Podcasts about Roulet

Entrevista de Pablo Wende a Néstor Roulet, productor agropecuario, ex vicepresidente de CRA, sobre la liquidación de soja, dólar y retenciones.

durée : 00:03:24 - Dimanche est un roman - par : Clara Dupont-Monod - Clara Dupont-Monod nous parle ce matin de “Frontières liquides, journal de lacs" de Daniel de Roulet, aux éditions Phébus.

durée : 00:03:24 - Dimanche est un roman - par : Clara Dupont-Monod - Clara Dupont-Monod nous parle ce matin de “Frontières liquides, journal de lacs" de Daniel de Roulet, aux éditions Phébus.

50 Jahre nach der Tat ist eine Neuauflage des Berichts von Daniel de Roulet mit einem neuen Nachwort des Autors erschienen.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Cette année, 5 auteurs ont été choisis pour le Prix du Roman des Romands. Un prix littéraire de 15'000 francs remis par la fondation Minkoff. Sa particularité: la personne est élue par des élèves. Pour cette nouvelle édition, 36 classes de jeunes de 15 à 19 ans proclameront le 30 janvier 2025, leur roman préféré. Les auteurs choisis en lice sont: Robin Corminboeuf pour un "Été à M.", Mélanie Croubalian pour "Azad", Daniel de Roulet pour "Le bonnet rouge", Marie Perny pour "Vie imaginaire de Cornelius G." et Mélanie Richoz pour son roman "Nani". Ce matin, le premier débat entre tous les élèves, les professeurs et les auteurs a eu lieu au Gymnase dʹYverdon-les-Bains. Layla Shlonsky était sur place pour les rencontrer.  

durée : 00:54:37 - Le 13/14 - par : Jérôme CADET - Retour sur la présentation du budget 2025 faîte hier par le Premier ministre Michel Barnier, dans un contexte économique jamais vu. Avec l'économiste Alexandra Roulet à 13h30 nous décortiquons les baisses et les hausses budgétaires prévues. - invités : Alexandra Roulet - Alexandra Roulet : Économiste et professeure à l'INSEAD Business School

durée : 00:13:12 - L'invité du 13/14 - par : Jérôme CADET - Présentation du budget 2025, le débrief avec l'économise Alexandra Roulet

Interview de Delphine Roulet Schwab, professeure à l'Institut et Haute Ecole de la Santé La Source et membre du Laboratoire d'enseignement et de recherche "Vieillissement et santé".

This episode I caught up with Stef from Little Wolf Canine Services to talk about KleeKai, scent detection with a purpose and other training stuff.

Elle remporte aujourd'hui-même le Prix du meilleur jeune économiste 2024Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Cluster B This show aims to educate the audience from a scientifically informed perspective about the major cluster B personality disorders: narcissism, histrionic, borderline, and antisocial. References: Edwards, K. M., Gidycz, C. A., & Murphy, M. J. (2015). Leaving an abusive dating relationship: A prospective analysis of the investment model and theory of planned behavior. Journal of Interpersonal Violence, 30(16), 2908–2927. Garofalo, C., Neumann, C. S., Zeigler-Hill, V., & Meloy, J. R. (2019). Spiteful and contemptuous: A new look at the emotional experiences related to psychopathy. Personality Disorders: Theory, Research, and Treatment, 10(2), 173–184. Sherman, R. O. (2013). Imposter syndrome: When you feel like you're faking it. American Nurse Today, 8(5), 57–58. Bothello, J., & Roulet, T. J. (2019). The Imposter Syndrome, or the Mis‐Representation of Self in Academic Life. Journal of Management Studies (John Wiley & Sons, Inc.), 56(4), 854–861. Hutchins, H. M. 1. hmhutchins@uh. ed., & Rainbolt, H. (2017). What triggers imposter phenomenon among academic faculty? A critical incident study exploring antecedents, coping, and development opportunities. Human Resource Development International, 20(3), 194–214. Hutchins, H. M., Penney, L. M., & Sublett, L. W. (2018). What imposters risk at work: Exploring imposter phenomenon, stress coping, and job outcomes. Human Resource Development Quarterly, 29(1), 31–48. Want more mental health content? Check out our other Podcasts: Mental Health // Demystified with Dr. Tracey Marks  True Crime Psychology and Personality Healthy // Toxic Here, Now, Together with Rou Reynolds Links for Dr. Grande Dr. Grande on YouTube Produced by Ars Longa Media Learn more at arslonga.media. Produced by: Erin McCue Executive Producer: Patrick C. Beeman, MD Legal Stuff The information presented in this podcast is intended for educational and entertainment purposes only and is not professional advice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zwei Nobelpreisträger im lesenswert Magazin: Louise Glück und Abdulrazak Gurnah. Und: Daniel de Roulet, Sam Knight, Claire Keegan und ein Tusch zum 150. von Karl Kraus.

Was nur wenige wissen: Die rote Mütze, die zum Symbol der Französischen Republik wurde, war ursprünglich die Kopfbedeckung von Schweizer Söldnern, die in den französischen Revolutionswirren Ende des 18. Jahrhunderts meuterten und hart bestraft wurden. Ihre Lebensgeschichten sind mehr als eine Fußnote der europäischen Geschichte, findet der Genfer Schriftsteller Daniel de Roulet und erzählt sie spannend nach. Ein Porträt von Kathrin Hondl

Plein-emploi, peut-on encore y croire ?Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

LiteraturPur #39:  Nach den Anarchistinnen aus dem Jura jetzt ein Söldner aus Genf. Der Schriftsteller Daniel de Roulet aus Genf greift auch in seinem neusten Roman «Die rote Mütze» ein historisches Thema auf. Und wieder ist es Geschichte von unten. Daniel de Roulet erzählt von rebellischen Schweizer Söldnern zur Zeit der französischen Revolution. Diese wagen den Aufstand, weil sie ihren Sold nicht bekommen. Daniel de Roulet interessiert sich bei historischen Stoffen für Fragen wie: Was sagen uns solche Ereignisse aus der Vergangenheit heute noch? Wie soll man davon erzählen. Und wie kommt es, dass in der Geschichtsschreibung vor allem die Herrschenden zu Wort kommen? Darüber reden wir im Podcast LiteraturPur. Und der Autor verrät mir, dass in allem was er schreibe Politik drin ist. Sogar die Liebe sei in seinen Romanen politisch, sagt Daniel de Roulet, der dieses Jahr gerade 80 Jahre alt geworden ist. Er verstehe sich als politischer Autor. «Die rote Mütze» ist deutscher Übersetzung (Maria HOffmann-Dartevele) im Llimmat Verlag erschienen. 

Rudolf Flükiger, 21-jähriger Bauernsohn aus Jegenstorf BE, absolviert im Herbst 1977 im Jura die Unteroffiziersschule – nach einem Orientierungslauf wird er vermisst. «HG zerriss den Unteroffizier!», lautet eine Schlagzeile. Bald heisst es: Selbstmord. An dieser Sicht gibt es bis heute Zweifel. Es ist eine aufgeheizte Stimmung 1977: Jurassische Separatisten wollen endlich einen eigenen Kanton, eine Volksabstimmung steht bevor. Und in Deutschland geht die Angst vor Linksterroristen um, die Attentate verüben und Geiseln nehmen. Ein toter Berner Soldat im Jura nahe der Grenze zu Frankreich kommt da höchst ungelegen. Eine der Thesen zum Fall Flükiger deshalb: Sein Tod sei nie abschliessend geklärt worden, um damals keine Unruhe aufkommen zu lassen. Das sagt der Schriftsteller Daniel de Roulet, der die Ereignisse in einem Roman verarbeitet hat. Die Tötung des Aspiranten Flükiger sei mit einem angeblichen Selbstmord vertuscht worden, sind heute viele überzeugt. Es fragt sich: Wer hat den 21-Jährigen getötet? Weshalb? «DOK» taucht in die damalige Zeit ein und geht möglichen Erklärungen nach.

Rudolf Flükiger, 21-jähriger Bauernsohn aus Jegenstorf BE, absolviert im Herbst 1977 im Jura die Unteroffiziersschule – nach einem Orientierungslauf wird er vermisst. «HG zerriss den Unteroffizier!», lautet eine Schlagzeile. Bald heisst es: Selbstmord. An dieser Sicht gibt es bis heute Zweifel. Es ist eine aufgeheizte Stimmung 1977: Jurassische Separatisten wollen endlich einen eigenen Kanton, eine Volksabstimmung steht bevor. Und in Deutschland geht die Angst vor Linksterroristen um, die Attentate verüben und Geiseln nehmen. Ein toter Berner Soldat im Jura nahe der Grenze zu Frankreich kommt da höchst ungelegen. Eine der Thesen zum Fall Flükiger deshalb: Sein Tod sei nie abschliessend geklärt worden, um damals keine Unruhe aufkommen zu lassen. Das sagt der Schriftsteller Daniel de Roulet, der die Ereignisse in einem Roman verarbeitet hat. Die Tötung des Aspiranten Flükiger sei mit einem angeblichen Selbstmord vertuscht worden, sind heute viele überzeugt. Es fragt sich: Wer hat den 21-Jährigen getötet? Weshalb? «DOK» taucht in die damalige Zeit ein und geht möglichen Erklärungen nach.

Einmal das schlimme Schicksal Schweizer Söldner in «Die rote Mütze» von Daniel de Roulet, einmal die dystopischen Vorstellungen der amerikanisch-chinesischen Schriftstellerin C Pam Zhang in «Wo Milch und Honig fliessen». Das das Angebot am Literaturstammtisch im BuchZeichen. In seinem aktuellen Buch «Die rote Mütze» schildert der Westschweizer Autor Daniel de Roulet das grässliche Los von Schweizer Söldnern in Frankreich zur Zeit der französischen Revolution. Wegen Meuterei werden sie mit Haft, Folter oder gar Hinrichtung bestraft. Verantwortlich für die Menschenschinderei war ein Vorfahre Daniel de Roulets, der nun den Opfern eine Stimme gibt und so gegen die Bluttaten seines Verwandten anschreibt. Ein überaus packender und erhellender Roman, sagt Felix Münger. Dichter Smog, der die Erde umhüllt, und eine globale Hungersnot. Dieser dystopischen Welt entflieht eine junge Köchin in eine mysteriöse Bergkolonie der italienischen Alpen. Dort gedeiht das ausgestorben Geglaubte noch in Fülle: Frische Erdbeeren, Trüffel, bengalische Tiger. Der Roman, den Lea Dora Illmer an den Literaturstammtisch bringt, ist ein sinnliches Meisterwerk, das fragt: Haben wir ein Anrecht auf Genuss in einer Welt ohne Zukunft? Auch der Buchtipp dreht sich um grosse Themen. Er beinhaltet lyrische Gegenmittel gegen Leiden wie Eifesucht, Einsamkeit oder Lebensüberdrüssigkeit. Gemeint ist «Doktor Erich Kästners lyrische Hausapotheke», die Michael Luisier anlässlich des bevorstehenden 125. Geburtstag des grossen deutschen Schriftstellers zur Wiederentdeckung empfiehlt. Buchangaben: * Daniel de Roulet. Die rote Mütze. Aus dem Französischen von Maria Hoffmann-Dartevelle. 168 Seiten. Limmat, 2024. * C Pam Zhang. Wo Milch und Honig fliessen. Aus dem Amerikanischen von Eva Regul. 272 Seiten. S. Fischer, 2024. * Erich Kästner. Doktor Erich Kästners lyrische Hausapotheke. 225 Seiten. Neuausgabe. Artium, 2021.

(00:00:56) Der Wirtschaftshistoriker Adrian Knoepfli hat ein Buch geschrieben über ein fast vergessenes Zürcher Künstlerpaar: Walter und Pia Roshardt. (00:17:41) Die Socialmedia-Plattform TikTok und der Musikkonzern Universal im vertragslosen Zustand – Was bedeutet das? (00:22:16) Augusto Giacometti – der farbenfrohe Onkel des berühmteren Bildhauers Alberto Giacometti im Aargauer Kunsthaus. (00:26:43) «Die Rote Mütze» – Der neue Roman vom Westschweizer Daniel de Roulet erscheint zu dessen 80. Geburtstag. (00:31:12) Von keinem anderen Schauspieler gibt es so viele Memes und GiFs - Dem Internetphänomen Nicolas Cage widmet sich das Xenix in Zürich. (00:35:55) Überraschende Erkenntnisse zur Frühgeschichte des Homo sapiens.

