Grave in the Strike-Wace confrontation, and its possible meaning as a pointer to revelations and transformations to come:1. Why is a Rowling Reader interested in Frank Morison's Who Moved the Stone? ? 2. Who was ‘Frank Morison‘? What is the story behind the writing of Who Moved the Stone? ? What place does it have, if any, in UK Christian apologetics?3. Do you think there are echoes of ‘Morison's conclusions in the Passion parts of Dorothy Sayers' Man Born to be King series for the BBC (1941)? 4. Chesterton per Wikipedia wrote in his review of Stone that he had been “under the impression it was a detective story” when he picked it up; how much does it read like a murder mystery, something akin to how Strike might sift through the evidence of a case?5. Five instances of deductive insights Ross-Morison offers by reasoning that even most Christian believers would have considered —6. A compare-and-contrast exercise of different perspectives -- John, believer, familiar with passion gospels; Nick, seeker, not so much -- how did their reading experiences differ?7. Why would Rowling-Galbraith have Strike mention this book, one that fosters conversions to Christian faith, in his face-to-face meeting with a religious charlatan? Shouldn't he be belittling faith at that point?8. If there is a single ‘keyword' in Stone, John believes it is “vacancy.” Nick and John discuss (1) the possibility that Rowling may have read this book as a young person and been struck by the God-shaped “vacancy” or “Vacuum” in her own life and (2) whether it could have been an influence on the Casual Vacancy title. They review Rowling comments about “the light of God shining from every soul” in her Vacancy interviews.9 - John expresses his bewilderment that Robin and Cormoran have never discussed their faith backgrounds or lack of one in the course of their relationship, especially in light of their UHC cult experiences and Talbot's True Book with its occult and Christian content. Nick explains the fall out of the English Civil War to John.10. Could Strike's familiarity with and seeming sympathy with the arguments of Stone a place-marker for future conversations about faith, not to mention revelations of why both Strike and Robin are so casual about the vacancy of a spiritual dimension in their lives?The remarkable take-away from this conversation was a discussion of the possibility that Rowling's tweeted ‘Psyche Ascendant' suggests the imminent death of Robin Ellacott in Strike 9 with Strike 10 being fallout of that death in the life of Cormoran Strike. ‘Fall out' meaning Strike will learn the truth about all the questions to which he mistakenly thought he knew the answers — the suicides of his mother and Charlotte Campbell-Ross, the character of Jonny Rokeby, Ryan Murphy's real motivation for pursuing Robin Ellacott, Cormoran's relationships with his half-sister Lucy and “oldest mate” Dave Polworth — as well as ‘Who Killed the Better Half of the Strike Ellacott Detective Agency?'John thinks the revelations coupled with Strike's grief may drive him to his knees in St Giles in the Fields Church, a ‘Digging Dobby's Grave on Easter morning' parallel. Make your case in the comment boxes below if you think that he has lost his mind somewhere on the drive east from Oklahoma to the Carolinas.The Granger family is now well settled in their South Carolina bungalow and Hogwarts Professor will be posting with regularity. Nick and John thank you for your patience and for your support!Links to Sources and Subjects Mentioned in Conversation:‘A Ring Reading of Running Grave, Part Eight' (John Granger)Who Moved the Stone? by Frank Morison (Amazon)‘Albert Henry Ross' aka ‘Frank Morison' (Wikipedia)‘Frank Morison and Who Moved the Stone? Advertiser, Novelist, Apologist, Spy' (Philip Johnson, Lecturer, Morling College, New South Wales, 2018)* Most of the information that Nick and John shared about Ross/Morison and his book Who Moved the Stone? came from this carefully researched paper.‘Philip Johnson' UC Berkeley Law Professor, author Darwin on Trial (Wikipedia)Darwin Retried: An Appeal to Reason (Norman MacBeth)Dorothy Sayers' Man Born to be King series for the BBC (1941)?G. K. Chesterton review of Who Moved the Stone? in The Illustrated London News (5 April 1930)‘Reading Troubled Blood as a Medieval Moral Play and Allegory:' Roy Phipps the “bloody bleeder” as King Philip of Spain (John Granger)‘Justin Martyr and the Fourth Gospel' (Fr John Romanides, 1958, on the relationship of the Synoptic Gospels and the Gospel According to St John)An examination of the Biblical sources reveals the fact that underlying the New Testament is the catechetical principle that one is able to discern the will and acts of God only according to the measure and degree in which he has been liberated from demonic influences and by spiritual exercise learns to distinguish between divine and satanic energies. This liberation is accomplished in Christ by the power of the Spirit but its effect on man is not automatic. Where it does begin its process is generally gradual as is evident in the tardy way in which the Apostles came to a full understanding of the way the kingdom of God had come upon them. Failure to understand and partake of the mysteries of the kingdom is attributed to continuance in the ways of Satan (e.g., Mtth. 13, 1-23; Mk. 4, 1-20; Lk. 8, 4-15; II Cor. 4, 3-4).Before a person was admitted to baptism, he had to be instructed in the old Testament revelations of the divine activities as well as in the ways of satan. Otherwise, he would continue being blinded by the devil and would be in danger of confounding divine and satanic activities as happened in the case of the Jews who went so far as to say that Jesus cast out demons by the power of Belzebub (Mtth. 12, 22-37; Mk. 3, 22-30; Lk. 11, 14-23). This is the blasphemy against the Spirit which cannot be forgiven. Those who are not able to recognize the energies of God are those who by hearing hear but do not understand and seeing see but do not discern (Is. 6, 9; Mtth. 13, 14; Mk. 4,12; Lk. 8, 10; John 12, 40; Acts 28, 26 ff.). The fourth gospel is a continuous play on the divinity of Christ as witnessed to by the divine activities which He shares in common with the Father and the Spirit and which are eventually understood by those who are defeating the devil but continuously misunderstood by those blinded by the prince of darkness. The fourth gospel is understood only by those who have been previously exercised in the discernment of the saving and sanctifying acts of God in both the Old Testament and Synoptic tradition, apart from whose soteriological presuppositions it is totally meaningless.Contemporary Case for Religious Belief in General:Believe: Why Everyone Should Be ReligiousAdvice to the Serious SeekerWhy Religion Matters: The Fate of the Human Spirit in an Age of DisbeliefThe Last Superstition: A Refutation of the New AtheismAtheist Delusions: The Christian Revolution and Its Fashionable EnemiesSeven Christian Apologetics ClassicsThe Case for Christ (Movie version!)Evidence that Demands a Verdict: Life Changing Truth for a Skeptical WorldMere Christianity (C. S. Lewis)Handbook of Christian ApologeticsExposing Myths about ChristianityDid the Resurrection Happen?Elements of Faith: An Introduction to Orthodox TheologyHogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Welcome to the Hogwarts Professor New Year's Celebration! John and Nick look back to a packed 2025, as John looks forward to big changes in 2026. From the marathon Kanreki celebration in July to the joys of sharing The Hallmarked Man with friends around the world and plans for The Hogwarts Professor in 2026. John Granger, Nick Jeffery and the HogPro faculty wish you and your families a happy, healthy and fulfilled new year!1.) John, this time last year you said “I'm hopeful that 2025 will be the most exciting year in Hogwarts Professor's 20+ year history, at least the busiest since the madhouse period following the publication of Harry Potter and the Deathly Hallows.” As someone who was part of the initial fandom frenzy, how did this year compare?Not anything like 2007 which was a continuous love fest for Harry Potter and that series' author, Woman of the Year, etc. I was on national teevee repeatedly in the run-up to Deathly Hallows publication and the weblog and podcasts and book sales and speaking dates all did numbers they will almost certainly never do again. Rowling world was the world undivided and I rode that tsunami wave for several years afterwards.Times have changed. Rowling is a much more influential and consequently divisive figure. Her legacy is proving to be at least as great in the political realm as it is in literature with almost 14 million people reading her tweets and her books not selling that well if very well by any other measure.And our role at Hogwarts Professor has changed correspondingly. We sided with Team Rowling against the Gender Theory Extremists in 2020 and were cancelled in consequence. No book deals, no speaking dates, and no podcasts because I refused to bend the knee to Potter fandom's collective effort to cancel Rowling as a transphobic murderer for stating simple biological and psychological truths.In 2025, though, as I hoped last December and January, we re-emerged as leaders of the Royal Society of Rowling Readers. I am still ostracised, of course, from Potter fandom conventions and the like as well as from Strike podcasts, but our conversations, Nick, have an ever growing following globally and locally and one participating in the best conversations anywhere about the artistry and meaning of Rowling's work.It's been a great year and I am again hopeful, especially in light of our move east, that 2026 will be another break through year at Hogwarts Professor.Nick and John share their highlights of 2025 - 2.) Non-Rowling HogPro HighlightNick - Suzanne Collins - Sunrise on the Reaping Elizabeth Baird-Hardy's posts inspired me to not just read the Hunger Games series, but Gregor the Overlander as well.John: The closing of ‘The Rowling Library' magazine3.) Highlight from the Lake:Nick - Rowling's blood disorder - von Willebrand DiseaseJohn: Tough Call! High on my list were (1) Rowling's legal fund for defending women discriminated against for gender critical beliefs and (2) Rowling in Greenland but I'm going to go with both Rowling's 7 August ‘Lake and Shed' Tweets and Rowling's 12 September ‘Changes in Beliefs' tweeting post Charlie Kirk.4.) Highlight from the Shed:Nick - the Golden Threads! We have shared “Pregnancy Traps” and “Lost Child” threads this year which join “Bad Dad” and “Ghosts” which feature front and centre in “Hallmarked Man” John: Mythology – the forgotten Shed tool or more precisely the one neglected by even the most serious Strikers and Potter Pundits despite our efforts here really came to the fore in the wake of Rowling's tweet post Hallmarked Man kerfuffle along with the advent of mythological mavin Dimitra Fimi's into our conversations.5.) Highlight from Rowling Inc:Nick - The all-cast audio editions of Harry PotterJohn: Casting decisions about Bronte Studios/Netflix casting decisions for the small screen teevee adaptations – Black Snape!6.) Highlight from The Hallmarked Man release:Nick - That first English language sneak peek from Germany and the Robin ectopic pregnancy reveal!John: The realisation that for the first time Rowling wasn't writing a self-contained Strike mystery with over-arching story details but the first of a three-part series-ending piece in which many of the players from the book will be returning in feature roles.7.) Highlight book 9 and 10 tease:John - Cupid and PsycheNick - J. K. Rowling's fourth (or fifth) charm bracelet.8.) John Introduces the Kanreki Project and its relationship to fourth generation potter scholarship….· 55 total Substack posts 2023-2024· 3 posts Jan-June 2025…· 31 posts in July and 34 since (today #69)The Goal: Shift the Rowling Reader focus from latest book to work as a whole with the three critical taxonomy categories of Lake springs, Shed tools, and Golden Thread as our guides or lensesThe Means: the Kanreki blitz of Lake, Shed, and Golden Thread highlights from all of Rowling's work in celebration of Rowling's 60th birthday (the old) and the follow-up engagement with Serious Strikers before and after the publication of Hallmarked Man (the new)The Results:We nowhere near the finish line or even, I think, the avalanche tipping point that an authorised critical biography will push us over, but we have cleared the forest and prepared the field for that event, work that we will take another quantum leap forward in 2026 with our Lake, Shed, and Golden Thread Rowling Studies 101 online class.Which is to say that this is the year that the Substack Platform has really taken off, with an engaging and intelligent comments section that is really unparalleled, certainly J. K. Rowling fandom. I think much of this has been generated by our video conversations here. We have moved from the audio only Rowling Studies podcast; Nick, as the technical wizard, can you give us a peek behind the curtain? How have we done this, and what's next?9.) One of the reasons I'm exploring better quality audio and video, is that we can start creating content that can be used as a reference, potentially for many years. Once we can do this, then we can start offering online courses, can we say anything yet about our plans, John?John: As soon as I'm settled in, we'll finish the Hallmarked Man ring charting (I've been listening to the painful Part Five chapters while packing…) and then offer a free five part introduction to L/S/GT thinking and survey of what is known in those categories followed by a ten week course for those wanting a much deeper appreciation of Rowling, roots, branches, and leaves10.) John and Nick Wish Fulfillment Predictions for 2026John: Special guests on our shows – Elizabeth Baird-Hardy, Beatrice Groves, Lindsey and Company from Strike FansNick: A proper interview with Beatrice Groves, Dimitry Fimi or John Granger. I'm more than happy to be the impartial invigilator.John: Critical Biography news, More Rowling Biographical RevealsNick: A biography! (Authorised)John: Michael is Doorstepped and Tells All!Nick: A book! We know Rowling has the plots for a further 5 books one of which is “futuristic” but not set in space. But not the WB television reboot, that is scheduled for 2027!John: Rowling Confirms ‘Ending Trilogy Theory'Nick: Rowling to talk about Fantastic Beasts – this will be difficult… John: Rowling is Special Guest on Hogwarts Professor ShowNick: A get together, with The HogPro team.Apologies for limited commenting on threads and posting during my family relocation!Thank you for your patience, support, and prayers since November and in the coming month! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling's influences, Dodie Smith's I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter's Bookshelf was totally won over to Nick's enthusiasm for Castle.In fact, John now argues that, even if Rowling didn't read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist' style of Joyce and Nabokov, full of puzzles and twists in the fashion of God's creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art'?And if you accept, per Nick's cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling's work — and Smith one of the the most important influences on The Presence.Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The Twelve Questions and ‘Links Down Below' Referred to in Nick and John's I Capture the Castle Conversation:Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going?Rowling's Admitted Literary InfluencesWhat I want is a single internet page reference, frankly, of ‘Rowling's Admitted Literary Influences' or ‘Confessed Favorites' or just ‘Books I have Read and Liked' for my thesis writing so I needn't do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I'm making.Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling's comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list.‘A Rowling Reading of Aurora Leigh' Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh' Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it?Capturing Dodie Smith's I Capture the Castle: Elizabeth Baird-Hardy (October 2011)Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz's resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione's daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry's room at the Leaky Caldron).But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling's writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra's voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry's story has some of the same features.A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025)Parallels abound for Potter fans. The Mortmain's eccentric household mirrors the Weasleys' chaotic warmth: loved despite quirks, from Topaz's nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain's intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling's world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione's daughter—and train journeys punctuate the plot.The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling's secondary characters, such as Xenophilius Lovegood and Jasper Chiswell.The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour.Material Yearning: The desperate desire of Cassandra's sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog.Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family.Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn't read your piece until I'd finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy?* She First Read It on her Prisoner of Azkaban Tour of United States?tom saysOctober 21, 2011 at 4:00 amIf I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle' might have influenced the Potter series.* Rowling Website: “Books I Read and Re-Read as a Child”Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell's Black Beauty, something of a ‘Rowling's Favorite Books and Authors as a Young Reader' collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter's Bookshelf?Harry Potter's Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009Literary Allusion in Harry Potter Beatrice Groves 2017Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.' The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain's?* Nick Jeffery's Kanreki discussion of Rowling's House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread' (Lethal White)Question 6. Have I missed any, John?* Rockefeller Chapel, University of ChicagoQuestion 7. Forgive me for thinking, Nick, that Cassandra's time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it's hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves' favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling's work that echo those in Castle?* Chapter 13, I Capture the Castle: Cassandra's Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte's Death* Beatrice Groves on Running Grave's Chapel Scene: ‘Strike's Church Going'Question 8. I'm guessing, John, you found some I have overlooked?Question 9. The Mortmain, Colly, and Cotton cryptonyms as well as Topaz and Cassandra, the embedded text complete with intratextuual references (Simon on psycho-analysis), the angelic servant-orphan living under the stairs (or Dobby's lair!) an orphan with a secret power he cannot see in himself, the great Transformation spell the children cast on their father, an experiment in psychomachia a la the Shrieking Shack or Chamber of Secrets, the hand-kiss we see at story's end from Smith, love delayed but expressed (Silkworm finish?), the haunting sense of the supernatural everywhere especially in the invocation that Rose makes to the gargoyle and Cassandra's Midsummer Night's Eve ritual with Simon, the parallels abound. Ghosts!* Please note that John gave “cotton” a different idiomatic meaning than it has; the correct meaning is at least as interesting given the Cotton family's remarkable fondness for all of the Mortmains!* Kanreki ‘Embedded Text' Golden Thread discussion 1: Crimes of Grindelwald* Kanreki ‘Embedded Text' Golden Thread discussion 2: Golden Thread Survey, Part II* Rose makes an elevated Faustian prayer to a Gargoyle Devil: Chapter IV, pp 43-46* Cassandra and Simon celebrate Midsummer Night's Eve: Chapter XII, pp 199-224Let's talk about the intersection of Lake and Shed, though, the shared space of Rowling's bibliography, works that shaped her core beliefs and act as springs in her Lake of inspiration and which give her many, even most of the tools of intentional artistry she deploys in the Shed. What did you make of the Bronte-Austen challenge that Rose makes explicitly in the story to her sister, the writer and avid reader?“How I wish I lived in a Jane Austen novel.” [said Rose]I said I'd rather be in a Charlotte Bronte.“Which would be nicest—Jane with a touch of Charlotte, or Charlotte with a touch of Jane?”This is the kind of discussion I like very much but I wanted to get on with my journal, so I just said: “Fifty percent each way would be perfect,” and started to write determinedly.Question 10. So, I'm deferring to both Elizabeth Barrett Browning and J. K Rowling. Elizabeth Barrett Browning valued intense emotion, social commentary, and a grand scope in literature, which led her to favour the passionate depth of the Brontës over the more restrained, ironical style of Jane Austen. Rowling about her two dogs: “Emma? She's a bundle of love and joy. Her sister, Bronte, is a bundle of opinions, stubbornness and hard boundaries.”Set in the 30s, written in the early 40s, but it seems astonishingly modern. Because her father is a writer, a literary novelist of the modern school, do you think there are other more contemporary novelists Dodie Smith was engaging than Austen and Bronte?Question 11. Mortmain is definitely Joyce, then, though Proust gets the call-out, and perhaps the most important possible take-away Rowling the attentive young reader would have made would have been Smith's embedded admiration for Joyce the “Enigmatist” she puts in Simon's mouth at story's end (Chapter XVI, pp 336-337) and her implicit criticism of literary novels and correction of that failing. Rowling's re-invention of the Schoolboy novel with its hidden alchemical, chiastic, soul-in-crisis-allegories and embedded Christian symbolism can all be seen as her brilliant interpretation of Simon's explanation of art to Cassandra and her dedication to writing a book like I Capture the Castle.* Reference to James Joyce by Simon Cotton, Chapter IX, p 139:* The Simon and Cassandra conversation about her father's novels, call it ‘The Writer as Enigmatist imitating God in His Work:' Chapter XVI, pp 331-334* On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtSacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”I want to close this off with our sharing our favorite scene or conversation in Castle with the hope that our Serious Reader audience will read Capture and share their favorites. You go first, Nick.* Cassandra and Rose Mortmain, country hicks in the Big City of London: Chapter VI, pp 76-77Question 12. And yours, John?* Cassandra Mortmain ‘Moat Swimming' with Neil Cotton, Chapter X, 170-174* Cassandra seeing her dead mother (think Harry before the Mirror of Erised at Christmas time?): Chapter XV, pp 306-308Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
The Hogwarts Professor comment threads have been jumping so Nick Jeffery and John Granger decided to dedicate a conversation to a review of the Greatest Hits in the last week (to do a complete review yourself, click on ‘Activity' in the left margin of the Hogwarts Professor Substack home page).After their reviewing the remarkably global and growing audience of Rowling Readers — 36 countries, 46 states! — and tracking The Presence's location — her yacht seems to be in Fiji but she is touring Levesden Studios? — Nick and John read out fifteen comment subjects and discuss the merits, deficiencies, and promise of each.The lede story is the theory shared by Jaclyn Hayes that Cormoran Strike and the late Charlotte Campbell were half-siblings with Jonny Rokeby in common as their absentee father. From her notes: I think Charlotte was blackmailed (via threat of exposing the relatedness btw her and Cormoran) into marrying Jago to provide him a male heir. Perhaps their relatedness is even an open secret in Charlotte's family, similar to the “secret” relatedness of Decima and Rupert in THM (another parallel). Charlotte was forbidden from telling Cormoran about the blackmail, but since she's conniving and obsessed with him, she uses their unexpected encounter at the Paralympics gala to drop hints about her predicament, hoping he'll solve the mystery and save her or take her back once she's fulfilled the terms of her marriage/birth agreement with Jago. She then orchestrates another encounter with Cormoran to drop more hints-- this time at Franco's, which she knows will trigger the memory of her father's outrage at seeing her and Cormoran dating again. She hopes Cormoran will realize her father was angry because he knew they were related, not simply because he thinks Cormoran wasn't good enough for her. She then tells Coromoran things would be different if he'd taken the job her father offered him (calling to mind the job Tara gives Rupert to keep him quiet in THM), and says she found out she was pregnant at Tara's house and later “lost” (not aborted) the baby. Read the whole thing. Ed Shardlow's response, in which he points out that the hallmark given to silver and DNA testing of human beings have a lot in common, and Tamspells and Jaclyn Hayes discussion of Strike's dreams in previous books give the Strike:Charlotte::Rupert:Decima theory some heft. Cheryl Rose Orrocks asked for help with research she is doing on a possible divine marker, mythologically divine at least, being placed in each book at the appearance of that novel's killer. The only holes in her theory at the time Nick and John recorded their conversation were Troubled Blood and Running Grave — and Catherine has since posted a neat solution for Strike 5. Check that out and please share the missing god or goddess from Running Grave!Nick and John also review and discuss:* Ed Shardlow's idea that the characters creating narratives inside Rowling-Galbraith stories are perhaps best understood as creating their stories as Rowling writes hers, i.e., inspired by Lake material and crafted with the tools in their Sheds;* Vicky's thank you to Dr Fimi for the Ursula Le Guin quotation;* Ed Shardlow's ‘RL Mystery' with back-up from Tamspells and J. S. Maleksen;* Cheryl Rose Orrocks' YouTube notes about the Dirty Bomb Theory conversation (and just how wrong John is about Carmen the opera and Carmen Ellacott); and* Answers to listener requests for more information — all of which can be found in the Links section below!In the week to come, John pledges to post his Hallmarked Man Names exegesis, Nick is working on his review of Aurora Leigh, the supposed template of Ink Black Heart (and the only book ever confirmed by Rowling as such), they will record their Part Two ring charting this weekend, and John is reorganizing his 2017 seven week online course — Wizard Reading Formula — for which class Paid Subscribers will get a greater than 50% discount.John and Nick thank everyone listening and especially those active on the comment threads and taking part in the Hallmarked Man Ring Reading Workshop!Links to Subjects Discussed in the Conversation Above:Cheryl Rose Orrocks: Can you let me know the title and author of the book about Gothic elements?The one John used for Harry Potter's Bookshelf was Patterns of fear in the Gothic novel, 1790-1830 by Ann Tracy, now only ‘in print' via a Kindle version.John read from his much longer Harry Meets Hamlet and Scrooge: Harry Potter's Hogwarts Adventures as the Gateway to English Literature in the conversation above, in which the list of subjects is spelled out (e.g., the castle, supernatural atmosphere, horror, isolation, subterranean passages, fragmentation and reunion, prophecy, ancestral curse, tainted blood, bond of blood, graveyard, corpses, Decay of Aristocratic Privilege, Rise of Bourgeoisie, forest, memories, dreams, found book, doppelgangers, scar or tell-tale mark, mysterious stranger, confused origin, night, mist and fog, distant past, death,, etc.).John also recommends The Handbook of Gothic Literature, ed. Marie Mulvy-Roberts, and The Cambridge Companion to Gothic Fiction, ed. Jerrold Hogle.Who is the mystery writer John was talking about who killed a women when she was an adolescent?Anne Perry, author of the Thomas and Charlotte Pitt and William Monk series of historical detective fiction. John recommends Anne Perry and the Murder of the Century, the book written by the journalist who out'd Perry as a convicted murderer writing murder mysteries. Perry died in 2023. J. S. Maleksen I too enjoyed this post, immensely. Can someone recommend a version of Cupid and Psyche and other relevant works of mythology for a Striker who assiduously avoided mythology through seven years of post-secondary education. I'm willing to gut it out in order to understand Rowling's work. TIA.John shared his favorites in the conversation above — Hamilton's Mythology: Timeless Tales of Gods and Heroes, Graves' The Greek Myths, Powell's Classical Myth, and Schwab's Gods and Heroes: Myths and Epics of Ancient Greece but Dr Dimitra Fimi responded in the thread today:It's a really difficult question this, and yet it shouldn't be. But the truth is that there is no contemporary authoritative collection of Greek/Classical mythological retellings that's up-to-date with recent scholarship, etc. Catherine recommends Hamilton's book below, which is still good in many respects, but these earlier compilations (like Bulfinch's too) often synthesize different versions of mythological narratives, and omit some interesting variations. My recommendations are a bit heavier on the scholarly side of things, but still readable (the issue will be getting hold of them, but I provide links where possible):1) Classical Myth by Barry B. Powell - as implied by the astronomical price on Amazon.uk (https://amzn.to/3JYkLfF) this is mostly available second-hand now, but there is a scanned version via Archive.org: https://archive.org/details/classicalmyth0000powe (you'll need to create a free account, but once you do you can log in and borrow the book digitally to read)2) Early Greek Myth: A Guide to Literary and Artistic Sources (2 Volumes) by Timothy Gantz is great, and at least easier to get hold of. It gives the tales and their versions as well as an overview of their sources. The Amazon price of Vol. 1, for example, is a bit more accessible: https://amzn.to/4oTFKQ1For those interested in the de profundis interpretation of classical myth, see The Door in the Sky: Coomaraswamy on Myth and Meaning and Symbolism in Greek Mythology by Paul Diel.You can find the post about Beedle the Bard that Dr Fimi discussed in her conversation with Nick and John at her Substack, ‘A Kind of Elvish Craft:' “You must've heard of Babbitty Rabbitty!”: Secondary World Fairy Tales in J.K. Rowling's Harry Potter Series This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe
Nick Jeffery and John Granger sat down today to talk about the wonderful comment threads beneath their Hallmarked Man posts since publication day. They see every comment on every thread and realized no one else was seeing the brilliant theories and ideas from the Hogwarts Professor community.John was tasked with reviewing every comment post publication comment thread to identify the best offering they had not discussed in previous posts. Nick had the harder job of culling that list down to the best ten ideas; he balked and chose thirteen. John added two, just because.They both recommend you click on the links below as you listen to Nick and John embrace, push back, and marvel at the great Serious Striker conversations to be had here.The best of the best? J. S. Maleksen's ‘Dirty Bomb Charlotte,' which makes the credible argument that Rowling has written a back-stage scenario in which Charlotte seduces Ryan F. Murphy to destroy Robin Ellacott. Why? When? What? How? Read the comment beneath the #1 link below and listen to Nick and John talk, no, rave about this seemingly off-the-wall bit of speculation.And then wade through the rest! Thank you to all the contributors to our conversations; please remember it was Nick, not John, who decided not to use your idea. Hallmarked Man Names and Part One ring-charting later this week — stay tuned!Links to Reader Ideas and Theories from the HogPro Comment Threads1. J. S. Maleksen: ‘Dirty Bomb Charlotte:' Ryan Murphy Killed CharlotteThank you for discussing my first Running Grave RFM comments.As you may have noticed, my theory is a bit of a work in progress. In keeping with the Hogwarts Professor/ Rowling Studies standards, I am striving to put it all together and set forth a textual basis for my contention that the relapsing, unstable RFM we see in the later parts of RG and all of HM is the dirty bomb left by Charlotte with the intent of exacting revenge on Robin and Strike.In RG, after listening to a portion of Charlotte's final 3 voicemail messages, Strike frets about the possibility that Charlotte will seek out RFM and spin a web of lies to him. He expresses concern in his inner monologue that RFM would have no loyalty to Strike and that RFM could use the information to turn Robin against him.Understanding that I may be in nutter drawer/Gateshead territory and mindful that I am diverging from my original post slightly, I contend that RFM met up with Charlotte at some point, maybe in the month or two, before she died. She used McCabes (the agency she hired to get dirt on Jago in IBH) to get info on Robin, discovered RFM, contacted him seduced him, and filled his head with lies about Strike and Robin.On the night Charlotte dies, RFM is there. They are drinking together. They get into a fight. She assaults him (like she assaulted Strike and Dormer) and because ‘he is mean and aggressive when he gets drunk' (yes this is where this line from Wardle in RG becomes relevant) he hits her back, they fight, and she dies. He makes the murder look like a suicide, writes a suicide note that is based on the information she has given him about Strike and her family and her kids. There is nothing in the suicide note about Strike being in love with Robin. Remember, the only evidence that this appears in the note is Strike's egotistical presumption that is based solely on Strike's conjecture.RFM uses his position at the Met to make sure the final determination is suicide.The guilt and self-loathing he feels thereafter causes him to spend as much time as possible in Spain (rather than taking the earlier flight to see Robin after she escapes from Chapman Farm.) It also causes him to declare his love for Robin on his first night back with her. He's drinking and unraveling and he thinks if he can make it work with Robin and rescue her from an abusive Strike, it will make up for the fact that he committed murder.This also explains his mistakes in the gang shooting case, including roughing up a suspect and all of the descriptions of him being overly stressed and exhausted including on the night he got Robin pregnant.This is the thought process that led me to post under Nick's ‘Charlotte was Murdered' thread. It just took me a little longer to articulate it.Once again, thanks to both of you for all of the fine work you do.* Catherine: Strike 9 will be about Strike searching to find Lost Robin/Psyche3. June McGarry: Incest Part 1 — Leda and Ted Half-Siblings4. Tamspells: Incest Part 2 — Charlotte Raped by Dino Step Father5. Vicky: Names Idea 1 — Decima Mullins – Shirley Mullens6.Kathleen OConnor Names Idea 2 — Rupert Fleetwood – Lady Patricia Fleetword-Chiswell7. Sandy Hope: Cupid and Psyche 1 — Psyche's Sisters in Hallmarked Man8. Kelly Loomis Cupid and Psyche 2 — Chelsea Arts Club Cupid, Etc.9. June McGarry: — Strike lies to READERS about Paternity Test10. Ed Shardlow — Planet Narnia Theory for Strike series* Ed Shardlow: The Five Strikes in Hallmarked Man11. Brenna Hill — Meaning of Ellacotts' Naming Puppy ‘Betty'12. Ed Shardlow — Meaning of Hallmarked Man Titles, Other Strike Series Titles13. Ed Shardlow Lions, Eyes, Bridges, Silver, Swans, Steps14. Joanna — ‘Hidden in Plain Sight'15. Brenna Hill — Dirk and EXCALIBUR Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
When Running Grave was published, John Granger charted each Part's chapter sets, the Book-as-a-Whole, and then the Book as the concluding novel of a seven book series. It took him weeks and weeks, it yielded astonishing revelations via Rowling-Galbraith's structural artistry, and… it was a rather joyless affair. No one joined him in the process to verify or discount via a separate but simultaneous reading what he found, no one learned how to do it while looking over his shoulder, and very few appreciated what it was all about. Fast forward to September 2025 and the publication of Hallmarked Man. Nick Jeffery and John had collaborated in a month-long Lake-and-Shed reading marathon of everything Rowling had written as well as the Golden Threads running through all her work. They were looking for a new Special Project they could offer the growing list of Paid Subscribers in addition to the weekly conversations and articles they posted for all comers. Why not do a series of posts only the most Serious Strikers would be interested in, a full-on charting of Strike 8?John has posted three Ring Composition throat-clearing exercises complete with video and transcripts — the Heart of Ring Composition, the Mechanics and Mystery of Ring Composition, and a Case Study in Reading a Strike Novel Ring (Career of Evil) — to warm up the niche audience for this adventure. In the conversation above, Nick and John lay out their hopes for this series, namely, that participants will leave with:* an adamantine grasp of what charting a book involves (chapter notes, latch, turn, and t-back lines with explanations);* a clockworks understanding of Strike 8 ‘structural artistry, * charts they've drawn of the Parts' chapter sets as well as the Whole Book; and, most important,* a Ring Reading Skill Set to be deployed on classic novels as well as contemporary favorites, an essential for those who love to read and re-read the Greats, alive and dead.We'll start with Part One next week; there's a blank ring below for you to give it a shot and John's first draft to compare and contrast with your findings.This kind of thing is not for everyone, of course, so most of what goes on here is for all subscribers. Nick and John will be posting about the Hallmarked Man's new names, Browning's The Ring and the Book (a big part of Strike 8's epigraphs), more on the Cupid and Psyche backdrop to the series (it solves some of Robin's most mysterious behaviors, believe it or not!), and the hidden-in-plain-sight Rowling favorite author and book imbedded in her latest work (no hints!). That's in addition, again, to Nick and John's discussions of the theories and insights of HogPro readers, the alchemy, Who Moved the Stone?, the Masonic Symbolism, and the book they rushed to overlook, Maid of the Silver Sea.It's a great time to be a Rowling Reader — and to be either a paid or free subscriber to Hogwarts Professor! Thank you for your support and engagement with the conversations here.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick Jeffery and John Granger do a Compare and Contrast test of the latest Cormoran Strike novel, The Hallmarked Man, and the previous seven books in Rowling-Galbraith's longest series of novels. Adapting a list of ‘Greatest Hits' moments from the first ‘Reading, Writing, Rowling' podcast John did with Katie McDaniel and a panel of Potter Pundits in Roanoke, Virginia, Nick and John share their favorite moments first from the series and then from Strike 8 before contrasting the quality of these highlights.The point of the exercise? Besides being a fun review of Strike-Ellacott adventures, a Greatest Hits collection of their highs and lows, Agency cases and sub-contractors included, the absence of any Hallmarked Man moments that merit a ‘Best in Series' badge suggests that Strike 8 will be remembered best for how it set up Strikes 9 and 10.Whatever your thoughts about that thesis, please share the scenes on your Greatest Hits list, both for the series and Hallmarked Man, per the numbered categories below. Nick and John have a few more to run through that they couldn't get to on their first ‘go' at this; feel free to share categories they should discuss in addition to the ones listed here:* Top Pat Chauncey scene* The One Scene that You Remember Most Often or ‘That Changed Your Life'* Top ‘Text-within-a-Text'* Funniest Scene* Top ‘Drop the Book' moment* Best ‘Narrative misdirection/Ostrananie' Moment* Conclusion: Series and Hallmarked manJohn is working on his charting of Hallmarked Man for the paid subscriber list as well as reviewing and revising his 2017 online course, ‘Wizard Reading Formula.' More on those projects and the Kanreki Series in his next conversation with Nick; stay tuned!Links to Ideas, Posts, and Theories Mentioned* Talbot's ‘True Book' in Troubled Blood* Kathryn Kent's weblog post in The Silkworm* The Goldfish in the Agency Office* Running Grave and Hallmarked Man overlaps, and Ryan Murphy's involvement.* Three Take-Aways from Hallmarked Man: What We Know Readers will say in Ten Years about Strike 8 Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick Jeffery and John Granger do a Compare and Contrast test of the latest Cormoran Strike novel, The Hallmarked Man, and the previous seven books in Rowling-Galbraith's longest series of novels. Adapting a list of ‘Greatest Hits' moments from the first ‘Reading, Writing, Rowling' podcast John did with Katie McDaniel and a panel of Potter Pundits in Roanoke, Virginia, Nick and John share their favorite moments first from the series and then from Strike 8 before contrasting the quality of these highlights.The point of the exercise? Besides being a fun review of Strike-Ellacott adventures, a Greatest Hits collection of their highs and lows, Agency cases and sub-contractors included, the absence of any Hallmarked Man moments that merit a ‘Best in Series' badge suggests that Strike 8 will be remembered best for how it set up Strikes 9 and 10.Whatever your thoughts about that thesis, please share the scenes on your Greatest Hits list, both for the series and Hallmarked Man, per the numbered categories below. Nick and John have a few more to run through that they couldn't get to on their first ‘go' at this; feel free to share categories they should discuss in addition to the ones listed here:* Top Strike-Ellacott Moments* Ellacott taking care of wrecked Strike* Strike taking care of wrecked Ellacott* The Two having a frank conversation about the Agency, their vocation* The Two having a frank conversation about life and their relationship* Top Mystery Reveal* Top Agency Subcontractor moment* Top Agency case not the focus of the novel* Top Strike Confront-the-Killer moment,* Top “Magical” Moment (heart-rending/opening)* Top Moment-that-We-didn't-know-was-a-Moment-until-later* Top Saving People MomentJohn is working on his charting of Hallmarked Man for the paid subscriber list as well as reviewing and revising his 2017 online course, ‘Wizard Reading Formula.' More on those projects and the Kanreki Series in his next conversation with Nick; stay tuned!Links to Ideas, Posts, and Theories Mentioned* Roanoke ‘Reading, Writing, Rowling' Harry Potter Review[‘reading, Writing, Rowling's] first episode was recorded at CoLab in Roanoke, Virginia, at the May 2017 Roanoke Harry Potter Fest and celebrates 20 years of Harry Potter. Listen to a stellar crew of Hogwarts professors discuss [with hosts John Granger and Katy McDaniel] their favorite moments in the Harry Potter series, inspired by Bloomsbury Publishing's recent reader poll. Guests Louise Freeman, Elizabeth Baird Hardy, Emily Strand, and Lana Whited identify the best moments featuring the trio friendship, surprises and narrative misdirection, wizard magic, Snape, texts-within-the-text, and those inspirational messages that make the Harry Potter series profound and emotionally resonant to readers worldwide.* Rowling's Favorite Painting and What It Suggests about Her Artistry and Meaning: Caravaggio's ‘Supper at Emmaus'Professor Groves suggests strongly that what Rowling took away from her “mesmerised” “slow mining” of Caravaggio's Supper at Emmaus was the central Mystery of the Incarnation of Christ, the “guiler beguiled” idea of Aulen's Christus Victor. I find that argument compelling and want to build on it. There are embedded symbols in Supper at Emmaus that I think the fascinated Rowling would have noticed as she looked at the painting in the National Gallery, at the print on her wall in Exeter and London, and at the image on her first website, symbols beyond the “realism” of the Christ as imagined by Caravaggio and the revelation at the breaking of bread of His divinity.* Robin is Sterile Prediction: Chlamydia to Ectopic Pregnancy (December 2023)The thesis of this Hogwarts Professor essay — what I hope will be the subject of our second ‘Rowling Studies' podcast here — is that Robin Venetia Ellacott will not have children with Murphy, Strike, or any other partner, because she cannot, at least not without some extraordinary efforts via in vitro conception and surrogacy. I will attempt to explain how this infertility is possible, to detail the ‘Lake' suggestions from Rowling's life and personal experience that shows she is more than familiar with this condition among women, and to share the ‘Shed' literary markers in Running Grave and Rowling's other novels that this is indeed what she has in mind for Strike's partner Robin.Means Before Motive: How is it Possible that Robin is Sterile?In a word, “Chlamydia.”* The Hallmarked Man's Mythological Template ‘Cupid and Psyche's importance for grasping the depths of Strike 8, from the “necessity” of the Silver Vault and the three men in Robin's life, to spaghetti carbonara and ‘Maid of the Silver Sea' (links list to previous posts, 2021-present on this subject)* Charlotte Was Murdered, Mate; It Wasn't a Suicide* The Strange Death of Charlotte Campbell: Could the Psycho-Ex be the Focus of a Murder Investigation in Strike 8? (Nick Jeffery, November 2023)* Strike8: The Charlotte Campbell Murder Mystery: Nick Jeffery's Idea Checks a Lot of Boxes (John Granger, November 2023)* The Mysterious Death of Charlotte Campbell: Was It Suicide or Was It Murder? The ‘Rowling Studies' Pilot Episode (December 2023)* J. S. Maleksen's Re-read of Running Grave in Search of Ryan MurphyAfter reading HM twice, I re-read ‘Running Grave' with this theory in mind. It occurred to me that RFM might have read Charlotte's suicide note because it was in the police file. He might have even read through statements made by Charlotte's family members about Charlotte's relationship with Strike. At the very least, he would have read that Strike was in love with Robin and may have even bought into the ‘Strike was abusive to Charlotte' narrative and the ‘Strike has been in a romantic relationship with Robin since he broke up with Charlotte' narrative. This would explain why RFM is significantly more chippy towards Strike after Robin returns from Chapman Farm than he was at the beginning of ‘Running Grave.' Come to think of it, if Nick's theory is right and the suicide was a murder, it's quite possible that RFM may have been the lead investigator because, as we now know, he kinda sucks at his job. RFM would have had no reason to disclose any of this information to Robin because “she gets ratty every time he says anything against Strike.” Details identifying the investigating officer may not have been published. Alternatively, Iverson could have been the investigating officer and she could have shared this information with RFM and RFM can't tell Robin how he got the information because he had a fling with Iverson while Robin was at Chapman Farm.This might lead to an explanation as to why/how RFM fell off the wagon (guilt about having cheated on Robin and/or fear that Robin hasn't been honest about her relationship with Strike and/or his perception that Robin is being cowed by an abusive Strike)It makes sense to me that the period of time when Robin was at Chapman Farm is the most plausible and likely spot for JKR to have buried details about RFM, and his true character and motivations. The story as told from Robin and Strike's respective points of view intentionally distracted us from what RFM was up to during Robin's time at Chapman Farm. Indeed, he was often an afterthought of Robin's if she even thought about him at all.Incidentally, this makes the ‘RFM as gorilla man theory' more plausible because walking around with all of this information in his head could have motivated RFM to take extreme measures to get Robin to abandon Strike and the agency.I love your Substack and Podcast. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick and John have posted eight Hallmarked Man conversations since its publication last month and, as interesting as their back-and-forth talks have been, South Wales to American Fly Over Country, Lake to Shed, much of the best theorizing and interpreting of Strike 8 has been happening in the comment threads beneath those posts and in email messaging with John. Determined that these insights wouldn't be lost or invisible to Serious Strikers, they chose ten of the most challenging for a fun introduction to the fandom conversations readers not privy to the backchannel moderators network or who neglect the comment threads are missing.In addition, Nick shares the credible speculation that Rowling's weeklong absence from tweeting has been because she is on her Samsara yacht in the South Pacific, circling Bora Bora, believe it or don't. John quizzes Nick, too, about the election in South Wales, Caerphilly to be exact, and the reason the results in that dependably Labour area have the UK buzzing (and why Strike readers might expect the populist party victories will color Strikes 9 and 10).A quick ‘table of contents' for their hasty review, then, followed by links and transcripts! Enjoy — and, yes, have at in the comment threads, please, the locus of Strike fandom conversations.* Ed Shardlow: Gorilla Ryan* Vicky: Boxes and Plush Toys* Sandra Hope: Traditional Symbolism* Justin Clavet: Only Fans Gaffe (Ed Shardlow -- ‘Not Proven' error)* Bora Bora* Justin Clavet: On Manhood* Ed Shardlow: Ickabog Parallel Book Theory* Sandra Hope: Hallmarked Man as Rowling's ‘Greatest Hits' allusion collection* LC - Dorothy Sayers* Kathleen O'Connor -- Alternative Incest* Caerphilly elections -- UK meaning* Ring Composition ProjectPromised Links and Transcripts:* Ed Shardlow's ‘Gorilla Ryan' TheoryThe Ryan the Gorilla theory came to me at the point in the book where Robin has an epiphany following an impulse to look up the meaning of a name. I think this was the Jolanda-Violet realisation, but I thought she'd suddenly realised the full extent of Ryan's dark side, with the significance being the previously noted meaning of his name “Sea King” suggesting a connection between him and Wade King.That theory seemed very flimsy at first, but on further examination it might have some mileage. There are some notable differences between the attack in the Land Rover and the previous ones. Although we imagine the attacker wearing a gorilla mask, there's no mention of it, and in fact it says she can see his face. Also the Land Rover attacker makes no demands that she, “Stop” or, “Leave it”. She hits Wade with the pepper spray, which of course, would be difficult for Ryan to cover up, but she didn't inflict any such injuries on the gorilla attacker. Wade clearly intends to hurt her, whereas the other attacks had no physical violence and look very much like they were just intended to scare her.1) It's hinted that Branfoot knows about Robin's rape, and she says it's on the internet, but we never get any indication that King or Griffiths know about it. Strike and Robin never consider that the attacker might be someone who knows about it because they're close to Robin. That seems like an oversight.2) The gorilla attacker never refers to a specific case. Murphy may be scaring her into quitting the job and getting away from Strike, whereas a suspect would want her to stop investigating their specific case.3) The police don't take the rubber gorilla and dagger for DNA testing. That's pretty strange, unless there's someone on the inside blocking the investigation.There's a bit of an issue with the guy in the green jacket, who presumably Robin can see isn't Ryan when he's on the industrial estate and outside her flat. Presumably that was Wade.So, there would need to be some explanation for how or why Murphy is wearing the same jacket when he accosts her with the ceremonial dagger. But that's not insurmountable.Murphy would have been very surprised to encounter Matthew (sic, he means ‘Martin' -ed.), who he knows from Masham, outside Robin's flat. The narrative very much prompts us to think there's something going on with Murphy, but then we put this down to his work issues and associated relapse, but perhaps that blinds us (and Robin) to another possibility. And if it is the case, then Strike hasn't just let Robin go to dinner with his romantic rival, but she's heading into mortal danger. Were his instincts subconsciously alerting him to the threat? Did he leave it too late to shout, “Brake!” again?Nicola Reed's Objection to ‘Gorilla Ryan' (Sandy Hope, too)Kathleen O'Connor's Cogent Counterpoint to John's Incredulity about No One Noticing How Short Faux-Wright was in the Ramsay Silver footageVicky on the Interpretation of Robin's “Stuffed Toy” DreamBrenna Hill asks ‘Why is the New Ellacott Puppy Named Betty?'Sandra Hope Jumpstarts Conversation about Traditional Symbolism in Hallmarked Man* Masonic Orb Pendant for sale on Etsy ($795)* Jacob's Ladder Mosaic in Masonic Hall, London (Alamy)* The Bohun Swan (‘Chained Swan') (Wikipedia)Justin Clavet: The ‘Only Fans' Gaffe· I commented on the Hogwarts Professor gaffes pillar [Placeholder, ed.] post about the OnlyFans error - that the OnlyFans website was launched in November 2016, but in the book, the murdered Sofia is said to be a prolific OnlyFans poster before her disappearance in June of that same year. The OnlyFans account is only a small point in this large plot, but one that is repeatedly referred to, and Sofia's OnlyFans account is what ultimately brought her to the attention of her killer. For such a meticulous plotter and, as John would say, “OCD” author as Rowling is, does this real-world chronological impossibility give you pause? What other big historical error like this can be found in her books?· Did you notice that the interview with the pornstar occurs in chapter 69? I think Rowling was having a bit of (structural) fun and winking at the observant reader with that one.* Justin Clavet's 3 September ‘Gaffes' posting about ‘Only Fans'The reference to OnlyFans in chapter 33 (p. 269) felt anachronistic to me, as I don't remember ever hearing about the website before the pandemic era. And sure enough, according to Wikipedia (citing a New York Times article), the website didn't launch until November 2016. Therefore, Sofia – who was murdered in June 2016 – could not have been a prolific OnlyFans poster. Sofia's supposed OnlyFans account is referenced several further times throughout the book. Based on data from Google Trends, it seems incredibly unlikely that Strike and Robin would have readily known what OnlyFans was in late 2016/early 2017. So Where is Bora Bora?The Caerphilly 2025 Election: Victories for Left and Right Wing Populist Parties* 2025 Caerphilly Bi-Election (Wikipedia!)* UK's Ruling Labour Suffer Crushing Defeat Against Political Insurgents at Ballot Box (Breitbart)Justin Clavet ‘On Manhood in Hallmarked Man'The biggest thing that struck me in this book was the persistent themes of manhood woven throughout: the responsibilities, relationships, and hardships of men. * The central crime is linked with a secretive fraternal organization. * It opens with the death of Strike's father figure Ted, a “proper man” (p. 38), by whose maxims Strike is newly resolved to live. * We learn that Ted would've murdered (or been murdered by) his father Trevik if he hadn't left home and joined the army (p. 39), just like Strike would have come to blows (or worse) with his step-father Whittaker if he hadn't left home and joined the army. * While he loses the man he called his dad, he has a real meeting with his natural father for the first time. Rokeby shares that, in Strike, he had produced a proper man” (p. 747). * Strike celebrates not having fathered a child (while Robin is distraught in the wake of her own lost child, and devastated that the option to be a mother may no longer be hers to choose).* Richard de Leon says that his brother Danny was made the way he is because of his father's mistreatment. * Strike is bewildered that Danny (who integrates his brother's Christian name into his porn name, Dick de Lion) and Richard could be so close and share so much with each other, contrasting this with his own relationship with Al. * Leda and Rena are both shown to have suffered because of the absence of their more stable brothers. * Strike observes that “men are seen as disposable in certain contexts” (pp. 107f).* Wardle, who is shown to be a caring and dedicated father to his young child, opens up to Strike about his depression and his marriage troubles. * Strike reflects on the shallow friendships he has with other men, and later sees how this kind of friendship can be toxic with the wrong personalities (in Powell, Pratt, and Jones, p. 860). * Strike fears Wardle may be at risk of suicide. Niall is found to have committed suicide after his brother in arms was horrifically executed by Islamist combatants. The public can't be bothered to care about the tragic loss of this man who heroically put his life on the line for his country - preferring instead to lend their attention to the spectacle of another man, Branfoot, who went to extreme lengths to indulge his basest and most perverse desires (p. 873).Like many events in this book, this theme - with characters showing genuine concern and thoughtful consideration of complex men's issues - is a mirror image of one presented in Troubled Blood with the character of Carl Oakden and his cynical men's rights grift.This barely scratches the surface of the notes that I took on this theme, which I saw running deep through the whole book. I wondered if I was just seeing this in the text because of my own perspective as a man, or if it really was there. Indeed, you could find hints of this theme in each of the preceding seven books. But the structural clues left me convinced it was intentional. And when I watched this video (https://robert-galbraith.com/robert-galbraith-discusses-the-case-in-the-hallmarked-man/) the day after finishing the book, there was no doubt.Justin Clavet on the Hallmarked Man Dedication and Rokeby's Gratitude· I connected the book's dedication to Sean and Nadine Harris with Rokeby's statement on p. 748, “Not everyone's got a mate called Leo ‘oo stops ‘em livin' rough” and that he attributes his artistic and financial success to his friend's generosity and charity.Ed Shardlow on The Ickabog as Hallmarked Man's Parallel BookConscious of the links between the first 7 books of the series and the Potter books, and with three books purportedly remaining in the series, I was primed to see a connection between The Hallmarked Man and one of Casual Vacancy, Christmas Pig or the Ickabog. I didn't have any predisposition to it being any of those. Even if Rowling is taking them in some sort of chronological order, there's reason to believe the orders of conception, writing and publishing may differ.At the end of Part One, I thought the Ickabog looked like the best fit based on the fact that the central mystery of who the body in the vault was has a certain similarity to the mystery of the Ickabog itself and whether it was real or a myth. The importance of the truth and the damage done by lies are fundamental to the Ickabog story, and I thought from the start those were major themes in THM.The other correspondences I've spotted:* The police, in various guises, like the royal guard play an important part, largely inept, self-serving, and perpetrators of miscarriages of justice.