Podcasts about Hesperus

The Early Childhood Council of La Plata County seeks to raise $10 million to invest in early childhood development and care. Research for the council's Strategic Investment Plan demonstrated a significant lack in available care in La Plata County and its effect on the local economy. Watch to learn more! By Rachel Hughes. Watch this story at www.durangolocal.news/newsstories/childcares-effect-on-the-local-economy-and-workforce  This story is sponsored by Durango Gelato, Coffee & Tea and Freddy's Frozen Custard & Steakburgers. Support the show

Houndsman from all over the United States gathered at the Tuxon Ranch in Hesperus, CO for the 5th Annual Horses Hounds and Mules Sale.The Houndsman XP crew was on hand to record content through exclusive interviews, photos and video.Seth joins Chris on this episode of the Houndsman XP Podcast to break it all down. > Get your Houndsman XP info, Gear & More here!www.houndsmanxp.com >Support Our Mission to Preserve-Protect-Promote Hunting with Houndswww.houndsmanxp.com/patreon > Keep up with all the latest News and Adventures of the Houndsman XP Team on our Social Media- instagram.com/houndsman_xp_podcast- facebook.com/houndsmanxppodcast- facebook.com/groups/houndsmaxppodcast- youtube.com/@houndsmanxp>Shop our Store for Houndsman XP Gear and Elite Nutrition Productshoundsmanxp.com/store Tags:treeing walkers, bear hunting dogs, dog training, loyal dogs, favorite hound, competition coonhounds, favorite dog, best hounds, beagles, black and tan coonhounds, dog memories, storytelling, hunting dogs, hunting with dogs, dog lovers, beloved hounds, dog stories, scent hounds, redbone hounds, hunting dog stories, big game hounds, legendary dogs, houndadventures, hound hunting, hound breeds, outdoor dogs, working hound breeds, top hunting dogs, famous hounds, dog enthusiasts, foxhounds, coonhounds, hunting dog community, blood tracking dogs, tracking dogs, bobcat hounds, hound podcast, dog podcast, canine companions, rabbit hunting dogs, mountain lion hounds, field trial dogs, dog handlers, bluetick hounds, hunting dog tales, dog companionship, working dogs, sighthounds SPONSORS:onXElite Nutrition ProductsCajun LightsdogsRtreedFreedom HuntersRough Cut Company ►Get Your Houndsman XP Info, Gear & More Here!www.HoundsmanXP.com►Become a Patron of Houndsman XP! Check out our Tailgate Talks.|

La Plata County invites you to the annual “Driving” Tour and Colorado Governor Jarid Polis launched a public dashboard that displays federal funding reductions across Colorado counties. By Sadie Smith.Watch this story at www.durangolocal.news/newsstories/return-of-the-annual-driving-tourThis story is sponsored by M&R Plumbing and Serious Texas Bar-B-Q.Support the show

Haven't we all dreamed of riding the rough country on a quality horse gathering cows or following a pack of dogs trailing what seems to be an impossible track of a stock killer? We have the trusty six gun at our waist and lever gun stowed in a trail beaten scabbard. The smells of a mixture of horse sweat and harness oil is a standard and welcome odor to the olfactory. Crows feet border the squinted and focused eyes. Ears straining to hear the cold trailing of a hound anticipating the roar of the hounds indicating a jump race.Mike Leonard joins Chris Powell on the Houndsman XP Podcast. Mike tells stories, relives history and shares his decades of experience on the trails hounds have led him down.Mike Leonard and his wife Bobbie Nell will be providing Old West Entertainment at the Hourses Hounds and Mules Sale at the Tuxon Ranch in Hesperus, CO on July 18-19. Tickets on sale now HERE  ►Get Your Houndsman XP Info, Gear & More Here!www.HoundsmanXP.com►Become a Patron of Houndsman XP! Check out our Tailgate Talks.|

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Our guest this week is Ali Noël. Ali lives with her three young children in the rainy shadow of Mount Rainier. When she isn't spear-heading her first year of homeschooling or chasing her stubborn bulldog around the yard, you can find Ali whittling poetry and chipping away at her biblical fiction novel. Ali had a B.S. in Biblical Studies from Indiana Wesleyan University and is currently a poetry intern for Twenty Hills Publishing. Some of Ali's most recent poetry publications and other places to find her:Light of the World published by Vessels of Light The Day Bringer published by Vessels of LightToo Often I Forget published by Calla Press Publishing, Spring Literary Journal Tenderly, He, published by Calla Press Publishing, Spring Literary Journal Watch As It Wakes published by Storyboard Community Spring Journal Book 1 in The Ratcatcher ChroniclesThe Kingdom of GallimaufriaChapter One: The Boy from RavoFrom the Desk of Periwinkle Twist- SubstackInstagram: The.Poetess.Life PeriwinkleTwist_WritesBooks referenced and discussed in this episode:Redeeming Love (please read reviews when deciding if this is a good read for You)Sense and Sensibility by Jane AustenLittle House on the Prairie series (specifically Farmer Boy) The Joy Luck ClubHarry PotterTo Kill a Mockingbird Emma Wingfeather Saga Shel Silverstein's poemsThe Brontë Sisters booksNorthanger Abbey by Jane AustenMary Oliver (her complete works) Favorite Poems, Old and New “The Wreck of the Hesperus” by Henry Wadsworth LongfellowAnne of Green Gables The Pied Piper of HamelinThe Princess and the Goblin Give and Take Hidden Truths The Awakening of Miss Prim The Lord of the Rings Resource:House of Humane Letters: How to Read Fairy Tales class with Angelina Stanford.A Year with Mary Oliver free guide from Amy Parilee Rickards of @livingwellread.

