Podcasts about shakespeare

Chloé Zhao was the second woman to ever win an Oscar for Best Director, for her 2020 film “Nomadland.” After taking a wide turn to create the Marvel supernatural epic “Eternals,” Zhao has taken another intriguing change of direction with “Hamnet,” based on Maggie O'Farrell's novel about how William Shakespeare coped with the death of his only son. In conversation with the New Yorker staff writer Michael Schulman, Zhao discusses the role that nature plays in her filmmaking, from the American West to the forests of Britain; the process of adapting manga to film; and how neurodivergence informs her creative process.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

For this week's main podcast review, Megan Lachinski, Josh Parham, Dan Bayer, and Brendan Hodges join me to discuss the latest film from Academy Award-winner Chloé Zhao, "Hamnet," starring Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe. The historical drama film co-written by Maggie O'Farrell, the author of the title novel this film is based on is a largely fictional story dramatizing the marriage between Anne Hathaway (Agnes Hathaway in the novel and film) and William Shakespeare, and the impact of the tragic death of their 11-year-old son Hamnet on their relationship, which inspired Shakespeare's iconic play "Hamlet." The film had its world premiere at the Telluride Film Festival and has been drawing tears from audiences everywhere it plays, including the Toronto International Film Festival, where it won the People's Choice Award. What did we think of it, though? Please tune in as we discuss the story, performances, cinematography, score, whether it made us as emotional as intended, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

News of Netflix buying WB & Critics Choice Noms opens the show, and then we dive into a full film study review of Chloe Zhao's Hamnet, the sad story of how Shakespeare came to write Hamlet. WB sells to Netflix - 1:01 NON-SPOILER REVIEW: Reception & Awards Profiles - 7:01 Awards Profile Thus Far including Critics Choice Award Noms - 12:01 Movie Watching Stories & Non-Spoiler Script Thoughts - 13:46 Performance Reviews - 18:32 Production Values - 25:07 Oscar Lens & Over/Under for Nominations - 31:29 Spoiler Warning - 38:17 SPOILER FILLED REVIEW: The big emotional scene - 39:05 That Ending & Arguments Against Tragedy Porn - 48:15 7 Stages - 56:55 More Bests and a Few Worsts - 1:01:29 Final Grades - 1:08:19 OUTRO: Please subscribe to our show wherever you get your podcasts and rate, review, like our show to help us grow. https://linktr.ee/mikemikeandoscar Otherwise, stay tuned for more Oscar Profiles, Oscar Race Checkpoints and gambling specials in the near future as we kick awards season into high gear.

We remember guitarist, songwriter, and producer Steve Cropper, who helped create the Memphis soul sound of the ‘60s and ‘70s. He died this week at age 84. Stax Records produced soul hits by Booker T. & the M.G.s, Sam & Dave, Isaac Hayes, and more. Cropper spoke with Terry Gross in 1990 about how he became part of the house rhythm section, and went on to help write hits for Otis Redding and Wilson Pickett.  Also, we remember the celebrated English playwright Tom Stoppard, who was considered a giant of theatre. He died at age 88. Stoppard wrote ‘Rosencrantz and Guildenstern Are Dead' and ‘The Real Thing,' and the screenplays for ‘Empire of the Sun' and ‘Shakespeare in Love.'Jazz historian Kevin Whitehead pays tribute to jazz organist Jimmy Smith, and John Powers reviews the new Brazilian film ‘The Secret Agent.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Oscar-winner Da’Vine Joy Randolph joins Chelsea to discuss the tea on Shakespeare, how to develope emotional fortitude early, and why she’ll never bring a man onto the red carpet. Then: The girls break up no fewer than two engagements. A traveler gets dumped by his boyfriend just before their European getaway. A corporate drone is desperate to get out of the office and into the great outdoors. And a May-December relationship is nearing its end… just not nearly fast enough. * Need some advice from Chelsea? Email us at DearChelseaPodcast@gmail.com * Executive Producer Catherine Law Edited & Engineered by Brad Dickert * * * The views and opinions expressed are solely those of the Podcast author, or individuals participating in the Podcast, and do not represent the opinions of iHeartMedia or its employees. This Podcast should not be used as medical advice, mental health advice, mental health counseling or therapy, or as imparting any health care recommendations at all. Individuals are advised to seek independent medical, counseling advice and/or therapy from a competent health care professional with respect to any medical condition, mental health issues, health inquiry or matter, including matters discussed on this Podcast. Guests and listeners should not rely on matters discussed in the Podcast and shall not act or shall refrain from acting based on information contained in the Podcast without first seeking independent medical advice. See omnystudio.com/listener for privacy information.

Oscar-winner Da’Vine Joy Randolph joins Chelsea to discuss the tea on Shakespeare, how to develope emotional fortitude early, and why she’ll never bring a man onto the red carpet. Then: The girls break up no fewer than two engagements. A traveler gets dumped by his boyfriend just before their European getaway. A corporate drone is desperate to get out of the office and into the great outdoors. And a May-December relationship is nearing its end… just not nearly fast enough. * Need some advice from Chelsea? Email us at DearChelseaPodcast@gmail.com * Executive Producer Catherine Law Edited & Engineered by Brad Dickert * * * The views and opinions expressed are solely those of the Podcast author, or individuals participating in the Podcast, and do not represent the opinions of iHeartMedia or its employees. This Podcast should not be used as medical advice, mental health advice, mental health counseling or therapy, or as imparting any health care recommendations at all. Individuals are advised to seek independent medical, counseling advice and/or therapy from a competent health care professional with respect to any medical condition, mental health issues, health inquiry or matter, including matters discussed on this Podcast. Guests and listeners should not rely on matters discussed in the Podcast and shall not act or shall refrain from acting based on information contained in the Podcast without first seeking independent medical advice. See omnystudio.com/listener for privacy information.

At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but he portions it out before hearing all of their answers. For Nan Da, a professor of English literature who emigrated from China to the United States as a child in the 1990s, this startling opening scene sparked a reckoning between Shakespeare's cruel and confounding story and the tragedy of Maoist and post-Maoist China. In this episode, Jacke talks to Nan about her book The Chinese Tragedy of King Lear. PLUS literary biographer Iris Jamahl Dunkle (Charmian Kittredge London: Trailblazer, Author, Adventurer) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since it was penned more than four hundred years ago, Shakespeare's “Hamlet” has been in production nearly continuously, and has been adapted in many ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider why this story of a brooding young prince has continued to speak to audiences throughout the centuries. They discuss the new film “Hamnet,” directed by Chloé Zhao, which recasts the writing of “Hamlet” as Shakespeare's response to the death of his child; Tom Stoppard's absurdist play “Rosencrantz and Guildenstern Are Dead”; Michael Almereyda's 2000 “Hamlet,” which presents the protagonist as a melancholy film student home from college; and other adaptations. What accounts for this story's hold over audiences, centuries after it was written? “I think it endures because every generation has its version of the incomprehensible,” Cunningham says. “It's not just death—it's politics, it's society. Everybody has to deal with their own version of ‘This does not make sense and yet it is.' ”Read, watch, and listen with the critics:“Hamnet” (2025)“Hamnet,” by Maggie O'Farrell“Hamlet,” by William ShakespeareKenneth Branagh's “Hamlet” (1996) Michael Almereyda's “Hamlet” (2000)“Rosencrantz and Guildenstern Are Dead” (1990)John Gielgud's “Hamlet” (1964)Robert Icke's “Hamlet” (2017, 2022)“Every Generation Gets the Shakespeare It Deserves” by Drew Lichtenberg (The New York Times)“Hamlet and His Problems" by T. S. EliotNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA JÓVENES 2025“HOY ES TENDENCIA”Narrado por: Daniel RamosDesde: Connecticut, USAUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church===================|| www.drministries.org ||===================05 de DiciembreAmigos«Ustedes ahora son mis amigos, porque les he contado todo lo que el Padre me dijo». Juan 15: 15, NTVAunque solo tiene cinco letras, «amigo» es una de las palabras más grandes del lenguaje humano. La influencia que ejercen tus amigos puede llevarte a alcanzar el éxito o arruinarte por completo. Permíteme contarte dos ejemplos personales. En el verano de 2005 fui a colportar a la ciudad de Nueva York. Pocos días después de haber llegado, mi amigo Carlos Mieses me llamó aparte para darme un consejo. «Jorge -me dijo-, veo que te cohíbes a la hora de expresarte en inglés y yo sé que has tomado cursos. No tengas miedo si no tienes un acento "perfecto", aquí nadie habla bien. Los chinos hablan con un acento, los árabes con otro... ¡hasta los estadounidenses tienen su acento! Habla como te salga y si dices algo mal, yo te corrijo». Acepté el consejo de Carlitos y gracias a él hoy puedo expresarme con soltura y fluidez en el idioma de Shakespeare.Adelantando al año 2011, Dios me estaba preparando para ser editor, aunque yo todavía no lo sabía. Cuando decidí adquirir un libro para mejorar mi español, Moisés Valdez, un gran amigo, decidió obsequiarme el volumen que andaba buscando. «Toma -me dijo, sé que este libro será una bendición para ti». Como resultado de ese gesto de mi amigo hoy sirvo como editor y tú estás leyendo estas líneas. ¡Definitivamente, estos dos amigos cambiaron para siempre el curso de mi vida!Jim Rohn dijo: «Eres el promedio de las cinco personas con las que pasas más tiempo». Así las cosas, ¿¿no crees que deberíamos cuidar más el proceso de selección de nuestros amigos? Las personas con las que pasamos tiempo nos influyen más de lo que creemos. Fíjate en tus amigos más íntimos y en tu familia. ¿Te elevan y te inspiran, o te hunden?Si al leer los párrafos anteriores te has dado cuenta de que necesitas nuevos y mejores amigos permíteme recomendarte uno: Jesús de Nazaret. Él no tiene problemas con ser «amigo de gente de mala fama» (Mateo 11: 19), pues sabe que su influencia puede cambiar los corazones. Él nos ama tanto que dio su vida por nosotros, sus amigos (ver Juan 15: 13). Jesús es el mejor Amigo que puedes tener y el que puede marcar un mayor impacto positivo en ti. Ahora que sabes eso, ¿quiénes ocuparán los otros cuatro puestos en tu vida? 

Laowang: A Chinatown King Lear is a production of Primary Stages running at 59E59 through December 14th. For more information, visit www.59e59.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

In this Artist Exploration, Emma Flynn, an MTCA Alum and from West End's Clueless chats with MTCA Director Charlie Murphy about:  Be yourself, trust your type, and bring your whole person into the room Grieve the setbacks, then release what you can't control Growth > immediacy: you don't need a Day-1 mainstage to thrive; sometimes a “red-shirt year” builds the strongest performers. No school is perfect, but the one you choose becomes yours through the work, the mindset, and the investment you bring If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes the secondbest bed is the better bed.Topics in this episode include Griselsa, Antisthenes and Helen, art of surfeit, the Dark Lady of the sonnets, the erotic adventures of Shakespeare and Richard Burbage, how the Dark Lady connects the works of Shakespeare to the world of Ulysses, misogyny in the interpretation of Shakespeare, the binary of Stratford and London, William Davenant, Fetter Lane of Gerard, giglot wantons, Anne Hathaway's supposed infidelity, Anne's debt to a shepherd, Shakespeare's will and the secondbest bed, and why it isn't as damning as one might assume.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

We can see Shakespeare's plays on stage, but can we "see" Shakespeare? A new uncovered portrait dating from the late sixteenth century might give us a way way to see Shakespeare? Steve Wadlow, the owner of the portrait, and filmmaker Madoc Roberts join us to share the journey of discovery as we try to picture Shakespeare.Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen Steve WadlowMadoc Robertswww.isthiswilliamshakespeare.com@bardsportraitHistory shows us what's possible.

The divide between people who review things for a living and regular folk has existed since before Robert Green called Shakespeare “an upstart crow” back in 1592. The years since have brought us Mozart (“too many notes”), Psycho (“falls quite flat”) and Taylor Swift's discography, post-folklore.It sounds like we can add Wicked: For Good to the list. The second half of the movie based on the Broadway production based on the 1995 novel by Gregory Maguire has put critics on one side of the yellow brick road and fans on the other. Fortunately, we have just the duo to close that gap.Dori and Kpolly step into this episode relatively fresh from seeing the final chapter of the green-and-pink saga, and play out the internal struggle of critic vs. fan for your listening enjoyment. Despite imbibing Wicked: For Good with a side of critical pans and outright distaste, our duo's take is a horse of a different color. Listen to their full report, and make sure you stick around until the end for more recommendations and special details about the Cinebuds Live event coming up Dec. 11. Actually, we'll just give you that second part now: If you haven't gotten your ticket for the very exciting screening of Scrooged and live taping of the podcast at the Oriental Theatre, go to the Milwaukee Film website and enter the creative code “SCROOGED” at checkout for $3 off.#####Cinebuds is sponsored by Joe Wilde Garage Door Company.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you.  At the end of each year, we revisit  the Shakespeare plays we covered over the past twelve months. We've gone back and re-read both Henry V and The Tempest, and we will discuss what has changed in our readings of these plays after completing our research as well as what we would like to see more (or less) of in future productions or research relating to these two plays.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Shakespeare, William. King Henry V. Edited by T. W. Craik, Arden Shakespeare, 1995. Shakespeare, William, et al. The Tempest. Bloomsbury Publishing, 2011.

What if the smartest tool in your business isn't a dashboard or a spreadsheet—but your own brain? Dr. Angus Fletcher, author of Primal Intelligence, joins Mark and Justin to dismantle the myth that data and AI are the future of innovation. From working with U.S. Army Special Operations to decoding Shakespeare and Pixar, Angus reveals the four brain processes that drive human ingenuity in chaotic environments—and how entrepreneurs can reclaim their innate edge. You'll learn: • Why human intuition trumps data in uncertain markets • The neuroscience of storytelling and how it builds plans that actually work • How to shift from optimization to innovation • Why most marketing is mid—and how to fix it   Ready to build a brand that breaks through instead of blends in? Listen now.

