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For this episode we're joined – all the way from L.A. – by special guest Bob Merlis. The former head of publicity at Warner-Reprise Records in Burbank talks us through his musical odyssey from his Brooklyn childhood to his continuing PR work for the likes of ZZ Top and Carlene Carter. We hear about Bob's start at Record World in late '60s New York and the early '70s pieces he wrote for that trade publication and for Warners' short-lived Words & Music. Our guest then talks about his brief stints at RCA and Albert Grossman's Bearsville Records before touching on key acts and moments in the nearly three decades he spent in Burbank: Little Feat's Lowell George, Jerry Wexler producing Etta James and Warners president Joe Smith roasting the infamous Morris Levy. Clips from Dave Zimmer's 1988 audio interview with Neil Young prompt discussion of that quintessential Reprise artist (and his comrades in CSNY). After Mark quotes from pieces about Elektra Records dropping the MC5 and free-improv guitarist Derek Bailey, Jasper talks us out with reflections on the musical passions of footballer Rio Ferdinand and Houston rapper Chamillionaire. Many thanks to special guest Bob Merlis. For info on Bob's PR work, visit https://mfhpr.com/m-f-h-at-20. Pieces discussed: R&B is B(l)ack and Involved, Jerry Wexler Crosses Tracks for Tony Joe, Todd Rundgren Warps Time, Lowell George Talks About Little Feat, Little Feat Keeps On Truckin', Little Feat: How To Construct a "Critics' Band", Neil Young audio, Elektra Records Kicks Out MC5, Derek Bailey: Themes on Improvisation, The Record Doctor: Rio Ferdinand and Chamillionaire: Change.

In this special episode we celebrate the last four years with clips from twelve of the best 100 shows we've recorded in that time.  Following an intro from Spandau Ballet mainmain Gary Kemp speaking in January 2023, we reflect on what we have (or haven't) learned over those four years, then play and discuss clips from these episodes: Record Mirror legend Norman Jopling on first seeing the "Rollin' Stones" in 1963 (December 2021)  Writer-photographer Val Wilmer on interviewing Jimi Hendrix in 1967 (May 2024) the Village Voice's Richard Goldstein on not caring if he was "America's first rock critic" (September 2022) Creem veteran Jaan Uhelszki remembering her "almost famous" colleague Lester Bangs (May 2022) Author-filmmaker Nelson George on not reviewing the Brothers Johnson as if they were Bob Dylan (July 2021) Billboard's first rap editor Havelock Nelson on being influenced by Nelson George (March 2025) NPR's Ann Powers on being influenced by Greil Marcus (June 2024) The New Statesman's Kate Mossman on her (not-so) secret passion for jazz fusion (February 2022) "Freak-folk" icon Vashti Bunyan on her love of hymns and carols (April 2022) Vashti's 1970 producer Joe Boyd on producing Kate & Anna McGarrigle and the magic of sibling harmonies (September 2024) and... Island Records mogul Chris Blackwell recalling the al fresco recording of John Martyn's 'Small Hours' (September 2022) After our navel-gazing saunter down memory lane, Mark tells us about the week's new audio interview, in which Amy Linden asks Lauryn Hill, Wyclef Jean and Pras Michel about [the] Fugees' classic 1996 album The Score. Mark then quotes from newly-added RBP library pieces about David Bowie's Diamond Dogs (1974), Tears for Fears (1982) and Jeffrey Lee Pierce (1985) and Jasper wraps things up with thoughts on pieces about System of a Down (2003) and ex-Black Midi man Geordie Greep (2024). Finally, a big shout-out to the many great guests who've joined us over the past four years: thank you all for your time and reminiscences! Pieces discussed: Norman Jopling on Record Mirror + Rhythm & Blues + Rolling Stones, Val Wilmer on free jazz + photography + Lesley Gore audio, Richard Goldstein on '60s pop writing + the Shangri-Las + Shadow Morton, Robert Duncan & Jaan Uhelzski on Lester Bangs + Creem + Suicide, Nelson George on the Death of R&B + Jimmy Jam and Terry Lewis audio, Havelock Nelson on Hip Hop + Missy Elliott + Atlantic Records, Ann Powers on Joni Mitchell + Tori Amos + Women in Pop, Vashti Bunyan on Wayward + Nick Drake + Joe Boyd audio, Joe Boyd on global music + Kate & Anna McGarrigle, Chris Blackwell on Island from Millie to U2 + Bunny Wailer, The Fugees (1996), David Bowie: Diamond Dogs (RCA Victor), Tears For Fears: Ready Teddy Go!, Jeffrey Lee Pierce: On The Trail Of The Wild Weed, System of a Down: "We're in World War III!"

For this episode we're joined by veteran music scribe Phil Sutcliffe to discuss his years on Sounds, Q and MOJO. We start by hearing about our guest's Beatles-obsessed adolescence in the North London suburb of Barnet, then follow him up to Manchester University and his subsequent apprenticeship on the Newcastle Evening Chronicle. Phil explains how he got his foot in the door at Sounds in 1974, initially reviewing gigs on Tyneside before moving back to London to become one of the weekly magazine's key '70s writers. We discuss the paper's transition from Gentle Giant and Back Street Crawler to the Damned and the Sex Pistols — and to the interviews Phil did with County Durham punks Penetration and beloved Salford bard John Cooper Clarke.  From JCC's visit to the Oxford Poetry Festival in 1980, we turn our attention to the week's featured act — politicised post-punks Gang of Four — and thence to the more controversially reactionary Eric Clapton. Clips from John Hutchinson's 1981 audio interview with the guitar "God" prompt conversation about his musical evolution and the infamous 1976 outburst that inspired the launch of Rock Against Racism. After Mark quotes from newly-added library pieces about Joe Harriott (1964), Miles Davis (1969) and Al Green (1973), Jasper takes us out with his thoughts on articles about Courtney Love (1991), Snoop Dogg (2003) and Cardi B (2019). Please note that this episode was recorded before we learned of the very sad passings of former Gang Of Four bassist Dave Allen and Malian superstar Amadou Bagayoko — along with Phil Sutcliffe's fellow Sounds contributor Sandy Robertson. Many thanks to special guest Phil Sutcliffe. Pieces discussed: The Beatles: I Was A Beatlemaniac, Penetration: Anarchy In County Durham, The Bard Of Beasley Street At The Seat Of Learning, Gang of Four: Dialectics Meet Disco, Gang Of Four: The Revolution Lightens Up, Andy Gill meets Andy Gill, Eric Clapton audio, Eric Clapton: Out of the Darkness, Joe Harriott: Jazz Abstractionist, Miles Davis: In a Silent Way, Hole: Calling the Tune, Snoop Dogg and Welcome to the Cardi Party.

For this episode we're joined all the way from Harlem in New York City by venerable hip hop writer Havelock Nelson. The first rap editor at industry bible Billboard talks about his early years in his birthplace Guyana and his love of marching bands in the country's capital Georgetown. From there we hear about his family's move to Brooklyn in 1973 and his early exposure to rap and breakbeat tapes in high school. Havelock recalls the pioneering hip hop fanzines Word Up! and Black Beat – plus the seminal rap writings of Greg Tate and Nelson George – before recounting his experiences as a columnist on Billboard. He also explains the genesis of Bring the Noise, the 1991 "guide to rap music and hip-hop culture" he co-authored with fellow RBP contributor Michael A. Gonzales. Mention of our guest's 1994 interview with the Notorious B.I.G. takes us into discussion of the synergy between hip hop's rising stars and rap media such as The Source magazine. Havelock also reflects on memorable interviews he did with the likes of KRS-One, Slick Rick, LL Cool J and Salt-N-Pepa. The latter duo takes us into audio clips from an audio interview with a Virginia-born artist who was profoundly influenced by them: the one and only Missy Elliott, speaking to Sara Scribner after the release of 1997's debut album Supa Dupa Fly... followed by the voices of her collaborators Timbaland and Magoo. The publication of Taschen's monumental new 75 Years of Atlantic Records prompts reflections on the legendary label co-founded by the late Ahmet Ertegun, plus our thoughts on the present-day roster that includes Charli XCX, Bruno Mars, Coldplay and Ed Sheeran. The episode concludes with quotes from newly-added library pieces about artists such as Wee Willie Harris, Jeff Barry & Ellie Greenwich, the Pharcyde and André 3000. Many thanks to special guest Havelock Nelson. Find his writing on Rock's Backpages and join his Going Way Back group on Facebook. Dr. Dre: The Chronic, B.I.G.: Rap's Next Big Thing, The Rap Column: Media's Rap On Rap Is Out Of Balance, Missy Elliott audio, The Age of Atlantic: Jerry Wexler, Rick Rubin: Def Jam's Man With The Plan, Ahmet Ertegun and The History of Atlantic Records, The Age of Atlantic: Making Tracks, Wee Willie Harris, Jeff Barry and Ellie Greenwich, The Pharcyde: New Rap Masters and André 3000: New Blue Sun.

For this episode we're joined in person by the delightful Siân Pattenden, author of the Agatha Bilke and Magical Peppers children's book series. We start by asking our guest about her early years as a child actor and teenage playwright before she describes the fanzines she published with her pal Nicky Fijalkowska. We hear how these helped to get her foot in the door at Smash Hits, the million-selling pop bi-weekly she joined in 1989. Quotes from classic Hits pieces she wrote are interspersed with hilarious recollections of working alongside Tom Doyle and Sylvia Patterson.  From "Ver Hits" we move on to the more indie-tastic Select and Siân's part in the Britpop wars – with special attention to Elastica, Jarvis Cocker and a pulped July 1994 issue that contained her guide to "legal highs". After reminiscences of a stint teaching music writing at the London School of Journalism, Siân explains the genesis of her 1998 book How to Make It in the Music Business. Mention of a 2007 Guardian Blogs piece bemoaning the "boy-rock" template established by the Beatles leads into reflections on the all-girl Bangles, subject of a new authorised biography by two-time RBP podcast guest Jennifer Otter Bickerdike. The desperately sad passing of David Johansen prompted us to dig out and digitise a 1994 audio interview with the sometime New York Dolls frontman. We hear three clips of David talking very amusingly to Q's Mat Snow – and in the process pay tribute to the singer and his fellow Dolls.  After Jasper marks the 70th anniversary of the death of Charlie Parker with quotes from the late Richard Cook's magnificent 1995 piece about the bebop genius, we pay additional tribute to jazz-funk vibraphonist Roy Ayers and neo-soul queen Angie Stone. Many thanks to special guest Siân Pattenden. Visit her website at sianpattenden.co.uk for more info on her books, art and music. Pieces discussed: En Vogue: Dawn! Maxine! Terry! Cindy!, At Home in L.A. with Paula Abdul!, This is the Future: Elastica — the Bash Street Kids, Meet the Sheatles, The Bangs: Not Just Another Girl Group, The Bangles: a Female Fab Four?, The Bangles: Globe Trotters, The Bangles: Eternal Flame, The New York Dolls' David Johansen (1994), Charlie Parker: The Prince of Wails, Roy Ayers, Angie Stone: Precious and Pure, Dancing in New York Emmylou Harris: Emmylou on the Verge and The Swede Smell of Success.

In this episode we welcome not one but two guests and ask them to talk about their long-time friend and mentor Dave Marsh. Daniel Wolff and Danny Alexander co-edited 2023's Marsh anthology Kick Out the Jams: on the eve of his 75th birthday they reflect on his powerful writing, his impassioned politics and his career from Creem and Rolling Stone to the Rock & Roll (subsequently Rock & Rap) Confidential newsletter he launched in 1983. An audio clip of Dave being interviewed by Daniel for the Rock & Roll Hall of Fame takes us back to the former's championing of his Detroit contemporaries the MC5 and the Stooges. Meanwhile pieces about Creem itself and about his friend and frequent biographical subject Bruce Springsteen prompt our guests' amused thoughts on Dave's trenchant opinions and general combativeness.  A 1990 Vox piece about 'The Star-Spangled Banner' leads us to clips from a 1996 audio interview with one of Marsh's many Black music heroes: the sainted Curtis Mayfield. On the 60th anniversary of the Impressions' 'People Get Ready', we talk about the Chicago soul star's songs, politics, guitar-playing — and the sheer wisdom and serenity of the man. (News of the death of Mayfield's old friend and fellow Impression Jerry Butler only reached us the day after this episode was recorded.) After we've paid our respects to Jam drummer Rick Buckler, Jasper quotes from recently-added library interviews with Lil' Kim (1997) and Hipgnosis boss Merck Mercuriadis (2021). Many thanks to special guests Daniel Wolff and Danny Alexander. Kick Out the Jams: Jibes, Barbs, Tributes and Rallying Cries from 35 years of Music Writing by Dave Marsh is published by Simon & Schuster and available now from all good bookshops. Pieces discussed: Creem Reflects Detroit Rock 'n' Roll, Barry Kramer 1943–1981, Sour Creem, Bruce Springsteen: Shouldn't He Be Famous?, The Incredible Story of Iggy & the Stooges, 'The Star Spangled Banner', Curtis Mayfield audio, Rick Buckler, Lil' Kim and Merck Mercuriadis.