It's a reality that more employees are discussing their mental health in the workplace. And proactive leaders can serve their teams better by listening and responding. At the same time, managers can't play the role of a therapist or the HR department. Counseling psychologist Kiran Bhatti and University of Cambridge leadership professor Thomas Roulet argue that following the basic practice of cognitive behavioral therapy can serve managers well. The researchers explain the mental-health first-aid tool, how managers can help employees address emotional distress and negative behavioral patterns, and how that can strengthen the work culture and ultimately the business. Bhatti and Roulet wrote the HBR article, “Helping an Employee in Distress.”

En 1789, ce ne sont pas moins de 24'000 mercenaires Suisses qui sont au service du roi de France. Pourtant, malgré leur loyauté, certains sont séduits par les idées de Rousseau, et seront au centre d'une célèbre rébellion à Nancy. Daniel de Roulet choisit la forme originale de la prose coupée pour ce récit historique où l'on découvre l'histoire peu connue de l'adoption du bonnet rouge comme grand symbole de la Révolution. Par Ellen Ichters.

This week we discuss our new PPV idea, UFC 292, and the past few cards.contact:theoilcheck@gmail.com

Souvent, lorsqu'on nous parle déclenchement, c'est la panique pour les futures mamans. La peur de la césarienne et/ou des complications est presque inévitable, et poutant ... tout peut parfois très bien se passer ! Célia nous raconte aujourd'hui son expérience du déclenchement qui s'est merveilleusement bien passée et par voie basse ! Tu es prête ? C'est partit !  Envie d'en savoir plus, d'échanger ou de partager ton histoire toi aussi, rendez-vous sur Instagram : @hello_maman_off et @balance_ton_accouchement et sur www.hello-maman.comHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tausende Anarchistinnen und Anarchisten treffen sich bis am Sonntagabend in St-Imier im Berner Jura am internationalen antiautoritären Treffen. Daniel de Roulet sympathisiert seit Jahrzehnten mit der antiautoritären Bewegung und spricht über das Treffen in seiner Geburtsstadt. Weiter in der Sendung: * Besuch in der Verkehrsmanagementzentrale des Bundes in der Zentralschweiz: Von hier aus wird der Verkehr in der Schweiz geleitet.

On this February 15, 2023, Locker Room Talk in the spirit of the Mardi Gras season we look at who is "on a roll" like Andy Reid and Pat Mahomes after another Super Bowl title! --- Support this podcast: https://podcasters.spotify.com/pod/show/dan-n-joesportsshow/support

Débat entre Elisabeth Bühlmann, présidente de la section romande du Tesla Owners Club, Maëlle Roulet, avocate et spécialiste de la protection des données, et Anouch Seydtaghia, journaliste au Temps et spécialiste des nouvelles technologies.

La Ville de Genève a présenté ses comptes pour 2022. Avec un excédent de près de 149 millions de francs. La conseillère municipale PLR, Michèle Roulet était invitée de Béatrice Rul, à 7h35, dans Radio Lac Matin.Quelle compensation pour les habitants de Genève? Daniel Sormani, élu MCG, demande un chèque de 1500 francs pour les ménages modestes."On espère qu'il y a aura des retombées pour les habitants de la Ville. Rendre à la population ce qui a été trop ponctionné dans la poche du contribuable, on serait assez d'accord mais pas sous la forme d'une prime car c'est vider un peu cet excédent fiscal qui nous arrive de façon fort heureuse. Non, il faut diminuer la fiscalité à Genève car quand on diminue les impôts, il y a un effet dynamique: c'est soutenir les entreprises et le pouvoir d'achat et de façon plus pérenne que par des mesures ponctuelles"

El Ingeniero Agrónomo y Productor agropecuario charló con Eduardo Battaglia sobre las ganancias del Estado y las pérdidas del campo en esta sequía histórica.

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.02.14.528378v1?rss=1 Authors: Chin, R. M., Rakhit, R., Ditsworth, D., Wang, C., Bartholomeus, J., Liu, S., Mody, A., Laihsu, A., Eastes, A., Tai, C., Kim, R., Li, J., Hansberry, S., Khasnavis, S., Rafalski, V., Heerendeen, D., Garda, V., Phung, J., de Roulet, D., Ordureau, A., Harper, J. W., Johnstone, S., Stoehr, J., Hertz, N. T. Abstract: PINK1 loss-of-function mutations and exposure to mitochondrial toxins are causative for Parkinson's disease (PD) and Parkinsonism, respectively. We demonstrate that pathological alpha-synuclein deposition, the hallmark pathology of idiopathic PD, induces mitochondrial dysfunction and impairs mitophagy, driving accumulation of the PINK1 substrate pS65-Ubiquitin (pUb) in primary neurons and in vivo. We synthesized MTK458, a brain penetrant small molecule that binds to PINK1 and stabilizes an active heterocomplex, thereby increasing mitophagy. MTK458 mediates clearance of -synuclein pathology in PFF seeding models in vitro and in vivo and reduces pUb. We developed an ultrasensitive assay to quantify pUb levels in plasma and observed an increase in pUb in PD subjects that correlates with disease progression, paralleling our observations in PD models. Our combined findings from preclinical PD models and patient biofluids suggest that pharmacological activation of PINK1 is worthy of further study as a therapeutic strategy for disease modification in PD. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

De Stendhal à Agota Kristof, d'Annemarie Schwarzenbach à Proust, Daniel de Roulet signe les portraits par l'anecdote de vingt-trois écrivaines et écrivains à des moments décisif de leur parcours littéraire. Une promenade sans titre de transport qui fait le lien entre hier et aujourd'hui. Par Salomé Kiner.

Photographie, graphisme, musique: Yann Roulet aime jouer avec les images, jusque dans les paroles de ses chansons. Rencontre avec un artiste multi-casquettes.

Photographie, graphisme, musique: Yann Roulet aime jouer avec les images, jusque dans les paroles de ses chansons. Rencontre avec un artiste multi-casquettes.

Jean-Blaise Roulet et Partage-Riviera à Vevey

Jean-Blaise Roulet et Partage-Riviera à Vevey by Radio Réveil

DFT Info: http://deerfieldtheater.com Performances: Fridays, November 11 (sold out) & 18, 7:30 pm Saturdays, November 12 & 19, 7:30 pm Sundays, November 13 & 20, 2:00 pm Purchase Tickets: https://bit.ly/3othZ4Q Message us: https://anchor.fm/dft

Le documentaire diffusé ce dimanche dans le cadre de "Mise au point: la grande édition" sur RTS un emmène le public dans les coulisses du Palais fédéral, au plus près de la réalité des élus, à un an des prochaines élections. Une réalité loin de lʹimage médiatique habituelle, où se révèle un quotidien souvent fastidieux, toujours laborieux et parfois ingrat. Antoine Droux reçoit dans Médialogues le journaliste François Roulet, qui a suivi les quatre membres du conseil national qui figurent dans le film lors de la dernière session dʹété.

For podcast #80, I had the chance to speak with Patrice Roulet Fontani Vice President, Technology and Co-Founder of ImmerVision based out of Montreal. After completing his Master's degree in image processing and computer graphics, Patrice joined the INRIA, contributing to research in the robotic surgery field. He also co-founded Immervision where he leads the engineering team. In addition, Patrice contributes to IP growth and the adoption of Immervision's technology by global corporations. He has overseen the integration of wide-angle imaging technology in numerous industry verticals and is also an IEEE Senior Member, invited speaker at various conferences, and co-author of multiple publications and patents. Questions: Tell us about Immervision, and what you do with regard to vision systems for robotics? What unique research/work are you doing in the field of Robotics, and in particular for vision systems? What are you seeing as the biggest challenge for vision systems in robotics? What makes your approach different? Explain, why robot vision must integrate with human vision. Provide a solution to overcome this challenge. Can you elaborate on the problem of dual computer and human vision, and what you are seeing as the most viable solution? With over 20 years of innovation, Immervision creates solutions that see beyond human vision. Its Deep Seeing technology and renowned experts in wide-angle optical design and image processing enable smart devices with superhuman eyes to capture high quality visual and contextual data. The company invents, customizes, and licenses wide-angle lenses and imaging software technology for AI, machine vision and user applications, from capture to display, in the mobile, automotive, robotics, security, and other industrial and consumer product industries. Enjoy the podcast. Thanks for subscribing, thanks for listening. Regards, Jim Jim Beretta Customer Attraction Industrial Marketing & The Robot Industry Podcast Thanks to Patrice Roulet Fontani, a very professional Paige McEachren, and our partners: A3 The Association for Advancing Automation and PaintedRobot. If you would like to get involved with The Robot Industry Podcast, would like to become a guest or nominate someone, you can find me, Jim Beretta on LinkedIn or send me an email to therobotindustry at gmail dot com, no spaces. Our sponsor for this episode is Ehrhardt Automation Systems. Ehrhardt builds and commissions robotic turnkey automated solutions for their worldwide clients. With over 80 years of precision manufacturing they understand the complex world of automated manufacturing, project management, supply chain and delivering world-class custom automation on-time and on-budget. Contact one of their sales engineers to see what Ehrhardt can build for you at info@ehrhardtautomation.com Keywords and terms for this podcast: Immervision, #therobotindustrypodcast, Patrice Roulet Fontani For more information: www.immervision.com. 

Culte en direct du Temple protestant de Châtel-St-Denis, avec Florence Blaser pour la prédication. Martine Rod, Marie-Jeanne Isenmann, Claudine Koenig et Monika Pittet pour les lectures. Avec la participation musicale de Fabio Antoniello au piano, Regula Bartels et Gisèle Roulet à la flûte à bec, et l'ensemble vocal «Allegra» de la paroisse réformée de la Glâne-Romont, sous la direction de Regula Bartels.. Présentation : Michel Kocher Lectures bibliques : Esaïe, chapitre 51, versets 9 à 15 2 Corinthiens, chapitre 4, versets 6 à 9 Matthieu, chapitre 8, versets 23 à 27 Trois trésors pour nous donner du courage dans les tempêtes de la vie Le récit de la tempête apaisée (dans l'évangile selon Matthieu 8, 23-27) contient des trésors qui peuvent nous donner du courage lorsque nous sommes ballottés par les flux et reflux de la vie. Nous découvrirons trois trésors à garder dans un coin de notre cœur et de notre mémoire - notre boîte à trésors, qui nous est si précieuse dans les moments de découragement.

Les membres du collectif Bern ist überall rendent un hommage émouvant à l'écrivaine genevoise Laurence Boissier. Avec: Collectif Bern ist überall, Adi Blum, Ariane von Graffenried, Antoine Jaccoud, Gerhard Meister, Noëlle Revaz, Daniel de Roulet, Beat Sterchi, Maru Rieben Date: 1er juin 2022

Le podcast d'impro bruxellois est ravi de vous retrouver pour sa troisième saison !On n'a rien préparé vous propose 30 minutes d'improvisation théâtrale radiophonique chaque semaine. Cette semaine, nous retrouvons Odile Cantero ! Improvisatrice depuis qu'elle est ado, elle s'est formée en Suisse et à Chicago avant d'écumer les scènes suisses et internationales depuis un sacré paquet d'années, elle est notamment active dans La Comédie Musicale Improvsée, Lausanne Impro, Paris Impro et bien d'autres. Mais n'hésitez pas à aller en voir bien davantage sur son fabuleux site : www.odilecantero.com ! Dans cet épisode, 10:30 – On vous reçoit avec Sylva dans « l'amour partagé, l'amour parlé », notre radio libre du jour, 23:00 – on chante l'amour tout en parfum, 29:35 – on s'apprête à libérer un papillon dans des styles différents, 42:05 – on écoute le coup de cœur d'Odile ! Le coup de cœur d'Odile est pour « Dix petites anarchistes », un livre écrit par Daniel de Roulet (https://www.babelio.com/livres/Roulet-Dix-petites-anarchistes/1055679) ! N'hésitez pas à partager cet épisode et à vous abonner au podcast. Si vous en avez les moyens et l'envie, passez mettre quelque chose sur notre chapeau virtuel par ici : https://www.utip.io/onnarienprep/ ! C'était le dernier épisode de la troisième saison d'On n'a rien préparé. On se réjouit déjà de vous retrouver en septembre avec plein d'invité‧e‧s, de fun, de surprises et d'impros... presque pas préparées, sinon ce ne serait pas de l'impro ! Passez un bel été, prenez bien soin de vous et à la saison prochaine !

We have all been impacted by the COVID-19 pandemic… perhaps we have had COVID ourselves, perhaps friends, family and loved ones have suffered. Yet how has the COVID-19 pandemic impacted on wellness and well -being in the workplace? And what does this mean for individuals and organisations? For this, our 50th episode, we speak to Professor Thomas Roulet of the University of Cambridge to explore the trends in workplace wellness and wellbeing, and consider what the future might hold. Thomas Roulet is Associate Professor in Organisation Theory at the University of Cambridge and Deputy Director of the MBA Programme at Judge Business School. He is a Fellow in Sociology and Director of Studies in Management at Girton College, Cambridge, and Bye-Fellow and Co-Director of the King's Entrepreneurship Lab at King's College Prior to starting an academic career, Thomas worked in Debt Capital Markets on a trading floor in London, and for the Center for Entrepreneurship at the Organization for Economic Cooperation & Development (OECD) in Paris. His work has appeared in a variety of scientific outlets in management, including the Academy of Management Journal, Academy of Management Review, Academy of Management Annals, Journal of Management Studies, British Journal of Management), ethics (Business Ethics Quarterly, Journal of Business Ethics, Business & Society), and more broadly in social sciences and sociology His book The Power of Being Divisive: Understanding Negative Social Evaluations was the runner-up for the George Terry book award of the Academy of Management in 2021, an award recognising the book having made the most important contribution to the field of management. The Financial Times described the book as “a fascinating study of the social-media fuelled and fast-changing landscape of public opinion, and the possible ways in which that might be beneficial”. Thomas' personal website is www.thomasroulet.com

Sita Potacheruva s'est entretenue avec  Heidi Kipfer, responsable de la troupe de théâtre "Mezza Luna" qui existe depuis 2004 et qui propose une adaptation du texte de Daniel de Roulet  "dix petites anarchistes", éditions Buchet-Chastel, 2018 et qui a été sur les ondes du "Radioliteractif".

"Ni Dieu, ni maître, ni mari !" Révoltées par les injustices, dix ouvrières de Saint-Imier partent au bout du Monde fonder une communauté. Roman de Daniel de Roulet ancré dans le 19ème siècle, "Dix petites anarchistes" est aujourdʹhui un spectacle rondement joué, dansé et chanté par la Compagnie Mezza Luna. Au micro de Thierry Sartoretti, la metteuse en scène Julie Burnier et la comédienne Heidi Kipfer racontent cette aventure théâtrale au parfum dʹutopie. En tournée : Mézières, Théâtre du Jorat, le 29 avril 2022. Lausanne, le 2.21, du 3 au 8 mai 2022. Martigny, lʹAlambic, le 12 mai 2022. Gland, Théâtre de Grand Champs, les 13 et 14 mai 2022.

Charles takes the lead again, recounting the adventures of an unfortunate uncle.   Cast List Herbert - Carl Cubbedge Warren - Glen Hallstrom Charles - Michael Coleman (Tales of the Extraordinary) Richard - Philemon Vanderbeck Edward - Mathias Rebne-Morgan Randolph - Sebastian Orr Elihu, uncle - Charles Austin Miller Ann, servant - Julie Hoverson Music by incompetech.com and a-mclassical.com Editing and Sound:   Julie Hoverson Cover Design:  Julie Hoverson / Brett Coulstock   "What kind of a place is it? Why it's Charles' study again, can't you tell?" ********************************************************************** THE SHUNNED HOUSE (Lovecraft 5, #6) Cast: Edward, a writer Charles, a dilettante Herbert, a scientist Richard, a painter Warren, a professor Randolph, cousin Elihu, uncle Ann, servant   OLIVIA     [opening credits] Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, we've returned to Charles' comfortable brownstone, can't you tell?  Scene 1.    MUSIC SOUND     MUSIC PLAYS CHARLES    I should warn you all from the outset that this is a rather more mundane story than most of those brought to this gathering. EDWARD    As long as you feed me this well, Charles, I'd listen to a story about a dog. RICHARD    Oh?  I know this fellow in Andalusia...  A friend of a friend. CHARLES    [cutting in] My story involves... a vampire. EDWARD    And you tell us?  Right up front?  That's poor narrative framing. CHARLES    No, no, there's a perfectly good reason to get it out in the open right away. HERBERT    Vampires?  Haven't they been adequately explained by contemporary science? CHARLES    See?  WARREN    The existence of vampires has been .. debatable... for several centuries. EDWARD    Ah. HERBERT    The vampire myth is almost certainly explainable.  Most simply by common or garden anemia-- WARREN    Or any number of similarly communicable diseases, for example, consumption-- HERBERT    Tuberculosis. WARREN    --which, until very recently, were often attributed to supernatural origin. HERBERT    But now, with our understanding of germs and the vectors of infection, vampires must be relegated to the vast list of creatures that have been debunked. CHARLES    [aside] I'll give Warren and Herbert one more minute. RICHARD    I'm just stunned that they seem to be on the same side.  Science and History are usually at odds. EDWARD    Fiction can go either way.  WARREN    It's fascinating to consider the mindset that created a myth such as that of the vampire.  RICHARD    Created?  You think someone sat down and designed them, like a new model of automobile? WARREN    Created it to account for otherwise inexplicable events.  EDWARD    More like a detective, trying to piece together a crime from the clues. WARREN    Do you know that in historical folklore, vampires were said to always return and prey on members of their own family before passing to others? HERBERT    Again, a simple disease contagion statistic.  With the substandard hygiene of past eras, it was almost inevitable that those in close proximity to a dying person were the most likely-- CHARLES    Enough!  [moment of silence] Scene 2.    CHARLES    Thank you for the erudite exposition.  I'm quite sure we'll come back to this throughout the lecture. EDWARD    [laughing] Please raise your hand if you have any questions. RICHARD    Over here? CHARLES    [chuckling]  The chair recognizes the commissioner for art.  Richard? RICHARD    Thank you.  My question - does the name Stoker come into this story anywhere? CHARLES    No.  Despite the nature of the central creature involved, or supposedly involved, the story has a long and verifiable history, which began well before any of such contemporary novels appeared on bookstands.  EDWARD    I dunno - there have been similar creatures haunting Gothic novels for nearly two centuries. WARREN    Aren't they all explained away by the end of the book?  EDWARD    Only in Radcliffe. RICHARD    You need a gavel, Charles, so you can call us to order. Scene 3.    CHARLES    My story is about a house. EDWARD    A vampire house? [laughs] CHARLES    Well....  A cursed house. WARREN    A curse?  AND a vampire? EDWARD    Do you mean a house in the sense of a family line or a physical house? CHARLES    The latter.  This house happens to be in Providence.  And while I could lie and tell you this was another personal experience, in truth, it happened to a cousin of mine. EDWARD    Your cousin is a vampire house? HERBERT    You forgot to raise your hand, Edward. CHARLES    This particular area of Providence was haunted by Poe in his day.  Sometime in the 1840s, he was wont to pass by this very house on visits to the poetess Mrs. Whitman.  RICHARD    Whitman?  Should we know her? EDWARD    We certainly know Poe. CHARLES    She was an ardent spiritist and something of an early suffragette.  I haven't come across any of her writings myself.  Almost as much a draw as the lady, though, St. John's churchyard was also along Poe's route. EDWARD    Is Poe in this story? CHARLES    He's merely making an appearance for historical perspective.  Setting the time and place. WARREN    Understood. CHARLES    The point - the irony is this - the world's greatest master of the terrible and the bizarre regularly passed a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side hill.  There is no evidence that he even noticed it.  And yet that house, to certain persons, equals or outranks in horror Poe's wildest phantasy. EDWARD    [avid] Now we get into it! CHARLES    The house was - and for that matter still is - of a kind to attract the attention of the curious.  It followed the colonial lines of the middle eighteenth century - the prosperous peaked-roof sort of farm house; two stories; dormerless attic; Georgian doorway and interior paneling. RICHARD    All the best accoutrements of the mid 1700s? CHARLES    Ayup.  Facing south, it's buried to the lower windows in the hillside, and exposed to the foundations on the street. RICHARD    [knowing] I've seen a few of those. CHARLES    Its construction, over a century and a half ago, followed hard upon the rerouting of the nearby road.  Benefit Street - at the time called Back Street - wound through the graveyards of the first settlers.  It was straightened only when the removal of the bodies to the North Burial Ground made it decently possible to cut across the old family plots. EDWARD    Aha! HERBERT    A house built over the miasmatic remains of a graveyard?  Simply begging for some festering disease to seep in through the foundation. Scene 4.    WARREN    Uh... May I? CHARLES    Recognized. WARREN    When you speak of this being a "vampire", do you specifically speak of a walking corpse that drinks blood, or the more classic creature of folklore which is something like a stealer of soul or essence? HERBERT    Warren!  You sounded almost impartial before, and now this? WARREN    Whether or not I believe in such a creature, it's important to uncover what the people involved believe, regardless of the underlying source. HERBERT    Hmph. CHARLES    I may have to leave the ultimate decision up to you as to what particular phylum this entity falls into. HERBERT    Don't try to make taxonomical jokes.  It doesn't suit you. CHARLES    Moving on.  I should point out that while I was not a witness to all the events of my story, I have been to - and in fact, been in - the house in question. EDWARD    Do tell? CHARLES    Boys will be boys, and visits in my youth to my cousin-- EDWARD    The one who witnessed these events? CHARLES    Ayup.  Visits with his family every summer.  And many boyish dares ended with someone venturing into the empty, foreboding edifice. WARREN    Empty?  Providence isn't a place where houses generally stand empty for long. CHARLES    Precisely.  And this one should have been occupied, except for-- EDWARD    The vampire?  Or the Curse?  The Curse of the Vampire? CHARLES    Not precisely.  You see the house wasn't associated with anything like that at the time, it was simply thought... unlucky. HERBERT    [very snide] Oh, yes.  That's much more classifiable. CHARLES    People just kept dying in the house.  Individually, they were generally attributed to something more along the lines you've suggested, Herbert - bad air, foul fungus in the basement, something material and accountable, and yet... EDWARD    Yet? Scene 5.    CHARLES    That's for later.  There's quite a tragic history to the house, which I will touch upon, but let me finish with my own impressions first - the facts, anyway.  HERBERT    Well, I can agree with that. CHARLES    It was the dank, humid cellar which exerted the strongest repulsion on us - even though it was wholly aboveground on the street side, with only a thin door and window-pierced brick wall to separate it from the busy sidewalk.  We scarcely knew whether to haunt it in spectral fascination, or to shun it for the sake of our souls and our sanity. HERBERT    Facts, he says.  Hmph. CHARLES    For one thing, the bad odour of the house was strongest there; and there were white fungous growths which occasionally sprang up in rainy summer weather from the hard earthen floor. HERBERT    What kind of fungi? CHARLES    I'm no expert.  Something between toadstools and Indian pipes?  They rotted and became slightly phosphorescent; so that nocturnal passers-by sometimes spoke of witch-fires glowing behind the broken panes of the foetor-spreading windows. RICHARD    [shudder]  Interesting.  [musing] True phosphorescence is a colour that's so hard to capture...  CHARLES    We never - even in our wildest Hallowe'en moods - visited this cellar by night, but in some of our daytime visits could detect the glowing of the fungi, especially when the day was dark and wet.  And something else... [trails off] WARREN    [sincere] It really bothered you, didn't it? CHARLES    Distressing events have so much more influence when one is impressionable ...and young.  [shaking it off]  Lets have a bit more of vampires while I regain my composure - meaning while I fetch myself something to drink.  Warren, if you would?  Scene 6.    WARREN    Oh, well...  Some basic facts, then.  Vampires were originally believed to be a form of revenant - the returning spirit of a recently deceased person, not a physical manifestation at all.  EDWARD    Really?  Not bloated corpses returning to gorge on the gore of gorgeous...um, gamines? RICHARD    [laughs]  Gratuitous.  I believe it was Stoker who started a lot of what most people think of as "vampire traditions?" WARREN    I confess I am not particularly conversant with the novel.  I'm not much for such sensational fiction. EDWARD    I am. RICHARD    I am. HERBERT    Don't look at me. EDWARD    Go on. RICHARD    [prompting] They drink blood? WARREN    Probably attributable to either anemia, as Herbert suggested, or to any number of wasting diseases that plagued people.  EDWARD    But what about the bite marks? HERBERT    Disease sores.  Or the predation of rats.  Which, in turn, spread disease.  WARREN    Very likely.  Rats have lived cheek and jowl with humans since the dawn of civilization. RICHARD    Stoker did make the connection between his vampire and rats - he was supposed to be able to summon and control them. HERBERT    If you consider the "vampire" as symbolic of disease, then its presumed connection to rats is fairly logical. RICHARD    But Dracula also couldn't enter a home without being invited? CHARLES    [drink - ahh] On the other hand, we boys could, and did.  Why don't I take my narrative back up? Scene 7.    WARREN    Go ahead.  CHARLES    I won't be able to adequately describe the place to convey the depth of the horror we felt in its presence.  EDWARD    We promise to laugh quietly. CHARLES    No need.  [deep breath, bracing himself]  There was this sort of cloudy whitish pattern on the dirt floor - a vague, shifting deposit of mould or nitre which we usually seemed to be able to trace out amidst the sparse fungous growths near the huge fireplace of the basement kitchen. EDWARD    Something carved into the floor? CHARLES    Floor was dirt.  No.  This patch... it bore an uncanny resemblance to a doubled-up human figure.  RICHARD    Like some sort of primitive grave-marking? CHARLES    [growing haunted] On one certain rainy afternoon I fancied I glimpsed a thin, yellowish, shimmering exhalation rising from the nitrous pattern toward the yawning fireplace.  [brisk]  Shortly after, my cousin and I broached this to our uncle. WARREN    Perhaps you could put names to these people?  CHARLES    Of course.  My cousin - well, I'll just call him Randolph, and our uncle's name is Elihu Whipple.  Doctor Elihu Whipple. WARREN    Whipple?  I know him - or have met him, but didn't he recently--? CHARLES    [cutting him off]  Yes, yes.  I'll get there. EDWARD    Ooh!  A mystery. CHARLES    Uncle Elihu never pooh-poohed our concerns about the house.  As it turned out he'd done a good deal of research on it, himself. RICHARD    The house is still standing, is it?  Might be worth making a day trip to Providence - or rather a night trip. CHARLES    Probably futile - the house has been cleaned and is once more gainfully employed. EDWARD    A happy ending?  To a vampire story?  Say it isn't so! WARREN    [grim] Not as happy as all that, I warrant. EDWARD    Not fair!  You know something! RICHARD    How do you mean the house has been cleaned? CHARLES    Everything natural around the house used to be ... wrong.  From the aforementioned fungus to the tree roots that grew into the cellar, and the weeds that flourished in the back yard - everything was twisted and flabby and somehow unnatural.  And now-- EDWARD    All better? CHARLES    Yes.  But at a cost. WARREN    [serious] Yes. CHARLES    The history of the house is long-winded, statistical, and drearily genealogical, but there runs through it a continuous thread of brooding, tenacious horror and preternatural malevolence.  My cousin and uncle apparently became obsessed with charting every death possibly attributable to the house. WARREN    [carefully choosing his words to not give anything away] I never fancied Whipple as an historian? CHARLES    A physician and amateur antiquarian.  And yet, he approached the problem much as Herbert might - as a technical one.  Hygiene and germs. HERBERT    Oh.  A realist.  In your family?  CHARLES    Yes.  Well, every herd has its black sheep.  Now, the origin of the house, amidst a maze of dates, revealed no trace of the sinister.  It was built by a merchant, William Harris. Scene 8.    EDWARD    Built on a recently moved graveyard? CHARLES    A recently-straightened part of the street, anyway.  EDWARD    But there must be something? CHARLES    Actually, from what I understand, the land the house stands upon was never marked for graves.  EDWARD    Why bring up the graves, then, if they're not relevant? RICHARD    Setting tone.   WARREN    Of course, vampires were supposed to be buried in unhallowed ground, like suicides, so the LACK of a consecrated churchyard is possibly just as significant. CHARLES    The following spring, sickness occurred among the Harris children, and two of the four died within a month.   HERBERT    Children are particularly susceptible to many kinds of disease. CHARLES    And one of the two servants died of it in the following June.  The remaining servant, Eli, constantly complained of weakness.  WARREN    Servants have traditionally been drawn from the lower classes, who in turn tend to be more superstitious, and therefore more inclined to give credence to, and in turn be affected by, such things. CHARLES    Eli died the next year, as did the master of the house and a third of the four children.  WARREN    Goodness! CHARLES    The widow fell victim to insanity, after such a series of tragedies, and was thereafter confined to the upper part of the house.  This was in 1768. EDWARD    This story is starting to sound oddly familiar.  Was there a meteorite involved? HERBERT    [scoffing] In Providence? CHARLES    The widow's sister, Mercy Dexter, moved in to take charge of the family. Mercy was a plain, raw-boned woman of great strength, but her health visibly declined from the time of her arrival. EDWARD    Now it sounds like Luella Miller. HERBERT    You would think that by this time they would have the sense to move out.  EDWARD    Or get in an exorcist. HERBERT    Nonsense.  It's more likely something toxic in the groundwater - arsenic, perhaps.  Slight traces can cause anemia and wasting as it builds up in the body's vital organs. CHARLES    So many deaths and a case of madness, all within five years, started strange rumours. RICHARD    Rumors?  Nonsense.  This is a definite pattern.  Herbert?  You agree? HERBERT    [definite] Arsenic.  Or one of the other heavy metals.  Perhaps Thallium?  Did anyone suffer from hair loss? CHARLES    There were other symptoms.  The poor widow, in her madness, gave voice to dreams and imaginings of the most hideous sort. HERBERT    Fever rantings. CHARLES    Her terrors periodically necessitated her remaining son's residence with a cousin.  He improved during these visits, and, had Mercy been as wise as she was well-meaning, she would have let him live away permanently. WARREN    What sort of direction did this madness take?  Paranoia? Scene 9.    CHARLES    Now, William, the one remaining child of this unfortunate house, broke away from the place in his teens by enlisting - what with the [ahem] trouble with Great Britain. EDWARD    What trouble? WARREN    [hinting]  Consider the year? EDWARD    I don't know what year we're at.  I haven't been taking notes.  CHARLES    1775. EDWARD    Oh, of course. CHARLES    William was away for the duration, married, and returned to his family home to find tragedy.  RICHARD    No "Mercy"? CHARLES    Mercy was still there, but her once robust frame had undergone curious decay, so that she was now a stooped and pathetic figure with hollow voice and disconcerting pallor.  HERBERT    Did feeblemindedness run in the family as well?  Wasn't this a clear enough hint? CHARLES    William, now an adult witnessing these events, quickly arranged for the building of a new and finer house... across town. HERBERT    Finally! CHARLES    And closed the house on Benefit Street.  WARREN    Probably for the best. EDWARD    Are we nearing 1800 yet? CHARLES    Almost.  William and his wife passed away in the yellow fever epidemic of 1797, leaving their child in the care of a cousin, Rathbone Harris. RICHARD    Now there's a name! CHARLES    Rathbone was a practical man, and rented the Benefit Street house despite dead William's wish that it remain vacant. He did not concern himself with the deaths and illnesses which caused so many changes of tenants, or the steadily growing aversion with which the house was generally regarded. EDWARD    He's lucky no one held him responsible. HERBERT    As if one could sue over poor living conditions! CHARLES    In 1804, the town council ordered the place fumigated with sulphur, tar and gum camphor due to several more deaths - presumably caused by the passing fever epidemic. HERBERT    [dismissive]  Might as well wear pointed masks and wave nosegays. WARREN    I'm sure they did the best they could with the science they had.  CHARLES    Several generations passed, with the house standing empty. HERBERT    And yet, whether operating under rank superstition or sound scientific principals, it never occurred to them to simply tear it down, clear the ground, and begin anew with clean pipes from a municipal water source? CHARLES    No, indeed, but it never rented again after the series of deaths culminating in 1861. EDWARD    So when you braved its depths, it had lain fallow for some ... 50 years? CHARLES    I'm a bit older than that, but that's a good round number to work with.  Fifty years empty - and fifty years hungry. RICHARD    So we are now at the present, and your cousin Randolph enters the stage? CHARLES    Carrington Harris, last of the male line, had meant to tear the place down and build an apartment house on the site-- HERBERT    Finally, another sane one. CHARLES    But Randolph convinced him to allow them to look into it first.  EDWARD    With the history you've given - I'll agree it shows a pattern of misfortune, but what, precisely, made you think of vampires, and not ghosts or curses, or poison, or any of the other various explanations we've found? CHARLES    Well, it was one of the original servants who started talking vampires.  She was a superstitious Exeter woman, and you know how they can be. Scene 10.    ANN    Some remnant must lie nearby, mayhap under this very house!  Doomed to sup off the blood or breath of god-fearing folk!  My own grand-dam told me time and again, Ann, she said, to destroy such a hellion, ye must find its earthly shell, and burn its black and festering heart!  EDWARD    Not a stake through the heart and cutting off its head? RICHARD    Perhaps that was "plan B". CHARLES    As she was sacked and left the house relatively unscathed, this servant Ann's stories spread far and wide. WARREN    So that is one. CHARLES    One what? WARREN    Reason to bring up vampires. HERBERT    Hardly a credible witness. CHARLES    Ah yes.  There was also the raving. EDWARD    The widow? CHARLES    Rhoby Harris.  Hers, and others.  Among the people who died in that house, a large percentage were subject to such ranting. HERBERT    Again, not unnatural in certain kind of fevers. [CHARLES BEGINS TO BUILD FROM HERE] CHARLES    In their more lucid moments, several of the afflicted went on about sharp teethed, glassy-eyes creatures that crouched on their chests and scratched at their necks? RICHARD    Fuseli's "Nightmare" comes to mind.  An imp sitting on the chest of a sleeping woman?  Though it always looked a bit more bemused than threatening to me. EDWARD    And then there's cats who steal the breath from babies. WARREN    Some demonic images are universal - at least among the various Christian branches. CHARLES    In the last throes of their disease, many of these afflicted even began to foam and bite and scratch at their caretakers! HERBERT    Hydrophobia?  Perhaps rabid rats lurking in the walls? [CLIMAX OF CHARLES' POINTS] CHARLES    And all of them ranting in guttural French?  A language not ONE of the afflicted was familiar with? [moment of silence] Scene 11.    