Art or practice of designing sequences of movements of physical bodies
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In episode 213, host Galit Friedlander and guest, Gerran Reese (Beyoncé, Kaytranda, Dancing With the Stars, Nike, Monsters of Hip-Hop), deconstruct the topic of virality in the dance world, Gerran's journey from a young working dancer in PDX to becoming a sought-after teacher in LA/globally, and the deeper work of staying true to yourself in an industry that doesn't always make it easy. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Workout Programs -https://galit-s-school-0397.thinkific.com/collections You can connect with Gerran Reese on Instagram. Listen to DanceSpeak on Apple Podcasts and Spotify.
Guest: Peter ChuHosted by Courtney Ortiz & Lesley MealorContemporary dance is a genre that can be hard to define, but what everyone can agree on is that it is one of the most popular styles of dance in the industry. Peter Chu joins us on our final genre spotlight episode of season 6 to discuss the ways contemporary dance has evolved and why it will take ongoing support from the community to allow it to continue. Follow Peter Chu on social media @peterchuthis!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.dancePeter Chu - @peterchuthisJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Guests - Gregory Kanelos and Jenny HoganHosted By - Courtney Ortiz and Lesley MealorIn Episode 228 of Making The Impact - A Dance Competition Podcast, our "day in the life" series continues with a look into studio owner life! We hear from two different perspectives - Jenny Hogan, owner of Brava Dance in New York for 16 years, and Gregory Kanelos, owner of Studio G Dance Company in Massachusetts, celebrating their 5th season!Topics Include: How each studio got their start What challenges they face when owning a business What sets their studios apart from the competitionHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJenny Hogan - @brava_danceGregory Kanelos - @studiogdancecompanyThis episode is sponsored by:Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10Squirrel Trench AudioStage ready soundtracks for ChoreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
We had the opportunity to connect with iconic dancer/ choreographer, ‘JB' Joe Berry from the hit tv series Dance Moms. Chatting all things tv, film, radio, and his iconic footprint on the Lifetimes series ‘Dance Moms'. He got a chance to talk about his memorable moments, dance misconceptions and his relationship with Abby Lee Miller. Support this amazing creative on Instagram @thejoeberryofficial
The After Party Merch store is now open! Check out afterpartyinc.com. On this episode we feature the return of Kayla and Tori comes on for some redemption! We talk exes, crazy R&B brunch stories and answer some horny questions you wouldn't believe the answers to! Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty
Kiesha Lalama is an internationally recognized dancer, choreographer, and teacher who has created works for stage, film and TV. She is currently Point Park University's interim Dean of Theatre, Film and Animation, and the Executive Producer of the Pittsburgh Playhouse. Kiesha co-founded and has choreographed 15 years of Broadway's the Jimmy Awards, which has reached over 120,000 students annually. She choreographed the feature films, “The Perks of Being a Wallflower,” and “Sorority Row,” the documentary series “Broadway or Bust” for PBS, and two critically acclaimed TV series, “Outsiders” and “American Rust”. Her international concert dance works continue to be performed throughout Europe and Asia, including: Shed, Catapult, Alegria, Kinex, Aftermath, Wish, Jolt, Unsung Moment, and Vicious Cycle. She's also created three critically acclaimed full-length dance theater productions including The Bench: Journey into Love, HeartShakes, and Bound in Before.Kiesha's regional theater highlights include: All Shook Up at North Shore Music Theatre, Jesus Christ Superstar at Kansas City Starlight Theatre, Into the Woods at the Arsht Center, and for the Pittsburgh CLO, Judge Jackie Justice, Ruthless! The Musical, First Date and the Gene Kelly Awards.For the record, Kiesha and I have known one another for a number of years as we were both faculty members in the Conservatory of Performing Arts at Point Park.https://kieshalalama.com/https://www.pointpark.edu/academics/schools/copa/copadeptsmajors/dance/faculty/kieshalalama
Shannon began her career as a performer and has appeared in 10 Broadway musicals over a 25 year career. She is most known for her performance of “I Gotcha” in the Tony Award winning original Broadway cast of FOSSE. As a choreographer, Shannon has extensive experience creating for film and television as the choreographer of Saturday Night Live's Film Units, creating dances and movement for viral videos such as “I'm Just Pete”, “Gladiator Twosical”, “Shrimp Tower”, ”Big Boys” and many more. She has also choreographed multiple pre-taped and live projects for NBC's “The Tonight Show” with Jimmy Fallon and HBO's “Last Week Tonight” with John Oliver. Shannon is the Creative Director and Choreographer of the NBC/ Universal Upfront at Radio City Music Hall. She has also created, directed and choreographed many theatrical and dance projects at such respected venues as Carnegie Hall, Ballet Jazz Montreal, Roundabout Theatre Company, Signature Theatre NYC, Town Hall, Jacob's Pillow Dance Festival, Alvin Ailey Citicorp Theatre, Dreamworks, CLI, Dance Out Loud, NY Times Center, Bay Street Theatre, Bucks County Playhouse, Ogunquit Playhouse and The York Theatre Company. Shannon is the founder of FIRESTART Creative; producing and developing impactful, creative projects for film, theatre, television and live events. Her original dance short “Don't Go” was nominated for a 2023 World Choreography Award. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is a 3 part mini Casting Director series, sponsored by Casting Networks.PAUL SCHNEE is originally from Wilmington, Delaware and is a graduate of Kenyon College. After graduating, Paul worked at ICM for agent Sam Cohn, then as assistant to director Mike Nichols. He and Kerry formed Barden / Schnee Casting in 2008. Paul is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences, The British Film and Television Academy, and The Society of Stage Directors and Choreographers. He lives in Brooklyn NY with his wife and daughters.In this episode, we talk about all things ACTORS including:• How he chooses to bring actors for roles• How many actors does he request self tapes from• Does he go through submissions himself or is it someone from his team• How actors can stay on his radar• What projects he's casting now• If he watches actor reels• Directing a project that's premiering at TribecaGuest:IMDb WebsiteMother, May I have a Kidney? - TribecaCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit https://www.castingnetworks.com/promo-codes/ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:@MentorsontheMic@MichelleSimoneMillerTwitter:@MentorsontheMic@MichelleSimoneMFacebook page: https://www.facebook.com/mentorsonthemicWebsite: www.michellesimonemiller.com and www.mentorsonthemic.comYoutube:https://www.youtube.com/user/24mmichelleIf you like this episode, check out:Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"
Guests - Kasie Auten and Brittni JohnsonHosted By - Courtney Ortiz and Lesley MealorIn Episode 227 of Making The Impact - A Dance Competition Podcast, we explore how and why dancers are susceptible to a perfectionist mindset, and discuss how to use those traits to your advantage while also staying grounded.Topics Include: Strategies to focus on progress rather than perfection How studio culture can be a factor in whether dancers strive for perfection How perfectionism can manifest throughout your lifeHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceBrittni Johnson - @britts_empoweredintention, @being_brittniKasie Auten - @Ksauten_danceThis episode is sponsored by:Michelle Leagans's "Hey Dancers...Let's Talk About It!" Journal.A journaling companion for dancers to thrive as students and team members.Available for purchase on Amazon! www.letstalkaboutdance.comDance Teacher Web Conference and ExpoThis summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show
Choreographer Kyle Abraham's first collaboration with the New York City Ballet was in 2018. This month, he premieres his fourth project. It's called "When We Fell," a work he created during the pandemic that was only performed on film because of lockdowns and social distancing. He speaks about performing that piece live, running his own dance company called A.I.M and his style of dance which he describes as a "post-modern gumbo."
The After Party Merch store is now open! Check out afterpartyinc.com. Its another episode of the After Party and on this one we bring on Devante who spills some tea on the podcast! From toxic times with his ex, to some nightlife tea and even him getting ran over, we got enough tea on this one for you. Follow us on social media @AaronScenesAfterParty
Producer, Actor, Choreographer, and Momager - Brittany Perry-Russell is THAT GIRL! From dancing with icons like Ciara and Beyoncé to raising a successful kid actor (Isaiah Russell-Bailey), Brittany joins the Mamas to discuss managing her son's career while still chasing her own dreams. There's no blueprint for motherhood, but for Brittany, being spirit-led has always kept her aligned with a higher purpose. If you've ever thought about giving up on your own dreams, this episode is your reminder to keep going - because Brittany is the Momager who's survived the hustle, come out on top, and still she rises!======We love getting Listener Letters! Send any thoughts or questions for the Mamas at podcasts@blacklove.com.Make sure you connect with our Mamas:Ashley - @watermeloneggrollsCodie - @codiecoFelicia - @felicialatourMelanie - @melaniefiona
Guests - Joey Ortolani and listener submissions Hosted By - Courtney Ortiz and Lesley MealorIn Episode 226 of Making The Impact - A Dance Competition Podcast, we invited our listeners to share their experiences with toxic behaviors they've encountered at dance studios. We hear (anonymously!) from dance teachers, dance parents, and dance studio owners the things to look out for that may make your dance experience less than satisfactory. Also joining us is IDA judge and studio owner Joey Ortolani to give his varied perspectives as an industry professional who has worn many hats over the years!*THIS IS A 2 PART EPISODE! Tune in to Part 2 of this episode on Platinum Premium!*Topics Include: Studios not following their own rules Preferential treatment for some Lack of transparency from leadershipHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members only!Priority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJoey Ortolani - @joeyortoThis episode is sponsored by:Squirrel Trench AudioStage-ready soundtracks for choreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition!Dance Teacher Web Conference and Expo. This summer - July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
The After Party Merch store is now open! Check out afterpartyinc.com. The After Party is back! And for this episode we bring on El Paso's finest swingers Jasmine and Javi. They come on and tell us about how they got into the adult industry plus they share some of their favorite and some of their least favorite swinger stories. Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty
Cameron Basden, Répétiteur for the Arpino Trust, joins us ahead of Fort Wayne Ballet's staging of Light Rain, as part of the Ballet Russe Reimagined series conclusion. Jim and Cameron discuss the evolution of our company over the years of performing Gerald Arpino's masterworks and the versatility and skill of Fort Wayne's dancers.
In episode 212, host Galit Friedlander welcomes beloved ballet educator and coach Lisa Ebeyer (Jackson Ballet, Snow White, and LA's go-to ballet whisperer for commercial dancers) for a no-holds-barred convo on dancing through every season of life—without apology. Join Galit and Lisa as they talk about ditching perfectionism, keeping your body strong without surgery, and why “every age is a transitional time.” From her early pro career at 16 to falling back in love with dance at 48, Lisa shares what it means to keep showing up, stretch your big toe (yes, really), and coach with zero BS. This episode is equal parts wisdom, grit, and the kind of honesty dancers don't hear enough of. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Lisa Ebeyer on Instagram: @lisaebeyer Listen to DanceSpeak on Apple Podcasts and Spotify.
Guests - Sally Cofield, Krysten DanielleHosted By - Courtney Ortiz and Lesley MealorIn Episode 225 of Making The Impact - A Dance Competition Podcast, we're joined by two IDA judges to spill the tea on the hot topic of perfect scores in competitive dance!Topics Include: Are judges even allowed to give a perfect score? What goes into considering giving a perfect score - technique, performance, or more? The benefits and detriments of receiving a perfect scoreHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceSally Cofield - @SaldancerKrysten Danielle - @mskrystendanceCheck out our guests' current projects! Subscribe to Sally Cofield's Youtube channel Sally's Silver Linings!This episode is sponsored by:Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10Dance Teacher Web Conference and Expo This summer - July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show
Thabo Shole-Mashao, standing in for Clement Manyathela, speaks to Khabonina Qubeka, Actress, Singer, Dancer, Choreographer, TV presenter and Businesswoman, about her inspiring journey, from iconic TV roles to her music and fitness passions, offering a glimpse into her life and career. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live – The Clement Manyathela Show is broadcast weekdays between 09:00 and 12:00 (SA Time) on 702 https://www.primediaplus.com/station/702 Find all the catch-up podcasts here https://www.primediaplus.com/702/the-clement-manyathela-show/audio-podcasts/the-clement-manyathela-show/ Subscribe to the 702 daily and weekly newsletters https://www.primediaplus.com/competitions/newsletter-subscription/ Follow us on social media: 702 on Facebook: http://www.facebook.com/TalkRadio702 702 on TikTok: www.tiktok.com/@talkradio702 702 on Instagram: www.instagram.com/talkradio702 702 on X: www.x.com/Radio702 702 on YouTube: www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.
William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]
William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]
William Forsythe is the 2024 Kyoto Prize Laureate in Arts and Philosophy. He is a choreographer whose work has extended ballet to a dynamic contemporary art form. In 1984, he began a 20-year tenure as director of Ballet Frankfurt. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new, more independent ensemble, The Forsythe Company, which he directed from 2005 to 2015. Between 2015 and 2021 he served on the University of Southern California's faculty, where he helped establish the Glorya Kaufman School of Dance. Forsythe has broken the boundaries of conventional ballet style, challenging traditional artistic frameworks and developing improvisation techniques. His projects include installations and films presented in numerous museums, as well as dance documentation and education. Series: "Kyoto Prize Symposium" [Arts and Music] [Show ID: 39992]
On today's episode of "Conversations On Dance", we are joined by internationally acclaimed choreographer Arthur Pita and Royal Danish Ballet dancer Isabella Carroll. They take us through Arthur's process creating a new full length production of "The Great Gatsby" for the Royal Danish Ballet in the centennial year of the novel, touching on how the idea for the project came to fruition, how the dancers developed the iconic characters and what role production design has in bringing this classic American story to life. If you are in the Copenhagen area, "The Great Gatsby" premieres May 3rd and runs through May 31st. Tickets. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner
This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner
Jess is joined by legendary director & choreographer VINCENT PATERSON — the man behind MICHAEL JACKSON & MADONNA's most iconic movements. Topics — videos for “Beat It,” “Thriller,” “Smooth Criminal” and defining the Superbowl Halftime Show w/ MJ's 1993 performance. Plus — choreographing The Blond Ambition Tour, “Express Yourself" video, Madonna's 1990 MTV VMA Marie Antoinette “Vogue” performance, EVITA, BJORK's DANCER IN THE DARK & more! IG: @jessxnyc Vincent Paterson's memoir: Icons and Instincts
In this episode, we catch up with the incredibly talented Kelli Baker, founder of The Collective, a traveling dance company that's redefining what it means to move with purpose and passion. You may recognize Kelli from her role in the iconic High School Musical movies, but her journey didn't stop there.With a career that spans countless music videos, feature films, and performances with top artists, Kelli has become a force in the dance world—on stage, on screen, and behind the scenes. Now, through The Collective, she's empowering dancers to grow, explore, and create unforgettable experiences all over the world.
Episode Summary:Caitlin Wheeler, a multifaceted dance professional with an impressive resume spanning creative direction, choreography, and event production. Originally from Australia, Caitlin has worked globally with top artists such as Drake, Adele, and T-Pain, and brands like Nike and Reebok. She shares insights into her journey from a dancer to a choreographer and creative director, emphasizing the importance of connections, staying open to opportunities, and continually evolving.Caitlin reflects on how saying "yes" to unexpected challenges has shaped her career, including her transition into the world of corporate event production with Blueprint NYC. She encourages young dancers to embrace risks, remain professional, and focus on building a strong reputation, as talent alone is often not enough. Caitlin's story highlights the power of resilience, networking, and the willingness to pivot in the pursuit of long-term success in the dance industry.Her advice to the next generation of dancers is to keep learning, remain adaptable, and always approach challenges with confidence and gratitude. This episode is a wealth of knowledge for aspiring dancers and creatives looking to navigate the diverse opportunities within the entertainment world.Show Notes:0:00 – Introduction to the podcast3:00 – Caitlin's Early Dance Journey7:00 – Transitioning to the U.S.12:00 – The Power of Networking17:30 – Creative Direction and Choreography22:30 – Working with Cirque du Soleil28:00 – The Shift to Production and Event Management35:00 – Advice for Aspiring Dancers40:00 – Navigating Career Transitions45:00 – Final Thoughts and Words of EncouragementBiography:Caitlin's credits hail from all over the world such as Australia, USA, UK, India, Europe and Africa, and include a scope of Creative Directing, Choreography, Performance, Event Production, Hosting and Teaching.Caitlin has worked with an extensive list of Artists, Celebrities, Brands, and has worked on Television Shows, Industrials, Live Shows, Movies and Music Videos. Some of these esteemed names include - Drake, Kendrick Lamar, Glady's Knight, T-Pain, Adele, LaToya Jackson, Raven Symone, Fifth Harmony, Michelle Williams, Seal, Joey Fatone, Daughtry, Donny Osmond, Kelly Osborne, Paulina Rubio, “Carlton” Alfonzo Remeiro, Guy Sebastian, Jessica Mauboy, Neymar, Carl Lewis, Gabby Douglas, Russell Wilson, Serena Williams, Colin Kapernick, Bo Jackson and Michelle Obama just to name a few.Brands such as Sony, Nike, Reebok, Adidas, Jay-Z, Stila, Nickelodeon, Buxom, Planet Fitness, Snapchat, In & Out, Miss USA and Royal Caribbean Cruise Lines.Caitlin has a strong passion and skillset for Creative Directing, Choreography and Event Production. Some of her credits include Assistant Director & Associate Choreographer for Cirque Du Soleil's Vegas show “R.U.N”.Choreographer on Fox's hit Tv show “The Masked Singer”, New Years Rockin Eve featuring Alfonso Ribeiro, “Unleashed” on Nickelodeon, Nike Forum Fashion Week New York, “Obsessed with the babysitter” premiering on Lifetime Movies, The Rose Bowl Parade, Ringling Bros Circus “Circus Extreme”, Nickelodeon Kids Sports Awards, Nike “Born Mercurial” London, Snap Chat Annual New Years Eve Gala, In & Out Annual Gala, Nike's Strongest Plus one Brunch, India's Rawstar, Nike Olympics Puerto Rico Live Show, Reebok Global Live Summits, So You Think You Can Dance (Australia/USA), Nike “Let's Move” campaign with Michelle Obama, Miss World Tourism, Miss Angola, UNICEF, Westfield, Bachelor's Ball, and Buxom.Caitlin was also a Competition judge and Director for over 12yrs, and was a featured host on Lifetime's hit show "Dance Moms" and Jojo Siwa's "Dance Revolution". Caitlin now works Full time as a Producer for New York based esteemed Meeting and Event production company BlueprintNYC.Connect on Social Media:https://www.instagram.com/caitlinaussiefithttps://www.facebook.com/caitlinwheeler11
How Dance Theatre Workshop Launched Some of Today's Most Renowned Choreographers? by Uptown Radio
This week on the podcast is part two of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director. The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow. Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships. This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/
Join "Dance Talk” ® with Joanne Carey and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage. Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/... Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Sidi Larbi Cherkaoui, the Belgian-Moroccan dancer, choreographer and artistic director of Geneva's Grand Theatre, speaks to Dheepthika Laurent about his works "Boléro" and "Ihsane". The latter explores his complicated relationship with his late father and is a reference to a homophobic killing in 2012. Through his work, Cherkaoui has explored double culture, queer identity and removing gender boundaries. He also talks about choreographing for others: Beyoncé and Jay-Z's "Apeshit" video clip that was filmed in the Louvre museum and the "Like a Prayer" dance for Madonna's Celebration Tour last year.
Competitive dance is unique in that there are times when our dancers and their teammates are competing solos in the same division. There are also times where they are auditioning against one another for special parts in group dances, and group dances, duos and trios within and division or category from the same team competing against one another. This unique situation in competitive dance can also create some rivalry amongst teammates. Here to help us talk through resisting rivalry on your dancers team, we are bringing in the oh so qualified Company Owner, Director, Choreographer, Dance adjudicator AND fellow podcaster Melissa McDaniel. Welcome Melissa and welcome you all to Two Dance Moms Podcast!LINKS FOR MELISSATurning Point Dance CreationsYoutube Podcast: Beyond the Steps Contact Melissa at TPDCEPISODES MENTIONEDEP. 65 FAVORITISM & JEALOUSY: Dealing with Dancers, Teachers, & Parents, with Guest Melissa McDaniel EPISODE SPONSORSDream Duffel, the original rolling duffel with a built in garment rack! Choose from multiple sizes, colors, patterns, & styles!www.dreamduffel.comApolla Performance Compression Socks, Made by dancers for dancers! Increase stability and support, while reducing pain and fatigue. www.apollaperformance.comRATE & REVIEWRate & Review Apple Podcast Rate on Spotify SOCIALS Instagram: https://www.instagram.com/twodancemomspodcast/
In episode 211 host Galit Friedlander and guest, powerhouse performer and educator Rob Bynes (Beyoncé's Renaissance Tour, Super Bowl LV, Bad Bunny and more), dive into what really fuels longevity in the dance industry. From getting scouted before he even had a headshot to performing on some of the biggest stages in the world, Rob shares the mindset shifts, self-talk tools, and career pivots that have kept him grounded and growing. We get into training like an athlete, managing pressure under global spotlights, and how Rob's faith plays into his career decisions. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/collections You can connect with Rob Bynes on Instagram. Listen to DanceSpeak on Apple Podcasts and Spotify.
This week on the podcast is part one of our interview with Ranee Ramaswamy, the Founding Artistic Director of the Ragamala Dance Company, along with her daughters Aparna and Ashwini. Aparna is the Executive Artistic Director, Choreographer and Principal Dancer in the company; and Ashwini is a Choreographic Associate, Dancer, and Communications Director. The Ragamala Company tours extensively worldwide and has appeared at venues including the Kennedy Center, Lincoln Center, and Jacob's Pillow. Individually, they have won numerous awards including Guggenheim Fellowships, US Artist Fellowships and over a dozen McKnight Fellowships. This brief bio just scratches the surface of their accolades, so make sure you visit their website to see their impressive list of accomplishments and media! https://www.ragamaladance.org/
Today's guest had an incredible journey with Club Med from 1990 to 1995, starting as an Aerobics G.O. at Club Med Moorea before rising to Choreographer in 1993. Before Club Med, she was a cheerleader and model, and she holds a Communications degree from the University of California, Santa Barbara. Originally from Moraga and now calling Folsom, California, home—please join me in welcoming the amazing Kendra Courey Blake! Kendra worked with esteemed managers such as Ye, Lionello Burtet, Carlos Castro, Bernard Vigier, Lionel Benzoni, Stephan Roeina, and Yves Lebon. Her career took her to stunning destinations including Moorea, Phuket, Guadeloupe, Columbus Isle, and aboard the Club Med 1. Throughout her seasons, Kendra amassed a wealth of stories and experiences, which she graciously shares with us. To conclude the interview, Kendra reflects on the invaluable life lessons she gained during her tenure at Club Med. Enjoy this insightful conversation with Kendra! **My First Season podcast has always been ad-free and free to listen to and is available to download on: Apple Podcasts, Google Podcasts, Samsung Podcasts, Podbean App, Podchaser, Spotify, Amazon Music/Audible, TuneIn + Alexa, iHeartRadio, PlayerFM, Pandora and Listen Notes. And if you like what you hear, please leave a review on Apple podcasts.
For the first time in its history, Fort Wayne Ballet is performing a work by the great choreographer George Balanchine. As we anticipate the upcoming part two of our Ballet Russe Reimagined series, Jim Sparrow and Karen Gibbons-Brown discuss the iconic ballet Serenade.Fort Wayne Ballet's second of a three-part series, Ballet Russe Reimagined, will be performed on April 11 and 12 at the Pearl Street Arts Center. This performance features Rite of Spring and Serenade.Purchase tickets at: https://tickets.artstix.org/TheatreManager/6/login?event=0&search=P_SEQ%20in(4250,4251,4252)
On today's episode of "Conversations On Dance", we welcome internationally acclaimed choreographer Akram Khan. He shares with us his unorthodox path to a career as a dancer and choreographer, from spending grueling hours in his garage teaching himself dance to his path to university, his process while working with dancers new to his style of movement, and how rewarding it has been to unite artists working within different methods of classical indian dance in his latest project "Gigenis". "Gigenis" will be performed at the Kennedy Center from April 17th through the 19th. If you're in the Washington DC area and would like to purchase tickets, visit kennedy-center.org. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
The After Party Merch store is now open! Check out afterpartyinc.com. Krystal steps into the After Party party and tells us about her double life! (She's a barber and bartender) plus she shares some party stories from back in the day, the first time she got cheated on and how she came up in the bartending world. Follow us on social media @AaronScenesAfterParty
Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 13 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. Hosting our first segment this week is Jadyn Ayala who brings us an interview with Joshua Gaspar, professional dancer and choreographer. Joshua opens up to Jadyn about his early years in dance, sharing how his passion transformed into a career despite financial challenges and setbacks. They discuss how Joshua founded Exchange, a dance team focused on sharing ideas, power, and community and what it was like to build that team from the ground up. Next they discuss Joshua's residency in Las Vegas and how he later turned that into a North American tour with Donny Osmond. They close the interview talking about how Joshua plans to take his passion even further in the future. Next up this week, is an interview with a singer/songwriter who performs as Acacia. Acacia sits down to talk with Gabby. The pair discuss Acacia's creative process, revealing how she manages to balance deeply personal experiences with universal themes. They also discuss the evolution of her music over time—how her sound has shifted and what's influenced these changes. Acacia reflects on the roles her cultural background has played in shaping her music, offering a deeper look at how her life experiences and where she grew up influence both the lyrics, the melodies she creates, and her experiences with interpersonal relationships. They wrap up the interview with an exploration of the realities of the music industry, from how involved Acacia is in the business side of things to the biggest challenges musicians face today.
Ever wondered who creates those mesmerizing, flowing movements that make Supernatural feel less like exercise and more like dancing through your favorite songs? Meet Lauri, the Finnish choreographer responsible for some of the most beloved flow workouts in Supernatural, including the first iconic Drop Bass Meditation workout.Visit the website at: https://fortheloveofthemap.buzzsprout.comJoin the For the Love of the Map's Facebook Community: https://www.facebook.com/groups/1153000382332695/Google Guest Form: https://forms.gle/9ATRyjTix9L1mzDi6
We're back at the Rosin Box for another candid conversation with hosts Claire Kretzschmar and Soloist Aarón Sanz. This week, they're joined by Corps de Ballet Member and budding choreographer Laine Habony to talk about NYCB's First Steps program. This singular initiative gives current company dancers the opportunity to create new works on their peers, providing a professional cast and environment for first-time or early-career dancemakers. As Laine shares, this eye-opening experience provided both an education in what it takes to move to the front of the room and the validation that accompanies seeing the steps she'd envisioned come to life. (43:04) Edited by Gus Reed Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records
Building the Mosaic Dance Theatre Company with Morgiana Celeste Varricchio & Samara Adell Every dance company has its own unique journey and characteristics, from how it was founded to the style of dance it specializes in. Today, we're joined by the Producing Artistic Director and Founder of the Mosaic Dance Theatre Company (MDTC), Morgiana Celeste Varricchio, and the Artistic Director for Dance and Choreographer, Samara Adell. MDTC showcases the vibrant dance and folkloric heritage of the Mediterranean, spanning North Africa, the Middle East, and Southern Europe. Through captivating performances and educational initiatives, MDTC brings to life the region's music, myths, and traditions, preserving and sharing its cultural tapestry. In this conversation, Morgiana and Samara share how they discovered their affinity for Middle Eastern dance, why they felt it wasn't adequately represented in the US, and how they formed the Mosaic Dance Theatre Company. We discuss the many shows they've produced, including their special upcoming 20th-anniversary show, Visions of the Near East, how they manage their creative partnership, and the challenges of running a nonprofit. Tune in to hear the full scope of Morgiana and Samara's beautiful journey, from becoming friends to running a thriving company together! Key Points From This Episode: An introduction to Morgiana Celeste Varricchio and her dance journey. How she became involved with Middle Eastern dance and met Samara Adell. The success of Morgiana's production of Ali Baba and the Forty Thieves. How Morgiana and Samara founded the Mosaic Dance Theatre Company in 2005. Their mission to ensure Middle Eastern Dance was properly represented in the US. An overview of their productions, including their original show, Caravan to Cairo. Their upcoming production, Visions of the Near East Some background on Samara and how she became interested in dance. Her time working in New York and the extensive global touring she did as a dancer. The inner workings of Samara and Morgiana's creative partnership. How they prepare for, plan, rehearse, and arrange all the different elements of their shows. Standout experiences during their two decades with Mosaic. “We both agreed that Middle Eastern Dance was not represented properly in the professional world of dance. It is a very legitimate dance form, but not looked upon that [way] here in the US. It was our mission, then, to bring this dance to the public.” — Morgiana Celeste Varricchio Morgiana Celeste Varricchio is the Producing Artistic Director and Founder of Mosaic Dance Theater Company. Samara Adell is Artistic Director for Dance & Choreographer of Mosaic Dance Theater Company. For more on this episode, Morgiana, and Samara: Movers & Shapers: A Dance Podcast For the latest, follow us on Instagram & Facebook Support this podcast with a tax-deductible donation! themovingarchitects.org/support
Hear from two artists and an educator about how they use improvisation to engage with art. Improvisation informs all kinds of creative practice. But how does chance really play out in an artist's work? And how might it inform their everyday lives? Choreographer and dancer Mariana Valencia and artist and musician Jazmin “Jazzy” Romero test these ideas in the performance Jacklean (in rehearsal). In this episode of the Magazine podcast, they discuss how chance operates in their work, what a performance score for improvisation looks like, and share more about their collaboration. Their story of friendship and innovation is bookended by anecdotes from Sarah Dinkelacker, an educator at MoMA who uses improvisation to help people engage with art. Tune in to hear more about improvisation as a tool for life—a way to make it up as you go and move through the world with others. Access a transcript of the conversation at https://www.moma.org/magazine/articles/1201
"Dance Talk” ® with Joanne Carey with special guest, Robert Battle, choreographer, artistic director and newly appointed resident choreographer for the Paul Taylor Dance Company.In this episode of "Dance Talk” ® with Joanne Carey, host Joanne Carey interviews Robert Battle. Together they discuss Robert's journey from his early beginnings in dance in Miami, his experiences at Juilliard, and his time as artistic director of the iconic Alvin Ailey Dance Theater. Robert shares insights on the importance of mentorship, the creative process in choreography, and the significance of celebrating humanity through art. The conversation highlights the challenges and triumphs of a career in dance, emphasizing the value of connection and community in the arts.Robert Battle's journey to the top of the modern dance world began in the Liberty City neighborhood of Miami, Florida where he showed artistic talent early and studied dance at a high school arts magnet program. From there he attended Miami's New World School of the Arts and then the dance program at The Juilliard School where he met his mentor Carolyn Adams. He danced with Parsons Dance from 1994 to 2001, and set his choreography on that company starting in 1998. Mr. Battle founded his own Battleworks Dance Company in 2002 which performed extensively at venues including The Joyce Theater, American Dance Festival, and Jacob's Pillow. A frequent choreographer and artist in residence at Ailey Ailey American Dance Theater since 1999, he set many of his works on the Ailey Company and Ailey II. In July 2011 he was personally selected by Judith Jamison to become Artistic Director of Ailey, making him only the third person to head the Company since it was founded in 1958. During his 12 years as Artistic Director he expanded the Ailey repertory with works by artists as diverse as Kyle Abraham, Mauro Bigonzetti, Ronald K. Brown, Rennie Harris, and Paul Taylor. He also instituted the New Directions Choreography Lab to help develop the next generation of choreographers. He stepped down from the position in 2023.For more information about Robert Battle and the Paul Taylor Dance Companyhttps://paultaylordance.org/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Episode 161: Kimbo chats with LoCa (Witch, Burlesque Performer, Choreographer, and Instructor) They talk about them both being part of the Siren Collective and LoCa shares how she started her burlesque career as well as how she navigated being in survival mode from her childhood living in Italy to now working in Higher Education. She discusses how her career as a professional ice skater helped guide her into doing burlesque. She also shares how she is a witch and how she incorporates that in her art. She started the "Windy City Witches" to create a safe space for her burlesque students to perform their art on stage. Follow her on Instagram: @loca__sto M@sturbation Playlist: https://open.spotify.com/playlist/5JfKrEqy9nN8h4HSFnd4Jg?si=5cff530195a34f38Listen to the Podcast on Apple Podcasts, Spotify, Google Podcasts, Overcast, Amazon Music, and Radio Public.Youtube: @KimbologyPodcast @KimboPoleDancerThreads: @Kimbo_ishTik Tok: @KimbologyPodcast @KimbologyPole @Kimbology _Facebook: @KimbologyPodcast @KimboPoleDancerSupport this podcast at — https://redcircle.com/kimbology/donations
How can a classic performance like “Fiddler on the Roof” be reimagined to resonate with contemporary audiences? The trend of reviving and restaging classic plays and musicals with a modern twist is giving new life to cultural hubs like Miami, Chicago, and New York City. In this Cut to the Chase: Podcast, you'll meet Sandra Portal-Andreu, an Interdisciplinary Artist, Choreographer, and entrepreneur based in Miami, Florida. Sandra joins the show to discuss her latest project—a captivating re-envisioning of the timeless classic "Fiddler on the Roof" with Zoetic Stage. (Learn more about them in our last episode - linked below!) Sandra's modern approach to "Fiddler on the Roof" not only incorporates traditional Jewish and Russian dances but also infuses a unique minimalistic and geometric staging that adds a fresh twist to the narrative. Tune in to hear all about it! And if you're in the Miami area this month, be sure to check out “Fiddler on the Roof” live at the Adrienne Arsht Center for the Performing Arts! What to expect in this episode: Supporting Local Theater Talent: Learn about Zoetic Stage's mission to nurture and showcase Miami's local theater talent. Reimagining Classics: 'Fiddler on the Roof' at Zoetic Stage – Explore the creative process behind Zoetic Stage's fresh take on classic plays like Fiddler on the Roof, opening in March 2025. The Impact of Professional Theater on Miami's Arts Scene: How Zoetic Stage and other professional theaters contribute to Miami's cultural landscape. Upcoming Productions at Zoetic Stage: Get a sneak peak into Zoetic Stage's exciting new productions and their approach to fresh, compelling storytelling. Key Actionable Takeaways: Diversify Team Interests to Enrich Workplace Culture: Foster a more dynamic and inclusive workplace by encouraging diverse interests and passions among your team. Support Local Arts to Strengthen Community Ties: Build deeper connections with your community by supporting local arts and cultural initiatives. Collaborate with Creative Sectors to Expand Networks: Explore opportunities for collaboration with the creative industry to broaden your influence and network. Leverage Personal Passions to Boost Innovation: Tap into employees' personal passions to drive innovation and enhance your company's approachability. Stay tuned for more updates, and don't miss our next deep dive on Cut to The Chase: Podcast with Gregg Goldfarb! Subscribe, rate, review, and share this episode of the Cut to the Chase: Podcast! Resources: Get tickets to Fiddler on the Roof & other shows (hurry, tickets are going fast!): https://www.zoeticstage.org/tickets.php Listen to our last episode with Zoetic Stage's Co-Founder: https://podcasts.apple.com/us/podcast/behind-the-curtain-15-years-of-zoetic-stage-with/id1551362164?i=1000698848925 Learn more about Zoetic Stage: https://www.zoeticstage.org Follow Zoetic Stage on Instagram: https://www.instagram.com/zoeticstagemia Visit Sandra's website: https://www.sandraportal.com Follow Sandra on Instagram: https://www.instagram.com/sandra.portal.andreu Connect with Sandra on LinkedIn: https://www.linkedin.com/in/sandra-portal-andreu This episode was produced and brought to you by Reignite Media.
The After Party Merch store is now open! Check out afterpartyinc.com. We're back with a brand new episode from the Madhouse studios! And on this one we bring the new girl Leah on as she brings the sad vibes post break up. But she also tells us about her penthouse trip to Vegas and we break down the pros and cons of getting flown out of town! Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty
Episode Summary:Chantal Robson, a choreographer, creative director, and producer with an impressive career working with pop icons like NSYNC, Britney Spears, Madonna, and Demi Lovato. Chantal shares her remarkable journey from Australia to the heart of the entertainment industry, offering invaluable insights into her evolution from a professional dancer to a leading figure in creative direction and production.Chantal discusses her early days in dance, the pivotal moments that led her to choreograph and direct, and how she seamlessly transitioned into the role of creative producer for massive productions like The Grammys, Billboard Music Awards, and America's Got Talent. She reveals behind-the-scenes stories, including the challenges and triumphs of producing large-scale events, directing award shows, and her creative process for shaping unforgettable performances.Throughout the episode, Chantal emphasizes the importance of staying true to oneself, understanding the business side of dance, and embracing the journey even in the face of rejection. She also provides practical advice for aspiring dancers and creatives on how to approach auditions, build valuable relationships, and gain experience through assisting and learning from industry veterans.This episode is a must-listen for anyone looking to take their dance career to the next level, whether on stage or behind the scenes. Join us for this inspiring conversation with one of the industry's finest!Show Notes:(0:00) – Introduction to The Business of Dance podcast(1:15) – Menina introduces Chantal Robson and her incredible career in the dance industry.(3:30) – Chantal's early dance experience in Australia and move to the U.S.(6:00) – Chantal's first break as a backup dancer and her transition to professional dance.(8:45) – Transitioning from dancer to choreographer and creative director.(12:00) – Behind-the-scenes of large-scale events: The Grammys, Billboard Music Awards, America's Got Talent.(17:00) – Creative process and managing the pressure of producing large shows.(22:00) – Handling rejection and staying true to yourself in the dance world.(26:00) – Gaining experience and building relationships through assisting.(31:00) – The role of social media for dancers in today's industry.(35:00) – Balancing artistic vision with commercial success in dance productions.(39:00) – Final advice on staying confident and authentic in your dance career.(42:30) – Menina wraps up the episode with gratitude for Chantal's insights.Biography:Chantal Robson is a Creative Director, Choreographer, Producer, Educator, performance coach and Visionary who has worked with some of the top global talents including, One Direction, N'sync, Demi Lovato, Becky G, Britney Spears, Usher, Madonna, Gloria Trevi, Victoria Justice, Madison Beer, Leah Kate and more.Moving from Australia at a young age, Chantal started as a professional dancer and quickly moved into choreography and associate creative producing many live stage shows and performances. From choreographing 4 years of JUST DANCE VIDEO GAMES for Disney to producing and directing on multiple awards shows (Grammy's, Billboard's, VMA's, Kid's Choice, etc) and live concerts for Demi Lovato, N'sync, Britney Spears and Gloria Trevi to stage shows for Disney and Franco Dragone productions- INDIA.Chantal has also recently worked with Silent House on the amazing “Awakening” at the Wynn Hotel and produced the 2023 F1 Opening. In TV Chantal has been a Choreographer on American Idol, eight seasons as supervising choreographer and associate creative producer on “America's Got Talent” (NBC) and three seasons as creative producer for “World of Dance” (NBC). Chantal continues to work and develop artists, choreograph, produce and direct live stage shows and TV.Connect on Social Media:https://www.instagram.com/chantalrobsoncreativehttps://www.facebook.com/chantal.l.robsonWebsitehttps://chantalrobson.my.canva.site/chantal-robson-website
In episode 210, host Galit Friedlander sits down with Miller Daurey, a breakout dance star who left the industry at 19 and made his return three decades later. Join Galit and Miller as they get real about what it's like to step away from dance, the fears that kept him from coming back, and what's changed after 30 years. They dive into how class culture has evolved, the highs and lows of re-entering the scene, and why getting "back to great" isn't always a straight path. Plus, they break down hot topics like filming culture in studios, where AI can for awry, and why dancers love to call themselves rusty after missing class for two minutes (I do it too!). Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Miller Daurey on Instagram: https://www.instagram.com/backtogreat. Listen to Miller's Hey Dancer Podcast: Apple: https://podcasts.apple.com/us/podcast/hey-dancer/id1784126648 Spotify: https://open.spotify.com/show/2jHsC6gn7MylDprwzmjc13?si=Z9F_EH7rQF-G18nlVPjSzg YouTube: https://www.youtube.com/playlist?list=PLwFxLwtPydHKVZMsgnIp9Mn9W6tTj-MST Listen to DanceSpeak on Apple Podcasts and Spotify.
Episode Summary:Chuck Maldonado, a highly sought-after choreographer and creative director. Chuck shares his inspiring journey from a late start in dance at the age of 29 to becoming a key figure in the industry. He reflects on his early experiences with street dance and formal training, which eventually led to his involvement in the Centennial Olympic Games, where he worked with legendary choreographer Kenny Ortega. Chuck also discusses how key relationships, including a connection with Lisa Left Eye Lopez, helped propel his career forward, leading to major choreography opportunities for artists like Missy Elliott and Pink.Chuck delves into his transition from dancer to choreographer, citing his work on the film Stomp the Yard as a pivotal moment. He also talks about his latest venture, The Stu, a creative studio in Burbank, where he and his business partner Aliya Janelle offer a safe and supportive space for artists to rehearse, create, and grow. Chuck emphasizes the importance of relationships, mentorship, and trusting the process in building a successful career. Show Notes:(0:00) Introduction to Chuck Maldonado, Renowned Choreographer and Creative Director(3:30) Chuck's Early Start in Dance and Overcoming Challenges(8:45) Breaking into the Industry: Chuck's Big Break at the Centennial Olympic Games(14:20) How Chuck's Relationship with Lisa Left Eye Lopez Led to His First Major Job(19:00) Transitioning to Los Angeles: Chuck's Experiences with Missy Elliott, Pink, and More(23:15) Chuck's Favorite Projects: Working with Missy Elliott and Pink(27:00) The Shift from Assistant to Lead Choreographer: The Making of Stomp the Yard(33:45) Launching The Stew: Chuck's New Creative Studio in Burbank(38:30) The Vision for The Stew: A Safe Space for Artists and Dancers to Create and Connect(42:15) Chuck's Advice for Aspiring Dancers: Building Confidence and Overcoming Self-Doubt(46:00) Mentee Q&A: Staying Inspired in Choreography, Building Industry Connections(52:00) The Importance of Relationships and Mentorship in Career Growth(56:00) Final Thoughts on Trusting the Process and Staying True to Your Purpose in DanceBiography:Chuck Maldonado is one of today's most sought after Choreographers/Creative Directors in the industry. He has made such an impact in TV and films such as; Stomp The Yard 1 and 2, Step Up Revolution, House Party 5, Disney films G-Force, and Underdog. In addition, his talent and creative direction has also been used in shows such as; Dancing With The Stars, So You Think You Can Dance, X-Factor, and America's Best Dance Crew. Additionally, Chuck has worked on numerous commercials that include; McDonalds, Wendy's, Best Buy, AT&T, Hanes, Gap, and Target.He has also worked with several recording artists such as; Fergie, Chris Brown, Young Thug, P. Diddy, Ne-Yo, Usher, Pink, Khalid, and Missy Elliott. A four time award-winning Choreographer for his work on ‘Stomp the Yard,' ‘The NAACP Image Awards', ‘Chris Brown's Grammy performance', and Brighthouse's Network Commercial. Chuck has also devoted much of his time furthering his education. A Graduate of the historical North Carolina A&T State University, Chuck received his Bachelor's of science in Business Administration. Upon graduating college he received his first choreography job for the opening and closing ceremonies of the Centennial Olympic Games in Atlanta.His recent projects include Paramount animated film Max and the Midknights, Bounce TV ‘Mind Your Business, MTV Movie and TV Awards for Dwayne “The Rock” Johnson, the Netflix original film ‘Word Party', Toyota Commercials, Khalid ‘Roxy' Tour, and “In The Time It Takes To Get There” Movie by Zach Braff. Whether Choreographing, Creative Directing, Producing and now being a Studio owner, Chuck is known worldwide as one of the best in the industry. Connect on Social Media:https://www.instagram.com/chuckmaldonadohttps://www.facebook.com/chuck.maldonado1911Websitehttps://thestulosangeles.com/
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