This episode offers a range of practical ideas, advice and teaching techniques for engaging students in the work of William Shakespeare – both in the English classroom and across the school. Produced in partnership with the Royal Shakespeare Company, the episode features a panel of experts and educators who discuss how we can make Shakespeare enjoyable for our students. We talk about Shakespeare's place across the school, in the English and drama classrooms of course, but also in other places such as the assembly hall and extra-curricular work. We offer a range of teaching tips and ways we can make Shakespeare enjoyable and engaging for students, including how we can help them to penetrate the vocabulary of Shakespeare, how Shakespeare can support oracy education, and ideas for how we can introduce Shakespeare effectively in key stage 3. Crucially, we also ask what we should avoid doing when teaching Shakespeare and ask how we can show students the relevance of Shakespeare in today's world. This episode has been produced to mark the launch of RSC's new Shakespeare Curriculum platform, which brings you the next generation of digital resources to support your teaching of Shakespeare. It is free to access for state-maintained schools and SEN schools. More details at the end of the podcast or via: www.shakespearecurriculum.com

Hamnet, the acclaimed novel by Maggie O'Farrell, is now a major film. The story imagines the life and death of Shakespeare's son, Hamnet, whose loss would later echo through one of his most famous tragedies, Hamlet. O'Farrell joins director and co-writer Chloé Zhao to reveal how they adapted the novel for the big screen. With Jessie Buckley as Agnes and Paul Mescal as William, the film reframes the Shakespeare family story as one of deep love, rupturing grief, and artistic creation. O'Farrell and Zhao discuss developing the screenplay together, interpreting Shakespeare as a husband and father, building the film's immersive natural world, and shaping an unforgettable Globe Theatre sequence that anchors the emotional arc of the story. O'Farrell and Zhao talk about adaptation, artistry, and how a 400-year-old loss continues to inspire new ways of imagining Shakespeare's life and legacy. From the Shakespeare Unlimited podcast. Published December 2, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Get ready for an electrifying deep dive with Michelle Hurd, an actress, activist, and industry powerhouse whose career has spanned Shakespeare, sitcoms, sci-fi universes, and everything in between. Born into a legendary artistic lineage and raised to treat acting as both a sacred craft and a true business, Michelle opens up about the relentless training and unwavering discipline that have fueled her ability to work only as an actor since college. She reveals the strategy that won her the fiercely complex role of Raffi on Star Trek: Picard in just two takes. Michelle also pulls back the curtain on her crucial work within SAG-AFTRA, sharing why boundaries matter, why actors should never be asked to tape themselves unclothed, and how she's fighting to make sets safer for everyone. With recent projects alongside Jennifer Lopez and Brett Goldstein and several new films on the way, Michelle Hurd is as unstoppable as ever. These are the unforgettable stories that landed Michelle Hurd right here. Credits: Star Trek: Picard Ash vs Evil Dead Anyone But You You Blindspot Law & Order: SVU Office Romance The Glades Hawaii: Five-0 Younger Daredevil Jessica Jones How to Get Away with Murder 90210 Where The Wind Blows Guest Links: IMDB: Michelle Hurd, Actress, Producer Connect with That One Audition: MAGIC MIND: 48% off ONEAUDITION20 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher Subscribe today and be part of a community that celebrates resilience and passion in the world of acting!

Chelsea J. Smith walks into a studio and suddenly I feel like a smurf. She's six-foot-three of sharp humor, dancer's poise, and radioactive charm. A working actor and thyroid cancer survivor, Chelsea is the kind of guest who laughs while dropping truth bombs about what it means to be told you're “lucky” to have the “good cancer.” We talk about turning trauma into art, how Shakespeare saved her sanity during the pandemic, and why bartending might be the best acting class money can't buy. She drops the polite bullshit, dismantles survivor guilt with punchline precision, and reminds every listener that grace and rage can live in the same body. If you've ever been told to “walk it off” while your body betrayed you, this one hits close.RELATED LINKS• Chelsea J. Smith Website• Chelsea on Instagram• Chelsea on Backstage• Chelsea on YouTube• Cancer Hope Network• Artichokes and Grace – Book by Chelsea's motherFEEDBACKLike this episode? Rate and review Out of Patients on your favorite podcast platform. For guest suggestions or sponsorship email podcasts@matthewzachary.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Friend of the pod Katherine Scheil is the author of Imagining Shakespeare's Wife: The Afterlife of Anne Hathaway and the co-editor of the upcoming Palgrave Handbook of Shakespearean Biofiction, is the perfect person to talk about Chloé Zhao's film version of Hamnet, Maggie O'Farrell's 2020 novel. Scheil highlights some of the differences between the novel and the film; some head-scratching marketing choices; how the novel and (especially) Jessie Buckley's performance, empower Shakespeare's wife in a way we've never seen before; and a curious similarity between Paul Mescal in Hamnet and Tim Allen in Galaxy Quest. (Length 23:21) The post Hamnet, The Movie appeared first on Reduced Shakespeare Company.