RICHARD    [hesitant] oh.  Um...  are they quite sure it was French? WARREN    How could they mistake French?  Unless it was, say, Belgian. RICHARD    I've traveled in Europe.  If you speak NO languages but English, all languages are equally incomprehensible - at least, at first. HERBERT    What makes you think that no one around the afflicted spoke French? RICHARD    Charles specified that none of the victims spoke any French.  How many people can live with, or even around, a speaker of another language and not pick up a few words? CHARLES    Bravo, Richard!  RICHARD    And, unlike, say, New Orleans, in New England, French speakers have traditionally been a bit light on the ground.  CHARLES    Oddly, that leads me to the next part of the story. WARREN    The French? CHARLES    Following up on the French connection, Randolph and Elihu uncovered historical references to a French family who settled in the area long before this house was built. EDWARD    And were buried there, right? RICHARD    Shh. CHARLES    A lease from 1697, showed a small tract of ground being let to an Etienne Roulet. WARREN    Roulet?  Why does that sound familiar? CHARLES    And yes, the Roulets had laid out their graveyard behind their cottage, and no record of any transfer of graves existed. EDWARD    Hah!  And why were they in the area?  On the run from witch trials? Scene 12.    CHARLES    The Edict of Nantes, actually. EDWARD    The what? WARREN    Huguenots? CHARLES    Precisely. EDWARD    [louder] What? WARREN    French protestants, driven out of France after the country declared itself definitely Catholic.  And it wouldn't be the Edict that drove them out - that was earlier. EDWARD    Wasn't there something about Huguenots in a moving picture?  RICHARD    Intolerance.  Right next to the Babylonian orgy scenes. CHARLES    Ahem.  The Roulets were unpopular, and had already been not-so-politely asked to leave East Greenwich.  Apparently their sort of Protestantism didn't quite fit with the standards of New England society. EDWARD    I thought all protestants were pretty much the same?  WARREN    [guffaws] RICHARD    To misquote Wilde, they're one church separated by a common religion. HERBERT    Religion is such a futile waste of time. CHARLES    Etienne Roulet wasn't much of a farmer, but he could read and write and figure - the words "drawing queer diagrams" appear in one of the accounts, but without details.  So Roulet was employed in a clerical post at Pardon Tillinghast's wharf. HERBERT    Tillinghast?  Huh. [recalling "from beyond"] RICHARD    Small world. CHARLES    New England, especially.  Everyone's always related to everyone, and knows everyone else.  Everyone important, anyway.  So the Roulets, being so entirely ...other... were never accepted. RICHARD    Roulet!  I have it! CHARLES    Oh? RICHARD    I don't know any of the dates, but I think it was in the reign of Henri the fourth of France.  I don't know why, but I associate it with "Boy bitten by lizard" and a couple of particularly gruesome beheadings of John the Baptist.  [explaining]  Paintings.  There was a Roulet accused of being a ... [falters, not sure]  a werewolf?  WARREN    I knew there was something!  Yes of course -a Jacques Roulet.  An indigent accused of the horrid murder of a young man.  From what little I can recall, he claimed he had changed into a wolf and was therefore condemned to death, but ultimately commuted to life imprisonment in a madhouse. EDWARD    And you just know this, Warren, off the top of your head? WARREN    Well, I was going through a couple of books recently, looking for tales... well... that I might bring HERE. EDWARD    [laughs] RICHARD    Any more salacious details?  I seem to remember hints of cannibalism? WARREN    Without any notes, I cannot be precise, but I think he was found in a wood, covered in blood and flesh, shortly after the killing of a boy by a pair of wolves.   EDWARD    But what would a werewolf in France have to do with a vampire or ghost in Providence? HERBERT    Or disease. WARREN    Actually, werewolves and vampires have often gone hand in hand - the werewolf being generally considered one who has sold his soul in a pact with the devil, and the vampire being the soulless revenant of someone who died either while under such a pact or as the victim of such a fiend. EDWARD    So being a werewolf in life makes one inevitably a vampire after death? CHARLES    Much like going to Boston Latin leads inevitably to Harvard. [general laughter] CHARLES    So. On to my relations and the house on Benefit street. EDWARD    That would make a good title for a story.  [ominous] The House on Benefit Street. CHARLES    They went about the whole thing with an eye to scientific method.  Truly.  Even brought along various mechanical devices. HERBERT    Such as? CHARLES    [sigh] I was really hoping to pass over this.  I don't know.  Just say mechanical devices and leave it at that. HERBERT    Imprecision.  Always imprecision. CHARLES    They brought the devices in during the day - and recall, they can walk directly in from the street into the dreaded basement.  EDWARD    Or directly out, as the case may be. CHARLES    Randolph spent the day poking around, but found only the same depressing mustiness and faint suggestions of noxious odours. RICHARD    Well, if it was daylight, anything phosphorescent would lie unseen. CHARLES    Precisely.  So he tried again, this time by night.  And with somewhat more trepidation. Scene 13.    RANDOLPH    One stormy midnight, I ran the beams of an electric torch over the mouldy floor. The place had dispirited me curiously that evening, and I was almost prepared when I saw a particularly sharp definition of the "huddled form" we recalled from boyhood. CHARLES    Even while he watched, he seemed to see the thin, yellowish, shimmering exhalation which had startled us years before. RANDOLPH    A subtle, sickish, almost luminous vapour rose, which seemed to develop vague and shocking suggestions of form, before passing into the blackness of the great chimney, leaving foetor in its wake.  Refusing to flee, I watched it fade - and as I watched I felt it was in turn watching me greedily with eyes more imagined than visible. CHARLES    The upshot of this palpable manifestation was that they determined to both spend the night in the house.  After papering the windows, to avoid the eyes of possible onlookers, they added camp chairs and cots to their accoutrements and settled in. RANDOLPH    We were not, as I have said, in any sense childishly superstitious, but scientific study and reflection had taught us that the known universe of three dimensions embraces the merest fraction of the whole cosmos of substance and energy. HERBERT    [interested]  Scientific approach, indeed.  I assumed you were exaggerating. CHARLES    I accept your apology. HERBERT    I didn't apologize. RANDOLPH    To say that we actually believed in the supernatural would be carelessly inclusive.  Rather say that we were not prepared to deny the possibility of certain modifications of vital force and matter, of something that might exist only infrequently in three-dimensional space because of a more intimate connection with other spatial units. EDWARD    I'm not even going to ask. HERBERT    They were approaching the matter as if the potential creature was something that exists in an ...adjacent dimension.  Interesting. RANDOLPH    The family of Roulet had likely possessed an abnormal affinity for outer circles of entity.  Could not, then, some force drawn or created by this passion continue to function in the vicinity long after the original participants were dead and gone? HERBERT    Unfortunately, there is no way to prove or disprove such sloppy hypotheses.  [musing] And yet, one might easily imagine an alien nucleus of substance or energy, formless or otherwise, kept alive by imperceptible subtractions from the life-force or bodily tissue and fluids of more traditional "living things". EDWARD    Which, I believe, would make it something called ...a "vampire"? HERBERT    [ignoring him] Such a thing might be actively hostile, or simply motivated by self-preservation.   EDWARD    Back to Luella Miller. Scene 14.    RICHARD    Regardless, in any good social circles, eating people is considered... unacceptable. HERBERT    Well, of course such a creature would have to be eliminated, and yet the concept is fascinating. WARREN    Perhaps such creatures, throughout history, formed the basis for many such myths. CHARLES    But this myth is the only one we're dealing with tonight.  Randolph and Elihu were ready for anything they could be ready for. RANDOLPH    We had devised two weapons to fight it; a large Crookes tube operated by powerful storage batteries and provided with peculiar screens and reflectors, in case it proved intangible and opposable only by vigorously destructive ether radiations-- HERBERT    Is this item available for an examination? CHARLES    I might ask him.  But not for a couple of months.  He's rather busy at the moment. EDWARD    Oh, no - don't tell me he's in a madhouse? CHARLES    [considering, then definite] Mm.  No. RANDOLPH    We also had a pair of military flame-throwers of the sort used in the World War, in case the creature proved material and susceptible of standard destruction.  We were prepared to burn the thing's heart out - if heart existed to burn. HERBERT     This is the sort of preparation sorely lacking in most of these so-called ghost stories.  And nary a religious icon in sight? CHARLES    Um, no. HERBERT    I am impressed. EDWARD    You don't mind that they planned to "burn its heart out", so long as they didn't brandish a crucifix while they did it? HERBERT    Melodramatic, perhaps, but burning the heart out of any living creature is just as likely to be an effective way of destroying it. RANDOLPH    Our cellar vigil began at 10 P.M., daylight saving time.  A weak, filtered glow from the rain-harassed street lamps outside, and a feeble phosphorescence from the detestable fungi within, showed the dripping stone of the walls. CHARLES    They left the street door unlocked, in case of a sudden need to depart.  And they sat, playing stalking goat to a creature as potentially deadly as any man-eating tiger.  They talked far into the night until Uncle Elihu, being the older, grew drowsy. RANDOLPH    Something like fear chilled me as I sat there in the small hours alone - I say alone, for one who sits by a sleeper is indeed alone; perhaps more alone than he can realize.  Once, when the noisome atmosphere of the place seemed about to sicken me, I opened the door and looked up and down the street, feasting my eyes on familiar sights and my nostrils on wholesome air. CHARLES    He returned inside, ready to trade shifts with the elder man.  But all was not well. RANDOLPH    As I turned my electric flashlight on him, all at once he commenced to mutter.  The words were at first indistinguishable, and then, with a tremendous start, I recognized something about them which filled me with icy fear! RICHARD    Francais? CHARLES    Oui.  Now, Uncle Elihu could read and write in a passable Gallic hand, and presumably COULD speak the tongue as well.  So it might ... possibly be ... coincidence. RANDOLPH    Suddenly a perspiration broke out on the sleeper's forehead, and he leapt abruptly up, half awake.  The jumble of French changed to a cry in English! Scene 15.    ELIHU    My breath, my breath! EDWARD    Wait!  You just used the past tense!  [mimicking] "Uncle could read and write!"  Did the vampire get him? CHARLES    As a matter of fact, he woke at this point, and recounted a dreadful dream he had been having.  WARREN    A sort of race-memory?  CHARLES    All the while, he said he felt a sensation of choking, as if some pervasive presence had spread itself through his body. RANDOLPH    I reflected that dreams are only dreams, and that these visions could be, at most, no more than my uncle's reaction to the investigations which had lately filled our minds to the exclusion of all else. HERBERT    Plausible. EDWARD    Plausible denial. RANDOLPH    My uncle seemed now very wakeful, and welcomed his period of watching even though the nightmare had aroused him far ahead of his allotted two hours. EDWARD    He still went to sleep?  After all that? RANDOLPH    It was not a pleasant sleep, and for a second I was not sorry for the echoing shriek which clove through the barriers of dream and flung me to a sharp and startled awakeness. RICHARD    Who was shrieking?  EDWARD    His uncle?  Your uncle, I mean? CHARLES    [grim] Yes. RANDOLPH    As I turned, I dreaded what I was to see; for the scream had been in my uncle's voice, and I knew not against what menace I should have to defend him and myself. HERBERT    Did he at least have the sense to arm himself with the flamethrower? CHARLES    I believe so. EDWARD    Not the BEST idea, considering his uncle might be in the line of ... um... fire. RANDOLPH    Yet after all, the sight was worse than I had dreaded.  Out of the fungous-ridden earth steamed up a vaporous corpse-light, yellow and diseased, which bubbled and lapped to a gigantic height in vague outlines half human and half monstrous. RICHARD    A yellow blot upon the dark palette of the tenebrous cellar. RANDOLPH    I say that I saw this thing, but at the time it was to me only a seething dim cloud of fungous loathsomeness, enveloping the one object to which all my attention was focused.  That object was my uncle! EDWARD    Why did it wait so long? WARREN    Maybe the apparition only appears at certain times of night. HERBERT    Maybe the dimensions only overlap at certain times. CHARLES    Maybe you should let me finish the tale. RANDOLPH    And then, my uncle, features somehow blackening and decaying, leered and gibbered and reached out dripping claws to rend me! RICHARD    All the more terrible for being a relative. RANDOLPH    Only a sense of routine kept me from going mad.  Recognizing the bubbling evil as no substance reachable by matter or material chemistry, I threw on the current of the Crookes tube apparatus, and focused the strongest ether radiations. HERBERT    [eager] Yes?  RANDOLPH    There was a frenzied sputtering, and the yellowish phosphorescence grew dimmer to my eyes. But I saw that the waves from the machine had no effect whatsoever. CHARLES    Then, in the midst of that daemoniac spectacle, he saw a fresh horror which sent him fumbling and staggering towards that unlocked door to the quiet street, careless of what terrors he might loose upon the world. RANDOLPH    In that dim blend of blue and yellow light, the form of my uncle commenced a nauseous liquefaction whose essence eludes all description, and in which there played across his vanishing face such changes of identity as only madness can conceive. He was at once a devil and a multitude, a charnel-house and a pageant. CHARLES    He said that dozens, or perhaps hundreds, of faces played briefly across the countenance of our dear uncle - showing, perhaps, all those whose lives had been tainted by the shadowy intruder. RANDOLPH    Toward the last, it seemed as though the shifting features strove to form contours like those of my uncle's kindly face. I like to think that he existed at that moment, and that he tried to bid me farewell before the final dissolution. Scene 16.    HERBERT    [disbelieving] He... melted? EDWARD    Seems a bit extreme for an entity that took years and years to kill sister Mercy. WARREN    Consider that the thing had been starved for half a century.  Where it might have been satisfied with a slow drain in the past, now it was forced to gorge. RICHARD    And poor Randolph fled into the night? CHARLES    Yes.  He wandered aimlessly for a time, unsure of whom he might confide in. EDWARD    Naturally he thought of you. CHARLES    My taste in the ... unusual isn't much of a secret.  He woke me early that morning and together we approached that evil dwelling. RANDOLPH    All residue was gone, for the mouldy floor was porous. CHARLES    I saw the cot, the chairs, the instruments, and even the yellowed straw hat of my uncle. But no sign of the figure in the floor. RANDOLPH    I tried to conjecture as nearly as sanity would let me just what had happened, and how I might end the horror, if indeed it had been real.  It did not seem to be matter, nor ether, nor anything else conceivable. What, then, but some exotic emanation; some vampirish vapour such as those that rustics claim lurk over certain church yards? CHARLES    Randolph has always been a bit of a dreamer.  Between us we quickly concocted a plan, and went to fetch digging implements, military gas-masks, and six carboys of sulphuric acid. EDWARD    That you just happened to have lying around? HERBERT    That's what those were for. RICHARD    Herbert?  Why on earth do you have sulphuric acid handy? HERBERT    It serves many purposes.  But getting rid of organic ... remains... is a primary one. CHARLES    It took nearly an entire day to get everything organized.  Randolph spent most of that time trying to take his mind off the horrors he had witnessed.  RANDOLPH    I passed the hours in reading and in the composition of inane verses to counteract my mood. EDWARD    "inane verses"? RICHARD    [limerick] There once was an old man from Arkham... Scene 17.    CHARLES    Just before noon the next day, we commenced digging - right where that stain had always been seen, though there was no trace of it there in the strong morning sunshine. RANDOLPH    As I turned up the stinking black earth in front of the fireplace, a viscous yellow ichor oozed from the white fungi it severed. CHARLES    With the deepening of the hole, which was about six feet square, the evil smell increased.  We had arranged the great carboys of acid around and near two sides, so that when necessary they could be emptied down the aperture in quick succession. EDWARD    And the gas masks? CHARLES    originally to keep out the vapor itself, but we used them as much for the dreadful stench. RANDOLPH    Suddenly my spade struck something softer than earth. I shuddered and made a motion as if to climb out of the hole, which was now as deep as my neck. CHARLES    I was above at the time, taking some much-needed fresh air, but returned when he called out in horror. RANDOLPH    The thing I had uncovered was fishy and glassy - a kind of semi-putrid congealed jelly with suggestions of translucency. I scraped further, and saw that it had form -huge and roughly cylindrical; like a mammoth soft blue-white stovepipe doubled in two, its largest part some two feet in diameter. CHARLES    Abruptly, he leaped out of the hole, then began frantically unstopping and tilting the heavy carboys, and precipitating their corrosive contents one after another down that charnel gulf.    EDWARD    Before you could even see it? CHARLES    I saw enough. RICHARD    A cylinder?  So it was some sort of giant worm? EDWARD    A folded worm? CHARLES    Randolph had his own explanation for it, though I don't know how much credit to give him, there in his abject terror. HERBERT    What did he think it was? CHARLES    All I saw was a blinding maelstrom of greenish-yellow vapour which surged tempestuously up from that hole as the floods of acid descended.  People outside, seeing the hideous yellow fumes that soared up the chimney, attributed it to a dumping of waste in the river by some factory, but I know how mistaken they are as to the source. HERBERT    But you had apparently only uncovered part of the thing?  EDWARD    I guess the acid found its way back to the rest of it. Scene 18.    CHARLES    People also talk about the hideous noise which came at roughly the same time from some disordered water-pipe or gas main underground - but again I could correct them if I dared. RANDOLPH    It was unspeakably shocking, and I do not see how I lived through it. I did faint after emptying the fourth carboy; but when I recovered I saw that the hole was emitting no fresh vapours. CHARLES    I dragged him away and we waited until the fumes cleared.  We still emptied the rest of the acid down the hole, just to be on the safe side. RANDOLPH    The dampness was less foetid, and all the strange fungi had withered to a kind of harmless greyish powder which blew ashlike along the floor. HERBERT    Probably from the fumes. RANDOLPH    One of earth's nethermost terrors had perished forever; and if there be a hell, it had received at last the daemon soul of an unhallowed thing. And as I patted down the last spadeful of mould, I shed the first of many tears with which I have paid unaffected tribute to my beloved uncle's memory. EDWARD    But what was it?  What did he say he saw? CHARLES    Keep in mind that at two feet diameter, this cylinder would have made a very stocky man indeed. RICHARD    Portly, even. HERBERT    And difficult to double up that way, once obesity set in. EDWARD    What was it? CHARLES    Again, I never saw it, and only have Randolph's rather addled ideas to go by.  And he insisted that if it had lain there all those centuries, eating and growing, it could be any sort of size. EDWARD    And? CHARLES    He said this thing - this huge bent thing- was ... the creature's ...elbow. [moment of silence] EDWARD    [snickering] what? CHARLES    His words, not mine. EDWARD    But if it grew when fed, wouldn't it have shrunk when starved?  It should have been tiny. WARREN    Unless by devouring Charles's uncle - Oh, I say, I'm sorry - but perhaps that would have returned it to its... ahem ... former glory? HERBERT    It's ridiculous.  I was perfectly willing to consider the possible existence of some such thing, but quite apart form the inanity of a thing which grows so large that it COULD achieve such stature - there's a simple issue of displacement of earth! CHARLES    I expect it happened very very slowly. RICHARD    Not to mention that if something that size were its elbow, its entire body would have been underneath most of the neighborhood.  Why then, would it restrict itself to harming only those in that single house? WARREN    True. If it were going to have a single area to draw sustenance from, you might think it would be centered on, say, the mouth.  EDWARD    Yeah.  No one who's anyone eats with their elbow. CHARLES    [annoyed sigh] I'll make a point of telling Randolph the next time I see him. END

