Art or practice of designing sequences of movements of physical bodies
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On Monday's Morning Focus, Alan Morrissey was joined by Douglas Reddan, Movement Artist, Choreographer, and Director from Quin, and Leah Moore, award winning filmmaker. Douglas, a movement artist, choreographer and director from Quin, and Leah, who is an award-winning filmmaker, have come together to work on a short film. The film, entitled Pull Hard, which was shot entirely in Co. Clare, will show at Glór.
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Its a special Independence Day episode featuring our girl VOO. She tells us all about how she got started dancing in the Sun City, some wild club stories and we talk about good and bad times at the infamous Jaguars Gentleman's Club. Plus she tells us what she's up to nowadays including her brand new single life. Follow us on social media @AaronScenesAfterParty.
In this episode, I sit down with British filmmaker, fight choreographer, and martial artist Michael Hoad, co-director of the new indie action-thriller A WOMAN SCORNED. We talk about how Michael went from training at Carlson Gracie to working on a Guy Ritchie set, and how martial arts opened the door to his directing career. We dig into the making of A WOMAN SCORNED—from the co-directing process to weapon-heavy night shoots and choreographing complex action without stunt doubles. Michael shares why BJJ isn't always camera-friendly, what it was like editing his own fight scenes, and the logistical beast of directing a twin-assassin film with only one actress. We also get into the evolution of British cuisine, punchy stories about Lenny McLean, and the magic of "happy accidents" on set. Toward the end, Michael picks two of his all-time favorite movie scenes: the legendary motorcycle chase in TERMINATOR 2: JUDGMENT DAY and the haunting finale of Takeshi Kitano's VIOLENT COP. Hosted by Zef Cota
This is the Full interview with Paul Schnee.PAUL SCHNEE is originally from Wilmington, Delaware and is a graduate of Kenyon College. After graduating, Paul worked at ICM for agent Sam Cohn, then as assistant to director Mike Nichols. He and Kerry formed Barden / Schnee Casting in 2008. Paul is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences, The British Film and Television Academy, and The Society of Stage Directors and Choreographers. He lives in Brooklyn NY with his wife and daughters.In this episode, we talk about all things ACTORS including:• How he chooses to bring actors for roles• How many actors does he request self tapes from• Does he go through submissions himself or is it someone from his team• How actors can stay on his radar• What projects he's casting now• If he watches actor reels• Directing a project that's premiering at TribecaGuest:IMDb WebsiteMother, May I have a Kidney? - TribecaHost:Instagram:@MentorsontheMic@MichelleSimoneMillerTwitter:@MentorsontheMic@MichelleSimoneMFacebook page: https://www.facebook.com/mentorsonthemicWebsite: www.michellesimonemiller.com and www.mentorsonthemic.comYoutube:https://www.youtube.com/user/24mmichelleIf you like this episode, check out:Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"
Veronica Reyes-How is an award winning writer/actor/producer based in NYC. A graduate of the University of Michigan with a B.A in Mathematics, she left a career in technology consulting to pursue acting when an open-call audition resulted in her booking the national tour of Rent. Her big break came when she was one of ten actorschosen for the ABC/Disney Talent Showcase. Mentored by ABC/Disney, she then went on to book credits such as CBS' Blue Bloods, NBC's The Blacklist, CBS' Person of Interest, and ABC's Alex Inc. She was also featured in HBO's East of Main Street as an up and coming actor. Her short film, California Roll, which she co-produced and acted in screened at over 10 festivals around the country, and won Best Micro Thriller at Austin Revolution Film Festival.PAUL SCHNEE is originally from Wilmington, Delaware and is a graduate of Kenyon College. After graduating, Paul worked at ICM for agent Sam Cohn, then as assistant to director Mike Nichols. He and Kerry formed Barden / Schnee Casting in 2008. Paul is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences, The British Film and Television Academy, and The Society of Stage Directors and Choreographers. He lives in Brooklyn NY with his wife and daughters.Charlotte Ray Rosenberg (Sneaky Pete, FBI: Most Wanted)Guest:IMDb WebsiteMother, May I have a Kidney? - TribecaHost:Instagram:@MentorsontheMic@MichelleSimoneMillerTwitter:@MentorsontheMic@MichelleSimoneMFacebook page: https://www.facebook.com/mentorsonthemicWebsite: www.michellesimonemiller.com and www.mentorsonthemic.comYoutube:https://www.youtube.com/user/24mmichelleIf you like this episode, check out:Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")TRIBECA: Patricia Arquette and Camila Morrone on the U.S. Premiere of "Gonzo Girl""Wicked," "The Gilded Age"
*Disclaimer: The audio quality in this episode is unfortunately below our standards but we felt that the content was too valuable not to share it* In episode 215, host Galit Friedlander and guest Stephanie Scull (dancer for Pharrell, Usher, America's Got Talent and founder of her own successful styling/costuming brand) get into the real-talk intersection of dance, identity, and personal style. Stephanie shares how her path took her from competitive dance and the fashion world to working major jobs in LA and what made her say yes to pivoting towards her own business. From audition looks to headshot rules to what “comfortable” really means when you're getting dressed for a career-defining moment, this one is full of practical gems and big-picture energy. We talk about boundaries, burnout, why dancers often forget their power, and how to use clothes to show the world who you are, before you even move. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Stephanie Scull on Instagram at https://www.instagram.com/scullysculls/. Stephanie's website is https://www.scullystyles.com. Listen to DanceSpeak on Apple Podcasts and Spotify.
In episode 215, host Galit Friedlander and guest Stephanie Scull (dancer for Pharrell, Usher, America's Got Talent and founder of her own successful styling/costuming brand) get into the real-talk intersection of dance, identity, and personal style. Stephanie shares how her path took her from competitive dance and the fashion world to working major jobs in LA and what made her say yes to pivoting towards her own business. From audition looks to headshot rules to what “comfortable” really means when you're getting dressed for a career-defining moment, this one is full of practical gems and big-picture energy. We talk about boundaries, burnout, why dancers often forget their power, and how to use clothes to show the world who you are, before you even move. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Stephanie Scull on Instagram at https://www.instagram.com/scullysculls/. Stephanie's website is https://www.scullystyles.com. Listen to DanceSpeak on Apple Podcasts and Spotify.
Welcome back to Season 8 of the Recovering Perfectionist Podcast in partnership with the Dance Wellness Community!In this episode, Christine chats with DWC ambassador, Antonio Núñez who grew up in New York where he was heavily involved in Salsa, Merengue, and many of the Caribbean's African rooted folkloric dances. As he got older his mother pushed him into ballet, modern, and later hip hop. He learned ballroom dancing as a teenager and quickly became certified to teach at only 17 years old. Ballroom quickly replaced most other dance styles as Tony's passion, when he realized just how impactful this style can be to the soul and psyche of all of his students. Tony has had the privilege of dancing with some of the most beautiful artists and through their partnerships have received many incredible accolades and experiences including; US Professional 9 Dance finalist, World Smooth finalist (Moscow, Russia), United States Mambo Bronze Medalist, World Salsa Champion (San Juan, PR), Choreographer, Coach and Performer for Infinite Flow (an inclusive dance company that pairs professional dancers with disabled dancers Los Angeles, CA), Professionally certified Instructor of Barricchi Movement and Art (a ballroom take of proprioception awareness Hong Kong, China). Having a diverse background of professional, competitive, and social dancing with a street flare, Tony strives to put authenticity in all he teaches and performs. With his degree in Education, he has been teaching now for 23 years. His background in Education, affords him the opportunity to inspire people on a deeper level. For him, dancing (particularly partner dancing), is the vehicle that brings true self awareness and therefore ultimate fulfillment regardless of the background, orientation, gender or ability.DANCE WELLNESS COMMUNITY:Join us in the INNER CIRCLE:https://dancewellnesscommunity.com/innercircle CONNECT WITH TONY:https://www.instagram.com/toni_nunez85CHRISTINE BAR NOEL:All The Things! https://beacons.ai/christinebarnoelInstagram:https://www.instagram.com/recoveringperfectionistpodcasthttps://www.instagram.com/dancewellnesscommunity
Gugs Mhlungu speaks to Shimmy Jiyane, Choreographer and choirmaster of Soweto Gospel Choir, about their groundbreaking collaboration with DJ and producer MÖRDA and the creative process behind the bold fusion of gospel and house music. 702 Weekend Breakfast with Gugs Mhlungu is broadcast on 702, a Johannesburg based talk radio station, on Saturdays and Sundays Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.
Shannon Lewis is making her Broadway debut as choreographer and producer for the musical JUST IN TIME. The show stars Tony Award winner Jonathan Groff as Bobby Darin in an immersive experience featuring iconic hits like "Beyond the Sea" and "Mack the Knife." As a choreographer, she's well-known for her work on SATURDAY NIGHT LIVE, creating viral video dances, and has choreographed projects for THE TONIGHT SHOW WITH JIMMY FALLON and LAST WEEK TONIGHT WITH JOHN OLIVER. In this interview, we talk about the experience of choreographing for Pete Davidson's "I'm Just Pete" sketch, comedy in choreography, her involvement in JUST IN TIME, working with Jonathan Groff, and much more! Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!
Send us a textTara and EmKay continue their journey into the bulk of season 6: breaking down each scene of "Wicked: Part I"! In this episode they are joined by former Boq Lee Slobotkin to dive into the first half of the epic “Dancing Through Life” segment! Rabbit holes include favorite prom memories, the design of the library set, and so much more!Show notes:"Wicked The Musical" - The Movie (2024/2025) - DTYBPLee SlobotkinInterview: 'It's So Rewarding': Actor Zizi Strallen on Taking on The Role of Glinda in WICKEDJonathan Bailey's Horse in Wicked Is the Same One in Bridgerton: ‘He's a Legend'Christopher Scott: Dancing through life and onto the big screen of ‘Wicked'Making Those ‘Wicked' Library Shelves Spin and More Secrets from the Oz Production Design‘Wicked' Choreographer on Ariana Grande's High Kick, Viral Dance Moves and Why ‘No Books Were Harmed' in ‘Dancing Through Life''Wicked' Director & Cinematographer Break Down the 'Dancing Through Life' Scene | Vanity Fair@JoliCreates Instagram@JoliCreates Tik Tok@mrscscozycraftsInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz
Interview with Chrissie Cartwright, Associate Director and Australian Choreographer for the 40th anniversary Australian tour of CATS. Hear the history behind the musical and an insight of how Andrew Lloyd Webber began putting music to T.S Eliot's poems 'Old Possum's Book Of Practical Cats' (the source material), working with the original choreographer Dame Gillian Lynne and bringing this musical back to its original home, the Theatre Royal Sydney. Watch performances: ~ 'Prologue: Jellicle Cats' full cast ~ 'Gus the Theatre Cat', Lucy Maunder & Todd McKenney ~ 40th anniversary Australian cast Let Me Entertain You- Instagram | Twitter | Facebook | TikTok | Youtube
Join "Dance Talk” ® with Joanne Carey and special guest Felice LesserIn this episode of "Dance Talk” ® with Joanne Carey speaks with choreographer Felice Lesser about her extensive career in dance, the founding of her dance company, and her upcoming performance 'I Am a Dancer 2020.' They discuss Felice's journey into dance, her experiences with various dance styles, and the impact of COVID-19 on freelance dancers. Felice shares insights into her creative process, the integration of multimedia in her work, and the importance of supporting smaller dance companies. The conversation concludes with reflections on the past 50 years in dance and an invitation to the audience to attend her performance. Felice Lesser's multi-media works have been seen inthe U.S. and abroad, at venues including Lincoln Center Out-ofDoors, The Duke on 42nd Street, the Edinburgh Fringe Festival,Baryshnikov Arts Center, Dixon Place, Carnegie Recital Hall, JoyceSoHo, Symphony Space, Sarasota Ballet, and the 1991 TokyoInternational Choreography Competition. Her dance & video work,"AI" (from LIGHTNING) was chosen for the 2019 Carson City (NV)International Film Weekend. Lesser won the Lawrence S. Epstein Prize for Choreography, Lesser's company, Felice Lesser Dance Theater, received a "Creative Engagement" Grant fromLMCC . Her company received 27 grants from The Harkness Foundation for Dance, a grant from the Puffin Foundation, and ongoing inkind support from Freed of London.I AM A DANCER won two Accolade Awards A member of the Dramatist's Guild, Lesser was one of three playwrights chosen for New Perspectives Theatre's 2013 “Women's Work” Project, where her play about global warming,was premiered. She produced, wrote, directed, choreographed, filmed, and edited fivetelevision programs on dance, all broadcast on Manhattan Neighborhood Network. Her articleon using technology in dance education (“Dancing on the Keyboard”) was published inDance/USA's Journal, and she was designated one of Credo Interactive's “Master Animators”for her work with LifeForms dance animation software.Lesser is currently an Adjunct Professor of Dance at UCONN/Stamford, an Artist-in-Residencefor the state of Nevada (and formerly, Idaho), was a Mentor for the NYFA (New York Foundationfor the Arts) Immigrant Artist Program (2017-18), and performed in Philippe Parreno's “TheCrowd” shown at the NY Armory in 2015. Felice served as an adjudicator for the Ohio DanceFestival, the National Federation of Music Clubs' Ballet Competition, and the NYC Parks Foundation's Green/Arts. She holds a B.A. from Barnard College in Music, cum laude, and anM.A. from Columbia University in Dance & Dance Education.More about Felice Lesser Dance Companyhttps://www.fldt.org/Tickets for the June 26, 27 & 28 at New York Live Artshttps://newyorklivearts.my.salesforce-sites.com/ticket/#/events/a0SVt0000048epBMAQ“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
The art of movement is so vital on many levels....On this episode we're in the middle of Emmy campaigning as we look at one of our favourite shows on Prime Video. It's time for 'Etoile'.Geneviève (Charlotte Gainsbourg) of the Paris Opera Ballet and Jack (Luke Kirby) at the New York City Ballet exchange top dancers in an effort to lure audiences back in the drama series created by Amy Sherman-Palladino and Daniel Palladino.From 'The Marvelous Mrs Maisel' to 'Etoile' the importance of movement and dance is vital to the story being told. We had the unique pleasure of sitting down with Choreographer Marguerite Derricks to talk about her work on the show and beyond on films like 'Showgirls' and 'Striptease'.'Etoile' is on Prime Video now.
Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com © 2025 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: www.actionatadistance.ca Dancing On The Edge Festival 2025: https://www.dancingontheedge.org/ Company 605: https://company605.ca/ Morrow: https://oddmeridian.ca/morrow.html About Vanessa: Vanessa Goodman acknowledges that she lives, works, and creates on the ancestral and unceded territories of the Coast Salish peoples, including the Sḵwx̱wú7mesh (Squamish), Stó:lō, Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) Nations. She holds a Bachelor of Fine Arts from Simon Fraser University and is the artistic director of Action at a Distance Dance Society. She is drawn to art that carries meaning beyond aesthetics, using choreography as a means to explore liminal expressions within the human condition. Her choreographic practice weaves together generative movement and sonic embodiment to create immersive performative environments. Through her work, she seeks to cultivate intimacy between the body and its surroundings, challenging conventional forms of performative hierarchy through collaborative approaches. She has received several awards and honours, including The Iris Garland Emerging Choreographer Award (2013), The Yulanda M. Faris Scholarship (2017/18), The Chrystal Dance Prize (2019 & 2024), the Schultz Endowment from the Banff Centre for Arts and Creativity (2019), The Isadora Award (2025) and participation in the "Space to Fail" program (2019/20) through Hyde Productions (NZ), Critical Path (AU), and The Dance Centre (CA). Longstanding collaborations include "Graveyards and Gardens" with Caroline Shaw, "BLOT" with Simona Deaconsecu, and multiple works with Loscil (Scott Morgan), Brady Marks, and James Proudfoot. Her work has toured Canada, the United States, Europe, and South America. www.actionatadistance.ca About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary). With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
In this episode of Passion for Dance, host Dr. Chelsea sits down with accomplished dancer, choreographer, and educator Alexandra Beller. Alexandra shares invaluable advice for dealing with negative self-talk, building body awareness, and fostering authenticity in your performances. She details her journey from being a young dancer to a world-touring professional and celebrated choreographer. Alexandra also discusses the importance of understanding one's creative process and offers practical strategies for dealing with inner critics and boosting confidence. Additionally, she gives a sneak peek into her upcoming book 'The Anatomy of Art: Unlocking the Creative Process for Theater and Dance.' This episode is packed with insights for dancers looking to cultivate a successful and authentic dance career. Connect with Alexandra Beller and her book 'The Anatomy of Art: Unlocking the Creative Process for Theater and Dance' : https://www.alexandrabellerdances.org https://www.instagram.com/alexandrabellerdances/ Other Episode Resources: https://passionfordancepodcast.com/214 Episode Breakdown: 01:14 Meet Alexandra Bellar 03:22 Navigating Transitions and Choices in Your Dance Career 16:18 The Importance of Body Awareness and Authenticity 24:24 Handling the Inner Critic and Building Confidence 39:38 Conclusion and Final Thoughts
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Peep the brand new episode featuring the one and only El Paso Foos! As he comes on reveals the face behind the instagram account and we chop it up and get to know him. He tells us about his early success in the music scene and his transition to talent management plus he names some of the best artists in the Sun City. Follow us on social media @AaronScenesAfterParty
Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records
The stage musical adaptation of BURLESQUE, which premiered recently in the UK, is getting ready to head to the West End, opening this summer at the Savoy Theatre in London.After the premiere production it was announced that original director Nick Winston, along with much of the creative team, were departing the production with cast member and co-composer Todrick Hall becoming the show's new director and Choreographer.In this new episode Mickey-Jo is sharing some potential insights into the reasons for this change in the creative team, what it means for the show and whether he's eagerly anticipating the West End opening...•00:00 | introduction02:15 | what's changed?09:49 | what does this mean?15:25 | what else do we know?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. The boyz are back with another episode! And on this one we feature the return of Louyah! Who comes on talks about his first time in Mexico, his latest Dive Bar Tour run and new projects he's been working on. Plus his tour manager comes on and gives him hell and he shares some crazy stories from his tour! Follow us on social media @AaronScenesAfterParty
In episode 214, host Galit Friedlander and guest Kwasi Ohene-Adu (dancer, technologist, and founder/CEO of Groovetime) get into a conversation that's part dance history, part tech-forward vision, and fully rooted in the reality of what dancers are navigating today. From street performing and coding his own programs in college to building a platform that connects dance trends, AI, and digital ownership, Kwasi shares what he's learned and where he believes the industry is headed. This episode covers everything from soft power and viral culture to how dancers can create new revenue paths without waiting on the old system to catch up. Expect stories, sharp insights, and future-focused ideas—plus a few unexpected laughs along the way. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Workout Programs -https://galit-s-school-0397.thinkific.com/collections Learn more about investing in Groovetime by visiting https://www.startengine.com/offering/groovetime. Check out Groovetime on Instagram and TikTok. Listen to DanceSpeak on Apple Podcasts and Spotify.
Hosts Claire and Aarón are back at the Rosin Box, joined this week by Principal Dancers Tiler Peck and Roman Mejia to talk about the relationship between choreographer and dancer in the creation of new works—especially in the case of Tiler's Concerto for Two Pianos from 2024, which featured Roman. As they share, the process is like a conversation between artists on both sides of the studio and relies heavily on trust. Tiler highlights the necessary balance between celebrating individual dancers' strengths with making a timeless work, while Roman describes feeling deeply invested in the success of her ballet's premiere. (34:11) Edited by Emilie Silvestri Music: "Je ne t'aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records
Broadway Director & Choreographer JoAnn M. Hunter (Bad Cinderella, School of Rock) joins The Art of Kindness with Robert Peterpaul to discuss creating kind communities in theatre, her magical new production of Disney's The Little Mermaid at Paper Mill Playhouse, why she only wants to work with compassionate people and more. JOANN M. HUNTER (Director & Choreographer). Always an honor and treat to be back at Paper Mill Playhouse! Over 30 Broadway, West End, and Australian first-class credits. Directed and choreographed at Carnegie Hall and the Kennedy Center. Early and infant stages: director-choreographer of Jo: The Little Women Musical, Yasuke: The Legend of the Black Samurai, and Birds of New York by Sophie B. Hawkins. I have worked with some extraordinary creatives in my career. How very lucky was I. In honing my craft, I keep my mentors in my heart. I am proud to be a Japanese American woman, and am more than just that. Follow Megan @meganhilty Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Learn more about your ad choices. Visit megaphone.fm/adchoices
Choreographer, ballroom dancing champion, and Dancing With the Stars alum Maksim Chmerkovskiy joins Kennedy for a toe-tapping Happy Hour. The dancer-turned-liquor connoisseur sips a transfusion made with his Tetra Kapa Vodka. He and Kennedy discuss the old-school ways to avoid a hangover, why traveling with kids is a nightmare, and how the Chmerkovskiys integrate dance into their everyday lives. Follow Kennedy on Twitter: @KennedyNation Kennedy Now Available on YouTube: https://link.chtbl.com/kennedyytp Follow on TikTok: https://www.tiktok.com/@kennedy_foxnews Join Kennedy for Happy Hour on Fridays! https://youtube.com/playlist?list=PLWlNiiSXX4BNUbXM5X8KkYbDepFgUIVZj Learn more about your ad choices. Visit podcastchoices.com/adchoices
Guests - IDA JudgesHosted By - Courtney Ortiz and Lesley MealorIn Episode 230 of Making The Impact - A Dance Competition Podcast, we invited our IDA judges to chime in with their takeaways from the 2025 competition season. These judges have seen it all, from coast to coast, and this season did not disappoint! Topics Include: What your judges LOVED seeing on stage this season Headsprings - the go-to skill of 2025 Pirouette technique and executionCompetition etiquette - before and after the event Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your HostsCourtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceThis episode is sponsored by:Dance Teacher Web Conference and ExpoThis summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off!Squirrel Trench AudioStage-ready soundtracks for ChoreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Hosted By - Courtney Ortiz and Lesley MealorSeason 6 of Making The Impact - A Dance Competition Podcast is a wrap! We have had such a wonderful year discussing some unique and important topics in the dance industry, and we're excited to reminisce, but also give you a sneak peek at season 7!Topics Include: Favorite episodes of season 6 Info on summer bonus episodes What's new for season 7Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJoin our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Want to connect with Tj & Plaideau? Send us a text message.Susan Lebrecht's creative journey defies conventional artistic paths, weaving together dance, choreography, and acting into a rich tapestry of expression. Her earliest artistic memories revolve around musical theater and watching West Side Story as a child, sparking a passion that would evolve throughout her life.Support the showFollow us on IG @nolafilmscene, @kodaksbykojack, and @tjsebastianofficial. Check out our 48 Hour Film Project short film Waiting for Gateaux: https://www.youtube.com/watch?v=z5pFvn4cd1U . & check out our website: nolafilmscene.com
What goes into making a huge theatre production?What kind of work goes into putting on those huge shows that we see like the Lion King or Wicked?For the first time ever, the Bord Gais are making an entire production from scratch…General Manager at the BGET and Producer of Little Shop Of Horrors Stephen Faloon and Director and Choreographer of the show Claire Tighe join Anna Daly to discuss!
In episode 213, host Galit Friedlander and guest, Gerran Reese (Beyoncé, Kaytranda, Dancing With the Stars, Nike, Monsters of Hip-Hop), deconstruct the topic of virality in the dance world, Gerran's journey from a young working dancer in PDX to becoming a sought-after teacher in LA/globally, and the deeper work of staying true to yourself in an industry that doesn't always make it easy. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Workout Programs -https://galit-s-school-0397.thinkific.com/collections You can connect with Gerran Reese on Instagram. Listen to DanceSpeak on Apple Podcasts and Spotify.
Guest: Peter ChuHosted by Courtney Ortiz & Lesley MealorContemporary dance is a genre that can be hard to define, but what everyone can agree on is that it is one of the most popular styles of dance in the industry. Peter Chu joins us on our final genre spotlight episode of season 6 to discuss the ways contemporary dance has evolved and why it will take ongoing support from the community to allow it to continue. Follow Peter Chu on social media @peterchuthis!Help support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:Dance Teacher Web Conference and Expo This summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Check out our service: IDA Online Judge's CritiquesSend us a video of your dance and an IDA Judge will critique your routine! You can request a genre-specific specialty judge or add on 10 minutes of additional feedback. 24 hour rush delivery available! Submit your video now! Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.dancePeter Chu - @peterchuthisJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Guests - Gregory Kanelos and Jenny HoganHosted By - Courtney Ortiz and Lesley MealorIn Episode 228 of Making The Impact - A Dance Competition Podcast, our "day in the life" series continues with a look into studio owner life! We hear from two different perspectives - Jenny Hogan, owner of Brava Dance in New York for 16 years, and Gregory Kanelos, owner of Studio G Dance Company in Massachusetts, celebrating their 5th season!Topics Include: How each studio got their start What challenges they face when owning a business What sets their studios apart from the competitionHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJenny Hogan - @brava_danceGregory Kanelos - @studiogdancecompanyThis episode is sponsored by:Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10Squirrel Trench AudioStage ready soundtracks for ChoreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
We had the opportunity to connect with iconic dancer/ choreographer, ‘JB' Joe Berry from the hit tv series Dance Moms. Chatting all things tv, film, radio, and his iconic footprint on the Lifetimes series ‘Dance Moms'. He got a chance to talk about his memorable moments, dance misconceptions and his relationship with Abby Lee Miller. Support this amazing creative on Instagram @thejoeberryofficial
The After Party Merch store is now open! Check out afterpartyinc.com. On this episode we feature the return of Kayla and Tori comes on for some redemption! We talk exes, crazy R&B brunch stories and answer some horny questions you wouldn't believe the answers to! Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty
Kiesha Lalama is an internationally recognized dancer, choreographer, and teacher who has created works for stage, film and TV. She is currently Point Park University's interim Dean of Theatre, Film and Animation, and the Executive Producer of the Pittsburgh Playhouse. Kiesha co-founded and has choreographed 15 years of Broadway's the Jimmy Awards, which has reached over 120,000 students annually. She choreographed the feature films, “The Perks of Being a Wallflower,” and “Sorority Row,” the documentary series “Broadway or Bust” for PBS, and two critically acclaimed TV series, “Outsiders” and “American Rust”. Her international concert dance works continue to be performed throughout Europe and Asia, including: Shed, Catapult, Alegria, Kinex, Aftermath, Wish, Jolt, Unsung Moment, and Vicious Cycle. She's also created three critically acclaimed full-length dance theater productions including The Bench: Journey into Love, HeartShakes, and Bound in Before.Kiesha's regional theater highlights include: All Shook Up at North Shore Music Theatre, Jesus Christ Superstar at Kansas City Starlight Theatre, Into the Woods at the Arsht Center, and for the Pittsburgh CLO, Judge Jackie Justice, Ruthless! The Musical, First Date and the Gene Kelly Awards.For the record, Kiesha and I have known one another for a number of years as we were both faculty members in the Conservatory of Performing Arts at Point Park.https://kieshalalama.com/https://www.pointpark.edu/academics/schools/copa/copadeptsmajors/dance/faculty/kieshalalama
Shannon began her career as a performer and has appeared in 10 Broadway musicals over a 25 year career. She is most known for her performance of “I Gotcha” in the Tony Award winning original Broadway cast of FOSSE. As a choreographer, Shannon has extensive experience creating for film and television as the choreographer of Saturday Night Live's Film Units, creating dances and movement for viral videos such as “I'm Just Pete”, “Gladiator Twosical”, “Shrimp Tower”, ”Big Boys” and many more. She has also choreographed multiple pre-taped and live projects for NBC's “The Tonight Show” with Jimmy Fallon and HBO's “Last Week Tonight” with John Oliver. Shannon is the Creative Director and Choreographer of the NBC/ Universal Upfront at Radio City Music Hall. She has also created, directed and choreographed many theatrical and dance projects at such respected venues as Carnegie Hall, Ballet Jazz Montreal, Roundabout Theatre Company, Signature Theatre NYC, Town Hall, Jacob's Pillow Dance Festival, Alvin Ailey Citicorp Theatre, Dreamworks, CLI, Dance Out Loud, NY Times Center, Bay Street Theatre, Bucks County Playhouse, Ogunquit Playhouse and The York Theatre Company. Shannon is the founder of FIRESTART Creative; producing and developing impactful, creative projects for film, theatre, television and live events. Her original dance short “Don't Go” was nominated for a 2023 World Choreography Award. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is a 3 part mini Casting Director series, sponsored by Casting Networks.PAUL SCHNEE is originally from Wilmington, Delaware and is a graduate of Kenyon College. After graduating, Paul worked at ICM for agent Sam Cohn, then as assistant to director Mike Nichols. He and Kerry formed Barden / Schnee Casting in 2008. Paul is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences, The British Film and Television Academy, and The Society of Stage Directors and Choreographers. He lives in Brooklyn NY with his wife and daughters.In this episode, we talk about all things ACTORS including:• How he chooses to bring actors for roles• How many actors does he request self tapes from• Does he go through submissions himself or is it someone from his team• How actors can stay on his radar• What projects he's casting now• If he watches actor reels• Directing a project that's premiering at TribecaGuest:IMDb WebsiteMother, May I have a Kidney? - TribecaCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit https://www.castingnetworks.com/promo-codes/ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:@MentorsontheMic@MichelleSimoneMillerTwitter:@MentorsontheMic@MichelleSimoneMFacebook page: https://www.facebook.com/mentorsonthemicWebsite: www.michellesimonemiller.com and www.mentorsonthemic.comYoutube:https://www.youtube.com/user/24mmichelleIf you like this episode, check out:Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"
It's the 300th episode and Tony winner Jerry Mitchell is back In The Frame!Jerry has worked extensively as a director and choreographer in both the West End and on Broadway.He is currently nominated for Best Choreography at this year's Tony Awards for his production of BOOP! The Betty Boop Musical - with music by David Foster - which is running to acclaim on Broadway. Meanwhile in London Jerry's production of The Devil Wears Prada - with music by Elton John - is playing the Dominion Theatre and last year his production of Becoming Nancy had a regional run at the Birmingham Rep.Jerry is one of the producers for the upcoming off-West End run of the brand-new musical King of Pangea which opens at the King's Head Theatre in June. Written by Martin Storrow and directed by Richard Israel, King of Pangea follows Sam Crow following the loss of his relentlessly hopeful mother as he escapes to the imaginary island of his childhood. As a director and choreographer, some more of Jerry's shows have included Legally Blonde, Kinky Boots, Dirty Rotten Scoundrels and Pretty Woman. He directed On Your Feet and choreographed Hairspray.Jerry has won the Tony Award for Best Choreography twice for his work on La Cage aux Folles and Kinky Boots. Additionally he received the Isabelle Stevenson Tony Award in 2023 in recognition of his support of Broadway Cares/Equity Fights AIDS (largely through creating Broadway Bares).Jerry was last In The Frame five years ago and is back for our special 300th episode!Jerry kicks off the episode with a discussion about why he's producing King Of Pangea and the challenges of bringing new musicals to the stage in 2025.Jerry also talks all-things BOOP!, including the development of the show and casting Jasmine Amy Rogers. He reflects on how he approached The Devil Wears Prada, after he took the helm following the show's original staging in the US. Jerry also chats about Becoming Nancy's journey and whether we can expect future life for the show. Plus lots more pops up along the way!King Of Pangea runs at the King's Head Theatre 7th June - 6th July. BOOP! The Betty Boop Musical runs on Broadway at the Broadhurst Theatre whilst The Devil Wears Prada runs in the West End at the Dominion Theatre. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening to 300 episodes of In The Frame!Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
Guests - Kasie Auten and Brittni JohnsonHosted By - Courtney Ortiz and Lesley MealorIn Episode 227 of Making The Impact - A Dance Competition Podcast, we explore how and why dancers are susceptible to a perfectionist mindset, and discuss how to use those traits to your advantage while also staying grounded.Topics Include: Strategies to focus on progress rather than perfection How studio culture can be a factor in whether dancers strive for perfection How perfectionism can manifest throughout your lifeHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceBrittni Johnson - @britts_empoweredintention, @being_brittniKasie Auten - @Ksauten_danceThis episode is sponsored by:Michelle Leagans's "Hey Dancers...Let's Talk About It!" Journal.A journaling companion for dancers to thrive as students and team members.Available for purchase on Amazon! www.letstalkaboutdance.comDance Teacher Web Conference and ExpoThis summer July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show
Choreographer Kyle Abraham's first collaboration with the New York City Ballet was in 2018. This month, he premieres his fourth project. It's called "When We Fell," a work he created during the pandemic that was only performed on film because of lockdowns and social distancing. He speaks about performing that piece live, running his own dance company called A.I.M and his style of dance which he describes as a "post-modern gumbo."
The After Party Merch store is now open! Check out afterpartyinc.com. Its another episode of the After Party and on this one we bring on Devante who spills some tea on the podcast! From toxic times with his ex, to some nightlife tea and even him getting ran over, we got enough tea on this one for you. Follow us on social media @AaronScenesAfterParty
Producer, Actor, Choreographer, and Momager - Brittany Perry-Russell is THAT GIRL! From dancing with icons like Ciara and Beyoncé to raising a successful kid actor (Isaiah Russell-Bailey), Brittany joins the Mamas to discuss managing her son's career while still chasing her own dreams. There's no blueprint for motherhood, but for Brittany, being spirit-led has always kept her aligned with a higher purpose. If you've ever thought about giving up on your own dreams, this episode is your reminder to keep going - because Brittany is the Momager who's survived the hustle, come out on top, and still she rises!======We love getting Listener Letters! Send any thoughts or questions for the Mamas at podcasts@blacklove.com.Make sure you connect with our Mamas:Ashley - @watermeloneggrollsCodie - @codiecoFelicia - @felicialatourMelanie - @melaniefiona
Guests - Joey Ortolani and listener submissions Hosted By - Courtney Ortiz and Lesley MealorIn Episode 226 of Making The Impact - A Dance Competition Podcast, we invited our listeners to share their experiences with toxic behaviors they've encountered at dance studios. We hear (anonymously!) from dance teachers, dance parents, and dance studio owners the things to look out for that may make your dance experience less than satisfactory. Also joining us is IDA judge and studio owner Joey Ortolani to give his varied perspectives as an industry professional who has worn many hats over the years!*THIS IS A 2 PART EPISODE! Tune in to Part 2 of this episode on Platinum Premium!*Topics Include: Studios not following their own rules Preferential treatment for some Lack of transparency from leadershipHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members only!Priority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceJoey Ortolani - @joeyortoThis episode is sponsored by:Squirrel Trench AudioStage-ready soundtracks for choreographersExplore hundreds of clean, stage-ready song edits, mixes, and production mixes. Custom song editing for Competition!Dance Teacher Web Conference and Expo. This summer - July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
The After Party Merch store is now open! Check out afterpartyinc.com. The After Party is back! And for this episode we bring on El Paso's finest swingers Jasmine and Javi. They come on and tell us about how they got into the adult industry plus they share some of their favorite and some of their least favorite swinger stories. Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty
In episode 212, host Galit Friedlander welcomes beloved ballet educator and coach Lisa Ebeyer (Jackson Ballet, Snow White, and LA's go-to ballet whisperer for commercial dancers) for a no-holds-barred convo on dancing through every season of life—without apology. Join Galit and Lisa as they talk about ditching perfectionism, keeping your body strong without surgery, and why “every age is a transitional time.” From her early pro career at 16 to falling back in love with dance at 48, Lisa shares what it means to keep showing up, stretch your big toe (yes, really), and coach with zero BS. This episode is equal parts wisdom, grit, and the kind of honesty dancers don't hear enough of. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Lisa Ebeyer on Instagram: @lisaebeyer Listen to DanceSpeak on Apple Podcasts and Spotify.
Guests - Sally Cofield, Krysten DanielleHosted By - Courtney Ortiz and Lesley MealorIn Episode 225 of Making The Impact - A Dance Competition Podcast, we're joined by two IDA judges to spill the tea on the hot topic of perfect scores in competitive dance!Topics Include: Are judges even allowed to give a perfect score? What goes into considering giving a perfect score - technique, performance, or more? The benefits and detriments of receiving a perfect scoreHelp support our podcast. Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceSally Cofield - @SaldancerKrysten Danielle - @mskrystendanceCheck out our guests' current projects! Subscribe to Sally Cofield's Youtube channel Sally's Silver Linings!This episode is sponsored by:Relative Motion - Injury Prevention apparel, teacher trainings and in-studio workshops to transform your technique while preventing injuries. Receive 10% off any apparel/program purchase or $500 off workshop pricing with the code: IMPACT10Dance Teacher Web Conference and Expo This summer - July 22nd-25th in Las Vegas, NV! 140+ master classes, seminars, events, & more for continuing education and networking in the dance community! Use code: IMPACT50 for $50 off! Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atwww.impactdanceadjudicators.comSupport the show
On today's episode of "Conversations On Dance", we are joined by internationally acclaimed choreographer Arthur Pita and Royal Danish Ballet dancer Isabella Carroll. They take us through Arthur's process creating a new full length production of "The Great Gatsby" for the Royal Danish Ballet in the centennial year of the novel, touching on how the idea for the project came to fruition, how the dancers developed the iconic characters and what role production design has in bringing this classic American story to life. If you are in the Copenhagen area, "The Great Gatsby" premieres May 3rd and runs through May 31st. Tickets. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.
This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner
Jess is joined by legendary director & choreographer VINCENT PATERSON — the man behind MICHAEL JACKSON & MADONNA's most iconic movements. Topics — videos for “Beat It,” “Thriller,” “Smooth Criminal” and defining the Superbowl Halftime Show w/ MJ's 1993 performance. Plus — choreographing The Blond Ambition Tour, “Express Yourself" video, Madonna's 1990 MTV VMA Marie Antoinette “Vogue” performance, EVITA, BJORK's DANCER IN THE DARK & more! IG: @jessxnyc Vincent Paterson's memoir: Icons and Instincts
Episode Summary:Caitlin Wheeler, a multifaceted dance professional with an impressive resume spanning creative direction, choreography, and event production. Originally from Australia, Caitlin has worked globally with top artists such as Drake, Adele, and T-Pain, and brands like Nike and Reebok. She shares insights into her journey from a dancer to a choreographer and creative director, emphasizing the importance of connections, staying open to opportunities, and continually evolving.Caitlin reflects on how saying "yes" to unexpected challenges has shaped her career, including her transition into the world of corporate event production with Blueprint NYC. She encourages young dancers to embrace risks, remain professional, and focus on building a strong reputation, as talent alone is often not enough. Caitlin's story highlights the power of resilience, networking, and the willingness to pivot in the pursuit of long-term success in the dance industry.Her advice to the next generation of dancers is to keep learning, remain adaptable, and always approach challenges with confidence and gratitude. This episode is a wealth of knowledge for aspiring dancers and creatives looking to navigate the diverse opportunities within the entertainment world.Show Notes:0:00 – Introduction to the podcast3:00 – Caitlin's Early Dance Journey7:00 – Transitioning to the U.S.12:00 – The Power of Networking17:30 – Creative Direction and Choreography22:30 – Working with Cirque du Soleil28:00 – The Shift to Production and Event Management35:00 – Advice for Aspiring Dancers40:00 – Navigating Career Transitions45:00 – Final Thoughts and Words of EncouragementBiography:Caitlin's credits hail from all over the world such as Australia, USA, UK, India, Europe and Africa, and include a scope of Creative Directing, Choreography, Performance, Event Production, Hosting and Teaching.Caitlin has worked with an extensive list of Artists, Celebrities, Brands, and has worked on Television Shows, Industrials, Live Shows, Movies and Music Videos. Some of these esteemed names include - Drake, Kendrick Lamar, Glady's Knight, T-Pain, Adele, LaToya Jackson, Raven Symone, Fifth Harmony, Michelle Williams, Seal, Joey Fatone, Daughtry, Donny Osmond, Kelly Osborne, Paulina Rubio, “Carlton” Alfonzo Remeiro, Guy Sebastian, Jessica Mauboy, Neymar, Carl Lewis, Gabby Douglas, Russell Wilson, Serena Williams, Colin Kapernick, Bo Jackson and Michelle Obama just to name a few.Brands such as Sony, Nike, Reebok, Adidas, Jay-Z, Stila, Nickelodeon, Buxom, Planet Fitness, Snapchat, In & Out, Miss USA and Royal Caribbean Cruise Lines.Caitlin has a strong passion and skillset for Creative Directing, Choreography and Event Production. Some of her credits include Assistant Director & Associate Choreographer for Cirque Du Soleil's Vegas show “R.U.N”.Choreographer on Fox's hit Tv show “The Masked Singer”, New Years Rockin Eve featuring Alfonso Ribeiro, “Unleashed” on Nickelodeon, Nike Forum Fashion Week New York, “Obsessed with the babysitter” premiering on Lifetime Movies, The Rose Bowl Parade, Ringling Bros Circus “Circus Extreme”, Nickelodeon Kids Sports Awards, Nike “Born Mercurial” London, Snap Chat Annual New Years Eve Gala, In & Out Annual Gala, Nike's Strongest Plus one Brunch, India's Rawstar, Nike Olympics Puerto Rico Live Show, Reebok Global Live Summits, So You Think You Can Dance (Australia/USA), Nike “Let's Move” campaign with Michelle Obama, Miss World Tourism, Miss Angola, UNICEF, Westfield, Bachelor's Ball, and Buxom.Caitlin was also a Competition judge and Director for over 12yrs, and was a featured host on Lifetime's hit show "Dance Moms" and Jojo Siwa's "Dance Revolution". Caitlin now works Full time as a Producer for New York based esteemed Meeting and Event production company BlueprintNYC.Connect on Social Media:https://www.instagram.com/caitlinaussiefithttps://www.facebook.com/caitlinwheeler11
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