Podcasts about Island

To find The Cosmic Peach Podcast---> https://open.spotify.com/show/0a2MALZHeOng77TuwryzZU?si=7bf9298c27424781Sign up for our Patreon go to-> Patreon.com/cultofconspiracypodcastTo Find The Cajun Knight Youtube Channel---> click here10% OFF Rife Machine---> https://rifemachine.myshopify.com/?rfsn=7689156.6a9b5cTo find the Meta Mysteries Podcast---> https://open.spotify.com/show/6IshwF6qc2iuqz3WTPz9Wv?si=3a32c8f730b34e7950% OFF Adam&Eve products---> :adameve.com (promo code : CULT) To Sign up for our Rokfin go to --> Rokfin.com/cultofconspiracyCult Of Conspiracy Linktree ---> https://linktr.ee/cultofconspiracyBecome a supporter of this podcast: https://www.spreaker.com/podcast/cult-of-conspiracy--5700337/support.

Today's guest is Victoria Granof—the food stylist, creative director, and visionary behind some of the most beautiful cookbook photos and food campaigns around. Victoria joins host Jessie Sheehan to talk about her career, from her classical culinary training to working on projects for Vogue, Bon Appétit, and The New York Times, and her book, “Sicily, My Sweet: Love Notes to an Island, with Recipes for Cakes, Cookies, Puddings, and Preserves.”Victoria also opens up about her deep love for Sicily and the influence her Italian heritage has on her cooking and baking. Plus, she walks us through the Crostata Capricciosa recipe from her book, including four different fillings: chocolate custard, sweetened ricotta, pastry cream, and sun-cooked peach preserves.Click here for Victoria's Crostata Capricciosa recipe. Thank you to California Prunes for their support. Jubilee L.A. tickets are on sale now!Join our Summer Tastemaker Tour waitlistSubscribe here to get The Italy Issue, out in Sept.Visit cherrybombe.com for subscriptions, show transcripts, and tickets to upcoming events.More on Victoria: Instagram, Substack, websiteMore on Jessie: Instagram, “Salty, Cheesy, Herby, Crispy Snackable Bakes” cookbook

This Episode features music from - ,450, Agent Aasco, Aidonia, Alaine, Alkaline, Anthony B, Ayetian, Bounty Killer, Bugle, Buju Banton, Busy Signal, Byron Messiah, Chris Martin, Chronic Law, Chuck Fenda, Ding Dong, Govana, Intence, Kabaka Pyramid, Kehlani, Kiprich, Kranium, Lila Ike, Mariah Carey, Masicka, Nigy Boy, Patex, Popcaan, Romain  Virgo, Shenseea, Shuga, Skeng, Skillibeng, Slashe, Spice, Squash, Tarrus Riley, Teejay, Tommy Lee, Valiant, Vybz Kartel & More... New Riddims like Cheating & Lying Riddim, Story Book Riddim, Pon Di Island Riddim, Pain Cure Riddim & More... This is the #1 Podcast for Reggae Globally!!! @REGGAEBOYZSOUND

This week, hosts Jim DeRogatis and Greg Kot interview a band that put out one of their favorite albums of the year so far, Horsegirl. They talk with the rock trio about meeting as kids in the Chicago music scene, college and their vast music knowledge. Jim and Greg also pay tribute to the late “Prince of Darkness,” Ozzy Osbourne.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Horsegirl, "Switch Over," Phonetics On and On, Matador, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Black Sabbath, "The Wizard," Black Sabbath, Vertigo, 1970Black Sabbath, "War Pigs," Paranoid, Vertigo, 1970Ozzy Osbourne, "Crazy Train," Blizzard of Ozz, Jet, 1980Horsegirl, "Where'd You Go," Phonetics On and On, Matador, 2025Horsegirl, "In Twos," Phonetics On and On, Matador, 2025Horsegirl, "Frontrunner," Phonetics On and On, Matador, 2025Horsegirl, "2468," Phonetics On and On, Matador, 2025Horsegirl, "Billy," Versions of Modern Performance, Matador, 2022Horsegirl, "Julie," Phonetics On and On, Matador, 2025Horsegirl, "Information Content," Phonetics On and On, Matador, 2025Brian Eno, "Needles In the Camel's Eye," Here Come the Warm Jets, Island, 1974Stereolab, "Miss Modular," Dots and Loops, Elektra, 1997John Cale, "Emily," Fear, Island, 1974Horsegirl, "I Can't Stand To See You," Phonetics On and On, Matador, 2025Outkast, "So Fresh, So Clean," Stankonia, LaFace and Arista, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We Love hearing from new listeners - Who is gonna get the billboard on Mt. Washington - Pirates.. yinzer.. Mars legend.. David Bednar was traded to the Yankees... We read Pirates Facebook comments - Send us talkback messages... What are some of the weird gifts you got growing up - Jason Momoa Shaved... We ran to the Facebook comments - - Listen on iHeartRadio... Click the little mic and leave us a talkback messageSee omnystudio.com/listener for privacy information.

#1 New York Times bestselling author Josie Silver spoke to me about the laptop that changed her life, overcoming adversity early on, and her latest ghost-hunting rom-com CRAZY SPOOKY LOVE. Josie Silver is the #1 New York Times bestselling author of One Day in December, The Two Lives of Lydia Bird, One Night on the Island, and A Winter in New York, and her books have been published in over 25 languages. Her latest novel, CRAZY SPOOKY LOVE (September 2, 2025), features a plucky medium, her fame-chasing ex, and an infuriatingly handsome skeptic reporter in a ghost-hunting series full of romance and humor. Although Josie Silver burst onto the scene with her smash-hit debut romance, One Day in December in 2018, she had published books before—just under a different name, and never in the U.S. She tells me that story here. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Josie Silver and I discussed: How she wrote on maternity leave, won a contest, and got an agent Why she couldn't imagine doing anything else amidst multiple rejections The need for authors to reinvent themselves often How her latest protagonist strolled into her imagination fully formed Rewriting a previously published work for a new set of editors And a lot more! Show Notes: josiesilver.com Crazy Spooky Love: A Melody Bittersweet Novel (Melody Bittersweet, 1) – September 2, 2025 – by Josie Silver (Amazon) Josie Silver Amazon Author Page Josie Silver on Twitter/X Josie Silver on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 3 EPISODE 150: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45): One shouted question to which Trump didn't even bother to reply reignites the entire Trumpstein scandal and cover-up: "What did you think Epstein was stealing those women FOR?" It encapsulates the entirety of Trump's complicity: in the cover-up of Epstein's crimes, in his willingness to cut a deal with Ghislaine Maxwell, with his indifference to the suffering of the victims, to his belief the real victim here is him because Epstein "stole" Virginia Giuffre and other employees from him. It encapsulates Trump's worthless, despicable life. The moral vacancy, the lack of humanity, summarized in one reporter's question. And it re-emphasizes that Trump now confesses he broke with Epstein not over the child rape but because Epstein hired rape victims away from him, was STEALING Virginia Giuffre away from him, Trump paints a picture OF Mar-a-Lago where the tragic Ms. Giuffre who just killed herself worked for Trump as not Epstein Island but the Recruiting Station and Waiting Room FOR Epstein Island, Trump calls going to the Island a quote “privilege” and keeps re-igniting Trumpsteen and finding new things to admit to, and after ten years of watching the fascists beat democracy to within an inch of its life using democracy’s own loopholes, Senate Democrats finally found a loophole which may FORCE the Justice Department to release the Trumpsteen files including whatever deal with the devil his man Todd made with the pedophile pimp Gulaine Maxwell last week, or at minimum take Trump and his inflatable rubber Attorney General and tie them up in court forever and thus keep the Trumpsteen Scandal ALIVE forever. EVEN DEMOCRATS ARE DOING SOMETHING: Invoking federal law that says any executive branch agency SHALL supply any information to any group of five members of the Senate Government Oversight Committee. SHALL. Repeated daily, Trumpstein will end Trump's presidency. B-Block (43:00) THE WORST PERSONS IN THE WORLD: MSNBC says it's getting great new offices (in fact, it's getting kicked out of 30 Rock by a parent that has disowned it). Analyze the polls any way you want to: Andrew Cuomo is losing to Zohran Mamdani in NYC by 20 to 30 points. The move to disbar the FCC fascist Brendan Carr. And at our expense Kristi Noem brings Corey Lewandowski with her to Argentina with her so she can spend all her time riding. C-Block (54:50) THINGS I PROMISED NOT TO TELL: I surprised a new friend recently by mentioning the late Yankees' owner George Steinbrenner was my friend. In fact we were friends for more than 25 years and my exchanges with him were unexpectedly and always delightful. The blessing of only knowing George, never working for him. See omnystudio.com/listener for privacy information.

LFG Episode 6 Review: Unexpected Twists, Fiery Feuds, and Intense Matches!Join us in our review of Episode 6 of 'LFG' where it's all about stepping out of the comfort zone! Hosted by legendary woman's wrestler LuFisto with wrestling insights from Mr. Jeff 'Dos Evil', we delve into the unexpected twists, character transformations, and standout performances of the week. We dissect the highs and lows, from Island's compelling heel performance to the intense brawl between Drake and Elijah Holyfield. Also, we discuss the controversial judging decisions and explore the untapped potential of some contestants. A detailed breakdown ensuring you don't miss any behind-the-scenes action and on-ring highlights!00:00 Introduction and Episode Overview00:54 Discussion on Episode Continuity Issues03:32 Character Development and Challenges10:57 Match Analysis: Summer vs. Dani25:51 Match Analysis: Chris Island vs. BJ Ray37:18 Haze Jameson vs. P Nicety Match Analysis38:55 Heel and Babyface Dynamics41:35 Match Selling Techniques47:47 Main Event: Drake Morrow vs. Elijah Holyfield59:39 Judges' Votes and Contestant Evaluations01:06:53 Final Thoughts and Upcoming Episodes01:12:44 Hosts' Social Media and Podcast PlugsBecome a supporter of this podcast: https://www.spreaker.com/podcast/wrestling-soup--1425249/support.

201: PAROS – The Island for Everyone Paros is voted best place to visit in 2025 – so Kiki did!  Join her on the island for an up-close and personal view. Miltos Davos Today's Lexi:  λύπη – Lypi – Regret In Today's Episode: Kiki is fresh from her Greece trip, and she wants to share.  First stop, Paros – voted best place to visit in Europe this summer.  Tune in for her conversation with Miltos Davos, Guest Experience Curator at Senia Hotel.  You will hear highlights of the island and must dos! An island for everyone, you will love the beaches, Naousa the town Kiki stayed, and the local food, which is truly special.  Hear about SiParo, Barbarosa, Crios and so much more.  Listen to this episode to see why PAROS ISLAND should be on your bucket list.A family business does more than help the economy, it keeps a story alive. You'll really connect with Kiki and her brother John. Credits: Music: Spiro Dussias Vocals: Zabrina Hay Graphic Designer: Manos Koumparakis  

The past week has seen a number of developments on defense making headlines in Greece, whether it's news that Athens will tap into Europe's SAFE program, or plans that foresee self-sufficient military units on Greece's islands. Vassilis Nedos, Kathimerini's diplomatic and defense editor, joins Thanos Davelis to break down why these moves matter, and look at what else he is paying attention to, including Turkey's deal for Eurofighter jets and its expected response to Greece's new maritime park in the Aegean.You can read the articles we discuss on our podcast here:Greece to tap EU loans to aid defense industriesGreece, 17 EU states apply for SAFE defense financing toolArmed Forces plan foresees self-sufficient army units on islandsGreece awaiting Turkey's marine park responseAthens not surprised by Turkey's Eurofighter acquisitionLibyan coast guards train in Greece under plan to stem migrant flowsErdogan shouldn't bank on Trump 

On this week's Talkhouse Podcast, we've got a guy from that band you like in conversation with Saturday Night Live's Donald Trump specialist. It's Hamilton Leithauser and James Austin Johnson. Leithauser was-slash-is the voice behind the Walkmen, the indie-rock band that burned bright from 2000 until 2013, at which point they splintered and Leithauser embarked on a solo career and some excellent soundtrack work. Last time he was on this show he was in conversation with Ethan Hawke, with whom he worked on Hawke's Paul Newman documentary; this time around, he's got a long-in-the-works solo album to promote. This Side of the Island came out earlier this year, though it probably would have come out sooner if Leithauser didn't take a break to reunite with the Walkmen for some big shows. It's typically excellent, and a bit more slinky than his past couple. It was produced by The National's Aaron Dessner and he's just finishing up a tour with Father John Misty. For Leithauser's latest video, he roped in comedian James Austin Johnson to play his sorta-stalker / impersonator at the legendary Carlyle Hotel in New York. Check out the video right here, it's called "What do I Think?" If you don't recognize James Austin Johnson's name, you'll recognize his incredible impression of Donald Trump, which he's been doing on Saturday Night Live for the past couple of seasons. Now there have been many Trump impressions over the years, but nobody has quite captured the manic free-association in the way that Johnson has. With SNL off for the summer, Johnson is out doing comedy on the road, where you can catch him over the next few weeks before he returns to his main gig. In this fun chat, Johnson and Leithauser talk about SNL's schedule, about drinking wine on stage, about recording fake sounds versus real ones, and about a guy they're both a little obsessed with: Bob Dylan. Oh, and Trump, but just a little bit. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to James Austin Johnson and Hamilton Leithauser for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and make sure you check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme was composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Day 1,253.Today, after a quieter night in the skies, we turn our focus to renewed tank movements on the ground and covert operations at sea – before sitting down with the director of the Oscar-winning ‘20 Days in Mariupol' to discuss his new film, ‘2000 Metres to Andriivka'. Plus we share how Elon Musk reportedly stopped Starlink operations during an important Ukrainian counterattack.Contributors:Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Hamish de Bretton Gordon (Former Tank Commander). @HamishDBG on X.Adélie Pojzman-Pontay (Journalist and Producer). @adeliepjz on X.With thanks to our guest, Mstyslav Chernov.Content Referenced:Learn More' About 2000 Meters To Andriivka':https://releasing.dogwoof.com/2000-meters-to-andriivka Musk ordered shutdown of Starlink satellite service as Ukraine retook territory from Russia (Reuters):https://www.reuters.com/investigations/musk-ordered-shutdown-starlink-satellite-service-ukraine-retook-territory-russia-2025-07-25/ Why Ukraine can't afford to demobilize its soldiers (Kyiv Independent):https://kyivindependent.com/why-ukraine-cant-afford-to-demobilize-its-soldiers/ Understanding Russia's Black Sea strategy (Chatham House):https://www.chathamhouse.org/2025/07/understanding-russias-black-sea-strategy 100 years of Telegraph Puzzles: Can you complete our first ever crossword?:https://www.telegraph.co.uk/news/2025/07/28/100-years-the-telegraph-crossword-week-long-celebration/ Puzzles Main Page:https://www.telegraph.co.uk/puzzles/ SIGN UP TO THE NEW ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:https://secure.telegraph.co.uk/customer/secure/newsletter/ukraine/ Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week Andy, Akiva, and Jorma chat about the making of The Naked Gun, directed by Akiva, and starring Liam Neeson and Pamela Anderson. They also do a part two in taking listeners behind the scenes of the 2009 MTV Movie Awards, reminiscing about more favorite moments with fellow writers. We hear guest voice notes from Paul Rust, Matt Murray, Tim Kalpakis, and Scott Aukerman! The Naked Gun officially releases August 1st, 2025. The Naked Gun | Official Trailer | https://youtu.be/uLguU7WLreA?si=OsFevMm-KbbMcc9STeam America: World Police | Gary Pukes Forever | https://www.youtube.com/watch?v=iKqGXeX9LhQDelgo Trailer | https://www.youtube.com/watch?v=5Gi8ZG7UE5QSacha Baron Cohen Lands on Eminem's Face | https://www.youtube.com/watch?v=vAnBes__11YDirty Harry - Sudden Impact - Meathead rips a fart | https://www.youtube.com/watch?v=-XEjC8IDmKsGet Your The Naked Gun Tickets | https://www.fandango.com/the-naked-gun-2025-240147/movie-overview?date=2025-08-01Not all the clips we mention are available online; some never even aired.Photos and anything else mentioned in the episode can be found by following us on Instagram @thelonelyislandpod. QuinceLet your bed match the season with cool, relaxed bedding from Quince. Go to Quince.com/ISLAND for free shipping on your order and three hundred and sixty-five -day returnsVuoriGet 20% off your FIRST purchase. Get yourself some of the most comfortable and versatile clothing on the planet at vuori.com/ISLANDWonderful PistachiosGrab a bag today. www.wonderfulpistachios.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Grab a weapon and make sure it's something borrowed, something blue, something old or something new, because we're headed to one of the bloodiest weddings you've ever seen! Don't stand under any chandeliers and watch your back while you listen to Zena, Keenan and Shelby deep dive HARPER'S ISLAND! Don't forget to take our Bloody FM survey! It really will help make BloodyFM and all of our shows better :) bit.ly/BloodySurvey Next year marks the 25th ANNIVERSARY of Bloody Disgusting! If you love keeping up with all things creepy, gory, and downright horrific, we want your two cents! Get involved: ⁠https://bloody-disgusting.com/the-further/3888175/reader-survey⁠ If you're here for the jump scares, the laughs, and a community of horror lovers, you've found your people. New episodes drop weekly.  Stay creepy. Stay disgusting. Got a burning horror question you want us to tackle on the show? We're all ears! Call and leave us a message at (224) 475-1040, shoot us a text, or drop us an email @ ⁠bdisgustingpodcast@gmail.com⁠. Your question could be featured and answered on the next episode! Don't forget to rate, review, and subscribe on your favorite apps. *** // Follow The Bloody Disgusting Podcast   Twitter/X: ⁠@BDisgustingpod⁠  IG: ⁠@bdisgustingpod⁠   Bluesky: ⁠bdisgustingpod.bsky.social⁠ Facebook: ⁠www.facebook.com/bloodydisgustingpodcast⁠   Follow Bloody Disgusting on TikTok: ⁠@bdisgusting⁠  // Follow Zena Dixon   Twitter/X: ⁠@LovelyZena⁠ | IG: ⁠@realqueenofhorror/⁠ | Bluesky: ⁠lovelyzena.bsky.social⁠  YouTube: ⁠https://www.youtube.com/@RealQueenofHorror/videos⁠  TikTok: ⁠@realqueenofhorror⁠  // Follow Shelby Novak Twitter/X: ⁠@shelbybnovak⁠ | IG: ⁠@shelbybnovak/⁠ | Bluesky: ⁠shelbybnovak.bsky.social⁠/ / Follow Scare You To Sleep Podcast Twitter/X: ⁠@scareyoutosleep⁠  IG: ⁠@scareyoutosleep/⁠ Bluesky: ⁠scareyoutosleep.bsky.social⁠ // Follow Keenan McClelland   Twitter/X: ⁠@horror_guy⁠ | IG: ⁠@horror_guy⁠ | Bluesky: ⁠horrorguy.bsky.social⁠ YouTube: ⁠www.youtube.com/channel/UCiDnFIBSNxo-cPzSE0nDF4w⁠ TikTok: ⁠@horrorguy_⁠ Facebook: ⁠www.facebook.com/hallowseve365/⁠ The Every Day is Halloween Podcast: ⁠creators.spotify.com/pod/show/hallowseve365⁠ ***    Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textRich walks Sullivan's Island beach, highlighting the community cleanup efforts and introducing two humorous stories that capture life's awkward yet memorable moments.• The "Bison Jam" story follows a family vacation in Yellowstone where a 10-year-old boy innocently abbreviates "Bison Jam" to "BJ," creating an uncomfortable teaching moment• A father struggles to explain adult terminology to his son, resulting in the child's hilariously innocent response: "Why would anybody want to do that? That's just gross!"• The "Bombastic Buttocks Bee Sting" recounts a Tuesday night golf league where an errant drive hits a beverage cart attendant• What begins as a minor sting develops into a massive bruise, teaching golf etiquette lessons about BevCart workers being unintentional targets• Rich concludes with a heartfelt recommendation of the film "CODA" about a hearing daughter in a deaf fishing family• Sullivan's Island serves as Rich's creative sanctuary where most of his podcast stories are conceivedIf you enjoyed these stories, please subscribe to Tales from the First Tee for more authentic, humorous, and sometimes touching narratives from the golf course and beyond.Support the showSpotify Apple podcastsAmazon Music all other streaming services