In this episode we're joined by music-biz legend Danny Goldberg to discuss his dealings with Led Zeppelin and Kurt Cobain — and the school days he spent with the great Gil Scott-Heron. Danny takes us back to his short-lived stint at Berkeley and his first port of call on returning to his native New York: clerking at trade bible Billboard, a job that led to the publication of his report on 1969's Woodstock festival. From there we jump to the three years our guest spent working for Led Zep — first as their press agent, then as V-P of their label Swan Song. We revisit the band's conquest and domination of '70s America and hear hair-raising tales of Page, Plant, Bonzo, Peter Grant and Richard Cole... as well as Danny's 1976 exit from the band's dark vortex. The story of how Nirvana came to be managed by Danny's company Gold Mountain prompts thoughts on Kurt Cobain and mention of the 2019 memoir (Serving the Servant) our guest wrote about him. Danny brings his management and record-label story up to date by previewing the new album by his clients the Waterboys. The week's new audio interview takes us back to the '60s and to Danny's reminiscences of the young Gil Scott-Heron, who can be heard talking in 1978 to Mark "Radio Pete" Bliesener. The second of two clips — about Richard Nixon — brings us to the shocking present moment of Donald Trump's and Elon Musk's unprecedented assault on American democracy. After a tribute to the departed Marianne Faithfull — heard talking about the brilliant Broken English album in a short audio clip from 2014 — Jasper quotes from a 2023 Simon Reynolds article about A.I. and music journalism. Pieces discussed: Woodstock: Peace Mecca, Led Zeppelin: Under The Hood – A Backstage Chronicle of the Historic 1975 Tour, Led Zeppelin: Danny Goldberg's Hideaway, Danny Goldberg: Serving the Servant – Remembering Kurt Cobain (Ecco), Gil Scott-Heron audio (1978), Growing Up With Gil Scott-Heron: In Loving Memory, Marianne Faithfull audio (2014) and I'm a Noted Music Critic. Can A.I. Do My Job?.

In this episode, we invite the excellent Gene Sculatti to talk us through his career from Crawdaddy! magazine to the Atomic Cocktail radio show he still hosts at Luxuria Music. Commencing in San Francisco in the summer of 1960 — when Gene first heard Dion's 'Lonely Teenager' — we ask our guest about his lifelong love of surf music and the Beach Boys. From there we jump to his mid-'60s radio show "Blues and Such", then on to the first stirrings of the Haight-Ashbury scene he captured in a landmark 1966 report for Crawdaddy! ... and later in San Francisco Nights, the classic 1985 book he co-wrote with the late Davin Seay. Gene recalls his 1973 move to Los Angeles and his subsequent years as the editorial director of Warner Brothers Records in Burbank. We hear about the company's super-hip in-house publications Circular and Waxpaper, as well as about working under the legendary Derek Taylor. We also discuss his deep love of '80s dance-pop and his 1990 sleevenotes for Madonna's Immaculate Collection. The episode with clips from a 2012 audio with The Band's sainted keyboard genius Garth Hudson, who was lost to us on 21st January, and finally with quotes from Mark's and Jasper's favourite new additions to the RBP library. Pieces discussed: San Francisco Bay Rock, Mojo Navigator: Memories of Mojo, "Home Runs, No Bunts" — Solar Power On The Rise, Madonna: The Immaculate Collection, Barry Goldberg Interviews, Articles and Reviews, Barry Goldberg & Bob Dylan's Secret Gem, The World According to Garth Hudson, The Band's Garth Hudson audio, The Walker Brothers, Pop Eye: The New Jazz, Burt Bacharach, Derek Taylor, Sly & Robbie Come On Like Assassins, Wu-Tang Clan: One of These Men Is God, and Thundercat.

For the first episode of 2025, former Rolling Stone staffer and Bay Area photographer Michael Goldberg joins us to reminisce about his music journalism and discuss his new book Jukebox. We start by asking our guest about the influences of San Franciscan "shooters" from Herb Greene to Annie Liebowitz, with special emphasis on Jim Marshall and Baron Wolman. Michael then recounts the story of how — as a 17-year-old living in Mill Valley — he came to interview the Grateful Dead's Jerry Garcia in 1970 for his self-published zine Hard Road. From there we hear about some of the photos Michael took in the '70s, from Frank Zappa in 1975 to the Sex Pistols' final show in 1978. Mention of the great Taj Mahal — photographed by our guest a decade after the country-blues/world-music pioneer posed for Baron Wolman in Topanga — takes us to clips from (and discussion of) a 1982 audio interview with Taj by John Hutchinson. Finally we ask Michael about his stellar writing career from the San Francisco Chronicle to Rolling Stone — and finally to his trailblazing '90s online magazine Addicted to Noise, for whom he interviewed Prince in 1998. Many thanks to special guest Michael Goldberg. Jukebox: Photographs 1967–2023 is published by Hozac Books and available now. Pieces discussed: Introduction to Jukebox, An interview with Baron Wolman, Jim Marshall's jazz images, Jim Marshall, Taj Mahal audio, An audience with Prince, the Beach Boys, Ronald Shannon Jackson, Eric B. & Rakim and the Smash Hits Tour 2000.

For the final episode of 2024 we're joined by the formidable Pat Kane, who answers our questions about his dual career as a musician and writer with what co-host Martin Colyer describes as "an almost frightening eloquence". Commencing with the formative memories of his late father singing Frank Sinatra songs to him at bedtime — and his lifelong fixation with Ol' Blue Eyes — Pat talks about Hue and Cry, the R&B-infused pop group he formed with his brother Greg in 1983. Reflections on the success of singles such as 1987's 'Labour of Love' prompt a general discussion of '80s "Brit Soul", with significant input from fellow practitioners Mark Pringle and Martin Colyer. The two linchpins of Hot House recall the 1987 sessions they recorded in the Southern-soul oasis of Muscle Shoals, Alabama. After bringing the Hue and Cry story up to the present day, Jasper introduces clips from Daryl Easlea's 2001 audio interview with Chic's Nile Rodgers. As a tribute to the group's Alfa Anderson, who died two days before this episode was recorded, Daryl's splendid interview provides the perfect excuse to express our love for disco's greatest self-contained band. Finally, we ask our guest about his exceptional writing as a cultural and political journalist, focusing in particular on his brilliant pieces about Brian Eno (1995) and Michael Jackson (2009). Mark and Jasper then talk us out with quotes from (and remarks on) their favourite newly-added pieces in the RBP library. Many thanks to special guest Pat Kane. Subscribe to his Substack at patkane.substack.com. Pieces discussed: Frank Sinatra, Hue and Cry: "How Well Do You Know Your Brother?", Headin' South: Muscle Shoals '87, Brian Eno: Jingle the Other One, The Man in Our Mirror: Michael Jackson, Nile Rodgers audio, Have You Heard What They're Singing These Days?, Don Cherry, Alicia Bridges, Billy Fury, Rage Against The Machine.

For this episode we're joined by Chris Charlesworth, mainstay of Melody Maker in its '70s pomp and subsequently editorial director of music imprint Omnibus Books. Starting out at Skipton's Craven Herald & Pioneer in his native Yorkshire, Chris talks us through key moments in the Maker years he documents in recent memoir Just Backdated. Paying particular attention to his stints as a '70s correspondent from L.A. and New York, we also ask Chris about MM colleagues such as Max Jones, Richard Williams and Roy Hollingworth. Recollections of close encounters with the likes of John Lennon and Debbie Harry are followed by clips from a 1989 audio interview in which Elkie Brooks talks to John Tobler about Vinegar Joe and Leiber & Stoller. After Mark quotes from newly-added library interviews with South African jazz man Dudu Pukwana (1970) and punk icon Jordan (1978), Jasper talks us out with his thoughts on pieces about hip hop pioneer Grandmaster Flash (2009) and Queen legend Freddie Mercury (2023). Many thanks to special guest Chris Charlesworth. Just Backdated: Seven Years in the Seventies is published by Spenwood books and available now. For more Chris, visit his website at justbackdated.blogspot.com.  Pieces discussed: John Lennon: Lennon Today, Debbie Harry: Face It, Elkie Brooks audio, Dudu Pukwana, Captain Beefheart & Frank Zappa, Jordan: Love is not easy for a painted lady, Grandmaster Flash, Eagles of Death Metal and A piece of Freddie Mercury.

In this episode we ask the former Time Out editor and acclaimed author of fascinating studies of fonts, maps and encyclopaedias about his long writing career; we also discuss semi-colons and listen to clips from audio interviews with Cher and Luther Vandross. Our guest reflects on Expensive Habits — his 1986 investigation of the music industry's "dark side" — and revisits two of his many great pieces: a hilarious 1987 encounter with Guns N' Roses and a 2003 interview with the newly-solo Beyoncé for the Observer Music Monthly.  Cher's new autobiography leads to discussion of the singer-actor's remarkable life and work, while the new documentary Luther: Never Too Much prompts thoughts on the sadness of Vandross's double life as a closeted gay man and object of romantic female desire. Among the newly-added library articles we consider, aptly, is Lucy O'Brien's 2001 Q piece "Why Is Pop So Gay?"; we also hear quotes from the late great Eve Babitz's 1979 Rolling Stone celebration of L.A.'s Troubadour club and from Del Cowie's 2009 Exclaim! interview with hip hop elder Big Daddy Kane. Many thanks to special guest Simon Garfield. For more Simon, visit his website at simongarfield.com.  Pieces discussed: Guns N' Roses, Cher audio, Beyoncé: Uh-Oh! Uh-Oh! Uh-Oh!, Pete Townshend: Who He Is, Luther Are Good For The Soul, Luther Vandross: Let's Start with Pacman, Luther Vandross: The Sadness Behind the Soul, Shel Talmy, The Good Old Days at L.A.'s Troubadour, Stock Aitken and Waterman, Pet Shop Boys, Why Is Pop So Gay?, Snoop Dogg live and Big Daddy Kane.

