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Welcome to Multiverse News, Your source for Information about all your favorite fictional universes While Marvel Studios allegiance to San Diego and Hall H seems to have waned in recent years, not so for last weekend's New York City Comic Con where our favorite cinematic universe teased the latest and greatest for their small screen offerings. Let's rundown the biggest headlines from Marvel Television:Wonder Man released its official teaser trailer alongside the announcement that the 8-episode series had been delayed from December 2025 to January 27, 2026Fans in attendance were treated to an exclusive trailer for Daredevil: Born Again Season 2, presented by Daredevil actor Charlie Cox who was reunited with Jessica Jones actor Krysten Ritter. The series was confirmed for a March 2026 release on Disney Plus and we also learned Wilson Bethel's Bullseye will return and Matthew Lillard will be an antagonist to Vincent D'Onofrio's Kingpin. Separate from NYCC, but still worth mentioning on the subject of Daredevil: Born Again, speaking with Entertainment Tonight Marvel TV Head Brad Winderbaum shared the season's connection to Spider-Man: Brand New Day, saying "We are communicating a lot with the team on Spider-Man: Brand New Day to make sure that there's coherence there. We don't want to spoil anything, but it very much exists in the same world and it is important."VisionQuest and Your Friendly Neighborhood Spider-Man Season 2 were confirmed for Fall 2026 release windows, while X-Men '97 Season 2 was announced for Summer 2026. All three shows debuted exclusive trailers not yet released to the public and both animated series confirmed their third seasons to be in development.On the DCU TV side of things, Peacemaker Season 2 aired its final episode last week, and while we'll avoid getting specific with spoilers given the recency, when asked about a third season James Gunn did provide comments on the series' future and its impact on the DCU at large, saying, “This is about the other stories in which this [cliffhanger] will play out,” he said. “Never say never. But right now, this is about the future of the DCU.” Gunn also shared that he spoke with Ryan Reynolds about a Deadpool cameo in Peacemaker and that while the actor was interested, the logistics required to pull off the crossover were ultimately deemed too daunting.Despite Tron: Ares' number one spot debut at the box office last weekend with a $60.5 million global haul, the numbers are disappointingly muted when weighed against projections of $85-95 million and a reported $180 million budget. The film currently holds a 56% on Rotten Tomatoes and B+ Cinemascore.HBO revealed the debut trailer for Game of Thrones spin off A Knight of the Seven Kingdoms at New York Comic Con last week and has announced a premiere date of Jan. 18.Bradley Cooper is in talks to star opposite Margot Robbie in the Ocean's Eleven prequel at Warner Bros. Twisters director Lee Isaac Chung is attached to direct with Robbie's Lucky Chap producing.Warner Brothers has announced that an untitled follow up to A Minecraft Movie will hit theaters on July 23rd, 2027. Jared Hess returns to direct and will write the script with Chris Galletta, one of the writers of the original.Disney has officially resumed development on a live action adaptation of Tangled. The project has The Greatest Showman's Michael Gracey attached to direct a script from Jennifer Kaytin Robinson. Scarlett Johansson is being eyed to star as Mother Gothel.Christopher Briney, one of the leads of Prime Video's The Summer I Turned Pretty, has joined HBO Max's Emmy-winning comedy Hacks for its upcoming fifth season, which is currently in production.

Episode 788 Batman HUSH 2 Part 1: Sean and Jim dip back into the world of Batman with the follow up to Hush with Hush 2. On this episode, we cover Batman 158-160. We open up by chatting briefly about some of the NYCC news. Sean is a cohost on “Is it Jaws?” Check it out here : https://twotruefreaks.com/podcast/qt-series/is-it-jaws-movie-reviews/ Coming Up : Legion Part 2, DC KO, Flash Upcoming: Green Arrow, Green Lantern, The Flash, Longest Halloween, Wonder Woman, JSA, Justice League, DC/Marvel Crossover, DC KO and upcoming DC events, and much more. Show Topic Request Form: https://docs.google.com/forms/d/e/1FAIpQLSe5l4gZgdGrNpLXAN4NdcAI0WF7fM7yhjHJ3upZ3azEc31zuw/viewform?usp=sharing Contact Info (Social Media and Gaming) Updated 9/23: https://ragingbullets.com/about/ Facebook Group: https://www.facebook.com/groups/401332833597062/ Show Notes: 0:00 Show opening, http://www.heroinitiative.org, http://cbldf.org/,http://www.DCBService.com, http://www.Instocktrades.com, show voicemail line 1-440-388-4434 or drnorge on Skype, and more.   3:05 Hush 2 1:57:14 Closing We'll be back in a week with more content.  Check our website, Twitter and our Facebook group for regular updates.

Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, the boys cover “Fight Club”, the 1999 movie that is both an of-its-time dark satire and a should-have-been-released-in-2025 heat check. Before we dive into it, we need to get drinking! So we discuss the new Paul Thomas Anderson “Dr. Strangelove”-esque gripping satire (maybe?), “One Battle After Another”, the new Daniel Day-Lewis film “Anemone”, directed by his son, Ronan Day-Lewis, and John made it to the red carpet premier of Guillermo del Toro's latest fright film “Frankenstein”. We also discuss “Highest 2 Lowest” and “Swiped”. It's a busy show! Grab a beer and listen to us drunkenly talk about movies!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 04:12 “One Battle After Another”; 12:06 “Anemone”; 17:27 “Frankenstein”; 21:53 1999 Year in Review; 44:00 Films of 1999: “Fight Club”; 1:32:58: What You Been Watching? 1:51:15 Next Episode Additional Cast/Crew: David Fincher, Chuck Palahnuik, Jim Uhls, Brad Pitt, Edward Norton, Meat Loaf, Zach Grenier, Helena Bonham Carter, Jared Leto, Holt McCallany, Dust Brothers, Jeff Cronenweth, James Haygood, Daniel Day-Lewis, Ronan Day-Lewis, Sean Bean, Samantha Morton, Leonardo DiCaprio, Benicio Del Toro, Paul Thomas Anderson, Sean Penn, Thomas Pynchon, Teyana Taylor, Regina Hall, Alana Haim, Guillermo del Toro, Mary Shelley, Oscar Isaac, Jacob Elordi, Christoph Waltz, Mia Goth, Charles Dance, Felix Kammerer, David Bradley, Lars Mikkelsen, Lily James. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/Tags: Highest 2 Lowest, Final Destination: Bloodlines, The Lost Bus, Swiped. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

Warner Bros. Discovery Inc.’s film chiefs Michael De Luca and Pamela Abdy talk about why the movies "A Minecraft Movie" and "Sinners" were so successful at the box office this year. They also say there will be sequel to "Minecraft" released in July of 2027. They speak to Bloomberg's Lucas Shaw at Bloomberg Screentime in Los Angeles.See omnystudio.com/listener for privacy information.

Front Row Classics is taking a look at one of the most underrated films of Humphrey Bogart's career. Brandon is joined by author and film historian Christ Yogerst to chat about 1937's Black Legion. The film, directed by Archie Mayo, is a hardboiled socially relevant film that still shocks in 2025. Brandon and Chris also discuss the risk Warner Brothers took in brining it bringing it to the screen.

This week on Skip the Queue, we're stepping into the turret and turning up the tension, as we explore one of the UK's most talked-about immersive experiences.Our guest is Neil Connolly, Creative Director at The Everywhere Group, who have brought The Traitors Live Experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous.So, how do you even begin to transform a TV juggernaut into a thrilling, guest-led experience? Let's find out who's playing the game… and who's about to be banished…Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references: The Traitors Live website: https://www.thetraitorslive.co.uk/Neil's LinkedIn: https://www.linkedin.com/in/neil-connolly-499054110/Neil Connolly is a creative leader of design and production teams focused on development, production and installation of live theatre, entertainment, multi-media and attractions for the themed entertainment industry worldwide.Neil began his career as a performer, writer, producer & artist in Londons alternative theatre/art scene. It was during this time Neil developed a love and passion for story telling through the platform of interactive playable immersive theatre.Having been at the vanguard of playable & immersive theatre since 2007, Neil had a career defining opportunity in 2019 when he devised, wrote & directed an immersive experience as part of Sainsbury's 150th Birthday Celebrations. Making him the only immersive theatre & game maker in the world to have HRH Elizabeth Regina attend one of their experiences.In a distinguished career spanning 20 years, Neil has brought that passion to every facet of themed entertainment in the creative direction and production of attractions such as; Handels Messiah, Snowman & The Snowdog, Peppa Pig Surprise Party, Traitors Live, The Crystal Maze Live Experience, Tomb Raider Live Experience & Chaos Karts, an AR go-kart real life battle. Other clients and activations include: Harrods, Sainsbury's, Camelot/The National Lottery, Samsung, Blenheim Palace, Land Rover and Warner Brothers.Neil has worked across 4 continents for many years with private individuals; designing, producing and delivering live entertainment on land, sea & air. A world without boundaries requires freethinking.Neil is currently working with Immersive Everywhere on creative development of show and attraction content for projects across U.K, Europe, North America & Asia. Transcriptions:  Paul Marden: This week on Skip the Queue, we're stepping into the turret and turning up the tension as we explore one of the UK's most talked about immersive experiences.Paul Marden: Our guest is Neil Connolly, Creative Director at The Everywhere Group, who've brought The Traitor's live experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous. So how do you even begin to transform a TV juggernaut into a thrilling guest-led experience? Let's find out who's playing the game and who's about to be banished.Paul Marden: So, we're underground. Lots of groups running currently, aren't they? How did you make that happenNeil Connolly: Yeah, so now we're two floors under us. There's a lower basement and some other basement. So the building that we are in, there's a family in the 1890s who owned all of the land around Covent Garden and specifically the Adelphi Theatre.Paul Marden: Right.Neil Connolly: And they wanted their theatre to be the first theatre in the UK to have its lights powered by electricity. So they built their own private power station in this building. Like, literally like, all this, this is a power station. But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this building until the 1980s when the establishment was assumed through the important UK network.Neil Connolly: And then it was sat there empty, doing nothing for 40 years. And so the landlord that is now started redeveloping the building 10 years ago, added two floors onto the top of the building. So now what we're in is an eight-storey structure and we've basically got the bottom four floors. Two of which are ground and mezzanine, which is our hospitality area. And the lower two floors, which are all in the basement, are our experience floors. What we're looking at right now is, if you look off down this way to the right, not you people on audio, but me here.Neil Connolly: Off this side is five of the round table rooms. There's another one behind me and there's two more upstairs. And then I've got some Tretters Towers off to the left and I've got my show control system down there.Neil Connolly: On the floor above me, we've got the lounges. So each lounge is connected to one of the round table rooms. Because when you get murdered or banished, one of the biggest challenges that I faced was what happens to people when they get murdered or banished? Because you get kicked out of the game. It's not a lot of fun, is it? Therefore, for me, you also get kicked out of the round table room. So this is a huge challenge I face. But I built these lounge concepts where you go— it's the lounge of the dead— and you can see and hear the round table room that you've just left. We'll go walk into the room in a while. There's lots of interactivity. But yeah, super fun. Neil Connolly: But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this establishment until the 1980s when the establishment was considered through the important UK network.Paul Marden: Yeah. So we've got 10 million people tuning in to Traitors per episode. So this must be a lot of pressure for you to get it right. Tell us about the experience and what challenges you faced along the way, from, you know, that initial text message through to the final creation that we're stood in now.Neil Connolly: So many challenges, but to quote Scroobius Pip on this, do you know Scroobius Pip? Paul Marden: No. Neil Connolly: Great, he's amazing. UK rapper from Essex.Neil Connolly: Some people see a mousetrap and think death. I see free cheese and a challenge.Neil Connolly: There's never any problems in my logic, in my thinking. There's always just challenges to overcome. So one of the biggest challenges was what happens to people when they get murdered or banished. The truth of the matter is I had to design a whole other show, which happens after this show. It is one big show. But you go to the Lounge of the Dead, there's more interactivity. And navigating that with the former controller, which is O3 Media and IDTV, who created the original format in the Netherlands, and basically designing a game that is in the world and follows the rules of their game with some reasonable adjustments, because TV and live are not the same thing.Neil Connolly: It takes 14 days to film 12 episodes of The Traitors. Paul Marden: Really? Okay. Neil Connolly: So I was like, how do I truncate 14 days of somebody's life down into a two-hour experience and still deliver that same impact, that same power, that same punch?Paul Marden: Yep.Neil Connolly: But I knew from the beginning of this that it wasn't about time. There is a magic triangle when it comes to the traitors, which is time, space, atmosphere. And time was the thing that I always struggled with. I don't have a Scottish cattle show, and I don't have two weeks. No. So I'm like, 'Cool, I've got to do it in two hours.' So our format follows exactly the same format. We do a breakfast scene, then a mission, then a roundtable banishment, then there's a conclave where the traitors meet and they murder somebody. And I do that in a seven-day structure, a seven-day cycle. But it all happens within two hours around this round table.Neil Connolly: I'm the creative director for Immersive Everywhere. We're a vertically integrated structure in the sense that we take on our own venues. So we're now standing in Shorts Gardens in the middle of Covent Garden. So we've leased this building. We've got a lease that is for a number of years and we have built the show into it. But we also identify the IP, go after that ourselves, we capitalise the projects ourselves. We seek strategic partners, promoters, other people to kind of come involved in that journey. But because we're also the team that are licensing the product, we are also the producers and I'm the creative director for that company. So I developed the creative in line with while also getting the deal done. This is incredibly unusual because other producers will be like, 'Hey, I've identified this IP and I've got it.' Now I'm going to approach a creative agency and I'm going to get them to develop the product. And now I've done all of that, I'm going to find someone else to operationally put it on, or I'm going to find a venue to put it on in, and then I'm going to find my ticketing partner.  But we don't do that. We have our own ticketing platform, and we have our own database, so we mark our own shoulders.Neil Connolly: As well as other experiences too. Back, we have our own creative industry, we are the producers, we are the female workers. So we cast it, we hire all the front of house team, we run the food and beverage, we run the bars. The operations team is our operations team because they run the venue as well as the show at the same time. So that's what I mean. We're a vertically integrated structure, which means we do it, which makes us a very unusual proposition within... certainly within the UK market, possibly the world. It makes us incredibly agile as a company and makes us to be able to be adaptive and proactive and reactive to the product, to the show, to the market that we're operating in, because it's all under one roof.Neil Connolly: This show started January 24th, 2023. Right. It's very specific because I was sitting on my sofa drinking a lovely glass of Merlot and I had just watched... UK Traitors, Season One. Yep. Because it came out that Christmas. Immediately I was like, 'Oh my God, this is insane.' And then I got a text message that particular night from our head of licensing, a guy named Tom Rowe, lovely man. And he was like, Neil, I'm at a licensing event with some friends of mine and everyone's talking about this thing called Traitors. I've not watched it. Have you watched it? Sounds like it might be a good thing. And so I sat back and drank my Merlot. And about five minutes later, I text him back and I was like, Tom, get us that license.Neil Connolly: And then I sent him a bunch of other details of how the show in my head would work, both from a commercial standpoint, but also from a creative standpoint, because I'm a commercially minded creative. Right. So I instantly took out my notebook and I started writing down exactly how I thought the show was going to do, the challenges that we would face and being able to translate this into a live thing. But I literally started writing it that night. And then he watched the first episode on the train on the way home. And then he texted me the next morning and he was like, 'I love it.' What do we need to do? And I was like, 'Get us in the room.' Two days later, we were in the room with all three media who own the format globally.Paul Marden: Okay.Neil Connolly: So we sat down and then they came to see one of our other shows and they were like, 'Okay, we get it now.' And then that was like two and a half years of just building the show, getting the deal done and facing the myriad of challenges. But yeah, sometimes it just starts with the text message.Paul Marden: So they get to experience all the key parts of the TV.Neil Connolly: All the key beats. Like right now, I'm holding one of the slates. They're not chalkboard slates. Again, this is... Oh, actually, this is a good challenge. So in the TV show, they've got a piece of slate and they write on it with a chalkboard pen. This seems so innocuous and I can't believe I'm talking about this on a podcast.Neil Connolly: Slategate was like six months of my life. Not in its entirety, but it was a six month long conversation about how we do the slates correctly. Because we do... 48 shows a day, six days a week. And those slates will crack. They will bash. And they're kind of a bit health and safety standards. I was like, can't have them. Also, they write on them with chalk pens, white ink chalk pens. But in the TV show, you only do it once a night. Yeah.Paul Marden: And then you have a producer and a runner.Neil Connolly: They just clean them very, very leisurely and set them back for the next day. And I was like, no, I've got to do a whole bunch of roundtable banishments in two hours. So we talked a lot about material, about style, literal viewership, because if you take a seat at the table. Yeah. If you're sitting at the table here, you'll notice that we've got a raised bit in the middle. If I turn mine around, the other person on the other side can't see it. So I was like, 'Okay, cool.' So we had to do a whole bunch of choreography. But also, the room's quite dark. Yes. At times, atmospheric. Yeah. In that magic triangle time-space atmosphere. So anything that was darker, or even that black slate, you just couldn't read it. And then there was, and then I had to— this is the level of detail that we have to go into when we're designing this kind of stuff. I was like, 'Yeah, but I can't clean off these slates with the white ink because everyone will have to have like a wet cloth chamois. Then I've just got loads of chamois around my venue that I just don't need.' And so then we're like, 'Oh, let's use real slates with real chalk.' And I was like, 'No, because dust will get everywhere.' I'll get chalk just all over my table. It'll just ruin everything. It'll ruin the technology that's inside the table because there's lots of hidden tricks inside of it. Paul Marden: Is there really? Yeah, yeah, yeah.  Neil Connolly: There's loads of hidden tricks inside the table. So after a while, going through many different permutations, I sat down with Christian Elenis, who's my set designer and my art director. And we were, the two of us were nearly in tears because we were like, 'We need,' and this only happened like.Neil Connolly: I would say two, three weeks before we opened. We still hadn't solved how to do the slate, which is a big thing in the show. Anybody who's seen the show and loves the show knows that they want to come in, they want to write somebody's name on the slate, and they want to spell the name incorrectly.Neil Connolly: Everyone does it on purpose. But I wanted to give people that opportunity. So then eventually we sat down and we were like, Christian, Neil. And the two of us in conversation went, why don't we just get a clear piece of Perspex, back it with a light coloured vinyl. And then Christian was like, 'Ooh,' and I'll make it nice and soft and put some felt on the back of it, which is what I'm holding. And then why don't we get a black pen? And we were like, 'Yeah,' like a whiteboard marker. And then we can just write on it. And then A, I can see it from the other side of the table. Thing one achieved. Two. Every marker pen's got an eraser on the top of it. I don't know why everyone thinks this is important, but it is. That you can just rub out like that, and I'm like, 'There's no dirt, there's no mess, and I can reuse this multiple times, like dozens of times in the same show.' And I know that sounds really weird, but that's the level of design I'm going to need.Paul Marden: I was just about to say, and that is just for the chalkboard. Yeah. Now you need to multiply that. How many decisions?Neil Connolly: How many decisions in each game. But also remember that there are eight round tables in this building. Each round table seats 14 people. And we do six sessions a day. So first ones at 10 a. m. Then we do 12, 2, 4, 6, and 8 p. m. So we do 48 shows a day, six days a week.Paul Marden: I love the concept that these are shows. This is not this is not visitor attraction. This is theater repeated multiple times a day for multi audience is concurrently.Neil Connolly: And I've just spent five minutes describing a slate to you. Yeah. But like, I haven't even got— it's like the sheer amount of technology that is in the show. And again, theatrical, like, look above our heads. Yeah. You've got this ring light above every seat. It's got a pin light. There's also microphones which are picking up all the audio in the room, which again is translating to the lounge of the dead. Every single one of the round table rooms has four CCTV cameras. Can you see that one in the corner? Each one of them is 4K resolution. It's quite high spec, which is aimed at the opposite side of the table to give you the resolution in the TV. In the other room. Then you've got these video contents. This is constantly displaying secret information through the course of the show to the traitors when they're in Conclave because everyone's in blindfolds and they took them off. They get secret instructions from that. There's also a live actor in the room. A live actor who is Claudia? They're not Claudia. They're not pastiches of Claudia. They are characters that we have created and they are the host of The Traitor's Game. Right. They only exist inside this building. We never have them portrayed outside of this building in any way whatsoever.Neil Connolly: They are characters, but they live, they breathe— the game of Traitors, the world of Traitors, and the building that we have designed and constructed here. And they facilitate the game for the people. And they facilitate the game for the people. One actor to 14 people. There are no plants, even though everyone tries to tell me. Members of the public will be convinced that they are the only person that's in that show and that everyone else is a plant. And I'm like, no, because that would be insane.Neil Connolly: The only actor in the room is the host.Paul Marden: 14 people that can sit around this table. How many of them are in the same group? Are you with your friends or is it put together where there are other people that you won't know in the room? If you book together, you play together.Neil Connolly: Yes. Okay, so if you don't book 14 people... Ah, we also capped the number of tickets that you can purchase to eight. Right. So you can only purchase a maximum of eight tickets unless you do want a full table of 14, at which point you have to then purchase a VIP package because you are booking out a whole table for yourselves. The game doesn't work if there's less than 10 people at the table. So there has to be 10, 11, 12, 13 or 14 people sat at a round table for the show to actually happen, for it to work. By capping the number of tickets that you book for eight, then that guarantees that strangers will be playing together. And that is the basis of strangers. Yeah, yeah. Like, you need to be sat around a table with people you know, you don't know, that you trust and you don't trust. Yeah. Fact of the matter. And do you see people turning on the others in their own group? Every single time. People think genuinely, and I love this from the public, you would think that if you're turning up as a group of eight and a group of four and a group of two, that the bigger group would just pick everybody off to make sure that someone in their group gets through to the end game.Neil Connolly: I'm sure they think that and they probably plot and plan that before they arrive on site. As soon as this game starts, gloves are off and everyone just starts going for each other. We've been open nearly two months now. I have seen, like, children murdered of their mothers.Neil Connolly: Husbands murder their wives, wives murder their husbands. I've seen, like, three generations—like, we get, because it's so intergenerational, like our lowest, the lowest age that you can play this is 12. Right. And then it's upwards. I've seen three generations of family come in and I've seen grandkids murder their own nan.Neil Connolly: Absolutely convinced that they're a traitor. Yeah, yeah, yeah. 100%. Or they banish them. Like, it's just mental. I've also seen nans, who are traitors, murder their grandkids.Neil Connolly: Like, and this is in a room full of strangers. They're just like, 'No, I'm not going to go for Barbara, who I met two hours ago in the bar. I'm going to go for my own grandson. It's mental.'Neil Connolly: The very, very first thing that I always think about whenever I'm creating an experience or whenever I'm designing a show is I put myself in the position of 'I'm a member of the public.' I have bought a ticketNeil Connolly: What's the coolest thing that I am going to do for my money? What is my perceived value of my ticket over actually what is the value of that ticket? I wanted to give people the experience of knowing what it was like to be sitting in one of these chairs at this table and feeling their heart. The pounding in their chest and I mean, the pounding in their chest, that rush of adrenaline from doing nothing— from sitting in a chair and all you were doing was sitting in a room talking to people and your heart is going.Neil Connolly: Because you're either being accused of being a liar. And trying to defend against it. And trying to defend against it. Or you actually are lying and you're trying to whittle your way out of it. And that feeling is the most alive that you will ever feel. Not ever. Like, I'm sure they're... No, no, no. But, like, give people that opportunity and that experience, as well as, like, access to the world of traitors and the law and everything else. But also, it's like any other theme park ride. People go on roller coasters because the imminent fear of death is always there. Yeah. And you feel alive. You're like, you've got such a buzz of adrenaline. Whereas, arguably, we do exactly the same thing as roller coasters, but in a much more longer-drawn format and multiple times. Yeah. And people do feel alive. When people walk out of the show, you see them go upstairs to the bar, and they are... Yeah.Paul Marden: You've said to me already that you don't use the word 'immersive,' but you know, I'm, I'm, I'm sat. The company is called 'immersive' everywhere. I'm sat behind the scenes. Okay. I'm sat in the room and the room is hugely convincing. It's like the highest fidelity escape room type experience that I've ever sat in. It feels like I'm on set, yeah, yeah. Um, I can totally believe that, in those two hours, you can slip. I sat on a game. It was only a two-minute game at iApple, but I was being filmed by one of the team. But within 30 seconds, I'd forgotten that they were there because I was completely immersed in the game. I can believe that, sitting in here right now, you could forget where you were and what you were doing, that you were completely submerged in the reality of the land that you're in.Neil Connolly: Yeah, 100%. Like, the world does not exist beyond these worlds. And for some people, like, I have my own definition. Everyone's got a different definition of what immersive is. I've got my own definition. But... I can tell you right now, as soon as people enter this building, they're in the bar, they're kind of slowly immersed in that world because the bar is a themed bar. It's done to the same, like we designed and built that bar as well. But as soon as they start descending that spiral staircase and coming into the gameplay floors, into the show floors, they just forget the rest of the world exists. And especially when they sit down at this table, it doesn't matter. I'm sat next to you here, but you could be sat at this table with your loved one, strangers, whatever. The gloves come off and just nothing exists apart from the game that you're about to go through.Paul Marden: You've been open now for a couple of months. More success than you were anticipating, I think. So pre-sales went through the roof? Yes. So you're very happy with the results?Neil Connolly: Yeah, yeah, we were. Yeah, well, we still are.Neil Connolly: We were very confident before we'd even started building the show, like the literal structural build, because we did very well. But then that set expectations quite high because I had a lot of people that had bought tickets and I was like, 'OK, I need to put on a good show for these people. And I need to make sure that they get satisfaction relative to the tickets that they bought.' But I don't feel pressure. I do feel anxiety quite a lot. Creatively? Yeah. I mean, I meditate every day.Paul Marden: But you've created this amazing world and you're inviting people into it. And as a creative, you're opening yourself up, aren't you? People are walking into the world that you've created.Neil Connolly: Yeah, this was said to me. This is not something that I came up with myself, and I do say this really humbly, but it was something that was said to me. It was on opening day, and a bunch of my friends came to playtest the show. And they were like, 'Oh, this is your brain in a building.'Neil Connolly: And I was like, 'Yeah, I hadn't thought about that.' But yeah, it is my brain in a building. But also that's terrifying, I think, for everybody else, because I know what happens inside my brain and it's really quite chaotic.Neil Connolly: But, you know, this I am. I'm so proud of this show. Like you could not believe how proud I am of this show. But also a huge part of my job is to find people that are smarter than me at the relative thing that they do, such as the rest of my creative team. They're all so much smarter than me. My job is vision and to be able to communicate that vision clearly and effectively so that they go, 'I understand.' The amount of times that people on the creative team turn around to me and go, 'Neil, that's a completely mental idea.' If people are saying to me, 'No one's ever done that before' or 'that's not the way things are done.'Neil Connolly: Or we can do that, but we're going to have to probably invent a whole new thing. If people are saying those things to me, I know I'm doing my job correctly. And I'm not doing that to challenge myself, but everything that I approach in terms of how I build shows is not about format. It's not about blueprints. It's not like, 'Hey, I've done this before, so I'm just going to do this again because I know that's a really neat trick.' I go back to, 'I made the show because I wanted people's heart to pound in their chest while they're sitting in a chair and make them feel alive.'Paul Marden: Is that the vision that you had in your head? So you're articulating that really, really clearly. Is that the vision that you sold to everybody on, not maybe day one, but within a couple of days of talking about this? No, it was day one.Neil Connolly: It was day one. Everyone went, that's a completely mental idea. But, you know, it's my job to try and communicate that as effectively and clearly as I can. But again, I am just one man. My job is vision. And, you know, there's lighting design, sound design, art direction, there's game logic. We haven't even gotten to the technology of how this show works yet, or how this room works.Neil Connolly: Actually, I'll wander down the corner. Yeah, let's do that. But, like, there's other, like, lots of hidden tricks. Like, this is one of the games, one of the missions. In the world and the lore of the show, the round table is sacrosanct.Paul Marden: Yes.Neil Connolly: Traitors is the game. The game is in other people. I can do so many missions and there's loads of missions and they're really fun in this show. But the game is in other people. It's in the people sat on the other side of the room. But also I wanted to do a thing where people could interact directly with the set. And so I designed one of the missions to be in the round table itself.Neil Connolly: So there's a course of these moon dials, which you basically have to align through the course of it. And there are sensors built into the table so that they know when they're in the correct position. How you find out the correct position is by solving a very, very simple puzzle and then communicating effectively to a bunch of strangers that you just met.Neil Connolly: And the sensors basically read it all. And when that all gets into position, the lights react, the sound reacts, the video content reacts, the whole room reacts to you. So I wanted to give people something tangible that they can touch and they make the room react to them. Yes, it's. I mean, I've designed, I've got background in escape rooms as well, right? Um, so I've done a lot of that kind of stuff as well. So I wanted people to feel in touch, same, but like, there's more tangible props over here. Um, yeah, that is a model box of the room that we are stood in, yeah. Also, there's an exact replica of it on the other side of it. There are very subtle differences between it, and that informs one of the missions. So that is two model boxes in this roundtable room. There's one of these in every single roundtable room. So there's 16 model boxes of the show that you're stood in on the set. And again, theatre. It's a show. But it's one of the missions, because I wanted people to kind of go, 'Oh, there's a live actor in front of me.' I'm having fun. Oh, look at all these lights and all the sound. Oh, there's a model box over here. That's in theatre land and blah, blah, blah. But that is also a really expensive joke. It's a really expensive joke. And there's other, like, lots of hidden tricks.Neil Connolly: Let's go look at backstage. Yeah, yeah, yeah, absolutely.Neil Connolly: I say backstage, like how we refer to it or how I always go. I use 'I' and 'we' very interchangeably. Like right now you're on the set. Like you're on the stage. Yes. We're just wandering around a long corridor. There are round table rooms off to either side. But like, you know, there's a green room upstairs where the actors get changed, where the front of house team are, where the bar team all are. But as soon as they go out onto the show floor, they're on stage—yes, completely. We'll very quickly have a look at the gallery—yes, show control. Hi, Robbo. Do you mind if I stand in your room for the purposes of the audio? I'm talking to the technical manager, Thomas Robson. We're recording a podcast.Paul Marden: Robbo, oh yeah, okay. My mind is absolutely blown. So you've got every single room up on screen.Neil Connolly: Yeah, so that's great. There's 164 cameras—something like that. But every roundtable room has four cameras in it. Each camera is 4K resolution. So we've got cameras on all of them. We've got audio into those rooms. That's two-way, so that if show control needs to talk directly to them, they just press a button here and they can talk directly to the room itself. Mainly just like, stop misbehaving, we're watching you.Neil Connolly: We've then got cameras into all of the lounges, all of the show spaces, all the front of house, all of the bar areas, the mezzanine and back of house. And then you've got QLab running across all of the different shows. We've got backups on all of these screens. So if one... of the computers goes down, we can very quickly swap it in for a backup that's already running. We've got show control, which is, there's a company called Clockwork Dog, who, they're an amazing company. What COGS, their show control system, is doing is pulling in all of the QLab from sound, all of the QLab from lighting, and also we built our own app. to be able to run the show. So there's a whole logic and decision tree based on the decisions that the public do through the course of the game. So yes, there is a beginning, a middle, and an end in terms of our narrative beats and the narrative story of the show that we're telling people. But also that narrative can go in. Hundreds of different directions depending on the actions and the gameplay that the people do during the course of the show. So, you haven't just learned one show— you have to learn like You have to learn a world, and you have to learn a whole game.Neil Connolly: Like, there's the server, stacks, which we had to build. You had to network and cable the entire building. So we have built an entire new attraction, which didn't exist before. And also we're pulling in information from the front of house system which is also going into the show itself because again, you put your name into the iPad when you arrive on site and then you tick a box very crucially to say, 'Do you want to be selected as a trader? Yes or No.' Because in the game, it's a fundamental rule. If you say no, you cannot be selected as a traitor by the host during traitor selection. That doesn't mean you can't be recruited.Paul Marden: By the traitors later on in the game. So you could come and do this multiple times and not experience the same story because there were so many different pathways that you could go down.Neil Connolly: But also, the game is in other people. Yes. The show is sat on the opposite side of the table to you because, like, Bob and Sandra don't know each other. They'll never see each other ever again. But Bob comes again and he's now playing against Laura. Who's Laura? She's an unknown quantity. That's a whole new game. That's a whole new show. There's a whole new dynamic. That's a whole new storyline that you have to develop. And so the actors are doing an incredible job of managing all of that.Paul Marden: Thanks, Robbo. Thank you. So you've worked with some really, really impressive leading IP, Traders, Peppa Pig, Doctor Who, Great Gatsby. What challenges do you face taking things from screen to the live experience?Paul Marden: Challenges do I face? We're wandering here.Neil Connolly: So we are in... Oh, we're in the tower.Neil Connolly: Excellent. Yep, so we're now in Traitor's Tower. Good time for you to ask me the question, what challenges do I face? Things like this. We're now stood in Traitor's Tower. Paul, let me ask you the question. Without the show lights being on, so we're just stood on a set under workers, what's your opinion of the room that we're stood in?Paul Marden: Oh, it's hugely impressive. It feels like, apart from the fact you've punched the fourth wall out of the telly, it does feel like you're on set.Neil Connolly: It's a really faithful reproduction of the set. So that's kind of one of the challenges is managing the public's expectations of what they see, do and feel on site. So that I don't change the show so that people come and play the game that they're expecting to play. But making reasonable adjustments within that, because TV and live are two very, very different things. So first and foremost was making sure that we get the format right. So the game that people play, which informs the narrative of the show and the narrative structure of the show. Breakfast, mission, round table, conclave. Breakfast, mission, round table, conclave. I've designed a whole bunch of new missions that are in this, taken some inspiration from missions that people know and love from the TV shows, whether that's the UK territory or other territories around the world. And also just other stuff is just clear out of my head. So there's original content in there. paying homage and respect to the world that they've built and allowing ourselves to also play and develop and build out that world at the same time. Other challenges.Neil Connolly: This is not a cheap project. No, no. I mean, the production quality of this is beautiful. Yeah, yeah, thank you. It is stunning. When people walk in here, they're like, 'Oh my God, this is... High end.' I am in a luxury event at a very affordable price.Paul Marden: Thank you. And then we're going back upstairs again. Yes. And in the stairwell, we've got the crossed out photos of all of those that have fallen before us.Neil Connolly: No, not quite. All of the people that are in this corridor, there's about 100 photos. These are all the people who built the show.Neil Connolly: So this is David Gregory. He's the sound designer. This is Kitty, who is Immersive Everywhere's office manager. She also works in ticketing. That is Tallulah and Alba, who work in the art department. Elliot, who's our lighting designer. So all of these people are the people who brought the show to life.Paul Marden: Amazing.Neil Connolly: And we wanted to pay homage to them because some of them gave years of their lives to building the show from literally the inception that I had in 2023. Through to now and others are the people who literally spent months of their life underground in these basements building hand-building this set and so we wanted to pay homage to them so we got all of their photos we did the iconic red cross through it yeah and we stuck them all up in the corridor just because we thought it'd be a nice thing to do.Paul Marden: You're in the business of trading and experiences and that ranges from art exhibitions to touring shows. There's always going to be a challenge of balancing innovation and profitability. What is the formula? What is the magic formula?Neil Connolly: I believe, first and foremost, going back to what I was telling you earlier about us being a collaborative organisation. We are not a creative crack that has been used for the show. We are also the producers of the show. And to make my point again, I'm a commercially minded creative. So I actually sit down with the producers and go, 'Okay, cool.' There are 112 seats in the show.Paul Marden: Yep.Neil Connolly: Therefore, how many shows do we need to do per day? How many shows do we need to do per week? How many shows do we need to do per year? Therefore, let's build out a P &L. And we build a whole business plan based around that.Paul Marden: By having everybody— that you need in the team— makes it much easier to talk about that sort of stuff. It makes it much easier for you to design things with the end result in mind. You don't have a creative in a creative agency going off— feeding their creative wants without really thinking about the practicalities of delivering on it.Neil Connolly: Exactly. So you've got to think like, literally, from the very, very beginning: you've got to think about guest flow. You've got to think about throughput. You've got to think about your capacities. Then you've got to basically build out a budget that you think— how much, hey, how much really is this going to cost? Yeah. Then you build out an entire business plan and then you go and start raising the money to try and put that on. And then you find a venue. I mean, like the other magic triangle, like the traitor's magic triangle is, you know, time, space, atmosphere. That's how you do a show. Like with my producer's hat on, the other magic triangle is show, money, venue.Neil Connolly: The truth of the matter, like I make no bones about it, I can design shows till the cows come home, but I'm always going to need money to put them on and a venue to put them in. Also, I want to stress this really important. I use the words 'I' and 'we' very interchangeably.Paul Marden: It's a team effort.Neil Connolly: You can see that in that corridor. I am not a one-man band. I am the creative director of a company. I am a cog that is in that machine, and everybody is doing... We are, as a team... I cannot stress this enough. Some of the best in the business are doing what we do. And everyone is so wildly talented. And that's just us on the producing side. That's immersive everywhere, limited. Then I've got a whole other creative team. Then we've got operations. Then we've got... It's just mad. It's just mad, isn't it? This is a job. Who would have thought, when you were at school, this was an opportunity? Not my principal or my maths teacher.Neil Connolly: So, sorry, just to balance the kind of economies of scale. That was the question, wasn't it?Paul Marden: Well, we were talking about what is the formula for making that an investment, but you know, the authority here is the effort you've put in to do this feels high, but at the same time, you have to find this thing. There is a lot of investment that goes into the front.Neil Connolly: But that comes back to creatives. Caring and I'm not saying the creatives don't, but I care. I care about building businesses. Yeah, not necessarily like building my own CV, like there's so many projects that across our desks. I'll be like, 'Yeah, that'd be really fun to work on.' But do I think that I can make that a touring product? Can it be a long-running location-based entertainment sit-down product? Can it be an art shop? Like you've kind of got a balance with what do you think is just creatively cool versus what can we do as a company that is a commercially viable and financially stable product? And so all that comes through in terms of the creative, but also in terms of the activities of how we run the building, how this model realizes. Because if you think about it, let's make Phantom of the Opera run in the West End. Yes. The show is very obvious, with many casts on a room, away, fruit team away, terrace, it's a big activity. If they haven't sold half that away, they have to use the whole show and play all those people.Neil Connolly: But if they haven't sold half that away from one of my shows... I only have to activate four of my rooms, not eight of them. Therefore, I don't have to call in four actors. I don't have to call in a bunch of the other front of house team and I can scale in the operations on the back. It's an entirely scalable process. Flexible, yeah, yeah, yeah. Oh, 100%. But also, like, we've got eight rooms here. If we decide to take this to another territory, and that territory demands a much higher throughput, then instead of eight rooms, I can do 20 rooms, 30 rooms. As long as we know that the market is there to be able to kind of get people through it.Neil Connolly: I love this show and I'm so proud of it. The main reason why I'm proud of it is when the show finishes, let's go into one of the lounges. Have you been into one of the lounges?Paul Marden: I've had a nose around a lounge.Neil Connolly: There are different shapes and sizes. We won't go into that one. We'll go into this one down here. That one, that one. It's always such a buzz when you're stood in the bar and the shows kick out, and you see tables and tables of 14 people going up into the bar.Neil Connolly: Area and before they've even gotten a drink, they will run straight over to their friends, families, strangers, whoever they were playing with in that table of 14, and instantly be like, 'Right, I need to know everything that was going on inside your head, your heart, and your soul over the last two hours of my life because this was my experience.'Neil Connolly: And they'll just go, and they'll be like, 'And this is what I was thinking.' And then I thought it was you because you did this and you touched your nose in a weird way. And then I thought you were sending secret signals. And then everyone's like, 'No, that's not what I was doing.' I was just trying to be a normal person. And they were like, 'Well, why did you say that thing?' It sounded super weird. And they're like, 'That's just what I do.' And it's just totally mental. And then they all get a drink from the bar. And we call it the bar tab chat.Neil Connolly: It's another revenue stream.Neil Connolly: I do talk about this like it's a show. And it is a show. You've walked around, do you think it's a show? Completely. I talk to established houses all the time. Like, you know, the big theatres of the land. Organisations that are national portfolio organisations who receive a lot of Arts Council funding. The thing that they want to talk to us about all the time is new audiences. They're like, 'How do I get new audiences through my door?' What can I do? And I'm like, 'Well, firstly, make a show that people want to go and see.'Neil Connolly: Again, they're like, 'But I've got this amazing writer and he's a really big name and everyone's going to come because it's that name.' And I'm like, 'Yeah, that's wicked. That's cool.' And they can all go pay reverence to that person. That's really wonderful. Whereas when you look at the attractions landscape or the immersive theatre landscape or like anything like... Squid Game, or The Elvis, Evolution, or War of the Worlds, which has also laid reality, or any of that kind of stuff, across the landscape, it is nothing but new audiences. Yeah, yeah, yeah. It is nothing but actual ticket-buying audiences.Neil Connolly: And they come from all different walks of life. And what I love is that they do come in to this experience and we hit them with this like secret theatre.Neil Connolly: And they're like, 'Oh my God.' And often it's a gateway to them being like, 'Oh, I didn't realise that.' Maybe I'll go see a Western show or maybe I will go to the National Theatre and see something. Because that's the level of archery. Because those organisations, I love them and I've worked in a few of them, but those buildings can be quite austere, even though they're open and porous, but it's still very difficult to walk through that threshold and feel a part of it.Paul Marden: Whereas coming in here, coming into an event like this, can feel like a thing that they do.Neil Connolly: Because it's the same demographic as theme park junkies. People who love going to theme parks love going to stuff like this because it's an experience, it's an otherness, it's an other nature kind of thing. Because modern audiences want to play and do, not sit and watch. But we all exist in the kind of same ecosystem. I'm not taking on the National Theatre.Paul Marden: Gosh, no. I always talk about that. I think the reason why so many attractions work together in the collaborative way that they do is they recognise that they're not competing with each other. They're competing with sitting on your backside and watching Netflix.Paul Marden: Yeah, yeah.Paul Marden: Our job for all of us is to drag people away from their screens and drag people off of their sofas to do something. And then that's the biggest challenge that we all face.Neil Connolly: I think then that kind of answers the question that you asked me earlier, which I didn't answer. And I'm very sorry.Neil Connolly: is about identifying different pieces of IP. Like, yes, we largely exist in the world of licensing IP. And how do we identify that kind of IP to be able to translate? Not just how do we do it, but like, actually, how do we identify the right thing that's going to... How do you spot the winner? Yeah, exactly. Yeah. And that is one of the biggest challenges to your point of we're talking directly to people who consume arts, culture and media and technology in a slightly more passive way, whether that's just at home and watching Netflix and then bringing that to life. In a very, very different way. If you have a very clear marketing campaign that tells people what it is that they're buying and what they're expected to see or do on their particular night out, because that's what modern people really care about, what they do with their money. Yeah. And they want to have a good night out. And I'm in the business of giving people a good night out. We also happen to be murdering a lot of people in the course of the show.Neil Connolly: Still a good night out. Still a good night out. But I'm in a place where the dead sit. Yeah, exactly. Lounge of the dead. And like, you know, this is a really cool space. Oh, it's just beautiful. You know, we've got the telephone really works. There's lots of information that comes through that. The radio works, that does different things. The TV screen on the wall, that has the actual live feed into the round table room that you've just left. And there's other little puzzles and hints and tricks in this room, which means that after you've been murdered or banished and you come to the Lounge of the Dead, you're still engaged with the game to a degree. You just don't directly influence the outcome of the game. But you're still involved in it. You're still involved in it. It's super fun. Oh, and you can have a drink in here.Paul Marden: I don't let people drink in the round table. Even more important. What's this?Neil Connolly: The dolls, the creepy dolls. What this is, this is the void. Creatively speaking, this is where all the gold goes when people win or lose it. And the creepy dolls are from the TV show. Ydyn nhw'r un gwirioneddol o'r sioe? Felly, gafodd studio Lambert, sy'n gwneud y sioe tebyg, llawer o brops o'r sioe tebyg i ni eu rhoi ar y ddispleiddio yma. Felly, mae gennych chi'r Dolls Creepy o'r lles 3 yno. Rydyn ni'n mynd i fyny. Yn ôl yma, mae'r peintiwch Deathmatch.Paul Marden: Which is from season three.Neil Connolly: And they get the quill and they write the names and got the quill upstairs. We've also got over here, the cards that they used to play the death match with. Excellent.Paul Marden: So you began your career in theatre. How did that evolve into the world of immersive live experiences?Neil Connolly: Life story. I am the son of a postman and a cook. And if you haven't noticed already, I'm from Ireland. There was no theatre in our lives, my life, when I was growing up. And I stumbled into a youth theatre. It's called Kildare Youth Theatre. And the reason why I joined that is because there was a girl that I really fancied.Neil Connolly: She had just joined this youth theatre and I was like, 'Oh, I'm gonna join that as well' and that kind of opened the world of theatre for me. At the same time, I then got spotted by this guy, his name's Vijay Baton, his real name's Om, but he converted to Hare Krishnanism in the 90s. And he set up a street theatre company in Ireland. He just taught me street theatre. So he taught me stilt walk, he taught me juggling, he taught me how to build puppets. And so I spent years building puppets with him and going around Ireland doing lots of different street theatre while I was a teenager. And doing street theatre and doing my youth theatre and then kind of all of that kind of came to a head when I had to decide what I was going to do with my life. I applied to go to drama school. And I applied to two drama schools. One was Radha. Didn't get in. Didn't even get an audition. And the other one was Rose Bruford. And they took me. And the reason why they took me— I probably wasn't even that good. But on the day that I was auditioning to get into Rose Bruford was the same day as my maths exam for my final exams at school. You call them your A-levels, we call them the leaving certificate.Neil Connolly: And while all of my friends were back in Ireland doing their maths exam, I was in an audition room pretending to be a tree or the colour black.Neil Connolly: Who knows? And they kind of went, 'Well, if I fail my maths exam, I don't get into university in Ireland.' Like, it's just a blanket thing. And so I was like, 'I literally sat across the panel' and I was like, 'eggs, basket.' And they were like, 'cool.' So they let me in based off of that. So I got a classical training. Then what happened is I came out of university. I was living with two of my friends, Natalie and Joe. And we had our own little production company called The Lab Collective. And we just started making shows. In weird ways, we joined a company called Theatre Delicatessen. Let's get away from this. Yeah, yeah, yeah.Neil Connolly: So Theatre Deli was a company set up to take over disused spaces in London and convert them into art spaces.Neil Connolly: Basically legalised squatting. It's the same as like a guardianship. But we weren't living in the buildings. We were just putting on shows and we put on art shows, we put on theatre shows. We did Shakespeare for a while. We wrote our own work and we just did lots of really, really cool stuff. And I worked in music festivals, classically trained actor. So I was trying to do shows. I did a lot of devising. I also joined an improvisation group. And kind of through all that mix, like those years at Delhi, which was making these weird shows in these weird buildings, were very, very formative years for us. The Arts Council wouldn't support the kind of work that we were making. We were like, 'Cool, how do we get space?Neil Connolly: How do we get or make money to support ourselves? And what are the shows? There's the magic triangle all over again. Space, show, money. And that's your apprenticeship, I guess, that brings you to here. Yeah, yeah, yeah. And like, again, I make no bones about it. 10 years ago, I was selling programs on the door of the Royal Festival Hall while doing all of that stuff. So in one of the Theatre Daily buildings, we did a show called Heist, which is you break into a building and steal stuff. That's what the public do.Neil Connolly: And a bunch of us did that. I mean, it's so much fun— kind of doing it. And off the back of that, somebody else basically tried to chase down the crystal maze. And then they went away, and then they called me up and they were like, 'Hey, I've got the rights. Do you want to make the crystal maze?' And I was like, 'Yeah, sounds like fun.' So I got involved with that, did that for a while. And then, from there, this is the end of a very long story. I'm so apologised. Yeah, from there, all of those different things that I've done through the course of my life in terms of operations, designing experiences, being a creative, understanding business.Neil Connolly: Building a P&L, building a budget, talking to investors, trying to convince them to give you money. All of that stuff kind of basically came together. And over the last few years, like the wildest ride is that pre-2020.Neil Connolly: We were just a bunch of people doing a bunch of weird things, making weird shows and weird attractions in kind of different ways. And then that year happened. And I don't know what happened, but literally every single major studio, film, TV production, game designer, licensor in the world, suddenly just went— brand extensions, world extensions, and they all just started calling us. And they were like, 'Hi, I've got this thing.' Can you develop it into a thing? Because I need to extend my brand or I want to build a world and extend that for the public. And we were like, 'Yeah, okay, cool.' And we were just lucky, serendipitously, to be in the right place at the right time. To be those people that people can approach. And we're always, we're very approachable.Neil Connolly: As you can tell, I talk a lot. And, you know, so the last five years, it's just been a mad ride.Paul Marden: So look, Neil, it's been amazing. I have had the most fun. Last question for you. What's next? Are you putting your feet up now because you finished this? Or on to the next? Neil Connolly: Very much on to the next thing. So we're already in production with our new show, which is called Peppa Pig Surprise Party. And that is opening at the Metro Centre in Gateshead next year. Oh, how exciting is that? It's very exciting.Paul Marden: So quite a different demographic.Neil Connolly: The demographic for Peppa Pig is two to five year olds. It's been a really fun show to design and create. To go back to a question that you asked me very early on, there is no blueprint, there is no format. I have embraced the chaos tattooed on my arm. And always when I approach things, any new show or any new creative, I am thinking of it from a ticket buying perspective: 'I have paid my money.' What is the coolest thing that I can possibly do with that money? And so therefore, I'm now looking at families and, like, what's the coolest thing that they can do for that ticket price in the world of Peppa Pig?Paul Marden: Let's come back in the new year, once you've opened Peppa Pig, let's go to Gateshead and see that. That sounds pretty awesome to me. I reckon there's a whole new episode of Designing Worlds for two to five-year-olds that we could fill an hour on.Neil Connolly: Oh yeah, 100%. It's a totally different beast. And super fun to design.Paul Marden: Oh mate. Neil, it has been so wonderful having a wander around the inside of your crazy mind.Paul Marden: If you've enjoyed today's episode, please like it and leave a comment in your podcast app. It really does make it so much easier for other people to find us. This episode was written by Emily Burrows from Plaster, edited by Steve Folland, and produced by Sami Entwistle from Plaster and Wenalyn Dionaldo. Thanks very much. See you next week.  The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Front Row Classics welcomes Steve Cubine and Nan McNamara to the show. Steve and Nan have their own classic Hollywood podcast called, "From Beneath the Hollywood Sign" which covers wide-ranging topics from the Golden Age of Hollywood. The two join Brandon for a deep-dive discussion on the best of Warner Brothers.

Warner Bros Front Row Classics welcomes Steve Cubine and Nan McNamara to the show. Steve and Nan have their own classic Hollywood podcast called, “From Beneath the Hollywood Sign” which covers wide-ranging topics from the Golden Age of Hollywood. The two join Brandon for a deep-dive discussion on the best of Warner Brothers. You can … Continue reading Ep. 360- Celebrating Warner Brothers with Steve Cubine and Nan McNamara →

David Silver and Raghu Markus explore the life and teachings of George Gurdjieff, the Russian-born mystic and philosopher of consciousness.This time on Mindrolling, Raghu and David have a discussion about:How a teenage David Silver was first introduced to Gurdjieff's teachingsGurdjieff's influence on the 1960s counterculture and the evolution of consciousness movementsThe call to “do only what is new and fresh” and live in search of the miraculousDoing the work literally and figuratively; supporting oneself and moving towards clear mentation Gurdjieff's view of humans as incomplete sleepwalkers, mechanically reacting to lifeGradual awakening through self-observation, inner struggle, and conscious effort Shedding false pretenses to discover a unified, authentic selfHow Gurdjieff's philosophy inspired Ram Dass's spiritual visionThe Seekers of Truth and The Sarmoung Brotherhood The transformative and ongoing practice of self-remembering Pre-order your copy of There Is No Other: The Way to Harmony and Wholeness a profound collection of newly gathered writings from Ram Dass and edited by Parvati Markus. Ram Dass shows us how a house divided against itself—whether that “house” is our individual self or the society in which we live—can come together in wholeness. Learn more: There Is No Other Way Pre-OrderAbout George Ivanovich GurdjieffGurdjieff, who was born in the late 1800's, was a philosopher, mystic, spiritual teacher, composer, and movements teacher. Born in the Russian Empire, he briefly became a citizen of the First Republic of Armenia after its formation in 1918, but fled the impending Red Army invasion of Armenia in 1920, which rendered him stateless. Gurdjieff taught that people are not conscious of themselves and thus live their lives in a state of hypnotic "waking sleep", but that it is possible to awaken to a higher state of consciousness and serve our purpose as human beings. Learn more about Gurdjieff HERE and pick up some of Gurdjieff's most famous work, Meetings with Remarkable Men.About David Silver:David Silver is the former co-host of the Mindrolling podcast. He is a filmmaker and director, most recently coming out with Brilliant Disguise. Brilliant Disguise tells the unique story of a group of inspired Western spiritual seekers from the 60s, who in meeting the great American teacher, Ram Dass, followed him to India to meet his Guru, Neem Karoli Baba, familiarly known as Maharaj-ji. Two days before he left his body, Maharaj-ji instructed K.C. Tewari to take care of the Westerners, which he did resolutely until the day he died in 1997. Silver's #1 charting MGM/UA/Warners film, “The Compleat Beatles” is the critically acclaimed biopic movie about history's most famous band. The term ‘rockumentary' was first applied to this two-hour movie. Rolling Stone recently described the film as a “masterwork.” Silver's Warner Brothers' feature film, “No Nukes” also started the whole trend of music/activism feature documentaries.“His father basically said to him, you must not do anything old, you must always try and do something new and fresh, you must already be honest, you must always support yourself, These were all important in Gurdjieff's life. You must be in search of the miraculous, because what else is there?” —David SilverSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Haunted Prison: A Shadow Devil, 1980 Riot Energy, and a Burned Relic Recapping The Dead Files “Death Sentence” (aka “Prisoner of Shadows”): (Season 1 Episode 19) which aired June 29, 2012.  We review a film shoot inside a decommissioned penitentiary, a whispered “Hey,” a client who took home a souvenir (then… burned it), and Amy & Steve breaking protocol mid-case.  We unpack why prisons hang onto rage, fear, and you-really-shouldn't-take-that energy.  Expect: shadow-devil vibes, wall-crawlers, portal “holes,” and a reveal where the sketch is meh but the consequences are not.  So grab your stolen hat, and join us where The Activity Continues… Patreon: Join before Sun, Oct 26, 2025 for the Birthday Happy Hour + live mini-recording (chat open, Q&A, spooky stories). https://www.patreon.com/theactivitycontinues  Content warningsPrison violence (referenced), discussion of the 1980 prison riot, medical distress, demons/attachments. No gore. HighlightsWhy this prison case hits different: protocol break (Amy & Steve meet pre-reveal)“Don't take souvenirs from haunted sites” — and definitely don't burn themThe “Devil Shop” nickname, shadow-devil activity, and that gross basement holeSound design tricks (insect buzzing = instant dread) and Exorcist homage vibesHow mob mentality supercharges hauntings long after the riot is over Chapter Markers00:00:00 Intro00:00:32 Hello! Housekeeping00:04:14 Overview00:06:00 Segment One – The Set Up00:17:34 Segment Two – The Investigation00:28:03 Segment Three – The Reveal00:38:40 Research and Rabbit Holes00:54:04 Outro/Disclaimer Episode Links:Dead Files episode: “Death Sentence / Prisoner of Shadows”Background reading on the 1980 New Mexico Prison Riot (content caution): https://en.m.wikipedia.org/wiki/New_Mexico_State_Penitentiary_riotDocumentary series about the riot from 1988 “Shakedown in Santa Fe”https://www.imdb.com/title/tt0910778/https://www.youtube.com/watch?v=WrIwew30GRI Filming/tour info for the decommissioned penitentiary: https://www.cd.nm.gov/divisions/corrections-industries/old-main/old-main-filming-tours/ This site has lots of pictures and floor plans: https://www.cd.nm.gov/divisions/corrections-industries/old-main/Sandi K Shelby: https://share.google/s07n52SOq4Sx1s0gf Terrible Angels: https://www.imdb.com/title/tt1727362/Our blog post: https://www.theactivitycontinues.com/blog/the-devils-shop-extras/Beverly McChesney: https://www.theactivitycontinues.com/chat-with-beverly-mcchesney/ The Activity Continues is a paranormal podcast where soul friends Amy and Megan chat about true crime, ghost stories, dreams, and other paranormal stuff including the TV show, The Dead Files. Our recaps are full of recurring jokes about recurring tropes. Sometimes we try to come up with possible explanations for some of the things that the clients experience. But this by no means indicates that we do not believe the clients or are invalidating their experiences. We do believe. This episode was recorded on August 27, 2025, and released on October 2, 2025.  Disclaimer:This podcast is in no way affiliated with Warner Brothers, HBOMax, the Travel Channel, Painless TV, or the TV show The Dead Files or any of its cast or crew. We're just fans who love the show and want to build a community of like-minded people who would enjoy hanging out and discussing the episodes and similar content. Credits:Hosted by: Amy Lotsberg and Megan SimmonsProduction, Artwork, and Editing: Amy Lotsberg at Collected Sounds Media, LLC. https://www.collectedsounds.com/Theme song. “Ghost Story” and segment music by Melissa WestBackground music: “Beyond the Stars” by Chris Collins Engage!Our website, https://www.theactivitycontinues.com/ Leave us a Voicemail: https://www.theactivitycontinues.com/voicemail/ (might be read on the show)Newsletter sign-up: https://www.theactivitycontinues.com/newsletter          We're on (almost) all the socials too @theactivitycontinues Affiliates/SponsorsPlease see our Store page for all the links for all our current affiliates. https://www.theactivitycontinues.com/store/ Thank you for listening, take care of yourselves. We'll see you next time!If you want to hear us early and ad-free EVERY week, become a Patron, join our Ghosty Fam and get bonus exclusive episodes! https://www.patreon.com/theactivitycontinuesSupport this podcast at — https://redcircle.com/the-activity-continues/exclusive-content

This week, the boys talk a lot about the day's events, including the $55B sale of EA, AI “actress” Tilly Norwood, and the incredible year 2002, before getting into our featured conversation about Paul Thomas Anderson's “Punch Drunk Love”. Check the show notes if you want to scoot ahead to any particular segment of the show!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 5:36:22 Gripes about EA, Tilly Norwood, and Toilets; 19:51 2002 Year in Review; 57:44 Films of 2002: “Punch Drunk Love”; 1:32:48 What You Been Watching?; 1:37:39 Next Week's Episode Teaser Additional Cast/Crew: Adam Sandler, Emily Watson, Phillip Seymour Hoffman, Luis Guzman, Robert Elswit. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations/TagsL  EA Tillly Norwood Toilets Downton Abbey Platonic Practical Magic Hulu Alien:Earth Peacemaker. Additional Tags: Boogie Nights, There Will Be Blood, Hard Eight, Daniel Day-Lewis, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg.   

This week Dan and Chris catch up on some recent TV news which unfortunately means discussing politics... a lot. So yeah, we talk about the Jimmy Kimmel situation, Apple pulling a show to avoid stoking tension, how Warner Brothers became the bell of the ball, The Muppet Show returning for the 50th anniversary and Catfish The TV Show being cancelled. We also review Alien Earth and Eyes Of Wakanda.

The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the Infinite Taylorverse!  Here at the Infinite Taylorverse, we talk about all things nerdy and pop culture! Movies, TV, cartoons, comics, books, video games, tabletop games, and so much more! We talk about the latest pop culture news as well as rumors and fan theories.  Be advised that spoilers are eminent! In this, our 240th episode, we talk about new Venom and Wolverine video games coming from Marvel!  We talk about Warner Brothers and DC Studios potentially finding a new home!  We talk about a ton of new movie and TV show reboots, and so much more!  As always, thanks for strapping in for a ride through The Infinite Taylorverse!

[MovieNewsPodcast] เกิดอะไรขึ้นทำไมมีแต่คนรุมจะซื้อ Warner Brothers

Url to TweetNick Jeffery and John Granger focus their Hallmarked Man Week Three conversation around the mythological content of Strike 8, a subject prompted by Rowling's 8 September tweet above. They briefly review the author's background in mythology, from her study in school to her use of it in Harry Potter, Fantastic Beasts, and Cormoran Strike. John explains the relationship of myth with Rowling's ‘triple play' combination of Shed tools and her ‘G-spot' Lake and Shed wizardry that has enchanted readers for the last 25 years.The heart of this week's conversation, though, is John's work since 2021 in explaining the centrality of the myth of ‘Cupid and Psyche' to the Cormoran Strike series. Nick and John discuss its role in understanding the otherwise mysterious Hallmarked Man, especially the murder of Tyler Powell and the imprisonment of Sapphire Neagle, the various trials of Psyche in the myth and correspondences with Robin's agonies, and the critical distinction between ‘Eros' and ‘Anteros' as it plays out in the lives and relationships of Cormoran and Robin. John theorizes that the Ramsay Silver murder in the vault had to take place where it does, Strike's location “necessity,” not for any logical reason but for a profoundly allegorical one.Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.It's a relatively brief conversation, but to get the importance of ‘Cupid and Psyche' — and Rowling is either hat-tipping, confirming sans acknowledgement, or having some fun about John's exegesis of this myth — there is a lot of material on the subject to read! Enjoy the review or first reading of this material via the links provided and let us know what you think in the comment boxes below.Paid subscribers to Hogwarts Professor have already received an only-in-book-form essay I wrote about the mythological template of Harry Potter, Paul Diel's treatment of the Eros and Psyche myth per ‘Banalization' and ‘Sublimation,' and their invitations to a Q&A session about Hallmarked Man. If you're a free rather than a paid subscriber, please consider upgrading that subscription to join the Hogwarts Professor Moderator Backchannels!Referenced ‘Cupid and Psyche' Posts:Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man (8 September 2025, Nick Jeffery)Nick shares the context of Rowling's tweet (fan disappointment!) and the background information about the illustration she chose for it.The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche (Apuleius)A translation of the Silver Age Latin tale from Apuleius' Golden Ass.A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (22 April 2021, John Granger)The first post to discuss Rowling's use of this specific myth within Cormoran Strike, it is essential reading and comes in four parts:* a discussion of Rowling's stated beliefs about the soul and how it is the focus of her story-telling,* a review of her psychological artistry in Potter and the post Potter novels and screenplays,* a synopsis of the Eros and Psyche myth, and* a point to point look at the parallels in the story thus far with speculation about novels to come.Robin's Two Perfumes: The Meaning of Philosychos and Narciso (9 June 2021, John Granger)The names of Robin's baseline perfume, Philosychos, and the one she and Strike choose at story's end, Narciso, both point less to the bedroom than to Robin's allegorical, psychological, and mythological role as Psyche in the series.Erich Neumann in his Amor and Psyche: The Psychic Development of the Feminine describes this discipline as a “prohibition against pity” which “signifies Psyche's struggle against the feminine nature.” …Psyche's last trial involves her having to confront death, a “marriage” to which she was condemned as a sacrifice at the story's start, a meeting she can only survive by transcending her feminine qualities of nurturing and pity. She must become, if only temporarily, a narcissist to pass through Hades and return to the world of the Sun and to Cupid. The myth, in Jungian lights, is about her transcending the accidental self, here her feminine and sexual relation to Eros or Cupid, for “ego-stability” leading to “individuation,” ascent to the greater, immortal Self.Robin as resident psychologist and loving soul is the Psyche-cipher of the Strike mysteries. She differs from the relatively passive Human Beauty of the myth in her active and determined “struggle against the feminine nature,” her “What. I. Do!” She not only wrestles with her desires for domesticity and maternity in her thinking but stands up to Strike-Cupid in their Valentine's Day Street Fight and demands his respect or at least more considerate behavior. But she is still struggling with her difficulty to be the narcissist rather than the Great Mother when circumstances and her heroine's journey of psychological individuation demand that.Ink Black Heart: The Mythic Backdrop (10 September 2022, John Granger)What Rowling is depicting in Robin's journey through the events and mystery of Ink Black Heart include a trap set by Venus, one that takes Robin to a personal and professional underworld or hell, her survival and endurance of every temptation by her determination to be steely rather than empathetic, especially with respect to a certain “lame fellow” (!), and her re-surfacing from hell a changed person, one worthy of begrudging Venereal approval (or Zeus' intervention — Rokeby!).Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (10 November 2022, John Granger)These traditional portrayals of the every person's human and divine aspects, soul and spirit as man and woman in dynamic, cathartic relationship — think Romeo and Juliet, Redcrosse Knight and Una, Cupid and Psyche — are perhaps, with her alchemical symbolism, sequencing, and coloring, Rowling's greatest literary ‘reach' and achievement in the Strike series, albeit one largely lost on her her vast reading audience. The deliberate conjunction-melange of archetypal psychology, mythology, and spiritual allegory in these novels is, especially in combination with her hermetic artistry, intertextual playfulness (Aurora Leigh!), and chiastic structures, testimony to the author being one of the most accomplished and challenging writers of the age in addition to the most popular (and least well understood, even by her fans).Hallmarked Man: Freemasonry and J. K. Rowling (7 February 2024, Nick Jeffery)The Royal Arch degree is unique in England for including the ceremony of “Passing the Veils” symbolising the path to enlightenment that a mason undergoes as he progresses in the craft. Given Peter Rowling's upward social mobility from working class apprentice to engineer and moving from the Bristol suburbs to middle class Tutshill, it isn't beyond reason to wonder if Peter might have been tempted by the social and career advantages that freemasonry might have offered him and exposed a young Joanne to some of the symbolism.Edinburgh, as well as being the home of the Grand Lodge of Scotland, is also home to if not the oldest lodge in the world, then at least the one with the oldest records. Lodge of Edinburgh (Mary's Chapel) No. 1 has minutes of meetings from 31st July 1599. There have long been arguments between this Lodge and the one in Kilwinning on the other coast of Scotland as to which is the oldest. (see IVº of the Rite of Baldwyn above)J. K. Rowling's ‘G-Spot' and ‘Triple Play:' The Lake & Shed Secret of Her Success (21 September 2024, John Granger)I want to try tonight to explain as succinctly — and as provocatively — as possible why I think Rowling's ‘Lake and Shed' metaphorical explanation of how she writes offers a compelling reason for both why she writes and why readers around the world love her novels the way they do. I call this her ‘G-Spot' and ‘Triple Play' because it is her point of singular genius, the defining quality that separates her from contemporary story-tellers, which involves ‘Shed' artistry of three particular literary tools, all subliminal, which work together to achieve her aims.The Hallmarked Man's Flood of Names, Characters, and Plots (22 September 2025, John Granger)Rowling's seven Shed tools — psychomachia, literary alchemy, ring composition, misdirection towards defamiliarization, Christian symbolism, mythology, and inter-intratextuality (writing about reading and writing) — are all about the transformation of the human soul by cathartic experience in the imaginative heart, i.e., our spiritual reorientation. These traditional tools alone don't do it, of course; her capacity for creating archetypal characters that we care about in profound fashion is what gives the tools their grip on the heart.But, if a writer uses these tools in his or her Shed, the game being played and its stakes are not in question. Everything Rowling has written to date, with greater or lesser success (largely dependent on her control of the final product, cough*Warner Brothers*cough), shares this aim. Her global popularity testifies that much more often than not she hits her target to the delight of her readers.I assume this was her aim in Hallmarked Man. It's early days on the full exegesis of Strike8 in light of Rowling's Shed tools, Lake springs, and Golden Threads, but there are encouraging signs. My third reading of the book included my first ‘Aha!' moments with respect to the mythological template of the series, the Shed tool Rowling was openly urging her readers to think about in her recent Cupid and Psyche tweet.Jungian Interpretations of ‘Cupid and Psyche:'* Erich Neumann: Amor and Psyche: The Psychic Development of the Feminine (A Commentary on the Tale by Apuleius)* Paul Diel: Symbolism in Greek Mythology: Human Desire and Its Transformations (A “psychological study of the symbols condensed in the fate of the mythological hero”)* Robert A. Johnson: SHE: Understanding Feminine Psychology (An interpretation based on the myth of Amor and Psyche and based on Jungian mythological principles)* Marie-Louise von Franz: Golden Ass of Apuleius: The Liberation of the Feminine in Man (originally A Psychological Interpretation of The Golden Ass of Apuleius)Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Hogwarts Professor at hogwartsprofessor.substack.com/subscribe

In this first part of our 200th episode of Completely Machinima Podcast, Ricky highlights ⁨@NeuralViz⁩ AI-driven films as a significant advancement, while Phil praised the fast-paced, subtle social commentary. We discuss legal developments affecting AI use, such as Warner Brothers suing Midjourney. The success of Blender's "Flow" at the Oscars is noted, emphasizing the growing capabilities of open-source tools. The conversation also touches on the breadth of aesthetic approaches to machinima projects, the rise of big-budget projects like "Predator: Killer of Killers," and the evolving role of generative AI in storytelling. Tune into next week's part B to hear about our predictions for next year!Credits - Speakers: Phil Rice, Ricky Grove, Tracy Harwood, Damien Valentine Producer: Tracy Harwood Editor: Phil Rice Music: Phil Rice and SunoAI

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesIt's been a busy week for the MCU starting with a potentially big leak where costumes from Avengers: Doomsday were revealed. With filming now wrapped, an image from the wrap party gifts showed those who want to look what our characters may look like in the upcoming blockbuster. In other “oops” news, Spider-Man actor Tom Holland suffered a mild concussion while filming a stunt for Spider-Man: Brand New Day, halting filming for several days. Here's hoping Spidey's bump on the noggin heals fast! Daredevil: Born Again has already been renewed for a third season. The return to Charlie Cox's outing as the Man Without Fear was well received this year on Disney+ and season two will premiere next May. Lastly, Marvin Jones, III will appear as Tombstone in Spider-Man: Brand New Day. On Monday, Lucasfilm dropped the long-awaited teaser trailer for The Mandalorian and Grogu - Star Wars' newest feature film coming out in May 2026. As we've discussed before, this will be Lucasfilm's first feature film for the franchise since 2019's The Rise of Skywalker and it seems like a lot is riding on Grogu's tiny green shoulders.James Gunn didn't leave us hanging this week as the writer/director/co-chair of DC Studios shared an Instagram post of his second draft of the script for Man of Tomorrow. An image taking up most of the cover shows an anatomical cutout of a human head and brain leading to speculation that Brainiac will be the villain Superman and perhaps Lex Luthor have to team up against. Matt Reeves also chimed in on the same topic, though separately, and shared that the villain for The Batman: Part II will be a character that has “never really been done” in a film before. Reeves also confirmed his films are Elseworlds projects not part of the DCU.The first trailer has been released for Sony's comedic reimagining of the 1997 film Anaconda which stars Jack Black and Paul Rudd. The film will hit theaters on December 25.Director Shawn Levy posted a photo to Instagram last week of Ryan Gosling in costume on the set of Star Wars: Starfighter, offering the first look from the film's shoot. Gosling and co-star Flynn Gray are seen posing with the Mediterranean Sea behind them.Paul Walter Hauser is joining the cast of director Zach Cregger‘s new Resident Evil movie.DC announced last week that its Batman No. 1, a relaunch of the Caped Crusader by writer Matt Fraction and artist Jorge Jiménez, has sold over 500,000 copies, making it the top selling comic of the year by far.Stan Lee will posthumously return to L.A. Comic con, this time as a hologram that will use AI to have conversations with fans. Fans will be able to speak with the hologram at the Stan Lee Experience section of the con, a 1,500 ft. enclosed booth which costs between $15-$20 to enter, depending on whether you buy tickets ahead of time. And like meeting a celebrity or getting autographs, there will be paid opportunities to take photos with the hologram or have a three-minute, one-on-one conversation with it.Taylor Swift is returning to theaters from Oct. 3-Oct. 5 for her album release. Swift is partnering with AMC theaters for the event film which will feature behind the scenes making of her new album Life of a Showgirl, as well as a music video premiere. The Eras Tour film was a phenomenon two years ago, becoming the top grossing concert film of all time with $261.6 million globally.After rumors last week that Paramount was looking into making a bid for Warner Brothers, Puck News is now reporting that a well placed inside source has verified that Netflix is preparing to make a bid for the studio as well.

This week, John and Jeff keep it positive as they cover for Dave while he goes and finds himself to discuss “Leon: The Professional”. The random year generator spun 1994, so we gave a year in review of this crazy film year! First, to get us drinking, we discussed “Downton Abbey: The Grand Finale” and Christopher Nolan taking the helm of the DGA! Grab a beer and join us for this wild ride.  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 23:09 1994 Year in Review; 51:13 Films of 1994: “Leon: The Professional”; 1:26:52 What You Been Watching?; 1:33:35 Next Week's Episode Teaser Additional Cast/Crew: Jean Reno, Natalie Portman, Gary Oldman, Danny Aiello, Luc Besson, Simon Curtis, Julian Fellowes, Michelle Dockery, Joanne Froggatt, Elizabeth McGovern, Alessandro Nivola, Dominic West, Hugh Bonneville, Paul Giamatti, Laura Carmichael. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Unknown Number: The High School Catfish, Alien: Earth,  Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics). 

Send us a textThe landscape of Hollywood is shifting before our eyes. From massive studio consolidations to the passing of icons, Alex and Max dive deep into what these changes mean for the future of cinema.Following a month-long hiatus, the hosts catch up on industry news that could fundamentally alter how movies reach audiences. Skydance's acquisition of Paramount and potential bid for Warner Brothers raises urgent questions: What happens when streaming giants own historic studios? Will theatrical releases survive? The conversation explores how these corporate maneuvers might impact everything from filmmaker careers to streaming libraries.The recent passing of Robert Redford prompts a heartfelt reflection on his immeasurable contributions to American cinema. From his unforgettable performances in classics like "All the President's Men" to founding the Sundance Film Festival, Redford's legacy as actor, director, and independent film champion transcends generations. The hosts share personal connections to his work, including the rarely discussed late-career gem "All Is Lost."With fall festival season underway, excitement builds around potential Oscar contenders. Paul Thomas Anderson's "One Battle After Another" has Hollywood buzzing, with sold-out 70mm screenings and whispers this might finally be his year for directing recognition. Meanwhile, the Gig Harbor Film Festival prepares to showcase everything from documentaries about librarians fighting censorship to films featuring local talent.Between discussions of recent watches like "Lurker" and "Splitsville," the hosts contemplate how streaming has transformed audience relationships with media – drawing parallels to similar shifts in the music industry years earlier. Has Letterboxd's rating system changed how we evaluate films? Are we seeing the beginning of the end for certain viewing experiences?Whether you're a film industry insider or simply love movies, this episode offers thoughtful analysis of cinema's evolving landscape from two passionate, knowledgeable voices who remind us why movies still matter.Support the show

Send us a textThe Buds are on their own again!! We sit around and try 3 new brews while shootin the shit and having some fun!Pop Culture: Sean Astin as President!! Samwise himself,Super Mario Galaxy coming soon, and James Gunn might be out at Warner Brothers if sold.....?Beer had: See These Signs by Barrique Brewing and BlendingTop Shelf: Blind Rankings!! I make Honer and Skyler ranking things without knowing what is coming next!Brew had: A Fistfull of Cherries by Odd Brothers CiderDive Bar Reviews: We had to a place in North Dakota!! ever been? Perhaps you should visit. We will let you know.Beer had: When you say Wisconsin.... by Mikkerphone BrewingHop Station Craft BarGet Beer, Cocktails, and fab food while enjoying darts, vintage games. Hop Station is hopping!Coastalos SodasUrban Artifact launched our own hemp derived THC brand Coastalo. Made with real fruit!!Niles BrewingUnique Beers and Cocktails! They host events and trivia weekly. Located in downtown Niles, Michigan!TavourUse our promo code 'DrunksWithBuds' for $10 off your second order.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Director/star James Sweeney's sophomore follow-up to Straight Up made a spalsh at Sundance this January, winning the Audience Award and a lot of buzz about Dylan O'Brien's dual roles as twins Roman and Rocky. Director and writer Bryan Fuller, whose feature debut DUST BUNNY recently premiered at TIFF, joins us to see what all the fuss is about. Then we share some of our favorite dark comedies.What's GoodAlonso - Hobnobs (and Hobnob Fever!)Drea - Competitive nonsense (windowdressing, bedmaking, etc)Bryan - a murder of yard crowsKevin - no more waspsITIDICTIFF Wraps Up, Chloe Zhao's Hamnet Wins Audience AwardParamount Wants to Buy Warner BrosRemembering Robert RedfordStaff PicksDrea - Predators (2025) (and Love and Monsters)Alonso - Chain ReactionsBryan -  The Last VikingKevin - Alien Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

This week, the boys head back to 1997 to figure out what the hell is going through David Fincher's head while torturing Michael Douglas in “The Game”. His follow-up to “Alien3” and “Se7en”, as well as lots of peak-MTV music videos, Nolan kept his mystery streak going, and we're still wondering, what did he want from us? First, after John tells everyone to go see “TWINLESS”, we had some beef to settle featuring 11 callers! So grab a drink, enjoy the ride, and listen to a bunch of callers give us crap, courtesy of our friends at The Matt & Mark Movie Show.  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:22 Gripe Calls; 17:33 1997 Year in Review; 33:51 Films of 1997: “The Game”; 1:17:44 What You Been Watching?; 1:24:26 Next Week's Episode Teaser Additional Cast/Crew: David Fincher, Michael Douglas, Sean Penn, James Rebhorn, Michael Ferris, John Brancato, Deborah Kara Unger, Carroll Baker, Peter Donat, Armin Mueller-Stahl, Dylan O'Brien. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Unknown Number: The High School Catfish, Alien: Earth,  Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics). 

Jackie and Dunlap discuss Jimmy Kimmel, Charlie Kirk, farmers, funerals, freedom of speech, censorship, soybeans, the FCC, authoritarianism, influencers, billionaires, and standing sprays. Plus JD Vance, Pam Bondi, Robert Redford, Donald Trump, TikTok, Larry Ellison, Paramount, Warner Brothers, and DEI. Get 20 Extra Minutes with Jackie & Dunlap at http://patreon.com/redstateupdate Get a Jackie Barrel t-shirt at https://redstateupdate.myshopify.com/

Send us a textWe start by giving our thoughts on the Emmys. The ‘The Studio' wins big on Sunday night. What made this show perform so well? As a show that highlights show business, is this an example of "navel gazing" or something more. Then….. Nate Bargatze did not prep for the big night. Do we agree with this? Do we think he was a good choice to be host?What were our thoughts on the acceptance speeches at the Emmys? We break down everything from the timer to the role of politics in the speeches. Lastly, Noah Wyle was another big winner, closing a major gap from his last Emmy nomination from his time in E.R 26 years ago. With this nomination, Jay breaks down the top 5 list of actors with the widest gaps in Emmy history.Paramount owners are considering purchasing Warner Brothers and HBO, combining the two entities. Do we think this is good for the industry? What could this new merger look like and what will it mean for its consumers?THEN: British Corner. Rhea tells us why we should be watching the remastering of ‘The Inspector Lynley Mysteries' on BritBox. What made her revisit this old time show after all these years? NEXT: Angelo reviews the second season of “Platonic” ( Apple TV), and “The Girlfriend" (Prime). Which one is he on the fence about and why?Jay finishes the show by giving a nod to the new platform for famous TV critic, Alan Sepinwal.https://alansepinwall.ghost.io/LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

Welcome to the Infinite Taylorverse!  Here at the Infinite Taylorverse, we talk about all things nerdy and pop culture! Movies, TV, cartoons, comics, books, video games, tabletop games, and so much more! We talk about the latest pop culture news as well as rumors and fan theories.  Be advised that spoilers are eminent! In this, our 239th episode, we talk about new Venom and Wolverine video games coming from Marvel!  We talk about Warner Brothers and DC Studios potentially finding a new home!  We talk about a ton of new movie and TV show reboots, and so much more!  As always, thanks for strapping in for a ride through The Infinite Taylorverse!

Danny and Kevin have now seen both Sinners and Weapons, two R rated original movies from directors on the rise and released by Warner Brothers. The similarities in the production, critical praise, and box office success of these pictures begged for a combined episode. Listen as your hosts praise a studio for having the gall to trust their directors, even letting them have characters talk about and take part in sexual activities!Follow us on Instagram at coffeeanddeathpod or email us at coffeeanddeathsticks@gmail.com

Lots to talk about this week! After the struggle to acquire Paramount, David Ellison is setting his eyes on Warner Bros. Discovery. Josh and Willis talk through the implications of that. Also, the Emmys were this past weekend! Let's talk through the winners and all other things Emmy these days. Pixelsplitters is a conversation podcast that explores the film and tv news of the week, and examines where the film industry as a whole is headed. Sometimes we do Top 5 lists! Tune in weekly and nerd out with us.

We're breaking down the first official look at Doctor Doom from the recent Shanghai marketing expo, where Marvel also revealed the first synopsis for Avengers: Doomsday. Doom has officially entered the MCU, and this iconic villain — armed with science and sorcery — is set to spark a multiverse-shaking crisis unlike anything we've seen before.But that's not all. We also dive into the shocking reports that Warner Bros. may be sold to Skydance/Paramount, and what that could mean for DC, Hollywood, and fans everywhere. From Marvel's biggest villain debut to massive studio shakeups, this episode is packed with game-changing updates you don't want to miss. If you love comic book movies, TV, and all things nerd culture, hit Subscribe and turn on notifications so you don't miss our weekly breakdowns. And don't forget to check out That Comic Podcast on all podcast platforms for even more deep dives!Become a supporter of this podcast: https://www.spreaker.com/podcast/that-comic-podcast--5896499/support.

oh man, about time we had a Sumer of Comic Book Movies knock our socks off. I know not only for Disney but also Warner Brothers and the DCEU. Superman, Fantastic Four, Thunderbolts, and Captain America, What is our take on these movies and of course our forth Beatle, el Guapo comes on to tell us his take on these movies plus we Catch up a little on everything. Follow us on: https://www.instagram.com/mousetopia_ent/https://www.facebook.com/MousetopiaEnthttps://www.tiktok.com/@mousetopia_ent

With his performance in The Smash Machine is this The Rock's big push for an Oscar? Why on earth has MI6 joined Instagram? Who deserves the credit for Warner Brothers' sudden box office hot streak? Dwayne ‘The Rock' Johnson has bulldozed his way from WWE to Hollywood megastar. But with The Smash Machine, an A24 production, is he finally angling for Academy recognition, or is this just another blockbuster in disguise? MI6 is now on Instagram. James Bond may have Q, but does British intelligence really need Reels? Is this about public trust, recruitment… or just trying to look cool online? At Warner Brothers, Pamela Abdy and Michael De Luca were on the chopping block but after a patient strategy and a bold slate of films, they suddenly look like the studio's saviours. What does this say about Hollywood risk-taking, storytelling, and the lost art of playing the long game? Recommendations:Both: Spooks (iPlayer)Richard: Seascraper - Benjamin Wood (read) Join The Rest Is Entertainment Club: Unlock the full experience of the show – with exclusive bonus content, ad-free listening, early access to Q&A episodes, access to our newsletter archive, discounted book prices with our partners at Coles Books, early ticket access to live events, and access to our chat community. Sign up directly at therestisentertainment.com The Rest Is Entertainment is proudly presented by Sky. Sky is home to award-winning shows such as The White Lotus, Gangs of London and The Last of Us. Requires relevant Sky TV and third party subscription(s). Broadband recommended min speed: 30 mbps. 18+. UK, CI, IoM only. To find out more and for full terms and conditions please visit Sky.com For more Goalhanger Podcasts, head to www.goalhanger.com Assistant Producer: Aaliyah AkudeVideo Editor: Kieron Leslie, Charlie Rodwell, Adam Thornton, Harry SwanProducer: Joey McCarthySenior Producer: Neil FearnHead of Content: Tom WhiterExec Producers: Tony Pastor + Jack Davenport Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seán's guest is a multimillion bestselling author. Her recent book ‘The Women', based during the Vietnam War and examining the role of American women in the conflict, was a huge success, with Warner Brothers buying up the filming rights. Other listeners will know her work from the hit Netflix show ‘Firefly Lane' starring Katherine Heigl.Author Kristin Hannah joins to discuss!

Episode 207 - Sept. 14, 2025 - Magic Moments  - Violation Counter - Walt - 25 x DJ Intence - 0 x Ceddy - 17    - RIP Ricky Hatton  - Saudi “Sport Washing” - Paramount Skydance attempting to purchase Warner Brothers Discovery  - Bud Crawford vs Canelo Alvarez  - Charlie Kirk Un-Aliving   - CDC has slowed down & stopped FOOD NET.   - L.A. Fitness being sued by FTC for being difficult to cancel memberships  - Wise Guy Segment - Men's Health & Healthy Sperm  - Wise Guy Segment - Family Court Woes with Attorney  - The Color Of Law Recap 

On this episode of The Hollywood Outsider podcast, does anything ever truly end anymore? In a world where it's all about IP, even when an ending is nailed, the first thing people think is: when is it coming back? And when an ending is junk, maybe give it a few years and reboot it to try again? Dexter: Resurrection and Conjuring: Last Rites are just two of many examples. So this week we dive into why won't franchises die? Also this week, it's standing ovation season, the Rock undergoes a massive physical transformation, reviews of The Long Walk and Wednesday Season 2, plus our thoughts on recent releases The Conjuring: Last Rites, Unknown Number: The High School Catfish, and Foundation. Click here for more info on our 2026 Alaskan Cruise! Discussed on this episode (0:00 – 27:48) Movie and TV News - Actors and Physical Transformations, Standing Ovation Season, Warner Brothers on a Roll (27:49 – 49:24) From the Outside In Topic: When Franchises Won't Die (49:25 – 53:01) Upcoming Attractions (53:02 – 1:01:44) Reviews - The Long Walk, Wednesday: Season 2 (1:01:45 – 1:10:41) Whatcha Been Watchin' - The Conjuring: Last Rites, Unknown Number: The High School Catfish, Foundation Click here for more info on our 2026 Alaskan Cruise! Listen to our true crime podcast, Inspired By A True Story, now available in your favorite podcast feed! Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Join us on Discord Follow us on X @BuyPopcorn Subscribe on Apple Subscribe on Spotify Subscribe via RSS

Hello everyone, it's Bill Thompson – T Bill. Some of the things covered on today's session include:The markets are at record highs.The revised economic reports.Paramount Skydance may buy Discovery Warners. Covid vaccine stocks Pfizer, moderna, and Novavax are down.Hostile takeover defenses. Why the $7 trillion ‘Wall of Cash' may not pour into the stock market.

This Warner Bros. 1932 episode is a double feature of Glasmon-Bright scripts directed by Pre-Code wizards: Mervyn LeRoy's Three on a Match, a tight little melodrama about the cryptic and arbitrary nature of self-destruction with Ann Dvorak as a wealthy housewife beset by ennui; and Roy Del Ruth's Taxi!, in which Loretta Young has to stand up to James Cagney's hot-headed cab driver, although neither his violence nor her self-control is going to help them fight those who have more power under capitalism. At 63 and 69 minutes respectively, they pack a Cagney-style punch--no flab, just Warners Pre-Code energy! Time Codes: 0h 00m 25s:      Warner Brothers and 1932 0h 05m 08s:      TAXI!  [dir. Roy Del Ruth] 0h 33m 09s:      THREE ON A MATCH [dir. Mervyn Leroy]   Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1932 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

FanRun Radio's Tony Basilio joins the show The Top 5 at 5:00 Bob breaks down Paramount acquiring Warner Brothers

NOW on SPOTIFY!It's time for a new BATMAN #1 y'all and the boys gather round the table to TALK ABOUT IT! Lots of comics this week, a truly unfortunate Roomba story, and some further reflections on the DCU after the Man of Tomorrow news…Comics talked this week: FML #6, Cheetah & Cheshire #2, Poison Ivy #36, Everything Dead & Dying #1, Adventures of Superman: Book of El #1, Closer #1, Maria Llovet's Artificial #1, The War #2, The Adventures of Lumen N #1, Ultimate Spider-Man #18-20, New Gods #7-9, and Batman #1 The Comic Book Podcast is brought to you by Talking Comics (www.talkingcomicbooks.com). The podcast is hosted by Steve Seigh, Bob Reyer, Joey Braccino, Aaron Amos, John Burkle, and Bronwyn Kelly-Seigh who weekly dissect everything comics-related, from breaking news to new releases. Our Instagram handle is @TalkingComicsPodcast and you can email us at podcast@talkingcomicbooks.com.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesRight after our episode last week, our pal James Gunn dropped big news on Wednesday - the next Superman film written by him will be called Man of Tomorrow. Gunn, David Corneswet, and others involved shared particular artwork by DC Comics President Jim Lee that showed Lex Luthor in a mech suit to make the announcement. In typical Gunn fashion, the DC Studios co-chair has teased this film isn't a direct sequel, but is the next installment in what he calls the “Superman saga.” The film's title is reminiscent of the Milly Alcock led Supergirl: Woman of Tomorrow, which releases next year. In other DC movie news, Weapons director Zach Cregger addressed rumors that have been circulating about his involvement with a Joker and Harley Quinn movie. Cregger called stories about him having written a treatment for the two iconic DC villains “blown out of proportion,” but did indicate that he has a couple of films he's interested in working on, though he hasn't spoken with James Gunn yet.At the Toronto International Film Festival last Friday, Ryan Reynolds finally admitted the internet's worst kept secret - that he was the one who leaked the original Deadpool test footage in 2014 to the world wide web. Reynolds went on to say that Fox simply didn't seem interested in releasing an R-rated superhero movie and his passion for the character led him to the extreme action, which he doesn't regret. Fans of Deadpool are likely forever grateful that Reynolds did what he did, which led to pressure on the studio to make the film a reality. In other questionable swings from stars both in front of and behind the camera, The Russos released a blurry image with the caption #Doomsday Is Coming via Instagram earlier today.No last rites are being read for horror at the box office this year, as the supposed final installment in the Conjuring universe, The Conjuring: Last Rites, raked in $84 million domestically this weekend for its opening. This massive box office marks the best for this franchise ever, and the third biggest opening for a horror film of all-time. Warner Brothers and New Line are laughing all the way to the bank, having projected a $35 million opening box office and the movie cost about $55 million to make. The film's global take as of today is $194 million. In other Conjuring news, a series in development at HBO Max set in the universe took a big step forward today, hiring Nancy Won as writer, executive producer, and showrunner, who will write the series alongside Peter Cameron and Cameron Squires. The Office spin off The Paper, which debuted its first season last week has been renewed for a second season on Peacock.Sony Pictures has released the first trailer for Nia DaCosta's “28 Years Later: The Bone Temple," the follow up to this year's 28 Years Later. The film is set to release on January 16.Prime Video has confirmed rumors that Game of Thrones alum Sophie Turner will play Lara Croft in its Tomb Raider series from creator, writer and co-showrunner Phoebe Waller-Bridge. Production on the series will begin in January.John C. McGinley has joined the cast of ABC's Scrubs reboot and will reprise his role as Dr. Perry Cox from the original series. He joins fellow returnees Zach Braff, Sarah Chalke, Donald Faison and Judy Reyes in the cast.The White Lotus creator Mike White and HBO have zeroed in on France as the location for the upcoming fourth season of the hit murder mystery comedy-drama series, sources tell Deadline.Two time Academy Award nominee Djimon Hounsou has joined the cast of Amazon MGM's reboot of Highlander, the Hollywood Reporter has learned exclusively.The first trailer for Rian Johnson's upcoming Knives Out film Knives Out: Wake Up Dead Man has been released. The film is set for release in select theaters Nov. 26 before its streaming debut December 12.

This week, the boys head back to the end to discuss Christopher Nolan's mind-and-time-melding noir, “Memento”. The random year generator spun 2000, previously visited by us to discuss “Crouching Tiger, Hidden Dragon” and “Chopper”, so we recap the film events and world news of the year before getting into our featured conversation. Be sure to listen to John's mini-review of the fourth “The Conjuring” film, the final film for our beloved movie Warrens, and Dave's experience seeing “Caught Stealing” at AMC Times Square.  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:06 John's “The Conjuring: Last Rites” mini-review; 12:21 Dave's “Caught Stealing” mini-review; 16:27 2000 Year in Review; 34:05 Films of 2000: “Memento”; 1:18:35 What You Been Watching; 1:24:26 Next Week's Episode Teaser Additional Cast/Crew: Guy Pearce, Christopher Nolan, Jonathan Nolan, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior, Jorja Fox, Stephen Tobolowsky, Harriet Sansom Harris, Austin Butler, Darren Aronofsky, Matt Smith, Regina King, Zoë Kravitz, Griffin Dunne, George Abud, Will Brill, Vera Farmiga, Patrick Wilson, Michael Chaves, James Wan, Mia Tomlinson, Steve Coulter, Ben Hardy. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, The Twisted Tale of Amanda Knox, Platonic, New Orleans, America's Team: The Gambler and his Cowboys. Additional Tags: The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics). 

How much money did The Conjuring: Last Rites make at the Box Office? Also have people aged since Covid? We talk about the first week of NFL action, what the perfect salary is according to Americans, and lots more!

Recapping The Dead Files “Dead End” (Season 3 Episode 6) which aired August 28, 2015. What's lurking in the closet? (No, seriously—what is it??) What happens when a small-town Missouri home becomes the hunting ground for a shadow man with a serious vendetta? In this episode of The Activity Continues, Amy and Megan recap The Dead Files Season 3, Episode 6: “Dead End” — where the family's safety is threatened by something very real, very dark… and very interested in their child. In This Paranormal Parade:• A shadow man that army-crawls from the closet toward a child (like a demon doing pushups)• A curtain rod with a vendetta• Mini-demons that might just be shadow man's sidekicks• A history of brothels, betrayal, and a sheriff who died of…you guessed it, syphilis• A skeptical police officer who finally admits: “This house scares the hell out of me”• Amy Allan doing what she does best: unearthing secrets from the walls — and the pastAll in a house with a brutal, confusing, and possibly brothel-adjacent backstory. The energy in this one? Oppressive with a side of 'get out now.'Get your bingo cards out kids, this one has a lot… and join us where… The Activity Continues.Chapter Markers 00:00:00 Intro00:00:26 Hello!00:03:30 Overview00:05:32 The Set Up00:31:00 The Investigation00:38:07 The Reveal00:47:06 Research and Rabbit Holes00:52:09 Goodbye00:52:42 Outro/Disclaimer Episode links:Blog written by Larry Wood, Steve's contact on the episode: https://ozarks-history.blogspot.com/2011/09/lane-britton.htmlEmma Mae Liebhart: https://www.newspapers.com/article/the-neosho-times-emma-mae-pt-1/26944534/The Dead Files Official Podcast: https://pod.link/1642377102 The Activity Continues is a paranormal podcast where soul friends Amy and Megan chat about true crime, ghost stories, hauntings, dreams, and other paranormal stuff including the TV show, The Dead Files. Our recaps are full of recurring jokes about recurring tropes.This episode was recorded on August 14, 2025, and released on September 4, 2025.  Disclaimer:This podcast is in no way affiliated with Warner Brothers, HBOMax, the Travel Channel, Painless TV, or the TV show The Dead Files or any of its cast or crew. We're just fans who love the show and want to build a community of like-minded people who would enjoy hanging out and discussing the episodes and similar content. Credits:Hosted by: Amy Lotsberg and Megan SimmonsProduction, Artwork, and Editing: Amy Lotsberg at Collected Sounds Media, LLC. https://www.collectedsounds.com/Theme song. “Ghost Story” and segment music by Melissa WestBackground music: “Beyond the Stars” by Chris Collins Engage!Our website, https://www.theactivitycontinues.com/ Leave us a Voicemail: https://www.theactivitycontinues.com/voicemail/ (might be read on the show)Newsletter sign-up: https://www.theactivitycontinues.com/newsletter          Join us on Patreon: https://www.patreon.com/theactivitycontinuesWe're on (almost) all the socials too @theactivitycontinues SEND US YOUR PARANORMAL STORIES!Email: theactivitycontinues@gmail.com and maybe it will be read on the show!Voicemail: https://www.theactivitycontinues.com/voicemail/ to leave a message and maybe it will be played on the show! BE OUR GUEST!Are you a The Dead Files client, or a paranormal/spiritual professional, and are interested in being interviewed on our show? Let us know by filling out our guest form:https://www.theactivitycontinues.com/guests/intake/ Affiliates/SponsorsPlease see our Store page for all the links for all our current affiliates. https://www.theactivitycontinues.com/store/ Thank you for listening, take care of yourselves. We'll see you next time!If you want to hear us early and ad-free EVERY week, become a Patron, join our Ghosty Fam and get bonus exclusive episodes! https://www.patreon.com/theactivitycontinuesSupport this podcast at — https://redcircle.com/the-activity-continues/exclusive-content

The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.