This podcast hit paid subscribers' inboxes on Nov. 29. It dropped for free subscribers on Dec. 6. To receive future episodes as soon as they're live, and to support independent ski journalism, please consider an upgrade to a paid subscription. You can also subscribe to the free tier below:WhoSusan Donnelly, General Manager of Mount Sunapee (and former General Manager of Crotched Mountain)Recorded onNovember 4, 2024About CrotchedClick here for a mountain stats overviewOwned by: Vail Resorts, which also owns:Located in: Francetown, New HampshireYear founded: 1963 (as Crotched East); 1969 (as Onset, then Onset Bobcat, then Crotched West, now present-day Crotched); entire complex closed in 1990; West re-opened by Peak Resorts in 2003 as Crotched MountainPass affiliations:* Epic Pass, Epic Local Pass, Northeast Value Epic Pass: unlimited access* Northeast Midweek Epic Pass: midweek access, including holidaysClosest neighboring public ski areas: Pats Peak (:34), Granite Gorge (:39), Arrowhead (:41), McIntyre (:50), Mount Sunapee (:51)Base elevation: 1,050 feetSummit elevation: 2,066 feetVertical drop: 1,016Skiable Acres: 100Average annual snowfall: 65 inchesTrail count: 25 (28% beginner, 40% intermediate, 32% advanced)Lift count: 5 (1 high-speed quad, 1 fixed-grip quad, 1 triple, 1 double, 1 surface lift – view Lift Blog's inventory of Crotched's lift fleet)History: Read New England Ski History's overview of Crotched MountainAbout Mount SunapeeClick here for a mountain stats overviewOwned by: The State of New Hampshire; operated by Vail Resorts, which also operates resorts detailed in the chart above.Located in: Newbury, New HampshireYear founded: 1948Pass affiliations:* Epic Pass, Epic Local Pass, Northeast Value Epic Pass: unlimited access* Northeast Midweek Epic Pass: midweek access, including holidaysClosest neighboring public ski areas: Pats Peak (:28), Whaleback (:29), Arrowhead (:29), Ragged (:38), Veterans Memorial (:42), Ascutney (:45), Crotched (:48), Quechee (:50), Granite Gorge (:51), McIntyre (:53)Base elevation: 1,233 feetSummit elevation: 2,743 feetVertical drop: 1,510 feetSkiable Acres: 233 acresAverage annual snowfall: 130 inchesTrail count: 67 (29% beginner, 47% intermediate, 24% advanced)Lift count: 8 (2 high-speed quads, 1 fixed-grip quad, 2 triples, 3 conveyors – view Lift Blog's inventory of Mount Sunapee's lift fleet.)History: Read New England Ski History's overview of Mount SunapeeWhy I interviewed herIt's hard to be small in New England and it's hard to be south in New England. There are 35 New England ski areas with vertical drops greater than 1,100 feet, and Crotched is not one of them. There are 44 New England ski areas that average more than 100 inches of snow per winter, and Crotched is not one of those either. Crotched does have a thousand vertical feet and a high-speed lift and a new baselodge and a snowmaking control room worthy of a nuclear submarine. Which is a pretty good starter kit for a successful ski area. But it's not enough in New England.To succeed as a ski area in New England, you need a Thing. The most common Things are to be really really nice or really really gritty. Stratton or Mad River. Okemo or Magic. Sunday River or Black Mountain of Maine. The pitch is either “you'll think you're at Deer Valley” or “you'll descend the hill on ice skates and you'll like it.” But Crotched's built-along-a-state-highway normalness precludes arrogance, and its mellow terrain lacks the attitude for even modest braggadocio. It's not a small ski area, but it's not big enough to be a mid-sized one, either. The terrain is fine, but it's not the kind of place you need to ski on purpose, or more than once. It's a fine local, but not much else, making Crotched precisely the kind of mountain that you would have expected to be smothered by the numerous larger and better ski areas around it before it could live to see the internet. And that's exactly what happened. Crotched, lacking a clear Thing, went bust in 1990.The ski area, undersized and average, should have melted back into the forest by now. But in 2002, then-budding Peak Resorts crept out of its weird Lower Midwest manmade snowhole on a reverse Lewis & Clark Expedition to explore the strange and murky East. And as they hacked away the brambles around Crotched's boarded-up baselodge, they saw not a big pile of mediocrity, but a portal into the gold-plated New England market. And they said “this could work if we can just find a Thing.” And that Thing was night-skiing with attitude, built on top of $10 million in renovations that included a built-from-scratch snowmaking system.The air above the American mountains is filled with such wild notions. “We're going to save Mt. Goatpath. It's going to be bigger than Vail and deeper than Alta and higher than Telluride.” And everyone around them is saying, “You know this is, like, f*****g Connecticut, right?” But if practical concerns killed all bad ideas, then no one would keep reptiles as pets. Everyone else is happy with cats or dogs, sentient mammals of kindred disposition with humans, but this idiot needs a 12-foot-long boa constrictor that he keeps in a 6x3 fishtank. It helps him get chicks or something. It's his thing. And damned if it doesn't work.What we talked aboutTransitioning from smaller, Vail-owned Crotched to larger, state-owned but Vail-operated Sunapee; “weather-proofing” Sunapee; Crotched and Sunapee – so close but so different; reflecting on the Okemo days under Triple Peaks ownership; longtime Okemo head Bruce Schmidt; reacting to Vail's 2018 purchase of Triple Peaks; living through change; the upside of acquisitions; integrating Peak Resorts; skiing's boys' club; Vail Resorts' culture of women's advancement; why Covid uniquely challenged Crotched among Vail's New England properties; reviving Midnight Madness; Crotched's historic downsizing; whether the lost half of Crotched could ever be re-developed; why Crotched 2.0 is more durable than the version that shut down in 1990; Crotched's baller snowmaking system; southern New Hampshire's wild weather; thoughts on future Crotched infrastructure; and considering a beginner trail from Crotched's summit.Why now was a good time for this interviewAs we swing toward the middle of the 2020s, it's pretty lame to continue complaining about operational malfunctions in the so-called Covid season of 2020-21, but I'm going to do it anyway.Some ski areas did a good job operating that season. For example, Pats Peak. Pats Peak was open seven days per week that winter. Pats Peak offered night skiing on all the days it usually offers night skiing. Pats Peak made the Ross Ice Shelf jealous with its snowmaking firepower. Pats Peak acted like a snosportskiing operation that had operated a snosportskiing operation in previous winters. Pats Peak did a good job.Other ski areas did a bad job operating that season. For example, Crotched. Crotched was open whenever it decided to be open, which was not very often. Crotched, one of the great night-skiing centers in New England, offered almost no night skiing. Crotched's snowmaking looked like what happens when you accidentally keep the garden hose running during an overnight freeze. Crotched did a bad job.This is a useful comparison, because these two ski areas sit just 21 miles and 30 minutes apart. They are dealing with the same crappy weather and the same low-altitude draw. They are both obscured by the shadows of far larger ski areas scraping the skies just to the north. They are both small and unserious places, where the skiing is somewhat beside the point. Kids go there to pole-click one another's skis off of moving chairlifts. College kids go there to alternate two laps with two rounds at the bar. Adults go there to shoo the kids onto the chairlifts and burn down happy hour. No one shows up in either parking lot expecting Jackson Hole.But Crotched Mountain is owned by Vail Resorts. Pats Peak is owned by the same family of good-old boys who built the original baselodge from logs sawed straight off the mountain in 1962. Vail Resorts has the resources to send a container full of sawdust to the moon just to see what happens when it's opened. Most of Pats Peaks' chairlifts came used from other ski areas. These two are not drawing from the same oil tap.And yet, one of them delivered a good product during Covid, and the other did not. And the ones who did are not the ones that their respective pools of resources would suggest. And so the people who skied Pats Peak that year were like “Yeah that was pretty good considering everything else kind of sucks right now.” And the people who skied Crotched that season were like “Well that sucked even worse than everything else does right now, and that's saying something.”And that's the mess that Donnelly inherited when she took the GM job at Crotched in 2021. And it took a while, but she fixed it. And that's harder than it should be when your parent company can deploy sawdust rockets on a whim.What I got wrong* I said that Colorado has 35 active ski areas. The correct number is 34, or 33 if we exclude Hesperus, which did not operate last winter, and is not scheduled to reactivate anytime soon.* I said that Bruce Schmidt was the “president and general manager” of Okemo. His title is “Vice President and General Manager.” Sorry about that, Bruce.* I said that Okemo's season pass was “closing in on $2,000” when Vail came along. According to New England Ski History, Okemo's top season pass price hit $1,375 for the 2017-18 ski season, the last before Vail purchased the resort. This appears to be a big cut from the 2016-17 season, when the top price was $1,619. My best guess is that Okemo dropped their pass prices after Vail purchased Stowe, lowering that mountain's pass price from $2,313 for the 2016-17 ski season to just $899 (an Epic Pass) the next.* I said that 80 percent-plus of my podcasts featured interviews with men. I examined the inventory, and found that of the 210 podcasts I've published (192 Storm Skiing Podcasts, 12 Covid pods, 6 Live pods), only 33, or 15.7 percent, included a female guest. Only 23 of those (11 percent), featured a woman as the only guest. And three of those podcasts were with one person: former NSAA CEO Kelly Pawlak. So either my representation sucks, or the ski industry's representation sucks, but probably it's both.Why you should ski CrotchedUpper New England doesn't have a lot of night skiing, and the night skiing it does have is mostly underwhelming. Most of the large resorts – Killington, Sugarbush, Smuggs, Stowe, Sugarloaf, Waterville, Cannon, Stratton, Mount Snow, Okemo, Attitash, Wildcat, etc. – have no night skiing at all. A few of the big names – Bretton Woods, Sunday River, Cranmore – provide a nominal after-dark offering, a lift and a handful of trails. The bulk of the night skiing in New Hampshire, Vermont, and Maine involves surface lifts at community-run bumps with the vertical drop of a Slip N' Slide.But a few exceptions tower into the frosty darkness: Pleasant Mountain, Maine; Pats Peak, New Hampshire; and Bolton Valley, Vermont all deliver big vertical drops, multiple chairlifts, and a spiderweb of trails for night skiers. Boyne-owned Pleasant, with 1,300 vertical feet served by a high-speed quad, is the most extensive of these, but the second-most expansive night-skiing operation in New England lives at Crotched.Parked less than an hour from New Hampshire's four largest cities – Manchester, Nashua, Concord, and Derry – Crotched is the rare northern New England ski area that can sustain an after-hours business (New Hampshire, Maine, and Vermont are ranked numbers 41, 42, and 49 among U.S. states by population, respectively, with a three-state total of just 3.5 million residents). With four chairlifts spinning, every trail lit, Park Brahs on patrol, first-timers lined up at the rental shop, Bomber Bro straightlining Pluto's Plunge in his unzipped Celtics jacket, the parking lots jammed, and the scritch-scratch of edges on ice shuddering across the night, it's an amazing scene, a lantern of New England Yeah Dawg zest floating in the winter night.No, Crotched night skiing isn't what it used to be, when Peak Resorts kept the joint bumping until 3 a.m. And the real jammer, Midnight Madness, hits just a half dozen days per winter. But it's still a uniquely New England scene, a skiing spectacle that can double as a night-cap after a day shredding Cannon or Waterville or Mount Snow.Podcast NotesOn my recent Sunapee podI tend to schedule these interviews several months in advance, and sometimes things change. One of the things that changed between when I scheduled this conversation and when we recorded it was Donnelly's job. She moved from Crotched, which I had never spotlighted on the podcast, to Sunapee, which I just featured a few months ago. Which means, Sunapee Nation, that we don't really talk much about Mount Sunapee on this podcast that has Mount Sunapee in the headline. But pretty much everything I talked about in June with former Sunapee GM Peter Disch (who's now VP of Mountain Ops at Vail's Heavenly), is still relevant:On historic CrotchedCrotched was once a much larger resort forged from two onetime independent side-by-side ski areas. The whole history of it is a bit labyrinthian and involves bad decisions, low snow years, and unpaid taxes (read the full tale at New England Ski History), but the upshot was this interconnected animal, shown here at its 1988-ish peak:The whole Crotched complex dropped dead around 1990, and would have likely stayed that way forever had Missouri-based Peak Resorts not gotten the insane idea to dig a lost New England ski area up from the graveyard. Somewhat improbably, they succeeded, and the contemporary Crotched (minus the summit quad, which came later), opened in 2003. The current ski area sits on what was formerly known as “Crotched West,” and before that “Bobcat,” and before that (or perhaps at the same time), “Onset.” Trails on the original Crotched Mountain, at Crotched East (left on the trailmap above), are still faintly visible from above (on the right below, between the “Crotched Mountain” and “St. John Enterprise” dots):On Triple Peaks and OkemoTriple Peaks was the umbrella company that owned Okemo, Vermont; Mount Sunapee, New Hampshire; and Crested Butte, Colorado. The owners, the Mueller family, sold the whole outfit to Vail Resorts in 2018. Longtime Okemo GM Bruce Schmidt laid out the whole history on the podcast earlier this year:On Crotched's lift fleetPeak got creative building Crotched's lift fleet. The West double, a Hall installed by Jesus himself in 400 B.C., had sat in the woods through Crotched's entire 13-year closure and was somehow reactivated for the revival. The Rover triple and the Valley and Summit quads came from a short-lived 1,000-vertical-foot Virginia ski area called Cherokee.What really nailed Crotched back to the floor, however, was the 2012 acquisition of a used high-speed quad from bankrupt Ascutney, Vermont.Peak flagrantly dubbed this lift the “Crotched Rocket,” a name that Vail seems to have backed away from (the lift is simply “Rocket” on current trailmaps).Fortunately, Ascutney lived on as a surface-lifts-only community bump even after its beheading. You can still skin and ski the top trails if you're one of those people who likes to make skiing harder than it needs to be:On Peak ResortsPeak Resorts started in, of all places, Missouri. The company slowly acquired small-but-busy suburban ski areas, and was on its way to Baller status when Vail purchased the whole operation in 2019. Here's a loose acquisition timeline:The Storm explores the world of lift-served skiing year-round. Join us.The Storm publishes year-round, and guarantees 100 articles per year. This is article 81/100 in 2024, and number 581 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

Transmissions from the Underground Show Episode 175"Transmissions from the Underground Show" Live from Melbourne Australia with Topher Denman, Christine Ries and Michael James. Thursdays at 4:00 AM USA EST - 8:00 PM AEDT Best artist around the world playing #heavyblues #stonerrock & #psychedelicrock #TransmissionsfromtheUnderground AND it's ONLY on Cowboy's Juke Joint Radio #cowboysjukejointInner Altar - Limb from Limb - The Company - Ferociously Stöned (2021) Fight The Sun – Carnival – Carnival (single) (2022) Yawning Man - The Black Kite - The Revolt Against Tired Noises (2018)  Druids - We are Motörhead - The Company - Ferociously Stöned (2021) Sons of Arrakis – Blood for Blood - Volume II (2024) Sönus - Nuclear God - Usurper of the Universe (2022)  Hossferatu - Iron Fist - The Company - Ferociously Stöned (2021) BORT - Permanent Failure - The Wreck of the Hesperus (2022) Desert Suns - Fata Morgana - single (2023)  Nebula - It's All Over - Holy Shit (2019) Witchskull - The Serving Ritual – The Serpent Tide (2023) Railhazer - Ace of Spades - The Company - Ferociously Stöned (2021)