In this episode — recorded on the somewhat sombre Wednesday after the U.S. elections — we welcome the wonderful Beverley Glick to our Hammersmith lair and ask her about her New Romantic nom de plume Betty Page. Beverley tells us about her early days on Sounds, where she started out as editor Alan Lewis' secretary, and talks us through her seminal 1980 encounters with Spandau Ballet and Steve Strange. Her subsequent early interview with Duran Duran leads us to clips from David Keeps' 1993 audio interview with the Brummie band's frontman Simon Le Bon. After touching briefly on Depeche Mode, whom Beverley also interviewed very early on, our guest revisits the short-lived Noise! — Sounds' very own attempt at "doing" a Smash Hits — and recounts her subsequent path to the editorship of the rather longer-standing Record Mirror. Memories of mad moments with Happy Mondays (for Vox), and Beverley's eventual graduation to national newspapers, take us to her decision to forsake journalism for a career as a life coach specialising in "leadership communication" — and as the author of this year's In Your Own Words. A few glum thoughts on the political distortion of words such as "freedom" segue into our homage to the brilliant and outrageous Quincy Jones. Mark then quotes from newly-added library pieces about the Who (1965) and Ronnie Scott (1979)... and Jasper wraps up the episode with his thoughts on articles about "Brazilian Prince" Ed Motta (2006) and Tricky's magnificent Maxinquaye (2023). Many thanks to special guest Beverley Glick. For more Beverley, including info on her books and coaching, visit beverleyglick.com. Pieces discussed: Spandau Ballet: The New Romantics — a Manifesto for the Eighties, Visage: Stranger In Town, How I Discovered Duran Duran. Or Did They Discover Me?, Duran Duran's Simon Le Bon audio, Quincy Jones Has a Story About That, The Who, Ronnie Scott: King Of Clubs, The World of Ed Motta and Tricky: Maxinquaye (Reincarnated) (UMR/Island)

In this episode we're joined by NME legend Chris Salewicz, author of acclaimed books about Bob Marley, Joe Strummer and others. We hear about our guest's boyhood in Yorkshire — and about the first gig he ever saw: the Beatles in Leeds in 1963 (followed in rapid succession by the Rolling Stones — plus a young David Bowie — in Huddersfield). Chris then describes how a move to London in the early '70s led to getting his foot in the door at Let It Rock and then, in 1974, at the indispensable New Musical Express. Discussion of the culture at the NME — sprinkled with yarns about such colleagues as Mick Farren,  Tony Tyler and Tony Stewart — prompts recollections of Chris' interviews with Jimmy Page (in 1977) and Prince (in 1981)... and culminates in the moment he opted to quit the paper for pastures new. A digression on Supertramp's 50-year-old Crime of the Century sparks a passionate defence of that unfairly maligned ensemble by 28-year-old Jasper Murison-Bowie. Jumping forward to the 21st century, we hear wonderful clips from Gavin Martin's 2006 audio interview with the youngest member of the "27 Club" series Chris collected in his 2015 book Dead Gods. Our thoughts on the astounding talent and tragically short life of Amy Winehouse then follows. After Mark quotes from newly-added library pieces — Val Wilmer's 1967 interview with free-jazz trailblazer Archie Shepp; Mick Brown's 1975 encounter with Bakersfield country icon Buck Owens – Jasper concludes the episode with his thoughts on a piece about "hip hop's Mozart" J Dilla (2011). Many thanks to special guest Chris Salewicz. For more Chris and info about all his books, visit chris-salewicz.com. Pieces discussed: The Gig Interview: Jimmy Page, The Clash: Clash On Tour, Bob Marley: A Day Out At The Gun Court, Prince, Supertramp: Crime Of The Century, Supertramp: To Concept Or Not To Concept?, Supertramp: The Taking of America by Strategy, Supertramp: Is This Really The Most Fun You Can Have With a Washing-Up Glove?, Amy Winehouse audio, Archie Shepp, Buck Owens and J Dilla: The Mozart of Hip-Hop.

For this episode we're joined by the admirable Simon Raymonde, sometime Cocteau Twin, head honcho at Bella Union Records and author of the autobiographical In One Ear. We commence by asking our guest about growing up as the son of the legendary Ivor Raymonde, string arranger on umpteen hits by pop idols from Billy Fury to the Walker Brothers. We hear clips from Ira Robbins' 1989 audio interview with Raymonde Sr.'s most famous client Dusty Springfield — and discuss a Ray Connolly piece from 1970 in which she more or less outs herself as gay. Simon then talks about his days behind the counter at Beggars Banquet Records and how they led to his joining the Cocteaus in 1984. Clips from a 1996 audio interview with the trio prompt his reflections on writing and performing with Robin Guthrie and Elizabeth Fraser — and how their extraordinary music won the admiration of everyone from Prince to Jeff Buckley. Simon also recalls the fallout from leaving indie sanctuary 4AD for major-label Fontana. We conclude by asking our guest about the 27-year-old Bella Union label, home to Midlake, Fleet Foxes, Beach House, John Grant, Flaming Lips and Father John Misty… and to 17-year-old Nell Smith, who tragically died in a car accident three days before we recorded this episode. After Mark quotes from newly-added library pieces — Val Wilmer's 1966 interview with Sun Ra; Lester Bangs' rave review of the Temptations' Sky's the Limit — Jasper brings the episode to a close with his thoughts on early interviews with Alicia Keys (2001) and Amy Winehouse (2004). Many thanks to special guest Simon Raymonde. In One Ear: Cocteau Twins, Ivor and Me is published by Nine Eight Books and available now from all good bookshops. Visit the Bella Union Vinyl Shop at 25 Church St in Brighton and online at bellaunionvinylshop.com. Pieces discussed: Cocteau Twins, Cocteau Triplets, Cocteau Quadruplets, Dusty Springfield audio, Dusty Springfield: Dusty at 30... loneliness is an occasional thing, Sun Ra: Flying Saucers Coming To Take Me Away, Ha Ha!, The Temptations: Sky's the Limit, Alicia Keys: Move over Macy and Whine and Song; Amy Winehouse hits out at girl singers and why she's one of the very best.

For this episode we're joined – all the way from sunny Southern California – by L.A. Times legend Robert Hilburn. Bob beams in to discuss his new biography of the peerless Randy Newman, but we start by asking him about the early childhood memories (of his native Louisiana) that he shares with Randy himself. From there he takes us from the Eureka moment of hearing a then-unknown Elvis Presley on the radio for the first time – through his teen years in suburban SoCal – to his early freelance pieces for the Times. Which include his account of accompanying Johnny Cash to Folsom Prison in January 1968... Bob's famously influential 1970 review of Elton John at West Hollywood's beloved Troubadour club gives us a chance to discuss the halcyon days of singer-songwriters and leads directly on to Randy Newman, whose "Troub" debut in the same year Bob also reviewed. We talk at length about the satirical genius behind 'Sail Away', 'Short People' and 'I Love L.A.', revisiting the 50-year-old Good Old Boys in depth and listening to clips from John Hutchinson's 1983 audio interview with Randy. Pieces discussed: Doug Weston: A Man Who Had a Passion for Art of the Troubadour, Elton John @ the Troubadour, Randy Newman @ the Troubadour, Randy Newman audio interview, Thelonious Monk, The Problems of Being Roger McGuinn, Felton Jarvis: Nashville Producer and Cornershop.

For this episode we're joined by the Brooklyn-based Andrew Smith, author of the bestselling Moondust, the "dotcom swindle" saga Totally Wired and the brand-new Devil in the Stack. We start by asking Andrew about the peripatetic childhood that took him from Greenwich Village to Hastings via San Francisco's summer of love. A riveting account of auditioning to replace Mick Jones in the Clash leads us to our guest's recollections of writing in the '80s and '90s for Melody Maker and The Face — and eventually becoming chief pop critic at London's Sunday Times. Jumping to Andrew's new book — with its subtitle A Coding Odyssey — we ask him about music's "digital revolution" in the mid-'80s, with particular attention to the ubiquity of Yamaha's DX7 keyboard. From there we revisit his 1995 interview with Björk – an artist who overtly embraced electronic sounds in that decade — and then listen to two audio clips from David Toop's absorbing encounter with the Icelandic maverick six years later. After a fascinating discussion about A.I. – its upsides and its threat not merely to musicians but to humanity at large — we return to the mid-'90s to celebrate the all-too-short life of the Notorious B.I.G., hip hop's "King of New York" in that all-too-violent decade. Mark provides quotes from recently-added library pieces about Captain Beefheart (1969), the Sex Pistols (1978) and oddly Francophobe goths Sisters of Mercy (1987), and Jasper wraps up the episode with his thoughts on articles about pop fanzines (2003) and writer, photographer and recent podcast guest Val Wilmer (2024). Many thanks to special guest Andrew Smith. Devil in the Stack: A Coding Odyssey is published by Grove Press and available now. Visit Andrew's website at andrewsmithauthor.com for more details. Pieces discussed: Andrew Smith on RBP, Björk: An International Word, Sound and Fury: Radiohead, Björk audio, Notorious B.I.G.: B.I.G. Trouble, Biggie, Tupac et al: Hollywood or Bust-up, Black Metropolis: Notorious R.I.P., Captain Beefheart & His Magic Band: Trout Mask Replica, The Sex Pistols: Never Mind the Bollocks, Here's the Sex Pistols, The Sisters Of Mercy: After The Flood, The Fanzine Editor: Publish And Be Damned and Val Wilmer: Deep Blues 1960–1988 (Café Royal).

For this episode we're joined by a living musical legend whose career as an A&R man, manager, producer, label-owner and writer spans over 60 extraordinary years. On the day his monumental "journey through Global Music" And the Roots of Rhythm Remain is published, the peerless Joe Boyd visits RBP's Hammersmith HQ to talk about the book — and the 17+ years it took to write the follow-up to 2006's acclaimed memoir White Bicycles. After we hear about the 1987 meeting that led to the adoption of the now-discredited term "World Music" as a marketing category, discussion touches on the sound, rhythms and political impact of music from South Africa, Brazil, Bulgaria and — inevitably — Jamaica. Clips from John Hutchinson's 1982 audio interview with the late great Kate McGarrigle – mother of Rufus and Martha Wainwright — lead to our guest's recollections of working with her and sister Anna on their magical eponymous debut in 1975. Joe also reminisces about Junco Partner, the 1976 album he made with New Orleans piano genius James Booker. Talk of the week's featured RBP writer Robert Shelton — coinciding with the imminent reissue of the latter's epic Bob Dylan biography No Direction Home — prompts memories of the late New York Times critic from Joe, who (lest we forget) worked as stage manager at the 1965 Newport Folk Festival in which Dylan first "went electric". Many thanks to special guest Joe Boyd. And the Roots of Rhythm Remain is published by Faber in the UK and Ze Books in the US; visit Joe's website joeboyd.co.uk for more details. Pieces discussed: Joe Boyd: Freaky Galahad, Joe Boyd: An Interview, Joe Boyd on White Bicycles, Kate McGarrigle audio, Bob Dylan at Gerde's Folk City, New York, Pop Singers and Song Writers Racing Down Bob Dylan's Road and Bob Dylan: How does it feel on your own?.

Joining us all the way from Santa Barbara for this episode is Darrell M. McNeill, director of operations at the Black Rock Coalition and author of a new 33 1/3 study of the Isley Brothers' mighty 1973 album 3 + 3. We start by asking our guest about his '90s contributions to the Village Voice and his involvement with the B.R.C.. Crediting his dad for his own childhood love of the Isleys, Darrell tells us how he came to write about the band. We discuss their unique history across six-plus decades, arriving at the dramatic game-changer that was 3 + 3. Inevitably referencing Jimi Hendrix — an Isleys sideman in the mid-'60s — we ask Darrell about the group's pioneering hybrid of R&B and rock and their covers of classic songs by Carole King, James Taylor et al. A special nod, of course, to Jimi's incalculable influence on kid brother and budding guitar genius Ernie. From the Isleys to Isaac Hayes: following two clips from Ira Robbins' 1995 audio interview with the sometime Stax superstar, we discuss such radical milestones as 'Theme from Shaft' and Hot Buttered Soul's version of Bacharach & David's 'Walk On By'. After a brief digression to salute the 50th anniversary of long-time RBP contributor John Broven's seminal 1974 book Walking to New Orleans, Mark talks us out with quotes from newly-added interviews with Janis Joplin (1969) and Beatles session guitarist David Spinozza (1971). Jasper then wraps up the episode with remarks on Destiny's Child (2003) and The Comet is Coming (2019). Many thanks to special guest Darrell M. McNeill. His book on the Isley Brother's 3 + 3 is published by Bloomsbury and available now. Pieces discussed: The Isleys: first time winners again!, The Isley Brothers: 3 + 3, The Isley Brothers: 3 + 3 = Super Success, Ernie Isley: Pride of the Isleys, Isaac Hayes audio, Fats Domino & His Orchestra: Saville Theatre, Behind The Sun: New Orleans, 'See You Later Alligator': Bobby Charles, Janis Joplin: Janis Superhypermost!, Paul McCartney: Working with Paul — A Session Musician Speaks, Kelly Rowland: Real Girl Talk, Michie Mee is the First Lady of Toronto Hip-Hop and The Comet is Coming: Interstellar Apocalypse.

In this episode we're joined by the esteemed Joe "Mr. C" McEwen, who Zooms in from L.A. to reminisce about his storied career as a writer, DJ and A&R man. We begin in our guest's native Philadelphia, where his teenage mind was blown by a James Brown show in 1966, and follow him up to his adopted Boston. He recalls his early reviews for The Boston Phoenix and revisits his 1975 homage to Sam Cooke for The Real Paper. His 1977 encounter with a 19-year-old Michael Jackson prompts discussion of a comparatively low point in the future superstar's career. From the same year, Joe's profile of Joe Tex leads into clips from the late Cliff White's glorious audio interview with the country-soul legend who'd just scored a hit with the discofied 'Ain't Gonna Bump No More (With No Big Fat Woman)'. We discuss Tex's place in the southern soul pantheon before moving on to the marvellous Lost Soul compilations "Mr. C" assembled in 1982. We hear about Joe's A&R years at Columbia and then Sire/Reprise, taking in reminiscences of British bands Ride, Primal Scream and My Bloody Valentine. He also revisits his working friendships with Sire founder Seymour Stein and with previous RBP podcast guests Geoff Travis, Alan McGee and Rob Dickins. We hear about his role in the '90s "alt.country" phenomenon via the signing of Uncle Tupelo and his subsequent association with spinoff bands Wilco and Son Volt. We conclude with the Sire signing of Muscle Shoals legend Dan Penn for 1994's Do Right Man album. Mark talks us out with quotes from newly-added library pieces about sometime Ikette P.P. Arnold (1967), the Stones' Keith Richard(s) (1969), doomed dub poet Mikey Smith (1983) and the deeply druggy Alice in Chains (1993)... after which Jasper wraps up the episode with his thoughts on pieces about laptop pop (2001) and Kendrick Lamar (2012). Many thanks to special guest Joe McEwen. Pieces discussed: Sam Cooke, Michael Jackson, Joe Tex: The Soul Of An Underdog, Joe Tex audio, Lost Soul, Vols. 1-3, Uncle Tupelo live, Uncle Tupelo: Are you ready for the alt. country?, Wilco: Last Twang in Town, Dan Penn: Once More With Feeling, P.P. Arnold, Keith Richard(s), Mikey Smith: Poet and His Roots, Alice in Chains: Misery loves company, Laptop punk and the powerbook pop and Kendrick Lamar: Inside the Year's Best Album.

In this episode the marvellous Mark Williams Zooms in from mid-Wales to regale us with tales from the heyday of the UK's underground press and his later involvement with the L.A. punk scene. We start in mid-'60s Newcastle – where our guest drummed with beat combo the Jailbirds – and move on to his days at the Birmingham Arts Lab via a flat above London's hallowed 2i's coffee bar. A return to the capital in late '68 brings Mark to the offices of leading underground paper International Times (a.k.a. it) and his irregularly-recompensed stint as the editor of its "Plug & Socket" music section. A weekend in the arms of Janis Joplin is among the highlights of his it tenure before he departs to launch the short-lived Strange Days – for which he was due to interview Jimi Hendrix on the day after the guitarist died. It being 50 years since the first Knebworth festival, we revisit that Allmans-headlined "Bucolic Frolic" and discuss the phenomenon of such gatherings. Jumping forward five years, we hear about our guest's years in Los Angeles and his work with Slash (the publication and the label) – the Germs connection leading into clips from a 1983 John Tobler audio interview with Joan Jett. Finally we hear about the 1981 launch of Felix Dennis' splendidly opportunistic New Music News and Mark's memories of editing his hilarious pal Tom Hibbert. Mark talks us out with quotes from newly-added library pieces about teen heartthrob Bobby Vinton (1962), the broken-through Doors (1967), infamous Stone/Beatles lawyer/manager Allen Klein (1969) and southern-soul Mecca Muscle Shoals (1970)... after which Jasper wraps up the episode with his thoughts on militant (and prescient) rappers Dead Prez (2003) and the enduring influence of Chic (2021). Many thanks to special guest Mark Williams. Pieces discussed: Janis Joplin: Janis, Jimi Hendrix, The Rolling Stones: Free Concerts,When the Allman Brothers Band Headlined the First Knebworth, Cancel the inquest: the festival she lives, Knebworth: Great music but a non-event, Letter from Britain, L.A. Punk: Pogo-ing On The Fault Line, Joan Jett audio, It's Tom Hibbert's World, Bobby Vinton, The Doors, Allen Klein, Muscle Shoals, Alabama, Dead Prez and The Chic Effect.

In this episode we welcome the esteemed David Toop to Hammersmith – on the UK's General Election day – to discuss his extraordinary new book about (and around) Dr. John's 1968 album Gris-Gris. First we revisit the short-lived but splendidly eclectic Collusion magazine our guest co-founded in 1981: we hear about its inception and mission, as manifest in groundbreaking pieces about rap, surf, salsa, exotica and "paranoid sex in '60s soul". We touch on key points along the journey of David's journalistic career before arriving at The Wire in the '90s. A 2012 Pitchfork piece about Wire icon Scott Walker leads us to David's audio interview for that article: two clips from the conversation prompt discussion of Walker's remarkable career from the Walker Brothers to his new album Bish Bosch. Finally we reach the debut album by Malcolm Rebennack, a.k.a. "Dr. John the Night Tripper", and learn of the long gestation of David's book during lockdown. David discusses the complex themes and issues explored in Two-Headed Doctor, including voodoo, racism, minstrelsy, New Orleans, unreliable mythography, and the unsung brilliance of the album's co-creator Harold Battiste. A gravelly clip from the late Charlie Gillett's 1971 audio interview with the Night Tripper himself provides a capsule backstory to the album's germination.  Mark talks us out with quotes from newly-added library pieces about Stan Getz (1973), Fred Wesley (1974), Primal Scream (1997) and Robbie Williams (1999). Many thanks to special guest David Toop. Listening for Ghosts in Dr John's Gris-Gris will be published on August 20th by Strange Attractor. Pieces discussed: ¿Te Gusta La Musica Latina?, Alone in the Dark: Björk on Vespertine, Incredibly Strange and Highly Exotic, Scott Walker audio, Mystic vapour: 'Jump Sturdy' (book excerpt), Dr. John: Shadowy Singer Rises From Bayou, Dr. John In Babylon, Dr. John audio, Harold Battiste, Stan Getz, Fred Wesley, Primal Scream and Robbie Williams.

In this episode we welcome John Doran and Luke Turner to downtown Hammersmith and invite them to talk about their much-loved and newly-revamped Quietus "webzine". (That's Noughties-speak, for all you kids out there.) The intrepid duo look back on the 2008 birth of their baby and reflect on its survival and evolution over the subsequent 16 years. Quotes from pieces they wrote about Kanye West (2008) and Britpop "fakestalgia" (2014) prompt thoughts on such much-missed Quietus writers – and RBP contributors – as S(teven)Wells, Dele Fadele and Neil Kulkarni. Mention of a recent Quietus piece about Yoko Ono leads us to clips from Mark Kemp's 1992 audio interview with the pioneering avant-gardist whose life and work are celebrated in an exhibition at London's Tate Modern (15 February to 1 September, 2024). Ardent fans of Ono's woefully-overlooked solo albums, John and Luke talk about the relentless racist/misogynist abuse she's suffered as "the woman who broke up the Beatles" [sic]. Staying in the demi-monde of downtown New York transgression, we pay tribute to departed jazz-punk No Waver James Chance, another Quietus anti-icon, before Mark winds up the episode with quotes from newly-added library pieces about the Beatles (1963), the Temptations (1970), Kurtis Blow (1981), Jerry Dammers (1990) and Glen Campbell (1999). Finally, Jasper rounds things off with remarks on Atlanta's overshadowed rappers Goodie Mob... Many thanks to special guests John Doran and Luke Turner. Read the Quietus at thequietus.com, and find their books, including Jolly Lad and Men at War in all good bookshops. Pieces discussed: Kanye West: Sensitive Soul, Modern Life Isn't Rubbish: The Trouble With Britpop Nostalgia, Yoko Ono audio, Q: Why Interview James Chance? A: Because He's There, Bow To The Devilish Prince: James Chance Interviewed, Downtown icon James Chance cuts loose, It's the Beatles! Part 5: How To Avoid The Stage Door Crowds... Enter Through The Roof, Temptations: no trouble pleasing their audience, Kurtis Blow: Rap-sody in Blow, Mandela's Day — The Journey To Freedom, Glen Campbell: "I could have gone the same way as Elvis" and Goodie Mob: World Party

In this episode we're joined from Nashville by acclaimed critic, author and broadcaster Ann Powers for a discussion of her new Joni Mitchell book. Starting in Ann's native Seattle, we hear about her early '80s pieces for The Rocket before moving on to her stints at the San Francisco Weekly and the New York Times. Mention of Piece by Piece, the 2005 book she wrote with Tori Amos, leads us to clips from Steven Daly's 1998 audio interview with Amos and a broader conversation about the wave of female singer-songwriters that engulfed pop music in the '90s. Ann's noughties move to California and the L.A. Times prompts discussion of the "dreamlike" night she spent chez Prince on New Year's Eve, 2008. From there we jump to the life and music of an artist Prince admired more than most: Joni Mitchell, subject of Ann's remarkable new book Travelling. With particular focus of 50-year-old jazz-rock masterpiece Court and Spark, we explore the richness and complexity of Joni's '70s work, her deep engagement with the Black American experience, and the worship she's experiencing in the wake of the recent "Joni Jams". Many thanks to special guest Ann Powers. Travelling: on the Path of Joni Mitchell is published by Harper Collins and available now from all good bookshops. Pieces discussed: Ride the Unicorn: Tori Amos, Sarah McLachlan, Tanita Tikaram, Tori Amos (1998), My Night with Prince, Joni's Jazz-rock and Fusion's Big Bang, A New Canon: In Pop Music, Women Belong at the Center of the Story, Louise: Sheepish in wolverine's clothing, Millie Jackson: The Poor People's Queen and Chvrches: "It only takes two seconds to say: I don't agree with white supremacy."

In this episode — our first-ever "field recording" — we travel up to North London to interview the legendary writer-photographer Val Wilmer. Val takes us back to her earliest musical memories in Streatham, South London, and her immersion in the capital's '60s jazz and blues scenes. We hear about her first pieces for Jazz Journal and her experiences of interviewing (and photographing) the likes of blues singer Jesse Fuller. We also hear about her remarkable DownBeat interview with Jimi Hendrix from early 1968. Val's classic 1977 book As Serious As Your Life — reissued in 2018 — provides the pretext for asking about her passionate championing of the "free jazz" of John Coltrane, Ornette Coleman and others. We focus on her 1966 Melody Maker encounter with the extraordinary Albert Ayler and the unsolved mystery of his death in 1970. A discussion of Val's deep involvement in the women's movement leads us to clips from Ira Robbins 1994 audio interview with the late Lesley ('It's My Party') Gore — and in particular her startling photo-feminist classic 'You Don't Own Me', six decades young this year. Jasper talks us out with his thoughts on Alan Light's 1991 Rolling Stone interview with Queen Latifah. Many thanks to special guest Val Wilmer. As Serious As Your Life is published by Serpent's Tail and available from all good bookshops. Pieces discussed: Jimi Hendrix: An experience, Once Upon A Time In Williamsburg, Ayler: Mystic tenor with a direct hot line to heaven?, Memories of Hoppy: An interview with Val Wilmer, The New Jazz Gets With It (That Means With Contemporary Art), Tempo: Coltrane, Shankar and All That Rock & Roll, Coltrane, Davis, Monk, Mingus, Lesley Gore audio and Queen Latifah's New Gambit.

In this episode we welcome Fast Show legend Simon Day to downtown Hammersmith and ask him about his musical passions and the immortal Life Of Rock With Brian Pern. We start with our guest's misspent youth in south-east London, where he frequently saw bands such as Dr. Feelgood and local lads Squeeze and even fronted his own punk combo Simon & the Virgins. We hear about his early days on the standup circuit and his close associations with Vic Reeves, Bob Mortimer and the gang that coalesced around The Fast Show. From there we discuss the genesis of his "prog'n'roll" alter ego Brian Pern and his affectionate lampooning of Peter Gabriel. Clips from a 2003 audio interview with Steely Dan prompt an in-depth conversation about Donald Fagen and the late Walter Becker. During this, Simon tells us how he first fell for the arch duo and we collectively compare notes on some of the group's greatest songs and albums. After a brief mention of featured writer Dorian Lynskey and his new book Everything Must Go, Mark quotes from newly-added library pieces about Mötley Crüe's Nikki Sixx and Beatles hairdresser Leslie Cavendish before Jasper talks us out with his thoughts on M. People's Heather Small and a particularly cantankerous Van Morrison. Many thanks to special guest Simon Day. Pieces discussed: Genesis Doing The Foxtrot, Genesis: No "Pale" Imitation, Seventies prog rockers Genesis are back, but are they welcomed?, All Apologies: Brian Pern, Steely Dan audio, Wayne Robins on the RBP podcast, Pete Seeger, Kendrick Lamar, Why do pop stars fall for conspiracy theories?, Dorian Lynskey on the RBP podcast, Mötley Crüe, Beatles hairdresser Leslie Cavendish, Elvis, The King Remembered — An oral history, Heather Small: Proud, Los Campesinos!, and A duel with Van Morrison.

In this episode we welcome the splendid Steffan Chirazi to RBP Towers and ask him about his career as a metal/hard rock specialist and his long association with the mighty Metallica. We hear about our guest's lucky break as a 15-year-old Motörhead maniac when the band's frontman Lemmy gave up three hours to Steffan during the sessions for 1983's Another Perfect Day – and became a dear friend for life. Steffan then recounts how he got his foot in the door at Sounds and its enduring HM spinoff Kerrang!. The first of many interviews with Metallica led to Steffan moving to San Francisco, where the band's bassist Cliff Burton showed him around town – only to die, tragically, in a car crash just months later. Clips from Barney's 1996 audio interview with Lars Ulrich and James Hetfield prompt a conversation about our guest's close involvement with the thrashmeisters and his eventual stewardship of their in-house mag-turned-website So What! Following the metallic section of the episode we return to the older San Francisco of Haight-Ashbury and its '60s summer(s) of druggy love. Clips from Gene Sculatti and Davin Seay's 1984 audio interview with Jefferson Airplane/Hot Tuna bassist Jack Casady – about to turn 80 as we record this episode – give us the chance to ask Steffan about the days of the Grateful Dead and their many hirsute friends. From there we switch to the rather different environment that was late '60s Detroit, paying tribute to poet, political firebrand and MC5 manager John Sinclair. We circle back to Steffan's post-Kerrang! career and hear about his 1999 encounter with David Bowie before Jasper talks us out with his thoughts on newly-added library pieces about LL Cool J and Eels. Many thanks to special guest Steffan Chirazi. Find him on Patreon at patreon.com/steffyspurs and read the Metallica magazine So What! at metallica.com. Listen to the official Metallica podcast at https://metallica.lnk.to/TheMetallicaReport. Pieces discussed: Motörhead's Lemmy Kilmister: The Man Behind the Myth, Metallica: Thrash on Delivery, Metallica audio, Jefferson Airplane's Jack Casady audio, Portrait of the Artist: David Bowie, LL Cool J: Time Traveller and Eels: Shootenanny!.

In this episode we welcome revered High Llamas leader (and arranger to the hip and the mighty) Sean O'Hagan to Hammersmith and ask him about his life and times from Microdisney to new album Hey Panda. We hear about Sean's Luton childhood, his family's move back to Ireland, and his 1980 encounter with the late Cathal Coughlan — the Corkonian with whom he formed the brave and brilliant Microdisney. Their path through '80s pop via Rough Trade and Virgin, and their eventual unravelling at the end of the decade, is discussed with reference to the new BBC documentary The Clock Comes Down the Stairs. The birth of the High Llamas involves RBP's own Mark Pringle, who recalls his production work on the 1992 EP Apricots (a.k.a. Santa Barbara). The influence of Brian Wilson on the sound and aesthetic of 1994's Gideon Gaye and 1996's Hawaii leads to Sean's reminiscences of meeting the Beach Boys and (almost) producing them. A side story involves his amusing memories of backing another cult L.A. genius, Love's Arthur Lee, in London. After we've heard clips from Mike Quigley's 1969 audio interview with Carl Wilson, Mike Love, Al Jardine and Bruce Johnston, we return to the arc of the Llamas' story and ask Sean about the influence of contemporary R&B on the Llamas' Hey Panda. Finally, Mark and Jasper talk us out with quotes from the pieces they've most enjoyed adding to the RBP library over the preceding fortnight. Many thanks to special guest Sean O'Hagan. The High Llamas new album, Hey Panda, is out now; visit highllamas.com or your local record shop to get your hands on it. Pieces discussed: The High Llamas: You Can Call Me Alpaca, The High Llamas: Lo-fi Heaven, The High Llamas: A Different Breed, An Improbable History: Microdisney Interviewed, The Beach Boys audio, Ted Nugent Unleashes His Little Ball of Fire, Leonard Bernstein: Lenny's song and dance in Vienna, Lounging with Mr Williams, So why exactly does David Gray have this effect on women? and Terence Trent D'Arby: Neither Fish Nor Flesh.

In this episode we welcome long-time RBP contributor Ira Robbins as he celebrates the 50th anniversary of the launch of his beloved Trouser Press. Ira tells us about the musical Anglophilia that began for him with the Beatles but surged with the 1968 release of The Who Sell Out.  He then recounts the beginning of his friendship with schoolmate Dave Schulps and explains how it led to a shared obsession with the British music press. The story of the 1974 launch of Anglophile fanzine Trans-Oceanic Trouser Press, in partnership with the late Karen Rose, is accompanied by quotes from a 2001 interview Ira gave to RockCritics.com. He talks about the years that followed the dropping of the "Trans-Oceanic" prefix, and about some of the contributors – more than a few female – who made Trouser Press such essential '70s reading. After playing a clip from a 1975 audio interview Ira did with Cockney Rebel's late frontman Steve Harley – who died after this episode was recorded – we turn our attention to his more recent encounter with the rather more genial Nick Lowe. Clips from this 2007 conversation prompt a general appreciation of the Jesus of Cool's career from Kippington Lodge to Little Village via Elvis Costello and Johnny Cash. After we've paid tribute to the departed Eric Carmen – with our guest disputing that (the) Raspberries were authentically "power pop" – Mark talks us out with quotes from the pieces he's most enjoyed adding to the RBP library over the preceding fortnight. Many thanks to special guest Ira Robbins. Zip It Up! The Best of Trouser Press Magazine 1974–1984 is published by Trouser Press Books and available now via trouserpressbooks.com.  Pieces discussed: Ira Robbins articles, The Story behind Trouser Press, Ira interviewed on RockCritics.com, Steve Harley audio, The New Wave Washes Out, Nick Lowe audio, Eric Carmen: Rock's Rejuvenated Raspberry, World Party, Charlie Watts, Was (Not Was), Rhythm and Blues and Kiss.

In this episode we welcome esteemed writer and editor Alan Light and ask him about the years he spent at Rolling Stone, Vibe and Spin — plus his close encounters with Prince, Taylor Swift and Townes Van Zandt. Vibe is the particular focus of interest for Alan's hosts, hence we hear about the magazine's inception, its co-founder Quincy Jones, our guest's long interview(s) with The Artist No Longer Known As Prince... and the problem with being a white editor of an essentially Black publication. Not to mention being at the helm when the East vs. West Coast rap wars kicked off and led to the killings of Tupac Shakur and the Notorious B.I.G.. Alan's 1999 move to alternative-rock bastion Spin prompts questions about managing music magazines and nurturing their writers. He talks proudly of Spin's coverage of the infamous Woodstock '99 festival. Our guest's return to full-time writing meant that he went on to interview many of music's biggest stars — none bigger than Taylor Swift, about whom he speaks with the greatest respect. The singer's 2014 switch from country to pop with the 1989 album triggers a fascinating conversation about the Swift phenomenon. What would have been the "late great" Townes Van Zandt's 80th birthday provides the perfect excuse to hear clips from John Tobler's 1987 audio interview with the tragically self-destructive Texan. Alan recalls a couple of "long evenings" with the singer-songwriter who died in 1997 — and tells Townes' funniest joke in the process. After Mark quotes from recently-added library articles about Loverboy and Warren Zevon, Jasper wraps matters up with his thoughts on Papa Roach and Françoise Hardy. Many thanks to special guest Alan Light. Find all his books, including Let's Go Crazy: Prince and the Making of Purple Rain and The Holy or the Broken: Leonard Cohen, Jeff Buckley and the Unlikely Ascent of Hallelujah, at all good bookshops. To listen to his podcast, visit sounduppod.com.  Pieces discussed: Vibe: the Hip Hop Years, R.I.P. Vibe, The Demise of Vibe and the Future of Criticism, Prince breaks the silence, Taylor Swift on writing her own rules, Taylor Swift at CMA Fest, Townes Van Zandt audio, Loverboy, Warren Zevon, Papa Roach and Françoise Hardy.

In this episode the writer and academic Kimberly Mack joins us from Cleveland's Rock and Roll Hall of Fame to discuss the subject of "Black rock" in the context of her 33 1/3 study of Living Colour's Time's Up. We start by asking our guest about her childhood as the daughter of a rock-obsessed Black mother – and her experience of seeing Cheap Trick when theirs were the only Black faces in the Radio City Music Hall audience. She then discusses the "fictional categories (with real-world consequences)" of (white) rock and (Black) funk and R&B, from the earliest marketing of "race records" to the continuing genre segregation of the present day. We trace the line from Jimi Hendrix to Bad Brains – and the racist barriers they encountered. This culminates in Kimberly's recollection of seeing Living Colour on Showtime at the Apollo in 1988 – and how itled eventually to the writing of last year's book about Time's Up. Mark introduces clips from a 1988 audio interview with Living Colour's Vernon Reid. These lead in turn to a conversation about the late Greg Tate, mentor and inspiration to Kimberly and so many others – and the writer who co-founded the Black Rock Coalition with Reid. After namechecks for female rock icons from Labelle to Tracy Chapman, Kimberly talks about the "untold history" of marginalised American rock critics, a book about which she is currently researching. After tributes to MC5 guitarist Wayne Kramer, Can frontman Damo Suzuki and Melody Maker/Quietus scribe Neil Kulkarni, Mark quotes from newly-added RBP library articles about David Bowie (1967), Bill Withers (1972), Alice Cooper (1975) and Porter Wagoner (1978). Jasper then wraps matters up with his thoughts about Frank Owen's 2003 report on the slaying of Run-DMC DJ Jam Master Jay and – from last year – Steve Pafford's account of the making of Gloria Gaynor's immortal disco anthem 'I Will Survive'. Many thanks to special guest Kimberly Mack. Living Colour's Time's Up is published by Bloomsbury and available now. Visit Kimberly's website at kimberlymack.com. Pieces discussed: Johnny Rotten, My Mom and Me, Living Colour's Time's Up (excerpt), Q&A with Jack White, David Toop on Black Rock, RJ Smith on Black Rock & Roll, Michael A. Gonzales' Tribute to Black Rock Coalition, Vernon Reid audio

In this extra-special episode we welcome into the RBP lair not one but two legends of music journalism. Former Smash Hits/Q/MOJO supremo Mark Ellen and Sylvia (I'm Not With The Band) Patterson join us to pay tribute to their late friend and colleague upon the publication of our book Phew, Eh Readers? The Life and Writing of Tom Hibbert – the single funniest music journalist who ever lived. Both guests recount their initial and unforgettable encounters with "Hibbs" – Mark's at New Music News in 1980; Sylvia's at Smash Hits in 1986 — before we look back at Tom's early years, his marriage to the marvellous Allyce Tessier and his pop passions from the Byrds to Big Star (via Moby Grape and the 13th Floor Elevators). Interspersing the conversation with quotes from the classic Hibbert pieces collected in Phew, Eh Readers? and the tributes to Tom we commissioned for the book — plus clips from audio interviews with Jon Bon Jovi, Vivien Stanshall and Tom's Smash Hits colleague Neil Tennant — we follow our hero's path through his brilliant career. Stops along the way include his entirely made-up letters to New Music News, his 1987 audience with Margaret Thatcher, his infamous "Who the Hell" interviews for Q and his hilariously irreverent columns for The Observer and the Mail On Sunday. Not forgetting the Love Trousers, the neo-psychedelic covers band he formed with Mr. Ellen... The pathos of Tom's twilight years, following his 1997 hospitalisation with pneumonia and pancreatitis — is touched upon before we wrap up with a fond nod to his old pal "Juggins". We shall not read his like again. Phew, Eh Readers?: The Life and Writing of Tom Hibbert is published by Nine Eight Books on 1st February, 2024. Pieces discussed: Tom Hibbert articles on Rock's Backpages, Billy Idol on Majorca, Jon Bon Jovi audio, Neil Tennant on the RBP podcast, Just Like Gene Autry, the Margaret Thatcher interview??!, Who the hell does Ringo Starr think he is? and Who the hell does Roger Waters think he is?

In this episode we welcome the legendary Penelope Spheeris and invite her to talk us through her extraordinary life and brilliant career. Barney wastes little time in asking the Louisiana-born filmmaker about the shocking traumas of her childhood and teenage years. We hear about her alcoholic mother's multiple marriages and the family's move to Southern California that led to Penelope putting herself through film school before graduating from UCLA. Along with the Saturday Night Live shorts she made with actor/comic Albert Brooks, Penelope talks about the pioneering Rock 'n' Reel production company that made '70s videos for everyone from Funkadelic to Fleetwood Mac. We also learn about her conversion to punk rock via Brendan Mullen's Masque club, where she shot SoCal hardcore bands like X, Fear, the Germs and Black Flag, the footage winding up in 1981's thrilling Decline of Western Civilization. From the first Decline we jump forward seven years to Decline II — and to a discussion of the '80s glam-metal scene that exploded on West Hollywood's Sunset Strip via bands such as W.A.S.P. and Poison. In addition we hear clips from Mat Snow's 1989 audio interview with all-girl quartet Vixen, sparking a discussion of rampant misogyny on the big-hair metal scene. With Decline II: The Metal Years being our guest's de facto passport to directing 1992's enormo-grossing Wayne's World, we ask Spheeris to recall her not-altogether- felicitous experience of working on the hit Saturday Night Live spinoff with Mike Myers and Dana Carvey. We also consider how the week's featured writer "Metal Mike" Saunders bridged the gulf between metal and punk, tracing his maverick career from a 1971 Creem review of Sir Lord Baltimore's Kingdom Come to the 1978 formation of SoCal hardcore band Angry Samoans. After Mark offers quotes from recently-added library pieces about electro-pop duo Erasure, rapper Schoolly D and, yes, Penelope Spheeris, Jasper closes out the episode with remarks on articles about El Paso's At the Drive-In and David Bowie. Many thanks to special guest Penelope Spheeris. Visit her website at penelopespheeris.com. Pieces discussed: The Decline of Western Civilization, Penelope Spheeris: The "Mad Surgeon" of Film, Vixen audio, Sir Lord Baltimore, A Brief Survey of the State of Metal Music Today, Metal Mike Saunders, Angry Samoans, Annie Nightingale, Erasure, Penelope Spheeris interviewed by Richard Harrington, Schoolly D, At the Drive-In and David Bowie.

In the new episode of the Rock's Backpages podcast we welcome the admirable Andy Schwartz, who Zooms in from upstate New York to reminisce about New York Rocker, the much-missed monthly magazine he edited from 1977 to 1982. We hear about Andy's early years in suburban Westchester County and his first experiences of live music in Manhattan, which included historic gigs by the Doors, the Dead and Jimi Hendrix. We also learn about Oar Folkjokeopus, the Minneapolis record store where he worked as a student in the mid-'70s, and the local Minnesota publications for whom he wrote his first reviews. Much of our discussion is taken up with Andy's recollections of New York Rocker founder Alan Betrock, and of his own years at the helm of that essential guide to the CBGB scene that spawned Blondie, Television, Patti Smith, the Ramones and Talking Heads... not to mention Mink DeVille. Clips from Mark "Radio Pete" Bliesener's 1977 audio interview with Willy DeVille include the Mink man's caustic thoughts on the downtown scene and the rock critics who chronicled it. After our guest recalls his stint as the manager of Smithereens and Beat Rodeo, we hear about his days at Epic Records' Director of Editorial Services and his involvements with artists as diametrically different as Celine Dion and the Allman Brothers. He also reflects on his early involvement with the Rock and Roll Hall of Fame and assesses its problematic standing in today's music industry. The episode concludes with Mark's quotes from newly-added library interviews with Ray Davies, Bryan Ferry and Carly Simon, followed by Jasper's thoughts on pieces about Scissor Sisters and Bootsy Collins. Pieces discussed: Andy Schwartz pays tribute to Alan Betrock, Mink DeVille live in NYC, Willy DeVille audio, Ray Davies to Maureen Cleave, John McLaughlin to Dave Marsh, The Eagles' Hotel California, Carly Simon to James Hunter, Bryan Ferry to Jim Farber, Scissor Sisters and Bootsy Collins' Baker's Dozen.

Content warning: This episode contains discussion of sexual violence (22:45–24:55). In this episode we welcome the excellent Barbara Ellen, who joins us on Zoom all the way from... well, the other side of London, actually. (It's a long story.) Barbara talks us through her illustrious writing career from zines such as her own Wax Lyrical and Ooh Gary, Gary (a footie zine dedicated entirely to one G. Lineker, Esq.) via ZigZag (in its Goth phase) to the golden decade she spent in the pages and offices of the NME. Always highly amusing in print, our guest is no less hilarious in (virtual) person – especially when recalling her 1987 interview with Guns N' Roses. But Barbara is also capable of reverence and seriousness, not least when speaking of the revelatory interview Madonna granted her in 1995. It's back to belly-laughs when we turn our attention to news of the planned sequel to This is Spinal Tap. A clip from Gavin Martin's 2009 audio interview with Tap axeman Nigel Tufnel (a.k.a. the 4th Baron Haden-Guest) has us all in stitches as we debate the wisdom or otherwise of attempting Spinal Tap 2. Another audio clip – of the late Genesis P-Orridge explaining why Santa Claus was originally a shaman – is almost as funny. After Mark quotes from interviews with Janis Joplin, Neneh Cherry and Thom Yorke, Barney cites splendid conversations with Beatles boffin Mark Lewisohn and power-balladeering songsmith Diane Warren. Finally, Jasper concludes the episode with his thoughts on Sophie Ellis-Bextor, muzak and a Hip Hop anniversary. Many thanks to special guest Barbara Ellen. Pieces discussed: Guns N' Roses, The NME, Madonna, Goldberg on Spinal Tap, Staunton on Spinal Tap, Genesis P-Orridge audio, Essra Mohawk by Michael Watts, Essra Mohawk by Max Bell, Janis Joplin, Lester Bangs, Neneh Cherry, Thom Yorke, Mark Lewisohn on the Beatles, Dianne Warren, Sophie Ellis-Bextor, Elevator Muzak and 40 years of Hip Hop.

In this episode we welcome the delightful Daryl Easlea to Hammersmith for a pre-Xmas special on Slade and the sadly-departed Shane MacGowan. Daryl talks about his Essex childhood: the psychogeography of Canvey Island; his memories of seeing Dr. Feelgood at Southend's legendary Kursaal Ballroom; and how working at Our Price Records led to an eclectic taste palette that stretched from prog-rock to Chic, the subject of his first book in 2004. We jump to Slade, the subject of his latest book, and discuss the legacy of glam-rock's Brummie bovver boys — culminating in the story behind their ageless 1973 hit 'Merry Xmas Everybody'. From there we sidestep into the parallel '70s stream of prog and public schoolboys Genesis. Clips from Adam Sweeting's 1992 audio interview with that band's former foxhead-sporting frontman Peter Gabriel give us an opportunity to evaluate the achievements of the maverick solo artist and WOMAD founder. News of Shane MacGowan's death at 65 came in as we were preparing to record this episode. With Daryl's help we do our best to pay tribute to the tragically self-destructive Pogues frontman before Mark recaps on new library pieces about Elton John (1974) and Eternal (1995). Finally, Jasper wraps up with remarks about a 2002 London show by Jack Black's Tenacious D...  Many thanks to special guest Daryl Easlea. Whatever Happened to Slade? When the Whole World Went Crazee is published by Omnibus and available now.. Pieces discussed: Dr Feelgood, Chic, Mike Rutherford, Whatever Happened to Slade?, Skinhead Slade, Lester Bangs on Slade, Christmas songs, Peter Gabriel audio, Shane MacGowan audio, The Pogues, One More for the Road with Shane MacGowan, Elton John, Eternal and Tenacious D live in London.

In this episode we welcome acclaimed novelist Michel Faber to RBP's Hammersmith HQ and ask him about his new book ... as well as about a 1979 interview he did with the young Nick Cave. Barney gets the ball rolling by asking the author of Under the Skin and The Crimson Petal and the White what he set out to do with Listen: On Music, Sound and Us. Viewing music through a variety of prisms — from nostalgia and snobbery to racial bias and auditory biology — was the book at least partly an exercise in demystification? A stimulating conversation unfolds as Michel answers questions about "MOJO-fication", vinyl fetishisation, and live performance. A tangent on tinnitus takes us to his memories of seeing (and hearing) one of the Birthday Party's last shows... and waking up temporarily deaf the next morning. Which in turn leads to discussion of the interview our guest did as a student at Melbourne University with the pre-Birthday Party Boys Next Door, and then to clips from a 1995 audio interview in which Nick Cave answers Andy Gill's questions about Murder Ballads and Kylie Minogue. Finally the "panel" considers the week's featured artist (and a key influence on the early Birthday Party): the archetypal "MOJO-fied" cult hero who traded musically under the moniker Captain Beefheart — and whose exceptional paintings as Don Van Vliet feature in a new exhibition at Mayfair's Michael Werner Gallery. After Mark quotes from recently-added library pieces on Little Walter, Sylvester, Ornette Coleman and Björk, Jasper wraps up the episode with his thoughts on articles about the aforementioned Kylie Minogue, Goodie Mob and The Face. Many thanks to special guest Michel Faber. Listen: On Music, Sound and Us is published by Canongate and available now from all good bookshops Pieces discussed: 'Revolution 9', David Byrne's How Music Works, Nick Cave: A Boy Next Door, Nick Cave audio, People talk about BEEFHEART!, Captain Beefheart, Don Van Vliet, Little Walter, Joni Mitchell, Iggy & the Stooges, Ornette Coleman, Björk, Phil Everly, Sylvester, McAlmont & Butler, Kylie Minogue, Goodie Mob and The Face.

In this episode we welcome the great Kate Simon, who Zooms in from New York City to answer our questions about her stellar career and the new edition of Rebel Music, her book of classic reggae portraits. Kate talks about the formative moments that made her a music photographer, plus the 1972 move to London that brought her into the pages of Disc & Music Echo and Sounds. Her hosts quiz her about her timeless shots of David Bowie, Rod Stewart and the Clash before we hear of her first trip to Jamaica in 1976 and the start of her long association with Bob Marley and his fellow Wailers. We also learn more about Kate's friendships with Sounds colleagues such as Jonh Ingham, Vivien Goldman and art director Dave Fudger. After hearing about Kate's return to her native soil and her '80s work for The Face – as well as her personal preferences as a photographer — we switch coasts to California in order to mark the imminent 80th birthday of Joni Mitchell. Clips from Dave Zimmer's 1983 audio with the First Lady of Laurel Canyon – with her wry observations about Messrs. Crosby, Stills and Nash – prompt more general thoughts on her peerless music from Blue to Hejira to Night Ride Home. With Mark sipping the last of the summer wine in his beloved Crete, Jasper concludes matters with quotes from — and reflections on — newly-added library pieces about Miles Davis, Rod Stewart and Steve Reich... not to mention a priceless Billy Eckstine reminiscence of gigging with John Coltrane. Many thanks to special guest Kate Simon. The new edition of Rebel Music: Bob Marley and Roots Reggae is published by Genesis Publications. Pieces discussed: Kate Simon interviewed by Paul Gorman, Reggae: Black punks on 'erb, Richard Hell, David Bowie, Patti Smith, Joni Mitchell audio, The Seeds, Miles Davis, Rod Stewart, Billy Eckstine, Steve Reich, Queen Latifah and Michael Kiwanuka.

In this episode we welcome acclaimed critic, author and professor Evelyn McDonnell and invite her to discuss her new Joan Didion book, along with the Motels, Britney Spears and California's pop history in general. Evelyn talks about her early L.A. memories and childhood move to Wisconsin before we hear how she progressed from her college paper in Providence, RI, to becoming the pop critic for the Miami Herald. We also note books such as her Runaways biography Queens of Noise, a suitable jumping-off point for a long conversation about her fellow Californian, Didion. Mark and Martin reminisce about the impact of Didion's extraordinary essay collections Slouching towards Bethlehem and The White Album, after which we follow her career through to the bestselling Year of Magical Thinking. The L.A. theme continues as we hear two clips from Steve Roeser's 2001 audio interview with Motels singer Martha Davis, putting that band into historical context with discussion of the pre-punk D.I.Y. "Radio Free Hollywood" shows in 1976. From there we fast-forward to the very different "L.A. Woman" that was and is Britney Spears, which in turn prompts our guest to give her very pertinent take on the [Jann] "Wennergate" debacle of the past month. At a significant remove from all this Hollywood Babylonia was avant-jazz giant Carla Bley, whose death we mark in a conversation about 1971's extraordinary Escalator Over The Hill. Finally, Mark mentions pieces he's recently added to the RBP library, including interviews with Laurie Anderson and the Byrds' Roger McGuinn, and Jasper rounds the episode off with remarks on pieces about Herbie Hancock and Steve Goodman's Hyperdub label.  Many thanks to special guest Evelyn McDonnell. The World According to Joan Didion is published by HarperOne and available now. Pieces discussed: Hollywood Swinging: Joan Didion in '60s L.A., The Runaways, The Motels' Martha Davis audio, Britney Spears at Staples Centre, Britney Spears interviewed by Steven Daly, Carla Bley interviewed by Brian Case, Carla Bley at Queen Elizabeth Hall, Dwight Twilley Band, Dwight Twilley: Magical Mystery Man, Queen Latifah/DJ Mark the 45 King, The Byrds, Laurie Anderson, Steve Goodman & Hyperdub and Herbie Hancock.

In this episode we welcome the left's very own "national treasure" Billy Bragg – beamed in from his adopted Dorset – and ask him about the long and remarkable career that's enshrined in forthcoming box set The Roaring Forty. Billy revisits his Barking boyhood and early pop and folk influences, culminating in the 1977 formation of Clash-inspired punks Riff Raff. After a brief 1981 detour via the British Army, he explains how he settled on his unique solo style and delivery – and how he wound up on the cover of the NME in January 1984. Inevitably the conversation turns to politics and the way Billy has managed to retain his charm, humour and compassion in the face of hatred and extremism. An audio clip of Spectator editor Boris Johnson haranguing him at Glastonbury in 2000 is followed by discussion of left-wing patriotism, Jeremy Corbyn's Labour Party and our present-day hyperpolarisation. Martin recalls the day Billy came to tea to ask about the RBP co-founder's father Bill and uncle Ken – and the catalytic impact Ken Colyer's Jazzmen had on the music Billy chronicled so impressively in his 2017 book Roots, Radicals and Rockers: How Skiffle Changed the World. From the Colyers and Lonnie Donegan we cross the big pond to talk about Woody Guthrie, the agit-folk bard whose lyrics Billy and Wilco turned into 1998's Mermaid Avenue album. Clips from Chris Smith's 1999 audio interview with Woody's daughter (and archivist) Nora Guthrie prompt conversation about the Okie icon's mighty legacy. After Mark quotes from recently-added articles about the Stooges, Frankie Goes to Hollywood and Dr. Dre, Jasper wraps matters up with remarks on Truth Hurts and FKA Twigs. Many thanks to special guest Billy Bragg. For more about The Roaring Forty, as well as Roots, Radicals and Rockers, visit his website at billybragg.co.uk. Pieces discussed: Billy Bragg on the cover of the NME, Who the hell does Billy Bragg think he is?, Billy Bragg comes to tea, Nora Guthrie audio, Billy Bragg's Mermaid Avenue, The Stooges, Frankie Goes to Hollywood, Dr. Dre, Truth Hurts and FKA Twigs.

In this episode we welcome music writer/photographer turned award-winning TV director Mick Gold and ask him to return to the mid-'70s to discuss pub rock, Bruce Springsteen and the wonderful Let It Rock magazine. Mick explains how he fell in with Let It Rock's "hard-up left-wing intellectuals" after penning a 5,000-word Beatles thesis at Sussex University. We then hear about the magazine and its eclectic agenda, along with our guest's parallel career as a photographer and his 1976 photo-essay book Rock on the Road. This in turn leads to a conversation about the "pub rock" scene that mushroomed in London during Let It Rock's 1972-75 lifespan. Along with Mick's 1975 Dr. Feelgood interview, Mark, Martin and Barney share their memories of gigs by Kilburn & the High Roads and Chili Willi & the Red Hot Peppers. The gradual transition from Pub to Punk is recalled and analysed with passing reference to Mick's 1976 Street Life interview with Patti Smith. The mid-'70s theme takes us into clips from a 2016 audio interview in which Bruce Springsteen talks to Vanity Fair's David Kamp about 1975's breakthrough classic 'Born to Run' — and then to a further discussion of the Boss' inclusion in Jann Wenner's controversial new book The Masters. After Mark quotes from interviews with Dizzy Gillespie, James Brown, Todd Rundgren, Chic and Wham!, Jasper talks us out with his notes on pieces about Nona Hendryx and Rammellzee. Pieces discussed: The Band, Rock on the Road introduction, Bob Dylan at 60, Brinsley Schwarz, Dr. Feelgood, Pub Rock Proms, Bruce Springsteen on 'Born to Run', Dizzy Gillespie, Ike & Tina Turner, James Brown, Todd Rundgren, Chic, Wham!, Bruce Springsteen, Nona Hendryx and Rammellzee.

In this episode we invite Richard Grabel to reminisce about his long career as a journalist and music-biz lawyer. We hear how Richard had his mind blown by an early CBGB double-bill of Television and the three-piece Talking Heads — and about his first reviewing efforts as a student at the University of Pennsylvania. He describes how he got his foot in the door at New York Rocker – reviewing one of Lowell George's last shows for editor Andy Schwartz — and then at the NME on a 1978 visit to London. Richard's classic reports on NYC's early rap scene provide a perfect opportunity for us to ask him about his visits to the South Bronx and his interviews with Kurtis Blow and Grandmaster Flash. He's also namechecked in a clip from Bill Brewster & Frank Broughton's 1998 audio interview with Brit rap promoter Kool Lady Blue, whose legendary nights at the Roxy club in Chelsea he discusses with his hosts. After reflecting on the rise of the Beastie Boys and the story of how rap's "flash-in-the-pan" novelty status led to the genre's global domination, Richard explains how he became a high-profile lawyer for such alt-rock bands as Sonic Youth and Dinosaur Jr. After Mark quotes from interviews with Betty Davis, Jackson Browne and George Michael, Jasper concludes the episode with remarks about pieces on Smash Mouth, *NYSNC and the 16-year-old Lorde. Many thanks to special guest Richard Grabel. Pieces discussed: Kurtis Blow, The Funky Four + 1, Grandmaster Flash, Kool Lady Blue, Run-DMC, Beastie Boys, Beastier Boys, Beastiest Boys, Jackson Browne, Ray Parker Jr., Betty Davis, George Michael, Smash Mouth, Blue-eyed soul and Lorde.

In this episode we're delighted to invite Vernon Gibbs to look back on his career as a pioneering soul scribe and A&R man. Vernon begins by describing his early years as a scholarship student who took the G train from Brooklyn to school on Manhattan's Upper East Side — and his formative years at NYC's Columbia University. He describes how he fell in with the counterculture and began writing about music for the Columbia Daily Spectator. A discussion follows of pieces he wrote about the death of Jimi Hendrix and — later, for NME — the decline of Sly Stone. He also talks about contributing to Crawdaddy! and other rock publications in the mid-'70s. The 50th anniversary of Marvin Gaye's Let's Get It On gives Vernon's hosts a chance to ask about the 1974 interview he did with the Motown superstar for Zoo World. He then explains how he was hired for A&R positions at Mercury and — more notably — Clive Davis' Arista label, where he worked with P-Funk offshoot Quazar and 'Disco Nights' hitmakers GQ. Vernon's return to music journalism takes us into a discussion of the downtown New York punk scene and a 1983 Creem interview in which Richard Hell defines "the blank generation". This in turn leads to clips from Jim Sullivan's 1996 audio interview with Talking Heads' Tina Weymouth — and Vernon's thoughts on that most un-punk of CBGB bands — in the week when Jonathan Demme's concert documentary Stop Making Sense is given well-deserved a cinematic re-release. After Mark quotes from archive interviews with Philly International legend Kenny Gamble (1976), L.A. bete noire Kim Fowley (1979) and smoooooth jazz man Kenny G (1988), Jasper rounds off the episode with his thoughts on Lloyd Bradley's celebration of London's Harlesden scene (2001), Def Jam rapper Ludacris (2005) and "jazz-rock" trio the Bad Plus (2013). Many thanks to special guest Vernon Gibbs. Pieces discussed: Jimi Hendrix, Sly Stone, Marvin Gaye, Let's Get It On, Richard Hell, Talking Heads' Tina Weymouth audio, Gamble & Huff, Kenny G, Kim Fowley, Do the Harlesden Shuffle, Ludacris and The Bad Plus.

In this episode we welcome NME legend Charles Shaar Murray, beamed in from his adopted Ipswich to reminisce about his career from Oz magazine to his John Lee Hooker biography Boogie Man. We start by discussing Charles' 1970 interview with the mighty Muddy Waters, his "favourite singer since I was 12 years old". Our guest talks about the Oz "School Kids" issue and the other underground publications for which he wrote before he was recruited by New Musical Express in the summer of 1972. We hear how "CSM" became NME's unofficial David Bowie correspondent and how — under Nick Logan's editorship — the paper radically broadened its rock remit to embrace film, literature and politics. Taking the story into the early '80s, we discuss the continuing passion for blues that led to years of research for Boogie Man. Clips from Tony Scherman's 1992 audio interview with its subject Mr. Hooker prompt our guest's memories of coaxing information out of the veteran bluesman. From John Lee and Muddy Waters we turn our attention to a Canadian guitarist who fell heavily under their spell: Robbie Robertson, whose death we learned about the night before recording this episode. After we hear audio of the Band man talking in 1991 about his "musical brother" Levon Helm, we discuss what the proto-Americana quintet meant then and now. We also pay tribute to punk artist Jamie Reid and Mexican-American cult hero Rodriguez. Wrapping up the episode, Barney quotes from late '70s interviews with Ted Nugent and Bruce Springsteen, after which Jasper talks us out with his thoughts on pieces about Monie Love and Beyoncé... Many thanks to special guest Charles Shaar Murray. His books, including Boogie Man: The Adventures of John Lee Hooker, are available from all good bookshops. Pieces discussed: Muddy Waters, David Bowie, Crosstown Traffic, John Lee Hooker, John Lee Hooker audio, Robbie Robertson, The Second Coming of Robbie Robertson, Jamie Reid, Rodriguez, Ted Nugent, Bruce Springsteen, Monie Love and Beyoncé.

In this episode, we invite acclaimed New York writer Jim Farber to tell us about his 50-year career and his experiences of "growing up gay to a Glam Rock soundtrack", to cite the title of a superb 2016 piece he wrote for The New York Times. We start by asking the former Chief Music Critic of the New York Daily News about his Scarsdale childhood and his formative musical memories. He explains how Alice Cooper's 'I'm Eighteen' became a portal to both obsessive fandom and the urgent need to write about rock for Creem, Circus and Rolling Stone. Additionally he recalls interviewing Robert Fripp for Creem in 1978 and then being reunited with King Crimson's prog-rock dissident in 2022 when the extraordinary In the Court of the Crimson King film came out. After Barney quotes from "The Androgynous Mirror", Jim's brilliant essay for the 1998 book Rolling Stone: The Seventies, we discuss Glam Rock and listen to clips from Keith Altham's 1971 audio interview with T. Rex's Marc Bolan. A brief digression about Queen and Freddie Mercury leads to Jim's thoughts on the openly gay, overhyped and ill-fated Jobriath, who died 40 years ago this week. The awful loss of Sinéad O'Connor on the eve of this episode's recording prompts reflections on the Irish singer's blazing talent and turbulent life — particularly from our guest, who interviewed her three times for the Daily News. Finally, Mark quotes from newly-added library interviews with John Lennon and Kraftwerk's Ralf Hütter, while Jasper wraps things up with notes on the Strokes (and the White Stripes) and Belle & Sebastian (and Norah Jones). Many thanks to special guest Jim Farber. Follow him on Twitter @JimFarberMusic. Pieces discussed: Growing up gay to a glam rock soundtrack, Soft Cell's Marc Almond, Robert Fripp, Marc Bolan audio, Jobriath, Jobriath @ the Bottom Line, More Jobriath, Glitter rock's lingering shadow, Sinéad O'Connor audio, Skinéad, Lennon & Yoko, Kraftwerk, Primal Scream, Strokes/Stripes, Pet Shop Boys and Belle & Sebastian.

In this episode, Richard Boon joins us to talk about his life in music, taking in the birth of Buzzcocks, the Smiths on Rough Trade and his time as "the world's coolest librarian" in Stoke Newington. The punk instigator takes us back to 1976, when he went to see the Sex Pistols live in High Wycombe together with a certain Howard Trafford and Peter McNeish. This shock to the system led to Richard inviting them to play his art studio in Reading, plus the near-mythological Lesser Free Trade Hall show that everyone in Manchester later claimed to have been at. Once Howard and Pete re-christened themselves Devoto and Shelley and formed Buzzcocks, Richard fell into managing the group and put out their seminal Spiral Scratch EP on his New Hormones label. We then ask Richard about his move to Rough Trade around the same time as he brought them the Smiths. Clips from Martin Aston's 1986 audio interview with Morrissey form the backdrop for a discussion of why the band were special, their reluctance to film music videos and their relationship with their fans.  Following discussion of featured writer Cath Carroll, whose early interview with Morrissey and Marr plus pieces on Linder and New Order round out the Manchester theme, Mark and Jasper finish up on library highlights including Sandy Bull, Yazz, the Spice Girls, and Lewis Capaldi. Many thanks to special guest Richard Boon. Please note that this episode was recorded before the death of Jane Birkin. Pieces discussed: Buzzcocks, Spiral Scratch, Pete Shelley audio, Morrissey audio, The Smiths, Linder, New Order, Sandy Bull, Van Morrison, Little Feat, Yazz, The Spice Girls, Pete Rugolo, Chuck Berry and Lewis Capaldi.

In this episode we invite the inimitable Robyn Hitchcock to reminisce about his heroically nonconformist career from the Soft Boys to 2022's Shufflemania! After Robyn explains his recent return to London from his adopted Nashville, Barney, Mark and Martin hear about his hippiefied but not entirely psychedelic '60s youth – plus his early immersion in the far-out folk of the Incredible String Band and the songs of his greatest influence Syd Barrett. He talks about how the Soft Boys did – and didn't – fit into the UK's punk scene of the late '70s, but also how they became a totemic cult influence on American acts from R.E.M. to Gillian Welch & David Rawlings. Clips from John Tobler's 1973 audio interview with '60s folk-rocker turned Asylum Records singer-songwriter David Blue provide an opportunity to discuss the former David Cohen's Greenwich Village buddy Bob Dylan and the huge influence on Robyn of Bobsongs like Blonde On Blonde's 'Visions of Johanna'. Meanwhile the 10th anniversary of the death of underground-press legend and Deviants rabble-rouser Mick Farren takes us back to the revolutionary '60s and the heyday of International Times – as well as to such seminal Farren pieces as 1976's NME rallying cry "The Titanic Sails at Dawn". Mark rounds off the episode with quotes from newly-added library pieces about 'Terry' hitmaker Lynn "Twinkle" Ripley (Evening Standard, 1964), Motown chauvinist Marvin Gaye (Phonograph Record, 1977), Henry Rollins né Garfield (Washington Post, 1981) and more… Many thanks to special guest Robyn Hitchock. Somewhere Apart: Selected Lyrics 1977–1997 is published by Tiny Ghost and available now. Pieces discussed: The Soft Boys, The Soft Boys live, Robyn Hitchock by J. Kordosh, Robyn Hitchcock by Pete Paphides, David Blue, Pop in the Police State, Rock – Energy for Revolution, The Titanic Sails at Dawn, Memories of Mick Farren, Black Flag, Marvin Gaye, Eddie Hinton, The Cramps, Twinkle and Chet Atkins.

In this episode we welcome the very personable Richard Morton Jack to "RBP Towers" and ask him to talk about his monumental new biography of Nick Drake – along with his marvellous Flashback magazine and an audio interview with Small Faces/Humble Pie frontman Steve Marriott. We commence by hearing how Richard was initiated into pop music (and its freakier offshoots) — and how this led him to the arcane cult figures covered in Flashback, not to mention released on his Sunbeam label. From the underground sounds of Sam Gopal, Mad River and Blossom Toes to the exhaustive undertaking that was Nick Drake: The Life was a major gear-shift for Richard, but one that came with the blessing of the Drake estate — and a foreword by Nick's sister Gabrielle. In a long and in-depth conversation, we attempt to make sense of the life, death and musical magic of the troubled troubadour, placing him in the context of producer Joe Boyd's Witchseason stable and hearing about a 1970 Jackie interview with Nick that Richard unearthed during his no-stone-unturned research for the book. A very different legend of '60s/'70s English music can be heard in two clips from Chris Welch's 1985 audio interview with artful rock dodger Steve Marriott. We discuss the Small Faces and then Humble Pie; infamous manager Don Arden and Immediate boss Andrew Loog Oldham; Steve's blue-eyed-soul holler of a voice... and of course 1968's concept album Ogden's Nut Gone Flake. Then we briefly turn our attention to Steve's R&B-boom contemporary Tony McPhee (1944-2023) and the remarkable blues-infused hard rock trio that was the Groundhogs. Finally, Mark and Jasper talk us out with notes on (and quotes from) newly-added library pieces about — among other subjects – Odetta (1963), Marc Bolan (1970), Motörhead (1981), New York's Collective School of Music (2003) and Congolese street musicians Staff Benda Bilili (2009). Pieces discussed: Nick Drake by Jerry Gilbert, Nick Drake in Jackie, In Search of Nick Drake, Nick Drake: Exiled from Heaven, Steve Marriott audio, Tony McPhee audio, Odetta, Marc Bolan, Motörhead, Folk albums, The Who, Terence Trent D'Arby, The Collective and Staff Benda Bilili.

In this episode we welcome Lloyd Bradley into our Hammersmith lair and ask him about his career as a journalist and as the acclaimed author of Bass Culture and Sounds Like London — the latter book celebrating its 10th birthday at the time of recording. We learn what London sounded like to Lloyd as a boy growing up in '60s Hornsey, and how his love for music led to writing for Blues & Soul and then NME and Q. He talks us through some of the key themes of Sounds Like London — his history of "100 years of Black music in the capital" — and particularly the homegrown reggae sub-genre known as "lover's rock" and the rise of grime as a hybrid of UK garage, hip hop, jungle and dancehall. Discussion of lover's rock leads us to clips from a 1998 audio interview with Steve Barrow, founder of dub/roots-reggae reissue label Blood and Fire — and then to how Lloyd came to write 2000's mighty Bass Culture: When Reggae was King. After a short discussion of soul legend Bettye LaVette — and her journey from early '60s Atlantic Records to the Anti- label in the mid-noughties — we pay tribute to the late Tina Turner and her epic story of survival and self-reinvention Mark quotes from highlights of his additions to the RBP library, including Richard Harrington's Washington Post review of the last gig Lowell George ever played and Tony Scherman's exhaustive Musician interview with session drummer Earl Palmer. Finally, Jasper talks us out with his remarks on pieces about Labrinth and London's hyper-eclectic jazz scene. Many thanks to special guest Lloyd Bradley. For more on Bass Culture and Sounds Like London, visit his website at lloydbradley.net. Pieces discussed: George Clinton, Beggar & Co, The Growth of Grime, Blood & Fire's Steve Barrow audio, Bettye Lavette, Bettye Lavette vs. Susan Boyle, Thankful N' Thoughtful, Ike & Tina, Tina Turner, Soulful Queen of Rock'n'roll, Tina Turner roars into Rock Hall, Lowell George, Earl Palmer, Labrinth live and London jazz.

In this episode we welcome pop poacher-turned-gamekeeper (turned rockademic) Cliff Jones to RBP's Hammersmith HQ and invite him to talk about his shape-shifting career in music — as well as about Paul Simon and doomed Rolling Stone Brian Jones (no relation). Barney starts things off with his memories of Cliff coming into the MOJO office circa 1994-5, plus we hear about long-form pieces our guest wrote about Peter Green and (for The Face) the Fugees. We also discuss Johnny Cigarettes' 1999 NME interview with Gay Dad, the band Cliff formed in the wake of Britpop. Nick Broomfield's new BBC documentary about Brian Jones prompts conversation about the self-destructive blues obsessive who was sidelined by Mick Jagger and Keith Richards — and ditched by Anita Pallenberg — after which we turn our attention to the rather different Paul Simon. Clips from Tony Scherman's 1993 audio interview with the other half of Art Garfunkel are jumping-off points for our collective thoughts on the New Yorker's career from his Brill Building days to the Hearts and Bones album and beyond. We pay heartfelt tribute to our guest's fellow RBP contributor Pete Silverton, who passed away on May 18th, and recall his crucial early Sounds interviews with the Clash, the Sex Pistols and other punk bands. Among the new library additions discussed, finally, are pieces about Flamingo Club owner Rik Gunnell (1966), Mick Hucknall's Frantic Elevators (1982), hip hop heroes the Jungle Brothers (1989) ... and, from 2007, Lily Allen and Amy Winehouse. Please note this episode was recorded before we learned of the passing of former Smiths bassist Andy Rourke. Pieces discussed: Talk Talk talk tech, The Fugees, Gay Dad, Brian Jones by Dawn James, Brian Jones by Greil Marcus, Brian Jones by Carol Clerk, Paul Simon audio, Hearts and Bones, Sex Pistols, Sid Vicious, Rik Gunnell, Average White Band, Danielle Dax, The Jungle Brothers, Frantic Elevators, Dave Matthews, Erykah Badu and Lily Allen/Amy Winehouse.

In this episode, we welcome the excellent Sylvia Patterson to RBP's Hammersmith HQ and ask her all about her life as a music journalist from Smash Hits to the NME and beyond, referencing her excellent memoirs I'm Not With the Band and Same Old Girl.  We begin with her start in writing at Dundee publisher D.C. Thomson, including as music editor for the short-lived Etcetera, which led to her applying for a staff job at irreverent pop paper Smash Hits. Sylvia reminisces about what it was like working on a magazine that never took the business of popular music too seriously, reflecting that the lack of a cynical ulterior agenda engendered a fun atmosphere for both the writers and (most of) the musicians. Touching on Sylvia's 1987 interview with newly inducted Rock Hall of Famer George Michael, whom she dubbed "the glummest man in pop", we hear clips from an Adam Sweeting audio interview conducted on the same day. The man born Georgios Kyriacos Panayiotou cut a serious figure at the time, contemplating his relationship with the press and the nature of political gestures from pop stars as well as rebuffing "rumours" that he's gay after Boy George has outed him on the radio.  Moving on to the 90s and beyond, at which point Sylvia became a freelancer for publications including The Face and the NME, we talk about her experience interviewing The Artist Formerly Known as Prince before discussing the chaos of the Britpop era. Defending her chosen side in the Oasis vs Blur debate, she recounts the hilarity of speaking with the Gallagher brothers in 2001. To bring Sylvia's story up to date, we ask her about her new memoir Same Old Girl, published in April, about her diagnosis in late 2019 with breast cancer and the treatment amidst a global pandemic that followed.  We then spotlight three articles on Donna Summer ahead of a new documentary directed by her daughter and pay tribute to recently departed Canadian singer-songwriter Gordon Lightfoot. Finally, Mark and Jasper quote from a few new additions to the RBP library including interviews with Jet Harris and Chris Cornell and a profile of Christian Scott/Chief Xian aTunde Adjuah. Many thanks to special guest Sylvia Patterson. Same Old Girl is published by Fleet and available now. Pieces discussed: George Michael: The Glummest Man in Pop?, George Michael audio, Prince, Oasis, Blur, Donna Summer, Donna Summerer, Giorgio Moroder, Gordon Lightfoot, Jet Harris, Soundgarden, Smokey Robinson, Morrissey, Secret Affair and Christian Scott/Chief Xian aTunde Adjuah.