This week Taylor dives into the story behind the new Conjuring movie, The Conjuring: Last Rites. It's based on the haunting of the Smurl family in PA. Savannah tells us the wild tale of the Hook Island Sea Monster in Australia. Thanks for listening!! Email us your stories!!! or if you want to sponsor us ;) Email - ⁠⁠⁠mysteriesmythslegends@gmail.com⁠⁠⁠ SAVANNAH'S ESTY: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.etsy.com/shop/SavannahAngelene⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We post pictures of our stories every week on instagram!!!!FOLLOW US ON SOCIALS: Tiktok: @myths_podcast Instagram: @myths_podcast Facebook: Mysteries, Myths, and LegendsTaylor's Instagram: @teeelive Savannah's Instagram: @kavannahaha 

Grönlands historia, från dansk koloni till självstyre, har präglats av politisk kamp, kulturella motsättningar och sociala omvälvningar. När Donald Trump uttryckte intresse för att köpa Grönland sattes öns politiska ställning i blixtbelysning. De första inuiterna anlände för tusentals år sedan, och nordborna som bosatte sig där år 985 försvann så småningom. År 1721 grundade den danske prästen Hans Egede en ny bosättning.Nordens nationer fick sin nuvarande utformning under Napoleonkrigen i början av 1800-talet. Under 1900-talet utvecklades flera modeller för självstyre i Norden, grundade på historiska, geografiska och kulturella särdrag. Världens största ö blev en integrerad del av Danmark 1953 och fick självstyre först 1979.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Jan Sundberg, professor emeritus i allmän statslära vid Helsingfors universitet, om Grönlands historia, dess koloniala arv och den långsamma men betydelsefulla vägen mot självstyre. Sundberg är aktuell som medredaktör för boken Governing Partially Independent Nation-Territories: Evidence from Northern Europe, tillsammans med Stefan Sjöblom.Ålands självstyre, etablerat 1921 under Nationernas Förbunds beskydd, är det äldsta och mest långtgående. Åland har ett eget parlament, ett officiellt språk (svenska) och rätt att lagstifta i de flesta inrikesfrågor. Färöarna fick självstyre 1948, och Grönland följde efter 1979. Även samerna har etablerat sameting i Norge, Sverige och Finland med kulturellt självbestämmande.Grönlands självstyre skiljer sig från Ålands och Färöarnas genom sin geografiska storlek, sina naturresurser samt befolkningens etniska och språkliga särart. Till skillnad från Åland, som är en autonom region inom Finland, har Grönland ett kolonialt förflutet som dansk besittning. Självstyrelselagen från 2009 erkänner grönländarna som ett folk med rätt till självbestämmande enligt internationell rätt. Lagen gav Grönland kontroll över sina naturresurser, vilket särskiljer ön från andra nordiska autonomier.Napoleonkrigen (1803–1815) bidrog till en omvälvning av den nordiska maktbalansen. Danmark, som ställde sig på Frankrikes sida, drabbades hårt när Storbritannien bombarderade Köpenhamn 1807 och beslagtog den danska flottan. Efter freden i Kiel 1814 tvingades Danmark att avträda Norge till Sverige, vilket markerade slutet på den dansk-norska unionen. Freden förändrade det nordiska statssystemet radikalt och inledde en ny epok av nationell omstrukturering – något som också påverkade relationerna till perifera områden som Grönland, Färöarna och Island.Danskarna införde ett handelsmonopol och kontrollerade Grönlands ekonomi och samhällsstruktur. Kristendomen och det latinska alfabetet introducerades, vilket förändrade inuiternas traditionella livsstil och världsbild. Den danska administrationen begränsade inuiternas möjligheter till självständig handel, och moderniseringen gick långsamt. Grönland förblev isolerat från omvärlden, och inuiterna hade begränsade rättigheter inom det danska kolonialsystemet.Musik: Grönlands nationalsång, Nunarput, utoqqarsuanngoravit ("Vårt land, som blev gammalt"), skrevs av Henrik Lund och tonsattes av Jonathan Petersen. Den antogs officiellt som nationalsång 1916 och används fortfarande som en symbol för Grönlands identitet och kultur. Texten hyllar landets natur, dess historia och folkets stolthet över sitt arv. Wikimedia Common. Public Domain.Lyssna på Vikingarnas episka världsresor.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Send us a textRewind to 31 July to 6 August 2005