* The aristocrats - Lord Branfoot, Lady Jenson, Dino Longcaster - lie and deceive to protect their own interests, causing untold damage in the process.* There's terrorism, and terrorism being used to spread fear and division.* Ultimately Rupert and Decima, two sexes but one entity, produce an offspring that may have been defective or corrupted by the state of the world he was born into, but seems to have emerged happy and healthy. Daisy Dovetail having persuaded Rupert the Ickabog that humanity was worth making compromises for.* The main antagonist traps a woman in his house. I thought their names were Esmeralda and Sapphire, but it's Lady Eslanda not Esmeralda… But apparently Eslanda can mean emerald, or VIOLET, or truth… So Eslanda corresponds to both Sapphire and Jolanda!* We visit a feudal state* Ben Liddell – the soldier killed in an incident in a land where there shouldn't have been any military conflict happening and it being covered up by the government* Sandra Hope: The Footprint!Ed Shardlow, I can't wait for your show on the parallels between THM and the Ickabog!!! I just finished rereading both of them and I'm losing my mind! Omg, the footprint: “The Flaw in the Plan (ch32) is that the footprint is hopping (not so much terrifying as ludicrously funny) and Strike noting that the bearer of the footprint in the vault has a limp!! Please let this conversation happen soon!!Sandra Hope: Strike 8 as a ‘Rowling's Greatest Hits Album' of Allusions:Allusions that took my breath away:* Ectopic pregnancy- TB* Schadenfreude- CC* “So many babies”- not just born, but what they're born into- Ickabog borndings* Human trafficking ring- RG* Woman buried in/under concrete- TB* Staged murder involving mutilation- Silkworm* Violent attacks & subsequent PTSD- a Rowling theme in every book, but especially CE & LW* DNA testing & fatherhood- CV, TB* Guys trying to find right time to ask a potential partner a question- GOF lol* Valentine's Day mishaps- CS, TB* Behavior of abandoned mothers-Silkworm (& HBP), specifically Merope, Leonora, Decima (also Leda)* Journalism as a weapon- GOF, OOP, Silkworm, RG* Potential ill usage of mirrors- SSNot a complete list by any means lolLC – Dorothy Sayers Connection?I don't know if there is anything in my seeing parallels between Cormoran and Robin and Peter Wimsey and Harriet Vance (Dorothy Sayers): Peter and Harriet had a very long acquaintance before they finally got engaged, with lots of twists and turns. Peter goes deep undercover in an ad agency in one novel; the feel of it was very similar to Robin going deep undercover in Lethal White. Also, the Sayers novel “Five Red Herrings” also features five men--in this case, five men who could have been the murderer (instead of the victim). Sayers also had very intricate plots that were puzzles--and was a Dante scholar. I believe Jo has mentioned that she admired Sayers. I don't know if these are just interesting parallels that Jo is having fun with or not, but they certainly seem to be more than coincidences. Thanks!Kathleen O'Connor – Alternative Incest Big Twist IdeasI'm impressed by your arguments that we will see some shocking twists – in addition to the shocking twist that Rokeby is actually, in his old age, a good father to his mature son, Cormoran, and not at all the image-focused a*****e we have seen through Strike's eyes up to now. I don't think, however, we will find that Rokeby is not Strike's father. That revelation would dilute Strike's growth in terms of his realizations that he has been mistaken about many things that he has taken for granted in his life. Instead, I think instead we will see a continuation of Robeby's rehabilitation until eventually, like Snape, Rokeby makes some kind of big sacrifice to aid Cormoran or someone/something else important to Cormoran. Also, even though Strike does not physically resemble Rokeby, he does resemble Prudence: * “Seeing them face to face, Robin spotted her partner's resemblance to Jonny Rokeby for the first time. He and his half-sister shared the same defined jaw, the same spacing of the eyes. She wondered – she who had three brothers, all of the same parentage – what it felt like, to make a first acquaintance with a blood relative in your forties. But there was something more there than a faint physical resemblance between brother and sister: they appeared, already, to have established an unspoken understanding.” - The Running Grave And: * “In youth, Strike knew, Rokeby had been exactly as tall as his oldest son, though he was now a little shorter.” - The Hallmarked Man Maybe the big twist and incest plot is connected to either Switch or Whittaker. As we learn from Wikipedia in Career of Evil, Jeff Whittaker never knew who his father was. A strong possibility could be that Patricia Whittaker's own father, Sir Randolph, had gotten her pregnant with Jeff. In that case, keeping that secret – as well as simply keeping the baby away from Leda – could have been the motive for a Whittaker family member to have killed Leda. An even bigger twist might be that Leda did commit suicide, using exactly the method of Krystal Weedon, after she realized that she was Whittaker's sister. Would it be possible for Trevik to have met up with Patricia Whitaker in London and gotten her pregnant? Regardless of the incest angle, I do think we might find that Leda, whose life choices have not allowed her to develop the strength or discipline to face hard truths, may have committed suicide rather than cope with some kind of guilt (maybe she found out what happened to Lucy?). There are multiple examples that foreshadow these possibilities – off the top of my head, there are “naughty boy” wealthy aristos (Freddy Chiswell, Alexander Graves, Will Edensor, Jago Ross) who might parallel Sir Randolph or Jeff Whittaker, and multiple characters who confuse suicide with sacrifice or who simply cannot face what they have done (Cherie Gittins, Krystal Weedon, Yasmin Weatherhead). Rhiannon Winn and Ellie Fancourt both commit suicide because they cannot cope with the shame they feel as a result of others' cruelty.Also, I can think of two points that support your idea that we will find out some bad things about Ted. Number one, the revelations that Dumbledore was extremely flawed are crucial to Harry's story. In fact, I suggest that writing characters who are not merely “gray” but who are simultaneously really good and really bad is a “golden thread” of Rowling's work. And, number two, we hear multiple times that Ted taught Strike, “There's no pride in having what you never worked for” while Rokeby says “I don't wanna die wivvout knowin' ya. You fink I 'aven't got the right to be proud, maybe, but I am. I'm proud of ya.” I don't think it is an accident that Rowling sets up this opposition, and I also think she wants us to admire Rokey's desire to know his son. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick Jeffery and John Granger continue their Q&A conversations about Rowling-Galbraith's Hallmarked Man (if you missed the first discussion, click here to catch up). As usual, the pair promised to send links and notes along with their recorded back and forth for anyone wanting to read more about the subjects they discussed. Scroll down for their seven plus one questions and a bevy of bonus material they trust will add to your appreciation of Rowling's Strike 8 artistry and meaning. Cheers!Q1: What is the meaning of or artistry involved with Pat Chauncey's three fish in the Agency's fish tank, ‘Robin,' ‘Cormoran,' and ‘Travolta/Elton'?Mise en Abyme (Wikipedia)In Western art history, mise en abyme (French pronunciation: [miz ɑ̃n‿abim]; also mise en abîme) is the technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the story within a story technique.The term is derived from heraldry, and means placed into abyss (exact middle of a shield). It was first appropriated for modern criticism by the French author André Gide. A common sense of the phrase is the visual experience of standing between two mirrors and seeing an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appearSnargaloff pods (Harry Potter Wiki)“It sprang to life at once; long, prickly, bramble-like vines flew out of the top and whipped through the air... Harry succeeded in trapping a couple of vines and knotting them together; a hole opened in the middle of all the tentacle-like branches... Hermione snatched her arm free, clutching in her fingers a pod... At once, the prickly vines shot back inside and the gnarled stump sat there looking like an innocently dead lump of wood“— The trio dealing with the Snargaluff plant in sixth year Herbology classSnargaluff was a magical plant with the appearance of a gnarled stump, but had dangerous hidden thorn-covered vines that attacked when provoked, and was usually best handled by more than one person.Juliana's Question about the Oranda Goldfish:did anyone else notice - I confess to only noticing this on my second re-read of THM- that Travolta, Pat's third fish, dies?What do we think about this? Could this mean Mr. Ryan F. Murphy dies…? Or could it just be foreshadowing of the fact that him and Robin don't end up together? I think the fish symbolism was quite humorous and delightful paralleling such a deep and intricate plot. Just wanted to know if anyone noticed this tinge of humor towards the end of the book… As for the fish theory, Pat's three fish in the tank: Strike, Robin and the third, she calls, Travolta — ironically, named after a “handsome” man. I'm thinking JKR meant Travolta, the fish to symbolize Murphy…What I was referring to in my original comment: the three fish = the love triangle between Ellacott/Murphy/Strike. I was asking: since Travolta died in Chapter 113, do we think this foreshadows Murphy either dying physically, or just that Robin and Murphy do not end up together?John's ‘Fish and Peas' Response:It's a relief to learn that Travolta's most famous role wasn't a character named Ryan Murphy that everyone in the world except myself knows very well. Thank you for this explanation!There's more to your idea, though, I think, then you have shared. Forgive me if you were already aware of this textual argument that suggests very strongly that these Oranda goldfish have been an important part of Rowling's plan from the series from the start. In brief, it's about the peas.In Part 2, Chapter 3, of ‘Cuckoo's Calling,' Robin and Matt are having their first fight about Strike and the Agency. The chapter ends with an odd note that this disagreement has blemished the Cunliffe couple's engagement.“She waited until he had walked away into the sitting room before turning off the tap. There was, she noticed, a fragment of frozen pea caught in the setting of her engagement ring.” (73)Your theory that the fish bowl is an embedded picture of the state of Robin's feelings for Murphy and Strike, a Mise en abyme of sorts, is given credibility in the eyes of this reader by the appearance of frozen peas as the cure for the dying Cormoran goldfish. It is hard for a Rowling Reader to believe that these two mentions of frozen pea fragments were coincidental or unrelated, which means that (a) Rowling had the office Oranda goldfish scene-within-the-scene in Strike 8 foreshadowed by the Strike 1 tiff, and (b) therefore of real significance.There is another pea bit, of course, in ‘Troubled Blood' at Skegness, a passage that links Robin's heart or essence with peas.Strike was still watching the starlings when Robin set down two polystyrene trays, two small wooden forks and two cans of Coke on the table.“Mushy peas,” said Strike, looking at Robin's tray, where a hefty dollop of what looked like green porridge sat alongside her fish and chips.“Yorkshire caviar,” said Robin, sitting down. “I didn't think you'd want any.”“You were right,” said Strike, picking up a sachet of tomato sauce while watching with something like revulsion as Robin dipped a chip into the green sludge and ate it.“Soft Southerner, you are,” she said, and Strike laughed. (807-808)If you tie this in with the fish symbolism embedded in Rowling's favorite paintings and the meaning of ‘Oranda,' this is quite a bit of depth in that fish bowl -- and in your argument that the death of Travolta signifies Murphy is out of consideration.You're probably to young to remember this but Travolta's most famous role will always be Tony Manero in ‘Saturday Night Fever,' the breakout event of his acting career. Manero longs for a woman way out of his league, attempts to rape her after they win a dance contest, she naturally rejects him, but they wind up as friends.Or in a book so heavy in the cultish beliefs and practices of Freemasonry, especially with respect to policemen that are also “on the square,” maybe the Travolta-Murphy link is just that the actor is, with Tom Cruise, as famous (well...) for his beliefs in Scientology as for his acting ability.So, yes, it's fun, your ‘Peas and Fish' theory, but there's something to it.Check out this note on ‘Peas' in the Strike novels from Renee over at the weblog: https://www.hogwartsprofessor.com/hallmarked-man-placeholder-post-index/comment-page-1/#comment-1699017 The fish symbolism embedded in Rowling's favorite painting: https://hogwartsprofessor.substack.com/p/rowlings-favorite-painting-and-what And the meaning of ‘Oranda:' https://www.hogwartsprofessor.com/rowling-twixter-fish-and-strike-update/Follow-Up by Julianna:I'm not sure what exact chapter this is in, but let's also not forget that on Sark, Strike procures a bag of frozen peas to soothe the spade to his face injury. I also want to add that he has used frozen peas before, to soothe his aching leg too, but I could be wrong about that…I cant remember where I've read that, so it might not be true….Lastly, after reading Renee's comment, I have to say, that now I do believe that the peas might have been an ongoing symbol for Strike (a la…the pea in the engagement ring) and…stay with me here….peas are potentially, what save Cormoran, the goldfish, from dying.“The black fish called Cormoran was again flailing helplessly at the top of the tank. ‘Stupid a*****e, you've done it to your f*cking self'.” And the very last line of the book being: “Then pushed himself into a standing position ear and knee both throbbing. In the absence of anything else he could do to improve his present situation, he set off for the attic to fetch the empty margerine tub…and some peas.” (Chapter 127).My point being: this could be a way of Rowling saying, that Strike saves himself from himself…another psychological undertone in her stories. (Lake reference: Rowling has pulled herself up out of poverty ‘by her own bootstraps' we say.) Thoughts? Thanks for induldging me here, John! I am enjoying this conversation. Apologies for the grammar and potentially confusing train of thoughts.And from Vicky:Loving the theories and symbolism around the peas and fish! Just had a thought too re John quoting the Troubled blood scene. Robin calls mushy peas by a familiar term “Yorkshire caviar”. Caviar is of course fish eggs, and poor Robin, Yorkshire born, spends much of THM agonising over the thought and pressure of freezing her eggs. Giuliana mentioned the frozen peas Strike puts on his swollen face after the spade hit...maybe this is foreshadowing to their intimate and honest dinner conversation later with Robin baring her heart to Strike about her ectopic pregnancy griefQ2: Why didn't the Strike-Ellacott Agency or the Metropolitan Police figure out how the murderer entered the Ramsay Silver vault to kill William Wright the first time they saw the grainy surveillance film of the auction house crate deliveries?Tweet UrlFrom ‘The Locked Room Lecture' (John Dickson Carr) It's silly to be disappointed in a border-line absurd Locked Room Mystery such as Hallmarked Man because improbability is close to a requirement in such stories:“But this point must be made, because a few people who do not like the slightly lurid insist on treating their preferences as rules. They use, as a stamp of condemnation, the word ‘improbable.' And thereby they gull the unwary into their own belief that ‘improbable' simply means ‘bad.'“Now, it seems reasonable to point out that the word improbable is the very last which should ever be used to curse detective fiction in any case. A great part of our liking fofr detective fiction is based on a liking for improbability. When A is murdered, and B and C are under strong suspicion, it is improbably that the innocent-looking D can be guilty. But he is. If G has a perfect alibi, sworn to at every point by every other letter in the alphabet, it is improbable that G can have committed the crime. But he has. When the detective picks up a fleck of coal dust at the seashore, it is improbable that such an insignificant thing can have any importance. But it will. In short, you come to a point where the word improbable grows meaningless as a jeer. There can be no such thing as any probability until the end of the story. And then, if you wish the murder to be fastened on an unlikely person (as some of us old fogies do), you can hardly complain because he acted from motives less likely or necessarily less apparent than those of the person first suspected.“When the cry of ‘This-sort-of-thing-wouldn't-happen!' goes up, when you complain about half-faced fiends and hooded phantoms and blond hypnotic sirens, you are merely saying, ‘I don't like this sort of story.' That's fair enough. If you do not like it, you are howlingly right to say so. But when you twist this matter of taste into a rule for judging the merit or even the probability of the story, you are merely saying, ‘This series of events couldn't happen, because I shouldn't enjoy it if it did.'“What would seem to be the truth of the matter? We might test it out by taking the hermetically sealed chamber as an example, because this situation has been under a hotter fire than any other on the grounds of being unconvincing.“Most people, I am delighted to say, are fond of the locked room. But – here's the damned rub – even its friends are often dubious. I cheerfully admit that I frequently am. So, for the moment, we'll all side together on this score and see what we can discover. Why are we dubious when we hear the explanation of the locked room? Not in the least because we are incredulous, but simply because in some vague way we are disappointed. And from that feeling it is only natural to take an unfair step farther, and call the whole business incredible or impossible or flatly ridiculous.” (reprinted in The Art of the Mystery Story [Howard Haycraft] 273-286)Q3: Hallmarked Man is all about silver and Freemasonry. What is the historical connection between South American silver (‘Argentina' means ‘Land of Silver'), the end of European feudalism, and the secret brotherhood of the Masons?How Silver Flooded the World: And how that Replaced Feudalism and the Church with Capitalism and Nation-States (‘Uncharted Territories,' Tomas Pueyo) In Europe, silver also triggered the discovery of America, a technological explosion, and a runaway chain of events that replaced feudalism with capitalism and nation-states. If you understand this, you'll be able to understand why nation-states are threatened by cryptocurrencies today, and how their inevitable success will weaken nation-states. In this premium article, we're going to explore how Europe starved for silver, and how the reaction to this flooded the world with silver. ,See also Never Bet Against America and Argentina Could be a Superpower, both by Pueyo.‘Conspiracy Theories associated with Freemasonry' (Wikipedia)* That Freemasonry is a Jewish front for world domination or is at least controlled by Jews for this goal. An example of this is the anti-Semitic literary forgery The Protocols of the Elders of Zion. Adolf Hitler believed that Freemasonry was a tool of Jewish influence,[12] and outlawed Freemasonry and persecuted Freemasons partially for this reason.[13] The covenant of the Palestinian Islamist movement Hamas claims that Freemasonry is a “secret society” founded as part of a Zionist plot to control the world.[14] Hilaire Belloc thought Jews had “inaugurated” freemasonry “as a bridge between themselves and their hosts”[15]* That Freemasonry is tied to or behind Communism. The Spanish dictator Francisco Franco had often associated his opposition with both Freemasonry and Communism, and saw the latter as a conspiracy of the former; as he put it, “The whole secret of the campaigns unleashed against Spain can be explained in two words: masonry and communism”.[16] In 1950, Irish Roman Catholic priest Denis Fahey republished a work by George F. Dillon under the title Grand Orient Freemasonry Unmasked as the Secret Power Behind Communism. Modern conspiracy theorists such as Henry Makow have also claimed that Freemasonry intends the triumph of Communism[17]* That Freemasons are behind income taxes in the US. One convicted tax protester has charged that law enforcement officials who surrounded his property in a standoff over his refusal to surrender after his conviction were part of a “Zionist, Illuminati, Free Mason [sic] movement”.[18] The New Hampshire Union Leader also reported that “the Browns believe the IRS and the federal income tax are part of a deliberate plot perpetrated by Freemasons to control the American people and eventually the world”[19]Umberto Eco's The Prague Cemetery, a Freemasonry Novel (Wikipedia)So much for the link between Freemasonry and Baphomet worship!‘The Desacralization of Work' (Roger Sworder, Mining, Metallurgy, and the Meaning of Life)Q4: Ian Griffiths is the Bad Guy of Hallmarked Man. His name has definite Christian overtones (a ‘Griffin,' being half-eagle, half-lion, King of Heaven and Earth, is a symbol of Christ); could it also be another pointer to Rowling's mysterious ‘Back Door Man,' Harry Bingham, author of the Fiona Griffiths series?Troubled Blood: The Acknowledgments (Nick Jeffery, November 2020)In both Silkworm and Career Rowling/Galbraith's military advisors are thanked as SOBE (Sean Harris OBE?) Deeby (Di Brookes?) and the Back Door Man. Professor Granger has identified the Back Door Man as a southern US slang term for a man having an illicit relationship, but beyond this is so far unidentified.Any thoughts on her dedications or acknowledgements? Any new leads for the elusive Back Door Man? Please comment down below.Harry Bingham's website, June 2012“My path into TALKING TO THE DEAD was a curious one. I was approached by a well-known figure who was contemplating working with a ghostwriter on a crime thriller. I hadn't read any crime for a long time, but was intrigued by the project. So I went out and bought about two dozen crime novels, then read them back-to-back over about two weeks.”Could Rowling have hired a (gasp) “ghost writer”? Or was it just “expert editorial assistance” she was looking for, what Bingham offers today?Author's Notes in The Strange Death of Fiona Grifiths (Publication date 29th January 2015, before Career of Evil):“If you want to buy a voice activated bugging device that looks like (and is) an ordinary power socket, it'll set you back about fifty pounds (about eighty bucks).”This is the same surveillance device used in Lethal White, but interestingly is not used in Bingham's book. (Nick Jeffery)Moderators Backchannel List of Correspondences between Cormoran Strike series and Bingham's Fiona Griffiths mystery-thrillers (John Granger):(1) A series that has an overarching mystery about which we get clues in every story, one linked to a secret involving a parent who is well known but whose real life is a mystery even to their families;(2) A series that is preoccupied with psychological issues, especially those of the brilliant woman protagonist who suffers from a mental illness and who is a student of psychology;(3) A series that is absorbed with death and populated by the dead who have not yet passed on and who influence the direction of the investigation more or less covertly (”I think we have just one world, a continuum, one populated by living and dead alike,” 92, This Thing of Darkness), a psychic and spiritual realm book that rarely touches on formal religion (Dead House and Deepest Grave excepted, sort of);(4) A series that, while being a police procedural because the detective is a police officer, is largely about how said sergeant works around, even against the hierarchy of department authority and decision makers, “with police help but largely as an independent agent;”(5) A series that makes glancing references to texts that will jar Rowling Readers: “All shall be well” (284, Love Story with Murders), she drives a high heel into a creepy guy's foot when he comes up to her from behind (75, This Thing of Darkness), Clerkenwell! (103, The Dead House), a cave opening cathedral-like onto a lake, the heroine enters with a mentor, blood spilled at the entrance, and featuring a remarkable escape (chapter 34, The Dead House), etc, especially the Robin-Fiona parallels....(6) A series starring a female protagonist who works brilliantly undercover, whose story is about recovery from a trauma experienced when she was a college student, who struggles mostly with her romantic relationships with men, a struggle that is a combination of her mental health-recovery progress (or lack of same) and her vocation as a detective, who is skilled in the martial art of self-defense, and who is from a world outside London, an ethnicity and home fostering, of all things, a love of sheep;(7) A series with a love of the mythological or at least the non-modern (King Arthur! Anchorites!)Q5: Can you help us out with some UK inside jokes or cultural references of which we colonists can only guess the meaning? Start with Gateshead, Pit Ponies, and Council Flats and Bed-Sits!* Gateshead (Wikipedia)J. B. Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that “no true civilisation could have produced such a town”, adding that it appeared to have been designed “by an enemy of the human race”.* Pit Ponies (Wikipedia)Larger horses, such as varieties of Cleveland Bay, could be used on higher underground roadways, but on many duties small ponies no more than 12 hands (48 inches, 122 cm) high were needed. Shetlands were a breed commonly used because of their small size, but Welsh, Russian, Devonshire (Dartmoor) and Cornish ponies also saw extensive use in England.[2] In the interwar period, ponies were imported into Britain from the Faroe Islands, Iceland and the United States. Geldings and stallions only were used. Donkeys were also used in the late 19th century, and in the United States, large numbers of mules were used.[6] Regardless of breed, typical mining ponies were low set, heavy bodied and heavy limbed with plenty of bone and substance, low-headed and sure-footed. Under the British Coal Mines Act 1911 (1 & 2 Geo. 5. c. 50), ponies had to be four years old and work ready (shod and vet checked) before going underground.[15] They could work until their twenties.At the peak of this practice in 1913, there were 70,000 ponies underground in Britain.In shaft mines, ponies were normally stabled underground[16] and fed on a diet with a high proportion of chopped hay and maize, coming to the surface only during the colliery's annual holiday.* Council Flats (Wikipedia)Q6: What are Rowling Readers to think of Robin's dream in chapter 22 (174 )when she's sleeping next to Murphy but dreaming of being at Ramsay's Silver with Strike and the showroom is filled with “cuddly toys instead of masonic swords and aprons”?* ‘Harry's Dreams:' Steve Vander Ark, Harry Potter LexiconQ7: The first bad news phone call that Robin takes from her mother Linda in Hallmarked Man is about the death of Rowntree. What is the connection between Robin's beloved Chocolate Labrador, Quakers, and Rowling's Golden Thread about ‘What is Real'?