In this week's episode, Kayla and Taylor discuss our One Hundredth Book!! M.L. Rio's 2017 novel If We Were Villains. Topics include Stranger Things, Bisexual Disaster Oliver Marks, insufferable drama kids, the genius of Shakespeare, 90s Shakespeare adaptations, the frustratingly vague ending, and shades of Half-Blood Prince (and High School Musical??)This week's drink: The Friendly Betrayal via The Attic on EighthINGREDIENTS:1 ½ oz Bourbon7 drops grapefruit lavender bitters¾ oz grenadineJuice of half a lemonGinger ale, to topINSTRUCTIONS:In a rocks glass filled with ice, pour in the bourbon and bitters, stir until coldSlowly drizzle the grenadine over it to create a layered effect, following with the lemon juiceTop off with the ginger ale, give it another light stir and enjoyCurrent/recommended reads, links, etc.:Derry Girls (on Netflix)The Secret History by Donna TarttThe Snow Child by Eowyn IveyKitchen Confidential by Anthony BourdainFollow us on Instagram @literatureandlibationspod.Visit our website: literatureandlibationspod.com to submit feedback, questions, or your own takes on what we are reading. You can also see what we are reading for future episodes! You can email us at literatureandlibationspod@gmail.com.Please leave us a review and/or rating! It really helps others find our podcast…and it makes us happy!Purchase books via bookshop.org or check them out from your local public library. Join us next time as we read Circe by Madeline Miller.

Moviewallas is on YouTube! Reviews: Rental Family – Wicked for Good – Hamnet Happy Thanksgiving weekend! In this episode of Moviewallas, Joe, Rashmi, and Yazdi gather for a packed holiday show featuring three very different films – from heartfelt indie drama, to mega-musical fantasy, to prestige literary adaptation. This Week's Reviews Rental Family Brendan Fraser stars in a soulful tale about an American actor in Tokyo who finds unlikely purpose working for a Japanese “rental family” agency. We discuss the film's charm, emotional beats, cultural context, and Fraser's beautifully understated performance. Wicked for Good The second part of the two-film adaptation of the hit Broadway musical. Rashmi dives into whether the sequel improves on part one, how it ties into The Wizard of Oz, and what works (or doesn't) about its pacing, spectacle, and storytelling. Hamnet Chloé Zhao adapts Maggie O'Farrell's acclaimed novel about Shakespeare's family life and the tragedy that shaped some of his greatest work. We debate the film's pacing, emotional impact, performances by Jessie Buckley and Paul Mescal, and whether the hype helps or hurts. Join the Conversation Have you seen any of these films? Drop your thoughts in the comments – we always love hearing from you. About Moviewallas Your weekly dose of film reviews, movie news, and lively banter – from theaters, streaming, airplanes, and everywhere in between. If you love the movies, this show is for you. Thanks for listening and supporting us. Too many movies, too little time!

Christopher Marlowe (1564-1593) was born into relative obscurity and died in mysterious circumstances at the age of 29. And yet, somehow this ambitious cobbler's son brought about a spectacular explosion of English literature, language, and culture. In this episode, Jacke talks to Stephen Greenblatt about his book Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, which illuminates both Marlowe's times and the origins and significance of his work. PLUS author Eric Marshall White (Johannes Gutenberg: A Biography in Books) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to another conversation about Shakespeare's delightful comedy. This week we discuss the differences between “noting” and investigating, Dogberry the wise fool who sees but nonetheless can't communicate clearly in contract with the characters who can communicate but don't have vision, the question of who the play's hero is, and much, much more. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

In 2014, Colin McEnroe and the playwright and screenwriter Tom Stoppard recorded a live conversation at The Study in New Haven. Stoppard, whom Colin considers “quite possibly the most dizzyingly proficient writer of the English tongue (who) did not grow up speaking English,” has died at the age of 88. In appreciation of Stoppard and his work, we’re republishing their conversation with a note from Colin. GUEST: Tom Stoppard is a Czech-born playwright. His most famous works include "Rosencrantz and Guildenstern are Dead" and "Every Good Boy Deserves Favor." He co-wrote the screenplay for the 1998 Academy Award winning film, "Shakespeare in Love." Over the course of his career he has written for radio, television, film and stage. He' received one Academy Award and four Tony Awards for his work. Betsy Kaplan and Chion Wolf produced the hour. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Set in the French Riviera at the height of post-war euphoria, Shakespeare's romantic comedy about bantering rivals who become reluctant lovers and youthful sweethearts who are nearly thwarted by jealous scoundrels is a romp through a maze of relationships, gossip, passion, persecution and forgiveness. Translated into modern English verse by Ranjit Bolt and directed by Brendon Fox, with original music composition and sound design by Lindsay Jones. Learn more about your ad choices. Visit megaphone.fm/adchoices

To cap off Julius Caesar season (Julius Caeson?) Milo and Phoebe are discussing the 1953 Marlon Brando movie of the Shakespeare play. It's black and white, it's available in full on Facebook and it's VERY slutty. Listen to the full episode for discussions of the socio-political context of the 1590s, the 1950s and the teleology of auto-erotic asphyxiation. Get this episode and more on Patreon here: https://www.patreon.com/posts/144598229/ Check out Milo on tour in Bristol, Bath, Europe and Ireland: https://www.miloedwards.co.uk/liveshows

Bu kez ben okurum'da Deniz Yüce Başarır, konuğu Memet Ali Alabora ile 2021 Yılı Nobel Edebiyat Ödülü'nün sahibi Zanzibar doğumlu yazar Abdulrazak Gurnah'ın Kumdan Yürek adlı romanını derinlemesine konuşuyor. Kitabın temaları, anlatım dili, karakter derinliği ve Alabora'nın kişisel göçmenlik deneyimiyle kurduğu paralellikler etrafında dönen sohbette, Gurnah'ın ana meselelerinden olan sömirgecilik de tartışılıyor. Shakespeare'in Kısasa Kısas adlı oyununun bir uyarlaması olan romanı, bir de bu ikilinin gözünden dinleyin. Tabii yine Başarır'ın sesinden romandan bölümler de var podcastte. 

Neid ist die tödlichste Form der Anerkennung. Mit: Siegfried Terpoorten (Erzähler), Christian Kerepeszki (Peter), Joachim Aeschlimann (Romeo), Karin Berri (Julia) Tontechnik: Roli Fatzer Regie: Päivi Stalder Produktion: SRF 2017 Dauer: 11:30

Academy Award nominee Paul Mescal joins Willie Geist to discuss playing young William Shakespearein his 2025 film Hamnet as well as his role in Gladiator II alongsideDenzel Washington and director Ridley Scott. Plus, the Normal People and Aftersun star opens up about preparing to portray Paul McCartney in an upcoming Beatles biopic, how he builds complex characters, and his journey from school musicals to Hollywood. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven welcomes Professor Nic Panagopoulos from the department of English Literature and Culture at the University of Athens, Greece, to discuss evidence that the works of Shakespeare were heavily influenced by the Greek masters of philosophy and drama. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Clare Jaget, Courtney L, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Frank Lawler, Garrett Jackson, Heidi, James Warren, Jen Swan, John Creider, John Eddings, Jon Foss, Kara Elizabeth Martin, Michael Hannigan, Neal Riesterer, Patricia Carrelli, quizzi, Richard Wood, Sandi Boney, Sheila Kethley, Stephen Hopkins, Teacher Mallory, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vi - Gloucester wonders at Lear's fallen state, while Lear madly criticises the hypocrisies of the world. Written and presented by Conor Hanratty

Today we talk about the philosophy behind the play Romeo and Juliet by William Shakespeare. We talk about how ineffective violence and honor codes are as ways of maintaining the stability of a society. How catastrophe may be a deterrent to violence. The tension presented by Shakespeare between a Christian view of love, marriage and salvation and an alternative religion of love from his time. How in the kinds of love we most admire there is sometimes an element of irrationality that makes it possible. Hope you love it. :) Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Quince: https://www.QUINCE.com/pt Nord VPN: https://nordvpn.com/philothis  Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:13:16 - Le Cours de l'histoire - par : Xavier Mauduit - De Jorge Luis Borges à Julia Kristeva en passant par Shakespeare, les écrivain(e)s et les poètes prouvent sans cesse le pouvoir des mots face à la violence du monde. - réalisation : Benjamin Hû

AP correspondent Karen Chammas reports on the death of renowned playwright Tom Stoppard.

In this episode of the show we are finishing John Dahl Fall with a conversation about his 1998 effort Rounders. Over the course of our chat you will hear us wonder how this movie was dumped unceremoniously and how Miramax decided to have more faith in Shakespeare in Love, how it fits (or doesn't) in John Dahl's creative catalogue and how it also gained second life on home video in the following years. We also talk about how cinematic or uncinematic portrayal of poker is on screen, how the movie is a de facto story of addiction, and how the script treats poker the way six-year-old boys talk about dinosaurs. Finally, we spare a precious few words on what we think about Matt Damon and Edward Norton as rising stars of the time and John Malkovich's dialect work, which is clearly unforgettable and perhaps iconic in its own way.Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsIntro: Infraction - CassetteOutro: Infraction - DaydreamHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

History has not graced us with many details about Shakespeare as a person, but we do know that he and his wife had three children, including a son named Hamnet who died at the age of 11 in 1596, four years before Shakespeare went on to write his great tragedy “Hamlet.”Maggie O'Farrell's novel “Hamnet” — one of the Book Review's 10 Best Books of 2020, and the source of Chloé Zhao's new movie of the same name — starts from those scant facts, and spins them into a powerful story of grief, art and family steeped in the textures of late-16th-century life.In this episode of the Book Review Book Club, host MJ Franklin discusses “Hamnet” with his colleagues Leah Greenblatt, Jennifer Harlan and Sarah Lyall. Other works mentioned in this podcast:“Hamlet,” “King Lear,” “Macbeth,” “The Winter's Tale,” by William Shakespeare“Little Women,” by Louisa May Alcott“Grief Is the Thing With Feathers,” by Max Porter“Lincoln in the Bardo,” by George Saunders“Fi,” by Alexandra Fuller“Things In Nature Merely Grow,” by Yiyun Li“The Accidental Tourist,” by Anne Tyler“Will in the World” and “Dark Renaissance,” by Stephen Greenblatt“Gabriel,” by Edward Hirsch“Once More We Saw Stars,” by Jayson Greene“The Dutch House,” by Ann Patchett Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Sent us a text, you dicks!!Hello dicks and dickesses!!We are taking this week off due to personal reasons, but we leave you here with LA and a few Shakespeare quotes about thankfulness.Hope your Thanksgivings (if you celebrate it, that is!!) were warm and wonderful!!LA & OwenTo send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!

A sex-crazed queen from an alien world kidnaps Superman because she is horny on the latest episode of Superman TAS! Join us as we discuss...Seeing Hamnet, Shakespeare fan fiction and Stranger Things Season 5!Superman was beaten like 4 times but Maxima still considers him a winner!Disagreeing on whether Batman could have stood a chance fighting Maxima!Speculating on Superman's sex life and wondering why he doesn't just hook up with Maxima in the end!The X-Men TAS Podcast just opened a SECRET reddit group, join by clicking here! We are also on Twitch sometimes… click here to go to our page and follow and subscribe so you can join in on all the mysterious fun to be had! Also, make sure to subscribe to our podcast via Buzzsprout or iTunes and tell all your friends about it! Follow Willie Simpson on Bluesky and please join our Facebook Group! Last but not least, if you want to support the show, you can Buy Us a Coffee as well! 

In our final throwback episode, Jacqueline thinks Meghan is going to like Asssistant to the Villain by Hannah Nicole Maehrer and Meghan thinks Jacqueline is going to like If We Were Villains by M. L. Rio. Even though there isn't much these books have in common other than the word “villain” in their titles, we still have lots to talk about! I mean Shakespeare, theatre, frogs holding signs, people with names that aren't names, all sorts of adventures. Happy Thanksgiving, and get ready for LTP Christmas! Follow LTP on Social Media

What happens when one of Shakespeare's most iconic characters refuses to accept her tragic fate? In this episode, we sit down with Lois Ellise, who makes her National Tour debut in the smash hit musical & JULIET, playing Susanna, serving as swing, and understudying Juliet herself.Lois shares how her BFA training from Central Michigan University prepared her for the whirlwind life of a touring performer, what it feels like to step into a show that flips one of the world's most famous love stories on its head, and why & JULIET has become one of Broadway's most talked-about new musicals.December 16–21, 2025. The Stranahan TheatreTickets can be purchased at BroadwayinToledo.com or StranahanTheater.com.

In this intimate conversation recorded at Shakespeare and Company, novelist Miriam Robinson joins Adam Biles to discuss her remarkable debut, And Notre Dame Is Burning. Together, they explore the novel's fractured structure and the emotional aftermath of betrayal, loss, and motherhood. Robinson reflects on her protagonist Esther—a woman piecing together the wreckage of a marriage through letters and fragments—as well as on grief, storytelling, and the disorientation of time. From the shadow of Notre Dame to the uncertainty of rebuilding a life, Robinson examines how women navigate love, autonomy, and the stories they tell themselves. Touching on subjects from miscarriage and memory to patriarchy and the politics of intimacy, this conversation balances literary craft with raw honesty.Buy And Notre Dame Is Burning: https://www.shakespeareandcompany.com/books/and-notre-dame-is-burning*Miriam Robinson is an author who has worked in the world of books and bookshops for over 15 years. Previously the host of podcast My Unlived Life, she holds an MA in Creative Writing from Goldsmiths, University of London and her short fiction has been shortlisted for a Pushcart Prize, the inaugural Pindrop/RA Short Story Prize and the Pat Kavanagh Prize. Originally from Colorado, Miriam lives in East London with her daughter and their six-toed cat Astrid.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