Nye tal fra Chess.com viser, at Skandinavien er helt i top, når det kommer til, hvor stor en andel af befolkningen der spiller skak. Island fører med 33%, Norge og Danmark følger tæt. Men hvorfor lige her? Hvad er det ved skak, der tiltaler os i det kolde nord? Vi undersøger tallene med skakspiller og medvært, Morten Runge. Dernæst dykker vi ned i en anden form for virkelighedsflugt: bøger fulde af magiske katte, små mirakler og livsbekræftende læsning. Genren 'Healing Fiction', også kaldet K-healing, vinder frem overalt i Vesten. Journalist Malene Jensen hjælper os med at forstå, hvorfor vi kaster os over koreanske feel good fortællinger i en verden præget af kriser og kaos. Medvirkende: Morten Runge, Skakforfatter og vært på P1 Elisabeth Muth Andersen, Lektor i Kultur- og Sprogvidenskaber ved Syddansk Universitet Mette Møller, PH.D. med speciale i retorik og humor Bent Holm, Teaterforsker Steen Schapiro, filmentusiast, kæmpe fan af Dr. Who Carsten Ortmann, Vært på Supertanker Malene Jensen, Journalist på Weekendavisen og har boet flere år i Japan og Sydkorea Vært: Linnea Albinus Lande Producer: Anders Skytte Agergaard Redaktør: Lasse Lauridsen

HISTORY ISLAND 7-29-25 by JVC Broadcasting

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

MISHIGAN LIVE AT ISLAND VIBES LIVE AT DRINK LOUNGE IN BROOKLYN 7/25/25 FOLLOW US @REGGAEBOYZSOUND

We're back with another packed episode diving into the JConcepts INS15 Series! Join Lefty and Jason Ruona as they break down all the action from Round 3 at Island Speedway and preview what's to come at Round 4 at the legendary Hobbyplex in Omaha.

Hour 3 of A&G features... The EU trade deal & climate change The democrats are losing big time The "E" word Island, how Walmart deals with tariffs & AI Sydney Sweeney's jean commercial See omnystudio.com/listener for privacy information.

From island hopping in the Philippines to building million-dollar real estate developments, this episode takes you on a journey through entrepreneurial growth, strategic networking, and authentic business building.Ryan kicks things off with tales from his Philippines adventure – navigating a grueling 48-hour journey across multiple continents only to immediately dive with whale sharks upon arrival. His cultural immersion with his Filipino VA, Carl, highlights the value of building strong relationships which encompasses a professional one. From Carl staying shredded despite mountains of rice to  experiencing pristine beaches with affordable luxury provide a fascinating glimpse into Filipino culture.The conversation shifts to the entrepreneurial mindset and how they invest in coaching despite being coaches themselves. This cycle of continuous learning demonstrates why surrounding yourself with people who are where you want to be accelerates success. As they prepare for their upcoming Ironman race and announce two exciting networking events, one thing becomes clear – success leaves clues, and those clues often appear in the people you choose to surround yourself with. 

James experiments at home, Sunil ships in some outside help and Chris isn't making a big deal about it. Chris also fondly remembers the time he went wild swimming with Sunil. Also, the lads agree, medically, that sugar is good and it is nice. Live shows: If you want to experience the full force of Rural Concerns Live, you can grab tickets to our Manchester show at Fairfield Social Club on 22nd November. Chris is taking his new show to the Edinburgh Fringe Festival, 15th - 19th August! Grab your tickets now!  Chris and Sunil are performing on at A Lovely Time with Amy Gledhill and Friends on 30th August. It's a charity fundraiser for Gaza! Contact & support: If you have a Rural Concern you can send us an email to christopher@alovelytime.co.uk. We promise we'll be very kind! The best way to support this educational podcast is through Patreon. For less than a fiver you can get bonus episodes and access to our Discord community, The Creamery. Our artwork is by Poppy Hillstead, our music is by Sam O'Leary and our legal due diligence is by Cal Derrick, Entertainment Lawyer. Rural Concerns is edited by Joseph Burrows and produced by Egg Mountain for A Lovely Time Productions.

It's the bombastic first episode of the Maximum Utcast! Starring Zoey Handley and Jonathan Holmes with a special appearance by Coco Hendershott! Getting into the hottest news of the day about 2 different kinds of censorship, one of which involves Lollipop Chainsaw, and the other involves basically every indie game on the entire internet. Which one is real? Listen and find out! Later, the gang gets into kusoge discussions about Escape from Bug Island and then Jonathan chats with Coco about Death Stranding 2 and how it really ups the ante from the first game. Then Jonathan quietly contemplates life to himself.0:00:00 - Breakfast on Tap0:02:05 - Every Day a New Boy0:03:09 - Censorship! Real or Fake?0:10:29 - Kusoge: Escape From Bug Island0:24:58 - Building Bridges and Relationships in Death Stranding 2 with Coco0:51:40 - Hideo Kojima's Exposition0:55:37 - Wrap Up/Plugs/Thanks Patrons!1:00:57 - Life is a Mystery1:02:33 - Ooo, That's Gushin'Check out Coco's Substack: https://cococontemplates.substack.com/Follow Zoey on Bluesky: https://bsky.app/profile/adzuken.bsky.socialFollow Jonathan on Bluesky: https://bsky.app/profile/tronknotts.bsky.socialFollow Maximum Utmost on Bluesky: https://bsky.app/profile/maxutmost.com

Sydney Sweeney Jeans Controversy Explained: Conflicting Reports Surround Meghan Markle, as the Epstein Saga Continues with the President Denying He Was on the Island. #SydneySweeny #MeghanMarkle #JeffreyEpsteinGet more AoA and become a member to get exclusive access to perks:https://www.youtube.com/channel/UCOfx0OFE-uMTmJXGPpP7elQ/joinGet Erin C's book here: https://amzn.to/3ITDoO7Get Merch here - https://bit.ly/AnthonyMerchSubscribe to the Anthony On Air Podcast here:Facebook - https://bit.ly/AntOnAirFBYouTube - https://bit.ly/AntOnAirYTApple Podcast - https://bit.ly/AntOnAirAppleSpotify - https://bit.ly/AntOnAirSpotTwitter - https://bit.ly/AntOnAirTwitterInstagram - https://bit.ly/AntOnAirInstaTikTok - https://www.tiktok.com/@anthonyonairpodDiscord - https://discord.gg/78V469aV22Get more at https://www.AnthonyOnAir.com

Hour 3 of A&G features... The EU trade deal & climate change The democrats are losing big time The "E" word Island, how Walmart deals with tariffs & AI Sydney Sweeney's jean commercial See omnystudio.com/listener for privacy information.

Diesmal erzählt der Klimaforscher Ulf Büntgen die Umweltgeschichte. Es geht um den Sommer 1976 in Los Angeles. Wenn die Natur Geschichte schreibt – ein Podcast vom Pragmaticus.Das Thema:Skateboarden, Mitte der 1960er Jahre entstanden, blieb mehr als zehn Jahre ein Nischenphänomen. Bis Polyurethan, Camcorder und das Wetter dem Ganzen den richtigen Drall gaben, soll heißen: eine Subkultur entstehen ließen. Eigentlich ein voller fossiler Erfolg. Die Hauptsache: Skater hatten auf einmal leere Swimming Pools unter ihren Rollen und zwar viele davon. Noch heute sehen die Wannen in Skater Parks deshalb so aus wie die Pools von Hollywood 1976, nämlich leer. Es war trockenste Jahr in Kalifornien seit dem 16. Jahrhundert.In dieser 5. Folge von Wenn die Natur Geschichte schreibt, erklärt Ulf Büntgen von der University of Cambridge, wie man Wetter und Klima zuverlässig rekonstruieren kann und echte Zusammenhänge findet. Unser Guide Johannes Preiser-Kapeller zeigt im Detail, wie Historiker mit naturwissenschaftlichen Daten und Erkenntnissen umgehen, um diese Zusammenhänge zu überprüfen. Unser Guide in dieser Episode: Ulf Büntgen ist Professor für die Analyse von Umweltsystemen an der Universität Cambridge. Er arbeitet unter anderem mit dem Klimaarchiv der Baumringe, um Umweltbedingungen, Wetter und Klima vergangener Jahrhunderte und Jahrtausende zu rekonstruieren. Er richtet seine Aufmerksamkeit nicht nur auf die Folgen für menschliche Gesellschaften, sondern gesamte Ökosysteme. In Bonn geboren, wo er auch Geographie studierte, begann seine wissenschaftliche Karriere an der Schweizer Eidgenössischen Forschungsanstalt WSL. In seiner Masterarbeit hatte sich Büntgen mit der Klimageschichte des Schweizer Lötschentals beschäftigt, die er unter anderem anhand der verbauter und rezenter Lärchenhölzer rekonstruierte. Seine wissenschaftliche Forschung führte ihn unter anderem nach Tschechien, Spanien, Georgien, Island, in die französischen Alpen und ins Altai-Gebirge. Er forschte und lehrte unter anderem an den Universitäten Bern, Bayreuth, Madrid und Brno. Auf seiner Website finden sich beeindruckende Bilder seiner Forschungstätigkeit. Unser Guide durch die Jahrhunderte: Johannes Preiser-Kapeller ist Byzantinist und Umwelthistoriker. Er leitet in der Abteilung Byzanzforschung am Institut für Mittelalterforschung der Österreichischen Akademie der Wissenschaften (ÖAW) den Forschungsbereich „Byzanz im Kontext“. Er ist Mitherausgeber des Jahrbuchs der Österreichischen Byzantinistik, der Reihe Studies in Global Migration History und Mitglied des Advisory Boards des Journal of Historical Network Research sowie der „Climate Change and History Research Initiative“ der Princeton University. Preiser-Kapeller hat mehrere Bücher über die enge Verbundenheit von Natur- und Menschheitsgeschichte geschrieben, unter anderem Die erste Ernte und der große Hunger. Klima, Pandemien und der Wandel der Alten Welt bis 500 n. Chr. und Der Lange Sommer und die Kleine Eiszeit. Klima, Pandemien und der Wandel der Alten Welt von 500 bis 1500 n. Chr. Zuletzt erschien von ihm Byzanz. Das Neue Rom und die Welt des Mittelalters.Wenn die Natur Geschichte schreibtIn vier Folgen führt uns der Byzantinist und Umwelthistoriker Johannes Preiser-Kapeller durch die Hochs und Tiefs der Jahrhunderte, angefangen bei Kaiser Justinian und dem Schreckensjahr 536, über Erik den Roten, Grönland und afrikanische Elefanten; den Bankier Francesco Balducci Pegolotti, der im 14. Jahrhundert der einen Katastrophe entkam und eine andere beschleunigte, bis zu den mutigen Beamten Hong Hao und Zheng Xia, die sich vor 1.000 Jahren wegen des Jangtsekiang bzw. des Gelben Flusses über ihre Kompetenzbereiche hinauswagten und Menschenleben retteten. Wenn die Natur Geschichte schreibt ist eine Podcast-Reihe über die Macht der Natur über den Menschen und die Macht des Menschen über die Natur.Credits für diese Episode:Dogtown & Z-Boys,2001,R: Stacy Peralta,https://www.youtube.com/watch?v=7YKPEDayb_UPatti McGee: https://www.youtube.com/watch?v=xqrD0Vl5Vo4Trommelwirbel: drumroll.wav by adriann, https://freesound.org/s/191718/, License: CC 0Skateboarder: Granville Island Green Ramp Skateboarding by sageh, https://freesound.org/s/661612/, License: Attribution 4.0Plattenspieler-Nadel: Vinyl Needle Skip.wav by ZeSoundResearchInc., https://freesound.org/s/117512/, License: Creative Commons 0Dies ist ein Podcast von Der Pragmaticus. Sie finden uns auch auf Instagram, Facebook, LinkedIn und X (Twitter).

They're saying it's the Island's best burger & it's found at Will's Smashburgers in Mattituck. It's what Will is doing with a portion of the proceeds that has people talking, though.

*NEW MERCH ALERT:* http://badfriendsmerch.com Get MORE Bad Friends at our Patreon!! https://www.patreon.com/badfriends Thank you to our Sponsors: Factor, Shopify, True Classic & Talkspace • Factor: Get started at https://factormeals.com/badfriends50off and use code badfriends50off to get 50 percent off plus FREE shipping on your first box. • Shopify: Sign up for your $1 per month trial period at https://shopify.com/badfriends • True Classic: Upgrade your wardrobe and save on @trueclassic at https://trueclassic.com/BADFRIENDS! • Talkspace: Get $80 off your first month with promo code SPACE80 at https://Talkspace.com YouTube Subscribe: http://bit.ly/BadFriendsYouTube Audio Subscribe: https://apple.co/31Jsvr2 Merch: http://badfriendsmerch.com 0:00 Rat Traps & Rings of Death 5:00 Butterfly Knives & Back to Russia 11:20 Poop Cruise 20:15 How To Break a Comedian's Heart 25:00 R.E.M. - Good or Bad? 30:00 Bobby Can't Get Hamilton Tickets 35:00 Lion King, Little Mermaid, & Disney Classics 42:45 The Island Bullies Are Back 48:00 Sorry Sorry Stores 53:00 Sour Balls 1:00:00 Interviewing for New Fancy 1:06:00 Rudy Thinks McKone Is Cool 1:10:00 Dahmer in the Booth More Bobby Lee TigerBelly: https://www.youtube.com/tigerbelly Instagram: https://www.instagram.com/bobbyleelive Twitter: https://twitter.com/bobbyleelive Tickets: https://bobbylee.live More Andrew Santino Whiskey Ginger: https://www.youtube.com/andrewsantinowhiskeyginger Instagram: https://www.instagram.com/cheetosantino Twitter: https://Twitter.com/cheetosantino Tickets: http://www.andrewsantino.com More Juicy Instagram: https://www.instagram.com/jetskijohnson/?hl=en More Fancy SOS VHS: https://www.youtube.com/@SosvHs Instagram: https://www.instagram.com/fancyb.1 More Bad Friends iTunes: https://podcasts.apple.com/us/podcast/bad-friends/id1496265971 Instagram: https://www.instagram.com/badfriendspod/ Twitter: https://twitter.com/badfriends_pod Official Website: http://badfriendspod.com/ Opening Credits and Branding: https://www.instagram.com/joseph_faria & https://www.instagram.com/jenna_sunday Credit Sequence Music: http://bit.ly/RocomMusic // https://www.instagram.com/rocom Character Design: https://www.instagram.com/jeffreymyles Bad Friends Mosaic Sign: https://www.instagram.com/tedmunzmosaicart Produced by: 7EQUIS https://www.7equis.com/ Podcast Producer: Andrés Rosende This video contains paid promotion. #bobbylee #andrewsantino #badfriends #sponsored #ads Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephanie talks about the hinky, suspicious meeting between Ghislaine Maxwell and Deputy AG Todd Blanche - and what Trump is now saying about her. She also discusses Trump's systematic destruction of PBS, CBS and Paramount. Guest - Ana OrtizSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“It was a good experience. I loved it. My legs were fucking done by 25 miles in, and I was shaking walking up the hill because my legs couldn't take any more beating.” Erik Koenig, a former U.S. Army infantryman and accomplished ultramarathoner, is widely respected in the running community for his experience as both a military veteran and elite endurance athlete. In this episode, Erik chats with Luis about Lompoc California, working in the penitentiary system, the mental strain he deals with, the importance of running in his life, how he discovered trail running, a bad experience he had at Hurt 100, his relationship with Hammer Nutrition, and the Island View Endurance Run.ma Support Road Dog Podcast by: 1. Joining the Patreon Community: https://www.patreon.com/roaddogpodcast 2. Subscribe to the podcast on whatever platform you listen on. GO SLEEVES: https://gokinesiologysleeves.com HAMMER NUTRITION show code: Roaddoghn20 Listeners get a special 15% off at https://www.hammernutrition.com DRYMAX show code: Roaddog2020  Listeners get a special 15% off at https://www.drymaxsports.com/products/ LUNA Sandals “Whether I'm hitting the trails or just hanging out, LUNA Sandals are my favorite. They're designed by Barefoot Ted of Born to Run and made for every adventure—ultra running, hiking, or just kicking back. Its minimalist footwear that's good for your feet!” Check them out and get 15% off at lunasandals.com/allwedoisrun. Allwedoisrun.com Erik Koenig Contact Info: erikkoenig7@yahoo.com IG: erikkoenig_ultrarunner Facebook Group: Santa Barbara Trail Runners Strava Group: Island View Trail Run & Santa Barbara County Trails Council Strava: Erik Koenig Luis Escobar (Host) Contact: luis@roaddogpodcast.com Luis Instagram Kevin Lyons (Producer) Contact: kevin@roaddogpodcast.com yesandvideo.com Music: Slow Burn by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Original RDP Photo: Photography by Kaori Peters kaoriphoto.com Road Dog Podcast Adventure With Luis Escobar www.roaddogpodcast.com

Lonely Island, we got the whole family here Time to meet the crew, y'all CREDITS: Max Knightley as Governor Thou-Shalt-Not-Bear-False-Witness van Bosse Molly Rhinebeck as Frannie Pensdotter Tyberius Wilson as Duke Shipmann Zoe Tunnell as Sally Blather Crystal Zaslavchik as the GM MUSIC BY MAX KNIGHTLEY EDITED BY CRYSTAL ZASLAVCHIK CONTENT WARNING: This episode features forced closeting, alcohol use, and dead baby jokes.

In this episode of Booklist's Shelf Care: The Podcast, we're coming to you live from ALA's Annual Conference in Philadelphia. Audio Editor Heather Booth chats with three authors who were excited to share insight into their forthcoming books and what libraries mean to them: Victor Piñeiro (The Island of Forgotten Gods, August 2025, Sourcebooks Young Readers), E. Lockhart (We Fell Apart, November 2025, Delacorte), and Kevin Henkes (Is It Spring?, February 2026, Greenwillow). Here's what we talked about: Read n Rave list The Island of Forgotten Gods, by Victor Piñeiro Time Villains, by Victor Piñeiro The Land of Oz, by L. Frank Baum We Fell Apart, by E. Lockhart We Were Liars, by E. Lockhart Song of Achilles, by Madeline Miller They Both Die at the End, by Adam Silvera Family of Liars, by E. Lockhart The Disreputable History of Frankie Landau Banks, by E. Lockhart Is It Spring?, written and illustrated by Kevin Henkes Sun Flower Lion, written and illustrated by Kevin Henkes, Finding Things, by Kevin Henkes, illustrated by Laura Dronzek Waiting, written and illustrated by Kevin Henkes Chrysanthemum, written and illustrated by Kevin Henkes Lilly's Purple Plastic Purse, written and illustrated by Kevin Henkes Garth Williams American Picture Books from Noah's Ark to the Beast Within, by Barbara Bader