Welcome back listeners!Join us this week for more adventures as Raging Rudy shows off his guns and has some serious fun in the Fighting Pit in The Final Froth Inn in the Underworld. He squares off against the formidable Hesperus the Ogre. All that and more in the only fantasy podcast that truly earns that explicit rating. Also, keep an ear out for a special guest star this week. So without further ado, grab yourself a drink, pull your chair closer to the fire and join Chris, Wraggy, Matt and AJ for this week's episode of The Adventurers Anonymous Podcast!! Please enjoy...Anonymous Podcast!! Please enjoy...Tatty Bojangles - Gnome Ranger/Rogue (Chris Neal)Belciar Myialtheshtealliac - Dragonborn Sorcerer (Matt Durrant)Raging Rudy - Human Fighter (Chris Wragg)Dungeon Master & Host (AJ Jackson) Theme tune by Air Drawn DaggerCAMPAIGN SPONSOR - Fan Roll Dice - 10% off when you use the code: ADVENTURER10JOIN OUR PATREON - https://www.patreon.com/adventurersanonNEW STOCK AVAILABLE IN OUR MERCH STORE - https://www.redbubble.com/people/advent-anon/shopCHECK OUT OUR WEBSITE - https://www.adventurers-anonymous.com/FOLLOW US ON TWITTER - https://twitter.com/Adventurersano1FOLLOW US ON FACEBOOK - https://www.facebook.com/adventurersanonAdventurers Anonymous is an improvised show and as such may cover various uncomfortable situations for some listeners. If at any time you feel the need please refer to https://www.psycom.net/ which offers amazing resources for your mental health and wellbeing. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Il programma completo con il botteghino è disponibile sul sito www.maggioallinfanzia.itXXVII EDIZIONE DEL FESTIVAL MAGGIO ALL'INFANZIAProseguono gli appuntamenti negli chapiteau a Bari e MolfettaDomenica a Monopoli la parata di strada ‘Fiesta' e un esito laboratoriale19 maggio 2024Le strade di Monopoli si animano per un'allegra parata, mentre le arti circensi sono protagoniste a Bari e Molfetta: domenica 19 maggio proseguono gli appuntamenti della XXVII edizione del Maggio all'infanzia, festival di teatro per le nuove generazioni con la direzione artistica di Teresa Ludovico. Gli spettacoli negli chapiteau madera e panikoGli eventi circensi partono nel capoluogo con il Circo Madera, che nello chapiteau installato nel piazzale interno del Teatro Kismet: doppia replica alle 18 e alle 21 per Hesperus. Isaac Valle, Nicola Bertazzoni, Silvia Laniado, Roberto Sblattero, Donatella Zaccagnino e Luca Costanzo, diretti da Silvia Laniado, in uno spettacolo che è esplosione di vitalità, unendo musica dal vivo, acrobatica, comicità e non-sense per il divertimento di grandi e piccini.A Molfetta, invece, lo chapiteau del Circo Paniko si staglia tra gli alberi del Parco urbano Baden Powell: dopo il grande successo dell'inaugurazione, la programmazione prosegue domenica. Alle 11.30 in scena Bagatella, un viaggio senza destinazione, per il piacere di perdersi e vagare con leggerezza. Talbò, attraverso acrobazie e giochi clown invita i più piccoli e i grandi ad incontrarsi e a rivivere suggestione di un tempo forse remoto, ricordandoci che non si smette di giocare perché si invecchia, ma si invecchia perché si smette di giocare. Doppia replica per Apocalippo (ore 18 e ore 21): senza morale e con disarmante ironia, lo spettacolo accoglie la preoccupazione di questo tempo, giocando a confondere punti di vista, per disorientare e perdersi, unica condizione per potersi ritrovare. Biglietto Circo Madera 7 euro, biglietto Circo Paniko 3 euro con offerta libera a fine spettacolo, disponibili al botteghino a partire da un'ora prima dello spettacolo e sul circuito Vivaticket.comGli appuntamenti a MonopoliA Monopoli in programma due eventi gratuiti. C'è grande attesa per Fiesta, la parata di strada organizzata da Teatro due mondi. Un colorato e allegro corteo che parte alle 19 da largo Giuseppe Garibaldi, in un percorso che termina in piazza Vittorio Emanuele II accompagnato da tamburi, costumi colorati, trampolieri e fuochi, per un evento dalla forte spettacolarità.Al Fly Arti, invece, alle 17 si tiene la lezione aperta a chiusura del laboratorio curato da Gianna Grimaldi, intitolato Lib(e)ro Teatro.

Vediamo insieme gli appuntamenti del 16 - 17 maggio 2024Il teatro, con i debutti nazionali delle nuove produzioni per ragazzi, creatività e arti circensi si uniscono nella programmazione di giovedì 16 e venerdì 17 maggio a Bari, Molfetta, Monopoli e Ruvo per il Maggio all'infanzia, festival di teatro per le nuove generazioni giunto alla sua XXVII edizione.Gli appuntamenti del 16 maggioAl Teatro Kismet di Bari al via gli spettacoli di una delle novità della XXVII edizione del festival di teatro per le nuove generazioni: il Circo Madera, che ‘prende casa' nello chapiteau installato per l'occasione nel piazzale interno dell'Opificio per le arti. Ad aprire gli appuntamenti di teatro circense per tutte le età, che proseguiranno fino al 26 maggio, è lo spettacolo Hesperus. Isaac Valle, Nicola Bertazzoni, Silvia Laniado, Roberto Sblattero, Donatella Zaccagnino e Luca Costanzo, diretti da Silvia Laniado, in un'esplosione di vitalità che unisce musica dal vivo, acrobatica, comicità e non-sense. Repliche il 16 e 17 maggio alle ore 21, il 19 maggio alle ore 18 e 21. Sempre a Bari proseguono anche gli appuntamenti teatrali con il debutto regionale di The Barnard loop, in programma al Kismet alle ore 9. Una traversata onirica di stati fisici e mentali dove ripetizioni, ubiquità e memoria ci conducono un'illusione senza fine. Consigliato a un pubblico a partire da 6 anni. Alle ore 19.30 il debutto nazionale di Ballata per la Kater I Rades, con la regia di Tonio De Nitto: le storie di due “bambini del 1997” si rincorrono e si intrecciano nelle voci di Elvis e Lindita, partiti dal Sud dell'Albania per mettersi in salvo dall'impazzimento di un Paese in preda alla guerra civile e dal rapido precipitare degli eventi.Sempre il 16 maggio a Ruvo sono in programma spettacoli e i Manifestini del maggio. Con un atteso debutto nazionale: alle 11 al Teatro comunale Jack, il ragazzino che sorvolò l'oceano, seconda parte della trilogia de La luna nel letto dedicata al piccolo protagonista del racconto inglese ‘Jack e il fagiolo magico'. Dalle 12 alle 14 nella stessa location gli studenti delle scuole primarie realizzeranno i colorati Manifestini che addobberanno gli spazi del festival, per poi passare alle 12.15 al debutto regionale de L'Europa non cade dal cielo, un racconto a due voci di Teatro delle Albe che ha come nucleo centrale l'Unione Europea a partire proprio dalla sua nascita fino ad arrivare ai giorni nostri. Alle 15 ci spostiamo nell'ex convento dei Domenicani con un manifesto sull'essere se stessi in una società che ci vuole omologare: Freevola, scritto e interpretato da Lucia Raffaella Mariani. Chiude gli appuntamenti di giornata al Teatro Comunale un altro debutto nazionale: Le tragicomiche, vita da eroi, coproduzione Crest e I nuovi scalzi, dove quattro guitti, fliaci, muovono emozioni e buffonerie, ripercorrendo i momenti salienti delle famose gesta eroiche del Pelide Achille e della sua ira funesta, testimone di una storia di guerra e di potere.Gli appuntamenti del 17 maggioIl 17 maggio si inaugura il secondo chapiteau in programma nell'ambito del festival, quello di Circo Paniko, che viene installato nel Parco urbano Baden Powell di Molfetta. Alle ore 20 facciamo la conoscenza di Agostina la pagliaccia, spettacolo gratuito che anticipa i saluti istituzionali con l'amministrazione comunale di Molfetta. Segue alle ore 21 Apocalippo, la performance di circo e musica dal vivo.È Monopoli a ospitare venerdì un ampio panorama di spettacoli, a partire dal debutto nazionale alle ore 9, al Teatro Radar, de L'arrago. Storia di una baby gang, la nuova produzione Teatri di Bari con la regia di Gianpiero Borgia, nella quale si vive, attraverso i racconti dei ragazzi di strada, una Bari cruda, contemporanea, alterata. Una città qualsiasi, che come tante altre, potrebbe facilmente fare da sfondo a episodi come quelli delle tragiche cronache più recenti. Alle 10.15 nella Parrocchia del Sacro cuore il pubblico più giovane scopre invece Il mio giardino di e con Letizia Fata, un luogo dell'anima in cui avviene il miracolo del germoglio della prima fogliolina e della creazione della vita. Altro debutto nazionale di una produzione Teatri di Bari, insieme a Compagnia del Sole, alle 11.15 al Teatro Mariella è Quando le stelle caddero nel fiume. Spettacolo che  ripercorre l'episodio avvenuto tra il 21 e il 29 maggio 1937, le truppe coloniali italiane al comando del generale Pietro Maletti, condussero in Etiopia un'azione destinata a divenire una pagina riprovevole della storia d'Italia: il massacro di Debra Libanòs, il più grande eccidio di cristiani copti avvenuto in Africa. Alle 16 uno spettacolo filosofico alla Parrocchia del Sacro cuore: Los Socrates e il mistero della caverna, di e con Ànnika Sctruum Strøhm e Saba Salvemini, mentre alle 17.45 il Teatro Mariella si fa palcoscenico per il debutto nazionale de Nella pancia del lupo, spettacolo di Kuziba che racconta la parte più oscura della favola di Cappuccetto rosso. Alle 19.15 al Teatro Radar entriamo poi nel magico negozio di giocattoli de La burla con i suoi tre anziani proprietari – tra comiche scenette e teatro circense - mentre chiude gli spettacoli a Monopoli alle 20.30 nel Roof garden del Teatro Radar Revolution, di e con Sara Bevilacqua, una miscela di emozioni, ricordi e storie di vita vissuta a Brindisi negli anni del Boom economico.Tornano anche gli eventi in musica realizzati in collaborazione con il Conservatorio Nino Rota di Monopoli: alle 18.45 la piazzetta del Teatro Radar vedrà esibirsi il quintetto d'archi del Conservatorio in Walt Disney Fantasy, concerto gratuito con le sigle dei più bei cartoni animati della nostra infanzia.Il programma completo con il botteghino è disponibile sul sito www.maggioallinfanzia.it Il Festival è organizzato da Fondazione SAT Spettacolo Arte Territorio, con la direzione artistica di Teresa Ludovico, il progetto a cura di Cecilia Cangelli e la consulenza pedagogica di Giorgio Testa. Con il sostegno del Ministero della Cultura, della Regione Puglia, dei Comuni di Bari, Martina Franca, Molfetta, Monopoli e Ruvo di Puglia, e della Camera di Commercio Bari, Teatro Pubblico Pugliese, Istituto Culturale Coreano in Italia e Kofice (Fondazione Coreana per lo scambio culturale internazionale). Con il patrocinio e il sostegno del Garante dei diritti del minore e del Garante dei diritti delle persone con disabilità della Regione Puglia. In collaborazione con il Teatro stabile d'innovazione ragazzi Le Nuvole di Napoli e con Casa dello spettatore di Roma, Casa del contemporaneo, TRIC Teatri di Bari, Cooperativa Kismet, Assitej Italia (Associazione internazionale di teatro per bambini e giovani), TRAC rete delle residenze teatrali pugliesi, ARPA Puglia, Conservatorio di Musica ‘Nino Rota' di Monopoli, Pro loco di Martina Franca. Il festival rientra nella rete di Italiafestival ed EFA European Festivals Association (nell'ambito del progetto Effe Label).

The Storm Skiing Journal and Podcast is a reader-supported publication. To receive new posts and to support independent ski journalism, please consider becoming a free or paid subscriber.WhoJames Coleman, Managing Partner of Mountain Capital PartnersRecorded onMay 7, 2024About Mountain Capital PartnersAbout La ParvaBase elevation: 8,704 feetSummit elevation: 11,722 feetVertical drop: 3,022 feetSkiable Acres: 988 acresAverage annual snowfall: 118 inchesTrail count: 40 (18% expert, 43% advanced, 20% intermediate, 20% beginner)Lift count: 15 lifts (2 quads, 2 triples, 1 double, 10 surface lifts)View historic La Parva trailmaps on skimap.org.What we talked aboutMCP puts together the largest ski area in the Southern Hemisphere; how La Parva and Valle Nevado will work as a single ski area while retaining their identity; “something I've always taken tremendous pride in is how we respect the unique brand of every resort”; La Parva village; will MCP purchase El Colorado next?; expansion; 10,000-vertical-foot dreams; La Parva Power Pass access; why Valle Nevado is not unlimited on the Power Pass yet; considering Ikon Pass and Mountain Collective access for Valle Nevado, La Parva, and the rest of MCP's mountains; Valle Nevado's likely next chairlift; why MCP builds fewer lifts than it would like; the benefits and drawbacks of surface lifts; where a ropetow might make sense at Purgatory; snowmaking in the treeless Andes; why South America; what it means to be the first North American ski area operator to buy in South America; Chile is not as far away as you think; how MCP has grown so large so quickly; why MCP isn't afraid to purchase ski areas that need work; why MCP bought Sandia Peak and which improvements could be forthcoming; why MCP won't repair Hesperus' chairlift until the company can install snowmaking on the hill; why the small ski area is worth saving; drama and resilience at Nordic Valley; should Nordic have upgraded Apollo before installing a brand-new six-pack and expansion?; future Nordic Valley expansion; exploring expansion at Brian Head; and why MCP has never been able to open Elk Ridge, Arizona, and what it would take to do so.What I got wrongI said that I saw “an email” that teased lift infrastructure improvements at Valle Nevado. This tidbit actually came from internal talking points that an MCP representative shared with The Storm.Why the format is so weirdThis is the first time I've used the podcast to break news, so I thought the simpler “live” format may work better. I'll write an analysis of what MCP's purchase of La Parva means in the coming days.The Storm publishes year-round, and guarantees 100 articles per year. This is article 34/100 in 2024, and number 534 since launching on Oct. 13, 2019. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

The transatlantic steamer Archtor noticed that the lighthouse's light was off on the night of December 15, 1900. The Northern Lighthouse Board dispatched the relief ship Hesperus to investigate. Relief keeper Joseph Moore climbed the steep steps to the lighthouse and found eerie signs: the clock stopped, an uneaten meal set on the table, and a toppled chair. The keepers—James Ducat, Thomas Marshall, and William MacArthur—were nowhere to be found.#history #Beverly #mafia #⁠beverlyhils #truecrime #tedbundy #truecrimecommunity #truecrimeaddict #truecrimememes #killers #killer #murder #mindhunter #murderer #kansas #ouijamacc #bondage #twiztid #thegathering #murdermuseum #eldorado #odditiesandcuriosities #caveman #oddities #rare #parkcity #death #charlesmanson #jeffreydahmer #edgein #crime #horror #darkart #richardramirez #halloween #criminal #horrorart #creepy #btkart #truecrimeart #truecrimepodcast #cannibal #albertfish #r #thriller #netflix #truecrimejunkie #horrormovies #history #selfie #truecrimefan #homicide #mystery #truecrimeobsessed #scary #serialkillerart #truecrime #truecrimecommunity #truecrimepodcast #crime #murder #podcast #truecrimeaddict #serialkiller #serialkillers #truecrimejunkie #horror #unsolved #murderino #podcastersofinstagram #truecrimeobsessed #mystery #ssdgm #truecrimefan #killer #truecrimememes #unsolvedmysteries #creepy #paranormal #podcasts #history #tedbundy #criminal #scary #podcasting #coldcase #murdermystery #bookstagram #death #buzzfeedunsolved #crimescene #truecrimepodcasts #missingperson #missing #halloween #crimejunkie #news #myfavoritemurder #spooky #supernatural #truecrimestories #homicide #ryanbergara #shanemadej #murderer #podcaster #truecrimebooks #memes #spotify #podernfamily #boogara #shaniac #jeffreydahmer #police #museum #italy #war #vintage #memes #picoftheday #ig #europe #photo #explore #ancient#germany #historymemes #usa #beautiful #travelgram #follow #historic #france #music #military #italia #castle #historylovers #a #medieval #life #education #like #facts #landscape #storia #world #old #city #historyfacts #archaeology #upsc #america #wwii #Podcasthost #Aftermath #aftermathpodcast #podcast #binge #bingepodcast #podcasttips newpodcastalert #slander #Hudson #aftermath #history #updates #storiesyouforgotabout #WW1 #WW2 #attack #terrorattack #nostalgia #Queen #mercury #FreddyMercury #truecrime #truecrimecommunity #truecrimepodcast #crime #murder #podcast #truecrimeaddict #serialkiller #serialkillers #truecrimejunkie #horror #unsolved #murderino #podcastersofinstagram #truecrimeobsessed #mystery #ssdgm #truecrimefan #killer #truecrimememes #unsolvedmysteries #creepy #paranormal #podcasts #history #tedbundy #criminal #scary #podcasting #coldcase #murdermystery #bookstagram #death #buzzfeedunsolved #crimescene #truecrimepodcasts #missingperson #missing #halloween #crimejunkie #news #myfavoritemurder #spooky #supernatural #truecrimestories #homicide #ryanbergara #shanemadej #murderer #podcaster #truecrimebooks #memes #spotify #podernfamily #boogara #shaniac #jeffreydahmer #police #s #justice #forgotten history #The Aftermath #Alamo #thealamo #tate #sharontate #TheFlannanIslesLighthouseMystery #horrorpodcast #investigation #torontojournalist #myths #cultinvestigation #podcastersofinstagram #reallegitimateapocalypse #rlaseries #mysterypodcast #mystery #fictionpodcast #crimepodcast #torontolife #newpodcast #podcast #legends #creepypasta #audiodrama #cult #scriptedpodcast #comingsoon #podcasters #notorious #legenday #mythology #myfavoritemurder #elevatorritual #truecrime #stories #thekybalion #scary #lastpodcastontheleft #elevatorgame #murderino #canadianpodcast #ohio #audio #hermeticism #cropsey #myth #elisalam #silentpool #surrey #apocalypse #truecrimememes #cecilhotel #melonheads #shere #slenderman #vancouver #truecrimepodcast #truecrimeaddict #quiteunusual #meditation #instagram --- Send in a voice message: https://podcasters.spotify.com/pod/show/daniel-hudson9/message

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Hosts Eric and Lily explore the lack of representation of queer characters in mainstream media, and how the LGBTQ+ community has had to rely on creating our own media to accurately tell our diverse array of stories.Contents & Content Warnings…Please expect to hear “queer” used as an identity term throughout this episode & series. 00:00 - Frankie & Ari: What Was Your Favorite Queer-Coded TV Character? 2:20 - Introduction with Eric & Lily: What do we mean when we say “Queer-Coded?”4:13 - Zines! With Alex & Claire17:18 - 1-Minute Trivia: Queer Love Edition, with Trudy, Sonyamia & Sam30:15 - Hesperus30:30-30:55 - Discussions of homophobia 35:16 - Outro 35:35 - Coming up next35:49 - Show notes & resources36:27 - CreditsFPP Information…To learn more about The Future Perfect Project and all of our free arts programming for LGBTQIA+ youth, visit thefutureperfectproject.org or find us on Instagram, TikTok, YouTube, Facebook, and bandcamp @thefutureperfectprojectCrisis Resources… If you or a young person you know between the ages of 13-24 is currently in crisis, check out thetrevorproject.org for LGBTQIA+-specific support through text and chat, or call 1-866-488-7386.Mentions… The Watermelon Woman, a Cheryl Dunye film, is available to stream through multiple platforms, and may be free to watch through universities or your local library. Looking for more queer zine content? Visit the Queer Zine Archive Project at gittings.qzap.org, the Digital Transgender Archive at digitaltransgenderarchive.net or Instagram @digitaltransarc, and the Queer Zine Library at queerzinelibrary.com or on Instagram @queerzinelibrary - also consider checking out your local library, local queer bookstores, community & LGBTQ+ centers, and even museums & physical archives.Interested in the movie & musical that inspired Hesperus? You can stream the movie adaptation of The Prom on Netflix, and find the musical & movie soundtracks on your favorite movie streaming platforms. Also available is a book of the same name, written by Saundra Mitchell with Bob Martin, Chad Beguelin, and Matthew Skylar. More information on poet Andrea Gibson & their poem, First Love, is available on their website, andreagibson.org or on Instagram @andreagibson - you can also find them performing many of their poems on YouTube, or keep up with their day to day writings at andreagibson.substack.comCredits…I'm Feeling Queer Today is produced by The Future Perfect Project with support from Radio Kingston, WKNY AM1490, FM1079, Kingston, NY.Episode four of I'm Feeling Queer Today was produced by Eric Eubank, Lily Mueller, Trudy Poux, and Alex Masse, and features Claire Florence, Sonyamia Blanco, Samuel Smalls Jr., and Hesperus. Special thanks to executive producers and mentors, Julie Novak and Celeste Lecesne, as well as Future Perfect Project team members Ryan Amador, Jon Wan, and Aliya Jamil. The I'm Feeling Queer Today theme was composed and performed by Alex Masse & produced by Emma Jayne Seslowsky. Additional music was composed by Alex Masse, Frankie Gunn, and Epidemic Sound. Mixing & mastering for I'm Feeling Queer Today by Julie Novak, with assistance from Emma Jayne Seslowsky. Hosted on Acast. See acast.com/privacy for more information.

This week (our final weekly show for the 2023 growing season) we travel to The Old Fort at Hesperus to see what's up with the dynamic ‘Farmers In Training' program (FIT). We are guided by interviews with the Farmer Training Program Coordinator, Elicia Whittlesey, and the Education Garden Manager, Maggie Magierski.  Several of the FITs chime in as well, giving us insight on what it's like to be growing all the various vegetables at the farm. Such an inspiring visit.