durée : 00:50:46 - Meitat chen, meitat porc - France Bleu Périgord - Lucia Roulet, enseignante en école bilingue et musicienne nous présente son projet de livre CD intitulé "Lagastina"(La Pieuvre) composé de comptines et chansons occitanes de sa création.

Introducción: "Al Diablo, en cualquiera de sus formas", 😈una poesía escrita por J:v_poesía, Licenciado en Filología Clásica por la UV. Licenciado por el Conservatorio Superior de Música de Valencia. Estamos en Twitter: https://twitter.com/JaviVal15 https://twitter.com/HLeidas Relato "La Casa del Diablo, autor: Léon Bloy (Périgueux, Dordoña, 11 de julio de 1846 - Bourg-la-Reine, Altos del Sena, 3 de noviembre de 1917). Escritor francés de familia burguesa con 18 años se muda a París, trabajando en los oficios más humildes. La amistad con el también escritor Barbey d’Aurevilly le conducen a la fe y a un temperamento extremista que pasa de un anticlericalismo violento a un catolicismo intolerante. Trabajó en la redacción del Univers , junto a Louis Veuillot y en 1877 conoció a una prostituta, Ana María Roulet, con la cuál ejerció una pasión violenta que se alternó con frenesíes místicos. Después de algunos meses, se retiró a un monasterio en Soligny con la idea de hacerse monje benedictino. Durante una estancia en el Santuario de Salette, conoció al abad Tardif, que lo introdujo en el estudio de la simbología bíblica y lo estimuló a escribir una obra sobre la aparición de la Virgen. En ese periodo maduran los elementos esenciales de su pensamiento y conoce a personalidades importantes de la vida literaria parisina, Paul Verlaine entre ellos. En 1889 se casó con Jeanne Molbeck, permitiéndole la serenidad que necesitaba para publicar libros y artículos. Narrador y pensador cristiano-socialista, ha escrito de las mejores literaturas anti-burguesas. Años atrás se lo leía bastante como pensador socialista cristiano, fundador de movimientos laicistas en Francia su pensamiento, como el de Jacques Maritain, tuvo influencia en la abortada (Opus Dei) renovación del catolicismo (Concilio Vaticano II) del siglo XX . Dejando de lado ese aspecto de libelista rabioso que tenía, sus cuentos, según BORGES, están entre la mejor literatura del siglo XIX , equiparable para él a Chesterton, Conrad o Kipling. 📌Síguenos en nuestro canal informativo de Telegram: https://t.me/historiasparaserleidas Suscríbete a nuestra Newsletter: https://www.getrevue.co/profile/historiasparaserleidas 🛑BIO Olga Paraíso: https://instabio.cc/Hleidas Una producción de Historias para ser Leídas Música en este audio: Epidemic Sound licencia autorizada Art by lightwise Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Au début des années 1970, le Lausannois Guy-Claude Burger se fait connaître comme l'inventeur d'un étrange régime alimentaire particulier : l'instinctothérapie. Pour éviter les maladies et les névroses, il préconise de ne manger que des aliments crus, non apprêtés et non assaisonnés en suivant ce que nous dicte notre instinct. Les curieux et les adeptes se pressent à ses conférences et dans sa ferme d'Eclépens où il commercialise des produits naturels et dispense des formations. Les médias s'intéressent beaucoup à ce chercheur atypique dont l'ambition dépasse la question alimentaire. Il cherche à développer un nouveau mode de vie capable de résoudre tous les problèmes de l'humanité : maladie bien sûr mais aussi drogues, insatisfactions, délinquance, famine, guerres ou encore surpopulation. A partir du début de l'année 1977, Guy-Claude Burger disparaît soudainement de la scène médiatique. Le public romand n'apprendra qu'un an plus tard la cause de cette étrange disparition et ce qui se passait vraiment dans la petite communauté d'Eclépens. Recherche et écriture : Aurélie Roulet Réalisation : Sandro Lisci Narration : Sophie Richard, Roger Guignard Edition : Grégoire Molle Production : Aurélie Roulet

Dan de Roulet, Co-Founder of Knowify, LLC., talks about how he discovered his passion for Judo, getting his kids involved with it, and how it has helped him develop resilience in being an entrepreneur running a business!

A l'été 1981, la Suisse est confrontée à une vague d'attaques terroristes. Le 21 juillet, une bombe explose dans un grand magasin en plein cœur de Lausanne. Bilan : 26 blessés. Le lendemain, c'est la gare de Cornavin qui est touchée. Un jeune homme succombe à ses blessures quelques jours plus tard. Qui se cache derrière ces attaques ? Recherche et écriture : Aurélie Roulet Réalisation : Sandro Lisci Narration : Sophie Richard et Simon Matthey-Doret Edition : Grégoire Molle Production : Aurélie Roulet

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este decimonoveno episodio, nos ocupamos de Laissez bronzer les cadavres aka Let the Corpses Tan (2017) de Hélène Cattet y Bruno Forzani y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas: Farinelli (1994) de Gérard Corbiau, Amer (2008) y The Strange Color of Your Body's Tears (2013) de Hélène Cattet y Bruno Forzani, La forma del agua (The Shape of Water, 2017) de Guillermo del Toro, The Villainess (2017) de Byung-gil Jung, Brawl in Cell Block 99 (2017) de S. Craig Zahler, Cul-de-sac (1966) de Roman Polanski, La pasión de Juana de Arco (La Passion de Jeanne d'Arc, 1928) de Carl T Dreyer, Suspiria (2018) de Luca Guadagnino, Suspiria (1977) de Dario Argento, Blow Up (1966) de Michelangelo Antonioni, Rojo profundo (Profondo Rosso, 1975) de Dario Argento, Blow Out (1981) y Vestida para matar (1980) de Brian De Palma, Lo bueno lo malo y lo feo (Il buono, il brutto, il cattivo, 1966) de Sergio Leone, El bebé de Rosemary (Rosemary's Baby, 1968) y El cuchillo bajo el agua (Nóz w wodzie, 1962) de Roman Polanski, La pandilla salvaje (The Wild Bunch, 1969) de Sam Peckinpah, Las guachas (1993) de Ricardo Pérez Roulet, La Dama Rosa Mata Siete Veces (La dama rossa uccide sette volte, 1972) de Emilio Miraglia, Paprika (Papurika, 2006) de Satoshi Kon, Nadja (1994) de Michael Almereyda, Amateur (1994) de Hal Hartley, Diamond Flash (2011) de Carlos Vermut, La flor (2016) de Mariano Llinás, Berberian Sound Studio (2012), The Duke of Burgundy (2014) e In Fabric (2018) de Peter Strickland... ... por si justo te dio paja anotar, y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

Sita est en présence de Daniel de Roulet qui nous présente « L'oiselier » paru aux éditions La Baconnière, 2021… Une visite particulière aux événements politiques marquants du Jura en 1977-1978 !  

A quel moment a-t-on introduit des cours d'éducation sexuelle dans les écoles ? Et comment ces cours ont-ils été accueillis ? En Suisse romande, les idées nouvelles sur la vie sexuelle et le couple ont mis du temps à se faire une place. Particulièrement dans des cantons comme Fribourg ou le Valais, où les préceptes de la morale catholique ont continué à dicter la norme. Parvenir à informer les adultes sur ces questions n’était déjà pas une mince affaire. Que dire alors de l’éducation sexuelle des jeunes ? Dans les milieux les plus conservateurs, parler aux enfants de sexualité relevait du prosélytisme, et était considéré par certains comme une pure et simple incitation à la débauche. Dans ce contexte, le canton de Vaud fera figure de pionnier. Il sera le premier en Suisse romande à introduire l’éducation sexuelle à l’école. Dans cette entreprise, il va pouvoir compter sur deux personnalités au profil aussi remarquable que différent : Mary Anna Barbey et Charles Bugnon. Recherche et écriture : Sophie Meyer Réalisation : Jean-Philippe Zwahlen Narration : Sophie Richard Edition : Grégoire Molle Production : Aurélie Roulet

durée : 00:54:38 - La Librairie francophone - par : Emmanuel Kherad - Aujourd'hui cap sur la Martinique pour évoquer la vie d'Aimé Césaire, la Suisse pour un épisode politique effarant et un livre de philo sur les rencontres de nos vies

Le romancier Daniel de Roulet, auteur de "L'Oiselier", aux éditions La Baconnière, est au micro de Geneviève Bridel.

Dans Lʹoiselier, Daniel De Roulet revient sur divers événements sanglants qui ont eu lieu pendant lʹautomne hiver 1977-78. La "question jurassienne" soulevait alors les passions. Le souci de la régler rapidement aurait, selon lʹauteur, primé sur un examen approfondi des causes de ces quatre décès. De Roulet imagine une fiction sous forme dʹenquête menée par un journaliste légendaire: Nicklaus Meienberg. Un livre conforme à la vision quʹa lʹauteur de la littérature: elle ne peut être hors-sol. Par Geneviève Bridel.

Interview de Daniel de Roulet, écrivain, qui publie "L'Oiselier" (éditions de la Baconnière).

Le 7 février 1971, les femmes suisses obtenaient le droit de vote. Démocratie directe oblige, ce n’est pas un parlement qui leur a permis de devenir des citoyennes à part entière, mais leur père, leur mari et leurs frères. Et convaincre ces messieurs n’a pas été une mince affaire. Dès la seconde moitié du 19e siècle, des hommes, mais surtout des femmes, ont lutté pour que le suffrage féminin devienne une réalité en Suisse. C’est à travers le destin d’une de ces femmes engagées que nous allons nous remémorer ce moment charnière de la lutte pour l’égalité des droits. Cette femme, c’est Lilian Uchtenhagen. Son nom est entré dans l’histoire car elle a été la première candidate au Conseil fédéral en 1983. Auparavant, elle a fait partie des premières élues au parlement fédéral en 1971. Quant à son engagement en faveur du droit des femmes, il remonte à son adolescence, au lendemain de la Seconde guerre mondiale. Recherche et écriture : Aurélie Roulet Réalisation : Jean-Philippe Zwahlen Narration : Sophie Richard Edition : Grégoire Molle Production : Aurélie Roulet

Juin 1938. Alors que la Coupe du Monde de football débute en France, l’équipe de Suisse s’apprête à affronter celle de l’Allemagne nazie. Une Grande Allemagne rehaussée des meilleurs joueurs autrichiens suite à l’Anschluss. Les Suisses doivent s’y reprendre à deux fois, mais contre toute attente, ils signent un succès mémorable et éliminent les Allemands de la compétition, sous les acclamations du public parisien. Vu le contexte international tendu et les craintes qu’inspire le Reich, cette victoire a un large retentissement. En Suisse, elle déchaîne l’enthousiasme, et demeure aujourd’hui encore l’un de ses plus grands exploits sportifs. Recherche et écriture : Alain Freudiger Réalisation : Rodolphe Bauchau Narration : Sophie Richard, Simon Matthey-Doret Edition : Grégoire Molle Production : Aurélie Roulet

durée : 00:54:19 - La Librairie francophone - par : Emmanuel Kherad - Pour la première émission de l’année et la dernière de cette période de fêtes, on vous emmène au soleil dans des vignes suisses, dans le monde des odeurs et des parfums, dans l’univers de George Orwell et en balade avec un célèbre Cow- Boy,

Autor: Zukker, Nora Sendung: Büchermarkt Hören bis: 19.01.2038 04:14

durée : 00:03:48 - Ca vaut le détour en Gironde - par : christine alban

Pouvoir pleinement vous saisir du sujet de la complémentaire santé commence par avoir une bonne vision sur les droits et devoirs de l’entreprise en la matière. Le point avec Vincent Roulet, avocat au sein du département droit social du cabinet Eversheds Sutherland, membre d’AvoSial.

Quand et comment l'écologie est-elle devenue une force politique ? Au cours des décennies 1950 et 1960, des scientifiques et des associations de défense de la nature ont alerté à de nombreuses reprises sur la pollution de l’air, des lacs, des cours d’eau et sur la destruction de certains biotopes. Longtemps, leurs inquiétudes n'ont pas rencontré de véritable écho dans la population. Mais au début des années 1970, le vent tourne. Les atteintes de l’homme à la nature deviennent alors un sujet de préoccupation majeur en Europe comme en Suisse et s’invitent dans le paysage politique. Les premiers partis verts se forment alors en Suisse romande avant que la tendance ne gagne l'ensemble du pays. Le mouvement prend de l'ampleur au cours des années 1980. A la veille des élections fédérales de 1987, certains observateurs prédisent même l'arrivée d'une "vague verte" alors que d'autres pensent encore que le phénomène sera passager. Recherche et écriture : Aurélie Roulet Réalisation : Rodolphe Bauchau Narration : Sophie Richard Edition : Grégoire Molle Production : Aurélie Roulet

3D printing of mirrors for astronomy? Yeah, its 21st century. Link to the paper: https://arxiv.org/abs/2011.00855 Enjoy listening.

We all instinctively know the impact negative reviews have on individuals and organizations; whether TripAdvisor ratings or publicly administered regulatory sanctions. It's not good. Yet there are many people and organisations thriving on precisely that. Sometimes, negative social evaluations, might actually not be a bad thing.My guest, Dr Thomas Roulet of Cambridge University, has just written a book called 'The Power of Being Divisive; Understanding Negative Social Evaluations'. In our discussion, we explore why divisive politicians can benefit from negative perceptions and why banks who are publicly admonished for bad behaviour, can actually make more money. It's fascinating, often counter-intuitive stuff. In a world where all of us can rate others and be rated ourselves, understanding how we perceive ratings, is highly valuable.For more on Thomas visit his website: https://www.thomasroulet.com/Thomas_Roulet.htmlYou'll also find him on Twitter: https://twitter.com/thomrouletHis book The Power Of Being Divisive: https://bit.ly/34BEY1V

(00:00:25) Die berühmten Comic-Strips «Peanuts» wurden vor 70 Jahren erstmals veröffentlicht. Wir tauchen ein in die Welt von Charly Brow, Lucy, Linus und Schroeder. Ausserdem geht's ins Theater: Familie als «Anything goes» in der Kaserne Basel. Weitere Themen: (00:04:50) Familientheater: «What's Human» in der Kaserne Basel. (00:09:38) «Aufbruch ist eins, und Weitergehen ist etwas anderes». Ein Buch über Frauenräume. (00:13:39) Der Film «The Trial of The Chicago Seven» erzählt in der Form eines Gerichtsdramas von Vietnamkriegsgegnern 1968. (00:17:52) Autor Daniel de Roulet erzählt in «Brief an meinen Vater» vom Sterben seiner Mutter und der Familiengeschichte.

Comment lʹintelligence se construit-elle? La question a occupé lʹessentiel de la carrière dʹun Suisse né en 1896 à Neuchâtel : Jean Piaget. A lʹoccasion des 40 ans de sa disparition, le 16 septembre 1980, les archives de la RTS proposent dʹentendre ce biologiste, psychologue et épistémologue revenir aux sources de son intérêt pour ce sujet, au micro de Jacques Bofford en 1973. Une archive proposée par Aurélie Roulet.

El viernes 7 de agosto se estrena en la plataforma Cont.ar la serie Episodios Criminales, que aborda crimenes atroces ocurridos en Santa Fé, entre los años 1920 y 1950. En Falso Vivo entrevistamos a Baltasar Albretch y Gaston Del Porto (guion y dirección) y Paula Rodriguez (producción) sobre esta producción audiovisual que combina elementos de la ficción y del documental. Los capítulos tendrán distinto días de estreno, uno por semana, quedando organizados el siguiente cronograma: 7 de agosto Capítulo 1 “El Caníbal de Cayastá”, 14 de agosto Capítulo 2 “El Triple Crimen de Estación Clucellas”, el 21 de agosto capítulo 3 “El Crimen del Juzgado de Paz” y el 28 de agosto el Capítulo 4 "Secreto y muerte de Abel Ayerza”. Una vez subido a Cont.ar, el contenido se puede disfrutar cualquier día las 24 horas. El elenco está compuesto por actores de gran reconocimiento regional como Germán DE SILVA, Raúl KREIG, Gustavo GUIRADO, Javier BONATTI, Adrián CÁCERES, Sergio GULLINO, Camilo CÉSPEDES, Sebastián ROULET, Ruy Alexis GATTI, Claudio CASCO, Federico KESSLER, Rubén AYRALA, Sergio STILLO, Walter ALEMANDI, Lucas RANZANI, Guillermo FRICK, Mariana MATHIER, Hernán ROSA, Maximiliano JENKINS, Lola VITALE, Facundo SUÁREZ, Joaquín HORMAECHE, Gina HORMAECHE. El guión y dirección son de Baltasar ALBRETCH y Gastón DEL PORTO. La producción está a cargo de Paula V. Rodriguez de Alto Cine producciones, con el apoyo de Cooperativa Mucha siesta, Santa Fe Set de Filmación y el Gobierno de la provincia de Santa Fe. Se puede ver en https://www.cont.ar/

En 1940, la Suisse craint pour sa souveraineté alimentaire. Très dépendante des importations,et située sur un territoire dont les deux tiers ne sont pas propices aux cultures, elle se retrouveencerclée par les forces de l’Axe. Pour garantir l’alimentation de sa population, elle se lance alorsdans un audacieux plan d’extension des cultures agricoles, connu sous le nom de Plan Wahlen.Son maître d’œuvre, Fritz Wahlen, s’est mis au défi de faire produire aux Suisses assez de denrées pour parvenir à l’autarcie alimentaire. Mais est-ce vraiment réalisable ? Recherche et écriture : Alain Freudiger Réalisation : Rodolphe Bauchau Narration : Sophie Richard Edition : Grégoire Molle Production : Aurélie Roulet

Entrevista de Nico Yacoy en Viva la Pepa! a Nestor Roulet, Ingeniero Agrónomo y ex secretario de Agregado de Valor, por la obligación a los bancos a no financiar a los productores de soja

Nous retrouvons Thomas Roulet, professeur à l'université de Cambridge pour qu'il nous partage le message qui lui tient à coeur. L'article Eureka 49 – Le message de Thomas Roulet est apparu en premier sur Effet Eurêka.

Nous retrouvons Thomas Roulet, professeur à l’université de Cambridge pour qu’il nous partage le message qui lui tient à coeur. L’article Eureka 49 – Le message de Thomas Roulet est apparu en premier sur Effet Eurêka.

Thomas Roulet et moi-même sommes tous les deux diplômés d'Audencia et nous étions même voisins à la résidence universitaire. Depuis de l'eau a coulé sous les ponts et Thomas a embrassé une carrière académique et est maintenant professeur/chercheur à l'université de Cambridge. Thomas a reçu de nombreux prix pour ses travaux, mais il confesse que […] L'article Eureka 46 – Rencontre avec Thomas Roulet est apparu en premier sur Effet Eurêka.

Thomas Roulet et moi-même sommes tous les deux diplômés d’Audencia et nous étions même voisins à la résidence universitaire. Depuis de l’eau a coulé sous les ponts et Thomas a embrassé une carrière académique et est maintenant professeur/chercheur à l’université de Cambridge. Thomas a reçu de nombreux prix pour ses travaux, mais il confesse que […] L’article Eureka 46 – Rencontre avec Thomas Roulet est apparu en premier sur Effet Eurêka.

Joe (clad in his bet payoff Mississippi State gear) and I are joined by friend of the show & State fan David who talks The Pirate's landing in Starkville. He tells us the mood in StarkVegas with Mike Leach as the new football coach of the Bulldogs and the State fans expectations (realistic or not) of his tenure in the SEC West. We recap LSU's incredible season and definitive win over the Clemson Tigers who had not lost in 29 games! Give our thoughts on where Joe Burrow's season stacks up with some of the best individual seasons in CFB history. We look at the gauntlet schedule LSU weathered to get this surprising title. All of this and more on The Dan & Joe Sports Show! --- Support this podcast: https://anchor.fm/dan-n-joesportsshow/support

Band info - https://www.facebook.com/La-Roulet-580331738702831/

Today we bring you TWO ORGASMS!  Sommer Marsden's "There" and Jade A. Waters "The Flogger" Both are from the audiobook "The Big Book of Orgasms: 69 Sexy Stories" Edited by Rachel Kramer Bussel and Narrated by myself Rose Caraway. Available in Audible, Amazon and iTunes.  http://bit.ly/1z4OELf Find more Sommer Marsden at-http://sommermarsden.blogspot.com/&http://bitly.com/sommerlovingFind more Jade A. Waters at-http://jadeawaters.com/&http://amzn.to/1x8o8Tp  I'd like to Thank the musical artist -RouletFind more Roulet at-http://rouletproducer.bandcamp.com/ For more sexy audio stories by Rose Caraway go to -http://j.mp/carawayaudiobooks Contact Rose   Web - thekissmequicks.com email - thekissmequicks@gmail.comFacebook - https://www.facebook.com/rose.caraway.7Twitter - @RoseCaraway For more aural pleasure go to- http://j.mp/carawayaudiobooks

Nic Von Rupp is a professional surfer from Portugal. Seth De Roulet is a professional surf photographer who lives in Santa Barbara, CA.    Follow Nic on Instagram   Follow Seth on Instagram   My Instagram   Contact: Info@kyle.surf   MUD WTR   SC MEDICINALS

Nic Von Rupp is a professional surfer from Portugal. Seth De Roulet is a professional surf photographer who lives in Santa Barbara, CA.    Follow Nic on Instagram   Follow Seth on Instagram   My Instagram   Contact: Info@kyle.surf   MUD WTR   SC MEDICINALS Get full access to Writing by Kyle Thiermann at thiermann.substack.com/subscribe

Our discussion of John Van Maanen's "Police Socialization" concludes with a more in-depth look at his methodology and use of 'covert' methods. As a participant-observer, Van Maanen's study included his participation in police training and joining patrols. Covert research challenges the principle of informed consent but may be necessary for conduct research on populations that are otherwise difficult to access. Through a very recent article by Thomas Roulet, et al. in Organizational Research Methods, the podcasters discuss the pros and cons of such methods and the ethical questions raised. You won't want to miss it!

Conclusion of our conversation with Dr Thomas Roulet about Karl Weick's Journal of Management Studies Classic article - Enacted Sensemaking in Crisis Situations. A really fun and interesting episode where we touch upon a number of key concepts in management and organization studies!

Karl Weick's enacted sensemaking is a key concept in management theory, as well as a fundamental idea behind high reliability organizing. Join us as we welcome Dr Thomas Roulet of King's College London to discuss our fourth Journal of Management Studies classic paper - Enacted Sensemaking in Crisis Situations (1988)!

Daniel de ROULET, écrivain

Régis Roulet (CACP) | 15 novembre 2015

Budo Jake makes another trip to San Diego, this time to visit with a legend in BJJ and MMA, Royler Gracie. Royler shares not only his knowledge of BJJ but also a healthy Gracie breakfast.Brought to you in part by https://www.fujisports.comBrought to you by http://www.Budovideos.com7495 Anaconda Ave.Garden Grove CA 92841800.451.4828Follow us on http://www.facebook.com/budo4lifeand http://www.twitter.com/budovideosCreative Commons Music"Sweet Dreams” and “O Sonho” by Roulet http://freemusicarchive.orghttp://creativecommons.org/licenses/b...“Deathproof” by Fancy Mike http://freemusicarchive.orghttp://creativecommons.org/licenses/b...“Sketches” and “Do It” by Jahzzar http://freemusicarchive.orghttp://creativecommons.org/licenses/b...“Four Floss Five Six” by Blue Ducks http://freemusicarchive.orghttp://creativecommons.org/licenses/b...

Eine stetige Weiterentwicklung von zahnärztlichen Füllungsmaterialien ist infolge steigender Ansprüche der Patienten auf mehr Ästhetik und bioverträgliche Materialien und die durch die Medien entfachten Diskussionen bezüglich postulierter Nebenwirkungen des Werkstoffes Amalgam nötig. Denkbar als Alternative zu Gold und Amalgam sind direkte Füllungen und extraoral gefertigte Inlays aus Komposit. Es wird teilweise mit einer amalgam-ähnlichen Verarbeitungstechnik geworben in Verbindung mit leichterer Modellierbarkeit. Die werkstoffkundlichen Eigenschaften sind in den letzten Jahren erheblich verbessert worden. Auch die Materialien vom Ormocer-Typ sollen bessere Bioverträglichkeit (Allergierisiko reduziert) mit physikalischen Verbesserungen kombinieren. Da nun für ein und dieselbe Kavität mehrere Versorgungsmöglichkeiten gegeben sind (Gold, Amalgam, Komposit, Ormocer), gilt es abzuwägen, in wieweit man auch unter wirtschaftlichen Aspekten die jeweilige Form der Versorgung vertreten kann. Ziel dieser klinischen Studie war es, das Ormocer Definite der Firma Degussa in vivo als direkte plastische Füllung und in Form laborgefertigter Inlays mit einem herkömmlichen Komposit (Pertac2 – Fa. Espe) hinsichtlich klinischer Parameter und bezüglich der rasterelektronenmikroskopischen Analyse der Füllungsränder zu vergleichen. Der Zustand von 122 Definite-Restaurationen (55 Inlays und 67 direkte Füllungen) und 44 Pertac2-Füllungen, die in den studentischen Kursen der Abteilung für Zahnerhaltung und Parodontologie der Ludwig-Maximilians-Universität München gelegt wurden, wurde nach 24 Monaten gemäß der USPHS-Kriterien in vivo dokumentiert. Die statistische Analyse der klinischen Daten und der Randanalyse im REM erfolgte mittels Kruskal-Wallis-H-Test und Mann-Whitney-U-Test auf einem Signifikanzniveau von 5% mit der Software SPSS for Windows. Zusätzlich erfolgte die Beurteilung der Randqualität im Rasterelektronenmikroskop mit Hilfe von Abformungen und Harzmodellen. Bei den Definite-Inlays gingen binnen zwei Jahren insgesamt sechs (nach 1 Jahr: 3) Versorgungen verloren. Im gleichen Zeitraum waren es 17 (1 Jahr: 6) Definite-Füllungen und nur zwei (1 Jahr: 0) Pertac2-Füllungen. Generell zeigte die klinische Untersuchung einen deutlichen Qualitätsvorsprung des Feinpartikelhybridkomposits Pertac2 gegenüber dem Ormocer Definite, der vor allem bei der Beurteilung der Marginalen Integrität, der Randspaltverfärbungen, in Bezug auf die Hinweise der Patienten und bezüglich der Füllungsintegrität signifikante Unterschiede zeigte. Für Definite-Inlays und Pertac2-Füllungen zeigten sich signifikante Unterschiede hinsichtlich der Versorgung von Prämolaren und Molaren zu Gunsten der Prämolaren und bei allen drei Restaurationsarten zeigten kleinere Füllungen bzw. Inlays bessere Ergebnisse als große Versorgungen. Insgesamt decken sich diese Ergebnisse mit bisherigen Studien (Kunzelmann 2001, Roulet 1997), in denen Komposit-Versorgungen in großen Kavitäten eher als Kompromiss angesehen werden. Das insgesamt schlechte Abschneiden der Definite-Füllungen kann auch in Zusammenhang mit dem verwendeten Bondingsystem Etch&Prime 3.0 vermutet werden, welches im Vergleich zu Mehrflaschensystemen als schwächer eingestuft wurde (Gerhard 2001, Manhart 2003). Einzig die Untersuchung im Rasterelektronenmikroskop zeigte Schwächen des Komposits Pertac2 im Vergleich zum Ormocer Definite hinsichtlich der Quellung des Materials auf. Dies deutet auf eine tatsächliche Verbesserung des Schrumpfungsverhaltens bei Ormoceren hin, wobei dies vor dem Hintergrund der klinischen Untersuchung und der geringen Probenanzahl im REM zurzeit nicht belegt werden kann. Abschließend bleibt festzustellen, dass zum Zeitpunkt der 2-Jahres-Nachuntersuchung das konventionelle Komposit Pertac2 gegenüber dem Ormocer Definite in Bezug auf die Qualität im Vorsprung scheint. Ormocere stellen generell aber eine Materialgruppe mit interessanter Perspektive als Amalgam-Alternative dar. Ihr momentaner Entwicklungsstand muss jedoch noch deutlich verbessert werden und sich in weiteren, vor allem längeren, klinischen Langzeitstudien behaupten, damit sie sich auf dem Markt etablieren können.

This interview by medical oncologist Dr. H. Jack West of oncology social worker Leah de Roulet covers several of the leading challenges for cancer patients and their families in coping with cancer and a terminal diagnosis. These difficulties include both emotional and practical concerns.

This interview by medical oncologist Dr. H. Jack West of oncology social worker Leah de Roulet covers several of the leading challenges for cancer patients and their families in coping with cancer and a terminal diagnosis. These difficulties include both emotional and practical concerns.

This interview by medical oncologist Dr. Jack West of oncology social worker Leah de Roulet provides a general introduction to the special role of an oncology social worker and discussion about practical options for underinsured patients with cancer.

This interview by medical oncologist Dr. Jack West of oncology social worker Leah de Roulet provides a general introduction to the special role of an oncology social worker and discussion about practical options for underinsured patients with cancer.