We discuss Shakespeare's sonnets, the identities of the Fair Youth and Dark Lady, and the Oscar Wilde short story "The Portrait of Mr. W.H."To hear the full episode, visit patreon.com/barnaclecast

When Jacke started the podcast in 2015, he decided to privilege books that were at least fifty years old. (Longtime listeners will know he's made a few exceptions, but for the most part, that's been the policy.) Last month, the History of Literature Podcast celebrated its tenth anniversary - which means there are ten years' worth of books that are eligible now that weren't when he began. In this day-before-Thanksgiving episode, Jacke talks to regular guests Mike Palindrome and Laurie Frankel about Thanksgiving plans, Laurie's forthcoming novel Enormous Wings, Mike's Bluesky reading-together projects, and the literature that came out in the years 1965-1975. PLUS Jacke gives thanks for ten years of listener support, AND Eve Dunbar (Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Did William Shakespeare really write the greatest plays in the English language… or have we been sold a 400-year-old lie?For centuries, schools, universities, and institutions have defended the official story of a small-town actor with no higher education, no travel record, and barely any surviving documents — somehow becoming the most brilliant writer who ever lived.But the deeper you look, the stranger it gets.In today's episode, we dive into the Shakespeare authorship conspiracy — exploring why so many historians now question whether Shakespeare was the real author… and who the true writer might have been.We break down the three most compelling suspects:

From his possible espionage work for the Elizabethan state to his open flirtations with atheism and subversive sexual themes, the brief life of playwright Christopher Marlowe tells us much about the shadowy edges of 16th-century England. Stephen Greenblatt joins Elinor Evans to discuss the subversive, dangerous life of 'Kit', who became both a collaborator and rival of his contemporary, William Shakespeare. (Ad) Stephen Greenblatt is the author of Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, Christopher Marlowe (Bodley Head, 2025). Buy it now from Amazon: https://www.amazon.co.uk/Dark-Renaissance-Dangerous-Shakespeares-Christopher/dp/1847927130/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Merriam-Webster's Word of the Day for November 25, 2025 is: perdition • per-DISH-un • noun Perdition refers to hell, or to the state of being in hell forever as punishment after death—in other words, damnation. It is usually used figuratively. // Dante's Inferno details the main character's journey through perdition. // It's this kind of selfishness that leads down the road to perdition. See the entry > Examples: “AC/DC has been criticized for sticking to its straightforward musical formula for more than 50 staggering years, but there's little denying the appeal of the group's adrenalized and reliable approach. As Angus Young stated in the liner notes for a reissue of ‘The Razor's Edge,' ‘AC/DC equals power. That's the basic idea.' That energetic jolt is sometimes the perfect means to raise spirits and spread actual joy, even coming from a band offering the cartoonish imagery of plastic horns and travel down the road to perdition.” — Jeff Elbel, The Chicago Sun-Times, 25 May 2025 Did you know? Perdition is a word that gives a darn, and then some. It was borrowed into English in the 14th century from the Anglo-French noun perdiciun and ultimately comes from the Latin verb perdere, meaning “to destroy.” Among the earliest meanings of perdition was, appropriately, “utter destruction,” as when Shakespeare wrote of the “perdition of the Turkish fleet” in Othello. This sense, while itself not utterly destroyed, doesn't see much use anymore; perdition is today used almost exclusively for eternal damnation or the place where such destruction of the soul occurs.

You can't say “Macbeth” in a theater, but you can certainly say it on a podcast! Dana Schwartz joins us (in her third Blank Check appearance on a witch-centered film) to talk about Joel Coen's The Tragedy of Macbeth, the first solo-directorial effort from a Coen Brother after their amicable split. We're debating the success of Frances McDormand and Denzel Washington's performances, learning about the history of Scottish kings, and discovering Ben Hosley's family crest in the first Blank Check episode devoted to a work of Shakespeare. Trust us, this isn't homework. It's fun! Listen to Noble Blood Listen to Hoax  Read Anatomy A Love Story Pre-order The Arcane Arts Read If Roast Beef Could Fly Check out Forbidden Planet Watch Jefferson Mays' A Christmas Carol Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Sixty-five years ago, Alfred Hitchcock shocked audiences with his film ‘Psycho.' It broke Hollywood conventions about what a film should and should not do, ushered in a new era of horror/thriller, and became one of the most studied movies in cinema history. We listen back to Terry's interview with star Janet Leigh, who talks about filming the famous shower scene. And we hear from screenwriter Evan Hunter about working with Hitchcock on his next film, ‘The Birds.'Also, Justin Chang reviews the new film ‘Hamnet,' about Shakespeare as a young playwright, husband and father. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy