Podcasts about oscars

his week, we go international as well as historical with a review of the Oscar-winning Brazilian drama I'm Still Here, directed by Walter Salles. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

Listen to this PREVIEW of the 24th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Chelsea Eichholz about two Best Supporting Actress Oscar winners who were overlooked for a leading performance: Geena Davis ("A League of Their Own") and Whoopi Goldberg ("Sister Act"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "A League of Their Own" - Columbia Pictures

"Nothing is written." For Episode 368, Brandon and Thomas finish off CineNation's series on World War I with one of the most epic movies...LAWRENCE OF ARABIA. Listen as the duo discuss watching the movie on the big screen, the history of the real T.E. Lawrence, the challenges of the screenplay, which A-list American actor almost played Lawrence, the amount of injuries on set, the struggles of filming in the Middle East, and the overall legacy of the film. And one topic regarding this movie created some division within the CineNation family.  Also, don't forget to join our Patreon for more exclusive content: Opening - Watching Long Movies -  (00:00:10) Recap of World War I Movies (00:05:26) Intro to War Horse (00:08:28) The History of T.E. Lawrence (00:13:36) How Lawrence of Arabia Got to Production (00:24:15) Favorite Scenes (00:34:21) On Set Life - (01:03:44) Aftermath: Release and Legacy (01:20:45) What Worked and What Didn't (01:29:46) Film Facts (01:39:46) Awards (01:43:38) Final Questions on the Movie (01:50:52) Final Genre Questions (01:58:25) Wrapping Up the Episode (02:02:31) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

In this powerful second installment, Molly Bloom takes us from her lowest point—convicted felon, millions in debt, and under FBI indictment—to the surprising turn that led her back into the spotlight. She shares how the same athletic grit that carried her down Olympic slopes helped her weather mob threats and a RICO case, and ultimately propelled her into publishing a memoir and partnering with Aaron Sorkin to bring Molly's Game to the big screen. Along the way, Molly reveals the hard lessons of maintaining integrity under pressure, the freedom found in losing everything, and the resilience required to rewrite your own story. She also opens up about balancing motherhood with newfound opportunities, her unlikely journey through Hollywood, and the personal triumph of starting a family against all odds. Timestamps00:00 – Rock Bottom Reveal: From poker queen to convicted felon in millions of debt01:00 – Athletic Grit, Part II: How Olympic lessons powered Molly's comeback02:30 – Motherhood vs. Ambition: Battling mom-guilt, building your support “village,” finding stillness07:00 – Rewriting the Rulebook: From burnout to a recovery toolkit of meditation, rest & self-compassion10:00 – Integrity Under Fire: Turning down the easy plea and standing by your values12:00 – The Mob, the Gun, the Mirror: Surviving extortion and confronting your moral drift16:00 – Indictment & Advocacy: Choosing transparency with federal prosecutors over plea-bargain fame20:00 – Betting on a Story: From a 10-copy book launch to winning Aaron Sorkin's Hollywood trust24:00 – From Courtroom to Red Carpet: The surreal leap from sentencing hearing to Oscar buzz28:00 – True Jackpot: Family: Defying 1% IVF odds to welcome daughter Fiona33:00 – Closing Hand: Your Next Chapter: Molly's challenge to turn every setback into a comebackNotable Quotes“I just remember making a promise to the universe: I will never abandon my values, my family, or myself ever again.” Molly Bloom“If you're unwilling to take another bold risk after a bad beat, you'll stay right where you are.” Molly Bloom“There's a freedom in losing everything—because then you can't be anyone but who you really are.” Molly Bloom“I met Aaron Sorkin by betting on the best horse in Hollywood, even when my own book had sold ten copies.” Molly BloomValuable ResourcesMolly's Game (Aaron Sorkin, 2017) & Molly's Game memoir by Molly BloomKey TakeawaysIntegrity Pays Dividends: Choosing values over easy outs—even under federal indictment—builds lifelong credibility.Leverage Athletic Grit: The discipline that wins races can also power comebacks after personal and professional collapse.Build Your Village: Sustainable success requires support: mentors, family, hired help, and radical self-care.Own Your Story: When life derails you, the only way forward is to become the author of your own narrative.Bet on Yourself: Even if your first “hand” flops (book sales, legal battles), bold risks can unlock game-changing opportunities.Redefine the Jackpot: True victory lies not in money or fame, but in resilience, relationships, and the chance to start anew.Tune in for more wisdom from Molly's journey—and get ready to play your next hand with courage and conviction.Connect with Dwayne KerriganFacebookInstagram

This week, the boys fire off about “The Fantastic Four: First Steps” and “Happy Gilmore 2” before heading to 1941! The random year generator spoke, and we chose “The Maltese Falcon” for our featured conversation. This is our second John Huston/Humphrey Bogart collaboration after we discussed “The Treasure of the Sierra Madre” a few weeks ago!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 8:20 Dave's “The Fantastic Four: First Steps” mini-review; 15:42 Jeff & John's “Happy Gilmore 2” mini-review; 25:28 1941 Year in Review; 43:06 Films of 1941: “The Maltese Falcon”; 1:20:05 What You Been Watching?; 1:28:03 Next Week's Episode Teaser Additional Cast/Crew: Mary Astor, Gladys George, Peter Lorre, Barton MacLane, Lee Patrick, Sydney Greenstreet, Ward Bond, Hal B. Wells, Henry Blanke, Matt Shakman, Josh Friedman, Ian Springer, Kat Wood, Stan Lee, Jack Kirby, Pedro Pascal, Vanessa Kirby, Ebon Moss-Bacharach, Joseph Quinn, Ralph Ineson, Julia Garner, Natasha Lyonne, Paul Walter Hauser, Adam Sandler, Ben Stiller, Scottie Scheffler, Jordan Spieth, Post Malone, Margaret Qualley, Steve Buscemi, John Daly, Benny Safdie, Bad Bunny, Haley Joel Osment, Julie Bowen. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Bear season 4, The Sandman, Stranger Things: The First Shadow on Broadway, KPOP: Demon Hunters, Picnic at Hanging Rock Additional Tags: Peter Weir, Paramount, Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Montana.

This week, Izzy and Murtada discuss the film of the summer. No, it's not Superman, and it's definitely not Eddington. It's Taxi zum Klo—Frank Ripploh's 1980 film about a gay public school teacher in Berlin who is forced to reassess his preference for casual sex when he enters into a relationship with a cinema worker named Bernd. The restoration of this extremely modern, incisive film premieres at Metrograph in New York City on August 1. Izzy and Murtada also discuss the aforementioned Superman and Eddington—why Superman's politics are surprisingly bold and Eddington's are annoyingly toothless, what James Gunn offers the DC Universe, and where Ari Aster can go from here. Follow the show on Twitter and Instagram: @IMPictureShow.To hear more from Izzy and Murtada check them out on social media: Izzy (Twitter: @bkrewind, IG: @bk_rewind); Murtada (Twitter: @ME_Says, IG: murtada_e).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A few years ago, if Sydney Sweeney had appeared in an American Eagle ad talking about her “good jeans/genes,” the uproar would have been just as deafening as it is today. By the end of the day, American Eagle would have pulled the ads. Sweeney would have been forced to issue a pandering, simpering apology. But none of that happened. Instead, Sweeney was celebrated, American Eagle's stock soared, and most importantly, the Puritanical Woke scolds have never looked more ridiculous. But most Americans aren't buying it. They're rolling their eyes at this level of hysteria and outrage over a silly jeans ad featuring a hot blonde, the kind we used to see all the time for all eternity until right now.Woke ideology has always been artificial and performative. It was never rooted in reality. It was a cosmetic fix for a ruling class that was too rich, too powerful, and too white. They needed symbols of virtue to absolve themselves of their privilege. It came at too high a cost. Their empire is collapsing all around them. You can't fool all of the people all of the time. Sooner or later, we must face reality and the truth.What is the truth? While beauty is in the eye of the beholder, there is still a standard, and there always has been. Take this woman, for instance. On what planet would she not be the beauty standard, and yet here she is pretending otherwise just to virtue signal to the fascists in the cult:What it all looks like to me is good old-fashioned bullying. What has shifted between older Gen-Z, younger Gen-Z, and Gen-Alpha is that they no longer want to look like sexless, genderless militant activists. This has always been acceptable for non-white women. It is only white women who have been shamed and scolded and told to de-center themselves. The best way to do that is to ugly themselves up and to celebrate everything but their beauty and their sex appeal, which was a way to punish them.So, you'd have movies like Barbie, where the hot blonde was front and center, but then standing behind her, like strategic Chess pieces, were the mandated intersectional, representative coalition. They thought it was giving equality, but it inadvertently read like “white supremacy.”Right about now, young women will flock to American Eagle to wear those jeans, signaling exactly the opposite message: they want to look hot, sexy, and desirable, because who wouldn't? Those jeans will make them feel like what it must have felt like to wear a leather jacket after The Wild One was released. American Eagle isn't trying to send a message so much as they are trying to sell jeans. After the Great Awokening, they pandered, like everyone else. Here are some examples of their previous branding:Now compare that to the latest Sydney Sweeney ad: Her ad cuts through the conformist, oppressive, stagnant monoculture like a hot knife slicing through birthday cake. Who wants to be associated with the screeching school marms on the Left now? Not teenagers, that's for sure. Calling everything racist has jumped the shark, as they say. It feels stale and yesterday's news. It doesn't feel modern, hip, and cool. Those protesting it are only making the jeans and Sweeney more popular.The criticisms were that the ad was “Eugenics” and “Nazi propaganda,” just because Sydney Sweeney said her genes determined her hair and eye color. But obviously she wasn't referencing either of those things because she knows what she's famous for.Sweeney is leaning into what has given her notoriety in our culture. She has what one might call a good “rack.” I can relate. That was sort of my entire life, being seen as the girl with a good “rack.” And every woman who has one also knows the “eyes up here” line. But Sweeney does it with a wink. She isn't shaming men for looking or noticing. She's showing them she's okay with it. How do you think we reached 8 billion people on the planet? The male gaze and women's desire to be gazed upon are nothing less than the forces that produced the entire human race.That alone is controversial now. But if the topic were only sexuality, that would be one thing. The really agonizing thing is the part about her being a white woman. That is, to the Woke, a mortal sin because whiteness is the original sin, the evil that lives inside of all of us who are white. This fanaticism has ravaged the confidence and identity of white men and women who seek to alter themselves not to be who and what they are out of shame. They dye their hair pink and blue. They wear septum piercings. They shave their heads. They wear drab clothing and try not even to look pretty. They find a way to be included in the LGBTQIA+ category so that they can be among the protected groups.In the most serious cases, they attempt to transition themselves out of their genders, which can and has sterilized them. The Woke support and celebrate this without even realizing how close that is to Eugenics. One million abortions a year can also be seen as a form of Eugenics, since all that really means is controlling births. This idea that white people should stop having babies or that we need to bring in more people of color to make our country less white is itself a form of Eugenics.True, the Nazis used it in an attempt to curate the master race, but Eugenics was practiced in this country up until the 1950s. Women were sterilized if they were seen as unfit mothers. Those who were not smart or had mental problems were also sterilized to purify the gene pool. There is only one movement that supports the sterilization of young people who can't consent, and it's not the Right.The Racism PanicThe idea that there were racists, racists everywhere, seeped into our culture after the election of Barack Obama. The fundamental differences between Liberals and Republicans on race were evident in a poll by the Washington Post that showed Liberals deliberately dumbing down their speech when speaking to Black and Brown people vs. Conservatives who don't. That meant the Right felt free to criticize Black people where the Left never would, unless it's Clarence Thomas.The panic began around 2012, with Obama's re-election and the rise of the Tea Party and Freedom Caucus. We were all conditioned to believe that these were “white power” groups rising up to attack and remove the first Black president. By then, Critical Race Theory was being taught in public schools, such as my daughter's. This coincided with Gen-Z getting online and finding their way into militant tribes that decided your worth by your identity. Before long, they formed an army of fanatics while most of us were not paying attention.They sold Trump as a “racist” and his supporters as the second “Confederacy,” and all of us believed it. Most people I know on the Left still believe it. You can imagine these two forces converging and what that might do to a society. It was nothing less than mass hysteria for the four years Trump was in power. The good news is that every episode of mass hysteria throughout our history is eventually punctured when the accusations become too ridiculous for the people to tolerate any longer. It was the accusation of witchcraft of the Governor's wife in Salem in 1692. It was “Have you no decency?” in the 1950s amid the Red Scare. I've been waiting for this moment for a long time. It always seemed like we were almost there, but the tyrannical mob would rise up and squeeze out their confess-as-a-witch-to-live apology, and we'd be back in it.So far, I don't see an apology from Sweeney or American Eagle, and I hope I never will. Because if they never apologize, they'll learn the only lesson corporations, institutions, and Hollywood need to learn. Let them get mad. Let them throw a fit. Eventually, they will exhaust themselves and take a nap, just like toddlers. I have the unfortunate curse of being ahead of the curve. It stems from 30 years online, and 25 of those years predicting the outcome of the Oscars. I've conditioned myself to read the signs that tell me where the consensus is headed.I have been warning the Left, the Democrats, and Hollywood for some time that the pendulum wants to swing and that if they don't see this coming, they will be left behind. Most of them didn't listen to me, but instead exiled me from our utopian diorama that denies reality to serve the elite. But the Sydney Sweeney ad and the reaction to it are proof enough that the tyrannical Woketopians have lost much of their power to force everyone into compliance. We're not all the way through the woods yet, but we're getting there. All thanks to a hot blonde and a company that could see the writing on the wall. Maybe now, we have good movies back. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

"Severance" from Apple TV+ earned 27 nominations for the 77th annual Primetime Emmy Awards, while HBO Max's "The Penguin" and "The White Lotus" weren't far behind. "The Studio" and "The Bear" were also high on the list, and Harrison Ford picked up an acting nomination for "Shrinking." On this episode, the co-hosts go through some of the notable selections — and snubs — following the release of the nominations. Review the full list below: Outstanding drama series"Andor" (Disney+)"The Diplomat" (Netflix)"The Last of Us" (HBO Max)"Paradise" (Hulu)"The Pitt" (HBO Max)"Severance" (Apple TV+)"Slow Horses" (Apple TV+)"The White Lotus" (HBO Max)Outstanding comedy series"Abbott Elementary" (ABC)"The Bear" (FX)"Hacks" (HBO Max)"Nobody Wants This" (Netflix)"Only Murders in the Building" (Hulu)"Shrinking" (Apple TV+)"The Studio" (Apple TV+)"What We Do in the Shadows" (FX)Outstanding limited or anthology series"Adolescence" (Netflix)"Black Mirror" (Netflix)"Dying for Sex" (FX)"Monsters: The Lyle and Erik Menendez Story" (Netflix)"The Penguin" (HBO Max)Outstanding television movie"Bridget Jones: Mad About the Boy" (Peacock)"The Gorge" (Apple TV+)"Mountainhead" (HBO Max)"Nonnas" (Netflix)"Rebel Ridge" (Netflix)Outstanding reality competition program"The Amazing Race" (CBS)"RuPaul's Drag Race" (MTV)"Survivor" (CBS)"Top Chef" (Bravo)"The Traitors" (Peacock)Outstanding talk series"The Daily Show" (Comedy Central)"Jimmy Kimmel Live!" (ABC)"The Late Show with Stephen Colbert" (CBS)Outstanding scripted variety series"Last Week Tonight with John Oliver" (HBO Max)"Saturday Night Live" (NBC)Outstanding variety special (live)"The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar" (Fox)"Beyoncé Bowl" (Netflix)"The Oscars" (ABC)"SNL50: The Anniversary Special" (NBC)"SNL50: The Homecoming Concert" (Peacock)Outstanding variety special (pre-recorded)"Adam Sandler: Love You" (Netflix)"Ali Wong: Single Lady" (Netflix)"Bill Burr: Drop Dead Years" (Hulu)"Conan O'Brien: The Kennedy Center Mark Twain Prize For American Humor" (Netflix)"Sarah Silverman: Postmortem" (Netflix)"Your Friend, Nate Bargatze" (Netflix)Outstanding game show"Celebrity Family Feud" (ABC)"Jeopardy" (ABC)"The Price is Right" (CBS)"Wheel of Fortune" (ABC)"Who Wants to Be a Millionaire" (ABC)Outstanding lead actress in a drama seriesKathy Bates, "Matlock"Sharon Horgan, "Bad Sisters"Britt Lower, "Severance"Bella Ramsey, "The Last of Us"Keri Russell, "The Diplomat"Outstanding lead actor in a drama seriesSterling K. Brown, "Paradise"Gary Oldman, "Slow Horses"Pedro Pascal, "The Last of Us"Adam Scott, "Severance"Noah Wyle, "The Pitt"Outstanding lead actress in a comedy seriesUzo Aduba, "The Residence"Kristen Bell, "Nobody Wants This"Quinta Brunson, "Abbott Elementary"Ayo Edebiri, "The Bear"Jean Smart, "Hacks"Outstanding lead actor in a comedy seriesAdam Brody, "Nobody Wants This"Seth Rogen, "The Studio"Jason Segel, "Shrinking"Martin Short, "Only Murders in the Building"Jeremy Allen White, "The Bear"Outstanding lead actress in a limited or anthology series or movieCate Blanchett, "Disclaimer"Meghann Fahy, "Sirens"Rashida Jones, "Black Mirror"Cristin Milloti, "The Penguin"Michelle Williams, "Dying for Sex"Outstanding lead actor in a limited or anthology series or movieColin Farrell, "The Penguin"Stephen Graham, "Adolescence"Jake Gyllenhaal, "Presumed Innocent"Brian Tyree Henry, "Dope Thief"Cooper Koch, "Monsters: The Lyle and Erik Menendez Story"Outstanding supporting actress in a drama seriesPatricia Arquette, "Severance"Carrie Coon, "The White Lotus"Katherine LaNasa, "The Pitt"Julianne Nicholson, "Paradise"Parker Posey, "The White Lotus"Natasha Rothwell, "The White Lotus"Aimee Lou Wood, "The White Lotus"Outstanding supporting actor in a drama seriesZach Cherry, "Severance"Walton Goggins, "The White Lotus"Jason Isaacs, "The White Lotus"James Marsden, "Paradise"Sam Rockwell, "The White Lotus"Tramell Tillman, "Severance"John Turturro, "Severance"Outstanding supporting actress in a comedy seriesLiza Colón-Zayas, "The Bear"Hannah Einbinder, "Hacks"Kathryn Hahn, "The Studio"Janelle James, "Abbott Elementary"Catherine O'Hara, "The Studio"Sheryl Lee Ralph, "Abbott Elementary"Jessica Williams, "Shrinking"Outstanding supporting actor in a comedy seriesIke Barinholtz, "The Studio"Colman Domingo, "The Four Seasons"Harrison Ford, "Shrinking"Jeff Hiller, "Somebody Somewhere"Ebon Moss-Bachrach, "The Bear"Michael Urie, "Shrinking"Bowen Yang, "Saturday Night Live"Outstanding supporting actress in a limited or anthology series or movieErin Doherty, "Adolescence"Ruth Negga, "Presumed Innocent"Deirdre O'Connell, "The Penguin"Chloë Sevigny, "Monsters: The Lyle and Erik Menendez Story"Jenny Slate, "Dying for Sex"Christine Tremarco, "Adolescence"Outstanding supporting actor in a limited or anthology series or movieJavier Bardem, "Monsters: The Lyle and Erik Menendez Story"Bill Camp, "Presumed Innocent"Owen Cooper, "Adolescence"Rob Delaney, "Dying for Sex"Peter Sarsgaard, "Presumed Innocent"Ashley Walters, "Adolescence"Outstanding guest actress in a drama seriesJane Alexander, "Severance"Gwendoline Christie, "Severance"Kaitlyn Dever, "The Last of Us"Cherry Jones, "The Handmaid's Tale"Catherine O'Hara, "The Last of Us"Merritt Wever, "Severance"Outstanding guest actor in a drama seriesGiancarlo Esposito, "The Boys"Scott Glenn, "The White Lotus"Shawn Hatosy, "The Pitt"Joe Pantoliano, "The Last of Us"Forest Whitaker, "Andor"Jeffrey Wright, "The Last of Us"Outstanding guest actress in a comedy seriesOlivia Colman, "The Bear"Jamie Lee Curtis, "The Bear"Cynthia Erivo, "Poker Face"Robby Hoffman, "Hacks"Zoë Kravitz, "The Studio"Julianne Nicholson, "Hacks"Outstanding guest actor in a comedy seriesJon Bernthal, "The Bear"Bryan Cranston, "The Studio"Dave Franco, "The Studio"Ron Howard, "The Studio"Anthony Mackie, "The Studio"Martin Scorsese, "The Studio"Outstanding directing for a drama series"Andor," Janus Metz ("Who Are You?")"The Pitt," Amanda Marsalis ("6 P.M.")"The Pitt," John Wells ("7 A.M.")"Severance," Jessica Lee Gagné ("Chikhai Bardo")"Severance," Ben Stiller ("Gold Harbor)"Slow Horses," Adam Randall ("Hello Goodbye")"The White Lotus," Mike White ("Amor Fati")Outstanding directing for a comedy series"The Bear," Ayo Edebiri ("Napkins")"Hacks," Lucia Aniello ("A Slippery Slope")"Mid-Century Modern," James Burrows ("Here's To You, Mrs. Schneiderman")"The Rehearsal," Nathan Fielder ("Pilot's Code")"The Studio," Seth Rogen & Evan Goldberg ("The Oner")Outstanding directing for a limited or anthology series or movie"Adolescence," Philip Barantini"Dying for Sex," Shannon Murphy ("It's Not That Serious")"The Penguin," Helen Shaver ("Cent'anni")"The Penguin," Jennifer Getzinger ("A Great or Little Thing")"Sirens," Nicole Kassell ("Exile")"Zero Day," Leslie Linka GlatterOutstanding writing for a drama series"Andor," Dan Gilroy ("Welcome to the Rebellion")"The Pitt," Joe Sachs ("2 P.M.")"The Pitt," R. Scott Gemmill ("7 A.M.")"Severance," Dan Erickson ("Cold Harbor")"Slow Horses," Will Smith ("Hello Goodbye")"The White Lotus," Mike White ("Full-Moon Party")Outstanding writing for a comedy series"Abbott Elementary," Quinta Brunson ("Back To School")"Hacks," Lucia Aniello, Paul W. Downs and Jen Statsky ("A Slippery Slope")"The Rehearsal," Nathan Fielder, Carrie Kemper, Adam Lock-Norton and Eric Notarnicola ("Pilot's Code")"Somebody Somewhere," Hanna Bos, Paul Thureen and Bridget Everett ("AGG")"The Studio," Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez ("The Promotion")"What We Do in the Shadows," Sam Johnson, Sarah Naftalis and Paul Simms ("The Finale")Outstanding writing for a limited or anthology series or movie"Adolescence," Jack Thorne and Stephen Graham"Black Mirror," Charlie Brooker and Bisha K. Ali ("Common People")"Dying for Sex," Kim Rosenstock and Elizabeth Meriwether ("Good Value Diet Soda")"The Penguin," Lauren LeFranc ("A Great or Little Thing")"Say Nothing," Joshua Zetumer ("The People in the Dirt")Outstanding writing for a variety series"The Daily Show""Last Week Tonight with John Oliver""Saturday Night Live" About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

A Canadian activist remembers her friend Awdah Hathaleen. The Palestinian father, teacher and activist ... who helped film the Oscar-winning documentary "No Other Land" ... was killed in the occupied West Bank this week. Tuktoyaktuk, a hamlet north of the Arctic Circle, is already on the small side. But it's getting even smaller ... and its mayor says climate change is to blame. A group of swimmers is completing the final trip of the SS Edmund Fitzgerald in honour of its crew. One of them tells us about the surreal experience of being in the water above the wreckage. Dan Pelzer kept a record of every single book he ever read ... from 1962 right up until his death. His daughter says reading was a powerful constant in his life. A Manitoba man doesn't know who's been putting up billboards around town announcing he's terrible at fishing, but he's found an impressively charitable angle on their prank. A French resort town is reminding visitors that clothing is not optional once you leave the beach ... with the introduction of fines for those wearing bathing suits or going shirtless in town.As It Happens, the Tuesday Edition. Radio that encourages travelers to read the fines print.

Deze zomer, tot en met 8 augustus, geniet je van onze selectie aan zomertips uit het afgelopen seizoen Nooit Meer Slapen. Morgan Knibbe is regisseur. Zijn film ‘Those Who Feel The Fire Burning' was de Nederlandse inzending voor de Oscars in 2015, werd genomineerd voor de eerste prijs op IDFA en won het Gouden Kalf voor Beste Documentaire. Ook maakte hij ‘An Impossibly Small Object' en ‘The Atomic Soldiers', die een Gouden Kalf voor Beste Korte Documentaire won. Zijn nieuwste project is de speelfilm ‘The Garden of Earthly Delights', waarin de elfjarige Ginto worstelt met zijn drugsverslaving en het overleven in de sloppenwijken van Manilla. Ondertussen komt een Nederlandse sekstoerist, Michael, die wordt overwoekerd door zijn seksuele wensen, de stad in. De film gaat in première op het ‘Movies that Matter' festival en is genomineerd voor de Dutch Focus en de Grand Jury Fiction awards.  Femke van der Laan gaat met Morgan Knibbe in gesprek.

After a cancelled flight, three planes, and a lot of sweat (literal and metaphorical), Damian finally made it to Tales of the Cocktail 2025 in New Orleans — and lived to tell the tale... barely.In this slightly foggy, totally unfiltered solo episode, he shares his jet-lagged recap of the biggest cocktail event on the planet. From Speed Rack chaos and legendary frozen Irish coffees at Erin Rose to Buckfast cocktails, light-up ice cubes, and back massages courtesy of Campari — it's all here in glorious, semi-chronological detail.Expect stories about Team Ireland's iconic takeover, wild brand parties, heartfelt shoutouts to bar world legends, and a curtain call at Pig & Punch. This one's a love letter to the industry and the people who make it so damn fun.

CLINT is the first major biography of Eastwood in over twenty years. Two of the most prominent earlier biographies were both comprehensive in covering the work and the life, but approached Eastwood with wildly different perspectives. One was fawning and overly respectful, ignoring any of Eastwood's faults, while the other one came at Eastwood harshly and didn't reckon with Eastwood as an actor and director as much as it focused on his personal missteps and failings. These books were also, obviously, unable to cover the substantial and award-winning work that Eastwood has produced in the 21st century. In covering the life and work of Eastwood, Levy's CLINT takes the middle ground, "where Clint and his work could be described and evaluated from a position of neither acquiescence nor denigration. It was possible for a book to celebrate the man and his work and deeds while acknowledging the flaws-and worse-in him, his choices, and, yes, his films."In a career spanning more than six decades, Clint Eastwood has captured the rugged essence of American manhood and morality, both on and off the screen. We picture him most immediately as he has appeared to us on screen: squinting through cigarillo smoke in A Fistful of Dollars or The Good, the Bad, and the Ugly imposing rough justice at the point of a .44 Magnum in Dirty Harry; sowing moral vengeance in The Outlaw Josey Wales or Pale Rider; abandoning farming for murder-for-hire in Unforgiven; grudgingly training a woman boxer in Million Dollar Baby; standing up for his neighbors despite his racism toward them in Gran Torino. But those are roles, however well-cast and convincing, and they are two-dimensional in comparison to the whole life. The reality of Clint Eastwood is far more rich, knotty, and absorbing-a saga of cunning, determination, and conquest, a great American story about a man ascending to the Hollywood pantheon while keeping a gimlet eye on its ways and habits and one foot firmly planted outside its door.Yet, the story of Clint Eastwood is far more than his cinematic characters. As a director, he has crafted masterful narratives, winning thirteen Oscars, including two for Best Picture. His films explore American cultural and political climates with depth and understanding, embodying the contradictions and triumphs of contemporary America.But beyond the screen, who is Clint Eastwood?Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In chaotic times, trust becomes a premium value in the choices a consumer makes. That's why so many brands invest heavily in creating brand experiences on the world's most watched canvases, at the Super Bowl, the Oscars, the Olympics. But the most valuable real estate for your brand experiences may be where your consumers spend the vast majority of their time - in digital experiences often on the PDP. Roald Van Wyk, Global Creative Commerce Lead at IPG, is issuing an urgent and compelling call that creative briefs, and the processes they fuel, must change to ensure that your brand is building trust with the best creative across every screen, and every interaction.

Always a bridesmaid but never a bride.  It seems the old saying rings true for some of our favorite musicians and actors who have never received any awards, be it Grammy's, Oscars, or hall of fame inductions.  In this episode we dive head first into some prime examples of massive talents who never took home a trophy, and also pay tribute to Val Kilmer and the godfather of heavy metal, Mr. John Michael Osbourne.Hey Rally fans you can now text us hereThanks for listening. Be sure to subscribe to our podcast, and to follow us on Instagram and Facebook

The RP bois watch another super long forign film, but this time, there's boats. Thanks to our monthly supporters akai Jordyn Nevarez

Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

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On this week's show, we catch up on a smokin' boatload o' new-ish singles and pour one out for the late Ozzy Osbourne. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

TAKING DOWN THE OSCARS!! The Naked Gun 33 1/3: The Final Insult Full Reaction Watch Along:   / thereelrejects   Use code 50REELREJECTS to get 50% OFF plus free shipping on your first Factor box at https://bit.ly/4ftNIcS! The Naked Gun Reaction:    • THE NAKED GUN (1988) HAD US LAUGHING SO HA...   Become A Righteous Reject by Snagging Our RR Apparel! https://www.rejectnationshop.com/ With the Seth Macfarlane (Family Guy) & Liam Neeson Naked Gun (2025) on the horizon - Naked Gun 33 1/3: The Final Insult reaction is here! Greg Alba, Aaron Alexander, and Andrew Gordon (Cinepals) return to wrap up the iconic trilogy starring the legendary Leslie Nielsen as the endlessly clumsy yet lovable Frank Drebin in the final entry of the Naked Gun series. In this reaction, we dive into all the absurd gags, slapstick brilliance, and unforgettable moments from the 1994 comedy classic, including the Oscars sequence, "Nice beaver!" callback, explosive train climax, and Weird Al Yankovic's cameo. We break down how the film satirizes Hollywood, award shows, and action movie tropes with pitch-perfect timing and Nielsen's deadpan brilliance. We also spotlight returning cast members Priscilla Presley as Jane Spencer, George Kennedy as Ed Hocken, and O.J. Simpson as Nordberg, alongside Fred Ward (Tremors) as villain Rocco Dillon, Anna Nicole Smith as Tanya, and Kathleen Freeman as the prison warden. With guest appearances by Raquel Welch, James Earl Jones, and more, this wild finale delivers non-stop laughs. We celebrate the legacy of this franchise, touch on its influence on spoof movies, and share our favorite quotes, like “Like a midget at a urinal, I was going to have to stay on my toes.” If you're a fan of Airplane!, Hot Shots, or 90s parody films, this one's for you. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Pantsuit Politics is celebrating ten years of podcasting this year! A lot has happened politically, culturally, and personally in the last ten years. This summer, we’re revisiting each of the years we’ve been podcasting with a special flashback episode. Today, we look back at 2022. Sarah explains why she thinks the slap at the Oscars was such a pivot point, and we reflect on the invasion of Ukraine and the January 6th hearings as big moments as well. Topics Discussed 2022 as a Pivot Year What Mattered Most in 2022? Outside of Politics: Cultural Highlights of 2022 Visit our website for complete show notes, premium shows, show merchandise, and more.See omnystudio.com/listener for privacy information.

"We're the lucky ones, you and me. Lucky since the day I met you." For Episode 367, Brandon and David continue CineNation's series on World War I movies with Steven Spielberg's WAR HORSE. Listen as they discuss the original book the movie based on, how Kathleen Kennedy and Spielberg became involved in the project, how they filmed with real horses, why Spielberg worked at such a fast pace, how they built the various period sets, and so much more. Opening - War Horse on SNL - (00:00:10) Recap of World War I Movies (00:03:22) Intro to War Horse (00:08:17) The History of Horses in World War I (00:20:15) How War Horse Got to Production (00:27:26) Favorite Scenes (00:42:15) On Set Life - (01:11:48) Aftermath: Release and Legacy (01:21:53) What Worked and What Didn't (01:26:30) Film Facts (01:30:17) Awards (01:31:09) Final Questions on the Movie (01:40:12) Wrapping Up the Episode (01:46:27) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

On Today's episode, Trev & JJ sit down with Maryan Nagy Captan (Writer/Director of "Loretta" & Co-Founder of AyaGozie Productions) & Bev Chukwu (Executive Producter/Casting Director for "Loretta" & Co-Founder of AyaGozie Productions) to discuss their upcoming short film made here in Austin, TX!Follow us on Instagram & TikTok @ ReelqueerpodcastHosts' Instagrams: Trevgeorge, Triniguy_jj, & TrevgeorgephotographyOur new schedule is now every Thursday!

"Often an actor will start a band once her or she is famous. However many actors start as musicians. Some saw great success. We have some surprising names this week."

Time to SPIN THAT WHEEEEL! Back in 2021, in the thick of the pandemic, when we were all going a little stir crazy and desperately clinging to any ways to have human connection, an idea was born. From the rubble of boredom and the craving to do something new came an ambitious Top 5 improv-style game show called The Ranky Roulette. The show was a great success, and the plan was to do it once every single year with new guests, custom SFX, and bigger productions. Alas, things didn't work out that way, but as we near the end of this show, we would be remiss not to give this format another spin! So join your game show host Tuong La and comeback contestants Angus MacDonald, Samantha Leggatt, and Leslie Cserepy as they get another crack at showing off their ranking skills to be crowned the next "Ranky Ruler of the Realm"! Also featuring guest audio clips from past ranking legends: Chelsea Fahey, Brie Watson (The Constant Struggle Podcast), and Simone Dorie. The post 198 – The Ranky Roulette: Second Spin appeared first on PodCavern.

Topics covered include: Martini celebrations, hydration regimens, learning the true meaning of the word ‘release,' feeling visible but not seen, the special privacy of making a debut film, bringing your whole humanity to the words on a page, sharing an editor with Terrence Malick, being moved by how little you know, the Mother/Sister/Daughter theory, the subtle differences between Pedro Pascal, Chris Evans and Dakota Johnson, alleviating grief by thinking about The Next Thing, desperately needing sleep, Celine going straight from the Oscars to the first Materialists scout, Eva's intricate process directing a movie they also acted in, sparring of ideas, committing to subjectivity, and having bangs.

In today's episode, I'm joined by Brandon Wong — the CEO and Founder of Demystify AI, an innovative AI company based in Los Angeles. Brandon grew up in Southern California, graduated from UCLA with a degree in Data Science (specializing in Cybersecurity), and formerly worked as a Senior Software Engineer for the Oscars in Hollywood.

Screenwriter Stuart Wright talks with Adam ‘Tex' Davis, screenwriter about the podcast his co-hosts: THE OSCARS: What Were They Thinking? & "3 Films That Have Impacted Everything In Your Adult Life"    To listen to Adam's podcast checkout https://www.oscars.wtf   "3 Films That Have Impacted Everything In Your Adult Life" JAWS (1975) RAISING ARIZONA (1987)  TAXI DRIVER (1976)   "3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."   Credits Intro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/) Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/ Written, produced and hosted by Stuart Wright   "This podcast contains copyrighted material used under the fair use guidelines of Section 107 of the Copyright Act. The purpose of this podcast is to "provide educational/expert analysis" of speechwriting in Hollywood films. All rights to the copyrighted material belong to their respective owners. We do not claim ownership of the content used."  Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn which we finally, definitively fix all the Academy's mistakes.

'The View' co-hosts weigh in on CBS and its parent company Paramount's decision to cancel 'The Late Show With Stephen Colbert' as other late night hosts lend support to Colbert. Then, they question if Pres. Trump's posting spree on the Washington Commanders, Mexican Coca-Cola and the MLK, Jr. files is an effort to get the Jeffery Epstein files out of the headlines. Then, they discuss if it's okay to have age parameters in dating after the new 'Golden Bachelor' – who is 66 years old – said that his preference is women 45-60 years old. Christian Siriano discusses designing Whoopi Goldberg's 2025 Oscars look, working with the star-studded cast of judges in this season of "Project Runway" and fulfilling a lifelong dream to buy his mom a house. Learn more about your ad choices. Visit podcastchoices.com/adchoices

BOSSes, Anne Ganguzza and Tom Dheere dive into a lively and often debated topic for voiceover professionals: industry awards. Prompted by Anne's multiple Award nominations, they explore whether these accolades are simply vanity projects or powerful marketing tools. This episode delves into evolving perspectives on awards, the true meaning of a nomination, and practical strategies for leveraging any recognition to propel your voiceover business forward. They emphasize understanding the subjective nature of awards and how to use them for credibility, even beyond winning.   00:40 - Anne (Host) Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I'm here with real boss, Tom Dheere. Woo-hoo, hi, Tom Dheere. I feel like there's pomp and circumstance for you, Tom Dheere, because it's that season again. Do you know what season it is? Deer season.  01:00 - Tom (Guest) Get it Tom Dheere, Deer season oh my God, that is really funny actually. That was terrible. It was not funny.  01:04 - Anne (Host) Well, okay, in addition to being deer season, right, it's award season. Woo-hoo, that's right it is award season. And I know there's always there's always always discussions about awards, and I've had discussions about awards before. I think we've probably talked about them before, but let's talk about them again, shall we? Because I think it's an ever-evolving thing and there are some people who are really for awards and some people who really detest awards.  01:32 - Tom (Guest) Yes, the reason why we're having this conversation, Anne, is because you got nominated for how many One Voice Awards.  01:41 - Anne (Host) Five why,thank you.  01:43 - Tom (Guest) Yes.  01:43 - Anne (Host) Why, thank you.  01:46 - Tom (Guest) I'm very excited about that. Wow, this is exciting and it's for all of the amazing work that you have gotten out of your students.  01:54 - Anne (Host) Yeah, for demos. 01:55 - Tom (Guest) That's amazing. Congratulations to you and all of your students. I'm very excited.  01:59 - Anne (Host) Yes, thank you, thank you. I like awards. I am one of those people that I actually endorse awards and I know some people think they're a vanity thing and in reality, for me it's always been about the marketing aspect. Tom, what are your thoughts?  02:15 - Tom (Guest) I used to be part of the anti-awards crew. I thought it was an exercise in vanity. I thought it was a money grab by the voiceover organizations that were hosting the awards, and my thoughts have evolved on the subject. Okay, I'd love to hear that. Well, I really do see now that it is truly a marketing tool and that is okay. All awards in all industries, from the Oscars all the way down to, you know, dog Catcher of the Year, these are all marketing. It's all about marketing. Is it about recognition? Yes. Is it a celebration of the industry in question? Yes. Is it to shine a spotlight on excellence, either from an individual or a group of individuals or a company, or whatever? Yes, is it to shine a spotlight on excellence either from an individual or a group of individuals or a company, or whatever? Yes, all of that is good and it should be supported. Is it an exercise of vanity? Yeah, sure, it's okay. There's nothing wrong with wanting to get dressed up and have people applaud you. There's nothing wrong with that, it's totally cool, it's totally cool.  03:22 - Anne (Host) Any excuse to get dressed up.  03:24 - Tom (Guest) Well, especially as voice actors who are stuck in closets in our pajamas all day,  03:27 - Anne (Host) Exactly exactly.  03:28 For me, it's always been marketing. First, because we have this whole conversation that awards are subjective. Right, I watch the awards, I watch the music awards, I watch the Emmys, the Oscars, I watch them all. Some people just they have so much to say about the awards, but honestly, I enjoy them if there's entertainment involved and I actually feel like it's wonderful when people get recognition that I feel deserve recognition. But of course, there's always the times where you're like I don't know how that person won or I don't know how that person didn't win, and so it is so very subjective and I think, first and foremost, we all need to remember that that is a fact. Right, it is very subjective and if you do not win an award, it has no bearing whatsoever on your worth or your quality at all, absolutely.  04:17 - Tom (Guest) It's interesting because the prism that most people look through all awards through is the Oscars. Right, and it's like Billy Crystal said it's an evening for three hours where millionaires are handing each other gold statues, which is pretty funny and accurate. But here's the thing I just realized about all this is that if you are a member of the Academy the Film Academy and you get your screeners, you know that Daniel Day-Lewis is up for best actor and you're watching the movie, or whatever excerpts of the movie that they sent you for you to cast your vote for him or somebody else.  04:50 - Anne (Host) Right or anybody else in any other category, or if you're not a voter right, you're a person going. Oh, hmm, somebody thinks that movie's credible, maybe I'll go see it. Guess what that resulted in Purchasing right, purchasing right, purchasing a ticket to go see that movie. So marketing, it worked, so marketing.  05:05 - Tom (Guest) But here's the interesting Anne that I just realized when it comes to the One Voice Awards which we both got, I got nominated for a little one, just one, yay, congratulations.  05:13 - Anne (Host) Tom Dheere.  05:13 - Tom (Guest) The commercial category.  05:14 - Anne (Host) Oh, that's right. That's right, Tom, that's awesome.  05:25 - Tom (Guest) So for your performance, but it's really nice. It's just being like, hey. But here's the thing about it is that when you submit, it's my understanding that when they listen to these demos that you help produce or these voiceovers that I did, they don't know who they're listening to.  05:41 - Anne (Host) Yeah, theoretically.  05:43 - Tom (Guest) So it's theoretically, I mean.  05:44 - Anne (Host) In a closed industry. Sometimes, like I know Tom De're listening to yeah, theoretically, so it's theoretically, I mean In a closed industry. Sometimes, like I know Tom Dheere voice.  05:48 - Tom (Guest) Well, that's exactly what I was about to say. I would like if there were three or four or five, if there were five people who were listening to these, I think that maybe two or three of them would probably be like that's Tom.  05:58 - Anne (Host) Yeah, yeah, yeah, but they don't talk to one another.  06:01 - Tom (Guest) But they don't talk to one other so it's generally anonymous and it's generally done in isolation.  06:06 - Anne (Host) I can say that for certain because I've been a judge prior.  06:09 - Tom (Guest) Right, oh, okay, so.  06:10 - Anne (Host) I can say for certain that it is closed and that you do not know who the entry is. You don't know who submitted it, right, and it's isolated.  06:18 - Tom (Guest) So for the five lovely voice actors whose demos were nominated that you produced. They didn't know who they were and they didn't know that necessarily that it was you that produced it. I mean, after a while, if you listen to enough demos, you can be like that's a Chuck Duran demo, that's a Nancy Wolfson demo because there's just like styles, there's styles you know what I mean, but for the most part they're not going to know who these voice actors are, who are nominated for any of these or for the demo.  06:43 So I think it's more of a pure. There's a level of purity in it that there isn't in the Oscars, for example.  06:48 - Anne (Host) Yeah, there's a combination for that particular category of not just the demo but the performance in the demo and hopefully, if you have created that demo and produced that demo, that has lent itself to a wonderful performance. And just being nominated, I want to say to anybody out there, just being nominated is a win. It doesn't matter, honestly, if I win, and I've been entering awards for years now. There's been many, many years where I didn't win and so I have to like always talk to myself and talk to my students to make sure that if I don't win it doesn't mean that I'm not worthy, it doesn't mean that that nomination wasn't really a win, because you can still believe it or not, you can market a nomination just like a win.  07:28 - Tom (Guest) Absolutely, and the Oscars— it sounds pretty darn similar. The Oscars do it all the time.  07:32 - Anne (Host) Mm-hmm. Award-nominated versus award-winning.  07:35 - Tom (Guest) Right. Did you ever watch the Secret Life of Walter Mitty?  07:38 - Anne (Host) That's the one that Ben Affleck wrote, and directed and starred in.  07:42 - Tom (Guest) I thought that movie was exceptional and I swore I was going to get all these nominations. It didn't get a one.  07:48 - Anne (Host) And.  07:49 - Tom (Guest) I don't know if it's because they didn't think it was off to snuff, if it was too past the deadline, or if they just chose not to submit it, because that's the other thing. We choose to submit ourselves for these awards. Now for actors in Broadway and television and film. They have their production companies or networks or whatever deciding to do these. Oh, we think these people have the best chance and they still have to pay submission fees as well, application fees for the nominations, just like any other nomination, which I think is-.  08:16 - Anne (Host) Well, there's a cost to running an award show. There's a cost to having people judge the awards. There's a cost for people's time, absolutely. So paying to enter yourself into an awards is. I don't find anything necessarily wrong about that.  08:33 - Speaker 2 (Announcement) No.  08:33 - Tom (Guest) Maybe how much you pay, I don't know I mean if it's a for-profit scheme, then you know, okay, I mean people who organize awards. Should they or do they deserve to make a profit, Like I don't know if, like the Oscars, if that's a nonprofit situation where they don't make any money off of it, they just want to celebrate the industry and recognize people for it, and they don't make a dime. And they make the fees just enough to cover the cost to produce the show and print and, you know, make the gold statues.  08:59 - Anne (Host) Well, it becomes a marketing effort for the venue. It becomes a marketing effort for the people who put stuff in the swag bags. It becomes a marketing effort for so many things really. And it's like it's not always obvious, but in reality it really does lend itself to marketing quite a bit.  09:17 - Tom (Guest) One of the other questions. One of the anti-award swath of the voiceover industry says winning award isn't going to book you more work. And for the Oscars? We know that's not true, because when actors or actresses win an Oscar, they get a lot more scripts on their desk. They've all said that they just get more acting opportunities. So in that context it's 100% true. Is it true for voice actors? I'd say it probably isn't, because your typical explainer video production company has never heard of the One Voice Awards. But that's not the reason that you do it. But yeah.  09:52 - Anne (Host) However, let's just go beyond it, because if you market yourself as an award-nominated voice actor or an award-winning voice actor, right, if somebody happens to find you or find your website, right, it lends some credibility. I believe it lends some credibility to who you are. So if I'm a person and I don't know the voices and I have two equal voices that I like if I see that one has won an award or has a history of winning awards or being nominated for awards, I'm going to feel like, oh, maybe they've been in business a little bit longer, maybe they're considered by others to be top of their field, and so I would maybe sway toward an award nominated or award winning. And again, it really depends on how people, given equal circumstances, award winning, award nominated versus maybe not.  10:42 - Tom (Guest) I think that's a very fair point. Now, where my mind was going where Tom Dheere, the VO strategist, business and marketing guy, was going is what's the SEO value of?  10:53 - Anne (Host) the terms award-winning.  10:55 - Speaker 2 (Announcement) Like how is that what's the?  10:56 - Tom (Guest) score. Yeah, what's the keyword score? You know what I mean. So actually, I want to make a note of that. I want to look that up when we get off of this.  11:03 - Anne (Host) I'll tell you, when I look for a company to purchase from right, what's the criteria? I want to make sure that that company's been in business for a while. I want to make sure that they put out a quality product and I want to know that there's testimonials of other people who have used that product that are actually saying yes, it helped me, it was wonderful, it was quick and painless. And think about that. This could be right. Anybody who might have won an award and has testimonials on their website. Right, If you've award winning, then that gives it a little bit of credibility that maybe other people have listened to this person. They're definitely a professional in the industry, right? You don't submit for an award unless you're a professional, so sometimes you just don't know who you're working with. It can help people, I think, to get to know you a little bit better, or really, I think, put that credibility forward first when people are making a buying decision.  11:58 - Tom (Guest) Yeah, I mean, and now that I'm thinking about it as we're talking about it, what's a better testimonial than an award nomination? Right, yeah, I mean, and now that I'm thinking about it as we're talking about it, what's a better testimonial than an award nomination?  12:04 - Anne (Host) Right, yeah, I mean really.  12:06 - Tom (Guest) Right, what's a better endorsement?  12:07 - Anne (Host) That was kind of my point right, it's a wonderful way. So if I buy because of they've been in business, they're not going to just go out of business and take my money and steal it. They're credible, right? They have a good product, right? Well, if they're award nominated, award-winning, that lends me to think that when I look for a beauty product, hello, I'm going to go back to you know award-winning award-winning formulas.  12:28 If I have no knowledge whatsoever of the product, right, I'm going to tend to look there first and after I look there, right, I'm going to look for it. Actually, if I do my shopping on Amazon or I do shopping on anything, right, I'm looking for the number of stars, the ratings, right, A lot of times they go hand in hand. Right Ratings and reviews.  12:46 Ratings and reviews and so award nominated best beauty product of 2024 by Elle magazine, that kind of thing. That kind of means something to me. I'm like, well, somebody did their research right and so therefore, if it's talking about a voice talent that's award-nominated and award-winning, I would feel like, oh okay, maybe there's some credibility there. Now I can go ahead and listen. Let me listen to the voice and see if it's something that I want.  13:10 - Tom (Guest) Yeah, yeah. And of course the capitalist in me thinks oh and if you're an award-winning voice actor, maybe you can charge more.  13:18 - Anne (Host) Well, I right, that's very true, but I also know like if people come to me for a demo, right, they're like I want to win an award. I always try to say to them well, that shouldn't be like I really have people say that to me.  13:28 That shouldn't be the goal. However, they're like I want an award-winning demo. What are they saying to me? They're saying to me that they want the absolute best demo that is valued by the community or valued by others in the community. So they want a valuable product. That's what they're saying to me and I'll kind of say, well, okay, I don't design demos to win an award. However, I want to design a demo to get you work right and if it wins an award, that's a great bonus. And they're like yeah, I know, but I still want an award winning right? People will say that to me, so it's kind of human nature, I think, to want to lean toward a product that is award-winning.  14:05 - Tom (Guest) Right, Because nobody says I want to eat something that's been not approved by the FDA. Yeah right, Exactly, I will never. I will eat at no restaurant that's ever won a Michelin star. I refuse, it's like no, that's ridiculous.  14:17 - Anne (Host) Because it's not just the recognition, it's what the recognition represents. Yeah, absolutely, absolutely so. For me that's where the awards have always sat and I did have issues for years until I explained to my students who I said I think you should enter this into the awards. I will always say, hey look, I think it's an award worthy product, right. And so they're like oh really, and that gives them like a sense of worth or a sense of like pride. Hopefully I wouldn't say it if I didn't think it had a chance of getting some recognition.  14:52 So if I say that to someone, then I've given them a sense of accomplishment, I'm giving them confidence in their product so that they can then represent themselves and sell it better, and that's basically how that'll work. But I will always explain to them look, if you do not win, remember awards are very, very subjective. There have been some amazing, just like there have been some amazing movies that didn't win the best picture of the year. There have been some amazing actors that have not won best actor or best actress, and so you know, you have to really make yourself aware, even though in your heart you might be disappointed if you don't win right or don't get nominated. But you do have to realize that it is very, very subjective especially if you've got an award show that it doesn't cost anything to enter. Nothing ventured, nothing gained. You're not losing out on anything really by submitting.  15:46 - Tom (Guest) I mean, take a chance. It's like playing the lottery, right. Take a chance, Absolutely. So, with all that in mind, what do you do from a marketing stance? And I've got my own ideas too, about how we could tell VO bosses. You've got a thing, whether it's a spot that I did for a college or if there's a demo that you produce with a student.  15:59 - Anne (Host) What are the?  16:00 - Tom (Guest) steps to use it, to use the award, nomination and hopefully the win, as a marketing tool.  16:05 - Anne (Host) Well, absolutely put it on your website right.  16:08 Absolutely throw it on YouTube, put it on your website. Label it as being award nominated, award winning, like. Make sure the text is in there, because that's SEO value. Make sure that it's on your website, make sure that it's on every single profile, make sure that it's in every single description, make sure that it's literally like SEO optimized. And then make sure that wherever you're describing it as an award nominated, right, award winning entry or whatever that might be, make sure that you're also giving information about the industry that you're in best performance voice actor, corporate narration, right or whatever, or best performance demo, reel, animation so it then allocates the other words that are important. So when people are searching for animation, voice, right and then all of a sudden, this will come up, as I'm so excited that my award-winning entry or award-nominated entry or whatever if something comes up or shows up in their search, that's going to lend its credibility and also hopefully lead to your website so that they can then inquire further or get an audition from you or find out more and contact you.  17:14 - Tom (Guest) Yes, I'll layer on top of that, like, for example, when I found out I got my One Voice nomination, I wrote a blog about it.  17:22 - Anne (Host) Yep, that's wonderful.  17:24 - Tom (Guest) So what that does is a number of things. Every time that you write a blog, you publish a blog, it adds another page to your website and All of the content on that particular website is saying voice over, this voice acting, that voice talent, this voice artist, that. So it's got all of the keywords that would further enrich the search engine optimization of your website, to make it more searchable and for it to rank higher. So just writing about it is extremely important on a technical SEO level. However, you don't want to turn it into a self-aggrandizing. Oh, look at me. It could be about a number of things.  18:05 - Anne (Host) It could be about the company that created the one voice in this situation, or about the company that you voiced for.  18:11 - Tom (Guest) Or about the company that you voiced for exactly. So a couple years ago I got a one voice nomination for a public service announcement I did for the Humane Society. Remember those 4,000 beagles were rescued from a lab in Virginia. A few years ago.  18:25 And then the American Humane Society got all 4,000 beagles adopted. So I auditioned and booked the voiceover for the public service announcement announcing that all 4,000 beagles were adopted. So when I blogged a few years ago back then about hey, I got this award nomination, it wasn't about the award, it wasn't about the nomination, it wasn't about me, it was about bringing awareness, it was about the beagle puppies. That's what it was about. I made it about the puppies.  18:53 - Anne (Host) And that's wonderful, because what's a better draw than animals, your fur babies, right?  18:59 - Tom (Guest) Yes.  19:02 - Anne (Host) Which is I lead all my award nominations with my cats there you go.  19:04 But that's an actual great idea, like somehow, let's just say, my Bengal Manx mix Sebastian, who everybody's gotten to know because they have their own Facebook and Instagram and TikTok right. So we could just say, oh, they're in my studio listening and then all of a sudden you can silently incorporate or just in the back end, incorporate that performance or that particular working on a demo for blah blah, blah blah blah For me on my website, because I advertise that I do demo production. Under the demo page, the landing page, I have all the awards and nominations that I've ever done and received, and for the VO Boss, because we've won awards for the VO Boss podcast and nominations. I also have it on my VO Boss website as well, as well as writing a blog on VO Boss about it. So absolutely trying to garner an award-winning podcast.  19:49 - Tom (Guest) Yeah, the other thing that I do is I make sure that I reached out to the production company that cast me for it, so my nomination this time was for North Idaho. College just a real tiny, tiny little postage stamp-sized college in the Northwest of our country and that one got nominated and it's a great. It's a great ad. It's beautifully shot, the editing is just superb. The music is perfect. You know, I'm probably the worst thing about the whole thing.  20:16 - Anne (Host) I love how generous you are. I think that's the way you need to approach it. They could just break apart and say it's your voice, but in reality, when you're presenting a product or a piece for an award, it's the whole darn shebang. If you think about it, that helps with that presentation. It's the media, the music behind it, the voice. It's all like a beautiful symphony in reality.  20:36 And so paying it forward and having gratitude for the other parts of it that helped you to win that award or that nomination, I think is a wonderful way to not appear to make it like a vanity thing, because you're showing appreciation for all of the components that help make it happen. I mean, whenever I make an announcement by the way, the other thing that I do to market is on social media, right so I'm highlighting the demo clients of mine that their voice has been nominated, and I'm also giving thanks to my audio engineer and in reality, it's like I could not have done it without you, to be quite honest, and so that then lends it to be a little less vanity ridden or sounding, I should say.  21:16 - Tom (Guest) Right, I mean in the Oscar Awards, do they go up there, accept the award, thank themselves and then get off the stage?  21:21 - Anne (Host) No, they're always thanking the people that helped them make it possible, really Exactly Also just from a technical and SEO perspective.  21:28 - Tom (Guest) Another reason why I like to let the production company know is because now they have the opportunity to use this nomination as marketing fodder for their own campaigns on their website and social media and newsletters and things like that.  21:43 So it's just paying it forward also on a marketing level. So the production company just has because all the voice seekers are as desperate to come up with quality content to put on their website and social media and their communications as us voice actors are. So to give them saying, hey, here's a free nugget of marketing gold that you can go do something with it helps everybody.  22:05 - Anne (Host) Absolutely. I actually got a statue. I got one of the awards for one of my partners on the podcast and shipped it. When I won this podcast I'm trying to think a couple years ago I also ordered an award for the person that I interviewed on that show and I shipped it, and that was actually for Alex Srdjak from Respeecher, so I shipped it to. Ukraine.  22:27 So I literally and that's how grateful I was. And it was really cool because when he received it, of course, what did he do? He took a picture of it with him, right, and then he used it for his own marketing, which I thought was really wonderful. So it kind of was like it all works for everybody involved.  22:42 - Tom (Guest) See, haters. There are so many great things about a voiceover award nomination and a win. There's so many great things that you can do, not just for yourself, but for the people that made the nomination possible.  22:53 - Anne (Host) Absolutely. You know what do you say to the haters? I mean you don't have to enter and you don't have to watch. I mean you don't have to enter and you don't have to watch awards and you don't have to participate. If you don't agree with it, that's completely fine. It's completely fine in reality, but for those that do, there's value to it beyond the award. Really, it's beyond the award and, like I said, even if you don't get nominated, if your coach or somebody says you should submit that for an award, consider that a win. Really. If you have a colleague that listens to this and say, oh my God, that was amazing, you should submit that. Right, there is an award for confidence, for somebody believing in you and believing in your work and thinking that it is worthy of an award, and that, to me, is a win right there.  23:36 - Tom (Guest) Absolutely.  23:37 - Anne (Host) So good stuff. Tom Dheere, Congrats on your noms.  23:42 - Tom (Guest) Congrats on your noms.  23:43 - Anne (Host) Yeah, thank you. And bosses out there, utilize this for good, for marketing efforts. And even if you just want to submit your work to your colleague and say, what do you think right, consider that your award submission for a job well done. And if you don't win, don't let it affect you. It has nothing to do with your worthiness, with your performance. It basically is something that you know. What if you don't win, try, try again. What is it If you don't?  24:09 - Tom (Guest) If at first you don't succeed try, try again.  24:12 - Anne (Host) Well, yeah, well, if you don't win, try, try again. That's what I say. I always think there's something good in a little bit of competition, right? That keeps us motivated and keeps us inspired to want to be better and do better. So allow that to help you further your career. So, whether or not you win an award, allow it to inspire and motivate you. So good stuff. All right, Tom, thank you so much. I'm gonna give a great big shout out to our sponsor, ipdtl. You too can connect and be award-winning bosses. Find out more at IPDTLcom. Tom, thank you so much, and bosses have an amazing week.  24:54 - Speaker 2 (Announcement) We'll see you next time. Bye, join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast to coast connectivity via ipdtl.   

This week, Dave is drinking again! United Airlines will do that to you, even after a 6-month hiatus. After a pair of un-stuffy mini-reviews of “Superman” (2025) and “Eddington”, the boys head back to 2003 to discuss the legendary film year. Our featured conversation is a first-time visit to “House of Sand and Fog”, the Sir Ben Kingsley, Jennifer Connelly, and Shohreh Aghdashloo film, directed by Vadim Perelman, shot by Roger Deakens, scored by James Horner, which is a powerhouse drama so powerful it nabbed two acting Oscar nominations. None of those was for Jennifer Connelly, who won for “A Beautiful Mind” the year before. Grab a beer and give us a listen!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 6:01 Dave's “Superman” mini-review; 11:15 John's “Eddington” mini-review; 17:28 Gripes; 25:41 2003 Year in Review; 53:12 Films of 2003: “House of Sand and Fog”; 01:37:35 What You Been Watching?; 01:37:35 Next Week's Episode Teaser Additional Cast/Crew: Ron Eldard, Frances Fisher, Kim Dickens, Jonathan Ahdout, Navi Rawat, Carlos Gomez, Andre Dubus III, Shawn Lawrence Otto.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Intern, The Eternaut, Attack on London: Hunting the 7/7 Bombers, Heads of State, September 5. Additional Tags: Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana, 

We break down the impact of Comic-Con on San Diego's economy and discuss potential safety risks associated with major events. Plus, a new turf soccer field in City Heights will serve students as well as adults. Then, Beth Accomando walks us through the history and significance of the so-called, “Oscars of the comics industry.”

It is considered the Oscars of the Board Game world, or the Spiel de Jahres and New Zealand has taken home one of the top prizes. Kiwis Carl de Visser and Jarratt Gray won the Expert Game Award for their game called Endeavor Deep Sea. The game has been a couple of years in the making and sees players representing an institute of oceanographers doing research and conservation work. Carl de Visser spoke to Melissa Chan-Green.

On episode 297 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer, Josh Parham, and Jay Ledbetter to go back 50 years and take a look at the 48th Academy Awards, covering the films of 1975. On this retrospective, the AW team take a look back at what might've been the greatest Best Picture lineup of all time, featuring the films One Flew Over the Cuckoo's Nest, Barry Lyndon, Nashville, Dog Day Afternoon, and Jaws. This group of five films collectively encapsulate the type of films audiences clamored for fifty years ago and are all considered all-time classic in their own right, some being the best film within their respected director's filmography. But the interesting exercise with this line-up is looking at the lackluster films surrounding these masterful films. But this is the fun part of the process of looking back and talking about a year like this, if it is a landmark year like others in the 1970s or if it just top heavy. In their in-depth discussion, the AW team talked about the film year of 1975, briefly discuss talk about One Flew Over the Cuckoo's Nest as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h40m. We will be back in next week for a review of the latest film from Marvel, The Fantastic Four: First Steps. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this Episode: 2025 Oscars recap and predictions for next year.   Starring: Jamal Davis Alec Douglas Jonathan Garcia   Produced By: Joshua Martinez   Edited by: Alec Douglas   Recorded: 03/14/2025

This week we're excited to present a conversation with legendary Japanese director Kiyoshi Kurosawa as he discusses his new feature Cloud, currently playing daily at Film at Lincoln Center. Get tickets at filmlinc.org/cloud This conversation was moderated by New York magazine and Vulture film critic Alison Willmore. Kiyoshi Kurosawa (Cure, Pulse) delivers one of his most chillingly prescient films with this riveting fusion of social satire, techno-thriller, and survival-action. Yoshii (Masaki Suda), a T-shirt factory worker, supplements his income by flipping merchandise online—dubious medical devices, counterfeit designer handbags, collectible figurines—until disgruntled customers begin organizing against him on an anonymous message board. As his profits grow and he quits his day job (even hiring an assistant), he becomes the target of a coordinated vendetta that ratchets into something increasingly brutal, absurd, yet eerily plausible. At once a pulse-pounding provocation and a cautionary tale for our atomized, hustle-economy era, Cloud—Japan's official submission for the 97th Oscars—is a genre-bending vision of virtual grievances mutating into real-world terror, orchestrated with Kurosawa's signature precision and nerve. A Sideshow/Janus Films release.

Dear Ms. Maher,You don't know me, and there is no reason why you should. I am mostly a nobody. If people know me at all, they know me as a former Oscar blogger whose public support for Trump destroyed my so-called “career.”But really, I am not all that different from you. Or at least, I didn't use to be. I come from your world, more or less. Not that I was ever a tech-savvy, globtrotting millennial in charge of National Public Radio, but it would not have been unusual for me to take a picture of myself in a mask in November of 2020, wearing a Joe Biden hat.In November of 2020, however, I was already afraid of the Democrats retaking power. Things had gotten weird on the Left, Ms. Maher. Really, really weird and no one would talk about it, least of all NPR or PBS. Then again, they couldn't talk about it because they would be destroyed if they did. Everyone knew that, and everyone just went along with it, especially you.I am a creature of the Internet and a former lifelong Liberal who left the party and the movement in 2020 after things had derailed so badly that I could no longer stand to be associated with them. It was the dehumanization of half the country. It was the corruption within the Democratic Party. It was the dangerous future in store for the nation's young people.It took me a while to finally get kicked out of Woketopia for good, banished to the virtual gulag. I made a joke about “White Dudes for Harris,” suggesting finally “white power” was back in style. But one thing about the Woketopians, they have no sense of humor. None. It's been stripped away and replaced with yet more of the suffocating, repellent monoculture that's been shoved down our throats for these long ten years.They all thought I was serious, that I really meant it, that “white power” was back. Thousands saw the tweet. A close friend of mine would text me to see if I really meant it. I wanted to joke that no self-respecting “white supremacist” would be caught dead praising “White Dudes for Harris,” but I was already in too deep.That caught the attention of a reporter named Rebecca Keegan, who was a devoted NPR listener and a true believer in the causes of the Left. She called me a “MAGA darling” in the Hollywood Reporter. A major studio pulled their ads that day, and everything I built over the last 25 years as a “woman-owned” business went up in flames almost overnight.It's quite a story, Ms. Maher, but it's one people like you wouldn't even want to talk about. To you, it isn't “cancel culture,” it's “consequence culture.” Well, you might call the defunding of NPR and PBS the same thing, it's “consequence culture” as a populist movement decides to finally fight back.How it started…You were just ten years old when I got online, Ms. Maher. The year was 1994. Bill Clinton was still the president. Much like it did last year, my life had fallen apart, and I needed a reset. I found the perfect escape on the Wild, Wild Web, where I would live out the rest of the next 30 years of my life. I had a baby in 1998 and, as a single mother, built a website devoted to the Oscars in 1999.I also helped birth an entire industry, and before long, even The New York Times would have an Oscar blogger. I appeared on NPR a few times as an Oscars expert. I would attend film festivals all over the world and hobnob with the rich and famous at fancy parties.I would be invited to cover the Oscars, attending as a guest for almost ten years. I would make money from movie studios that thought my voice was influential enough to advertise on my site. I could buy a new car. I could support my daughter. I could pay my rent.I would use my website to advocate for a more diverse and inclusive Oscars by promoting women and people of color for the awards. I did this even before Barack Obama won in 2008, which coincided with the rise of Twitter, Facebook, and the iPhone. I wouldn't realize it until much later, but all of that coming together at once would allow us to build a necessary “inside” where we could eventually banish the undesirables to the “outside.”We all caught the wave at the same time. We had come out of the 90s era of therapy and psych meds, and now, we were ready to build our Shining Woketopia on the Hill. As society migrated online, it was all under our control. We would ultimately build an empire that represented nearly all of the power in America - cultural, political, educational, and institutional. But only a select few would be invited in.My daughter attended all of the progressive public schools in Los Angeles. We listened to NPR on the way to and from school. I was a PTA mom, a progressive, active Liberal who cared about the climate and racial inequality. I barely noticed around 2014 when my daughter began feeling depressed from what she was learning in school.As a white student, whose best friend was Black and whose president was Black, she was now being told to stand outside the circle and de-center herself from the students of color. She was taught that she was part of the oppressor class and was among the “colonizers.” This disease was inside of her; it was her “whiteness.”I didn't realize then just how deeply indoctrinated our public schools and universities had become. When she graduated from high school, only one of her friends wanted to transition to become a boy. Her mother, a Conservative, refused to give her puberty blockers and amputate her breasts, though she would finish the job when she turned 18 and is now living as a boy.By the time my daughter graduated from college, two of her roommates were on cross-sex hormones, changing their sex as a couple. A boy she had a crush on had now fully transitioned and is living life as a transgender woman. And no one in the media, not at NPR or PBS, ever warned them. They were indoctrinated now, too. COVID paranoia and lockdowns only served to heighten the growing anxiety and fear about saying or doing the wrong thing. Wokeness arrived first as a low-frequency hum, a reaction to the election of the first Black president. As Republicans began to obstruct his agenda, we called them “racists.” The Tea Party was racist; it had to be. The Freedom Caucus was racist; it had to be. Our president was perfect, and the only reason anyone would object to anything had to be racism.The “social justice warriors” who came of age online on sites like Tumblr ballooned into a massive army of zealots. None of us saw this coming, and by the time we did, it was too late. The protests at Evergreen College were the first indication that something had gone very wrong. Holding a professor hostage because he went against the doctrine? It should not surprise you, Ms. Maher, that NPR and PBS did not cover that either, although it would have made a compelling episode of Frontline. Had they come even remotely close to telling the truth throughout this era, maybe things would be different now.That left it up to independent voices to cover the growing scandal at Evergreen, the transgender contagion, and the obsession with race. That is how evolution left NPR and PBS in the dust. Those looking for truth and common sense had to escape the bubble. I'm guessing you never did, Ms. Maher.The army that took to the streets in 2020 was not peacefully protesting; they were demanding diners raise their fists in support of Black Lives Matter. They were demanding everyone put a Black square on Instagram, or else. My niece threatened to cut off all ties if I didn't. I told her she was in a cult.When I saw the video of Sue's 100-year-old mattress store in Kenosha burning as the city was consumed by a false narrative perpetuated by the media, that Jacob Blake was unarmed and there to break up a fight, I tried to post about it on Facebook. I was shouted down and told I cared more about property than I did about people. You agree with that, don't you, Ms. Maher? When Tom Cotton published an op-ed in the New York Times reflecting what the majority of Americans believed, that if the protests could not be controlled, we must “send in the troops.” Then I watched everyone online lose their minds over the truth - once again, the truth, always the TRUTH.By the end of it, James Bennett and Bari Weiss would be out at the New York Times. They would not be the only ones at the Times or other news outlets. Writers and editors would lose their jobs for posting headlines like “Building Matter Too.” Or because some overly fragile staffer felt unsafe and called them out for something, like racism. Hundreds and hundreds of “cancel culture” purges taught everyone the same lesson: say nothing, or you're next. A glance at your tweets around that time, Ms. Maher, suggests that you were fully on board with all of it, too - a true believer in the cause, probably like everyone else who runs a public radio station across America. So when you say they're “collateral damage,” know this: in a monoculture, everything is the same. If it isn't, you lose your job. That you did not listen to Uri Berliner's brave testimony in the Free Press, but rather demonized him for speaking out, should have been enough to force your resignation by the Board of Directors, but I'm guessing they're all on the same page as you. Your resignation letter might look something like this, posted by Representative Brandon Gill:You remember him, right? He grilled you pretty hard, and you maintained a poker face throughout, gaslighting all of us. It's not “fascism” that canceled Stephen Colbert and defunded public broadcasting. It's democracy. Your side was voted out by the guy you spent ten years trying to destroy. That alone should send the message that whatever you were doing backfired. Maybe you'll learn the lesson. Probably not. I can promise you those community radio stations in Trump states don't have any Trump supporters listening to them. And though I do notice some subtle changes in the coverage at NPR after a few casual searches, I'm afraid it's too little, too late. Those local stations are likely to be as woke and indoctrinated as NPR and PBS have become. They have to be because everything has to be in a monoculture like ours. There is no other option but for all of us to leave it behind. We don't want this indoctrination anymore - not in our schools, not in Hollywood, not in science, not in culture, and not in our news. Our American story has always been that we shook off the class system that decided our station in life at birth, that anyone could rise regardless of their status, where they were born, their skin color, or their gender. Obviously, we haven't always lived up to that ideal, but it is still our story.The Woketopians tell a different story. And it's one you believe in, Ms. Maher. Or at least you pretend to because as long as you pay obeisance to the cult, the activists will leave you alone. As I strolled through the Farmer's Market in my very white, very liberal town this morning, I was awash in hedonistic pleasure. The smell of fresh strawberries, bountiful basil, organic olive oil, a whiff of lavender carried by the wind, freshly ground coffee, and someone playing music in the distance. You would fit right in here, Ms. Maher, in a sunhat with a smile on your face, because this is where you belong, inside utopia. But I also know none of these smiling faces I pass know me. For all of their hybrid cars, the lawn signs, the pleas for “kindness,” the careful, gentle language so as not to offend all come with an implicit threat: obey our rules or we will destroy you. Milan Kundera explains what happened to the Left, as we built our Woketopian empire, in the Book of Laughter and Forgetting:To quote one of the greatest films ever made, one Hollywood will never come close to making again, No Country for Old Men. You can't stop what's coming. You can't stop what's coming. It ain't all waiting on you. That's vanity. Nothing will ever be the same when this is all over. The good news is that the empire's collapse will usher in a renaissance —a big bang of brand-new culture that is alive, fearless, and rooted in truth, not dogma. The best thing you can do is what I did: escape the bubble now and realize those who don't agree with you aren't your enemy. They are your fellow Americans. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

EPIC SUPERSIZED SUPERMAN ANALYSIS!  *Links in bio - please check out our video episodes on Spotify and YouTubeThe year's most eagerly anticipated film soars into theatres and Watch Skip Plus gives you a KRYPTON-sized critical analysis of the James Gunn-directed superhero epic. Eschewing pluses this week, WilDaBeast and Cupcake are joined by Pod-Father Sam U. Rai from the Gentleman's Guide to Midnite Cinema podcast and “Fakest of Shemps” Jeremy (who guested on our recent Oscars episode and creamed us with his spot-on predictions). Get ready for a  stripped-down (image-free) roundtable discussion about the pop culture impact of Superman, James Gunn as a filmmaker, the cast, the CGI, and whether this first film…the charter voyage for the new DC Studios (RIP Snyder-verse) and the first chapter of the proposed “Gods and Monsters” DC media-verse…is worthy of the hype/relaunch/reboot of a storied DC character or if it's yet another failed attempt for DC and a misstep for Gunn (who has dabbled now in BOTH DC and Marvel franchises). LOOK UP IN THE SKY….IT'S A BIRD! IT'S A PLANE! IT'S A NEW WATCH SKIP PLUS EPISODE!!! (Editor's note: HOW in the world is this review LONGER than the actual movie?)TIMESTAMPSChapters00:00 Teaser01:50 Intro / Superman Fans08:03 Superman: Below the Line / Production22:56 Superman: Above the Line / The Cast46:57 Spoiler-Free Thoughts01:14:21 Super-Spoilers Ahead02:09:21 Outro / Stinger- - - - - - - - - -WE ARE WATCH SKIP PLUS! FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.comIG: https://www.instagram.com/watchskipplus/Facebook: https://www.facebook.com/watchskippluspodX: https://x.com/watchskipplusYouTube: www.youtube.com/@WatchSkipPlusDiscord: https://discord.gg/PGX4RRUe#DCstudios #jamesgunn #petersafran #superman #superman2025 #davidcorenswet #alantudyk #rachelbrosnahan #nicholashoult #skylargisondo #frankgrillo #beckbennett #wendellpierce #michaelianblack #zlatkoburic #edicathegi #nathanfillion #isabelamerced #anthonycarrigan #pruitttaylorvince #henrybraham #davidfleming #johnmurphy #DC #domainentertainment #trollcourtentertainment #thesafrancompany #warnerbros

Celebrating our 300th episode with Emmy winner, David Wild, writer for the Grammy Awards and Rolling Stone magazine and barbecue pitmaster legends, Moe Cason and Bob Trudnak, plus special congratulatory messages David Wild  is an award-winning writer, producer, and longtime Rolling Stone magazine contributing editor.  Prior to Rolling Stone he wrote for Esquire magazine.  He has written or produced scores of major specials including the Grammy Awards, Oscars, Emmys, and the Academy of Country Music Awards.  Additionally, he has written books on the television shows, Friends and Seinfeld.  He now co-hosts the podcast, Naked Lunch with Phil Rosenthal.  David is a huge baseball fan, beginning in his youth as a New York Mets fan and as an adult changing his allegiance to the Los Angeles Dodgers. Moe Cason AKA Big Moe is an award winning pitmaster who has toiled for many years creating his well respected brand, Moe Cason Barbeque and his instantly recognizable, Big Moe persona.  Moe is a television personality, cookbook author, and a Navy veteran.  He has been featured in national television segments, including Steve Harvey's and Harry Connick Jr.'s talk shows and had his own segment on NatGeo's World of Flavor.  For more information on Big Moe Cason and to purchase his products go to  https://moecasonbbq.com/ Bob Trudnak has loved barbecue since the age of seven, when his dad placed him "in charge" of putting charcoal in the grill and from that day forward he was hooked.  In 1999, Bob helped co-found the company, BBQ Guru.  He is an award winning competive pitmaster.  Beyond competitions, he is a renowned judge and instructor, having hosted hundreds of in-person and virtual barbecue classes.  He is the creator of BBQ Bob's Sauces and BobbyT's Pizza Products.  For more information on Bob Trudnak go to https://bobtrudnakbbq.com/ Special thanks to Doug Scheiding for his special artwork celebrating our 300th episode. We recommend you go to Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves, Cutting Edge Firewood High Quality Kiln Dried Firewood - Cutting Edge Firewood in Atlanta for high quality firewood and cooking wood, Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/ We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. We truly appreciate our listeners and hope that all of you are staying safe.   If you would like to contact the show, we would love to hear from you. Call the show:  (516) 855-8214 Email:  baseballandbbq@gmail.com Twitter:  @baseballandbbq Instagram:  baseballandbarbecue YouTube:  baseball and bbq Website:  https//baseballandbbq.weebly.com Facebook:  baseball and bbq  

Description: Tim Conway Jr. kicks off the show with summer travel, which is headed to break records for the year. ABC's Alex Stone joins the show to break down the shocking report on Air India's Boeing 787 incident, where a captain allegedly shut off fuel after takeoff. Tim then pitches a hot new podcast idea — “Stef Foosh on Sports!” — and explains why the ESPYs still don't match up to the Oscars. Later, Tim shares updates on airport security policies, including the end of shoe removal and 3.4-ounce liquid limits. He wraps the hour with the one part of the Big Beautiful Bill that matters most to him: a raise in the hand pay threshold for slot machines.

Sophia and Nick celebrate five years of the podcast and being halfway through the 2020s by awarding the Oscar Wild Oscars of the Decade So Far! Play along in traditional categories like Supporting and Lead Acting, Director, and Picture, when they also mention some unforgettable telecast moments and other favorite wins. Then they make up some very fun categories, nominating the biggest snubs, best child performance, forgotten awards magnets, and so much more. It wouldn't be an unhinged episode without mentioning RuPaul and also…a spin on Smash or Pass! Enjoy and let us know what your picks would be! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan Adamich

Continuing our summer series of favourite episodes, this week Carole chats to LA-based interior designer Martyn Lawrence Bullard whose client list reads like an Oscars party - Kylie Jenner, Cher, Tommy Hilfiger, Winnie Harlow and a host of others. As  Rupaul says, ‘Martyn carries the torch of the divine, the sublime, and the beautiful. I trust his eye implicitly'.  

Someone is murdered every minute in the world. And one idiot hired day laborers to dispose of the people he killed. Orny keeps a death clock going on this episode. Orny discusses details about his next comedy special. Why we should NOT deport everyone. What's Wrong with Elvis, Jerry Garcia, Southwest Airlines, Amazon's delivery policy, pranks gone wrong involving fake human flesh and the time someone streaked at the Oscars.

On Today's episode, we rank our top ten favorite movies of the 2020s so far with guest, Brian Rowe! Host of the Youtube Channel, "The Awards Contender."Follow us on Instagram & TikTok @ ReelqueerpodcastHosts' Instagrams: Trevgeorge, Triniguy_jj, & TrevgeorgephotographyOur new schedule is now every Thursday!

"Rock and Roll really came into its own in the 1950s and once it did someone was always proclaiming it bad for the youth in one way or another. These were generally called Moral Panics. Here is the history and some examples of a few of the most popular Moral Panics."

On this week's show we spend quality time with new records from Vandoliers, HAIM, S.G. Goodman & Durand Jones & The Indications, and wish first-time cell phone owner Jack White a very happy 50th birthday. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast.