Podcasts about grammy

Nashville-based pop purveyor Jessie Baylin has shared the stage with artists like Stevie Nicks, The Shins, and Iron & Wine (to name just a few). “Wild Life” was co-written with Daniel Tashian, a two-time Grammy-winning songwriter and producer who has worked with Kasey Musgraves and Burt Bacharach. This track has all the glitter of classic orchestral pop, and evokes a timeless Laurel Canyon sound.

Topics discussed on this week's #FlashbackFriday episode from 2017 include: Steve found Kyle's doppelganger Honeymoon 20 Questions was ruined Steve's iron-clad APS guarantee Kyle's tattoo tales, both new and old 2 minutes of awkward conversation The Grammy gift bags this year were as ridiculous as ever Donald Trump's official inauguration poster had a glaring mistake Fast 5: Love tips! Follow us on Facebook, Twitter, Instagram and Bluesky! Get show merch here! Please review the show wherever you download podcasts! Wanna send something? The Steve and Kyle Podcast P.O. Box 371 Hudsonville, MI 49426 Opening music: ”Malt Shop Bop" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Closing music: "Pulse" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ TAGS: funny, friends, family, kids, comedy, talk radio, talk, radio, pop culture, music, food, garage, sports, relationships, viral videos, social media, politics, fbhw, free beer and hot wings

Jaime and Matt sit down with Grammy nominated musician Taylor Hanson to talk about his passion for combating food insecurity through community organizing and perseverance.

Jason Fraley interviews Emmy-nominated music composer Antonio Sanchez, who's nominated for scoring the Apple TV+ comedy series “The Studio” at the 77th annual Emmy Awards this Sunday on CBS. He also breaks down his five Grammy wins for his prolific jazz career, as well as creating the drum-based score for the Oscar-winning film “Birdman" by Alejandro González Iñárritu. (Theme Music: Scott Buckley's "Clarion")

How do we find laughter when everything feels too heavy? What role does humor play when we're facing unimaginable challenges? Emmy, Peabody, and Grammy-winning comedy writer Rob Kutner offers surprising wisdom on these questions through the lens of Jewish history and his own creative journey."I can't solve those problems, nor should I try to, but at least I can give people's brains a break so that they'll have the strength to come back to the problems and solve them or be engaged in them," Kutner reflects. This perspective frames comedy not as escape but as essential mental restoration—something the Jewish people have relied on throughout their 5,000-year history.Kutner's book "The Jews: 5,000 Years and Counting" blends sharp wit with deep historical research, creating an accessible entry point to Jewish history that honors both its complexity and its resilience. We explore how his own Jewish identity was paradoxically strengthened by attending a Christian school in Atlanta, which prompted him to ask fundamental questions about who he was and what he believed.Our conversation takes a profound turn when discussing the current moment of heightened antisemitism and global conflict. Writing during and after October 7th, 2023, Kutner experienced a creative paralysis that forced him to reconsider his approach to Jewish history. What emerged was a deeper appreciation for the Jewish tradition of holding multiple truths simultaneously—acknowledging both suffering and resilience, recognizing both grief and joy.Perhaps most fascinating is Kutner's creative approach to biblical stories, reimagining characters like Abraham, Sarah, and Moses in modern contexts like group therapy sessions or personal diaries. These exercises in empathy allow readers to connect with ancient stories in fresh, meaningful ways while honoring the tradition's inherent complexity.Whether you're seeking perspective during difficult times or simply curious about how comedy can illuminate profound truths, this conversation offers both comfort and challenge—reminding us that sometimes, the most serious thing we can do is laugh.Learn more at https://www.robkutner.com/.

Annie shows her jokester side in this lighthearted episode. She sits down with Jack Vale, aka “the fart guy”—YouTube star, comedian, actor and producer — whose hidden-camera pranks have been viewed by millions and even landed him invites to the Grammys. Jack tackles burning questions like: Did Jesus pass gas? And why do some people get so uptight about this kind of humor? Get ready to be entertained!Keep up with Annie on social media at facebook.com/annielobert, instagram.com/annielobert and twitter.com/annielobert Hosted on Acast. See acast.com/privacy for more information.

Exciting News! I had the honor of being interviewed by the incredible Jamal Bates to talk about my Grammy nomination! It was an inspiring conversation you don't want to miss. Take a listen and let me know your thoughts!#GrammyNominated #JamalBates #Interview #NewMusicAlert #OnTheRise #BlessedAndGrateful #MusicJourney #TrendingNow #ListenNow

What an unforgettable experience at the Grammys®! As former media from Fox 24 Charleston, SC, I'm beyond grateful for the recognition of our Grammy-nominated collaboration with the amazing Antonio Vergara!But the journey doesn't stop here—big things are ahead! I'm in talks about our music, my latest book, and my upcoming tour! Stay tuned—this is just the beginning!More info? Visit: www.MichaelFinkleyShow.com#GrammyNominated #AntonioVergara #NewBookAlert #TourLife #TheMichaelFinkleyShow #Fox24Alumni #DreamBig #KeepGoing #MediaPersonality #MakingMoves

On this day in 1944, Barry Eugene Carter — better known as Barry White — was born in Galveston, Texas. Raised in a family of gospel singers, he showed talent early and rose to become one of the most iconic bass singers and a disco pioneer. His debut album “I've Got So Much to Give” produced the hit “I'm Gonna Love You Just a Little More Baby.” After slowing in the 1980s, he resurged in the 1990s with “The Icon Is Love.” A Grammy winner with more than 100 gold albums, White left an indelible mark on music before his death in 2003. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Olá, internet! Hoje no Foquinha Entrevista recebo um artista que tentou fugir da música, mas não conseguiu… ainda bem! Dos barzinhos em Osasco às turnês na Europa, ele virou uma das vozes mais potentes da nossa cena, conquistou 3 Grammys Latinos com o álbum “Se O Meu Peito Fosse O Mundo" e até arrancou elogios de Caetano Veloso, sim… Caetano! Quem é ele? JOTA.PÊ! Vamos falar sobre o impacto do Grammy em sua carreira, as histórias aleatórias dos bastidores (teve até Ana Castela de salto na mão), os perrengues da época dos barzinhos, o duo ÀVUÀ com Bruna Black e o sucesso extraordinário do projeto Dominguinho, ao lado de João Gomes e Mestrinho. E tentei arrancar uma fofoca de bastidor… será que vem nova música ou até álbum em parceria com João Gomes por aí?

JOIN US ON PATREON: https://www.patreon.com/swiftologist Taylor Swift once invited fans into her actual homes to hear her albums before release — cookies baked by Taylor, Polaroids with her cats, holding her GRAMMYs. Secret Sessions were peak Swiftie lore. But after the chaos of Lover — leaks, drama, clogged toilets, and unhinged fan behavior — the sessions disappeared for good. In this episode, we revisit the rise and fall of Secret Sessions, from Tumblr-era stalking to the insanity of the Lover house party, and explain why The Life of a Showgirl will never get them. Taylor's fame, paranoia, and the scale of her stardom in 2025 make Secret Sessions literally impossible. Learn more about your ad choices. Visit podcastchoices.com/adchoices

St. Louis native Keyon Harrold loves coming home, and Music at the Intersection is bringing him back this weekend. Harrold is the only artist to perform at every Music at the Intersection festival since its inauguration in 2021. The Grammy-nominated jazz trumpeter and composer discusses his love for St. Louis and how Music at the Intersection has evolved since its inception.

Join us for a mega-episode of exclusive red carpet interviews from the Americana Honors & Awards 2025! We're bringing you all the best conversations from Nashville's biggest night for roots music. In this special, you'll hear from: Gillian Welch & David Rawlings, on their Duo/Group of the Year win, what success means at this stage of their careers, and inspiring the next generation. Margo Price, on her new album, her love for Nashville, and her personal music recommendations. Larkin Poe, on their "Bloom" tour and the new experiences of motherhood on the road. Nathaniel Rateliff, discussing singing the anthem at the NBA Finals, his creative collaboration with filmmaker Taylor McFadden, and the 10th anniversary of his debut album. Maggie Rose, on her special show with the Nashville Symphony and practicing her Spanish skills. Dawes, reflecting on their legendary Grammys performance and the concept of "supergrowth" after hardship. Ruston Kelly, sharing his new sources of joy and gratitude that have inspired his latest work. Noeline Hofmann, on her big night as a nominee and how her Canadian upbringing influences her music. Kelsey Waldon, discussing her latest album and the powerful themes of resilience and joy in her art. Don't miss this incredible roundup of conversations with some of the most talented artists in Americana music! ___ Support The Show Uber Eats: Get up to 40% off Fall essentials. Order now, on Uber Eats. https://www.ubereats.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Dem Vinyl Boyz, we dive into the atmospheric depths and emotional complexities of Synchronicity, the final studio album from The Police. Released in 1983, this Grammy-winning record is a masterclass in new wave, post-punk, and pop rock, showcasing the trio—Sting, Andy Summers, and Stewart Copeland—at the height of their artistic powers and on the verge of implosion. Synchronicity is more than an album—it’s a psychological rollercoaster. Inspired in part by Carl Jung’s theory of meaningful coincidences, the record explores themes of obsession, paranoia, spiritual connection, and disintegration, both personal and societal. From the urgent rhythms of “Synchronicity I” to the eerie unraveling in “Synchronicity II,” and the haunting isolation of “Tea in the Sahara,” the album captures the inner turmoil that mirrored the band’s own fracturing relationships. Of course, we can’t forget the massive hit that defined the '80s—“Every Breath You Take.” Though often mistaken for a love ballad, the song is a chilling meditation on surveillance and control, and it remains one of the most misunderstood and iconic songs in pop history. Recorded at AIR Studios on Montserrat and in Quebec, this was a technological leap for The Police, pushing their sound into more polished, layered production while still capturing the urgency of a band teetering on the edge. Join us as we spin Synchronicity on vinyl, reflect on the legacy of The Police, break down the album track-by-track, and talk about why this might be one of the greatest—and most conflicted—swan songs in rock history.

Die New Yorker Band um Adrianne Lenker kann Veränderung: Auf ätherische Studio-Experimente folgten rohe, verzerrte Live-Takes gefolgt von einem country-esquen (und Grammy-nominierten) Doppelalbum. Nachdem das eingeschworene Quartett zuletzt den Bassisten verlor, wuchs man kurzerhand zum Kollektiv. Und während Big Thief für die letzten Alben immer die Nähe zur Natur suchten, trafen sie sich für das 6. Werk «Double Infinity» an ihrem Ursprungsort New York City. Die Platte ist ein Protokoll über drei Wochen voll langer Studiotage, durch dessen offene Tür insgesamt 10 Musikerinnen und Musiker (u.a. Laraaji und Hannah Cohen) ein und aus gingen. Verblüffend, wie sich diese Band immer weiterzuentwickeln vermag - und verblüffend, wie sehr auch dieser Wurf trotz komplett anderer Vorzeichen nach Big Thief tönt.

On this episode of Takin’ A Walk, host Buzz Knight is joined by Grammy-winning singer, songwriter, and guitarist Molly Tuttle. Known for her groundbreaking flatpicking style and deeply authentic songwriting, Molly has become one of the brightest voices in Americana and bluegrass. She talks about the journey that’s shaped her artistry, the inspiration behind her new music, and how she continues to blend tradition with innovation. From life on the road with her band Golden Highway to reflections on songwriting and resilience, this episode is a chance to hear Molly share her story in her own words.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Grammy-winning musician and singer Wyclef Jean discusses his four day run of shows at the Blue Note, from Thursday, Sept. 11 through Sunday, Sept. 14.

Grammy-nominated harpist Brandee Younger reminds us that joy isn't a luxury—it's survival. In this episode, we dive into her latest project Gadabout Season, the realities of life on tour, and the intentional ways she's learned to rest and replenish.We also get real about navigating fibroids, the body's quiet signals of exhaustion, and how art can be both medicine and resistance. From savoring good food to embracing naps and stillness, Brandee shares the everyday practices that keep her grounded—and how joy itself can be a radical act of healing.Whether you're an artist, wellness seeker, or just trying to find peace in the middle of chaos, this conversation will remind you to slow down, listen to your body, and claim joy in the small moments. In this episode, we talk about:The inspiration behind Gadabout Season and what it taught her about slowing downHow touring impacts the body, mind, and spiritLiving with and talking about fibroids The small but powerful rituals that restore joy

Jed Brewer is the president and founder of Good Loud Media, a nonprofit organization that uses music and video to drive social impact in underserved communities around the world.   In this episode, Jed describes how Good Loud Media operates by bringing together Grammy-winning musicians, renowned psychologists, and subject matter experts to create targeted media campaigns.   Jed explores the concept of empathy in leadership and violence prevention. He explains how mass violence stems from a "death of empathy" where people demonize their enemies, and how perspective-taking through music can help restore human connection even in conflict zones. Jed shares his approach to networking as a superpower for creating change. He emphasizes that success is always a team effort and encourages leaders to view their network as the foundation of any meaningful impact. Listen to this episode to discover how music can be engineered to solve complex social problems and learn practical strategies for building powerful networks that drive systemic change. You can find episode 476 on YouTube, or wherever you get your podcasts! Watch this Episode on YouTube |   Key Takeaways [02:23] Jed reveals something people can't find about him online, that he grew up playing in rock bands and learned at 14 that "music has the power to bring us together" and can "create a place where people feel welcome when they don't feel welcome in other places." [03:36] Jed explains his journey from being a preacher's kid to prison chaplain and also describes how his passion developed through the fusion between music and technology that led him to study engineering while maintaining his love for music, understanding that "technology is a way to drive that forward." [07:02] Jed explains how he got into prison outreach and outlines his startup experience. He reveals a breakthrough discovery.  [13:07] Jed explains the business case for underserved populations, noting that pharmaceutical companies are "leaving money on the table" because potential customers aren't aware of life-saving products like HIV medications that "could be using these products." [15:47] Jed connects his faith background to his mission, explaining that his personal faith centers on "love your neighbor as yourself" and finding ways to "reduce human suffering." [17:03] Jed explains how he brings high-caliber people together and he describes the Narcan project. Jed identifies the messaging challenge where some people viewed Narcan as "something that drug users would have" he also outlines his collaborative process where he works with subject matter experts. [24:27] Jed describes distribution strategy where they put the song "everywhere" - radio, social media, and in-person community outreach - celebrating most when "people amplify it to their own network." [26:54] Jed explains his international focus where he started building relationships with creatives worldwide for cost-effective production and he reveals their focus on preventing mass violence. Jed describes their Nigerian mental health success where they embedded therapeutic breathing exercises in music. [32:57] Jed explains music's unique power, noting that unlike speeches that tell people what to think, music tells them "what to think and how to feel at the same time" because "people don't have their guards up about music." [35:48] Jed defines empathy through perspective taking, explaining that empathy begins with consciously thinking "what would it be like to be this other person" and seeing enemies as human beings, even those you disagree with. [40:18] Jed emphasizes networking importance, stating "Your network is your net worth" and "I don't think anybody succeeds alone" because success is always team success, so "the question is, who's on your team?" [44:25] Jed describes his leadership transition where Good Loud Media is shifting from him "doing everything" to "setting other people up to be the people that are doing things" as they expand internationally. [47:27] Jed delivers his closing call to action, saying "You have a vision in your head of something that you can do to make the world a better place... Do it. Now is the time... The world needs you." [49:10] And remember...“Where words fail, music speaks.” - Hans Christian Andersen   Quotable Quotes "I learned as a kid that music has the power to bring us together. I learned when I was 14 that music can create a place where people feel welcome when they don't feel welcome in other places." "I have always been a firm believer that networking is just how we all get where we're going. We all do better when we've got the riches of friendship." "Dig your well before you're thirsty." For me, the living out of that faith has to do with love your neighbor as yourself…I think that all of us can agree that whenever possible, lessening the amount of suffering in the world and lessening the amount of suffering that our neighbors and that our loved ones face is the morally right thing for us to pursue." "I have discovered few things that produce as much genuine magic as simply asking... There's a famous phrase, you have not, because you ask not. I have learned to ask pretty boldly for things, and most of the time people say yes." "Your network is your net worth. The people that, you know, are. That is your riches in life." "I don't think anybody succeeds alone... I think that success is always team success." "You're telling them what to think and how to feel at the same time. Music is a guided meditation that has both a cognitive and an emotive aspect happening in parallel."In mass violence, there's a death of empathy." "The only way forward is to see our enemies as human beings. And that really is what empathy is." "I think empathy in many ways begins and ends with perspective taking." "There are different seasons in life and there are different phases, and we pass in and out of them." "You have a vision in your head of something that you can do to make the world a better place. I know you do... Do it. Now is the time. Not next week, not next year. Do it. Get started. It won't get easier. The best time to do it is right now.We need you. Get to work. This is your moment, the sign you've been waiting for. This is that sign. Get started with your thing that's going to make the world a better place."   Resources Mentioned The Leadership Podcast | Sponsored by | Rafti Advisors. LLC | Self-Reliant Leadership. LLC | Jed Brewer Website | Good Loud Media Facebook | Jed Brewer LinkedIn | Good Loud Media Instagram |  

Multi-award-winning singer, songwriter, guitar and bass player. Kenny Chesney, Brooks & Dunn as well as multiple bluegrass artists have brought his original songs to number 1. In addition, he has seen continued songwriting success with songs recorded by such artists as Wynona Judd, Jake Owen, Lee Ann Womack, Dan Seals, Don Williams and many others including three songs recorded on Chris Stapleton's multi-platinum selling album “Traveller.” One single won the ACM award for “Song of the Year.” The album received the ACM and CMA award for “Album of the Year” as well as a Grammy award for “Country Album of the Year.” As an artist, the International Bluegrass Music Association has awarded him Male Vocalist of the Year, Song of the Year, Album of the Year, Gospel Performance and Recorded Event of the Year multiple times for each category. He's also been awarded Songwriter of the Year from the association. As a vocalist, he has recorded with various artists including, Alan Jackson, Alison Krauss, Vince Gill, Ricky Skaggs, Lee Ann Womack, Chris Stapleton, and John Fogerty, among others.

Brandee Younger is a groundbreaking harpist who has redefined the instrument's place in contemporary music. Younger will perform at Indy Jazz Fest on September 17.  A classically trained musician, Younger has cultivated a unique sound that fuses her classical training with elements of jazz, R&B, and hip-hop. Younger has collaborated with a wide range of artists including Pharoah Sanders, Ravi Coltrane, Common, John Legend, Kanye West, Meshell Ndegeocello and many others. In 2021, Younger released “Somewhere Different” on the historic Impulse! label, earning a Grammy nomination for Best Instrumental Composition — the first Black woman ever recognized in that category. Her 2023 album “Brand New Life” celebrated the legacy of harp pioneer Dorothy Ashby and won the 2024 NAACP Image Award for Outstanding Jazz Album. Throughout her career, Younger has worked to promote and celebrate the work of jazz musician Alice Coltrane and on her new album “Gadabout Season” Younger is performing on Coltrane's harp. Listen to Younger's interview with WFYI's Kyle Long this week on Cultural Manifesto.

Nicole Zuraitis is a fabulous 2x Grammy winning and 4x Grammy nominated jazz singer-songwriter and pianist. This lady has an absolutely gorgeous voice. She won the American Traditions Vocal Competition Gold Medal. She's collaborated with Christian McBride, Morgan James, Livingston Taylor and Benny Benack among others. Nicole leads her own quartet and has performed and recorded with the Birdland Big Band. She's headlined at the Newport Jazz Festival, Saratoga Jazz Festival and Tanglewood, along with clubs like Dizzy's, Birdland and the Blue Note.My featured song is “The Cut Of The Knife”, my recent single. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH NICOLE:www.nicolezmusic.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Cookies are out, context is in. People Inc.'s Jonathan Roberts joins The Big Impression to talk about how America's biggest publisher is using AI to reinvent contextual advertising with real-time intent.From Game of Thrones maps to the open web, Roberts believes content is king in the AI economy. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler, and welcome to this edition of The Big Impression. Today we're looking at how publishers are using AI to reinvent contextual advertising and why it's becoming an important and powerful alternative to identity-based targeting. My guest is Jonathan Roberts, chief Innovation Officer at People Inc. America's largest publisher, formerly known as Meredith. He's leading the charge with decipher an AI platform that helps advertisers reach audiences based on real time intent across all of People Inc. Site and the Open Web. We're going to break down how it works, what it means for advertisers in a privacy first world and why Jonathan's side hustle. Creating maps for Game of Thrones has something for teachers about building smarter ad tech. So let's get into it. One note, this episode was recorded before the company changed its name. After the Meredith merger, you had some challenges getting the business going again. What made you realize that sort of rethinking targeting with decipher could be the way to go?Jonathan Roberts (01:17):We had a really strong belief and always have had a strong belief in the power of great content and also great content that helps people do things. Notably and Meredith are both in the olden times, you would call them service journalism. They help people do things, they inspire people. It's not news, it's not sports. If you go to Better Homes and Gardens to understand how to refresh your living room for spring, you're going to go into purchase a lot of stuff for your living room. If you're planting seeds for a great garden, you're also going to buy garden furniture. If you're going to health.com, you're there because you're managing a condition. If you're going to all recipes, you're shopping for dinner. These are all places where the publisher and the content is a critical path on the purchase to doing something like an economically valuable something. And so putting these two businesses together to build the largest publisher in the US and one of the largest in the world was a real privilege. All combinations are hard. When we acquired Meredith, it is a big, big business. We became the largest print publisher overnight.(02:23):What we see now, because we've been growing strongly for many, many quarters, and that growth is continuing, we're public. You can see our numbers, the performance is there, the premium is there, and you can always sell anything once. The trick is will people renew when they come back? And now we're in a world where our advertising revenue, which is the majority of our digital revenue, is stable and growing, deeply reliable and just really large. And we underpin that with decipher. Decipher simply is a belief that what you're reading right now tells a lot more about who you are and what you are going to do than a cookie signal, which is two days late and not relevant. What you did yesterday is less relevant to what you need to do than what you're doing right now. And so using content as a real time predictive signal is very, very performant. It's a hundred percent addressable, right? Everyone's reading content when we target to, they're on our content and we guaranteed it would outperform cookies, and we run a huge amount of ad revenue and we've never had to pay it in a guarantee.Damian Fowler (03:34):It's interesting that you're talking about contextual, but you're talking about contextual in real time, which seems to be the difference. I mean, because some people hear contextually, they go, oh, well, that's what you used to do, place an ad next to a piece of content in the garden supplement or the lifestyle supplement, but this is different.Jonathan Roberts (03:53):Yes. Yeah. I mean, ensemble say it's 2001 called and once it's at Targeting strategy back, but all things are new again, and I think they're newly fresh and newly relevant, newly accurate because it can do things now that we were never able to do before. So one of the huge strengths of Meredith as a platform is because we own People magazine, we dominate entertainment, we have better homes and gardens and spruce, we really cover home. We have all recipes. We literally have all the recipes plus cereal, seeds plus food and wine. So we cover food. We also do tech, travel, finance and health, and you could run those as a hazard brands, and they're all great in their own, but there's no network effect. What we discovered was because I know we have a pet site and we also have real simple, and we know that if you are getting a puppy or you have an aging dog, which we know from the pet site, we know you massively over index for interest in cleaning products and cleaning ideas on real simple, right?Damian Fowler (04:55):Yeah.Jonathan Roberts (04:55):This doesn't seem like a shocking conclusion to have, but the fact that we have both tells us both, which also means that if you take a health site where we're helping people with their chronic conditions, we can see all the signals of exactly what help you need with your diet. Huge overlaps. So we have all the recipe content and we know exactly how that cross correlates with chronic conditions. We also know how those health conditions correlate into skincare because we have Brody, which deals with makeup and beauty, but also all the skincare conditions and finance, right? Health is a financial situation as much as it is a health situation, particularly in the us. And so by tying these together, because most of these situations are whole lifestyle questions, we can understand that if you're thinking about planning a cruise in the Mediterranean, you're a good target for Vanguard to market mutual funds to. Whereas if we didn't have both investipedia and travel leisure, we couldn't do that. And so there's nothing on that cruise page, on the page in the words that allows you to do keyword targeting for mutual funds.(05:55):But we're using the fact that we know that cruise is a predictor of a mutual fund purchase so that we can actually market to anyone in market per cruise. We know they've got disposable income, they're likely low risk, long-term buy andhold investors with value investing needs. And we know that because we have these assets now, we have about 1500 different topics that we track across all of DDM across 1.5 million articles, tens of millions of visits a day, billions a year. If you just look at the possible correlations between any of those taxonomies that's over a million, or if we go a level deeper, over a hundred million connected data points, you can score. We've scored all of them with billions of visits, and so we have that full map of all consumers.Damian Fowler (06:42):I wanted to ask you, of course, and you always get this question I'm sure, but you have a pretty unusual background for ad tech theoretical physics as you mentioned, and researcher at CERN and Mapmaker as well for Game of Thrones, but this isn't standard publisher experience, but how did all that scientific background play into the way you approached building this innovation?Jonathan Roberts (07:03):Yeah, I think when I first joined the company, which was a long time ago now, and one of the original bits of this company was about.com, one of the internet oh 0.1 OG sites, and there was daily data on human interest going back to January 1st, 2000 across over a thousand different topics. And in that case, tens of millions of articles. And the team said, is this useful? Is there anything here that's interesting? I was like, oh my god, you don't know what you've got because if you treat as a physicist coming in, I looked at this and was like, this is a, it's like a telescope recording all of human interest. Each piece of content is like a single pixel of your telescope. And so if somebody comes and visit, you're like, oh, I'm recording the interest of this person in this topic, and you've got this incredibly fine grained understanding of the world because you've got all these people coming to us telling us what they want every day.(08:05):If I'm a classic news publisher, I look at my data and I find out what headlines I broke, I look at my data and I learn more about my own editorial strategy than I do about the world. We do not as much tell the world what to think about. The world tells us what they care about. And so that if you treat that as just a pure experimental framework where this incredible lens into an understanding of the world, lots of things are very stable. Many questions that people ask, they always ask, but you understand why do they ask them today? What's causing the to what are the correlations between what they are understanding around our finance business through the financial crash, our health business, I ran directly through COVID. So you see this kind of real time change of the world reacting to big shocks and it allows you to predict what comes next, right? Data's lovely, but unless you can do something with it, it's useless.Damian Fowler (08:59):It's interesting to hear you talk about that consistency, the sort of predictability in some ways of, I guess intense signals or should we just say human behavior, but now we've got AI further, deeper into the mix.Jonathan Roberts (09:13):So we were the first US publisher to do a deal with open ai, and that comes in three parts. They paid for training on our content. They also agreed within the contract to source and cite our content when it was used. And the third part, the particularly interesting part, is co-development of new things. So we've been involved with them as they've been building out their search product. They've been involved with us as we've been evolving decipher, one of the pieces of decipher is saying, can I understand which content is related to which other content? And in old fashioned pre AI days when it was just machine learning and natural language processing, you would just look at words and word occurrence and important words, and you'd correlate them that way. With ai, you go from the word to the concept to the reasoning behind it to a latent understanding of these kind of deeper, deeper connections.(10:09):And so when we changed over literally like, is this content related to that content? Is this article similar in what it's treating to that article? If they didn't use the same words but they were talking about the same topic, the previous system would've missed it. This system gets deeper. It's like, oh, this is the same concept. This is the same user need. These are the same intentions. And so when we overhauled this kind of multimillion point to point connection calculation, we drastically changed about 30% of those connections and significantly improved them, gives a much reacher, much deeper understanding of our content. What we've also done is said, and this is a year thing that we launched it at the beginning of the year, we have decipher, which runs on site. We launched Decipher Plus Inventively named right? I like it. We debated Max or Max Plus, but we went with Plus.(10:59):And what this says is we understand the user intent on our sites. We know when somebody's reading content, we have a very strong predictor model of what that person's going to need to do next. And we said, well, we're not the only people with intent driven content and intent driven audiences. So we know that if you're reading about newborn health topics, you are three and a half times more likely than average to be in market for a stroller. We're not the only people that write about newborn health. So we can find the individual pages on the rest of the web that do talk about newborn health, and we can unlock that very strong prediction that this purchase intent there. And so then we can have a premium service that buy those ads and delivers that value to our clients. Now we do that mapping and we've indexed hundreds of premium domains with opening eyes vector, embedding architecture to build that logic.Damian Fowler (11:56):That's fascinating. So in lots of ways, you're helping other publishers beyond your owned and operated properties.Jonathan Roberts (12:02):We believed that there was a premium in publishing that hadn't been tapped. We proved that to be true. Our numbers support it. We bet 2.7 billion on that bet, and it worked. So we really put our money where our mouth is. We know there's a premium outside of our walls that isn't being unlocked, and we have an information advantage so we can bring more premium to the publishers who have that quality content.Damian Fowler (12:24):I've got lots of questions about that, but one of them is, alright. I guess the first one is why have publishers been so slow out of the starting blocks to get this right when on the media buying side you have all of this ad tech that's going on, DSPs, et cetera.Jonathan Roberts (12:42):I think partly it's because publishers have always been a participant in the ad tech market off to one side. I put this back to the original sin of Ad Tech, which is coming in and saying, don't worry about it, publishers, we know your audience better than you ever will. That wasn't true then, and it's not true today, but Ad Tech pivoted the market to that position and that meant the publishers were dependent upon ad Tech's understanding of their audience. Now, if you've got a cookie-based understanding of an audience, how does a publisher make that cookie-based audience more valuable? Well, they don't because you're valuing the cookie, not the real time signal. And there is no such thing as cookie targeting. It's all retargeting. All the cookie signal is yesterday Signal. It's only what they did before they came to your site, dead star like or something, right? The publisher definitionally isn't influencing the value of that cookie. So an ad tech is valuing the cookie. The only thing the publisher can do to make more money is add scale, which is either generate clickbait because that's the cheapest way to get audience scale or run more ads on the page.(13:57):Cookies as a currency for advertising and targeting is the reason we currently have the internet We deserve, not the internet we want because the incentive is to cheap scale. If instead you can prove that the content is driving the value, the content is driving the decision and the content is driving the outcome, then you invest in more premium content. If you're a publisher, the second world is the one you want. But we had a 20 year distraction from understanding the value of content. And we're only now coming back to, I think one thing I'm very really happy to see is since we launched a cipher two years ago, there are now multiple publishers coming out with similarly inspired targeting architecture or ideas about how to reach quality, which is just a sign that the market has moved, right? Or the market moving and retargeting still works. Cookies are good currency, they do drive performance. If they didn't, it would never worked in the first place. But the ability to understand and classify premium content at web scale, which is what decipher Plus is a map for all intent across the entire open web is the thing that's required for quality content to be competitive with cookies as targeting mechanism and to beat it atDamian Fowler (15:15):Scale. You mentioned how this helps you reach all these third party sites beyond your properties. How do you ensure that there's still quality in the, there's quality content that match the kind of signals that makes decipher work?Jonathan Roberts (15:32):Tell me, not all content on the internet is beautiful, clean and wonderful. Not allDamian Fowler (15:36):Premium is it?Jonathan Roberts (15:36):I know there's a lot of made for arbitrage out there. Look, we, we've been a publisher for a long time. We've acquired a lot of publishers over the years, and every time we have bought a publisher, we have had to clean up the content because cheap content for scale is a siren call of publishing. Like, oh, I can get these eyeballs cheaper. Oh, wonderful. I know I just do that. And everyone gives it on some level to that, right? So we have consistently cleaned up content libraries every time we've acquired publishers. Look at the very beginning about had maybe 10 to 15 million euros. By the time we launched these artists and these individual vertical sites were down to 250,000 pages of content. It was a bigger business and it was a better business. The other side is the actual ad layout has to be good,Damian Fowler (16:29):ButJonathan Roberts (16:29):Every time we've picked up a publisher, we've removed ads from the site. Increase, yeah, experience quality,Damian Fowler (16:33):Right?Jonathan Roberts (16:36):Because we've audited multiple publishers for the cleanup, we have an incredibly detailed understanding of what quality content is. We have lots of, this is our special skill as a publisher. We can go into a publisher, identify the content and see what's good.Damian Fowler (16:54):Is that part of your pitch as it were, to people who advertisers?Jonathan Roberts (16:58):We work lots of advertisers. We're a huge part of the advertising market because we cover all the verticals. We have endemics in every space. If you're trying to do targeting based on identity, we have tens of millions of people a day. It'll work. You will find them with us, we reach the entire country every month. We are a platform scale publisher. So at no point do we saying don't do that, obviously do that, right? But what we're saying is there's a whole bunch of people who you can't identify, either they don't have cookies or IDs or because the useful data doesn't exist yet. It's not attached to those IDs. So incremental, supplementary and additional to reach the people in the moment with a hundred percent addressability, full national reach, complete privacy compliance, just the content, total brand safety. And we will put these two things side by side and we will guarantee that the decipher targeting will outperform the cookie targeting, which isn't say don't do cookie targeting, obviously do it. It works, it's successful. This is incremental and also will outperform. And then it just depends on the client, right? Some people want brand lift and brand consideration. They want big flashy things. We run People Magazine, we host the Grammy after party. We can do all the things you need from a large partner more than just media, but also we can get you right down to, for some partners with big deals, we guarantee incremental roas,Damian Fowler (18:26):ActualJonathan Roberts (18:26):In-store sales, incremental lift.Damian Fowler (18:29):So let's talk about roas. What's driving advertisers to lean in so heavily?Jonathan Roberts (18:34):Well, I think everybody's seen this over the last couple of years. In a high interest or environment, the CMOs getting asked, what's the return on my ad spend? So whereas previously you might've just been able to do a big flashy execution or activation. Now everybody wants some level of that media spend to be attributable to lift to dollars, to return to performance, because every single person who comes through our sites is going to do something after they come. We're never the last stop in that journey, and we don't sell you those garden seeds. We do not sell you the diabetes medication directly. We are going to have to hand you off to a partner who is going to be the place you take the economic action. So we are in the path to purchase for every single purchase on Earth.(19:19):And what we've proven with decipher is not only that we can be in that pathway and put the message in the path of that person who is going to make a decision, has not made one yet. But when we put the messaging in front of it of that person at the time, it changes their decisions, which is why it's not just roas, which could just be handing out coupons in the line to the pizza store. It's incremental to us, if you did not do this, you would have made less money. When you do this, you'll make more money. And having got to a point where we've now got multiple large campaigns, both for online action and brick and mortar stores that prove that when we advertise the person at this moment, they change their decision and they make their brand more money. Turns out that's not the hardest conversation to have with marketers. Truly, truly, if you catch people at the right moment, you will change their mind.Damian Fowler (20:10):They'll happily go back to their CFO and say, look at this. This is workingJonathan Roberts (20:15):No controversially at can. During the festival of advertising that we have as a publisher, we may be the most confident to say, you know what? Advertising works.Damian Fowler (20:27):You recently brought in a dedicated president to leadJonathan Roberts (20:30):Decipher,Damian Fowler (20:30):Right? So how does that help you take what started out as this in-house innovation that you've been working on and turn it into something even bigger?Jonathan Roberts (20:39):Yeah, I think my background is physics. I was a theoretical physicist for a decade. Theoretical physicists have some good and bad traits. A good trait is a belief that everything can be solved. Because my previous job was wake up in the morning and figure out how the universe began and like, well, today I'll figure it out. And nobody else has, right? There's a level of, let's call it intellectual confidence or arrogance in that approach. How hard can it be? The answer is very, but it also means you're a little bit of a diante, right? You're coming like, oh, it's ad tech. How hard can it be? And the just vary, right? So there's a benefit. I mean, I've done a lot of work in ad tech over the last couple of years. Jim Lawson, our president of Decipher, ran a publicly listed DSP, right? He was a public company, CEO, he knows this stuff inside a and back to front, Lindsay Van Kirk on the Cipher team launched the ADN Nexus, DSP, Patrick McCarthy, who runs all of our open web and a lot of our trade desk partnerships and the execution of all of the ways we connect into the entire ecosystem.(21:38):Ran product for AppNexus. Sam Selgin on the data science team wrote that Nexus bitter. I've got a good idea where we're going with this and where we should go with this and the direction we should be pointed in. But we have seasoned multi-decade experience pros doing the work because if you don't, you can have a good idea and bad execution, then you didn't do anything. Unless you can execute to the highest level, it won't actually work. And so we've had to bring in, I'm very glad we have brought in and love having them on the team. These people who can really take the beginnings of what we have and really take this to the scale that needs to be. Decipher. Plus is a framework for understanding user intent at Webscale and getting performance for our clients and unlocking a premium at Webscale. That is a huge project to go after and pull off. We have so many case studies proving that it will work, but we have a long way to go between where we are and where this thing naturally gets to. And that takes a lot of people with a lot of professional skills to go to.Damian Fowler (22:43):What's one thing right now that you're obsessed with figuring outJonathan Roberts (22:46):To take a complete left turn, but it is the topic up and down the Cosette this summer. There isn't currently any viable model for information economy in an AI future. There's lots of ideas of what it would be, but there isn't a subtle marketplace for this. We've got a very big two-sided marketplace for information. It's called Google and search. That's obviously changing. We haven't got to a point to understand what that future is. But if AI is powered by chips, power and content, if you're a chip investor, you're in a good place. If you're investing energy, you're in a good place of the three picks and shovels investments, content is probably the most undervalued at the moment. Lots of people are starting to realize that and building under the hood what that could look like. How that evolves in the next year is going to really determine what kind of information gets created because markets align to their incentives. If you build the marketplace well, you're going to end up with great content, great journalism, great creativity. If you build it wrong, you're going to have a bunch of cheap slop getting flooded the marketplace. And we are not going to fund great journalism. So that's at a moment in time where that future is getting determined and we have a very strong set of opinions on the publishing side, what that should look like. And I am very keen to make sure it gets done. You soundDamian Fowler (24:17):Optimistic.Jonathan Roberts (24:19):A year ago, the VCs and the technologists believed if you just slammed enough information into an AI system, you'd never need content ever again. And that the brain itself was the moat. Then deep seek proved that the brain wasn't a moat. That reasoning is a commodity because we found out that China could do it cheaper and faster, and we were shocked, shocked that China could do it cheaper and faster. And then the open source community rebuilt deep to in 48 hours, which was the real killer. So if reasoning is a commodity, which it is now, then content is king, right? Because reasoning on its own is free, but if you're grounding it in quality content, your answer's better. But the market dynamics have not caught up to that reality. But that is the reality. So I am optimistic that content goes back to our premium position in this. Now we just have to do all the boring stuff of figuring out what a viable marketplace looks like, how people get paid, all of this, all the hard work, but there's now a future model to align to.Damian Fowler (25:23):I love that. Alright, I've got to ask you this question. It's the last one, but I was going to ask it. You spent time building maps, visualizing data, and I've looked at your site, it's brilliant. Is there anything from that side of your creativity that helped you think differently about building say something like decipher?Jonathan Roberts (25:42):Yeah. So I think it won't surprise anyone to find out that I'm a massive nerd, right? I used to play d and d, I still do. We have my old high school group still convenes on Sunday afternoons, and we play d and d over Discord. Fantasy maps have been an obsession of mine for a long time. I did the fantasy maps of Game of Thrones. I'm George r Martin's cartographer. I published the book Lands of Ice and Fire with him. Maps are infographics. A map is a way of taking a complex system that you cannot visualize and bringing it to a world in which you can reason about it. I spent a lot of my life taking complex systems that nobody can visualize and building models and frameworks that help people reason about 'em and make decisions in a shared way. At this moment, as you're walking up and down the cosette, there is no map for the future. Nobody has a map, nobody has a plan. Not Google, not Microsoft, not Amazon, not our friends at OpenAI. Nobody knows what's coming. And so even just getting, but lots of people have ideas and opinions and thoughts and directions. So taking all that input and rationalize again to like, okay, if we lay it out like this, what breaks? Being able to logically reason about those virtual scenario. It is exactly the same process, that mental model as Matt.Damian Fowler (27:12):And that's it for this edition of The Big Impression. This show is produced by Molten Hart. Our theme is by loving caliber, and our associate producer is Sydney Cairns. And remember,Jonathan Roberts (27:22):We do not as much tell the world what to think about. The world tells us what they care about. Data's lovely, but unless you do something with it, it's useless.Damian Fowler (27:31):I'm Damian, and we'll see you next time.

In this episode of Identified, Nabil Ayers sits down with David Cross—Emmy-winning comedian, writer, and actor, best known for Mr. Show with Bob and David, Arrested Development, and The Ben Stiller Show. Over the course of his career, David has earned multiple Emmy and Grammy nominations and shared three SAG Award nominations for Outstanding Ensemble in a Comedy Series. Behind his sharp wit and cultural commentary lies a turbulent upbringing: frequent evictions, extreme poverty, a volatile father who vanished, and a mother doing everything she could to stay afloat. David recounts how those early years shaped him—not just as a comic, but as a person still reckoning with identity, responsibility, and what it means to create a different life for your own child. They explore themes of Jewish identity, inherited trauma, the gradual disconnection from his British-Jewish extended family, and the firm decision to cut off contact with his father—despite living in the same city for over 20 years. Now a father himself, David reflects on the gravity of being present, the legacy of emotional absence, and the quiet work of choosing a better path than the one you came from. Guest: David Cross. Host: Nabil Ayers. Executive Producer: Kieron Banerji. Identified is produced and distributed by Palm Tree Island.See omnystudio.com/listener for privacy information.

On this episode of Takin’ A Walk, host Buzz Knight is joined by Grammy-winning singer, songwriter, and guitarist Molly Tuttle. Known for her groundbreaking flatpicking style and deeply authentic songwriting, Molly has become one of the brightest voices in Americana and bluegrass. She talks about the journey that’s shaped her artistry, the inspiration behind her new music, and how she continues to blend tradition with innovation. From life on the road with her band Golden Highway to reflections on songwriting and resilience, this episode is a chance to hear Molly share her story in her own words.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Mammoth WVH – “I Really Wanna” (Official Video)

Everyone should be in a band at some point—and Finneas and Ashe prove why. The Grammy-winning producer and rising singer-songwriter discuss how their friendship evolved into The Favors, a new band debuting their album The Dream on September 19th, 2025. We explore what it means to create as a band, how stepping back from confessional songwriting freed them creatively, and why sometimes the best way forward is embracing older ways of making music. SONGS DISCUSSED The Favors - "The Little Mess You Made" Ashe - "Moral of the Story" Ashe & Finneas - "Till Forever Falls Apart" Billie Eilish - "What Was I Made For?" The Favors - "Home Sweet Home" The Favors - "The Dream" The Favors - "Lake George" Billie Eilish - "bad guy" Simon and Garfunkel - "Old Friends" Simon and Garfunkel - "The Only Living Boy in New York" Simon and Garfunkel - "So Long, Frank Lloyd Wright" Simon and Garfunkel - "America" Rick Springfield - "Jessie's Girl" The Favors - "David's Brother" The Favors - "The Hudson" Fleetwood Mac - "Landslide" Fleetwood Mac - "Dreams" Kate Bush - "Running Up That Hill" Olivia Rodrigo - "drivers license" Sabrina Carpenter - "emails i can't send" Miley Cyrus - "Flowers" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mary welcomes Bruce Carroll to the podcast to talk about his story, his life, his art. Bruce is a quintessential musician and artist in every facet. We talk about his early years, how they formed who he is, coming from a broken home. Becoming a Christian was the farthest thing from his thoughts, like most of us. One thread that runs through every testimony from his age group is a love of music, as though that was bound to be part of our lives. How did music enter into his day to day, what was he able to build upon to become such an iconic singer songwriter in the church? We talk about the Grammys, Dove Awards, touring, record contracts, parenting, and grandparenting. Bruce is a compassionate lover of truth, and a true blessing to the church; his heart for people comes through in all he does. We also talk about the point at which the church became an inward-looking entity instead of outward. What was the Apostle Paul's answer to a selfish church? "Have nothing to do with them." An insightful hour with one of the great songwriters of our generation.   Stand Up For The Truth Videos: https://rumble.com/user/CTRNOnline & https://www.youtube.com/channel/UCgQQSvKiMcglId7oGc5c46A

Americana Award winner and Grammy nominee Hayes Carll chats about the development of his songwriting and the highly personal nature of his latest album, We're Only Human.   PART ONEPaul and Scott talk about the unfortunate history of songs about rock & roll.PART TWOScott's in-depth conversation with Hayes CarllABOUT HAYES CARLLSinger, songwriter, and Americana mainstay Hayes Carll hit the scene in 2002 with his independently released debut album, Flowers & Liquor. The follow-up, Little Rock, featured songs co-written with Ray Wylie Hubbard and Guy Clark, and became the first self-released album to top the Americana chart. Moving to Lost Highway Records for his third album, Hayes won Song of the Year for “She Left Me for Jesus” at the Americana Music Awards. Soon after, he was honored with the Americana Music Association's Emerging Artist of the Year recognition. As he continued to release new music, other artists began recording Hayes's songs, including Kenny Chesney, Brothers Osborne, and Lee Ann Womack, whose recording of “Chances Are” earned Hayes a Grammy nomination for Best Country Song. To date, he has released nine studio albums, two of which—Lovers and Leavers and What It Is, hit the top 10 on Billboard's folk album charts. His most recent album, We're Only Human, was released this summer. 

In today's episode Vanessa takes us down the Pink Pony Road to learn about the life and legacy of childfree queer pop sensation Chappell Roan! From her humble beginnings in Willard Missouri to snagging a Grammy for Best New Artist her story is nothing but extraordinary and one that Devin is very aware of already! Can Vanessa do the story justice to a super fan like Devin? Give it a listen and tell us who you want to hear about in Season 6, links to her first performances below.Chappell Roan's cover of I'll be home for Christmas  at 15https://youtu.be/hy_VqAoHhD0?si=OqK_ab2T_QmtezgDChappell Roan's cover of Stay by Rihanna at 15 https://youtu.be/RgKAyhe8JNc?si=mSDCFIhn2zrAzC8sSupport the showEmail: claimingzeropodcast@gmail.comIG/FB: @claimingzero

Bear Rinehart is a GRAMMY-nominated singer, songwriter, and multi-instrumentalist originally from Greenville, South Carolina. He is the frontman and co-founder of the band NEEDTOBREATHE, and in 2019, he launched a solo project under the name Wilder Woods. Over the course of his career, he has released multiple charting albums and toured extensively across the U.S. and beyond.In this episode, we talk about Bear's journey through the music industry, how he balances solo work with band life, his best advice, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Discover the cutting-edge world of music technology at The Georgia Institute of Technology! Dr. Jeff Albert, Interim Chair of the School of Music, reveals how students combine engineering brilliance with musical creativity to shape the future of music. He'll take us inside Georgia Tech's Guthman Musical Instrument Competition, whose timeline for submissions runs from now through October 10, 2025. We'll also cover improvisation and how we can learn more about humanity and human connection through technology. About our guest: Dr. Jeff Albert is Interim Chair and Associate Professor of the School of Music at the Georgia Institute of technology. His areas of research and creative practice include improvisation and interaction, jazz performance, performance paradigms for live computer music, and audio production. He has performed in concerts and festivals in the U.S and throughout Europe, and contributed as a performer, producer, or engineer on over 60 recordings, including the 2017 Grammy winner for Best Traditional Blues Album. He has been named a Rising Star in the DownBeat Critics Poll, and his album Unanimous Sources was named a Top 10 album of 2020 by Jan Garelick in the Boston Globe. Albert received his B.M. from Loyola University New Orleans, and his M.M. from the University of New Orleans. In May of 2013, he became the first graduate of the PhD program in Experimental Music and Digital Media at Louisiana State University, where he was a founding member of the Laptop Orchestra of Louisiana (LOLs).

Show Notes:On this episode of the Backstage Bay Area Podcast, host Steve Roby sits down with the legendary Paquito D'Rivera—multi-Grammy-winning saxophonist, clarinetist, and composer—for a lively conversation that bridges continents, genres, and generations.Paquito shares the inspiration behind his acclaimed album, Jazz Meets the Classics, revealing how his father's classical roots and his own love for improvisation shaped a project that reimagines European and New World composers through a jazz lens. Hear how Chopin's "Fantasia Impromptu" gets a Cuban and Brazilian twist, and why Bach might just be the original bebopper.The episode features insights into the creative process, the art of improvisation, and the unique chemistry of Paquito's quintet—featuring Diego Urcola (trumpet), Oscar Stagnaro (bass), Mark Walker (drums), and Alex Brown (piano). Paquito also previews his upcoming performances at the SFJAZZ Center's Miner Auditorium, promising two nights of surprises, spontaneity, and musical magic.Links & Resources:Tickets for Paquito D'Rivera at SFJAZZ: sfjazz.orgPaquito D'Rivera's official website: paquitodrivera.comMore about the album: Jazz Meets the ClassicsDon't miss:The story behind "Fantasia Impromptu" and its journey from Chopin to HavanaWhy every live jazz show is a new adventureWhat makes performing in the Bay Area special for PaquitoSubscribe, share, and join us backstage for a masterclass in musical fusion!Photo by: Geandy Pabon

We're back on a Zoom call to what must be the Rocker Dog capital of the world, Nashville, Tennessee, with renowned singer-songwriter Maia Sharp. Maia introduces us to her current rescue Louie whose Wisdom Panel reveals him to be 85% Bloodhound and 12% Australian Cattle Dog. We also pay our respects to her childhood dog Hamlet and the love of her life Emmitt. Plenty of great insights and stories from this dedicated dog parent.Maia's immensely enjoyable new album Tomboy comes out this week on September 12th with a tour starting the same day in Los Angeles. For music, tour dates and more visit linktr.ee/MaiaSharpMaia gave her shout outs to Shirley Catalina and Teach Your K9 who are committed to providing quality dog-human relationship training to help clients develop a well-behaved canine companion that fits their individual lifestyle. For more information on private or group classes go to teachyourk9.comShe also gave a nod of respect to Bonaparte's Retreat, a rescue founded by Grammy-winning artist Emmylou Harris that focuses on neglected and forgotten dogs and care for these wonderful animals for as long as it takes to find their forever homes. To adopt, foster, volunteer or donate visit bonapartesretreat.orgFor more pics and clips of Maia and Louie follow the show on Instagram at @rockerdogpodcast

Taco Tuesday on Wake Up on the Live the Dream Media Network. 6am hour How many times was the Charlotte train murderer let go? Silverbell Road celebrates streetlights! 7am Jimmy Webb interview with David Slavin leads to a special interview tomorrow at 7am AZ time!Grammy-nominated and Juno Award-winning record producer and arranger Fred Mollin. 8am Our favorite Private Investigator from LA, Nils Grevillius makes his return visit.

In this episode, I sit down with David Mysliwiec, the founder and CEO of The Upstate Sound. A Grammy-winning label, publisher, and artist collective based in Nashville. From bootstrapping beats in Western Mass to building a full-stack music company. With its own Codex, David shares the raw story behind launching a brand that's more than a label it's a mission. We talked music ownership, turning interns into execs. Seeing why raising your own flag matters more than chasing industry trends. Whether you're an artist, creative, or entrepreneur. This is a blueprint for building with integrity.

Episode 206 - Sept. 8th, 2025 - 2025 NFL Season (Too Much Flossing)  - Violations Counter - DJ Intence - 0 x Walt - 5 x Ceddy - 18  - Too Much Flossing, Too much Sam “Ace” Rothestein  - NFL Week 1 Recap  - Im_Walttt vs DJ Intence in Fantasy Football  - Young Thug Update & Gunna VMA - @Walt1090 Hot Take on Bruno Mars  - Hyundai Georgia Plant ICE Raid (& Tori Branum) - Florida surgeon general vaccine mandates  - “Kingdom Of God Global Church” leaders indicted for alleged Force Labor, Kidnapping, & Money Laundering  - Jay-Z “Reasonable Doubt” to be inducted into the Grammy's Hall Of Fame  - @djintence's HOT TAKE of Pop-Smoke  - Never judge a BOOK by it's cover. @emilio.piano x Malakai Bayou making MAGIC in a public space (Direct Link To Emelio.Piano)  - Brett Favre has PARKINSON'S DIEASE & Michael Irving's WIFE suffering from Alzheimer  - Michael Irving career ending injury & Deion Sanders praying for him  - Bernie Sanders calling out RFK Jr  - Unknown SuperFan leave Naymer a Gift  - RIP StreamEast  - Wise Guy Segment - Tyreek Hill divorce settlement with Keeta Vaccaro  - Wise Guy Segment - PJ Washington & Brittany Renner child drama on CAMERA  - On-Air phone call with Velo Sicum aka DJ Cram for NFL Season 

Hoy tengo el honor de presentarles a mi querido amigo Alfonso Terán, mitad México, mitad Venezuela… ¡y 100% música en las venas!

The Grammy-winning singer, songwriter and guitarist has one foot in traditional bluegrass and another in improvisational jam music. He has a new album, Live at the Legion, and he brought his guitar to our studio. He spoke with Sam Briger about healing himself through songwriting, performing the day his mom died, and how being a father has changed him as a musician. "I sing now from a place of freedom and joy in my belly," Strings says. Also, jazz critic Martin Johnson reviews an album from harpist Brandee Younger. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

My life-changing annual event, The Summit of Greatness, is happening September 12 & 13, 2025. Get your ticket today!Check out the full episode: greatness.lnk.to/1818"There have been shows where I have had to get out of my own way to enjoy what I've just done." - Josh GrobanJosh Groban reveals the haunting reality behind his soaring career - standing ovations that feel hollow, crushing performances followed by hour-long shame spirals where he can't speak to anyone. The Grammy-nominated artist opens up about the terrifying disconnect between external triumph and internal torment, describing how the very adrenaline that makes him brilliant on stage can leave him feeling "too wide open" to darkness afterward. At just 16, he was singing emotionally complex music for audiences who had lived experiences he hadn't, setting up a psychological pattern where success always felt borrowed, temporary, like someone might discover he didn't belong.This raw conversation cuts through the mythology of achievement to expose what happens when your biggest victories coincide with your deepest struggles. Josh's honesty about going into "low power mode" after performances, his jealousy of artists who can celebrate their wins, and his fear of being "found out" will resonate with anyone who's ever felt like a fraud in their own success story. His journey toward learning to stay present for his achievements offers hope for anyone trapped between what the world sees and what they feel inside.Sign up for the Greatness newsletter: http://www.greatness.com/newsletter

For Patreon subscriber KC Khoury! LOVE TRIVIA WITH BUDDS? CHECK OUT THE MNEMONIC TREE PODCAST!  “Grow your brain one leaf at a time—tune in to The Mnemonic Tree Podcast.” http://www.themnemonictreepodcast.com/ Fact of the Day: George Carlin was a court-martialed Air Force Vet, Grammy-winning comedian, children's TV actor, and the 1st host of SNL. Triple Connections: Anne, Catherine, Jane THE FIRST TRIVIA QUESTION STARTS AT 01:43 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.com http://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Brian Clough Nathalie Avelar Becky and Joe Heiman Natasha raina Waqas Ali leslie gerhardt Skilletbrew Bringeka Brooks Martin Yves Bouyssounouse Sam Diane White Youngblood Evan Lemons Trophy Husband Trivia Rye Josloff Lynnette Keel Nathan Stenstrom Lillian Campbell Jerry Loven Ansley Bennett Gee Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

Writer, director, actor, and Grammy Award-winning musician Nora Kirkpatrick joins Emily to discuss her directorial debut 'A Tree Fell in the Woods.' We get into Nora's unconventional route to directing, why she initially wanted to be a paleontologist, and Nora reveals what it was like working with an all star cast including Josh Gadd, Alexandra Deddario, Daveed Diggs, and Ashley Park. Emily is so engrossed in the coversation that she completely forgets to ask Nora about her stint on one of Emily's favorite shows, 'The Office.'Follow us on Instagram: @HowToMakeItPodcastSubscribe to our YouTube channel: @HowToMakeItPodcast

Arvind Ethan David is a writer and producer whose career began when he adapted Dirk Gently's Holistic Detective Agency as his high school play, catching the attention of creator Douglas Adams. As an author, he has written seven graphic novels, including Raymond Chandler's Trouble is My Business (Pantheon, 2025) and the Stoker-nominated Darkness Visible. His debut novel, The Dread & The Envy will be released by Thomas & Mercer in 2026.In audio, he has written multiple chart Originals, the anthology science fiction series Earworms and The Crimes of Dorian Gray.  His original non-fiction audiobook Douglas Adams: The Ends of the Earth, was released in June 2025 and is now available..On stage, he produced the Grammy and Tony-winning Jagged Little Pill on Broadway and his musical play The Boy With Wings based on Lenny Henry's children's book has opened and is currently on stage in London.His television work includes  Anansi Boys (Amazon) and Dirk Gently's Holistic Detective Agency (Netflix/AMC). In film, he has produced 9 features including the Asian Academy award winning The Garden of Evening Mists (HBO). He is also a principal of the production company Prodigal. Make sure to connect on Instagram with Avrind @arvind.davidYou can listen to the podcast on Apple Podcast, Spotify, Google Podcast, or visit my website ⁠www.drkatherinehayes.com⁠•••#authors #podcast #interview #apple #spotify #google #authorsofinstagram #books #read #reader #writerscommunity #listen #writer #write #mayhem #authorlife #author #bookstagram #blog #book #booklover #authorssupportingauthors #writersofinstagram #writers #readersofinstagram #readersofig #readersgonnaread #mystery #diversebooksmatter #AvrindDavid #The Infidel #Dirk Gently's Holistic Detective Agency#JaggedLittlePill #RaymondChandler #TroubleIsMyBusiness #THE BOY WITH WINGS

This week on Beale Street Caravan, we feature Cyrena Wages, live from the Overton Park Shell. A Memphis native with deep Southern roots, Cyrena's music explores themes of identity, resilience, and self-discovery. Her debut album, *Vanity Project*, produced by Matt Ross-Spang, captures her raw, soulful sound and the influences that shaped her. Grammy nominated blues man, Guy Davis, will also be with us to deliver an installment of the Blues Hall of Fame, an exploration of the lives of the pioneers and innovators enshrined in the Blues Hall of Fame.

Welcome to the Vonyc Sessions Podcast.. 60mins of the very best new electronic music from around the world, hand-picked and hosted by Grammy award-winning producer and DJ Paul Van Dyk. For more info about the globally syndicated show visit www.paulvandyk.com -

*"From the vibrant local scene of Minnesota to the global stage with Grammy-winning artists like SZA and Shaboozey, producer and programmer David Smith has been shaping the sound of modern music. On this episode, we dive into his journey—crafting beats in basement studios, collaborating with chart-topping talent, and bridging the gap between underground artistry and mainstream success.David breaks down his creative process, the evolution of production techniques, and what it takes to turn raw ideas into timeless records. Whether working with hometown heroes or international superstars, his story is a testament to the power of hustle, innovation, and musical intuition.Tune in for studio stories, industry insights, and a deep appreciation for the craft behind the hits."*Why This Works:Highlights his range (local + Grammy-level work).Teases behind-the-scenes stories.Emphasizes his technical and creative roles.Appeals to both aspiring producers and music fans.

This week, a special road trip episode featuring up and coming Irish finger style guitar Jedi Shane Hennessy recorded live at the 2024 Walnut Valley Festival in Winfield, Kansas. Also, a performance from each of the top three 2024 Walnut Valley International finger style guitar champions, Hiroya Tsukamoto, Mikey Bilello, and Stephen Bennett. The annual Walnut Valley Festival, now in it's 53rd season, is one of the oldest and most respected acoustic music festivals in the world. Held at the Winfield, Kansas fairgrounds, more than 30 musical acts will perform on four separate stages, presenting over 200 hours of live music. Also, there is a dedicated contest stage where contestants vie for national and international championships in Finger Style Guitar, Flat Pick Guitar, Bluegrass Banjo, Old Time Fiddle, Mandolin, Mountain Dulcimer, Hammered Dulcimer, and Autoharp. There is a juried arts and crafts fair, exhibits by renowned instrument makers and music shops, family activities, a bevy of food vendors, a farmer's market and even a pub! An unusual aspect of Walnut Valley is its campground tradition. Campsites are not reserved and campers line up to claim a choice campsite during the "Land Rush.” Walnut Valley Festival goers often bring their own musical instruments to participate in the sometimes all night campground jam sessions. Bands like Old Sound and Sally & The Hurts that began as "Jam Bands" in the campgrounds, have even been invited to perform at the festival. Shane Hennessy is a virtuoso fingerstyle guitarist, singer/songwriter, and composer. With an upbringing in the world of Irish traditional music, Shane has been captivating audiences globally for the past few years, with sell-out solo tours in Europe and North America under his belt, as well as regular appearances at major international music festivals including MerleFest, Walnut Valley Bluegrass Festival, Sound of Europe Festival (Düsseldorf, Germany), and Milwaukee Irish Fest. He has released four albums of original music, and his most recent studio album ‘Rain Dance' was hailed as “a triumphant reaffirmation of his virtuosity and compositional excellence” by Irish Music Magazine. Shane has collaborated with Tommy Emmanuel, worked with Grammy-winner Bill Whelan (composer of Riverdance), and made his début on the Grand Ole Opry in Nashville, Tennessee in March 2023. A musician from a young age, Shane credits his background in Irish traditional music as the base on which he has built his genre-defying musical explorations. Initially a concertina player, he achieved successes in competitions in Ireland. He then turned to the guitar aged twelve inspired by the music of James Taylor. Becoming more interested in songwriting and in music in general, it was when he discovered the styles of Tommy Emmanuel and Chet Atkins that his interest in solo performance blossomed. Described by legendary guitarist and mentor Tommy Emmanuel as “a brilliant entertainer and an amazing musician who transcends the guitar the same way Muhammed Ali transcended boxing”, Shane has since developed an unmistakably unique voice as a fingerstyle guitarist, blending his native Irish music with elements of jazz, country, blues, funk, classical, soul, world, and hip-hop. With the addition of some smooth vocals and improvisations, it makes sense why music legend super-producer Nile Rodgers (CHIC) remarked that “[Shane's] style is killer, it's really cool stuff.” https://www.shanehennessy.ie/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 2015 archival recording of Ozark original guitarists Danny Dozier and Randy Buckner performing the 1924 Isham Jones song “I'll See You in My Dreams,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins concludes his three part series on the surprisingly violent history of tornadoes in the Ozarks.

Saturday on PBS News Weekend, with turmoil at the CDC, some states are joining forces to make their own vaccine recommendations. Why the Trump administration wants to eliminate the only federal agency that investigates chemical disasters. Plus, a look at a Grammy-nominated trio at the vanguard of a new movement in music. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Mark Ronson (Night People: How to be a DJ in 90s New York City) is a Grammy and Academy Award-winning producer, songwriter, and DJ. Mark returns to Armchair Expert to discuss feeling the full circle moment returning to vinyl after coming up as a DJ in the 90s, the tangible difference between experiencing the sounds of records versus digital media, and not playing his own records because he wants to earn the crowd on merit. Mark and Dax talk about having a vague memory of Robin Williams waking him up as a child during one of his parents' parties, launching soggies from the 10th floor with Michael Jackson, and the lovely memory he created playing Wonderful Tonight during his mom and stepdad's wedding. Mark explains gigging at the holy love child of Broadway camp and total Times Square sleaze, the breakthrough moment he changed everything by mixing Biggie's The Benjamins with ACDC's Back in Black, and being so grateful he developed his craft in the era where you had to physically hunt down records to sample.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.