SOCCER: Galway United 0-1 Wexford (Women's All-Island Cup semi-final match report with Galway Bay FM's Mike Rafferty)

SOCCER: Galway United manager Phil Trill with Galway Bay FM's Mike Rafferty after their 1-0 All-Island Cup semi-final defeat to Wexford

In this jam-packed episode, we dive deep into the mind-bending Lost Season 2 finale, “Live Together, Die Alone.” From the electromagnetic anomaly to Desmond's tragic backstory, we unpack the twists, reveals, and that unforgettable hatch implosion. What does it all mean for the survivors—and the future of the Island?Then, we switch gears to the Marvel universe for a look at Fantastic Four: First Steps. Whether it's Reed's ambition, Johnny's impulsiveness, or Ben's transformation into The Thing, we explore how this origin story tried to ground cosmic powers in human emotion. Did it succeed? Or was it a rocky start for Marvel's first family?Join us as we connect two tales of transformation, mystery, and the burden of leadership.

Jesse and Maggie talk about his weekend on Daufuskie Island, the great food and a preview of a few more exceptional burgers coming up for the Eat It and Like […]

Join this channel to get access to early episodes!https://www.youtube.com/channel/UCzqhQ4tMBPu5c6F2S6uv0eg/join

Have you ever wondered what it takes to build a real community, create a movement, and make a true impact—while still having a ton of fun? Don't miss the latest episode of GSR Place, where our host B.D. sits down with the unstoppable Ben Keane: founder of Rebel Book Club, RAAISE (helping fund climate change startups), and Superfli!From living on a remote island in Fiji to launching a decade-strong book club, Ben shares jaw-dropping stories, game-changing lessons on tribe-building, and the secrets behind turning big ideas into REALITY.

This 'best-of-episode' features two popular segments from the Megalithic Marvels podcast. In the first segment, I interview researcher and author Timothy Alberino who covers a variety of interesting topics ranging from advanced ancient technology, UFOs and the Bob Lazar story. In part two of this episode I feature a segment from my previous interview with researcher Heather Arnold who shares her fascinating findings from the island of Aruba, otherwise known as the "Island of Giants."

In this whimsical bedtime story, Taylor and her three curious cats spend a dreamy day exploring a magical island filled with sandcastles, mango groves, and glowing night gardens. A gentle adventure full of mindfulness and wonder, perfect for relaxing into sleep on a summer night. Your support is the cornerstone that allows me to continue crafting tranquil stories and meditations for you. For just $4.99 a month, you'll unlock an oasis of over 450 ad-free Listen To Sleep episodes, including 8 subscriber-only full length sleepy audiobook classics like Winnie the Pooh and Alice in Wonderland. Ready for an even more serene, uninterrupted listening experience? To subscribe, visit⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://listentosleep.com/support⁠⁠ To join my email group and get a bunch of goodies, go to ⁠⁠https://listentosleep.com⁠⁠ Sleep well, friends.

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When the heat's on, invent a scandal — especially if it targets America's first Black president…See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textSeason 2 Episode 52The boys are back, and this week they're joined by a special guest: Mr. Steve Read, who shares his powerful and deeply personal story of surviving a sudden cardiac arrest.Steve recounts the harrowing experience—from the moment he collapsed on the Isle of Wight to waking up in a cardiac ward on the mainland, having been airlifted for emergency treatment.Following a long and challenging recovery, including struggles with his mental health, Steve found a renewed sense of purpose. He went on to establish the IOW Defibrillators charity, an initiative dedicated to placing publicly accessible defibrillators across the Isle of Wight—for residents, businesses, communities, and visitors alike.IOW Defibrillators CharityFounded in 2017 after Steve Read's sudden cardiac arrest, the charity was born from a simple but urgent realisation: rapid access to defibrillators and the ability to perform CPR can mean the difference between life and death.Since then, the charity has gone from strength to strength, powered by the support of local businesses and the wider community. Today, there are over 186 publicly sited defibrillators across the Isle of Wight, with more being added regularly—ensuring more lives can be saved when every second counts.https://iowdefibrillators.uk#HeartTransplant#eatingdisorder#RareCondition#HealthJourney#LifeChangingDiagnosis#MentalHealth#Vulnerability#SelfCompassion#PostTraumaticGrowth#MedicalMiracle#BBCSports#Inspiration#Cardiology#Surgery#Podcast#Healthcare#HeartHealth#MedicalBreakthrough#EmotionalJourney#SupportSystem#HealthcareHeroes#PatientStories#CardiologyCare#MedicalJourney#LifeLessons#MentalWellness#HealthAwareness#InspirationalTalk#LivingWithIllness#RareDiseaseAwareness#SharingIsCaring#MedicalSupport#BBCReporter#HeartDisease#PodcastInterview#HealthTalk#Empowerment#Wellbeing#HealthPodcast#Harryhill#Aid's#HIVCheck out our website at www.whostomanddick.com

Happy Wednesday! We open the show with reports of Columbus getting a UFL team and the Haslams trying to coordinate Nick Saban and Arch Manning to the Browns next season. Timmy is nervous about King's Island and Cedar Point. Mike has a problem with Christie Brinkley. People don't know how to use the restrooms on planes. We talk about ESPN and the NFL nearing a deal to bring NFL Network to ESPN. We do Leather Jacket Time with Nicole Shearin and Name Dropping with Jeff Rimer.

Tyler's trying to move FURTHER east!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Woo, Yay, Boo! It's episode 441 and we're throwing it back to our first live show (and Em's first time ever) in Canada! This week Em takes us to Deadman's Island for some spooky encounters. Then Christine gifts Em with the story of the Vancouver Milkshake Murder. Stay tuned to see if Canadian kindness gives Christine's Midwest politeness a run for its money… and that's why we drink!  Go to helixsleep.com/drink for 27% Off Sitewide, exclusive for listeners of And That's Why We Drink! New members can try Audible now free for 30 days and dive into a world of new thrills. Visit Audible.com/DRINK or text DRINK to 500-500. Open your account in 2 minutes at chime.com/DRINK. For a limited time only, get 60% off your first order PLUS free shipping when you head to Smalls.com/DRINK Learn more about your ad choices. Visit podcastchoices.com/adchoices