When all feels lost, how do you move forward? TW: Death, gore, body horror, distrubing visuals, grief, PTSD, violence, suicidal ideations, mentions of prostitution, blood, corpses Kenon Pearce as DM  Jordache Richardson as Chaz, Brad, and Serif Nikki Richardson as Talice  ISHNAR/KALCRIN HOMEBREW SETTING (C) by Kenon Pearce   Sound editing and design by Nikki Richardson JOIN US IN OUR DISCORD FOR OUR CAMPAIGN 1 ENDING EVENTS! Sunday, June 18th at 6PM CST - A LOOK BACK Monday, June 19th at 10 AM CST - CAMPAIGN 1 FINALE LISTEN PARTY 1 Monday, June 19th at 6 PM CST - CAMPAIGN 1 FINALE LISTEN PARTY 1 Tuesday, June 20th at 6 PM CST - CAMPAIGN 1 EPILOGUE LISTEN ALONG PARTY GAMES ALL DAY!   CLICK THE LINK TO JOIN US! https://discord.gg/Qb2C5JeKUS Check out our Auburn Plushie Giveaway! https://twitter.com/TotRcast/status/1662263633584291840?s=20 Kenon Pearce @mr_fugufish Jordache Richardson @jdash24 Nikki Ri @thenikkiri   Website: totrpodcast.com Twitter: @totrcast Studio Twitter: @whiteravenpods  Facebook: @topoftheround Instagram: @topoftheround Thank you to our Executive C2 Producers! HOLDEN RAY Wanna talk to the cast? Check out our private Discord! https://discord.gg/qshNJJfKRr Go to our website for MERCH! https://www.totrpodcast.com/merch-store.html#/   Find/Review us on Podchaser: https://www.podchaser.com/podcasts/top-of-the-round-808056   Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/   TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki LIGHT OF THE HOPELESS BY NICK HIGHAM https://www.nickjhigham.co.uk/ The Quiet Original Song written by Nikki Richardson Music by Bethany Macleod Performed by Bethany Macleod and Nikki Richardson Produced by Nikki Richardson Music Courtesy of epidemicsound.com: Drone Mystical 10 by SFX Producer A Hint of Hope by Indigo Days Implode by Peter Sandberg Hit to Whoosh 35 by SFX Producer Byrr by Hampus Naeselius The Leaves Keep on Falling by Miles Avida You're Not Here by Damon Greene Ending (Scaled Down Version) by Peter Sandberg Who We Are by Gavin Luke Optimist at Heart by Jerry Lacey Small Semblance by Atlas Kind Tingling by CHristophe Gorman Embolism by Ethan Sloan Doom and Gloom by Enigmatic Relent by Jakob Ahlbom - 200 Underscore by Hampus Naeselius The Fig Tree by Jakob Ahlbom At the End of Nothing by Silver Maple In Remembrance by Silver Maple Clementine Station by Piper Ezz Never Forgotten by Christoffer Moe Ditlevsen Curtain by Wendel Scherer Duo Voces by Gavin Luke Prodrome by Jo Wandrini Twitching Lights by Alec Slayne Journey's End by Jon Bjork From The Ashes by Jo Wandrini Cold Nights by Kikoru Lady in Black by Farrell Wooten Midnight Garden by Farrell Wooten Mortuary by Farrell Wooten The Light sFades by John Bjork Alaskan Suite by Lennon Hutton The Rain Against My Window by Johannes Bornlof Covert by Ethan Sloan The Last Disaster by Howard Harper-Barnes Dark Pianos 01 by Tobias Carlsson Seeking Shelter by Miles Avida For Every Child by Miles Avida Cosmic Sunrise by Red Dictionary Misericorde by Lo Mimieux Letter to a Friend by Lotus Innocent Games by David Celeste Hidden Tracks by Jon Bjork Ventilation Shaft by Ethan Sloan Guarded House by Wendel Scherer Incandescence by Silver Maple Monarch of Fate by Christoffer Moe Ditlevsen Are You Scared Yet by Farrell Wooten The Clearing by Golden Anchor Demon Night by Farrell Wooten Hallucinations by Kikoru The Night Watch by Anthony Earls Vulpecula by Johannes Bornlof Paradigm Shift by Gavin Luke Divisive Alliance by Jon Bjork One Finale Theft by Piper Ezz Buried in the Dirt by Christoffer Moe Ditlevsen Quietly Tense by Marten Moses Careful Thoughts by Spectacles Wallet and Watch The Rain Has Just Begun by Cora Zea Growing Doubt by Wendel Scherer Sector B by Piper Ezz Decomposed by Philip Ayers A Lesson in Vengeance by Experia Dilemma by Alec Slayne Slow Revolt by Jon Bjork Rose-Colored Faith by Rand Aldo The Sameness of Phosphorus and Hesperus by Ave Air Excessive by Gridded 221 Walker Street by Dream Cave The Storyteller by Kikoru In Cinemas by Pulsed Stranger Days by Alexander Woodward Legendary Myths by Jay Varton Eyes on Target by Experia Red Moon by Etienne Roussel Decently Perfect by Jay Varton Interstate 8955 by Bonnie Grace Misguided Path by Bonnie Grace Misu by Calm Shores Dark Taupe by Arden Forest Undefeated by Reynard Seidel Calme by Ever So Blue Pensive Gaze by Amber Glow Figured Out by Arthur Benson Odd Behaviour by Arthur Benson On a Hike by Stefan Belrose A Golden Sun by Heath Cantu Trail of Crumbs by Martin Landstrom Through the Storm by Savvun Cordierite by Bonn Fields Jokers by Mary Riddle Forlorn by Martin Klem One Magical Evening by Brightarm Orchestra Murder in the Dark by Jon Bjork Tiptoe in the Dark by Mike Franklyn Thirty-Fourth Window by Heath Cantu Fractal Patterns by Bonnie Grace Sad News by Emily Rubye Sentient by Gavin Luke Defending the Keep by Jon Bjork Venturing through Time by Chsitoffer Moe Ditlevsen Silent Suspicion by Jerry Lacey Off My Radar by Jerry Lacey Arc of Transcendence by Lama House Small Strokes by Martin Gauffin Prometheus One by DEX 1200 Embolism by Ethan Sloan They Know We're Here by Christian Andersen Evening Spies by Sage Oursler Black Core by Guy Copeland The Possession by Farrell Wooten He's Still Out There by Wendel Scherer A Grim Awakening by Hawea - 100 A Growing Feeling by Wendel Scherer Ventifacts by Anthony Earls In Frozen Waters by Hampus Naeselius No Signs of Life by Phoenix Tail Retrieval by Cobby Costa The Visitors by Edward Karl Hanson Paracosmic Life Form by Etienne Roussel Diving Room by Ethan Sloan Arson by Christian Andersen Ceres by Lennon Hutton It's Not a Game by Philip Ayers Mirror 45 by Lennon Hutton Drone Wind 4 by SFX Producer Drone Horror by SFX Producer Trapped in a Maze by Philip Ayers Tarmac Radiation by Ethan Sloan Vacuum Sealer by Edward Karl Hanson Dark Corners by JH Coleman Gravitas by Ethan Sloan Eye for Detail by Jay Varton Bending Light by Ethan Sloan Prisms by Ethan Sloan A Monsters Feeling by Hampus Naeselius Tokyo Screams by Farrell Wooten They Say I'm Mad by Mary Riddle A Dark Mind by Phoenix Tail Rivers Run Red by Christoffer Moe Ditlevsen Drone Scary Whistling by SFX Producer Troubled NIght by Wendel Scherer Getting Rid of Mysteria by Christian Andersen Still Feel for You by Line Neesgaard The Faults in My Heart by Miles Avida Murder in the Dark by Jon Bjork Seven Sins Later by Farrell Wooten Midnight Garden by Farrell Wooten An Obsession by Dayon No Shadow by Martin Klem Too Close by Jon Bjork Thrilling Moments by Alec Slayne Red Moon by Etienn Roussel Under the Setting Sun by Million Eyes Missing Memories by Christoffer Moe Ditlevsen Eternal Moment by Farrell Wooten After the Tragedy by Damon Greene All Good Things by Lalo Brickman Confidential Reports by Alec Slayne Introspection by Red Dictionary Just Get it Done by Hampus Naeselius Stage Curtain Close 1 by SFX Producer Light Switch On 7 by SFX Producer Breath of Death Part 1, Dybbuk's White Eyes, and Yellow Dress by Sergey Cheremisinov License: http://creativecommons.org/licenses/by/4.0/  Free Music Archive: Sergey Cheremisinov I Walk With Ghosts, Anna's Theme, Shadowlands 3, The Long Dark, and Emergent by Scott Buckley License: http://creativecommons.org/licenses/by/4.0/ https://www.scottbuckley.com.au/library/   The following music was used for this media project: Music: Road to the Dark Tower, Fairy Dance, Travelers Notebook, Dark Hours, Llama in Pajamas, Comedy Short 1, Comedy Short 2, and Comedy Short 3 by Rafael Krux License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ "Digital Bark" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Apprehension" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Sneaky Adventure" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Dark Times" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Reawakening" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Flighty Theme" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Investigations" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Moonlight Hall" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Floating Cities" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Thank you freesound.org: Indoor Footsteps by Dkiller2204 The following music was used for this media project: Music: Desolate by Otis Galloway Free download: https://filmmusic.io/song/11016-desolate License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Falling From His Graces by Tim Kulig Free download: https://filmmusic.io/song/9827-falling-from-his-graces License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Children Eating Corn by Tim Kulig Free download: https://filmmusic.io/song/8487-children-eating-corn License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Jailbreak Whispers by John Bartmann Free download: https://filmmusic.io/song/9487-jailbreak-whispers License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Smooth Criminal by John Bartmann Free download: https://filmmusic.io/song/9483-smooth-criminal License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Monster Reveal by Dave Deville Free download: https://filmmusic.io/song/8936-monster-reveal License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Day of Chaos by Kevin MacLeod Free download: https://filmmusic.io/song/3620-day-of-chaos License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Dark N Deep by Alexander Nakarada Free download: https://filmmusic.io/song/4729-dark-n-deep License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Investigate (Loopable) by Dave Deville Free download: https://filmmusic.io/song/10777-investigate-loopable License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Lost In The Dark by Steven OBrien Free download: https://filmmusic.io/song/10010-lost-in-the-dark License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Evil Is Near (Loopable) by Dave Deville Free download: https://filmmusic.io/song/10829-evil-is-near-loopable License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Ingestion Of Sorrows by Tim Kulig Free download: https://filmmusic.io/song/9828-ingestion-of-sorrows License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Hor Hor by Alexander Nakarada Free download: https://filmmusic.io/song/4739-hor-hor License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: What Lurks In The Dark by Dave Deville Free download: https://filmmusic.io/song/8233-what-lurks-in-the-dark License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Anticipations by Tim Kulig Free download: https://filmmusic.io/song/11042-anticipations License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Deal With The Devil by Phat Sounds Free download: https://filmmusic.io/song/9955-deal-with-the-devil License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Revelation by Phat Sounds Free download: https://filmmusic.io/song/10866-revelation License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Purge by Phat Sounds Free download: https://filmmusic.io/song/10391-purge License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Chalkboard Daggers by Tim Kulig Free download: https://filmmusic.io/song/9296-chalkboard-daggers License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: Total Cluster by Tim Kulig Free download: https://filmmusic.io/song/9875-total-cluster License (CC BY 4.0): https://filmmusic.io/standard-license The following music was used for this media project: Music: That Mirror Is Disturbing by Tim Kulig Free download: https://filmmusic.io/song/9332-that-mirror-is-disturbing License (CC BY 4.0): https://filmmusic.io/standard-license

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Join the team as they discuss the disappearance of three lighthouse keepers in 1900.  Was it the result of a storm?  Or something more sinister?You can follow us on Instagram at smalltownmissing.Sources for this episode:“The Flannan Isle Mystery: The Three Lighthouse Keepers Who Vanished”- published on history.co.uk“Flannan Isles Lighhouse”- www.wikipedia.org“The Flannan Isle Mystery”- rmg.co.uk, Royal Museums Greenwich

Hesperus and Other Poems and Lyrics

On this week's show we discuss the Son of Morning himself, Lucifer. While exploring the popular mythology of Lucifer we investigate his role in the Bible and the origins of the words used to arrive at the translation of his name giving us a number of solid clues to clarify the much intuited and controversial relationship between Lucifer, Jesus Christ and the planet Venus. In the extended show we repel further down the rabbit-hole and discuss the Greek Prometheus, but especially his parents, the sigil of Lucifer, what it has to do with human vision, the pineal gland, pinecones and peacocks.On this week's show we discuss:The Twin Lucifers of LiègeLucifer of the BibleThe Planet VenusMystery BabylonEos and MemnonThe Book of EnochWho is Azazel?The Christ ConnectionIn the extended episode available at www.patreon.com/TheWholeRabbit we discuss:Promethean ParentsSigil of LuciferThe Serpent and Human VisionWorlds of ShadowThe Pineal GlandThe Eye of HorusOsirisMelek Taus of the YazidiIblis and Azazil777 and MezlaEach host is responsible for writing and creating the content they present.Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitSources:Book of Enoch:https://www.ccel.org/c/charles/otpseudepig/enoch/ENOCH_1.HTMApocalypse of Abraham:https://www.marquette.edu/maqom/box.pdfBiblical Translations for Lucifer:https://www.adventistbiblicalresearch.org/wp-content/uploads/WhereDidWeGet.pdfAstronomical Ceiling of Senenmut's Tomb:https://en.wikipedia.org/wiki/Astronomical_ceiling_of_Senenmut%27s_TombPineal Gland:https://www.webmd.com/sleep-disorders/what-to-know-about-calcification-of-the-pineal-glandSnakes and Pineal Glands:https://blogs.scientificamerican.com/guest-blog/me-and-the-copperheads-or-why-we-still-dont-know-if-snakes-secrete-melatonin-at-night/#:~:text=There%20is%20also%20no%20circadian,like%20they%20came%20from%20mammals.Pineal gland and DMT:https://www.psypost.org/2019/07/study-provides-evidence-that-dmt-is-produced-naturally-from-neurons-in-the-mammalian-brain-54051Colour Wavelengths:https://science.nasa.gov/ems/09_visiblelight#:~:text=Violet%20has%20the%20shortest%20wavelength,wavelength%2C%20at%20around%20700%20nanometers.Support the show

The Sound Chaser Progressive Rock Podcast is 9 years old. This edition is the 9th anniversary show. The first Sound Chaser podcast happened on January 14, 2014 on the old Dividing Line Broadcast Network, which will remain beloved in our memories. So far, there have been 235 editions of the show. This one is number 236. To celebrate the show's ninth year of continued service, I have selected music released in each year ending in a 9 from 1969 to 2019. That's right, you get music from 1969, 1979, 1989, 1999, 2009, and 2019. Because the show is presented chronologically by year, this edition will not have a Symphonic Zone. There are still example of symphonic prog sprinkled throughout. Playlist19691. Yes - Looking Around, from Yes2. Wigwam - Pidan Sinusta, from Hard n' Horny3. Jefferson Airplane - Eskimo Blue Day, from Volunteers4. Principal Edwards Magic Theatre - Pinky-A Mystery Cycle, from Soundtrack5. Procol Harum - Wreck of the Hesperus, from A Salty Dog6. Pink Floyd - The Nile Song, from More7. Frank Zappa - It Must Be a Camel, from Hot Rats19798. Sky - Danza, from Sky9. Popol Vuh - In der Halle des Lernens, from Die Nacht der Seele (Tantric Songs)10. Steve Khan - Some Arrows, from Arrows11. Eloy - Astral Entrance / Master of Sensation - from Silent Cries and Mighty Echoes12. Roine Stolt - Samhällets Olycksbarn, from Fantasia13. Bruford - Hells Bells, from One of a Kind198914. Peter Gabriel - The Feeling Begins, from Passion15. The Creatures - Manchild, from Boomerang16. Steeleye Span - Searching for Lambs, from Tempted and Tried17. Jean-Luc Ponty - A Journey's End, from Storytelling18. Jethro Tull - Rock Island, from Rock Island19. Mike Oldfield - Nothing But / Bridge to Paradise, from Earth Moving199920. Cyan - Goodbye World, from The Creeping Vine21. Alan Parsons - Call Up, from The Time Machine22. Nick Magnus - The Devil and the Deep Blue Sea, from Inhaling Green23. Rick Wakeman - Ariel, from Stella Bianca alla Corte de Re Ferdinando24. Synema - Day of Life, from Equal Reaction25. Altair - Summer's Triangle, from Fantasías y Danzas200926. The Source - Thin Air, from Prickly Pear27. The Wishing Tree - Kingfisher, from Ostara28. IZZ - Stumbling, from The Darkened Room29. Minimum Vital - Mauresque, from Capitaines30. Strawbs - Beneath the Angry Sky, from Dancing to the Devil's Beat31. The Brimstone Solar Radiation Band - A Hill of Beans, from Smorgasbord201932. The Gift - When You Are Old, from Antenna33. Boris SG - Blurred, from Blow34. Cheeto's Magazine - Scum, from Amazingous35. Iamthemorning - Freak Show, from The Bell36. The Far Meadow - Mud, from Foreign Land37. Rosalie Cunningham - Butterflies, from Rosalie Cunningham38. Nad Sylvan - Meet Your Maker, from The Regal Bastard

Al largo della costa occidentale della Scozia si trova Eilean Mòr, una delle isole Flannan nelle Ebridi Esterne, sul cui terreno sorge il faro della Northern Lighthouse Board. Il 26 dicembre del 1900, la nave dei rifornimenti Hesperus arriva all'isola, ma ad attenderla non c'è nessuno, i tre guardiani sono scomparsi e non saranno mai più ritrovati. Che cosa è successo e che fine hanno fatto i tre uomini spariti nel nulla?Aderisci alla pagina PATREON e sostieni i miei progetti e il mio lavoro: http://patreon.com/massimopolidoroPartecipa e sostieni su TIPEEE il progetto del mio Tour 2022 in tutta Italia: https://it.tipeee.com/massimopolidoro Scopri il mio Corso online di Psicologia dell'insolito: https://www.massimopolidorostudio.com​Ricevi l'Avviso ai Naviganti, la mia newsletter settimanale: https://mailchi.mp/massimopolidoro/avvisoainaviganti e partecipa alle scelte della mia communitySeguimi:Instagram: https://www.instagram.com/massimopolidoro/ Gruppo FB: https://www.facebook.com/groups/MassimoPolidoroFanClub Pagina FB: https://www.facebook.com/Official.Massimo.Polidoro Twitter: https://twitter.com/massimopolidoro Sito e blog: http://www.massimopolidoro.com Iscriviti al mio canale youtube: https://goo.gl/Xkzh8A

Utropstecknet kan både signalera ilska och glädje. Kulturskribenten Kristina Lindquist berättar utifrån egna erfarenheter om hur det också kan representera något mycket större än så. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ursprungligen publicerad den 14 maj 2019.det väller liksom framen flod av grönska,av blad barroch fågelsång!Se där en talande rad ur Eva-Stina Byggmästars diktsamling ”Barrskogarnas barn” från 2014. I Byggmästars skogar finns inga skuggor, bara en yster och naivistisk naturlyrik från första till sista sidan – och just det: en massa utropstecken. ”Får poesi verkligen se ut såhär? Så uppsluppen!” skrev Svenska dagbladets kritiker Therese Eriksson i sin recension. För utropstecknet är ganska sällsynt i den kulturella offentligheten, och något av ett svart får i skriftspråket överhuvudtaget. Ända sedan 1800-talet har det enligt språkforskaren Siv Strömquist varnats för detta stöddiga skiljetecken, som inte sällan beskrivs som skrikigt och vulgärt. Jag minns hur en bekant som arbetade med att besvara allmänhetens brev på Rosenbad fick instruktionen att ersätta det alldeles korrekta utropstecknet i hälsningsfraserna med ett komma – utropstecknet var helt enkelt för ”familjärt” för statsförvaltningen. Och i TT-språkets skrivregler konstateras bara helt kort att utropstecknet bör användas ”sparsamt”.utropstecknets explicita tydlighet ställs mot ett rådande stilideal som upphöjer det vaga och outtalade.För tio år sedan skrev den brittiska journalisten Stuart Jeffries i The Guardian om en renässans för utropstecknet i den digitala tidsålderns kommunikation, där detta skiljetecken kan innebära den stora skillnaden mellan det avmätta och det förtjusta. ”Vi ses på konferensen [utropstecken]” förmedlar något helt annat än ”Vi ses på konferensen [punkt]”. Forskning visar också att kvinnor använder utropstecken i högre utsträckning än män, vilket språkforskaren Carol Waseleski förklarar med att utropstecknet kan utstråla vänlighet – vilket alltså anses utmärkande för kvinnors sätt att kommunicera.Men utropstecknets status som det mest förtalade bland skiljetecken rubbas nog inte så lätt. Det är en flåsig gaphals vi talar om – som gjord för det militära eller för samtidens råbarkade debatter i kommentarsfält och på Twitter. Jeffries tar i sin artikel upp kriminalförfattaren Elmore Leonard, som sagt att två eller tre utropstecken per hundratusen ord prosa möjligen kan passera, vilket innebär ungefär ett per medellång roman. Fantasyförfattaren Terry Pratchett låter en av sina romanfigurer säga att fler än ett i följd av detta skiljetecken är ett uttryck för en ”sjuk hjärna”, medan F. Scott Fitzgerald ansåg att den som överhuvudtaget använder det lika gärna kan skratta åt sina egna skämt. Herrarna har nog en poäng, och samtidigt kan utropstecknet som fenomen bevisligen ligga till grund både för litterär intrig och tidlös komedi.I den klassiska komediserien ”Seinfeld” kraschar förhållandet mellan Elaine och hennes författarkille för att han inte använder utropstecken i ett nedskrivet telefonmeddelande om en nyfödd bebis i bekantskapskretsen. Hon tycker att han struntar i hennes vänner, han tycker att hon är lite väl slampig med sina skiljetecken. I ett avsnitt av Sex and the city förvandlas ett utlovat utropstecken till ett frågetecken på omslaget till New York Magazine, som pryds av en osmickrande bild av huvudpersonen Carrie. Tidningsrubriken ”Singel och fantastisk?” formulerat som en fråga snarare än med utropstecknets sköna självsäkerhet får Carrie att ifrågasätta hela sin sorglösa livsstil.Utropstecknet är alltså ett tecken som både väcker och uttrycker känslor, och känslor får väl generellt sägas ha ganska låg status i vårt samhälle. Men kanske handlar frågan också om att utropstecknets explicita tydlighet ställs mot ett rådande stilideal som upphöjer det vaga och outtalade. I en illustrativ passage i romanen ”Argonauterna” fastnar författaren Maggie Nelson vid de tomma hakparenteser som den inflytelserika författaren Anne Carson gett som skriftliga intervjusvar i en tidning – och som signalerar ett slags tyst och sofistikerad återhållsamhet. Nelson skriver: ”Åsynen av Carsons hakparenteser fick mig genast att skämmas för min tvångsmässiga drift att lägga korten mer bestämt på bordet. Men ju mer jag tänkte på hakparenteserna, desto mer störde de mig. De tycktes göra en fetisch av det osagda”. Utropstecknet lägger verkligen korten bestämt på bordet, och tvingar fram ställningstaganden i en tid när det värsta man kan vara är tvärsäker – alldeles oavsett vad man är tvärsäker på. På senare tid har så kallad samtalsaktivism blivit på modet, det vill säga tekniken att genom diskussion och möten försöka motverka polarisering i samhället. Här tycks förmågan att förflytta sig vara viktigare än att syna innehållet i de – inte sällan extrema – åsikter som genom denna typ av samtal erbjuds en plattform. Rörligheten i ståndpunkter blir närmast ett bevis för ett rörligt intellekt, och då finns inte plats för några rigida utropstecken.All förundran är borta med honom, liksom den kraft som utropstecknet för med sig till det skrivna språket mellan människorna.Men låt oss återvända till känslorna. I den tidiga novellen ”Utropstecknet” skildrar Anton Tjechov en statstjänsteman som vid juletid konfronteras med att han under 40 yrkesår aldrig har använt ett utropstecken: ”Fördömt! När använder man egentligen utropstecken?” Den grammatiskt skolade hustrun får hjälpa till: Vid hälsningar och utrop och vid uttryck för jubel, indignation och ilska, upplyser hon. Den osalige tjänstemannen jagas av sina utropstecken, och ser hur människor omkring honom förvandlas till långa streck med en punkt under. För tänk om han på 40 år inte har upplevt en enda känsla som förtjänat ett utropstecken – vad säger det om hans liv?Jag tror – eller rättare sagt: jag vet – att det också kan gå åt andra hållet, så att de starkaste av känslor kan kortsluta användningen av detta känslotecken. Den grönländska poeten Naja Marie Aidt beskriver i den prosalyriska romanen ”Har döden tagit något ifrån dig så ge det tillbaka” om hur sorgen efter hennes vuxna son slog sönder all syntax och begriplighet i hennes formuleringar. ”inget språk möjligt språk dog med mitt barn”, skriver hon i en lång ordmassa helt utan skiljetecken. När mitt eget barn dog hände det något med mina utropstecken, och specifikt med dem. Utropstecknen försvann ur all skriven kommunikation, och har ännu inte återvänt. Det handlar inte bara om brist på glädje och entusiasm, utan om något som kanske står att finna i utropstecknets historiska rötter. I vår äldsta bevarade handledning i användandet av skiljetecken talas det om ”förundringstecken”, eller punctus admirativus. Utropstecknet hör i sitt ursprung alltså hemma inför skapelsens och varats mirakel. Och för den som sett all sådan skönhet i sin nyfödda sons knubbiga ansikte finns ingen förundran kvar på jorden, inte sedan han skickats iväg för gravsättning i en mönstrad pyjamas. All förundran är borta med honom, liksom den kraft som utropstecknet för med sig till det skrivna språket mellan människorna.Annat är det i nattens ordlösa klagan, där utropstecknen kastas mot en tom himmel utan svar. Jag läser Jobs bok i Gamla testamentet, och dess berättelse om mannen som inte bara förlorar sina barn och allt han äger utan också drabbas av svåra sjukdomar. Här finns naturligt nog en hel del förtvivlade utropstecken: ”Ropa bara! Finns det någon som svarar?”, som det står i femte kapitlet. Och lite längre fram:Om jag tänker: 'Det lättar när jag lagt mig,sömnen skall lindra min sorg',då skrämmer du mig med drömmar,förfärar mig med syner,så att jag hellre vill kvävas.Hellre döden än denna plåga!För utropstecknet må vara en flåsig gaphals som skrattar åt sina egna skämt i den politiska polariseringens tid. Men det kan också – både i sin närvaro och i sin frånvaro – bära på ett möjligt språk för det mänskliga livets yttersta gränser.Kristina Lindquist, kulturskribentLitteraturNaja Marie Aidt: ”Har döden tagit något ifrån dig så ge det tillbaka” (Wahlström & Widstrand, 2018)Bibeln. Job 5:1, 7:13-15 (2000)Eva-Stina Byggmästar: ”Barrskogarnas barn” (Wahlström & Widstrand, 2014)Stuart Jeffries: ”The joy of exclamation marks!” (The Guardian, 29/4 2009)Maggie Nelson: ”Argonauterna” (Modernista, 2016)Siv Strömquist: ”Skiljeteckensboken” (Morfem, 2013)Anton Tjechov: ”The exclamation mark” (Hesperus classics, 2008)

Many barriers to employment exist for millions of Americans, and one subset remains vastly underserved – Native American veterans and tribal communities. Tune in as Christopher Key from Hesperus shares more insight into cultural differences, as well as how Hesperus is investing in the next generation of Native American and Alaska Native leadership, and creating pathways to education and employment through training, workforce development, and technology.

It’s Thanksgiving, so of course Rob, John, and Dan drink and discuss “The Wreck of the Hesperus” by Henry Wadsworth Longfellow (1842). John McCoy with Rob McCoy and Dan McCoy.

It’s Thanksgiving, so of course Rob, John, and Dan drink and discuss “The Wreck of the Hesperus” by Henry Wadsworth Longfellow (1842). John McCoy with Rob McCoy and Dan McCoy.

To support independent ski journalism, please consider becoming a free or paid subscriber. This podcast hit paid subscribers' inboxes on Nov. 17. It dropped for free subscribers on Nov. 20. To receive future pods as soon as they're live, please consider an upgrade to a paid subscription.WhoChad Linebaugh, President and General Manager of Sundance Mountain, UtahRecorded onNovember 7, 2022About SundanceClick here for a mountain stats overviewOwned by: Broadreach Capital Partners and Cedar Capital PartnersPass affiliations: Power PassReciprocal pass partners:* 3 days at each Mountain Capital Partners ski area: Arizona Snowbowl, Purgatory, Hesperus, Brian Head, Nordic Valley, Sipapu, Pajarito, Willamette Pass* 3 days each at Snow King, Ski Cooper* 1 unguided day at SilvertonLocated in: Sundance, UtahClosest neighboring ski areas: Park City (47 minutes), Deer Valley (50 minutes), Woodward Park City (50 minutes), Utah Olympic Park (51 minutes), Solitude (57 minutes), Brighton (1 hour), Snowbird (1 hour, 7 minutes), Alta (1 hour, 10 minutes) – travel times may vary considerably in winter.Base elevation: 6,100 feetSummit elevation: 8,250 feetVertical drop: 2,150 feetSkiable Acres: 515Average annual snowfall: 300 inchesTrail count: 50 (20% black, 45% intermediate, 35% beginner)Lift count: 9 (1 high-speed quad, 4 fixed-grip quads, 1 triple, 3 carpets)The map above is last season's, and does not include the Wildwood expansion that's coming online for the 2022-23 ski season. Here's where the new terrain will sit - you can see Jake's landing looker's right, and Flathead rising looker's left:And here's an overhead view of the new terrain:Update [11/24/2022]: the new trailmapWhy I interviewed himIt sits inconspicuous and unassuming, 13 air miles and 49 road miles south of Little Cottonwood Canyon. Five hundred acres in a 5,000-acre resort. Step off your plane at Salt Lake airport and you're 40 minutes away from half a dozen powder bangers and this is not one of them. It's Sundance. “Isn't that that film fiestival?” Epkon Bro asks as he punches Park City into his GPS. “No time for that on my HASHTAG POWDY TOWN TRIP!”And that's OK. We won't be needing Epkon Bro for today's stop. Because where we're going today is Utah before Utah skiing went nuclear. Before the California invasion. Before this state with just 15 ski areas became third in the nation in annual skier visits. When Snowbird opened in 1971, Utah had 1.1 million residents. Today it has 3.1 million. On any given Saturday, every single one of them is angling their SUV toward the mouth of the Cottonwoods.Except everyone skiing Sundance. Here's the locals bump we all wish we had: 300 inches of snow, 2,000-plus feet of vert, owners with the cash Gatlings blowing full auto. Everyone else, somewhere else. Most of the tourists. Most of the Salt Locals. Certainly the Epkon hordes, trying to ski their passes down to $5 a day. So, here it is: Utah skiing before all the things that changed Utah skiing, mostly for the worse. Twenty years ago? Thirty? Who cares. You found it. Enjoy it.What we talked aboutEarly snow in the West; from breakfast waiter to running the resort; when big brother takes you skiing; Sundance in the 1970s; setting yourself apart when you're the ski area down the road from the Wasatch; the longest-tenured ski resort employee in the country?; Timp Haven; enter Robert Redford; the resort's expanse and legacy of conservation; working for Redford; the origins and impact of the Sundance Film Festival; why Redford sold Sundance; a profile of the new owners; industry veteran Bill Jensen's impact on the resort; Sundance's rapid and radical transformation under its new owners; the fantastically weird Ray's lift and why the mountain finally upgraded it; bringing back the old Mandan lift unload and corresponding terrain; breaking down the new alignments for Stairway and Outlaw; why Red's isn't a high-speed lift; the massive new lift project Sundance is planning next and the potential terrain expansion that could go with that; what the new lift would mean for Flathead; why Outlaw ended up as a quad, rather than a six-pack; how Outlaw ended up running chairs from Big Sky's Swift Current quad; why the resort retired the Navajo lift in 1995, and brought back a similar lift called Jake's a decade ago; why Jake's runs on a different line than Navajo; Jake's odd lower mid-station; re-thinking the road that runs beneath Jake's; Sundance's huge snowmaking expansion; going deep on Sundance's Wildwood expansion and new lift; the return of hot bread and honey-butter; potential far-future expansion; upgrading the Bearclaw lodge; night-skiing; whether Sundance could expand its group of season pass reciprocal partners; and the possibility of Sundance joining Indy Pass.Why I thought that now was a good time for this interviewA decade ago, Sundance was a relic. Old lifts. Slow lifts. Fixed-grip lifts all. A handle tow at the bottom. No carpets. One chair out of the base: the unbelievable Ray's, a mile-long up-and-over doozy with two midstations and a ride time longer than the State of the Union. Some snowmaking. Not a lot. Not enough.Two years ago, longtime owner Robert Redford sold the joint. The new owners brought in Bill Jensen, a U.S. Ski & Snowboard Hall of Famer and onetime overlord of Breckenridge, Vail, Telluride, and Intrawest. Overnight, they smashed the place to bits and remade it in the image of a modern ski resort: Ray's demolished (it's going to live on at Lookout Pass), in its place a high-speed quad up the frontside – all the way up the frontside, to where the Mandan lift once landed – and a short connector lift in back; expanded night-skiing; dramatically expanded snowmaking; a trio of progression carpets at the base; more parking. This year: a 10-trail, 15-acre beginner-focused expansion. On its way out next: the 47-year-old Flathead triple. With what? You'll have to listen to the podcast for details on that.Once Flathead goes, Sundance will have one of the newest lift fleets on the continent (Redford did replace Arrowhead with a lift called Red's in 2016, and put in a new lift called Jake's in 2012), a reliable and modern collection buffeted by an ever-evolving snowmaking system that can defend the place from its relatively low elevation. It will have better skier flow, and (probably) more terrain for them to ski on.What it won't have are any of the ever-increasing numbers of Epkon Bros. The ones who won't ski anywhere off-pass. The ones obsessed with stats and biggest-tallest-most. The ones how don't mind company.Sundance is building something different. And it's something worth trying. What I got wrongI asked Chad why Jake's lift did not have a mid-station, like the old Navajo lift. Jake's does have a mid-station, of course, but it's just a touch higher than the bottom load. What I'd meant to ask was this, “why doesn't Jake's have a mid-mountain mid-station, as Navajo had?” I also incorrectly stated that Jake's followed the same line as Navajo, which was a bad reading of the trailmap on my part. Regardless, we sort it all out on the pod.Why you should ski SundanceIt's worth going a bit deeper on passes here, as Utah has what is probably the most mature megapass market of any major ski hub in America. All 14 of the state's major commercial ski areas are affiliated with one pass or another, including Sundance:If you've never heard of the Power Pass, it's the season pass for Mountain Capital Partners eight ski areas: Arizona Snowbowl, Purgatory, Hesperus, Brian Head, Nordic Valley, Sipapu, Pajarito, and Willamette Pass. Like the Ikon Pass, which includes Alterra's 14 ski areas plus a bunch of partners, the Power Pass has some add-ons: Copper Mountain, Loveland, Monarch, and Sundance. Here's the full roster:Anyway, it's a relatively low-volume regional pass, in no danger of overrunning Sundance or any other partner.Sundance doesn't have the elevation, snowfall totals, or sheer size of its megapass neighbors just to its north, but it doesn't have their crowds either, and it has just enough of those other things to make the skiing interesting. On weekends, on holidays, on fight-for-your-life LCC powder days, this is your post-up spot, an alternative where you can rack vert without really worrying about it and without really trying.Podcast notesSundance has one of the most interesting lift histories in the country. Most ski areas simply drop new lifts on their old lines. Sundance rarely does that, instead shuffling machines all over the mountain to try different configurations. Here's what the mountain looked like in 1988:In 1995, they removed the Navajo and Mandan doubles and installed the wacky Ray's, which landed lower than Mandan before curling over the mountain's backside:By 2012, Sundance realized it needed a second out-of-base lift again, and it build the Jake's quad. This lands approximately where Navajo did decades earlier, but follows a shorter line, starting from the newer, upper parking lots:Interestingly, the new Red's quad, built in 2016, follows approximately the same line as the Arrowhead triple, the 1985 Yan lift that it replaced, but Outlaw and Stairway both follow different lines than Ray's, with different load, unload, and mid-station points. Don't expect a direct replacement for Flathead either – Linebaugh outlines what that dramatic change will look like in the podcast.The Storm publishes year-round, and guarantees 100 articles per year. This is article 124/100 in 2022, and number 370 since launching on Oct. 13, 2019. Want to send feedback? Reply to this email and I will answer (unless you sound insane, or, more likely, I just get busy). You can also email skiing@substack.com.The Storm explores the world of lift-served skiing all year round. Join us. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.stormskiing.com/subscribe

En diciembre de 1900 tres guardianes del faro trabajando en un grupo aislado de islas en el Atlántico Norte desaparecieron sin dejar rastro. ¿Fue su desaparición el resultado de un extraño accidente? ¿O hubo algo más siniestro detrás de todo esto? El primer registro de que algo era anormal en las islas Flannan fue el 15 de diciembre de 1900 cuando la luz no funcionaba durante las condiciones climáticas adversas como lo hacía con regularidad en este tipo de clima. Cuando los miembros de una tripulación se acercaron a investigar descubrieron que el asta de la bandera no tenía bandera, todas las cajas de provisiones habituales se habían dejado en el embarcadero para reabastecerse y, lo que es más inquietante, ninguno de los trabajadores del faro estaba allí para darles la bienvenida en tierra. Jim Harvie, el capitán de Hesperus, intentó llamarlos haciendo sonar el silbato del barco y disparando una bengala, pero no tuvo éxito. Hasta el día de hoy, lo que sucedió en este lugar continúa siendo un enigma. 

Everybody howl!! Yes, this episode is all about werewolves. A bit of lore and an unusual werewolf story by Dean H. Wild. So, have that wolf bane handy, the full moon is rising...MusicFesliyan Studios: "Ghost Stories," "Venomous"Audio Jungle: "Halloween Waltzes,"Hesperus; Early Music Ensemble: "Colonial Music"    "Maiden Lane / Jack O'Lent / Chestnut / Bonny Broom"Dean H. Wild's website: https://www.deanwild.com/Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!), jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com         

Everybody howl!! Yes, this episode is all about werewolves. A bit of lore and an unusual werewolf story by Dean H. Wild. So, have that wolf bane handy, the full moon is rising...MusicFesliyan Studios: "Ghost Stories," "Venomous"Audio Jungle: "Halloween Waltzes,"Hesperus; Early Music Ensemble: "Colonial Music"    "Maiden Lane / Jack O'Lent / Chestnut / Bonny Broom"Dean H. Wild's website: https://www.deanwild.com/Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!), jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com         

Struggling against the harsh Decemeber weather, the relief vessel, "The Hesperus," crashed against the violent ocean waves as it made its way to the unlit lighthouse off in the horizon. The light had gone dark for several days now, and the men stationed there, weren't responding... As Captain Harvey docked the ship to the side of the isolated island, he and his men invaded the island, desperatly searching for the three who were supposed to greet them. But alas, not a single soul was found. The lightkeepers at Eilean Mor, had vansished without a trace... Join your host, Jordan Hopkins, as he unravels the century old mystery of the Flannan Isles Lighthouse. Website: https://www.moonlightlore.com/ Patreon: https://www.patreon.com/moonlightlore Email: Moonlightlorepodcast@gmail.com   Music used in this episode: https://www.purple-planet.com Kevin Macleod (incompetech.com)

Felix feels old after finding out his high school sweetheart is a grandmother, and drags Oscar into his misery, in S5E20 “Old Flames Never Die”.  We discuss 1) the production order of this episode 2) the implications of this storyline on how old Felix and Oscar are; 3) the second appearance of Oscar's “new” secretary Tina; 4) the numerous guest stars including the return of some old favorites; 5) how one of those guest stars, Leonard Barr, breaks the fourth wall and does his stand-up act for the studio audience; 6) the dancing in the episode; and 7) the reference to the wreck of the Hesperus.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

In 1900, the the newly Flannan isle lighthouse was staffed by three lightkeepers.  In December of that year a passing ship noticed the light was out at the light house and shortly after reporting the issue, a supply ship was sent to investigate.  When they approached the island, everything was quiet with no sign of life.  The mystery would only grow once they landed on the island and entered the lighthouse.Support the show (https://www.buymeacoffee.com/cosmicsponge)

David, Sue and Kendra are still using phrases that may seem outdated to some- but we LOVE THEM!! "Time To Make The Donuts" ... "Cool Beans"  .... "Up And At 'Em"

Callum is back and we go a little different this week as we discuss the Flannan Isle Lighthouse mystery. The mystery of Flannan Isle Lighthouse was first discovered when the steamer Anchtor made note in its log that the light was not working in bad weather conditions. This was further confirmed when the relief vessel Hesperus arrived at the island, and found the island in a mysterious state of disarray and the three men tasked with manning the lighthouse had also mysteriously disappeared.Find us on our socials;Website: www.ccunsolved.comInstagram: https://www.instagram.com/ccunsolved/Facebook: https://www.facebook.com/ccunsolvedTwitter: https://twitter.com/ccunsolvedEmail: ccunsolved@gmail.com

On Boxing Day, December 26th 1900, the lighthouse supply ship Hesperus arrived at the tiny island of Eilean Mor -- the largest of Flannan Islands off the northwestern coast of Scotland.  She was there to drop off food and supplies as well as relief keeper, Joseph Moore,  who was to begin his 6-week stint at the station.  But when repeated blasts of the horn and even a flare fired over the lighthouse failed to bring the keepers down to the dock, Captain Harvie became concerned.  So he sent Moore up to the lighthouse to discover why the men didn't come down to the landing to greet the ship.  Upon entering the living quarters, Moore found it deserted.   A thorough search of the island turned up few clues, but the bodies of the missing keepers were never found.  It was if James Ducat, Thomas Marshall and Donald McArthur had vanished into thin air.https://beyondthefringe.buzzsprout.com/

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.

Early in the second century a pagan named Catallus bought Hesperus, his wife Zoë, and their sons Cyriac and Theodulus as slaves. All of them were Christians, and would not eat anything that had been sacrificed to idols — they would throw all such food to the dogs and go hungry themselves. When Catallus learned of this, he was enraged and began to torture them cruelly, beginning with the children. When none of them could be moved from his confession of Christ, the entire family was cast into a hot furnace, where they gave up their souls to God. Their bodies remained unburnt.