‘Troubled Blood: Poisoned Chocolates' (John Granger, 2021)‘Troubled Blood: The Secret of Rowntree' (John Granger, 2021)I explained in ‘Deathly Hallows and Penn's Fruits of Solitude‘ why Penn's quotation is a key to the Hogwarts Saga finale, how, in brief, the “inner light” doctrines of the Quakers and of non-conformist esoteric Christianity in general inform the story of Harry's ultimate victory in Dobby's grave over doubt and his subsequent ‘win' in his battle against death and the Dark Lord. I urge you to read that long post, one of the most important, I think, ever posted at HogwartsProfessor, for an idea of how central to Rowling's Christian faith the tenets of Quakerism really are as well as how this shows itself in Deathly Hallows.What makes the historical chocolate connection with the Quakers, one strongly affirmed in naming the Ellacott dog ‘Rowntree,' that much more interesting then is the easy segue from the “inner light” beliefs of the Christian non-conformists to the effect of chocolate on characters in Rowling and Galbraith novels. The conscience of man per the Quakers are our logos within that is continuous with the Logos fabric of reality, the Word that brings all things into existence and the light that is in every man (cf., the Prologue to St John's Gospel). Our inner peace and fellowship, in this view, depend on our identification with this transpersonal “inner light” rather than our ephemeral ego concerns.What is the sure way to recover from a Dementor attack, in which your worst nightmares are revisited? How does Robin deal with stress and the blues? Eat some chocolate, preferably a huge bar from Honeydukes or a chocolate brownie if you cannot get to Hogsmead.Access, in other words, the Quaker spiritual magic, the “inner light” peace of communion with what is Absolute and transcendent, a psychological effect exteriorized in story form by Rowling as the good feeling we have in eating chocolate. Or in the companionship and unconditional love of a beloved Labrador, preferably a chocolate Lab.Christmas Pig: The Blue Bunny' (John Granger, 2021)“Do you just want to live in nice houses?” asked Blue Bunny. “Or is there another reason you want to get in?”“Yes,” said Jack, before the Christmas Pig could stop him. “Somebody I need's in there. He's called DP and he's my favorite cuddly toy.”For a long moment, Jack and Blue Bunny stared into each other's eyes and then Blue Bunny let out a long sigh of amazement.“You're a boy,” he whispered. “You're real.”“He isn't,” said the panic-stricken Christmas Pig. “He's an action figure called—”“It's all right, Pig,” said Blue Bunny, “I won't tell anybody, I promise. You really came all the way into the Land of the Lost to find your favorite toy?” he asked Jack, who nodded.“Then I'll be your decoy,” said Blue Bunny. “It would be an honor” (169).The Bunny's recognition here of Jack as a messiah, sacrificial love incarnate, having descended into existence as a Thing himself from Up There where he was a source of the love that “alivens” objects, is one of, if not the most moving event in Christmas Pig. Note the words he uses: “You're real.”Rowling has used the word “real” twice before as a marker of reality transcending what we experience in conventional time and space, the sensible world. The first was in what she described as the “key” to the Harry Potter series, “lines I waited seventeen years to write” (Cruz), the end of the Potter-Dumbledore dialogue at King's Cross….In a Troubled Blood passage meant to echo that dialogue, with “head” and “backside” reflecting the characters inverted grasp of “reality,” Robin and Strike talk astrology:“You're being affected!” she said. “Everyone knows their star sign. Don't pretend to be above it.”Strike grinned reluctantly, took a large drag on his cigarette, exhaled, then said, “Sagittarius, Scorpio rising, with the sun in the first house.”“You're –” Robin began to laugh. “Did you just pull that out of your backside, or is it real?”“Of course, it's not f*****g real,” said Strike. “None of it's real, is it?” (Blood 242, highlighting in original).The Bunny's simple declaration, “You're real,” i.e., “from Up There,” the greater reality of the Land of the Living in which Things have their awakening in the love of their owners, clarifies these other usages. Dumbledore shares his wisdom with Harry that the maternal love which saved him, first at Godric's Hollow and then in the Forest, is the metaphysical sub-stance beneath, behind, and within all other reality. Strike gives Robin a dose of his skeptical ignorance and nominalist first principle that nothing is real but surface appearance subject to measurement and physical sensation, mental grasp of all things being consequent to that.Christmas Pig‘s “real” moment acts as a key to these others, one evident in the Bunny's response to the revelation of Jack's greater ontological status. He does a Dobby, offering to die for Jack as Jack has done in his descent into the Land of the Lost for DP, a surrender of self to near certain death in being given to the Loser he considers an “honor.” He acts spontaneously and selflessly as a “decoy,” a saving replacement in other words, for the “living boy” as Dobby did for the “Boy Who Lived.” The pathetic distraction that saved the DP rescue mission in Mislaid despite himself, crying out in desperation for his own existence, has metamorphized consequent to his experience with Broken Angel and in Jack's example, into a heroic decoy that allows Jack and CP to enter the City of the Missed.The Blue Bunny makes out better than the House-elf, too, and this is the key event of the book and the best evidence since the death of Lily Potter, Harry's defeat of Quirrell, and the demise of the Dark Lord that mother's love is Rowling's default symbolism for Christian love in her writing. The Bunny's choice to act as decoy, his decision to die to his ego-self, generates the life saving appearance of maternal love and its equivalent in the transference attachment a child feels for a beloved toy. The Johannine quality of the light that shines down on him from the Finding Hole and his Elijah-esque elevation nails down the Logos-love correspondence.EC: All through Hallmarked Man Robin is saying to herself, “I think I love Ryan, no, really, I know I love him…,” which of course is Rowling's way of signaling the conflict this character has in her feelings for Strike and for Murphy. What is that about?* See ‘The Hallmarked Man's Mythological Template' for discussion of the Anteros/Eros distinction in the myth of Cupid and Psyche as well as the Strike-Ellacott novels Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
While John Granger labors with the paid subscribers to chart each of Hallmarked Man's ten Parts and one Epilogue (in preparation for a charting of the whole book structure), there will be a break in the series of conversations they have had about Strike 8 in which they have focused on a single Shed tool per episode. They will be discussing instead during the charting period a series of Q&A discussions about topics that have come up on the moderator back-channels, email from paid subscribers, and news from Rowling World.They had fourteen questions for the recording above and only managed to get through five. Deo volente and trans Atlantic work schedules permitting, they'll record a second show this week to discuss the greater remnant of the original fourteen and questions that subscribers ask in the comment boxes below this post. Ask away! And share those theories and corrections of mistakes Nick and John have made!John referenced quite a few texts and resources in his answers to some of Nick's questions. He's taken pictures and provided urls for those who want to see what he was talking about. Enjoy!Links to and Pictures of Conversation PointsQ1: The Universal Humanitarian Church and FreemasonryThe Alchemical Dictionary (Abraham) entries for:* Griffin* Red Lion* QueenQ2: Freemasonry Library ‘Discoveries'Introductions:* The Idiot's Guide to Freemasonry - John Calvin and GAOTU* The Freemasons — Pictures of Third Degree Initiation in Freemasonry: From Hallmarked Man:* Morals and Dogma - Hiram as Model Mason* Liturgy of the Ancient and Accepted Scottish Rite* Bridge to Light — ‘Legend of Hiram'Histories:* The Craft - Baphomet!* The Templars* That Religion in Which All Men AgreeThe Secret Depths* The Hiram Key - Picture of Third Degree Initiation in Freemasonry: * The Book of HiramOccultist Guides:* Studies in Freemasonry and Compagnonnage (Rene Guenon)* The Lost Keys of Freemasonry (Manly Hall)Picture of Third Degree Initiation in Freemasonry (above, book's frontispiece) Note Subtitle* A New Encyclopedia of Freemasonry (Arthur Edward Waite)Saint-Martin and Freemasonry: pages from A New EncyclopediaCarmen, the Opera: Wikipedia synopsisMeaning of ‘Dirk' A woman named ‘Carmen' names her son after the weapon that kills Carmen in the Bizet opera. With a husband whose signature characteristics are rage and impulsive violence. Beyond satire.Q3: Hallmarked Man as Rowling's Welsh NovelQ4: The Murder of Hiram Abiff as the Strike 8 Story TemplateSee pages from Freemasonry guides above.Q5: The Meaning of ‘Calvin Osgood'Idiot's Guide to Freemasonry: John Calvin and GAOTUNotable Osgoods: WikipediaThe Meaning of ‘Osgood'* EtymologyThe name Osgood has its roots in Old English. The first part of the name, “Os,” is derived from the Old English word “god,” which means “god.” The second part, “good,” is a common English word that means “good” or “virtuous.” Therefore, when combined, the name Osgood can be interpreted as “God is good” or “virtuous god.”* Venus!Astrologically, the name Osgood is linked to the planet Venus. Venus is the planet of love, beauty, and creativity, suggesting that individuals with this name may have a strong appreciation for art, aesthetics, and relationships. They may also possess a charming and diplomatic nature, finding pleasure in harmonious interactions with others.* Oggy!Oggie: A fun and unique variation that can be used as a nickname.Jacob Osgood: American Esoteric Christian Sect Leader Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick Jeffery and John Granger were asked in the first week after the publication of Hallmarked Man what they thought of Rowling-Galbraith's twitter storms after the assassination of Charlie Kirk. They promised to devote a conversation to just thast subject and today they deliver on that promise.Is it just about the tweets? No, it's really about their importance or insignificance of those messages with respect to the author's Lake inspiration, their tangential use as keys to her thinking as reflected in Hallmarked Man (and Christmas Pig!), and what they tell us or at least suggest about her struggles with “religious faith” and the seriousness of her thinking on theological subjects.It's a wild conversation between friends who don't agree on foundational issues of religion and politics — and a decent example of how men of good will respect and trust one another in a real discussion of tough issues to help reach a shared understanding of the other's positions if not agreement. With a lot of Harry Potter, Robin Ellacott, Jack Jones, and Krystall Weedon thrown in; enjoy!Links to Resources Referenced in Today's Post and Screenshots of the Rowling Tweets‘Get JK Rowling next': Bluesky users celebrate death of Charlie KirkUsers of the social media platform have been warned after some shared ‘hit lists', with calls to eliminate Elon Musk, Donald Trump and the Harry Potter authorSocial media platform Bluesky has been forced to warn users that “glorifying violence” is against its rules in the wake of a spate of posts celebrating the death of Charlie Kirk.The platform attracted millions of users as a left-wing alternative to X, after Elon Musk threw his support behind President Trump. Numerous posts shared this week have glorified the shooting of conservative commentator Kirk in Utah.Some users have even posted hit lists of other potential targets, including the British author and activist JK Rowling.'The Witch Trial of J. K. Rowling, Episode 5 (The Rowling Library)One of my very dearest friends is a committed and practicing Catholic, and he's also pro life. Now, I'm a feminist, I'm pro choice. I understand exactly what his arguments are. And I respect his argument, and he is prepared to make his argument. I don't agree with his argument, but he respects my argument. And we are both able to find shades of grey within our beliefs. I think that is healthy. I think that is productive. I am not going to cut that person out of my life because we disagree on something, albeit something that is very important to me. We have lost that [respect and ability to agree to disagree] in this particular debate.The Emma Watson Take-Down Truth TellingPeople Magazine: Emma Watson Says She ‘Profoundly' Misses Acting Except for One ‘Soul-Destroying' Part of the JobThe Jay Shetty Podcast's ‘Emma Watson Exclusive' (YouTube, cued to relevant part)* Daily Dot: Watson was being cancelled by TRAs for her conciliatory notes post podcast before Rowling gave her both barrels* And afterwards? LA Times: The TRAs went after Rowling for her “continued transphobia.”* Emma Watson Becomes Online Meme and Satire Target as a token Woke Zealot Waking Up to Not Being Cool Anymore vis a vis TransgenderismThe Rowling Response on Twitter:Rowling Confronted for Being as Clueless and Privileged as Watson: Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
It's been a month since the publication of Hallmarked Man so Nick and John decide to have a ‘Pit Pony Pickleball' match in which they serve and volley Strike 8 examples of Shed tools and Lake springs as fast as they can. After a round of back and forth between Team Lake and Team Shed, they do a flash round of Golden Threads against the clock and then John is given a ‘Final Jeopardy' tie-breaker question about the most controversial perennial plot point in Rowling's work.It's a reverse Kanreki exercise, in other words. In their conversations about each of Rowling's novels, screenplays, play script, text books, and short story collection, Nick and John discussed one Lake spring, a source point of story inspiration from Rowling's life experience and core beliefs, and one Shed tool, her deliberate artistry to craft that inspiration into edifying and engaging story. Here they have a ‘Blitz Chess' match, to switch sporting metaphors, to try and cover as many Lake, Shed, and Thread points with examples from Rowling's latest as possible.Perhaps the most important take-away, though, is the three conclusions about Hallmarked Man they've come to after a month of reading that they think will be the consensus view of Strike 8 after we have Strikes 9 and 10. Make some popcorn, find your score card and a comfortable place to watch and take notes; this is an episode for the ages! (Insert your preferred Wrestle-Mania or like programming promotional hyperbole here.)The Kanreki Index of Rowling's Shed Tools, Lake Springs and Golden ThreadsIn July 2025, Nick Jeffery and I logged a marathon of Kanreki ‘Lake and Shed' video posts at this site in celebration of Rowling's life and work at her 60th birthday. For listeners of this ‘Blitz' Lake and Shed reading of The Hallmarked Man, I repost below an easy-to-access-and-reference single place for readers to find much longer discussion of each Shed tool, Lake spring, and Golden Thread, as well as an introduction to Fourth Generation Rowling Studies hermeneutics. Enjoy!Introduction to the Kanreki Project* The Goal and the Methodology of the Hogwarts Professor Tag-Team Month-Long Birthday Party for Serious Readers of Rowling-GalbraithOn 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, celebrated her 60th birthday. This specific celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, 還暦, Dr John Granger and Nick Jeffery, both Nipponophiles, read through Rowling's more than twenty published works and reviewed them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' she said in 2019 and 2024 is the source of her inspiration and the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age.Join us after the jump for the complete compendium of the Harry Potter, Cormoran Strike, Fantastic Beast, ‘Stand Alone' stories, and Golden Thread posts!The Lake and Shed Conversations about the Harry Potter Novels and Extras* Harry Potter and the Philosopher's StoneNick discusses Hogsmeade Comprehensive School, as Hogwarts School of Witchcraft and Wizardry should be properly called, and John explains the ten different genres that Rowling uses in Philosopher's Stone* Harry Potter and the Chamber of SecretsJohn explores the Freudian parallels that Rowling paints into Chamber of Secrets, and Nick talks about her oldest, and probably best friend Sean Harris, the inspiration for Ron Weasley.* Harry Potter and the Prisoner of AzkabanNick shares the London institution of the (k)night bus. Part drunk carriage, part dormitory for the homeless in foul weather, zig-zaging across London between midnight and five in the morning. John shares the Parallel Series Idea (PSI) and compare Prisoner of Azkaban with Robert Galbraith's Career of Evil.* Harry Potter and the Goblet of FireNick talks about the trip Rowling made as a teenager to Cornwall as a young woman in which some Quidditch World Cup camping may have been involved and about her core beliefs about bigotry and prejudice. John reviews Rowling's tagging Goblet as a “crucial” and “pivotal” part of the seven book series and introduces how the ‘story turn' in a ring composition reflects the beginning and end of the story.* Harry Potter and the Order of the PhoenixNick talks about the darkest period in Jo Rowling's life, namely, her return to the UK from Portugal as a single mother in Edinburgh. With Order of the Phoenix in full nigredo mode John talks literary alchemy.* Harry Potter and the Half-Blood PrinceNick reveals the real life model for Severus Snape, Rowling's Chemistry teacher at Wydean Comprehensive, and his remarkable story and melancholy end. John reviews Rowling's version of the so-called ‘Hero's Journey,' how she re-makes it into a life-after-death ‘Harry's Journey' ten step dance we see in every book — except for Half-Blood Prince with its two chapters before we begin at Privet Drive and its ending without a Dumbledore Denouement or trip to King's Cross.* Harry Potter and the Deathly HallowsJohn and Nick discuss the ‘Deathly Hallows' symbol, a triangulated and vertically bisected circle, from both its biographical point of inspiration to its anagogical or sublime depths. Nick reveals Rowling's story about how she was watching the 1975 John Huston film ‘The Man Who Would Be King' the night her mother died and that believes the “Masonic tag” of the story-line was her sub-conscious source for the Deathly Hallows ‘“triangular eye.” John thinks Rowling is really reaching here, akin to her claim that the name ‘Hogwarts' came from a trip to a public garden rather than the Molesworth books. He reviews the five eyes of Deathly Hallows and explains how Rowling embeds both a key to the four-level interpretation of symbols in how characters respond to that image and a model of how we are to interpret and understand her ‘transformed vision' mission as a writer.* Newt Scamander's Fantastic Beasts and Where to Find ThemNick and John return to the books at a reader's suggestion in order to give a Lake and Shed reading of the original Newt Scamander textbook, Fantastic Beasts and Where to Find Them. Nick relays everything you need to know about the genesis of this work and John talks about Rowling's comments to Stephen Fry in a 2022 interview about “archetypal” animals and the importance of understanding them because human beings are story-telling animals. Her discussion of the Lethifold and Niffler are especially challenging and illuminating.* The Tales of Beedle the BardNick and John fulfill a reader request to discuss the book inside Deathly Hallows (one of three actually…), ‘Tales of Beedle the Bard,' a text that Albus Dumbledore leaves Hermione in his will for her to read and apply to the Horcrux Hunt. Nick tells the story of Rowling's creation of six hand-written copies as six-of-a-kind gifts for those who brought Harry Potter to life. John dives into the center story of the five tales, ‘The Hairy Heart,' and tells the meaning of Harry's heart to draw out what Rowling meant by describing Beedle as “the distillation” of the Hogwarts Saga.The Lake and Shed Conversations about the Cormoran Strike Novels* The Cuckoo's CallingThe ‘Lake' point that Nick explores is the identity of the real Deeby Mac, namely, Di Brooks, Rowling's former security director and currently her office manager, a veteran with years of experience in the SIB. John's ‘Shed' point is his pushback against the idea that Calling wasn't really the first book in the series because Rowling has said she had the idea for it after Silkworm and only chose it because the case would make her detective famous.* The SilkwormThe ‘Lake' point that Nick reveals is the probable identity of ‘Jenkins,' the mystery person to whom Strike 2 is dedicated, a revelation consequent to no little detective work (and a very close reading of Louisa May Alcott!). He also discusses some real-life literary infighting in contemporary London that might have been lifted from the pages of Silkworm. John argues that this ur-novel of the series, its point of conception, is Rowling's not especially opaque guide to how to understand a novelist's life and to appreciate their work, in short, her first ‘Lake and Shed' discussion (albeit one embedded in story).* Career of EvilThe ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.* Lethal WhiteNick discusses the embedded class struggle in the book and its roots in Rowling's background before dropping the bomb of the real world identity of Jack O'Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen's Rosmersholm on London's West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White.* Troubled Blood (A)Nick discusses Rowling's history with the divinatory art of astrology and the occult resources and reference works she brought into play in writing a novel whose primary embedded text is a murder scene's astrological chart. John talks about the astrological clock structure of twelve houses in which Galbraith tells this remarkable story.* Troubled Blood (B)Nick discusses Rowling's history with the Clerkenwell neighborhood. John talks about Troubled Blood as a double re-telling of The Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Oonaugh and Robin as Una.* Ink Black HeartNick covers the front and the back of making Lake readings of Strike6 without a lot of circumspection and John talks about the eerie feeling he had while reading this book that the author was ‘having a go' at him.* The Running GraveNick confesses to having felt stumped about what to say as his ‘Lake' contribution to the Strike7 discussion — before his epiphany on a long walk with Addie that almost every buoy or pillar in Rowling's metaphorical place of inspiration finds its reflection in the seventh Galbraith mystery. John refuses to go into any detail about the work's ‘wheels within wheels within wheels' ring structure but shares instead the symbolic depth of Mama Mazu's mother of pearl fish pendant.The Lake and Shed Conversations about the Stand-Alone Works* Casual VacancyNick explains all the projects we now know she was working on between 2007 and 2012, the dates of Deathly Hallows and Casual Vacancy's respective publication dates, as well as the degree to which readers can assume that the novel's Simon Price is a fictional portrait of her father, Peter Rowling. John describes the three Gospel parables embedded in Casual Vacancy and why he thinks the book was a project the author was working on before the Hogwarts Saga as well as why it reflects a religious crisis akin to Harry's ‘struggle to believe' in Deathly Hallows.* Harry Potter and the Cursed ChildNick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.* The IckabogNick takes the ‘Shed' point and lays out the controlled demolition of her reputation among Group Thinkers on the Left in the lead up to Ickabog's publication and John shares the meaning of ‘The Ickabog's Song,' the embedded text of the tale, as interpreted by Daisy Dovetail (an embedded author?).* The Christmas Pig (A)Nick discusses Rowling's many interview statements about the Things which were lost and how many of them match up with things she has lost; he takes a deep dive into the Blue Bunny episode outside the Gates of the City of the Missed and Rowling's embedding herself and her daughter Mackenzie in the story. John talks about the Blue Bunny and his being “found” or “saved” as an allegory of the human condition written in the Rowling shorthand-symbols for (and obsessions with) love, salvation, and what is real.* The Christmas Pig (B)Nick by the Lake shares the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Both share their reasons for thinking that The Christmas Pig is the perfect distillation of everything Rowling is doing as a writer, to include the relationship of her Lake inspiration to her final Shed product.The Lake and Shed Conversations about the Fantastic Beasts Screenplays* Fantastic Beasts and Where to Find ThemNick does his signature deep dive into the history of the Fantastic Beasts film franchise's origins in Warner Brothers' determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling's equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control.* The Crimes of GrindelwaldOn the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog's mess of a movie point that the shooting script, i.e., what Rowling wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.* The Secrets of DumbledoreNick lays out the drama surrounding the third Fantastic Beasts franchise film and his favorite part of the movie (hint: it's about “confusion”). John reveals why Jacob gets a Snakewood wand and one without a core as well as why he thinks Kowalski is the embedded author in this series.The Lake and Shed Conversations about Rowling's Golden Threads and Shed Tools* Chiastic Structure, a.k.a. Ring CompositionJohn travels to his backyard Mongolian ger, the archetypal circular architectural form, to deliver a firehose introduction to the four essentials of ring writing. He uses slides to depict the structure of Harry Potter and the Philosopher's Stone as his brief ‘for instance' of how Rowling chooses to organize her stories and he provides a list of links (below!) for further reading.* Survey of Rowling's Golden Threads (A)In this first overview of the Golden Threads, Nick and John go back and fourth with four Threads each. Nick gives at least three examples for Bad Dad, Writing about Writing, Violence against Women, and the Evils of Fleet Street. John responds with three or more 'for instances' of Mother Love, Ghosts, Pregnancy Traps, and the Lost Child with Grieving Steward.* Survey of Rowling's Golden Threads (B)In this second overview of the Golden Threads, Nick and John talk about Kanreki red caps and tackle three Threads each. Nick gives at least three examples for Evil Government, Occult tropes, and the Embedded Author. John responds with three or more 'for instances' of the Search for the Real, Embedded Texts, and Shadow Doppelgangers.* The ‘Lost Child' Golden Thread Oeuvre ReviewFor the day before Rowling's 60th birthday, Nick and John tackle by reader request the never before discussed subject of the Lost Child theme in the author's more than twenty published works. They re-introduce the Golden Threads idea — see their Pregnancy Trap podcast or the two Kanreki series on this subject (links in post) — then they do a deep dive into the crowded waters of Lost Children in her work, and then they go out out on a high-wire to speculate about what specific spring in her Lake subconscious mind is responsible for this recurrent inspiration.* The ‘Lost Child' Golden Thread “So What?” ConversationAs a birthday gift of sorts, Nick and John close off their month-long celebration of Rowling-Galbraith's life and work with a follow-up look at yesterday's review of the ‘Lost Child' Golden Thread that runs through her stories. After cataloging the almost forty ‘for instances' taken from the opera omnia in the penultimate entry in this series, Nick and John ask, “So What?” How does the possibility that Rowling had an induced abortion and is sufficiently unsettled by it that it inspires many even most of her books at least in part make any difference in understanding their artistry and meaning?‘Strike Extended Play' or ‘How a Seven Book Series Can Be Stretched into Ten' Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Url to TweetNick Jeffery and John Granger focus their Hallmarked Man Week Three conversation around the mythological content of Strike 8, a subject prompted by Rowling's 8 September tweet above. They briefly review the author's background in mythology, from her study in school to her use of it in Harry Potter, Fantastic Beasts, and Cormoran Strike. John explains the relationship of myth with Rowling's ‘triple play' combination of Shed tools and her ‘G-spot' Lake and Shed wizardry that has enchanted readers for the last 25 years.The heart of this week's conversation, though, is John's work since 2021 in explaining the centrality of the myth of ‘Cupid and Psyche' to the Cormoran Strike series. Nick and John discuss its role in understanding the otherwise mysterious Hallmarked Man, especially the murder of Tyler Powell and the imprisonment of Sapphire Neagle, the various trials of Psyche in the myth and correspondences with Robin's agonies, and the critical distinction between ‘Eros' and ‘Anteros' as it plays out in the lives and relationships of Cormoran and Robin. John theorizes that the Ramsay Silver murder in the vault had to take place where it does, Strike's location “necessity,” not for any logical reason but for a profoundly allegorical one.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.It's a relatively brief conversation, but to get the importance of ‘Cupid and Psyche' — and Rowling is either hat-tipping, confirming sans acknowledgement, or having some fun about John's exegesis of this myth — there is a lot of material on the subject to read! Enjoy the review or first reading of this material via the links provided and let us know what you think in the comment boxes below.Paid subscribers to Hogwarts Professor have already received an only-in-book-form essay I wrote about the mythological template of Harry Potter, Paul Diel's treatment of the Eros and Psyche myth per ‘Banalization' and ‘Sublimation,' and their invitations to a Q&A session about Hallmarked Man. If you're a free rather than a paid subscriber, please consider upgrading that subscription to join the Hogwarts Professor Moderator Backchannels!Referenced ‘Cupid and Psyche' Posts:Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man (8 September 2025, Nick Jeffery)Nick shares the context of Rowling's tweet (fan disappointment!) and the background information about the illustration she chose for it.The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche (Apuleius)A translation of the Silver Age Latin tale from Apuleius' Golden Ass.A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (22 April 2021, John Granger)The first post to discuss Rowling's use of this specific myth within Cormoran Strike, it is essential reading and comes in four parts:* a discussion of Rowling's stated beliefs about the soul and how it is the focus of her story-telling,* a review of her psychological artistry in Potter and the post Potter novels and screenplays,* a synopsis of the Eros and Psyche myth, and* a point to point look at the parallels in the story thus far with speculation about novels to come.Robin's Two Perfumes: The Meaning of Philosychos and Narciso (9 June 2021, John Granger)The names of Robin's baseline perfume, Philosychos, and the one she and Strike choose at story's end, Narciso, both point less to the bedroom than to Robin's allegorical, psychological, and mythological role as Psyche in the series.Erich Neumann in his Amor and Psyche: The Psychic Development of the Feminine describes this discipline as a “prohibition against pity” which “signifies Psyche's struggle against the feminine nature.” …Psyche's last trial involves her having to confront death, a “marriage” to which she was condemned as a sacrifice at the story's start, a meeting she can only survive by transcending her feminine qualities of nurturing and pity. She must become, if only temporarily, a narcissist to pass through Hades and return to the world of the Sun and to Cupid. The myth, in Jungian lights, is about her transcending the accidental self, here her feminine and sexual relation to Eros or Cupid, for “ego-stability” leading to “individuation,” ascent to the greater, immortal Self.Robin as resident psychologist and loving soul is the Psyche-cipher of the Strike mysteries. She differs from the relatively passive Human Beauty of the myth in her active and determined “struggle against the feminine nature,” her “What. I. Do!” She not only wrestles with her desires for domesticity and maternity in her thinking but stands up to Strike-Cupid in their Valentine's Day Street Fight and demands his respect or at least more considerate behavior. But she is still struggling with her difficulty to be the narcissist rather than the Great Mother when circumstances and her heroine's journey of psychological individuation demand that.Ink Black Heart: The Mythic Backdrop (10 September 2022, John Granger)What Rowling is depicting in Robin's journey through the events and mystery of Ink Black Heart include a trap set by Venus, one that takes Robin to a personal and professional underworld or hell, her survival and endurance of every temptation by her determination to be steely rather than empathetic, especially with respect to a certain “lame fellow” (!), and her re-surfacing from hell a changed person, one worthy of begrudging Venereal approval (or Zeus' intervention — Rokeby!).Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (10 November 2022, John Granger)These traditional portrayals of the every person's human and divine aspects, soul and spirit as man and woman in dynamic, cathartic relationship — think Romeo and Juliet, Redcrosse Knight and Una, Cupid and Psyche — are perhaps, with her alchemical symbolism, sequencing, and coloring, Rowling's greatest literary ‘reach' and achievement in the Strike series, albeit one largely lost on her her vast reading audience. The deliberate conjunction-melange of archetypal psychology, mythology, and spiritual allegory in these novels is, especially in combination with her hermetic artistry, intertextual playfulness (Aurora Leigh!), and chiastic structures, testimony to the author being one of the most accomplished and challenging writers of the age in addition to the most popular (and least well understood, even by her fans).Hallmarked Man: Freemasonry and J. K. Rowling (7 February 2024, Nick Jeffery)The Royal Arch degree is unique in England for including the ceremony of “Passing the Veils” symbolising the path to enlightenment that a mason undergoes as he progresses in the craft. Given Peter Rowling's upward social mobility from working class apprentice to engineer and moving from the Bristol suburbs to middle class Tutshill, it isn't beyond reason to wonder if Peter might have been tempted by the social and career advantages that freemasonry might have offered him and exposed a young Joanne to some of the symbolism.Edinburgh, as well as being the home of the Grand Lodge of Scotland, is also home to if not the oldest lodge in the world, then at least the one with the oldest records. Lodge of Edinburgh (Mary's Chapel) No. 1 has minutes of meetings from 31st July 1599. There have long been arguments between this Lodge and the one in Kilwinning on the other coast of Scotland as to which is the oldest. (see IVº of the Rite of Baldwyn above)J. K. Rowling's ‘G-Spot' and ‘Triple Play:' The Lake & Shed Secret of Her Success (21 September 2024, John Granger)I want to try tonight to explain as succinctly — and as provocatively — as possible why I think Rowling's ‘Lake and Shed' metaphorical explanation of how she writes offers a compelling reason for both why she writes and why readers around the world love her novels the way they do. I call this her ‘G-Spot' and ‘Triple Play' because it is her point of singular genius, the defining quality that separates her from contemporary story-tellers, which involves ‘Shed' artistry of three particular literary tools, all subliminal, which work together to achieve her aims.The Hallmarked Man's Flood of Names, Characters, and Plots (22 September 2025, John Granger)Rowling's seven Shed tools — psychomachia, literary alchemy, ring composition, misdirection towards defamiliarization, Christian symbolism, mythology, and inter-intratextuality (writing about reading and writing) — are all about the transformation of the human soul by cathartic experience in the imaginative heart, i.e., our spiritual reorientation. These traditional tools alone don't do it, of course; her capacity for creating archetypal characters that we care about in profound fashion is what gives the tools their grip on the heart.But, if a writer uses these tools in his or her Shed, the game being played and its stakes are not in question. Everything Rowling has written to date, with greater or lesser success (largely dependent on her control of the final product, cough*Warner Brothers*cough), shares this aim. Her global popularity testifies that much more often than not she hits her target to the delight of her readers.I assume this was her aim in Hallmarked Man. It's early days on the full exegesis of Strike8 in light of Rowling's Shed tools, Lake springs, and Golden Threads, but there are encouraging signs. My third reading of the book included my first ‘Aha!' moments with respect to the mythological template of the series, the Shed tool Rowling was openly urging her readers to think about in her recent Cupid and Psyche tweet.Jungian Interpretations of ‘Cupid and Psyche:'* Erich Neumann: Amor and Psyche: The Psychic Development of the Feminine (A Commentary on the Tale by Apuleius)* Paul Diel: Symbolism in Greek Mythology: Human Desire and Its Transformations (A “psychological study of the symbols condensed in the fate of the mythological hero”)* Robert A. Johnson: SHE: Understanding Feminine Psychology (An interpretation based on the myth of Amor and Psyche and based on Jungian mythological principles)* Marie-Louise von Franz: Golden Ass of Apuleius: The Liberation of the Feminine in Man (originally A Psychological Interpretation of The Golden Ass of Apuleius)Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick Jeffery and John Granger opened the Orthodox New Year with a conversation about, you guessed it, Rowling-Galbraith's Hallmarked Man. Both of them confessed that they were struggling with the most complex and carefully integrated novel in the author's oeuvre, with five different candidates for the body in the silver vault, a cast of characters for each candidate, all of them spun together with the Strike-Ellacott cum Murphy-Bijou ‘shipping madness as it unfolded. Neither of them was ready to talk about the book's structure in any detail.They chose instead to discuss the most obvious and most neglected of Rowling's Seven Shed tools, the signature writing elements she uses to craft the inspiration from her Lake springs and from her touchstone Golden Threads into the stories that fascinate her admirers around the world. That tool is her ‘Big Twist' finish, the surprise ending that shocks the reader caught in Rowling's narrative misdirection, the story clues sprinkled throughout a story to foster believing something that isn't true. Every Rowling reader knows this is what she is doing, but very few are conscious of the set-up until the narrative trap is sprung.One thing that readers can be looking for, consequently, are the ‘pushes' Rowling puts into her story to have us accept as facts that we have some reason based on textual evidence (and Tools, Springs, and Golden Threads) to think may not be true. Whence John's prediction post Running Grave that Robin was sterile. Whence Nick's theories that Charlotte was murdered and that Cormoran and Robin will forever be best mates, not husband and wife.The ‘pushes' in Hallmarked Man that John felt were positioning of a Strike-Ellacott reader for a judo move in Strike 9? There are five, three of which turn on paternity):* Per Ed Shardlow, that Murphy is not a good guy deserving of Robin's sympathy but a very bad man, in fact the man behind the gorilla mask (and if his surname has any mythological weight, the likely murderer of Castor and Pollux in Strike 10);* That “proper man,” Edward ‘Uncle Ted' Nancarrow, is Cormoran Strike's biological father consequent to an incestuous union with his much younger sister, Margaret (aka ‘Peggy,' aka ‘Leda Strike');* That Cormoran Strike is the biological father of Bijou Watkins, Esq.'s daughter, Ottolie, and that he was risibly reckless in his DNA testing for paternity;* That Jonny Rokeby was fooled by Peggy-Leda and Ted's management of his positive paternity test the way that Cormoran was hoodwinked by Bijou's sleight of hand with his negative result; and* Peggy-Leda told her older brother that she was going to tell Whittaker that Rokeby wasn't Cormoran's father, which led to her execution staged as a suicide.On to Week Three of Hallmarked Man! Next week we'll discuss Rowling's consolation tweet to Strike and Robin fans in “extreme trauma” from Strike 8's last chapter, a message that included a Cupid and Psyche painting, in addition to conversation about the importance (and difficulty!) of getting the surface story straight before diving beneath it Thank you for your support!The Quadrigal or ‘Reading at Four Levels' (John Granger, December 2021)The ‘Locked-Room Mystery' or ‘Impossible Crime' Subset of Detective Fiction (Wikipedia)Boris Akunin (Gregori Chkhartishvili) and the Erast Fandorin novels (Wikipedia)Who Killed Leda Strike? Uncle Ted Did It (John Granger, January, 2020)Who Killed Leda Strike, Suicide Victim? Leda, Rokeby, Whittaker, Ted, or Dave? (John Granger, December 2020)The Value Of Interpretive Speculation or “Why We Know Dave Didn't Kill Leda” (John Granger, January, 2021) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Spoilers Warning! If you haven't finished reading the 900 pages of The Hallmarked Man and don't want to hear details from the novel, you will not enjoy this conversation about Strike8.John read the latest Strike-Ellacott novel by Thursday morning using the pre-publication head start, the Robert Glenister audiobook dropped early Tuesday morning, a bootleg epub version on his wife's iPad, and the codex hardcover that arrived at 5:00 on the day of release. Nick didn't finish until early Saturday but was already half-way through his second reading via audiobook by Sunday night.John didn't especially enjoy reading the book as fast as he did; Nick was frustrated that he could not read it faster than he did. Both were delighted by Rowling's work and are looking forward to the coming weeks of re-reading and ‘Tools, Springs, and Threads' analysis of its artistry and meaning.In this week's conversation, they touch on fandom disappointment with the new book before discussing how three predictions they'd made about Hallmarked Man played out, the three Real World targets of Rowling's wrath in her current work, John's preliminary work on the novel's epigraphs (and the Aurora Leigh-esque forgotten tome of epic poetry that may be Strike8's Rosmersholm or Faerie Queene), and what's next in their reading of Cormoran Strike.As is their wont, Nick and John refer to ideas and to people that Serious Readers will want to check up on or learn more about. Here are a selection of links to many of these subjects with their apology for those they've missed and their invitation to share counter-sources or requests for other links.They thank everyone who listens to these Lake and Shed conversations, those who join in the discussions in the comment thread below (how was your first reading of Hallmarked Man?), and especially for our paid subscribers who were polled for their questions and concerns last week for our consideration before we put our notes together.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Anteros-Eros Distinction in Cormoran StrikeCormoran & Robin and Odysseus & Penelope (Joanne Gray, 2019)I found out that this is actually the statue of Anteros—not Eros as it is popularly called. Anteros is the subject of the Shaftesbury Memorial in Piccadilly Circus, London, where he symbolizes the selfless philanthropic love of the Earl of Shaftesbury for the poor. The memorial is sometimes given the name The Angel of Christian Charity and is popularly mistaken for Eros, cf., Lloyd & Mitchinson (2006) The Book of General Ignorance “Because of the bow and the nudity… everybody assumed it was Eros, the Greek god of love.”https://en.wikipedia.org/wiki/Anteroshttps://www.theoi.com/Ouranios/ErosAnteros.htmlEros is the brother of Anteros and also pretty much the opposite of Eros.Reading Rowling at Four Levels (John Granger, 2021)Robin and Cormoran, even if you want to include Sam Barclay, are not a soul exteriorization akin to Harry, Hermione, and Ron. The psychomachia of the Strike novels is built on the Shakespearean soul-Spirit romantic model rather than the Platonic-Patristic body-mind-spirit soul triptych of ancient, Medieval, and contemporary film and written fiction. In this model, the man and woman lede players take the part of soul and spirit, Coomaraswamy's duo sunt in homine human and divine aspects, either as fixed roles as in Othello and The Tempest or in relation to the other, each being soul and embracing the other as supra-natural as in Romeo and Juliet and Antony and Cleopatra (see Lings and Pogson for that). Rowling's embedded models for this exteriorized drama of human sanctification are the myths of ‘Leda and the Swan‘ and ‘Psyche and Cupid‘ and the psychomachia spiritual allegories of Eros and Anteros, true and false Cupid, within Spenser's Faerie Queen, the Redcrosse Knight and Una as well as Britomart and Artegell.On Valentine Longcaster as the Erotic Cupid (Strike being the Anterotic Cupid)Valentine Longcaster is a hilarious cryptonym for Cupid, for whom Valentine is a second name (see the post on Valentine's Day in the Psyche and Eros post) and ‘Longcaster' is a reference to his weapon of choice, the bow and arrow of the god of love. He pricks Strike at the direction of Venus-Charlotte, in some myths his mother, in others a lover and cousin or brother (murky waters!), and sets in motion the long-range plan of the envious ex to destroy Robin and Cormoran's budding relationship.Add ‘Valentine Longcaster' to the pile of evidence for this particular backdrop and let's continue to look for parallels and links Rowling has playfully embedded in the psycho-spiritual, neo-mythological allegory of the soul's journey to perfection, and specifically the souls of women.For much more on this Eros-Anteros distinction and its importance in grasping the allegorical meaning of the Strike-Ellacott relationship, see Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (John Granger, 2022)Fandom Response to Hallmarked Man:From the Reddit r/Cormoran Strike page:Hogwarts Professor Predictions for Hallmarked Man:* Charlotte was Murdered (Nick Jeffery), Really, It Wasn't a Suicide (John Granger)‘Charlotte' mentioned twice as often in Strike 8 as ‘Cormoran' and Valentine Longcaster's interview with Robin Ellacott has a major ‘tell' at its finish (cf. p 451, ch 62).* Robin Ellacott is Sterile (John Granger), Rowling Studies podcastEctopic Pregnancy consequent to PID and Murphy Pregnancy Trap leading to de facto sterility prediction appears as story-line in Chapter 3 of Hallmarked Man* The Baby in the LakeHallmarked Man is Rowling's ‘Baby Novel.'Rowling's Three Targets in Hallmarked Man's Surface Story* The Ideologically Captured Police and Media and the ‘False Religion' of Freemasonry's Control of the Police in Hallmarked ManRowling's Week of publication tweets and retweets about UK police taking the side of Trans Activists and against Gender Critical feminists: * https://x.com/iain_masterton/status/1963545948711219320 (JKR retweet)* https://x.com/joannaccherry/status/1963547738722668666 (ditto)* https://x.com/jk_rowling/status/1963528602164555894* https://x.com/jk_rowling/status/1963297139905167722* https://x.com/jk_rowling/status/1962847107343139014* https://x.com/jk_rowling/status/1963465628053848363* https://x.com/jk_rowling/status/1963299236365140305* https://x.com/jk_rowling/status/1963298726417457300* https://x.com/soniasodha/status/1963185964630647295 (JKR retweet; nota bene)* https://x.com/Jebadoo2/status/1962959405160239135 (JKR retweet)* https://x.com/joannaccherry/status/1962930361035374703 (retweet)* https://x.com/jk_rowling/status/1962932333025067268* https://x.com/JohannLamont/status/1963658557007749364 (retweet)Boris Johnson and Lord BranfootBoris Johnson hosting the show. 2003 (YouTube)Boris Johnson's Personal Image or Brand (Wikipedia)Max Hastings referred to Johnson's public image as a "façade resembling that of P. G. Wodehouse's Gussie Fink-Nottle, allied to wit, charm, brilliance and startling flashes of instability",[4] while political scientist Andrew Crines stated Johnson displayed "the character of a likable and trustworthy individual with strong intellectual capital".[5] Private Eye editor Ian Hislop has defined him as "Beano Boris" due to his perceived comical nature, saying: "He's our Berlusconi ... He's the only feel-good politician we have, everyone else is too busy being responsible."[6] To the journalist Dave Hill, Johnson was "a unique figure in British politics, an unprecedented blend of comedian, conman, faux subversive showman and populist media confection".* “Mentally Ill Islamophobes”2021-22 Census ~ Islam in the UK Demographics: 6% UK, 6.7% England, 15% LondonUK 'Grooming Gangs': Deriving Per-Capita Offence Rates by EthnicityInstitute for Social Policy Research (UK) An independent, data-driven social-policy research institute focusing on UK political affairs.We therefore conclude that consistent with widespread public perceptions, whilst available evidence is not exhaustive, the mean rate derived from four of the most comprehensive studies available to date on share of CSEGG crimes by ethnicity does affirm the picture that Asians and Blacks are overrepresented in such crimes. Curiously, with much of the attention devoted to “Asians” (predominantly Pakistani gangs), it is notable that Blacks are similarly overrepresented, with our weighted rate providing limited evidence of even greater over-representation than Asians.Please note, however —For the CEOP study that ISPR use, footnote 1 shows the selection criteria, excluding all abuse initiated in a familial or fraternal (house based) relationship:"Where “localised-grooming” is defined as: “a form of sexual exploitation – previously referred to as ‘on street grooming' in the media - where children have been groomed and sexually exploited by an offender, having initially met in a location outside their home. this location is usually in public, such as a park, cinema, on the street or at a friend's house. Offenders often act together, establishing a relationship with a child or children before sexually exploiting them. some victims of ‘street grooming' may believe that the offender is in fact an older ‘boyfriend'; these victims introduce their peers to the offender group who might then go on to be sexually exploited as well. abuse may occur at a number of locations within a region and on several occasions. ‘Localised grooming' was the term used by CEOP in the intelligence requests issued to police forces and other service agencies in order to define the data we wished to receive.” (footnote 1, p. 7)"They also exclude the 39% of cases where race was not included in the data. It would be sensible to assume that ethnicity was not recorded when the ethnicity of both perpetrators and the victim were the UK default.Removing the selection criteria shows that people of Asian ethnicity are under-represented in child sex abuse cases compared to White British: https://www.csacentre.org.uk/app/uploads/2024/02/Trends-in-Offical-Data-2022-23-FINAL.pdfJulie Blindel pushes back on the ‘Grooming Gang as Muslim problem' narrative:To say that the only reason the police were complacent when it came to the grooming gangs of Rochdale, Rotherham, Telford, and elsewhere was because (some of) these men were Pakistani Muslim, is madness. The ethnicity and religion of these men is relevant, but not in the way the racists would have us believe. It is relevant because it was seen as a phenomena perpetrated because of ethnicity as opposed to male violence towards females. Look at it any other way betrays the vast majority of girls that fall prey to these men.The Epigraph Authors — and a hidden Book Behind the Book?* Albert Pike, Confederate States of America General* Louise Freeman Davis on John Oxenham's Maid of the Silver Sea* Aurora Leigh (Elizabeth Barret Browning) and Ink Black Heart* The Ring and the Book (Robert Browning)* Pompilia: A Feminist Reading of 'The Ring and the Book'Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
What can you say about Hallmarked Man that doesn't include anything beyond epigraph authors from the latest pre-publication drops from the leak-ing ship of Rowling, Inc.? Nick and John elect to discuss their respective plans for reading the latest Cormoran Strike-Robin Ellacott murder mystery cum Modern Romance. Enjoy that conversation in the hours left before the books arrive — and tune in here this time next week for our first thoughts on another epic-length novel from the world's most popular author! Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
We're counting down the days until the publication of The Hallmarked Man! Nick Jeffery and John Granger take perhaps the last look at Rowling's most recent postings before they dive into discussion about the meaning and artistry of Strike8.In today's conversation, they review Rowling's relationship with Stephenie Meyer, the author of the Twilight series, a New York Times feature article ‘The Wizard's Everlasting Spell' about the growth of Potter fan fiction with a romantic twist, and Rowling's acerbic review of Nikola Sturgeon's memoir Frankly. Nick and John discuss along the way the initial response of cultural gatekeepers to the quality of the writing in Harry Potter, the history of Rowling's relationship with the writers of romantic fan fiction using her characters in light of Fifty Shades of Gray, and Hogwarts Professor's role in making ‘Rowling Studies' legitimate and the culture-wide acceptance of Rowling as a writer of merit “something we've always known” rather than a controversial assertion.And what does all that have to do with the imminent release of Hallmarked Man? Nick and John share their more-than-tentative plans for reading Strike8 and the best way — not the only way, of course, but a much better way than, say, cataloging predictions everyone will forget by mid-September — to prepare for our first reading of an epic Rowling-Galbraith title.We hope you are as excited as we are to the advent of Hallmarked Man and that you're looking forward to exploration of its breadth and depth beneath the surface plot with us in the coming month!Links To Subjects Discussed Above:The Wizard's Everlasting Spell Why Magic, Dragons and Explicit Sex Are in Bookstores Everywhere: Romantasy is propping up the fiction market. Thanks to a generation that grew up reading about a boy wizard. (The New York Times, 20 August 2025, Alexandra Alter)The new version of the [‘Dramione' Potter fan fiction] story that so captivated Ms. Stallone will soon be released as “Alchemised,” and the novel's publisher, Del Rey, is betting that the feverish devotion to its fanfiction predecessor will translate into blockbuster sales. Del Rey has ordered a first printing of 750,000 copies for the novel's release in late September; translations are lined up in 21 languages.Besides appealing to hordes of existing fans, “Alchemised” has another advantage: It taps into the raging appetite for romantasy, a subgenre that blends fantasy elements like magic, fairies and dragons with love, yearning and explicit sex.In a way, the romantasy explosion — driven by the success of blockbuster authors like Sarah J. Maas and Rebecca Yarros, whose series have sold millions upon millions of copies — stems from the legacy of popular young adult series like “Twilight” and “Harry Potter.” Those books molded generations of young readers who have grown up but still crave big fantasy novels — now with a dose of erotica.“They grew up with the characters, and the stories ended, but there's still such a huge appetite,” said Leah Hultenschmidt, publisher of the romance imprint Forever. “They're still hungry for that magical world building, an epic cast of characters and heroism, and maybe they just want it a little spicier.”Publishers are frantically searching for the next breakout romantasy series. Last year, romantasy sales topped more than 32 million copies in print alone, a 47 percent jump over the previous year, according to Circana Bookscan. Five of the 10 best-selling adult fiction titles this year are romantasies. At the same time, adult fiction sales overall have stagnated.The kind of romance that's selling like crazy now — erotically charged genre mash-ups — first took off in fanfiction before publishers recognized there was an appetite for it.“For a long time, you had to go to fanfiction to find that,” said Anne Jamison, a professor of English at the University of Utah who has studied fanfiction. “Romantasy basically is what fanfiction made.”* Alchemized Sen Lin Yu* ‘Romantasy' Novels on Amazon, Etc.The twilight of Nicola Sturgeon: J.K. Rowling reviews FranklyI know I'm stating the obvious, and I'll probably be one of countless reviewers making the same point, but it's impossible to read Nicola Sturgeon's memoir without remembering the smash hit fictional franchise, Twilight by Stephenie Meyer. For those who don't know (ie, everyone who wasn't a tween or teenage girl, or living with one, 2005-2015), Twilight was massively popular for roughly a decade, each new book or film being greeted adoringly by its devoted fans. [opening paragraph)Rowling and Romantasy:* ‘The Twenty Richest Authors in the World:' Rowling #2 (!), Meyer #18, Collins #20* The Sunday Times' List of the “100 Bestselling Books of the Last Five Decades:” Rowling #23, Meyer #42, 58, 59, and 64* Twilight Book Sales * Stephen King: “Stephenie Meyer Can't Write Worth a Darn”* Speaking of Disappearances – Whatever Happened to Stephenie Meyer?* Fifty Shades of Grey Book Sales* ‘Fifty Shades Outsells Harry Potter'* ‘Rowling Refuses to Read Fifty Shades'* Rowling about Sales of Fifty Shades: “Just think how many books I could've sold if Harry had been a bit more creative with his wand.”Rowling August 2025 Tweet about Writers who are All Lake No Shed (and Vice-Versa) The Silkworm and its Women Writers:* Kathryn Kent: “I write fantasy with a twist… It's fantasy slash erotica really, but quite literary” (416) “She makes Dorcus Pengelly look like Iris Murdoch” (232)* Dorcus Pengelly: “She writes pornography dressed up as historical romance” (225)* Elizabeth Tassel: All Shed, No Lake (per Strike)You told Quine that Bombyx Mori sounded brilliant, that it would be the best thing he'd ever done, that it was going to be a massive success, but that he ought to keep the contents very, very quiet in case of legal action, and to make a bigger splash when it was unveiled.And all the time you were writing your own version. You had plenty of time to get it right, didn't you, Elizabeth? Twenty-six years of empty evenings, you could have written plenty of books by now, with your first from Oxford… but what would you write about? You haven't exactly lived a full life, have you?… (442)Did it feel good, raping and killing your way through everyone you knew, Elizabeth? One big explosion of malice and obscenity, revenging yourself on everyone, painting yourself as the unacclaimed genius, taking sideswipes at everyone with a more successful love life, a more satisfying — (440)* Michael Fancourt about women writers (298):I said that the greatest female writers, with almost no exceptions, have been childless. A fact. And I have said that women generally, by virtue of their desire to mother, are incapable of the necessarily single-minded focus anyone must bring to the creation of literature, true literature. I don't retract a word. That is a fact.* Hobart's Sin, Owen Quine's first and best novel, the “Key” to Tassel's Bombyx Mori, the “book within a book:” “The plot of Hobart's Sin turns on Hobart, who's both male and female, having to choose between parenthood and abandoning his aspirations as a writer: aborting his baby, or abandoning his brainchild” (229)* “It's all about a hermaphrodite who's pregnant and gets an abortion because a kid would interfere with his literary ambitions” (242)* Rowling about The Silkworm: It is the Story that Inspired the Series, the Lake OriginActually, the plot for Silkworm predated the plot for Cuckoo's Calling. I'd had the idea for that plot, the book within the book, for seven or eight years before I wrote it. That often happens with me, I have an idea and I keep it and sit on it. But I keep it and I play with it like a Rubik's cube and there'll come a point where everything clicks and it's ready to be written. I have a lot of notebooks filled with these kinds of things. Silkworm was like that. I sat on that plot for a long time before using it.* “It's a novel about novels with another novel inside it” (~1;15)Reading for Wisdom and JolliesAn Introduction to and Example of Reading Rowling at Four Levels: A Quadrigal Reading of The Christmas PigReading Rowling the Hard, Right Way versus Enjoying the Surface Story and Discussing Themes: An Introduction to Perennialist ReadingTraditional Symbols in Harry Potter and Cormoran Strike: A Perennialist ViewHarry Potter's Bookshelf — What to Read to Understand Rowling's Artistry and How to Read Her Work to Grasp Her Meaning and IntentionThe Deathly Hallows LecturesHarry Potter as Ring Cycle and Ring Composition* ‘How Does Ring Composition Work Anyway?'Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the Restoration (Stanton Linden)How to Think About The Ink Black Heart Pre-Publication – Seven Tools for Serious Readers to Review (February 2022)And Don't Forget!* In Praise of Friendship - a Robin and Strike Heresy Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick has been reading his way through Anthony Powell's twelve volume Dance to the Music of Time because Rowling mentioned it in a 2017 tweet and he thought there were interesting connections between that Roman Fleuve and Rowling-Galbraith's series-writing. And it turns out he was right! Rowling tweeted about her favorite book in Dance and her favorite character in the epic (see links below).Two weeks ago, Rowling tweeted at some length about her ‘Lake and Shed' writing process. Nick and John dive into those messages that muddied the water considerably about what exactly she means by her ‘Lake' and the possible meanings of ‘Universal Psyche,' a phrase new to Rowling's descriptions of her writing process, not to mention of her core beliefs. Jung? Coleridge? Anaxagoras? St Maximos the Confessor? Again, see the links below.Nick and John then share their reading lists for the short time remaining before the publication of Hallmarked Man and talk about three options for how we will read the book here at Hogwarts Professor. Those options in thumbnail sketches are:* Read It Like Everybody Else — Straight Through — and Write a Review* Read It As If It Were a Dickens Novel Release, One Part at a Time* Read It Straight Through and then Read It As If It Were a Dickens NovelNick and John discuss the advantages and disadvantages of each and decide to post a poll inside this post for readers to voice their preference (please share your thinking in the comment boxes and place your vote in the poll below!).Next time out, we'll be (1) trying headsets to improve the audio quality, (2) discussing the results of the poll with comments as well as our tentative plans for the release, and (3) the most important tools to have in hand (in mind?) when reading a Rowling-Galbraith novel for the first time.Until then, thank you for listening and for your support! Links To Subjects Discussed Above:Rowling's 15 August Tweet about Anthony Powell's Dance to the Music of Time* Rowling 2017 tweet about Dance (‘Rowling's Admitted Literary Influences')* A Dance to the Music of Time (Wikipedia)* ‘Roman-fleuve' (Wikipedia)* Anthony Powell (Wikipedia)* Casanova's Chinese Restaurant (Wikipedia)* ‘Hugh Moreland' aka Constant Lambert (Wikipedia)* ‘Dr Trelawney' aka Aleister Crowley (Wikipedia)* S. J. Perelman (Wikipedia), The Most of S. J. Perelman, 1957 (Amazon)* Fred Tremallo (‘Exeter Unafraid')Rowling's 7 August ‘Lake and Shed' Tweets* Writing Characters is “a doubly subconscious process,” Lake as “subconscious part of my process”* The Lake as “mysterious source of inspiration, ability to tap into something in the universal psyche that animates the best stories”“Universal Psyche”?* Rowling belief in “permanent soul” (El Pais, 2008)Q: You said that you saw your soul as something undeniable.A: Yes, that's true. But I also have said that I have many doubts regarding religion. I feel very attracted by religion, but at the same time I feel a lot of uncertainty. I live in a state of spiritual flux. I believe in a permanent soul. And that is reflected in the last book....* Rowling belief in “indestructible soul” (Leaky Cauldron, 2007)Do you see death as the end of everything?No. I lead an intensely spiritual life, and even though I don't have a terribly clear and structured idea about it, I do believe that after you die some part of you stays alive some way or other. I belief (sic) in something as the indestructible soul. But for that subject we should reserve about six hours: It's something I struggle with a lot.* Universal Mind (Wikipedia)* Panpsychism (Wikipedia)* Anima Mundi (Wikipedia)* Jungian Archetypes and the Universal Patterns of the Psyche (Psychologs)* Coleridge's Philosophy: The Logos as Unifying Principle, Perkins, 1994 (Amazon)* St Maximus the Confessor on Essence, Energies, and Logoi (Jean-Claude Larchet)Louise Freeman Davis about ‘John Oxenham' Sark Novels* First Epigraph posted: John Oxenham* A Maid of the Silver Sea* Carette of Sark, Part One and Part Two* Oxenham and HoffmanElsie Oxenham ‘Abbey Girls' Novels* The Thirty Eight Books in the Series (Fantastic Fiction)* Elsie J. Oxenham (Wikipedia)* Abbey Series (Wikipedia)* Elsie Oxenham Appreciation Societies (Wikipedia)Cormoran Strike Ten Book Series Structure Ideas* Why the Cormoran Strike Novels are a Ten Book Series: Mythological Clues and Tetractys Parallelism with a Touch of Tarot (Evan Willis, July 2023)* Is Tetractys Theory the Best Explanation of Why the Cormoran Strike Series is Ten Books in Length? (July 2023)* The Double Wedding Band Model (Louise Freeman Davis, October 2023)* The First Seven Strike Novels as a Closed Ring Composition (November 2023)* Rowling's Parallel Series Swan and Heart Structure: Happy Valentine's Day! (February 2025) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
In the last two episodes of our Kanreki tribute last month to the life and work of Joanne Rowling Murray, a.k.a., ‘J. K. Rowling' and ‘Robert Galbraith,' as celebration of her 60th birthday, we first explored perhaps the most ubiquitous and mysterious ‘Golden Thread' that runs through her work, namely, that of a ‘Lost Child.' We reviewed the forty plus appearances of this plot point in the just over twenty books she's written and searched for possible ‘Lake' sources in her life for this persistent, prevalent, and essential plot point.The most credible but entirely speculative possibility was that Rowling had had an induced abortion during her relationship with ‘Michael,' her off-and-on for seven years boyfriend from Exeter. On Rowling's birthday, we discussed the value this possibility has for interpreting her work, specifically in understanding the Harry Potter novels; most notably, the hypothesis would explain why every book features the exteriorization of something dangerous or deadly within and its beneficent elimination. In brief, the Hogwarts Saga, when read through this unresolved issue of Rowling's unconscious mind, seems to have been inspired and written as a defense for the intentional death of her child. In addition to explaining how this view of induced abortion as simultaneously necessary for women and the murder of an innocent, defenseless, and voiceless human being is the view of contrarian feminists such as Germaine Greer and Camille Paglia, we offered the Induced Abortion Hypothesis as the most obvious explanation for the Lost Child Golden Thread and demonstrated its potential critical value, if true. We asked repeatedly for listeners to share their objections to the hypothesis as well as alternative explanations for the Lost Child Golden Thread.And you did!The listeners who had followed us through the thirty-one Kanreki Lake and Shed conversations voiced in the comments beneath those posts both their discomfort with the idea and their admiration for the sober way we presented it. There were three challenging responses, as well, to our request for alternative explanations to the Lost Child Golden Thread: an argument from the biological make-up and consequent concerns of women everywhere, the point that “exteriorization of an evil within for elimination” is at least as easily read allegorically for the Christian doctrines of original sin and grace, and a find that the Gloria Conti story, the only explicit abortion narrative in Rowling's work, was lifted straight from The Godfather, Part 2. [See below for links to the sources of these three alternatives.]We discuss these three alternative ideas in the video above, their strengths and weaknesses, and applaud the one listener who shored up[ the weakest part of the Induced Abortion Hypothesis reading of Harry Potter, namely, how Prisoner of Azkaban fits the ‘exteriorization for elimination' pattern in that series. We close with thoughts about the imminent arrival of Hallmarked Man and our first thoughts of how we will be reading it at Hogwarts Professor — the subject of our next conversation in addition to our thoughts about the first releases and conflicting synopses for Strike8 that are in circulation.Please share your thoughts about alternative theories for the Lost Child Golden Thread and your ideas about how you would like us to cover Hallmarked Man. Thank you, as always, for joining us and for your support!Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Links to Alternative Explanations for the Lost Child Golden ThreadNikolaus Wandinger, Christoph Drexler, and Teresa Peter: The Christian Alternative Theory to the Induced Abortion Hypothesis (June 2004)* Harry Potter and the Art of Theology 1: A Theological Perspective on J. K. Rowling's novels - Part One: Healing, Grace and Original Sin* Harry Potter and the Art of Theology 2: A Theological Perspective on J. K. Rowling's novels - Part Two: Sacrifice and MissionAurore's argument from the Biological Facts of Life about Being a Woman:* Whether or not Rowling herself has had an abortion, I think it makes sense she'd want to comment on the topic given her golden threads about violence against women & girls, pregnancy traps, and mothers' love.* It occurred to me after writing that comment: I don't think a woman has to have personally experienced an abortion to have spent most of her life thinking about the subject… I reckon a big part of the female psyche, from the time one is a girl, is a strange combination of awe and terror at the fact that falling pregnant is a power we have, but not necessarily one we can guarantee will always be in our control. * In my country, a 2023 landmark study showed 1/3 girls are victims of Childhood Sexual Abuse. But much more mundane than sexual and domestic abuse, I've known straight friends to fall pregnant by accident, even while using contraception. * I think it's a very unique issue in a girl or a woman's psyche because, on the one hand it is one of the worst possible consequences of rape, and therefore is part of women's (as Mad Eye would say) constant vigilance about the threat and reality of male-pattern violence. But on the other hand, and however an individual woman feels about children, it is something both inspiring and grave. As Spider-Man's Uncle Ben said, “with great power comes great responsibility!”.David Martin about The Godfather 2 as the Model for Gloria Conti's Abortion in Troubled Blood* In re Gloria Conti's abortion that Margo arranged for her: You will recall that Gloria Conti became interested in what seemed to her to be the “glamourous” Mafioso lifestyle by seeing the film The Godfather (1972). It may be worth noting that at the end of the film The Godfather: Part II (1974) Michael Corleone believes that his wife, Kay Corleone, has had a miscarriage and that her sorrow over that miscarriage is what has made her depressed. In an angry rant Kay tells him instead that she had an abortion, aborting what would have been his son, because she does not want his crime family to go on and she wants out. So – We have two (fictional) women, each seeking to limit or escape their involvement with a mobster and using the same means to do it. Even if Gloria Conti did not see The Godfather: Part II it's perfectly possible – perhaps even likely – that JKR did and so may have borrowed a bit of the plot.* "Strike paid in pain for the walk through the woods at Chiswell House the next morning. So little did he fancy getting up out of bed and heading downstairs to work on a Sunday that he was forced to remind himself that, like the character of Hyman Roth in one of his favourite films, he had chosen this business freely. If, like the Mafia, private detection made demands beyond the ordinary, certain concomitants had to be accepted along with the rewards." Lethal White ch 45Ed Shardlow's Prisoner of Azkaban Notes supporting Induced Abortion Hypothesis* Hi ladies and gents, I've been on holiday and just catching up on the end of the Kanreki series. I see that Snake Wood wasn't the big reveal because you were saving that for the final chapter!* Even the penultimate episode enumerating all the lost children and speculating on that theme's lake origins didn't dilute the impact of seeing how the classic Rowling themes of coercive relationships, motherly love, pregnancy traps, the protection of family and so on, not only come together in that one golden thread, but how it does indeed illuminate the whole HP series. * It certainly has the ring of truth for me. It certainly explains why morality and mortality are the crucial core to its meaning. The last episode was definitely one of those lightbulb-moment experiences for me. Love it!* I feel like there may be more abortion analogies in Azkaban... Perhaps the wolf inside Remus? I think there's something quite uterine about the shrieking shack... And maybe something obstetric? There's also the execution of the innocent Buckbeak. And the Dementors taking the souls of their victims, against whom the remedy is a reassuring and inspiring Patronus. Perhaps that's the embodiment of the good dad, saving the innocents under their guardianship.* This thread also offers another interpretation of The Christmas Pig - the traumatically obliterated DP, forever consigned to the land of the lost, and the replacement CP, carrying the love of his lost brother. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
We collected all the questions and comments posted last month beneath our daily Kanreki Lake and Shed videos and sat down to answer them live with paid subscribers sitting in on the conversation. That discussion drew the Kanreki celebration-marathon to a close (Phew!) and opened the door to our next efforts. We'll be writing weekly posts about Rowling's life and work, filming video conversations about those posts, and beginning a series of classes about Lake ‘springs' and Shed ‘tools' that will, when finished, by presented as an online course for serious readers of Harry Potter, Cormoran Strike, and the various stand-alone stories. Paid subscribers will be able to participate in the video conversations and watch the classes as they come out.Thank you to everyone who watched (or is watching) the Kanreki series and thank you in advance for joining us in our new ventures here at Hogwarts Professor! Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Happy 60th Birthday, Joanne Rowling Murray! Thank you for close to thirty years of challenging, even edifying fiction, for the joys of community your serious readers enjoy in discussing your work, and for your philanthropic efforts on behalf of women and children everywhere. The faculty at HogwartsProfessor all wish you many, many years.As a birthday gift of sorts, Nick and John close off their month-long celebration of Rowling-Galbraith's life and work with a follow-up look at yesterday's review of the ‘Lost Child' Golden Thread that runs through her stories. After cataloging the almost forty ‘for instances' taken from the opera omnia in the penultimate entry in this series, Nick and John ask, “So What?” How does the possibility that Rowling had an induced abortion and is sufficiently unsettled by it that it inspires many even most of her books at least in part make any difference in understanding their artistry and meaning?John's answer is that, if read through the induced abortion lens, one can see shades of character reflecting Rowling's thought on this subject. More importantly, each Harry Potter novel can be read as a defense of induced abortion, i.e., that each features something evil within a person having to be exteriorized and eliminated, a process that readers celebrate as a ‘win.'A Kanreki celebration is a time when friends and family recognize the ending of a cycle and the beginning of a new life to the 60 year old celebrant. Here's hoping Rowling Studies, as with Rowling herself, will enter another era with this idea, one that the author can confirm, deny, or ignore. Regardless of her answer, Serious Readers are left with the mysteries of the Pregnancy Trap and Lost Child Golden Threads for them to ponder.Please do share your thoughts and questions in the comment boxes below. Nick and John hope to put together a Q&A post to answer the questions listeners have asked this month that they haven't answered and new ones sent in by Monday. Paid subscribers will be invited to join them live for that discussion.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? The hope is that, after sleeping in for the first time in a month, that we can put together for easy reference an Index post that has links to every Lake and Shed post we've sent out this month — and news of our plans for August and beyond. Stay tuned! Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
It's the Day Before Rowling's 60th birthday so Nick and John tackle by reader request the never before discussed subject of the Lost Child theme in the author's more than twenty published works. They re-introduce the Golden Threads idea — see their Pregnancy Trap podcast or the two Kanreki series on this subject (here and here) — then they do a deep dive into the crowded waters of Lost Children in her work, and then they go out out on a high-wire to speculate about what specific spring in her Lake subconscious mind is responsible for this recurrent inspiration. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? John and Nick pull out all the stops on Rowling's 60th birthday to challenge the status quo of Rowling Studies with a reading of her work in light of a possible inspiration for the ubiquitous ‘Lost Child' Golden Thread in her work. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:'Pregnancy Traps' in the Works of J. K. Rowling: A Rowling Studies Podcast* The Golden Thread of Coercive Love that Runs Through Everything She has Written* The seven Hogwarts Professor weblog posts that John and Nick reference in that conversation can be found here:* Rowling Pregnancy Traps: Merope Gaunt* Rowling Pregnancy Traps: Casual Vacancy's Krystal Weedon, Kay Bawden* Rowling's Pregnancy Traps: Bellatrix Lestrange and the Cursed Child Delphini* Rowling's Pregnancy Traps: Leda Strike* Rowling's Pregnancy Traps: Four Strikes* Rowling's Pregnancy Traps: Last Strikes* Rowling's Pregnancy Traps: Fantastic Beasts, The Ickabog, The Christmas PigRowling's Real Reason for Going to Portugal in 1991?Where was Rowling for her 10th, 20th, 30th, 40th, and 50th birthdays?Strike Fans!* Emily Pirbright* Josh Blay* Edie Ledwell* Alexander Graves* Cherie Gittins (Carine Makepeace) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Two Days and a Wake-Up until Joanne Rowling Murray's 60th Birthday. In their home stretch conversation, Nick and John fulfill a reader request to discuss the book inside Deathly Hallows (one of three actually…), ‘Tales of Beedle the Bard,' a text that Albus Dumbledore leaves Hermione in his will for her to read and apply to the Horcrux Hunt. Nick tells the story of Rowling's creation of six hand-written copies as six-of-a-kind gifts for those who brought Harry Potter to life. John dives into the center story of the five tales, ‘The Hairy Heart,' and tells the meaning of Harry's heart to draw out what Rowling meant by describing Beedle as “the distillation” of the Hogwarts Saga. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? In the Day Before the Big Day, Nick and John do a deep dive into the Golden Thread of ‘The Lost Child,' a plot point occurring (by one count!) forty times in Rowling-Galbraith's twenty one books. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:The Heart is the Human Spiritual Center: Deathly Hallows, Ink Black Heart, and Beedle the BardRowling: Beedle the Bard is the Distillation of Harry Potter ThemesTwelve Answers to Beedle the Bard Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
We're in the home stretch of the 60th Birthday Blitz at Hogwarts Professor! On the first of the last four days of July, Nick and John return to the books at a reader's suggestion in order to give a Lake and Shed reading of the original Newt Scamander textbook, Fantastic Beasts and Where to Find Them. Nick relays everything you need to know about the genesis of this work and John talks about Rowling's comments to Stephen Fry in a 2022 interview about “archetypal” animals and the importance of understanding them because human beings are story-telling animals. Her discussion of the Lethifold and Niffler are especially challenging and illuminating. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? John and Nick act on the reader suggestion that we give a Lake and Shed reading of Tales of Beedle the Bard. Nick tells the ‘Three Year Summer' background of the Wizarding World's Fairy Tale collection and John talks about ‘The Hairy Heart.' Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:The J. K. Rowling 2022 Interview with Stephen Fry about the ‘Archetypes' of Fantastic Beast — and Why We Love Story* Etymology of ‘Bejesus'* Stephen Fry's Views on ReligionLiminal Women: Mermaids and Swan Maidens in Galbraith's Strike Novels (Beatrice Groves)Troubled Blood: A Jungian Reading Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Let's talk about Rowling's use of traditional chiastic structure, what anthropologist Mary Douglas called ‘Ring Composition.' John travels to his backyard Mongolian ger, the archetypal circular architectural form, to deliver a firehose introduction to the four essentials of ring writing. He uses slides to depict the structure of Harry Potter and the Philosopher's Stone as his brief ‘for instance' of how Rowling chooses to organize her stories and he provides a list of links (below!) for further reading. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? John and Nick act on the reader suggestion that we give a Lake and Shed reading of Tales of Beedle the Bard. Can the Hogwarts textbook, Fantastic Beasts, be far behind? Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* The Hogwarts Professor Ring Composition Pillar Post* The Ring Inside the Ring of Order of the Phoenix: The Department of Mysteries Gauntlet* Harry Potter as Ring Composition and Ring Cycle (Lulu.com)* J. K. Rowling's ‘G-Spot' and ‘Triple Play:' The Lake & Shed Secret of Her SuccessThe Running Grave's Structure: A Master Class in Ring Composition* Running Grave: Ring Reading Index* Reading 'Running Grave' as the End of the Strike Series (A)* Reading 'Running Grave' as the End of the Strike Series (B)* Reading 'Running Grave' as the End of the Strike Series (C) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Welcome back! John and Nick finish their back-and-forth challenge to come up with three examples of the ‘Fourteen Golden Threads' in the work of J. K. Rowling, the plot points and story features that run through everything she writes.In this second overview of the Golden Threads, Nick and John talk about Kanreki red caps and tackle three Threads each. Nick gives at least three examples for Evil Government, Occult tropes, and the Embedded Author. John responds with three or more 'for instances' of the Search for the Real, Embedded Texts, and Shadow Doppelgangers. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? John and Nick respond to two readers' requests for a brief introduction to Ring Composition. John reviews the four essential elements in a proper story ring and uses Harry Potter and the Philosopher's Stone as his example. He shifts from his Shed (garage) to the backyard ger (‘yurt') to deliver his message about the ‘meaning in the middle.' Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* David Martin reveals the Role of Books in the Hogwarts Saga* When in Doubt, Go to the Library: The Books Within the Books (David Martin Podcast)* Troubled Blood: Every Tarot Card Spread* Rowling Talks Tarot on 60 Minutes (1999)* Harry Potter and The Hanged Man: Part 1 Rowling's Most Loaded Tarot Reference* Harry Potter and The Hanged Man: Part 2 The Historical and Occult Interpretations* Harry Potter and The Hanged Man: Part 3 Its Meaning in Rowling's Written Work* Troubled Blood: A Jungian Reading Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Welcome back! John and Nick, having finished their Lake and Shed review of the seven Harry Potter novels, the first seven Strike-Ellacott adventures, the three Fantastic Beasts screenplays, and the three stand-alone stories Cursed Child, Casual Vacancy, and Christmas Pig, are open to suggestions about how to fill the remaining week of daily conversations until Rowling's birthday on July 31st. The first request we received was one asking for more on the ‘Twelve Golden Threads' in the work of J. K. Rowling, the plot points and story features that run through everything she writes.In this first overview of the Golden Threads, Nick and John go back and fourth with four Threads each. Nick gives at least three examples for Bad Dad, Writing about Writing, Violence against Women, and the Evils of Fleet Street. John responds with three or more 'for instances' of Mother Love, Ghosts, Pregnancy Traps, and the Lost Child with Grieving Steward. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? John and Nick talk about the six remaining Golden Threads, namely, Bad Government, Occult Tokens, the Search for the Real, Embedded Texts, the Embedded Author, and Shadow Doppelgangers. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:'Pregnancy Traps' in the Works of J. K. Rowling: A Rowling Studies Podcast* The Golden Thread of Coercive Love that Runs Through Everything She has WrittenThe seven Hogwarts Professor weblog posts that John and Nick reference in that conversation can be found here:Rowling Pregnancy Traps: Merope GauntRowling Pregnancy Traps: Casual Vacancy's Krystal Weedon, Kay BawdenRowling's Pregnancy Traps: Bellatrix Lestrange and the Cursed Child DelphiniRowling's Pregnancy Traps: Leda StrikeRowling's Pregnancy Traps: Four StrikesRowling's Pregnancy Traps: Last StrikesRowling's Pregnancy Traps: Fantastic Beasts, The Ickabog, The Christmas Pig Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation focuses in on the remarkable Strike-Ellacott novel, The Running Grave, the last book in our review of every work of fiction with either of Mrs Murray's pseudonyms on the cover. Nick confesses to feeling stumped about what to say as his ‘Lake' contribution to the discussion — before his epiphany on a long walk with Addie that almost every buoy or pillar in Rowling's metaphorical place of inspiration finds its reflection in the seventh Galbraith mystery. John refuses to go into any detail about the work's ‘wheels within wheels within wheels' ring structure but shares instead the symbolic depth of Mama Mazu's mother of pearl fish pendant. New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? We move into uncharted territory with an overview of the Lake material via John interviewing Nick about the various pillars and pertinent examples. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:The Running Grave's Structure: A Master Class in Ring Composition* Running Grave: Ring Reading Index* Reading 'Running Grave' as the End of the Strike Series (A)* Reading 'Running Grave' as the End of the Strike Series (B)* Reading 'Running Grave' as the End of the Strike Series (C)Hogwarts Professors' Reviews of The Running Grave* Nick Jeffery* Elizabeth Baird-Hardy* Evan WillisThe Christian Symbolism of Mama Mazu's Mother of Pearl Fish Pendant* The Meaning of Robin Ellacott's fight with Mama Mazu in Part 9 of Running Grave* The Beloved Caravaggio Painting In Which Rowling Encountered the ‘Christian Fish' Symbolism* The Symbolism of the Pearl in Suzanne Collins' Hunger Games series Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Welcome back! After learning the Snakewood Secrets of Dumbledore — that's right, it's Rowling the Wood Snake having a private Lake moment — we return to real books, Ink Black Heart to be specific, a novel written entirely by Mrs Murray, aka Robert Galbraith. Nick covers the front and the back of making Lake readings of Strike6 without a lot of circumspection and John talks about the eerie feeling he had while reading this book that the author was ‘having a go' at him. Enjoy!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Running Grave! John is not a big fan but Nick is all-in so stand-by for some real back-and-forth about the merits and deficiencies of Strike7. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* Hogwarts Professor Ink Black Heart Search Results Pages* The JKR Live Barmy Army Q&A: A Review* Gilderoy Gleenings* Intro to Epigraphs 101 Aurora Leigh* Rowling and Fandoms* The Mythic Backdrop* Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche* The Gaffes* Ink Black Heart and Deathly Hallows: The Heart is Not About Emotions and Affection but the Human Spiritual Center Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is all about the Steve Kloves screenplay, The Secrets of Dumbledore, which is “based on a screenplay by J. K. Rowling.” Nick lays out the drama surrounding the third Fantastic Beasts franchise film and his favorite part of the movie (hint: it's about “confusion”). John reveals why Jacob gets a Snakewood wand and one without a core as well as why he thinks Kowalski is the embedded author in this series.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? It's back to real books, a novel written entirely by Mrs Murray, aka Robert Galbraith. We'll be discussing Ink Black Heart with Nick covering the front and the back of making Lake readings of Strike6 without a lot of circumspection and John talking about the eerie feeling he had while reading this book that the author was ‘having a go' at him. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* Snakewood: The Rarest and Most Beautiful Exotic Wood* Snakewood as a Wand Material* Wild ‘Secrets of Dumbledore' Theory: Rowling Puts Pro-Trump Message in Script that Kloves Didn't See or Remove* MsMojo: Secrets of Dumbledore's Answered and Unanswered Questions* Secrets of Dumbledore: Predictions Fulfilled and Promise for the Future Elizabeth Baird Hardy* Beatrice Groves – Secrets of Dumbledore: First Thoughts* Fantastic Beasts: Secrets of Dumbledore The Rowling Library Review Is Up* The Secrets of Grindelwald Screenplay: Three Quick Notes about its Publication* YouTube Link to Film Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is once again about The Christmas Pig. Nick by the Lake shares the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Both share their reasons for thinking that The Christmas Pig is the perfect distillation of everything Rowling is doing as a writer, to include the relationship of her Lake inspiration to her final Shed product.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our look at the Steve Kloves “complete screenplay” Secrets of Dumbledore, one based on an “original story” by J. K. Rowling. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* The Christmas Pig and Old Rabbit (Nick Jeffery)* The Quadrigal Reading of Christmas Pig (John Granger)* The Velveteen Rabbit and Christmas Pig (Beatrice Groves, pp 17-18)* The Faerie Queene and The Christmas Pig (Elizabeth Baird-Hardy)* The Rowling Studies podcast dedicated to Christmas Pig subjects* Warner Bros Adapting ‘Christmas Pig:' Will It Become Rowling's Best Loved Book? A Second ‘Christmas Carol'?The Perennialist Reading of Christmas Pig Series of HogwartsProfessor posts:* Part 1: John, Peter, and Jack Jones* Part 2: Dante, Sacred Art, and the Symbolism of the Tree and Its Angels12/22: Whence Holly's Hatred in Christmas Pig? The Symbolism of the ‘Broken Angel'* Part 3: The Quadrigal Reading* Part 4: The Magic In Things1/5: Rowling on Love, Hope, Happiness 2018* Part 5: The Blue Bunny1/15 Rowling, Ring Writing, and Maternal Love* Part 6: The Ring CompositionPost Publication Christmas Pig HogwartsProfessor Pieces:10/4: The Christmas Pig – The First Reviews10/10: Beatrice Groves: Unlocking Clues to The Christmas Pig10/13: “For the Straightforward Path Was Lost”: A Few Starting Notes on The Christmas Pig (Evan Willis)10/13: The Christmas Pig and Old Rabbit10/17: Alexandra Palace, JKR, Christmas Pig10/18: J. K. Rowling's Christmas Pig Interviews12/14: Rowling Talks About ‘Christmas Pig'12/17: The Original Christmas Pig was Blind Pig12/26: The Faerie Queene and The Christmas Pig12/27: The Christmas Pig: Amateur AudioBook12/28: Christmas Pig's Chapter Thirteen1/2: Does Anyone “Really” Die in Stories? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is once again about the hilarious Christmas story for children of all ages, Christmas Pig. Nick discusses Rowling's many interview statements about the Things which were lost and how many of them match up with things she has lost; he takes a deep dive into the Blue Bunny episode outside the Gates of the City of the Missed and Rowling's embedding herself and her daughter Mackenzie in the story. John talks about the Blue Bunny and his being “found” or “saved” as an allegory of the human condition written in the Rowling shorthand-symbols for (and obsessions with) love, salvation, and what is real.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our second look at Christmas Pig with Nick explaining the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical meaning of the Power palace kangaroo court trial of CP and Jack. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* “For the Straightforward Path Was Lost”: A Few Starting Notes on The Christmas Pig (Evan Willis)* The Epic ‘Blue Bunny' Post* The Rowling Studies podcast dedicated to Christmas Pig subjects* Warner Bros Adapting ‘Christmas Pig:' Will It Become Rowling's Best Loved Book? A Second ‘Christmas Carol'?The Perennialist Reading of Christmas Pig Seriesof HogwartsProfessor posts:* Part 1: John, Peter, and Jack Jones* Part 2: Dante, Sacred Art, and the Symbolism of the Tree and Its Angels12/22: Whence Holly's Hatred in Christmas Pig? The Symbolism of the ‘Broken Angel'* Part 3: The Quadrigal Reading* Part 4: The Magic In Things1/5: Rowling on Love, Hope, Happiness 2018* Part 5: The Blue Bunny1/15 Rowling, Ring Writing, and Maternal Love* Part 6: The Ring CompositionPost Publication Chritmas Pig HogwartsProfessor Pieces:10/4: The Christmas Pig – The First Reviews10/10: Beatrice Groves: Unlocking Clues to The Christmas Pig10/13: “For the Straightforward Path Was Lost”: A Few Starting Notes on The Christmas Pig (Evan Willis)10/13: The Christmas Pig and Old Rabbit10/17: Alexandra Palace, JKR, Christmas Pig10/18: J. K. Rowling's Christmas Pig Interviews12/14: Rowling Talks About ‘Christmas Pig'12/17: The Original Christmas Pig was Blind Pig12/26: The Faerie Queene and The Christmas Pig12/27: The Christmas Pig: Amateur AudioBook12/28: Christmas Pig's Chapter Thirteen1/2: Does Anyone “Really” Die in Stories? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is once again about the fifth Cormoran Strike novel, Troubled Blood. Nick discusses Rowling's history with the Clerkenwell neighborhood. John talks about Troubled Blood as a double re-telling of The Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Oonaugh and Robin as Una.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Our first look at Christmas Pig with both Nick and John talking about the Blue Bunny. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* The Clerkenwell/Islington Gate of St John (Twitter Header)Faerie Queene!John Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality PlayElizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodThis is a tentative listing by category of the posts at HogwartsProfessor about Troubled Blood. There's much more work to do on this wonderful work!1. Chiastic StructureRowling's fixation on planning in general and with structural patterns specifically in all of her work continues in Troubled Blood. From the first reading, it became apparent that in Strike5 Rowling-Galbraith had taken her game to a new level of sophistication. She continued, as she had in her four previous Strike mysteries, to write a story in parallel with the Harry Potter septology; there are many echoes of Harry Potter and the Order of the Phoenix, the fifth and equivalent number in the Hogwarts Saga, in Troubled Blood. Just as Phoenix was in important ways a re-telling of Philosopher's Stone, so Troubled Blood also echoes Cuckoo's Calling — with a few Stone notes thrown in as well. The new heights of Rowling's structural artistry, though, extend beyond her patented intratextuality; they are in each of Strike5's first six parts being ring compositions themselves, the astrological chart embedded in the story chapters, and the six part and two chapters correspondence in structure between Troubled Blood and Spenser's Faerie Queen.* Structure Part One* Structure Part Two, Notes Two to Six* Structure Part Three, Notes One to Three* Structure Part Four, Notes One to Three, Eight, and Ten* Structure Part Five, Notes One to Four, Nine* Structure Part Six, Notes One to Four* Structure Part Seven, Ring Latch, Story Axis* Astrological Clock Structure of Troubled Blood* Career of Evil Echoes* Order of the Phoenix Echoes* Cuckoo's Calling Echoes* Philosopher's Stone Echoes2. Literary AlchemyPer Nabokov, literary artistry and accomplishment are known and experienced through a work's “structure and style.” Rowling's signature structures are evident in Troubled Blood (see above) and her characteristic hermetic artistry, literary alchemy, is as well. Strike5 is the series nigredo and Strike and Robin experience great losses and their reduction to their respective and shared prima materia in the dissolving rain and flood waters of the story.* Strike's Transformation* Robin Ellacott and the Reverse Alchemy of the First Three Strike Novels* Lethal White as the Alchemical Pivot of the Strike Series* The Wet Nigredo: Troubled Blood's Black Names, Holiday Three Step, and Losses3. Psychology/MythologyRowling told Val McDermid that if she had not succeeded as a writer than she would have studied to become a psychologist:V: If it hadn't worked out the way it has. If you'd sat there and written the book in the café and nobody ever published it, what would you have done with your life, what would you have liked to have been?JK: There are two answers. If I could have done anything, I would have been really interested in doing, I would have been a psychologist. Because that's the only thing that's ever really pulled me in any way from all this. But at the time I was teaching, and I was very broke, and I had a daughter and I think I would have kept teaching until we were stable enough that we were stable enough that I could change.Because of her lifelong study and pre-occupation with mythology, it is fitting that in Strike5 readers are confronted with a host of references to psychologist Carl Jung and to a specific Greek myth which Jungian psychologists consider essential in understanding feminine psychology. All of which leads in the end to the Strike series' equivalent of the Hogwarts Saga's soul triptych exteriorization in Harry, Hermione and Ron as Body, Mind, and Spirit, with Robin and Strike as Handless Maiden and Fisher King, the mythological images of anima and animus neglected and working towards integration.* Carl Jung and Troubled Blood* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus* The Anima and Animus: The Psychological Heart and Exteriorization of the Cormoran Strike Novels4. Valentine's DayThe story turn of Troubled Blood takes place on Valentine's Day and the actions, events, and repercussions of this holiday of Cupid and Heart-shaped candies, not to mention chocolates, shape the Robin and Strike relationship drama irrevocably. Chocolates play an outsized portion of that work symbolically, believe it or not; the word ‘chocolate' occurs 34 times in the first four Strike novels combined but 82 times in Troubled Blood. I explore the importance of this confection in two posts before beginning to explain the importance and appropriateness of Valentine's Day being the heart of the story, one that is in large part a re-telling of the Cupid and Psyche myth.* Troubled Blood: Interpreting the Poetry of Cormoran's Five Gifts To Robin* Troubled Blood: Poisoned Chocolates* Troubled Blood: The Secret of Rowntree* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus5. Edmund Spenser's Faerie QueenTroubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.* Spenser's Faerie Queen (Above)6. The GhostsRowling's core belief is in the immortality of the soul and her favorite writer of the 20th Century is Vladimir Nabokov, whose work is subtly permeated by the otherworldly. No surprise, then, that Troubled Blood is haunted by a host of ghosts, most importantly the shade of Margot Bamborough but to include the women murdered by Dennis Creed and Nicolo Ricci. Their influence is so obvious and so important that it has spurred discussion of the spectres that haunt the first four Strike novels whose presence had not been discussed prior to the revelations of Strike 5.* Troubled Blood: The Dead Among Us* The Ghosts Haunting Troubled Blood* The Ghosts Haunting Cuckoo's Calling, Silkworm, Career of Evil, and Lethal White7. The NamesThe Cryptonyms or Cratylic Names of Troubled Blood are as rich and meaningful, even funny, as those found in Lethal White. From Paul Satchwell's “little package” to Roy Phipps as the Spanish King Phillip, from the nigredo black elements of Bill Talbot and Saul Morris to the Spenserian echoes of Oonaugh Kennedy and Janice Beattie, and the Rokeby-Oakden coincidences, Strike5 is full of name play. Did I mention that the detectives solve the mystery largely through their exploration of names? Douthwaite and Oakden only pop-up after Strike has revelations consequent to serious reflection on their names and pseudonyms. Rowling-Galbraith really wants her real-world readers to be reflecting on the Dickensian names of all her characters.* The Cratylic Names of Troubled Blood: A Top Twenty Round Up8. The Flints and GaffesRowling commented in one of her interview tableaus for Troubled Blood that she had worked extra hard to get the dates right in this most complicated of novels and that her proof reader and continuity editor found a big mistake. Serious Strikers, though, were left crying “Alas!” and laughing aloud at the number of bone-headed gaffes in The Presence's longest work to date. It remains her best as well as her longest book to date, but, really, get the woman the help she needs to comb the book for errors pre-publication. Can you say, “Isla”?* Troubled Blood: Flints, Errors, and Head Scratchers* Troubled Blood Gaffes: A Second Look at Ages and Dates9. The AstrologyThe principal embedded text in Troubled Blood, the one Robin and Cormoran read repeatedly, create keys for, and discuss throughout the book, is Bill Talbot's ‘True Book.' It features an astrological chart for the exact time and place of Margot Bamborough's disappearance in 1974, which map Talbot used to try and solve the case. Strike is profoundly disgusted by this approach but spends, as does Robin, much of his time trying to figure out the chart or at least what Talbot made of it. Troubled Blood, consequently, turns into something of an exploration of astrology and its relevance to understanding ourselves and the world. Unpacking what Rowling means by it, not to mention what the natal charts of Robin and Cormoran tell us about these charactes, their relationship, and Rowling-Galbraith's intentionally hermetic artistry, is a large part of the exegetical work to be done on Troubled Blood.* Nick Jeffery: Troubled Blood — The Acknowledgements* Part Three, Note Five* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled Blood* Astrological Allegorical: The Sun Signs of Characters in Troubled Blood* A Second Look at Talbot's Chart: What Does it Reveal to the Unbiased Eye?10. The Tarot Card SpreadsWe know that Rowling has significant skills when it comes to astrology. What is less well appreciated is that almost from childhood she has played with tarot card reading which knowledge has informed her work. This is comic in Trelawney, say, but comes to the fore in Troubled Blood‘s card spreads: the Celtic Cross in Talbot's ‘True Book,' his embedded three card spreads in the illustrations of that tome, and Robin's two readings, one in Laemington Spa and the other in her flat at story's end.* Part Three, Note Six* Part Four, Note Five* Part Five, Note Five* Part Six, Notes Five, Six, Eight* Bill Talbot's Tarot: The Embedded Occult Heart of Troubled Blood* Robin Ellacott's Tarot: The Missed Meanings of Her Twin Three Card Spreads in Troubled Blood11. Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-Ross12. Embedded TextsAll of Rowling's novels feature books and texts, written work as well as metanarratives, with which her characters struggle to figure out in reflective parallel to what her readers are trying to do with the novel in hand. Troubled Blood is exceptionally laden with these embedded texts. Beyond Talbot's True Book and Spenser's Faerie Queen noted above, we are treated to selections from The Demon of Paradise Park, Whatever Happened to Margot Bamborough?, Astrology 14, and The Magus.13. The Murderers: Creed and BeattieA demon-possessed psychopath and the brain-damaged lonely woman… Each is described as “a genius of misdirection” and being without remorse or empathy. The actual murderers in Troubled Blood are distinct, certainly, but paired as well, as one of the many mirrored pairs in this story.14. FeminismTroubled Blood, Rowling has said, is a commentary of sorts on changes in the history of feminism. It is an unvarnished, even brutal exploration of the heroic age of the feminist movement, its front and back, largely through the personalities, circumstances, choices, and experiences of two pairs of women, Margot Bamborough and her plucky Irish side-kick Oonaugh Kennedy and the paired through time couple of Irene Bull-Hickson and Janice Beattie.15. Rokeby 3.0Jonny Rokeby makes his first appearance, albeit only by phone call, in Troubled Blood and yet it has reset thinking about Strike and his biological father considerably. Kurt Schreyer thinks the head Deadbeat is more Snape than Voldemort — and, if this is the case, we need to re-read the series to see how much Strike's emotional injuries from childhood neglect have misshaped his understanding of his dad so he lives in upside-down land.* Guest Post: Rokeby Redux – Is Strike's Father More Snape than Lord Voldemort? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about the fifth Cormoran Strike novel, Troubled Blood. Nick discusses Rowling's history with the divinatory art of astrology and the occult resources and reference works she brought into play in writing a novel whose primary embedded text is a murder scene's astrological chart. John talks about the astrological clock structure of twelve houses in which Galbraith tells this remarkable story.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Another look at Troubled Blood, this time with an introduction to Rowling's ties to Clerkenwell from Nick and with John making a case for reading Troubled Blood as a re-telling of Spenser's Faerie Queene, Book One, with Strike and Margot as the Redcrosse Knight and Robin and Oonaugh as Una. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:* Nick Jeffery: Troubled Blood — The Astrologers in the Acknowledgements* J. K. Rowling, Author-Astrologer, Pt 1: How Did We Not Know About This?* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled BloodThis is a tentative listing by category of the posts at HogwartsProfessor about Troubled Blood. There's much more work to do on this wonderful work!1. Chiastic StructureRowling's fixation on planning in general and with structural patterns specifically in all of her work continues in Troubled Blood. From the first reading, it became apparent that in Strike5 Rowling-Galbraith had taken her game to a new level of sophistication. She continued, as she had in her four previous Strike mysteries, to write a story in parallel with the Harry Potter septology; there are many echoes of Harry Potter and the Order of the Phoenix, the fifth and equivalent number in the Hogwarts Saga, in Troubled Blood. Just as Phoenix was in important ways a re-telling of Philosopher's Stone, so Troubled Blood also echoes Cuckoo's Calling — with a few Stone notes thrown in as well. The new heights of Rowling's structural artistry, though, extend beyond her patented intratextuality; they are in each of Strike5's first six parts being ring compositions themselves, the astrological chart embedded in the story chapters, and the six part and two chapters correspondence in structure between Troubled Blood and Spenser's Faerie Queen.* Structure Part One* Structure Part Two, Notes Two to Six* Structure Part Three, Notes One to Three* Structure Part Four, Notes One to Three, Eight, and Ten* Structure Part Five, Notes One to Four, Nine* Structure Part Six, Notes One to Four* Structure Part Seven, Ring Latch, Story Axis* Astrological Clock Structure of Troubled Blood* Career of Evil Echoes* Order of the Phoenix Echoes* Cuckoo's Calling Echoes* Philosopher's Stone Echoes2. Literary AlchemyPer Nabokov, literary artistry and accomplishment are known and experienced through a work's “structure and style.” Rowling's signature structures are evident in Troubled Blood (see above) and her characteristic hermetic artistry, literary alchemy, is as well. Strike5 is the series nigredo and Strike and Robin experience great losses and their reduction to their respective and shared prima materia in the dissolving rain and flood waters of the story.* Strike's Transformation* Robin Ellacott and the Reverse Alchemy of the First Three Strike Novels* Lethal White as the Alchemical Pivot of the Strike Series* The Wet Nigredo: Troubled Blood's Black Names, Holiday Three Step, and Losses3. Psychology/MythologyRowling told Val McDermid that if she had not succeeded as a writer than she would have studied to become a psychologist:V: If it hadn't worked out the way it has. If you'd sat there and written the book in the café and nobody ever published it, what would you have done with your life, what would you have liked to have been?JK: There are two answers. If I could have done anything, I would have been really interested in doing, I would have been a psychologist. Because that's the only thing that's ever really pulled me in any way from all this. But at the time I was teaching, and I was very broke, and I had a daughter and I think I would have kept teaching until we were stable enough that we were stable enough that I could change.Because of her lifelong study and pre-occupation with mythology, it is fitting that in Strike5 readers are confronted with a host of references to psychologist Carl Jung and to a specific Greek myth which Jungian psychologists consider essential in understanding feminine psychology. All of which leads in the end to the Strike series' equivalent of the Hogwarts Saga's soul triptych exteriorization in Harry, Hermione and Ron as Body, Mind, and Spirit, with Robin and Strike as Handless Maiden and Fisher King, the mythological images of anima and animus neglected and working towards integration.* Carl Jung and Troubled Blood* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus* The Anima and Animus: The Psychological Heart and Exteriorization of the Cormoran Strike Novels4. Valentine's DayThe story turn of Troubled Blood takes place on Valentine's Day and the actions, events, and repercussions of this holiday of Cupid and Heart-shaped candies, not to mention chocolates, shape the Robin and Strike relationship drama irrevocably. Chocolates play an outsized portion of that work symbolically, believe it or not; the word ‘chocolate' occurs 34 times in the first four Strike novels combined but 82 times in Troubled Blood. I explore the importance of this confection in two posts before beginning to explain the importance and appropriateness of Valentine's Day being the heart of the story, one that is in large part a re-telling of the Cupid and Psyche myth.* Troubled Blood: Interpreting the Poetry of Cormoran's Five Gifts To Robin* Troubled Blood: Poisoned Chocolates* Troubled Blood: The Secret of Rowntree* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus5. Edmund Spenser's Faerie QueenTroubled Blood features several embedded texts, the most important of which is never mentioned in the book: Edmund Spenser's Faerie Queen. Serious Strikers enjoyed the luxury of not one but two scholars of Edmund Spenser who checked in on the relevance and meaning of Rowling's choice of the greatest English epic poem for her epigraphs, not to mention the host of correspondences between Strike 5 and Queen. Elizabeth Baird-Hardy did a part by part exegesis of the Troubled Blood-Faerie Queen conjunctions and Beatrice Groves shared her first thoughts on the connections as well. Just as Lethal White's meaning and artistry is relatively unappreciated without a close reading of Ibsen's Rosmersholm, so with Strike 5 and Faerie Queen.Elizabeth Baird-Hardy* Day One, Part One: The Spenserian Epigraphs of the Pre-Released Troubled Blood Chapters* Day Two, Part Two: The Spenserian Epigraphs of Troubled Blood Chapters Eight to Fourteen* Day Three, Part Three: The Spenserian Epigraphs of Troubled Blood Chapters Fifteen to Thirty* Day Four, Part Four: The Spenserian Epigraphs of Troubled Blood Chapters Thirty One to Forty Eight* Day Five, Part Five: The Spenserian Epigraphs of Troubled Blood Chapters Forty Nine to Fifty Nine* Part Six: The Spenserian Epigraphs of Troubled Blood Chapters Sixty to Seventy One* Spenser and Strike Part Seven: Changes for the BetterBeatrice Groves* Trouble in Faerie Land (Part 1): Spenserian Clues in Troubled Blood Epigraphs* Trouble in Faerie Land (Part 2): Shipping Robin and Strike in the Epigraphs of Troubled Blood* Trouble in Faerie Land (Part 3): Searching for Duessa in Troubled BloodJohn Granger:* How Spenser Uses Cupid in Faerie Queen and Its Relevance for Understanding Troubled Blood* Reading Troubled Blood as a Medieval Morality Play6. The GhostsRowling's core belief is in the immortality of the soul and her favorite writer of the 20th Century is Vladimir Nabokov, whose work is subtly permeated by the otherworldly. No surprise, then, that Troubled Blood is haunted by a host of ghosts, most importantly the shade of Margot Bamborough but to include the women murdered by Dennis Creed and Nicolo Ricci. Their influence is so obvious and so important that it has spurred discussion of the spectres that haunt the first four Strike novels whose presence had not been discussed prior to the revelations of Strike 5.* Troubled Blood: The Dead Among Us* The Ghosts Haunting Troubled Blood* The Ghosts Haunting Cuckoo's Calling, Silkworm, Career of Evil, and Lethal White7. The NamesThe Cryptonyms or Cratylic Names of Troubled Blood are as rich and meaningful, even funny, as those found in Lethal White. From Paul Satchwell's “little package” to Roy Phipps as the Spanish King Phillip, from the nigredo black elements of Bill Talbot and Saul Morris to the Spenserian echoes of Oonaugh Kennedy and Janice Beattie, and the Rokeby-Oakden coincidences, Strike5 is full of name play. Did I mention that the detectives solve the mystery largely through their exploration of names? Douthwaite and Oakden only pop-up after Strike has revelations consequent to serious reflection on their names and pseudonyms. Rowling-Galbraith really wants her real-world readers to be reflecting on the Dickensian names of all her characters.* The Cratylic Names of Troubled Blood: A Top Twenty Round Up8. The Flints and GaffesRowling commented in one of her interview tableaus for Troubled Blood that she had worked extra hard to get the dates right in this most complicated of novels and that her proof reader and continuity editor found a big mistake. Serious Strikers, though, were left crying “Alas!” and laughing aloud at the number of bone-headed gaffes in The Presence's longest work to date. It remains her best as well as her longest book to date, but, really, get the woman the help she needs to comb the book for errors pre-publication. Can you say, “Isla”?* Troubled Blood: Flints, Errors, and Head Scratchers* Troubled Blood Gaffes: A Second Look at Ages and Dates9. The AstrologyThe principal embedded text in Troubled Blood, the one Robin and Cormoran read repeatedly, create keys for, and discuss throughout the book, is Bill Talbot's ‘True Book.' It features an astrological chart for the exact time and place of Margot Bamborough's disappearance in 1974, which map Talbot used to try and solve the case. Strike is profoundly disgusted by this approach but spends, as does Robin, much of his time trying to figure out the chart or at least what Talbot made of it. Troubled Blood, consequently, turns into something of an exploration of astrology and its relevance to understanding ourselves and the world. Unpacking what Rowling means by it, not to mention what the natal charts of Robin and Cormoran tell us about these charactes, their relationship, and Rowling-Galbraith's intentionally hermetic artistry, is a large part of the exegetical work to be done on Troubled Blood.* Nick Jeffery: Troubled Blood — The Acknowledgements* Part Three, Note Five* Troubled Blood: Strike's Natal Chart* Astrological Clock Structure of Troubled Blood* Astrological Allegorical: The Sun Signs of Characters in Troubled Blood* A Second Look at Talbot's Chart: What Does it Reveal to the Unbiased Eye?10. The Tarot Card SpreadsWe know that Rowling has significant skills when it comes to astrology. What is less well appreciated is that almost from childhood she has played with tarot card reading which knowledge has informed her work. This is comic in Trelawney, say, but comes to the fore in Troubled Blood‘s card spreads: the Celtic Cross in Talbot's ‘True Book,' his embedded three card spreads in the illustrations of that tome, and Robin's two readings, one in Laemington Spa and the other in her flat at story's end.* Part Three, Note Six* Part Four, Note Five* Part Five, Note Five* Part Six, Notes Five, Six, Eight* Bill Talbot's Tarot: The Embedded Occult Heart of Troubled Blood* Robin Ellacott's Tarot: The Missed Meanings of Her Twin Three Card Spreads in Troubled Blood11. Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-Ross12. Embedded TextsAll of Rowling's novels feature books and texts, written work as well as metanarratives, with which her characters struggle to figure out in reflective parallel to what her readers are trying to do with the novel in hand. Troubled Blood is exceptionally laden with these embedded texts. Beyond Talbot's True Book and Spenser's Faerie Queen noted above, we are treated to selections from The Demon of Paradise Park, Whatever Happened to Margot Bamborough?, Astrology 14, and The Magus.13. The Murderers: Creed and BeattieA demon-possessed psychopath and the brain-damaged lonely woman… Each is described as “a genius of misdirection” and being without remorse or empathy. The actual murderers in Troubled Blood are distinct, certainly, but paired as well, as one of the many mirrored pairs in this story.14. FeminismTroubled Blood, Rowling has said, is a commentary of sorts on changes in the history of feminism. It is an unvarnished, even brutal exploration of the heroic age of the feminist movement, its front and back, largely through the personalities, circumstances, choices, and experiences of two pairs of women, Margot Bamborough and her plucky Irish side-kick Oonaugh Kennedy and the paired through time couple of Irene Bull-Hickson and Janice Beattie.15. Rokeby 3.0Jonny Rokeby makes his first appearance, albeit only by phone call, in Troubled Blood and yet it has reset thinking about Strike and his biological father considerably. Kurt Schreyer thinks the head Deadbeat is more Snape than Voldemort — and, if this is the case, we need to re-read the series to see how much Strike's emotional injuries from childhood neglect have misshaped his understanding of his dad so he lives in upside-down land.* Guest Post: Rokeby Redux – Is Strike's Father More Snape than Lord Voldemort? Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about Rowling's remarkable “fairy-tale” and the history and meaning of its release during the “pandemic” hysteria of 2020. The Ickabog, along with Casual Vacancy and Ink Black Heart, is not only one of Rowling's most autobiographical works, but, with the Lake and Shed interview, the Solve et Coagula tattoo, her RFK Award speech, and the Trans Tweet Heard Round the World, a key to her self-understanding in the critical year 2019-2020. Nick takes the ‘Shed' point and lays out the controlled demolition of her reputation among Group Thinkers on the Left in the lead up to Ickabog's publication and John shares the meaning of ‘The Ickabog's Song,' the embedded text of the tale, as interpreted by Daisy Dovetail (an embedded author?).New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Perhaps the best single book by Rowling-Galbraith, Troubled Blood. Nick will be sharing Rowling's skills in and beliefs about astrology which plays an outsised role in the fifth Strike novel. John talks about the “Best Mate” scene in the Agency office and its important mythological backdrop. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:Nick Jeffery: Beginning at the Beginning A History of ‘Ickabog' and Christmas PigInk Black Heart and Deathly Hallows: The Heart is Not About Emotions and Affection but the Human Spiritual CenterWeek Seven of the Ickabog! Hurrah!* Last Chapters Comment‘The Song of the Ickabog' — Three NotesRowling Writes Trans Views Tell All Post; Fandom Divides ‘Team Jo,' ‘Team Trans'Reading, Writing, Rowling 44: Ickabog! John Granger's Last MuggleNet PodcastRowling's Pregnancy Traps: Fantastic Beasts, The Ickabog, The Christmas PigRowling Tweets Potter Fandom, IckabogThe Ickabog: Rowling Facebook EventGuest Post: Ickabog Notes & PredictionsThe Ickabog: JKR's Political Fairy TaleWas 2020 A Bad Year for J. K. Rowling? Nominated for 3 British Book AwardsGroves: The Rowling-Norton InterviewThe Names of “The Ickabog” – Part 1 (Beatrice GrovesThe Names of “The Ickabog” – Part 2: Ichabod (Beatrice Groves) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Nick and John take a Lake and Shed long look at the second screenplay for the Fantastic Beasts and Where to Find Them film series. On the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog's mess of a movie point that the shooting script, i.e., what Rowling wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? We enter 2020, Rowling's annus horribilis, with the simultaneous nightmares of the COVID hysteria and lockdowns coupled with the Trans Wars, in which all thinking people (to include Rowling) were dismissed — or, in the prevalent jargon of those years, “cancelled” — as hateful, hurtful, even murderous “transphobes.” Nick explains the fascinating received history of The Ickabog manuscript and John builds on Nick's caveats and misgivings with why he thinks the textus receptus narrative is so much hogwash. John shares his favorite scene in the book, one from ‘Week Six,' in which Daisy talks with the Monster about her heart. Stay tuned!Links to posts mentioned in today's Lake and Shed conversation for further reading:The Crimes of Grindelwald ‘Pillar Post' at HogwartsProfessor.com (more than 50 links to posts!) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about the fourth Cormoran Strike novel, Lethal White. Nick discusses the embedded class struggle in the book and its roots in Rowling's background before dropping the bomb of the real world identity of Jack O'Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen's Rosmersholm on London's West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White. John explains why Rowling might have had something to do with the teevee C. B. Strike gaining a memorized knowledge of this play before filming the fourth book's adaptation.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Another work with Rowling's name on the cover that is the not the work she wrote! Nick and John take a Lake and Shed long look at the second screenplay for the Fantastic Beasts and Where to Find Them film series. On the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog's mess of a movie point that the shooting script, i.e., what Rowling wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.Links to posts mentioned in today's Lake and Shed conversation for further reading:* Henrik Ibsen's ‘Rosmersholm'* Every ‘Rosmersholm' White Horse Reference (Odd Sverre Hove)* London Production of Rosmersholm: Starring Tom Burke (Cormoran Strike)* London Production of Rosmersholm (2): Starring Tom Burke (Cormoran Strike)* The ‘Reading, Writing, Rowling' podcast on Lethal White (Kathryn McDaniel, Louise Freeman, Beatrice Groves, John Granger)* The Top Ten Things We've Learned About Lethal White Since Publication Day* The Three Things about J. K. Rowling's Cormoran Strike Novels Every Harry Potter Fan Should Know* Lethal White: The Ring Structure* Lethal White: The Cratylic Names* Lethal White: Autobiographical Elements* Lethal White: Flints and Head ScratchersLethal White as Turning Point of Seven Part Ring Cycle* Does Lethal White Foreshadow Running Grave? You Betcha* The Missing Page Mystery* The Missing Page Mystery, Part 2* Does Lethal White Echo Goblet of Fire?* Lethal White: Every Goblet of Fire Link?* Lethal White: Cuckoo's Calling Retold?* The Cuckoo's Calling Echoes (25+)* Seven More Cuckoo's Calling Links* Lethal White: The Big Change at the Turn (End of the Strike Agency in Strike5?)Literary Alchemy and the Mythic Context* M. Evan Willis: The Mythic Context and Hermetic Meaning of Cormoran Strike* Guest Post: Mythological Leda Strike – Cormoran, Zeus, Castor and Pollux (Joanne Gray; prepublication)* Guest Post: Rowling's Mercurial Hermetic Artistry from Snape to Strike (M. Evan Willis; prepublication)* The Swan Symbolism* More Strike Swans: Historical and Film Connections (Elizabeth Baird-Hardy)* Harry Potter and The Hanged Man: Part 1 Rowling's Most Loaded Tarot Reference* Harry Potter and The Hanged Man: Part 2 The Historical and Occult Interpretations* Harry Potter and The Hanged Man: Part 3 Its Meaning in Rowling's Written WorkOn ‘White Horses'* The White Horse Gallows: Karmic Legacy of Empire in the UK?* Charlotte Campbell: The Broodmare of Lethal White (Louise Freeman)* Every ‘Rosmersholm' White Horse Reference (Odd Sverre Hove)* Taylor Swift's ‘White Horses' (Louise Freeman)* Lethal White: The White Horse Evidence (pre-publication list of pointers)* Lethal White Horses (Pre-publication; Beatrice Groves, MuggleNet)Series Mystery Possibilities* Lethal White: Is Strike Rokeby's Son? The Dates Don't Seem To Match Up* Bookending the Past: Cormoran Strike's Real Father? (Joanne Gray)* Lethal White: The Daddy Chiswell Evidence (Joanne Gray)Literary Allusions and Influences* Henrik Ibsen's ‘Rosmersholm'* Every ‘Rosmersholm' White Horse Reference (Odd Sverre Hove)* London Production of Rosmersholm: Starring Tom Burke (Cormoran Strike)* London Production of Rosmersholm (2): Starring Tom Burke (Cormoran Strike)* Agatha Christie's The Moving Finger* Allingham: The Fashion in Shrouds* Rowling's Favorite Poem Found in Oz : Whitman's “Of the Terrible Doubt of Appearances”* Dorothy Sayers' Murder Must Advertise, Ian Rankin, P. D. James (ChrisC, pre-publication)* Cormoran and Robin: Echoes of Homer's Odysseus and Penelope? (Joanne Gray)* Cormoran and Robin: Echoes of Homer's Odysseus and Penelope (2) Joanne Gray* Ben Jonson's ‘Every Man In His Humor' A Meaningful Model for Strike Stories? (prepublication)* Ian Rankin and Cormoran Strike (prepublication)* The Three Fates Meet The Weird Sisters: Cormoran Strike, Harry Potter, and the Question of Fate, Free Will, and Choice (prepublication)The National Health Service Sub Plot* Lethal White: Ghosts of Aneurin Bevan? Lorelei Bevan, Dodgy Doc, and the NHS* Lethal White and the NHS: Rowling SpeaksMiscellaneous:* Marketing Efforts and Sales* Most Common Pub Names* The Personal Assistant Drama* Possibility Two: Court Ordered Silence* The Robert Glenister Audiobook* Lethal White Wins CrimeFest Award* On ‘Doom Bar Ale'* BBC1 Adaptation a ‘Go'* A Review of the Legacy and Online Media Book ReviewsRowling Interviews, Twitter* Pre-Publication: The Lethal White Music Playlist (Louise Freeman)* The Graham Norton Interview* On ‘Galbraith Meets Graham Norton' (Beatrice Groves)* Rowling as Labour's Tweeting Prophet* New Political Maturity from Rowling?Prepublication Predictions and Speculation* A Lethal White ‘White Horse' Round-Up: An Explanation of ‘Heroin Dark Lord 1.0'In a nutshell, the theory is that Jonny Rokeby was responsible for Leda Strike's death, a ‘hit' that he arranged to insure that she would never reveal what she knew about crimes he committed as a Deadbeat, crimes to include murder, in conjunction with heroin and the drug trade. The ‘White Horse' that Rowling has been teasing readers with this past year may involve an actual stallion but the larger meaning of the clues is heroin, for which ‘white horse' is a street euphemism.* Lethal White and Strike Speculation 101: The Trouble with JKR/Galbraith Dates (Heroin Dark Lord 2.0: The IED Explosion)* Super Lethal White Speculation Podcast! Reading, Writing Rowling, Episode 14: Cormoran Strike – and Harry Potter?The thirteen HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The Silkworm* A Lake and Shed Reading of Career of Evil* A Lake and Shed Reading of Harry Potter and the Cursed Child* A Lake and Shed Reading of Fantastic Beasts and Where to Find Them (Screenplay) Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about J. K. Rowling's first “original screenplay,” Fantastic Beasts and Where to Find Them. Nick does his signature deep dive into the history of the Fantastic Beasts film franchise's origins in Warner Brothers' determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling's equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control. He lays out the (1) twelve scenes that were cut from that shooting script by Steven Kloves, David Heyman, and David Yates as they “fit the woman to the dress” of Hollywood blockbuster formula, and (2) how it made a mess of the movie's chiastic integrity. Hat tip to Kelly Loomis!New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? It's back to a book we know was written by Joanne Murray, aka Robert Galbraith, Lethal White, the fourth Cormoran Strike novel. Nick promises to lay out the tensions between classes and castes in this book and how the story told reflects those tensions in Rowling's own life. John is set to discuss how Ibsen's Rosmersholm, the source of this book's epigraphs, is also a story template for this turning point of the first seven books. Stay tuned! Links to posts mentioned in today's Lake and Shed conversation for further reading:Unlocking Fantastic Beasts: Finding the Text* Preface: ‘The Original Screenplay' – Not the Shooting Script or Even a Faithful Movie Transcript (What the Movie Makers Changed or Left Out)* Preface 2: Comparing the Original Screenplay with the Actual Film: What the Film Makers Left Out, Changed, or Deleted (with Kelly Loomis)* Part 1: J. K. Rowling, Screenwriter — Who is Working for Whom?* Part 2: The Film Makers and Decision Makers?* Part 3: The Six Scenes You Missed in Fantastic Beasts and the Seventh: GrindelGraves' Vision* Part 4: Fantastic Beasts Revelations from the Far Side Sources (Can You Say ‘Lego Movie'?) * Part 5: So What? The Found Text and Its Meaning* 5.1 The Story of the Text We're Looking For* 5.2 Theseus the Hero and Newt Scamander* 5.3 Jacob Kowalski: Is He Bigger than Newt?* 5.4 The Grindelwald-Credence Relationship* 5.5 Lumos and the Barebone OrphanageInterpretation and Speculation: Ring Structure, Christian Content, Elder Wand, Etc.* On the Story Structure of Fantastic Beasts: Is It a Ring?* On the Deep Back Story Revealed in Fantastic Beasts* On the Christian Content in Fantastic Beasts — and the New Controversy* Rune Magic in ‘Fantastic Beasts'? I wish* Why the Film Franchise Cannot Win a Major League ‘Oscar'* Nicolas Flamel to Appear in the Sequel? Don't You Believe It!* Who is the Death Stick's Master? The Elder Wand and Fantastic BeastsPodcasts:* Fantastic Beasts Ring Composition: A ‘Reading, Writing, Rowling' Podcast (with Katy McDaniel and Brett Kendall)* On Rowling's Missteps and Misappropriatrions in ‘History of Magic in North America‘ (with Dr. Amy H. Sturgis and Allison Mills, MuggleNet Academia podcast)* The HogwartsProfessors Talk ‘Fantastic Beasts' (with Louise Freeman, Emily Strand, and Elizabeth Baird-Hardy; MuggleNet Academia podcast)* Eugenics in American History and Fantastic Beasts (with Professor Chris Gavaler of Washington and Lee University; MuggleNet Academia podcast)Elizabeth Baird-Hardy's Fantastic Beasts Posts* Throwback Thursday with Narnia, Newt Scamander, and Fantastic Beasts: Part I* Throwback Thursday with Narnia, Newt Scamander, and Fantastic Beasts: Part II* Pack Your Bags! Newt Scamander's Fantastic Beast-y Suitcase, Hermione's Handbag, and their Literary Relatives* Five Spoiler-Free Reasons Potterphiles will Love Fantastic Beasts* Thanksgiving Thoughts on Terrific Treats from Fantastic Beasts!* Fantastic Beast Flashbacks: The Five Things We Want to Know about What Happened BEFORE Newt's NY Adventure* Fairies and Wizards? A Midsummer Night's Dream and What We Might Expect from Crimes of GrindelwaldGuest Posts:* Wayne Stauffer: Names in Fantastic Beasts* Beatrice Groves: On ‘Nagini Maledictus' – Literary Allusion in Fantastic BeastsThe twelve HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The Silkworm* A Lake and Shed Reading of Career of Evil* A Lake and Shed Reading of Harry Potter and the Cursed Child Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about the Jack Thorne play, Harry Potter and the Cursed Child. Nick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.Tomorrow? Another work with Rowling's name on the cover that is the not the work she wrote! Nick and John take a Lake and Shed long look at the screenplay for the Fantastic Beasts and Where to Find Them film. On the Lake side of things, Nick explores the genesis of this movie franchise (and finds The Blind Pig speakeasy in Rowling's home!). John lays out the twelve scenes cut from Rowling's shooting script to make the case that what was published as ‘The Original Screenplay' was a Reader's Digest condensed version of her story, one that “fit the woman to the dress.”Links to posts mentioned in today's Lake and Shed conversation for further reading:* Pepperdine's Premiere Potter Pundit James Thomas Reviews Jack Thorne's ‘Harry Potter and the Cursed Child'* Re-Hashing, Re-working, and Resurrection: The Cursed Child and Why Authors Cannot Settle for Re-Visiting their Texts.* Rowling's Pregnancy Traps: Bellatrix Lestrange and the Cursed Child Delphini* New ‘Cursed Child' Condensed Version: Will the New Play's Script Be Published?* Cursed Child and HogwartsProfessor Fan Fiction post Deathly Hallows* Cursed Child: Rowling Video Testimony* MuggleNet Academia: Four Hogwarts Professors Discuss ‘Cursed Child'* Reading, Writing, Rowling Episode 12: Serious Readers Talk About Cursed Child Performances in NYC, London* Guest Post: PotterPundit at Cursed Child* Voldemort, Delphini, and Oedipus: Complex Folks and Cursed Children* Meta-Potter: Is ‘Cursed Child' Harry Potter Canon or Something Else?The eleven HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The Silkworm* A Lake and Shed Reading of Career of Evil Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about J. K. Rowling's third Cormoran Strike novel, Career of Evil. Nick and John debate whether Rowling crossed the line of “violence porn” that she worried she had approached and they discuss why, in one of the few surveys of Serious Strikers, Career seems unique among these mysteries in being considered the best or the very worst of the set. The ‘Lake' point that Nick explores is Rowling's personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The ten HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's Calling* A Lake and Shed Reading of The SilkwormTomorrow? It's Harry Potter and the Cursed Child, the play written by Jack Thorne “based on an original new story by Rowling, John Tiffany, and Thorne. Neither John nor Nick has seen the play but both have some thoughts about its place in the oeuvre and about its virtues and failings.Links to posts mentioned in today's Lake and Shed conversation for further reading:Ian Rankin's Rebus novel Black and Blue and Galbraith's Career of EvilThe Transabled Characters in Career of EvilRowling Discusses the Planning of Career of EvilDay of Publication Review at HogwartsProfessorThe Willy Wonka Golden Ticket Purchase of Career of EvilThe Ranking of the First Six Strike Novels:* John Granger's Choices of the Best and Worst* Nick Jeffery's Choices of Best to Worst* The Final Survey Tally Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about J. K. Rowling's second Cormoran Strike novel, The Silkworm. Nick and John discuss the date Rowling claims to have had her Lake inspiration for Silkworm, the first book idea she had for the series, and what that would mean, if true. The ‘Lake' point that Nick reveals is the probable identity of ‘Jenkins,' the mystery person to whom Strike 2 is dedicated, a revelation consequent to no little detective work (and a very close reading of Louisa May Alcott!). He also discusses some real-life literary infighting in contemporary London that might have been lifted from the pages of Silkworm. John argues that this ur-novel of the series, its point of conception, is Rowling's not especially opaque guide to how to understand a novelist's life and to appreciate their work, in short, her first ‘Lake and Shed' discussion (albeit one embedded in story). He explores Kathryn Kent's blog entry about Plot and Narrative as Rowling's pointer to the syuzhet and Fabula distinction of the Russian Formalists, the key to understanding what writers do and create.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The nine HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of Casual Vacancy* A Lake and Shed Reading of Cuckoo's CallingTomorrow? It's Career of Evil, the Comoran Strike novel unlike all others and one which Serious Strikers either love or love to hate. Links to posts mentioned in today's Lake and Shed conversation for further reading:Does Rowling Merit the Nobel Prize in Literature?* Syuzhet and Fabula* Poeima, Genre, and Influence* LiterarinessKathryn Kent's Plot-Narrative DistinctionFirst Thoughts on The SilkwormBeatrice Groves on Early Modern Revenge Drama and The Silkworm* John's Thoughts on the Poisoned Skeleton in The Silkworm Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about J. K. Rowling's first Cormoran Strike novel, The Cuckoo's Calling. Nick and John debate the degree of Rowling's dishonesty about writing a detective series before she was outed as ‘Robert Galbraith' to include whether she really had any other plan than for the book to be published by the company and edited by the editor who handled Casual Vacancy. The ‘Lake' point that Nick explores is the identity of the real Deeby Mac, namely, Di Brooks, Rowling's former security director and currently her office manager, a veteran with years of experience in the SIB. John's ‘Shed' point is his pushback against the idea that Calling wasn't really the first book in the series because Rowling has said she had the idea for it after Silkworm and only chose it because the case would make her detective famous. John argues that the many echoes that connect the first, fourth, and seventh books but especially Calling and Running Grave mean that Calling is the point of origin around which the ring of the first seven novels was constructed.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The eight HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly Hallows* A Lake and Shed Reading of The Casual VacancyTomorrow? It's The Silkworm, the first Comoran Strike novel by conception, not publication, in Rowling's oeuvre (or ‘in Robert Galbraith's, if you prefer the second of Mrs. Murray's pseudonyms), in which Nick reveals the real-life feuding authors behind the Strike2 bitter battles between book-men (and Jenkins!) while John talks about the metaliterary heft of Silkworm's “novel inside a novel about novels.” See you then!Links to posts mentioned in today's Lake and Shed conversation for further reading:* Meet the Real ‘Deeby Mac:' Evidence from the Amanda Donaldson Lawsuit * Cuckoo's Calling and Running Grave: The Essential Echoes and Parallels Between the First and Seventh Strike Mysteries* Did Charlotte Campbell Commit Suicide or Was She Murdered? The Argument from the Faked Suicide-Murders in Cuckoo, Lethal White, and Running Grave* Rowling Says The Silkworm was the First Cormoran Strike Novel Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about J. K. Rowling's first adult novel and one Nick and John think she may have been writing before she was inspired to write Harry Potter and the Philosopher's Stone. It's that autobiographical, a transparency of sorts for the several unhappy women Jo Rowling Murray has been. Nick explains all the projects we now know she was working on between 2007 and 2012, the dates of Deathly Hallows and Casual Vacancy's respective publication dates, as well as the degree to which readers can assume that the novel's Simon Price is a fictional portrait of her father, Peter Rowling. John describes the three Gospel parables embedded in Casual Vacancy and why he thinks the book was a project the author was working on before the Hogwarts Saga as well as why it reflects a religious crisis akin to Harry's ‘struggle to believe' in Deathly Hallows.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of posts: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The seven HogwartsProfessor birthday videos posted thus far in this series can be read at the links below:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood Prince* A Lake and Shed Reading of Harry Potter and the Deathly HallowsTomorrow? It's Cuckoo's Calling, the first Comoran Strike publication in Rowling's oeuvre (or ‘in Robert Galbraith's, if you prefer the second of Mrs. Murray's pseudonyms), in which Nick reveals the real-life Deeby Mac to whom the book is dedicated and John talks about the parallels between the first and seventh Strike novels. See you then!Links from today's Lake and Shed conversation for further reading:* ‘Bad Dad:' A History of Rowling's Relationship with Peter Rowling, Her Father; * ‘Christmas Pig 1: Jack Jones, Peter, and John,' Rowling's Use of the Names ‘Peter' and ‘Simon' for Bad Guys in Her Stories;* ‘Exceptions to the Peter-John Rule: John Bristow, Dolores Umbridge, Matt Cunliffe;'* Casual Vacancy: The Characters Derived from Rowling's Life and Why the Book Should Not Be Read through a Biographical Lens;* The Christian Hypocrites and Sympathetic Sikhs in Casual Vacancy;* The Review of Casual Vacancy in Christianity Today (2012);* The Casual Vacancy and the ‘Good Samaritan' Gospel Parable; and* J. K. Rowling on the ‘Good Samaritan' Event in Casual Vacancy Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe
Today's Lake and Shed framed conversation is about the seventh and final Harry Potter novels Harry Potter and the Deathly Hallows. John and Nick discuss the ‘Deathly Hallows' symbol, a triangulated and vertically bisected circle, from both its biographical point of inspiration to its anagogical or sublime depths. Nick reveals Rowling's story about how she was watching the 1975 John Huston film ‘The Man Who Would Be King' the night her mother died and that believes the “Masonic tag” of the story-line was her sub-conscious source for the Deathly Hallows '“triangular eye.” John thinks Rowling is really reaching here, akin to her claim that the name ‘Hogwarts' came from a trip to a public garden rather than the Molesworth books. He reviews the five eyes of Deathly Hallows and explains how Rowling embeds both a key to the four-level interpretation of symbols in how characters respond to that image and a model of how we are to interpret and understand her ‘transformed vision' mission as a writer.New to the Lake and Shed Kanreki Birthday series? Here's what we're doing:On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth' in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR's Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling's twenty-one published works and reviewing them in light of the author's writing process, her ‘Lake and Shed' metaphor. The ‘Lake' is the biographical source of her inspiration; the ‘Shed' is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and their birthday project at the first entry in this series of post: Happy Birthday, JKR! A Lake and Shed Celebration of her Life and Work.The six HogwartsProfessor birthday videos posted thus far in this series can be read here:* A Lake and Shed Reading of Harry Potter and the Philosopher's Stone* A Lake and Shed Reading of Harry Potter and the Chamber of Secrets* A Lake and Shed Reading of Harry Potter and the Prisoner of Azkaban* A Lake and Shed Reading of Harry Potter and the Goblet of Fire* A Lake and Shed Reading of Harry Potter and the Order of the Phoenix* A Lake and Shed Reading of Harry Potter and the Half-Blood PrinceTomorrow? It's Casual Vacancy, the first post-Potter publication in Rowling's oeuvre, the most transparently auto-biographical, and the book Rowling Readers with few exceptions (I'm one!) deny ever re-reading. See you then! Links from today's Lake and Shed conversation:* “The Crimes of Grindelwald,” Kipling, and the Origins of the Deathly Hallows Symbol (Beatrice Groves)* Beatrice Groves Archive at HogwartsProfessor.com* The Deathly Hallows Lectures (John Granger)* ‘The Eyes of Deathly Hallows' Lecture in NYC, 2010Hogwarts Professor is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe