Art or practice of designing sequences of movements of physical bodies
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In episode 223 host Galit Friedlander and guest May Or (professional dancer with touring and commercial credits and a doctorate in psychology) discuss what it took for May to complete her PhD while working as a dancer, the pressure and perfectionism many dancers experience, and how social media has changed the way dancers are seen in the industry. They also talk about May's experience growing up as an immigrant navigating language barriers, balancing rehearsals with doctoral coursework, and her perspective on why dancers can pursue more than one path. Follow Galit Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with May Or on Instagram https://www.instagram.com/maylovespink and TikTok https://www.tiktok.com/@maylovespink. Listen to DanceSpeak on Apple Podcasts and Spotify.
Interview Date: March 1st, 2026Episode Summary:Ayesha Orange joins the Business of Dance to share her incredible journey from a late-starting dancer to one of the most versatile performers in the commercial dance world. Starting as a cheerleader in California, Ayesha discovered dance at 17 and trained under legendary choreographer Marguerite Derricks at Tremaine Studios. Despite feeling behind technically, she pushed through self-doubt and quickly found herself working professionally, landing early credits including the film Austin Powers and touring internationally in the musical Fame.Her career exploded as she toured the world with Earth, Wind & Fire and performed alongside major artists including Mariah Carey, Usher, Pink, and Jennifer Hudson. Ayesha shares behind-the-scenes stories from award shows, music videos, and television appearances, revealing the realities of working with artists and choreographers at the highest level of the industry. Now working frequently as an associate choreographer and movement director, Ayesha discusses the transition from performer to creative collaborator. She opens up about confidence struggles, the importance of intuition, the realities of career highs and lows, and the power of simply showing up. Her advice for the next generation of dancers highlights resilience, relationships, and the mindset needed to build a sustainable career in the dance industry.Show notes:0:00 – Welcome and introduction to Ayesha Orange4:05 – Ayesha's career highlights and early credits7:14 – Touring with Earth, Wind & Fire memories9:20 – Starting dance at 17 through cheerleading11:35 – Training under Marguerite Derricks at Tremaine15:52 – Deciding dance would become her career19:03 – Alex Magno and key early mentorships21:54 – First major job touring Fame in Germany22:54 – Joining Earth, Wind & Fire world tour28:20 – Favorite choreographers and creative process32:55 – Working with Pink and artist professionalism 39:10 – Confidence struggles early in career 50:31 – Memorable AMA performance story1:11:38 – Navigating career highs and dry spells1:39:10 – Business advice: relationships and intuitionBiography:AYESHA ORANGE is a prolific Dancer, Choreographer, and Movement Director with a career spanning nearly 30 years across the commercial and theatrical landscapes. Known as a versatile "chameleon" of movement, Ayesha's reputation is built on her ability to execute any style and help bring any creative vision to life, regardless of the scale or medium.Her journey began at 17 under the mentorship of Marguerite Derricks, training at the iconic Tremaine's studio in North Hollywood. By 19, she had already secured her first film (Austin Powers: International Man of Mystery), her first stage appearance at the Academy Awards, and her first professional residency. Her early career saw her touring Germany in Fame: The Musical and spending three years on a world tour with the legendary Earth, Wind & Fire.As a performer, Ayesha has graced stages from Madison Square Garden to Caesars Palace, appearing with icons including Mariah Carey, Usher, Pink, and Jennifer Hudson. Her extensive credits include over 20 films, 40 music videos, and 60 television shows, including the Oscars, AMAs, and VMAs. Transitioning into leadership, she has served as an Associate Choreographer for global stars like Rihanna, The Weeknd, Sia, and Selena Gomez.From 2023 to 2025 Ayesha served as the Rehearsal Director for the Los Angeles Contemporary Dance Company (LACDC), where she bridges the gap between creative vision and technical execution. From world tours to burlesque, and from performing on-camera to guiding artists through their own movement language, Ayesha remains a foundational force in the dance community.Connect on Social Media:https://www.instagram.com/aorange/
Want to Be the Best Version of Yourself? Sign Up Here.https://app.beerbiceps.com/web/checkout/699d46a79b98fa69b168b402Check out BeerBiceps SkillHouse Courses Here - https://www.bbskillhouse.comFor all BeerBiceps vlog content Watch Life Of BeerBiceps - https://www.youtube.com/@LifeOfBeerBicepsCheck out my Mind Performance app: Level SuperMindLink:- https://level4665.u9ilnk.me/d/F1ZOZV4OnTShare your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9Join the Level Community Here:https://linktr.ee/levelsupermindcommunityFollow BeerBiceps SkillHouse's Social Media Handles:YouTube: https://www.youtube.com/@BeerBicepsSkillHouseInstagram: https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comFollow Farah Khan's Social Media Handles:-Instagram: https://www.instagram.com/farahkhankunder/Facebook: https://www.facebook.com/TheFarahKhan/YouTube: https://www.youtube.com/@UChCYMXLO_SfiNwOc2rlNKCA In this special episode of The Ranveer Show, we are joined by Farah Khan, who shares deep insights on Bollywood, 90s Nostalgia, Filmmaking, Content Creation, and important Life Lessons. This episode takes you into the behind-the-scenes stories of iconic movies, her journey from a background dancer to a blockbuster director, and her massive success as a YouTuber.In this conversation with Farah Khan, we talk about the making of cult classic films like Main Hoon Na and Om Shanti Om, her deep bond with Shah Rukh Khan, and her experiences working with superstars like Salman Khan. This podcast is a valuable resource for anyone interested in Bollywood History, Directing, Content Creation, Personal Growth, and navigating life's unpredictable roller coaster.(00:00) – Start of the episode(03:10) – The 90s Gold Standard of Choreography(10:50) – The Magic Behind Main Hoon Na(18:18) – The Real Salman Khan(22:51) – Surviving Cancel Culture & YouTube Fame(30:52) – Tees Maar Khan's Cult Status(36:34) – The Iconic Akhtar-Irani Family Tree(41:57) – Riches to Rags: Childhood Trauma(51:30) – Why Bollywood Stars Fade Away(57:46) – How Michael Jackson Changed Her Life(01:05:30) – 90s Underworld Threats & Karan Johar(01:10:53) – Shah Rukh Khan's Hunger for Greatness(01:21:10) – Transition from Choreographer to Director(01:32:50) – Paranormal Encounter in Scotland(01:36:16) – Anti-Manifestation & Trusting the Universe(01:40:00) – Surviving Her Darkest Career Phase(01:54:12) – Will AI Destroy the Film Industry?(01:58:23) – Making the Iconic "Deewangi Deewangi" Song(02:04:12) – End of the episode
SummaryThis episode explores the rich history and behind-the-scenes stories of the TopCats cheerleading squad, featuring pioneers Leslie Matz and Kimberly Millar. Discover how the iconic uniforms, recruitment strategies, and team dynamics were crafted to build a legacy of excellence and diversity. Join Leslie Matz and Kimberly Pixton Millar as they share their experiences leading the TopCats, the standards they set, and the legacy they built. Discover insights on teamwork, discipline, and the evolution of cheerleading in the NFL.Chapters00:00 Celebrating 30 Years of TopCats05:25 Creating the TopCats Identity11:32 Building a Cheerleading Program from Scratch17:17 Traditions and Changes in Cheerleading22:16 Nostalgia and Tribute to the 90s24:09 Journey into Cheerleading and Dance27:54 The Importance of Diversity in Teams30:08 Encouraging Growth and Opportunity31:57 Recruitment and Finding Talent34:23 The Audition Process: First Impressions40:58 The Emotional Side of Selection42:08 Diverse Perspectives in the Cheerleading Community44:58 The Inaugural Top Cats Squad Experience45:25 Establishing Standards and Expectations48:59 Leadership Styles and Team Dynamics51:54 Time Management and Accountability58:54 Evolution of Dance Styles and Techniques01:01:18 The Impact of Social Media on Cheerleading01:03:55 Rapid Fire Reflections01:04:35 Pregame Rituals and Team Dynamics01:05:15 Personal Growth Through Top Cats01:06:38 90s Hair and Makeup Trends01:07:16 Regrets and Lessons Learned01:08:32 Living in the Moment01:10:55 Challenges and Triumphs on the Field01:11:04 Teamwork and Leadership Lessons01:16:22 Inspiring Team Members01:20:20 Advice for Aspiring Top Cats01:21:44 The Value of Sisterhood and LegacyLeslie Matz1994-2005, TopCats Director (created the program)Kimberly Pixon MillarTopCats Coach and Choreographer, 1995-2001www.pixtondesigngroup.comFollow @theprofessionalcheerleader on Instgram and @thepro.cheerleader on TikTok for more pro dance and cheer advice.
On this episode the Cincinnati Pink Pony crew joins us at the After Party as they talk about working and partying at the Cincinnati party bar. Matt tells us about his staycations at El Paso County jail and Mad's catches us up from her last episode and her ex drama. Follow us on social media @AaronScenesAfterParty
Over six decades and counting, the postmodern choreographer and dancer Lucinda Childs has built an exceptional, category-defining body of work grounded in a style that draws as much from “pedestrian,” everyday movements as it does from her foundational ballet training. Emerging out of the 1960s Judson Dance Theater in New York City, Childs founded her namesake company in 1973 and has created more than 50 works since. This year will see two major New York presentations of her pieces—the first, from March 14–15 at the Guggenheim, will restage five of her early dances, most of them silent; the second, titled “Momentary Reprise,” will be showcased at Bard College's Fisher Center from June 26–28 and include her collaborations with the likes of Frank Gehry, Philip Glass, and Robert Wilson. On this episode—our Season 13 opener—Childs reflects on her various experimental collaborations with Glass and Wilson; her profound perspectives on time through the lens of choreography and performance; and how she has remained unapologetically steadfast in refining her highly distinctive approach to dance. Special thanks to our Season 13 presenting partner, L'ÉCOLE, School of Jewelry Arts. Show notes: Lucinda Childs [06:23] Philip Glass [12:46] Merce Cunningham Dance Company [10:02] John Cage [12:17] “Pastime” (1963) [12:36] Judson Dance Theater [13:19] Yvonne Rainer [14:04] Robert Ellis Dunn [15:34] “Calico Mingling” (1973) [15:38] “Untitled Trio” (1973) [17:01] Babette Mangolte [17:29] “Reclining Rondo” (1975) [17:29] Robert Morris [29:44] Hanya Holm [22:59] “Radial Courses” (1976) [22:08] “Katema” (1978) [32:30] “Shoulder” (1964) [37:44] Robert Wilson [37:44] Einstein on the Beach (1976) [33:59] Susan Sontag [33:59] Against Interpretation (1966) [34:28] Marguerite Duras [36:34] “Description (of a Description)” (2000) [46:07] “Dance” (1979) [48:36] “Available Light” (1983)
We are back with a brand new episode featuring the return of Black Santa himself! He brings along his elf Mia, as she comes on answers our horny questions and tells us about her not so long relationship history. Plus Gee tells us about some Mia Mishaps at HQ The Lounge. Follow us on social media @AaronScenesAfterParty
Fresh from dazzling at the Brit awards, Irish choreographer Maureen Moore tells Oliver about joining superstar Raye on stage in Dublin this week
One of host Jeneé Darden's favorite things to do is dance. She's no pro but she loves watching the pros on stage. Which brings us to the 21st annual Black Choreographers Festival.
Send a textHost: Kendra Beavis Guest: Jacquie BirdIn this episode, Kendra Beavis sits down with wellness guide, artist, and former performer Jacquie Bird for a grounded conversation on sound healing, intuition, forgiveness, and the power of slowing down.Jacquie shares her journey from Broadway, TV, and choreography to a life rooted in mindfulness, sound healing, journaling, and creative expression. Together, they explore how stress and fear-based thinking disconnect us—and how curiosity, play, and presence help us reconnect.A reminder that healing isn't about fixing yourself, but listening more deeply.⏱️ Timestamps 00:00 Intro 02:10 Jacquie's journey 07:40 Sound healing 14:20 Stress & intuition 21:00 Healing & mindset 28:10 Breaking fear-based patterns 35:40 Forgiveness & growth 44:30 Play & creativity✨ Topics CoveredSound healing, mindfulness, stress & anxiety relief, intuition, forgiveness, creativity, mindset shifts
Jason Gilkison has for the past 10 years been the creative force behind the UK's top rating TV show, Strictly Come Dancing, better known around the world as Dancing with the Stars. Jason is an eight-time World Choreographer nominee who has become internationally renowned for his work creating dance spectaculars for the small screen. Katie Derham talks to Jason about his journey from professional dancer to becoming one of the world's top – and most watched – choreographers. TV director Nikki Parsons explains how she and Jason collaborate to translate dance on to the small screen and the particular challenges of choregraphing for the TV cameras. And costume designer Vicky Gill describes the importance of designing costumes that catch the eye. Plus, we go behind the scenes as Jason puts the dancers through their paces to create a showstopper for the final of Strictly Come Dancing 2025.
Welcome back to the 271st episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 271st episode we have a new artist interview. This particular conversation is between our Associate Artistic Producer Jillian Robinson and Julia Cratchley, the Choreographer & Artistic Director of the epic immersive dance company, Transcen|Dance Project. Together these two unveil the behind-the-scenes magic of immersive performance, discuss how paramount remounts are, and map out the benefit of indulging the good with the bad.Follow Transcen|Dance Project – Instagram/TikTok: @transcendanceprojectWebsite : https://www.transcendanceproject.com/Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com.
On today's episode of "Conversations On Dance" we are joined by choreographer Robert Battle. Robert tells us about how he started a company to push his own choreographic work, what it was like to become the third director in the history of Alvin Ailey American Dance Theater and how he's just begun to explore his recent post as resident choreographer of Paul Taylor Dance Company. To see Robert's latest work for Paul Taylor on tour visit paultaylordance.org/performances.Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondanceLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.
Ja' Malik is just wrapping up his fourth year as the artistic director of Madison Ballet in Madison, WI, but his path to leadership has been shaped by decades inside the field. A former professional dancer with a 25-year performing career, Malik danced with companies including Cleveland Ballet, North Carolina Dance Theatre, BalletX and Ballet Hispánico, performing a wide range of classical, neoclassical and contemporary repertory. Trained at the Joffrey Ballet School and holding a BFA from The New School, his artistic voice draws equally on rigorous classical technique and socially engaged contemporary practice. He also continues to serve as the artistic director of Ballet Boy Productions, an organization he founded in 2007 that provides young men of color access to classical and contemporary ballet performing opportunities and that also offers training and mentoring.Since arriving in Madison, Ja' has led a period of significant artistic and organizational change, and the results are more than encouraging. At a moment when many ballet companies nationwide are grappling with shrinking audiences, Madison Ballet is growing its own, responding to programming that places contemporary work alongside the classics and reflects the community it serves. Six months into his tenure, Malik also stepped into the additional role of interim executive director, guiding the organization through a demanding transition with a small staff and limited resources.In this interview, Ja' reflects on the risks involved in reshaping a regional ballet company, from extending dancer contracts to rethinking programming and institutional structure. He also speaks candidly about leadership during the in-between phase of change and the emotional, physical and ethical demands placed on artists and arts leaders alike.https://www.madisonballet.org/about/staff/ja-malikHosted on Ausha. See ausha.co/privacy-policy for more information.
We are live! And this time from Apogee Dispo in Sunland Park NM. Tune in as Juantito Jones makes his After Party debut and Tiara, a local up and coming nightlife promoter, her company TNS Productions and DJ tells us about some after party stories, her favorite after party she has been to plus! She answers some horny questions straight from instagram. Follow us on social media @AaronScenesAfterParty
The WildStory: A Podcast of Poetry and Plants by The Native Plant Society of New Jersey
Welcome to Season 4 of the WildStory! We have a wonderful, jam-packed season opener, and we hope you enjoy all that we have in store for you this episode! To open, Award winning poet James Crews (0:3:15), author of the forthcoming book Breathing Room (Battenkill Books, March 17th), and our featured poet in Episode 19, is back! This time as our guest host, speaking with Ann E. Wallace about her new poetry collection Keeping Room, out this month from Nixes Mate Books. James and Ann have a lovely conversation about holding space—for pain and disruption, but also nature, love, and unexpected joy.In Ask Randi, Randi Eckel (0:28:47), owner of Toadshade Wildflower Farm, spills some inside details about the NPSNJ Annual Meeting on March 7th—and trust us, you won't want to miss what she's teasing. Then she jumps into listener questions, breaking down the mysteries of native seed stratification.We're joined by Samuel Pott (0:39:27), Founding Artistic Director of Nimbus Dance, to explore ANIMA, a powerful new trilogy confronting environmental crisis and reimagining our place in the natural world. There will be a special performance on Friday, February 27, at 8 pm at the Bickford Theatre at the Morris Museum in Morristown, New Jersey.We catch up with N. West Moss (0:49:51) to talk about her new middle-grade novel Birdy (Christy Ottaviano Books/Little, Brown, Feb. 17), the story of an 11-year-old girl who, after her mother's death, spends a summer in the country where the natural world helps her protect her little brother, heal her grief, and discover that family and belonging can take root in unexpected places.We wrap the episode with legendary ecological landscape designer Larry Weaner (1:14:47), founder of Larry Weaner Landscape Associates and New Directions in the American Landscape (NDAL) and keynote speaker for NPSNJ's Planning for the Unplanned, where ecological restoration meets bold landscape design. For tickets visit NPSNJ.orgQuestions or guest ideas: Email Thewildstory@npsnj.org
On today's show poet Kevin Dublin talks about love and his upcoming performance at KALW's "Sights + Sounds After Dark." Then, we hear about what's coming up at the Black Choreographers Festival. And a Valentine's Day block party in the Mission.
Gary Hirsch, Director, Wendy DeGeest, Choreographer & Costumer, and Music Director Kennedy Niska from Stage North Theater stop by to preview their upcoming production of Forbidden Broadway, running February 26th-March 1st at the Franklin Arts Center. The long-running revue, hilariously spoofs some of Broadway's biggest musicals including Wicked, Les Misérables, The Lion King, Annie, and Rent. The team shares what audiences can expect from the fast-paced cabaret-style performances, clever musical parodies, and high-energy choreography that celebrate and poke fun at the magic of Broadway.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week on DanceSpeak, I sit down with Brian 'Footwork' Green, a master teacher and influential figure in street and club dance culture whose impact spans generations. Recorded live in August 2025, this episode captures Brian's unfiltered thoughts on musicality, lineage, and what often gets misunderstood about street dance. We explore competition versus convention culture, the realities of the dance economy, and the difference between who you are and the artistic name you move under. Brian speaks honestly about off-beat dancing, “auto-tuned” movement, teaching, trends, and what gets lost when dance drifts away from the heart. The conversation also touches on race, representation, and identity in dance spaces—layered, nuanced, and rooted in lived experience rather than soundbites. Insightful, funny, challenging, and deeply grounded in culture, this episode is for dancers who love dance enough to think about it, question it, and keep it alive. Instagram – https://www.instagram.com/gogalit Website – https://www.gogalit.com/ Fit From Home – https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Brian on Instagram https://www.instagram.com/brianfootworkgreen/. You can purchase Brian's on-line dance classes https://www.theybarelyunderstandhello.com/#classes.
Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this Canada Work Permit application data specific to LMIA work permits or employer driven work permits or LMIA exempt work permits for multiple years based on your country of Citizenship. I am coming to you from the Polinsys studios in Cambridge, OntarioNew Brunswick issued work permits between 2015 and 2024 for Producers, directors, choreographers and related occupations under the former 4 digit NOC code 5131, currently referred to as NOC 51120.A senior Immigration counsel may use this data to strategize an SAPR program for clients. More details about SAPR can be found at https://ircnews.ca/sapr. Details including DATA table can be seen at https://polinsys.co/dIf you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at https://ircnews.ca/consultant.Support the show
Interview date: December 7th, 2025Episode Summary:Brooke Lipton—Emmy-nominated choreographer and longtime Hollywood Vibe faculty member—joins Business of Dance to share her journey from booking her first professional job at 12 to building a lasting career in dance, television, and choreography. She reflects on moving to Los Angeles at 18, training relentlessly, learning how to care for her body, and developing the discipline needed to survive in a competitive industry.Brooke opens up about touring with Britney Spears, becoming a young mother, and making the pivotal transition from performer to choreographer. She breaks down how assisting, understanding life on set, and respecting every department shaped her leadership style and allowed her to create healthier, more sustainable environments for dancers.In the Q&A, Brooke delivers honest advice on confidence, comparison, and work ethic—urging dancers to go “full out,” attack their weaknesses, stay adaptable, and remember that joy and resilience are essential to longevity in this industry.Shownotes:(0:00) – Welcome + introduction to Brooke Lipton(6:10) – Career overview: tours, TV, choreography credits(9:46) – Phoenix beginnings + first job at 12(12:30) – Moving to LA at 18, full-time training(14:29) – Health, body awareness, and longevity(17:28) – The haircut moment: identity and visibility(21:54) – Britney Spears tours + touring realities(25:49) – Touring while pregnant, life balance(31:52) – Transition into choreography via Glee(34:33) – Hiring dancers and creating opportunities(45:37) – Advice: fundamentals, weaknesses, discipline(1:17:50) – Closing message: confidence, joy, resilienceBiography:Brooke Lipton's energy is contagious. Originally known as an exceptional natural dancer, she is now an accomplished choreographer who thoroughly understands the requirements of dramatic TV photography and production.A native of Phoenix, AZ, Brooke was already a rising star in the LA dance scene at the age of 12. She moved to LA to pursue her dream of being a professional dancer, and has since worked with artists including Madonna, Janet Jackson, Beyonce, and Paula Abdul. Brooke toured the world with Britney Spears for over eight years, including the “Dream Within A Dream” Tour, “The Onyx Hotel” Tour and “Circus” promo tour.Later, she was a key member of the choreographic team on the mega-hit Fox TV series “Glee”, starting as Associate and rising to Choreographer over the show's six seasons, during which the team created more than 750 musical numbers as well as the show's two live-performance world tours, plus “The Glee Project” unscripted series and “Glee Live 3D The Movie”.Brooke's work has also been featured on many other major TV series including “Dr. Odyssey”, “9-1-1: Lone Star”, “Dancing with the Stars”, “Lucifer”, “National Treasure”, “Bones”, and “American Horror Story”. Most recently, she choreographed seasons 1 and 2 of the magnificent new Apple+ series “Palm Royale”.As a choreographer, Brooke has worked with such iconic stars as Shirley MacLaine, Carol Burnett, Kate Hudson, Gwyneth Paltrow, Kristen Chenoweth and Ricky Martin, and has two Emmy nominations in Outstanding Choreography For Scripted Programming one for “Lucifer” and the other for season 1 of “Palm Royale”.Connect on Social Media:Instagram: https://www.instagram.com/brooke_lipton/
Marcia Milgrom Dodge is an acclaimed director and choreographer. She is a Tony, a Drama Desk and an Astaire Award Nominated Director & Choreographer for her 2009 revival of RAGTIME. She's known for her work in major New York revivals, groundbreaking regional theater, and international spectacles. Her other works include LA CAGE AUX FOLLES; DISNEY'S BEAUTY & THE BEAST; EVITA; and FIDDLER ON THE ROOF. She's worked with stars like Stephen Sondheim, Richard Maltby and William Finn among many others.My featured song is my recent single called “The Rich Ones All Stars”. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARCIA:www.marciamilgromdodge.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
A dash of mystery, a sparkle of magic, and all things cozy! Elle interviews fellow cozy authors in this bookish podcast from Authors on the Air. Today on the podcast, meet Seth Panitch, author of Antique! Elle and Seth talk about everyday magic, what authors owe to their readers, Antiques Roadshow, and more. Happy listening! Seth's Bio: ANTIQUE is Seth's first novel. His films Service to Man and The Coming are both distributed by are both available for streaming on most digital platforms. His plays Dammit, Shakespeare!, Hell: Paradise Found (Broadway Play Publishing, Inc.), Alcestis Ascending, and Separate and Equal have all been produced Off Broadway. He is a Professor of Theatre and directs the MFA Acting Program at the University of Alabama. Far more importantly, he is married to Laura Earnest Panitch, who does not seem to mind when he creeps upstairs to write, or when he lets their dog Moses use him as a jungle gym. Seth is a proud member of the Author's Guild, the Dramatists Guild of America, the Society of Directors and Choreographers, and the Illuminati – although he has steadfastly refused to have their name tattooed onto his chest. Find Seth and His Work Online: https://sethpanitch.com/ ~~~ Elle Hartford's Bio: Elle Hartford writes cozy mystery with a fairy tale twist. The award-winning first book in her Alchemical Tales series, Beauty and the Alchemist, finds amateur sleuth Red mixed up with murderous beasts and moody beauties, and a set of missing books besides! Elle has also written two spin-off series, the cozy fantasy-goes-to-the-beach Marine Magic series as well as Pomegranate Cafe Romance. For other writers and authors looking into “wide” indie publishing, Elle offers coaching as well as the Beyond Writing blog (ellehartford.substack.com) with how-tos and resources. Find Elle Online: https://ellehartford.com
Welcome to the DMF! I'm Justin Younts, and in this episode I sit down with Alexandra Beller to dive deep into the role of movement in theater and performance.Alexandra breaks down how movement evolves organically through collaboration between actors, directors, and designers. She explains how the actor's body, the director's vision, and the text itself all interact to create a fully realized performance. Rather than treating movement as something added on, Alexandra emphasizes how it emerges naturally when those elements are truly in dialogue with one another.She shares insight into analyzing character dynamics and highlights the importance of timing in dialogue. Using examples from television, Alexandra contrasts the rapid-fire rhythm of shows like Gilmore Girls with the more spacious, emotionally driven pacing of This Is Us, illustrating how tempo and rhythm shape audience response.Alexandra also discusses the significance of space onstage—how proximity, distance, and physical orientation can deeply influence emotional stakes and storytelling. Her approach offers practical tools for actors to make clearer, more grounded choices that resonate with audiences.Whether you're an aspiring actor or a seasoned performer, this conversation is packed with valuable techniques to deepen your craft. Join us as Alexandra Beller reveals how movement, timing, and physical awareness can bring authenticity, clarity, and emotional power to performance.00:00:00 - Introduction00:00:17 - The Evolution of Movement00:01:36 - The Importance of Timing00:02:27 - Stylization and Its Impact00:04:38 - The Role of Space00:05:20 - Reading Characters00:06:14 - Understanding Body Language00:07:22 - The Role of the Director00:07:57 - The Balance Between Instinct and Analysis00:09:14 - Nonverbal Communication and Characterization00:11:21 - Experiencing Film in a Meditative State00:12:53 - The Influence of Different Forms of Theater00:13:55 - The Concept of Constellatory Thinking00:15:28 - Working with Directors00:17:28 - Choreography and Directing00:18:58 - Theater and Cultural Influence00:21:18 - Praxis Space: A Creative Community00:21:20 - The Anatomy of Art: A New Book00:29:59 - Daily Routines and Practices00:31:15 - Personal Health and Fitness00:31:30 - Reading and Learning Preferences00:32:07 - Music Interests00:32:53 - Current TV Shows and Movies00:33:23 - Discussion on Superman Movie00:36:29 - Contact and Course InformationCheck out her website: https://www.alexandrabellerdances.org/
Showing Off is often associated with being negative. But dancers need to in fact "SHOW OFF" their skills in auditions and to choreographers. How do our dancers show off in a way that is humble and kind? Can that even be done? Today Michelle Reagan: Dancer, Choreographer, and Author of Hey Dancers Lets Talk About It Joins us to discuss what makes a dancer shine without the pick me energy! Welcome to Two Dance Moms Podcast!MICHELLE LEAGANSInstagram: Michelle LeagansInstagram: Power IntensivesHey Dancers, Lets Talk About It (AMAZON)EMAIL: mleagansdance@gmail.comEPISODE SPONSORSDream Duffel, the original rolling duffel with a built in garment rack! Choose from multiple sizes, colors, patterns, & styles!www.dreamduffel.comApolla Performance Compression Socks, Made by dancers for dancers! Increase stability and support, while reducing pain and fatigue. www.apollaperformance.comRATE & REVIEWRate & Review Apple Podcast Rate on Spotify SOCIALS Instagram: https://www.instagram.com/twodancemomspodcast/
Coming at you LIVE from Benny Frank's! Where we are joined by Food Network's ‘Chopped' Champion Chef Enrique where he gives us some incite to being a chef, his speciality menu at Benny Frank's and the perks of being Chef Enrique. Plus Voo hits us with 21 questions where things get a little spicy. Follow us on social media @AaronScenesAfterParty
Feeding the Starving Artist: Finding Success as an Arts Entrepreneur
Linda Love-Simmons returns to the Feeding the Starving Artist podcast!Linda is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor. Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST, THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences. By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.
Welcome to the DMF! I'm Justin Younts, and in this episode, Alexandra Beller takes us deep into the role of movement in acting and how it naturally evolves through collaboration between actors, directors, and designers.Alexandra explains that movement isn't something imposed on a performance—it emerges from the relationship between body language, text, and the energetic exchange between characters. She talks about recognizing when something feels “off” in a scene and how that friction can actually be used as a creative tool to strengthen performance rather than something to avoid.Drawing from examples in television, Alexandra discusses how shows like Gilmore Girls and This Is Us use timing, rhythm, and dialogue to generate emotional impact. She emphasizes the importance of authenticity and stakes, noting how a director's guidance around movement can deepen narrative clarity and emotional truth.Throughout the conversation, Alexandra highlights how physical choices can reveal character intention and elevate storytelling. She also introduces her upcoming book, The Anatomy of Art, which explores the artistic process and includes practical exercises designed to help creatives grow through embodied practice.If you're interested in how movement, energy, and intention intersect in performance, this episode offers valuable insight into how physicality can transform acting from the inside out.00:00:00 - Introduction00:00:18 - Collaboration in Art00:01:05 - Analyzing and Understanding Actors00:01:37 - Interpreting and Directing Dialogues00:02:51 - Stylization and Context in Film00:04:39 - Reading Characters and Predicting Outcomes00:06:12 - Understanding Body Language in Acting00:09:14 - Interpreting Non-Verbal Communication00:11:21 - Experiencing Film and Theater00:11:50 - Engagement and Authenticity in Performance00:12:54 - Influence of Global Theater on Work00:13:07 - Working with Directors00:13:55 - Constellatory Thinking in Directing00:15:45 - The Role of Embodiment in Directing00:17:30 - The Art of Choreography00:18:58 - Influence of Global Theater Styles00:21:21 - Praxis Space: An Artistic Community00:21:22 - The Anatomy of Art: A New Book00:21:22 - The Anatomy of Art: A Deeper Dive00:25:47 - The Role of Directing in Acting00:30:00 - Inside the Actor's Studio: Quick Answers00:31:29 - Reading Habits and Preferences00:32:04 - Listening Preferences00:32:04 - Watching Preferences00:33:16 - Discussion on Recent Movies00:33:22 - In-depth Analysis of Superman Reboot00:36:24 - Contact Information and Course Offerings00:37:24 - Closing RemarksCheck out her website: https://www.alexandrabellerdances.org/
Welcome to the DMF. I'm Justin Younts, and in this episode, Alexandra Beller dives deep into the four categories of energy: weight, space, time, and flow—and how understanding these elements can radically transform an actor's process.Alexandra explains that each category exists on a spectrum, and learning to work with them gives actors practical, embodied tools instead of vague direction. She addresses a common frustration performers face: when a director asks for something like “more aggressive” without explaining what that actually means. Alexandra breaks down how to translate those abstract notes into clear, physical choices that live in the body.She emphasizes that the body often understands things language can't articulate, and that tapping into physical instinct leads to more truthful, grounded performances. Alexandra also shares her approach to directing, which prioritizes physicality, intuition, and energetic awareness over rigid intellectual analysis.Throughout the conversation, she explores how actors can use energy dynamics to deepen their work—whether in rehearsal, performance, or character preparation. Alexandra also discusses the balance between instinct and analysis, showing how both can coexist to elevate an actor's craft rather than compete with each other.If you're an actor looking to unlock new levels of creativity, presence, and expression, this episode offers powerful tools to rethink how you approach performance. Join us as we explore the language of energy—and how it can revolutionize your acting journey.00:00:00 - Introduction00:00:05 - Understanding the Four Categories of Energy00:00:38 - Interpreting Directing Terms00:00:56 - Interpreting Directing Terms: Case Study00:01:27 - The Limitations of Traditional Directing Terms00:02:35 - The Role of Embodiment in Acting00:04:10 - The Limitations of Vocabulary00:04:41 - The Power of Body Language00:06:44 - The Role of Contradiction in Acting00:08:36 - The Importance of Balance Between Analysis and Intuition00:11:04 - The Role of Analysis in the Creative Process00:11:15 - The Role of Intuition in the Creative Process00:12:57 - The Importance of Tasting the Work00:14:08 - The Role of Animal Instincts in Acting00:15:20 - Analyzing an Actor's Kinesphere00:16:03 - The Case of Antonio's Song00:16:51 - Using Animal Instincts in Character Development00:17:42 - The Process of Character Movement Analysis00:18:14 - Creating Character Profiles for Performance00:19:08 - The Challenge of Multiple Characters in One PerformanceCheck out her website: https://www.alexandrabellerdances.org/
In episode 221, host Galit Friedlander and guest Kim Holmes (widely respected director, choreographer, dance educator) explore the roots of house and hip-hop culture through lived experience, mentorship, and time spent inside New York City's party and club scenes before these styles became widely visible. Kim shares her journey into dance, discovering house at a young age, and learning directly with pioneers like Marjory Smarth during a formative era that shaped how she moves, teaches, and thinks about longevity. Together, Galit and Kim reflect on what it meant to come up in spaces where culture was built in real time—long before social media or conventions—and how being “the it kids” back then came with both opportunity and responsibility. The conversation also moves into technique, recovery, listening to the body, trusting timing, and how mindset and intuition quietly guide long careers in dance. Originally recorded in 2019, this episode feels especially relevant today as dancers revisit foundations, lineage, and what it truly means to sustain a life in dance beyond trends. Follow Galit: Instagram – https://www.instagram.com/gogalit Website – https://www.gogalit.com/ Fit From Home – https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Kim Holmes on Instagram https://www.instagram.com/kimd.holmes. Listen to DanceSpeak on Apple Podcasts and Spotify.
Its another episode of the After Party and on this one we feature the man behind the mask smgbc! He comes on to tell us about his move from Tampa Bay to El Paso, some horny stories and working and promoting in the EP nightlife. Follow us on social media @AaronScenesAfterParty
Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce you to Alexandra Beller, an incredible artist, choreographer, and soon-to-be-published author. In this first part of our conversation, we dive deep into Alexandra's upbringing in Queens during the vibrant 80s, a time that profoundly influenced her artistic journey. She shares how the rich diversity of characters and experiences around her shaped her resilience and creativity. From sneaking into the Metropolitan Museum to sketch Rembrandts to her first dance class at summer camp, Alexandra's story is one of passion and discovery. We explore the importance of embodiment in dance and how it transcends mere movement, allowing for a deeper connection to oneself. Alexandra also discusses her academic journey at the University of Michigan, where she double-majored in dance and English, seeking a balance between technical skill and literary prowess. This conversation is not just about dance; it's about finding your voice, challenging societal norms, and embracing the complexities of human expression. Join us as we uncover the layers of creativity and the power of asking 'why' in art. Don't miss out on this inspiring dialogue that encourages you to explore your own artistic potential!00:00:00 - Introduction00:00:29 - Growing Up in Queens, New York00:00:39 - Influence of New York on Career00:02:26 - Early Exposure to Art and Culture00:03:31 - Discovering Dance00:05:08 - College Experience and Majoring in Dance and English00:06:57 - Influence of Literature and Bible Study00:08:42 - Changing Perspectives and Adapting00:09:16 - Challenging Established Norms in Art00:11:11 - Pushing Boundaries in Casting and Directing00:14:01 - Addressing Controversial Content in Older Stories00:15:29 - Questioning Societal Norms in Storytelling00:16:04 - Reimagining Macbeth00:19:17 - The Need for Empathy in Storytelling00:20:00 - Staying True to the Text00:21:52 - The Importance of 'How' in Storytelling00:23:35 - The Role of Improvisation in Creativity00:24:45 - Introduction to Laban and Bartenieff00:25:08 - The Influence of Laban and Bartenieff on Dance00:30:52 - Using Movement for Character Development00:31:30 - Recognizing Non-Neutrality in Acting00:32:04 - Associations and Emotions in Acting00:32:25 - Interpreting Anger in Acting00:34:05 - Understanding Personal Energy in Acting00:34:32 - The Role of Laban's Effort in Acting00:35:57 - Manipulating Energy in Acting00:36:19 - ConclusionCheck out her website: https://www.alexandrabellerdances.org/
COURTSIDE MAVERICK feat. @xo.mariza_ & @louis.lit We're kicking off the new year with the OG horny crew! Mariza comes by for a little after party reunion as we catch up with her and her latest move to Dallas. She tells us why El Paso men give her the ick and she tells us all about her throuple in paradise. Follow us on social media @AaronScenesAfterParty
Feeding the Starving Artist: Finding Success as an Arts Entrepreneur
Linda Love-Simmons is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor. Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST, THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences. By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.
In the first episode of Turtle Tracks for 2026, host Brian VanHooker chats with choreographer Myrna Gawryn, who developed the dance routine for Vanilla Ice's "Ninja Rap" featured in "Teenage Mutant Ninja Turtles II: The Secret of the Ooze" in 1991. She talks about how she developed a dance routine that worked for the Turtle suits and working with Vanilla Ice. Sound engineering by Ian Williams. Folow TURTLE TRACKS PODCAST on Instagram: https://www.instagram.com/turtle_tracks_podcast/
Guests - Tommy Tibball, Madi Hicks, Jason Williams, and Courtney BarclayHosted By - Courtney Ortiz and Lesley MealorIn Episode 248 of Making The Impact - A Dance Competition Podcast, the 2025 A.C.E. Awards winners join us for a look inside the prestigious competition, which took place in New York City in August. This event brings together choreographers and dancers from all over the country, and the competition was fierce. Enjoy this chat with the winners!Topics Include: How each choreographer developed their vision for their piece What the casting and rehearsal process was like Advice for up-and-coming choreographersHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Seasons 4 through 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceTommy Tibball - @TommytibbsMadi Hicks - @madihicksJason Williams - @thejasonwilliamsexperience Courtney Barclay - @courtneyraebarclayThis episode is sponsored by:The DanceOne Summit The premier event for dance teachers and studio owners to unite. share. inspire! This summer in New York City - August 13-16th, 2026.Register now for $100 off using promo code: 100Summit2026 Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Happy New Year from The Learning Vibes Podcast. Vibe on this episode again. It takes us all the way back to September of 2019--our second episode. In this episode, you'll hear from Choreographer, Emily Ashburn; Visual Artist, Martha Kelly; and Musician, Nathan Sickmeier. They share their artistic process and how learning is bolstered through that process.
Interview Date: October 19th, 2025Episode Summary:In this empowering episode, Dana Wilson—dancer, choreographer, creative director, and podcast host—joins The Business of Dance Podcast to share an inside look at her two-decade career working alongside icons like Justin Timberlake, Marty Kudelka, Baz Luhrmann, and Chris Scott. From her early years at the Michelle Latimer Dance Academy to performing on three world tours and serving on the Choreographers Guild, Dana reflects on what it takes to sustain longevity in entertainment while staying grounded in self-awareness, mindset, and creative purpose. She opens up about her first big break assisting Marty Kudelka and performing on Justin Timberlake's FutureSex/LoveShow, her transition into choreography, acting, and voiceover work (Pinocchio, Elvis, In the Heights, La La Land), and the creation of her Words That Move Me podcast and coaching community. Dana also dives into how the dance industry has evolved—from agency systems to AI and the digital creator era—sharing invaluable advice on processing rejection, developing emotional resilience, and “turning the grave into a garden.” With wisdom, humor, and refreshing honesty, Dana reminds dancers that success is nonlinear, mentorship is invaluable, and feeling your feelings is a superpower.Shownotes:(0:00) – Opening chat: motherhood, dogs, and pre-interview setup(4:00) – Reviewing Dana's career highlights and credits(8:45) – Starting the session: Justin Timberlake music intro(12:00) – Dana's early dance training, family background, and move to LA(17:00) – Booking her first tour with Justin Timberlake and working with Marty Kudelka(22:00) – 20 years of collaboration with Justin: tours, SNL, and Super Bowl(27:00) – Creating Words That Move Me podcast + turning rejection into education(33:00) – The power of coaching, mindset, and mental health for artists(42:00) – The Choreographers Guild, AI, and how the dance industry is evolving(54:00) – Q&A: Finding mentors, dealing with rejection, and touring lessonsBiography:"People who call Dana Wilson a “Joy Machine” are not wrong. Her work is a joy to behold and she is a joy to work with.Dana Wilson is a choreographer, performer, movement coach, educator, Apple Top 100 Performing Arts Podcast host, and activist who understands how to move real people.Her work is undeniably bright, refined and classic, yet bizarre with a healthy dose of happy. She works at the highest level across mediums from TV/ Film and Commercials to Tours/ Music Videos, and even Stop Motion Animation/ Motion Capture. From Apple to Amazon, Justin Timberlake to Paula Abdul, Elvis to Pinocchio, her impact is singular and she carves paths for others to shine as well.Connect on Social Media:Instagram: https://www.instagram.com/danadaners/Website: thedanawilson.com
Interview Date: October 5th, 2025Episode Summary:In this powerful and nostalgic episode, Emmy-nominated choreographer and MTV Award winner Tina Landon takes us behind the scenes of her legendary career shaping the choreography that defined an era of pop culture. From her early days as a Laker Girl under Paula Abdul to becoming the creative force behind Janet Jackson's “If”, “The Velvet Rope Tour,” and Ricky Martin's “Livin' La Vida Loca,” Tina shares the artistry, discipline, and vision that made her one of the most sought-after choreographers in the world.Tina opens up about her journey transitioning from dancer to choreographer, how she built trust with industry icons, and what it takes to bring stories to life through movement. She discusses the evolution of dance over the decades—from the golden age of music videos to the rise of social media—and how professionalism, consistency, and genuine artistry still remain the keys to success.This episode is perfect for anyone striving to understand the bridge between commercial artistry and lasting impact — a true masterclass in dance history and creative leadership.Shownotes:(0:00) – Welcome & introduction to Tina Landon and her legendary career(3:15) – Tina's start as a dancer & transition from Laker Girl to choreographer(7:40) – Founding her creative style: working with Janet Jackson & early MTV era(12:25) – Behind “If” & “The Velvet Rope Tour” – storytelling through choreography(22:10) – What makes a dancer stand out in auditions and rehearsals(35:05) – How the dance industry evolved from 90s tours to today's viral world(50:12) – Professionalism, mindset, and respect in the rehearsal room(1:02:30) – The importance of longevity & self-care for working dancers(1:13:05) – Tina's message: know your history, learn from the greats(1:16:16) – Gala of the Stars — Tina's legacy & inspiration for the next generationBiography:Tina Landon is a multi award winning and Emmy nominated creative director/choreographer. She is best known for her sensual yet strong movement that dominated the landscape of dance in music videos and live tours since the mid 90's. Some of her most memorable and signature moves can be seen on artists like Janet Jackson, Michael Jackson, Rihanna, Jennifer Lopez, Christina Aguilera, Ricky Martin, Britney Spears and Shakira to name a few.Tina's love and passion for dance began as early as she can remember when her mother of Mexican-American heritage and lover of dance and music, made sure her children would fare better by mandating dance lessons in their household. Falling in love with dance and yearning for more, Tina left her home in Lancaster, California to pursue her dreams in Hollywood. Auditioning for various dance productions around town, she landed a gig as a Laker Girl. She was well on her way, yet what could be considered a “big break” would be just the beginning when she was booked as a principal dancer for Michael Jackson's “Smooth Criminal” music video.Tina's hard work and commitment eventually landed her many dance roles in various music videos including her first spot as a touring dancer on Janet Jackson's Rhythm Nation Tour. She eventually went on to choreograph Janet's next two world tours “Janet” and “The Velvet Rope” which earned her an Emmy nomination for the HBO special. She has also directed and choreographed national and world tours for many other artists. Tina is a 9-time MTV Choreography Award nominee and a 2 time MTV Award recipient for Michael and Janet Jackson's “Scream” and for Ricky Martin's “Livin La Vida Loca'.Her latest passion is giving back and helping young dancers navigate careers in the music industry by sharing and coaching them through her extensive experience and knowledge.Connect on Social Media:Instagram: https://www.instagram.com/iamtinalandon/
It's another Christmas edition of the After Party featuring the one and only Freddy! As he comes on shares his horny story, tells us who broke his heart and how he became a horny boy/party boy in El Paso. Plus Voo lines up some questions so we can roundtable! Follow us on social media @AaronScenesAfterParty
https://www.newworldballet.com/https://bohemian.com/duke-ellingtons-nutcracker-suite-adaption-new-world-ballet-director-victor-temple/
In episode 220, host Galit Friedlander and guest Chad Geiger (dance agent at The Movement Talent Agency) pull back the curtain on what representation really looks like from the agency side and what dancers often misunderstand about it. We talk about essential pieces of a sustainable dance career: communication, contracts, headshots and resumes that actually serve you, and how your choices off the floor impact your opportunities just as much as your training on it. Chad shares insight on navigating direct bookings, building trust with your team, and why “doing the basics well” is still one of the biggest differentiators in today's industry. Follow Galit: Instagram – https://www.instagram.com/gogalit Website – https://www.gogalit.com/ Fit From Home – https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Chad Geiger on https://www.instagram.com/chad_geiger Listen to DanceSpeak on Apple Podcasts and Spotify.
Today's episode of the America's Work Force Union Podcast spotlights Carrie Lee Patterson, a multifaceted arts professional and proud member of four unions. As an actor, director, writer and dialect coach, Patterson is affiliated with Actors' Equity Association, SAG-AFTRA, the American Guild of Musical Artists and the Society of Stage Directors and Choreographers. Patterson discussed her career journey, the importance and challenges posed by artificial intelligence in the entertainment industry, her impact as an educator and her advocacy in a historic Illinois public transit campaign that united 30 different unions. America's Work Force Union Podcast welcomed Jay Edwards, Republican candidate for Ohio State Treasurer, who discussed his background and steadfast support for labor. As a former Ohio House representative hailing from Nelsonville, Ohio, Edwards has made a name for himself by defying party stereotypes and championing union issues. Edwards discussed his upbringing in southeast Ohio, his personal connection to the working class, his approach to labor relations and his vision for the office of the state Treasurer.
In this episode of "Dance Talk” ® with Joanne Carey , host Joanne Carey interviews Emily CoatesIn this episode of "Dance Talk” ® with Joanne Carey engages in a deep conversation with dancer, choreographer, and writer Emily Coates. They explore Emily's journey from her early dance training in ballet to her transition into modern dance, her experiences working with renowned figures like Baryshnikov, and her current project 'Tell Me Where It Comes From.' Tell Me Where It Comes From, was sparked by the discovery of an archival box housed at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut, chronicling George Balanchine's brief touchdown there in 1933. The discussion highlights the importance of following one's artistic instincts, the role of dance history, and the collaborative nature of creating new work. Emily shares insights on the creative process, the significance of archival research, and the impact of dance on personal and artistic growth.Emily Coates is a dancer, choreographer, and writer and has performed internationally with New York City Ballet (1992-98), Mikhail Baryshnikov's White Oak Dance Project (1998-2002), Twyla Tharp Dance (2001-2003), and Yvonne Rainer and Group (2005-present), and worked with an array of choreographers, including Jerome Robbins, Angelin Preljocaj, Trisha Brown, Deborah Hay, Mark Morris, John Jasperse, and Sarah Michelson. Career highlights include performing three duets with Baryshnikov, in works by Morris, Karole Armitage, and Erick Hawkins.Her choreographic work has been commissioned and presented by Danspace Project, Performa, Baryshnikov Arts Center, Works & Process at the Guggenheim, Ballet Memphis, Wadsworth Atheneum, Carnegie Hall, University of Chicago, Yale Repertory Theatre, Yale Art Gallery, and Columbia Ballet Collaborative, among other venues. She is currently completing a film project titled “Dancing in the Invisible Universe” in collaboration with filmmaker John Lucas and Yale's Wright Laboratory.Her essays have appeared in PAJ: A Journal of Performance and Art, The Huffington Post, Theater, PEAK Journal, programs and an exhibition catalogue for the Paris Opera Ballet, and in the forthcoming Oxford Handbook of Contemporary Ballet. Her awards and distinctions include the School of American Ballet's Mae L. Wein Award for Outstanding Promise; the Martha Duffy Memorial Fellowship at the Baryshnikov Arts Center; Yale's Poorvu Family Award for Interdisciplinary Teaching; a grant from the Alfred P. Sloan Foundation in the category of Public Understanding of Science, Technology, and Economics; a 2016 Fellowship at the Center for Ballet and the Arts at NYU; and a 2019 Jerome Robbins Dance Division Dance Research Fellowship at the New York Public Library for the Performing Arts at Lincoln Center. She graduated magna cum laude with a BA in English and holds an MA and MPhil in American Studies from Yale. Her first book, Physics and Dance, co-written with her longtime collaborator, particle physicist Sarah Demers, was released in January 2019 by Yale University Press.She is Professor in the Practice in Theater, Dance and Performance Studies at Yale University, with a secondary appointment in Directing at the Yale School of Drama. She has directed the dance studies concentration at Yale since its inception in 2006.Informationhttps://campuspress.yale.edu/emilycoates/Make plans to check out this piece on tour!February 26, 2026 at The Avery Theater , Hartford ConnecticutApril 23 & 24th 2026 at Schwarzman Center , Yale University“Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."https://dancetalkwithjoannecarey.com/Please leave us a Review.You support the podcast:https://gofund.me/e561b42acFollow Joanne Carey on Instagram@westfieldschoolofdance
Interview Date: June 22nd, 2025Episode Summary:Dytto (aka Courtney Kelly) — the fembot icon of the dance community whose viral “Barbie Girl” freestyle on World of Dance launched a global following of ~10M across platforms. A professional mover, personality, and director, she's appeared on The Ellen DeGeneres Show, starred in national campaigns (Android Wear, Target), and most recently served as Assistant Choreographer for Shakira.In this conversation, Dytto traces her path from studio kid and cheerleader to self-driven freestyler, sharing how an alter ego helped her overcome stage fright and claim a unique lane in a male-dominated popping/animation space. She breaks down the business: why brand deals followed when she started talking (not just dancing), how she balances content “pillars,” and the realities of name usage, credits, and trademarking a stage name.We also dive into monetization (and why dancing to copyrighted music pays everyone but the dancer), creating original music (Fembot Files), and her upcoming training app The Next Move—a practical system for turning freestyle fear into confidence. In the live Q&A she offers concrete drills, mindset resets, and career advice on evolving publicly, navigating street vs. commercial worlds, booking without auditions, and staying grounded in who you are—especially when everyone's watching.Shownotes:(0:00) – Welcome & intro: “Barbie Girl” viral phenom joins the show(2:13) – Early dance journey: from studio kid to freestyler(4:27) – The making of “Barbie Girl” — purpose behind the moment(6:20) – Creating “Dytto”: alter ego that conquered stage fright(11:43) – Managing identity: real name vs. stage name(15:50) – Viral momentum → brand deals, Ellen, and global recognition(19:47) – $100K brand deal & secret to attracting sponsorships(25:16) – New ventures: launching The Next Move freestyle app(26:56) – Owning creativity: why she makes her own music (Fembot Files)(1:18:16) – Final reflections: authenticity, vulnerability, and self-beliefBiography:Dytto, the fembot icon of the dance community, is a professional mover, personality, and director. You may have seen her as a 17 yr old in her first viral freestyle on World of Dance called 'Barbie Girl' which launched her into a fruitful career. Since, she's been in numerous commercials, campaigns, and productions, some even of her own, being self-directed and produced for her infamous Youtube channel. Most recently, we watch her work come to life from her time assistant choreographing for the one and only, Shakira.Connect on Social Media:Instagram - https://www.instagram.com/iam_dytto/Website - iamdytto.com
Interview Date: June 22nd, 2025Episode Summary:Dytto (aka Courtney Kelly) — the fembot icon of the dance community whose viral “Barbie Girl” freestyle on World of Dance launched a global following of ~10M across platforms. A professional mover, personality, and director, she's appeared on The Ellen DeGeneres Show, starred in national campaigns (Android Wear, Target), and most recently served as Assistant Choreographer for Shakira.In this conversation, Dytto traces her path from studio kid and cheerleader to self-driven freestyler, sharing how an alter ego helped her overcome stage fright and claim a unique lane in a male-dominated popping/animation space. She breaks down the business: why brand deals followed when she started talking (not just dancing), how she balances content “pillars,” and the realities of name usage, credits, and trademarking a stage name.We also dive into monetization (and why dancing to copyrighted music pays everyone but the dancer), creating original music (Fembot Files), and her upcoming training app The Next Move—a practical system for turning freestyle fear into confidence. In the live Q&A she offers concrete drills, mindset resets, and career advice on evolving publicly, navigating street vs. commercial worlds, booking without auditions, and staying grounded in who you are—especially when everyone's watching.Podcast Shownotes:(0:00) – Welcome & intro: “Barbie Girl” viral phenom joins the show(2:13) – Early dance journey: from studio kid to freestyler(4:27) – The making of “Barbie Girl” — purpose behind the moment(6:20) – Creating “Dytto”: alter ego that conquered stage fright(11:43) – Managing identity: real name vs. stage name(15:50) – Viral momentum → brand deals, Ellen, and global recognition(19:47) – $100K brand deal & secret to attracting sponsorships(25:16) – New ventures: launching The Next Move freestyle app(26:56) – Owning creativity: why she makes her own music (Fembot Files)(1:18:16) – Final reflections: authenticity, vulnerability, and self-beliefBiography:Dytto, the fembot icon of the dance community, is a professional mover, personality, and director. You may have seen her as a 17 yr old in her first viral freestyle on World of Dance called 'Barbie Girl' which launched her into a fruitful career. Since, she's been in numerous commercials, campaigns, and productions, some even of her own, being self-directed and produced for her infamous Youtube channel. Most recently, we watch her work come to life from her time assistant choreographing for the one and only, Shakira.Connect on Social Media:Instagram - https://www.instagram.com/iam_dytto/Website - iamdytto.com
Interview Date: June 1st, 2025Episode Summary:Menina sits down with Tara-Jean Popowich—winner of So You Think You Can Dance Canada Season 2—for an inspiring look at resilience, self-belief, and adventure. From moving out at 15 to chase training, to struggling with $5/hour jobs in L.A., to the heartbreak of being cut from SYTYCD Season 1 and the comeback that won her the crown, Tara-Jean shares how grit, heart, and community shaped her career.She reflects on the whirlwind that followed—international tours, Bollywood, Dancing with the Stars India, and performing across 74 countries. We hear how she built longevity in an unpredictable industry, the challenges of visas and branding, and her passion project Human First, Dancer Second. Tara-Jean's honesty about comparison, mindset, and mental health is a gift to young dancers navigating their own journeys.This episode is perfect for dancers chasing professional careers, teachers mentoring students with big dreams, and anyone curious about building a life in the arts that balances adventure, resilience, and authenticity.Show Notes(0:00) - Welcome & intro to Tara-Jean Popowich (9:02) - Starting in small-town Alberta; cruise ships as “only dream” (10:59) - Moving out at 15; juggling work, school, and dance (13:20) - First LA move; cleaning studios to train (16:09) - Cut from SYTYCD Season 1; comeback mindset (20:49) - Winning Season 2; confetti, cash prize, new doors (23:42) - Life after SYTYCD; global whirlwind of jobs (24:05) - India chapter: Bollywood, DWTS, love & challenges (30:21) - Years abroad: London, Costa Rica, NY base (32:02) - New focus: creative direction & Human First convention(34:57) - Advice to younger self: believe earlier, avoid comparison (36:01) - Q&A: mindset, favorite projects, navigating LA (42:30) - The power of personal brand & social media (45:00) - Visa realities: O-1s, green cards, legal path (49:00) - Q&A: favorite country, advice for young dancers (56:13) - Balancing passion vs. career; finding other outlets (57:53) - Final advice: stop comparing, find joy, trust your pathBiography:Tara-Jean Popowich is most known for winning "So you think you can dance"-Canada Season 2. Since the show she has been based out of NYC, LA, London, and India. During her time in NYC she was "Carly Rae Jepsen's" Choreographer and dancer seen on "Jimmy Fallon" and "Live with Kelly". Tara-Jean is also seen in Pharrells music video "Happy", "Turn it up" American tour, "Groove Street productions" , “Excel” guest faculty, choreographer for "So you think you can dance" Ukraine and special guest performer, choreographed and performed for Ballet Africa, IDS instructor in Madrid Spain, yearly performer with "SYTYCD" USA All-stars in China, Dove Cameron's new video with Disney, is 1 of 6 featured dancers in a feature film based in Scotland, with choreographer Stacey Tookey. TJ was living in India and made top 6 as the celebrity on "Dancing with the stars"-season 7. TJ was named one of the "hottest top 12 convention teachers" in the U.S. Tara-Jean is seen in Calvin klein's, "Dance in my calvin's" campaign. More recently on tour with VORTEX around South America and Europe. Check out Tara-Jean dancing for Shania Twain “swinging with my eyes closed” video. Also An official judge for “world of dance” in Poland. Tara-Jean is also an official ambassador for “MOVE IT” the biggest dance event in the UK. 28,000 dancers from around the world. Where Tj will be teaching, performing, autograph sessions, and photo sessions.Tara-Jean directed and choreographed for the famous hand to hand acrobat's “Charolette an Nicolas” from France's got talent. Keep your eye out for her dancing in the hit TV series “What we do in the shadows” FX network. Connect on Social Media:Instagram - https://www.instagram.com/tarajeanpopowich/Website - www.tara-jean.com
In this episode, Galit sits down with creator and educator Jason Pickett for a real conversation about the shifts happening in today's dance world. Jason shares his path from Utah's freestyle community to building a career outside the traditional LA route, and the mindset behind choosing what actually feels right. They dig into the responsibilities of teachers and influencers online, the short-sightedness that's causing dance studios and conventions business, and a shift in what dancers want to do professionally. Jason and Galit also explore whether competitions are watering down dance, how COVID changed the mentality of young dancers, and why the best teachers don't rely on the “combo.” This episode pulls back the curtain on connecting the generations, talent development, and what it really means to create good dancers - not just good perfectionists. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Fitness Courses - https://galit-s-school-0397.thinkific.com/collections Follow Jason Pickett: Instagram - https://www.instagram.com/heyitspickett/ Jason's Website - https://nsadance.com/
More Project Down and Dirty: Dance BTS moments and we give our choreographers their flowers, New celeb couples: Katy Perry and Justin Trudeau and Chris Martin and Sophie Turner, and Steve Burns from "Blues Clues" talks dirty -- what exactly would that sound like?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Jason, Alexis, and Holly are joined by their choreographer: Andy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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