Podcasts about isbn

Theologische Fachbegriffe sind wichtig, aber oft sind sie für Jugendliche wie eine unzugängliche Insidersprache. Worte wie Gnade oder Barmherzigkeit werden im Alltag kaum noch verstanden oder mit falschen Vorstellungen besetzt.Im STEPS Leaders Podcast spricht Oliver Last mit Dr. Carsten Ziegert von der FTH Gießen darüber, warum Gott in der Bibel keine komplizierten Fachbegriffe, sondern einfache Alltagswörter nutzt, was uns die Alltagsgeschichte von Ruth und Boas über das wahre, befreiende Konzept von Gottes Gnade verrät, und wie wir in der christlichen Jugendarbeit sprachfähig werden, um Gottes Wesen verständlich zu erklären.Shownotes:Das Buch von Carsten hat den Titel: Der erzählte Gott: Was uns die Alltagssprache im Alten Testament über Gott verrät. (ISBN 3765522082)Wenn du bis zur nächsten Folge des STEPS Leaders Podcast mehr Inhalte rund um Glauben und Leiterschaft suchst, findest du auf www.steps-leaders.de jede Woche Blogbeiträge und Artikel sowie Materialvorlagen und Andachten für die christliche Jugendarbeit. Dort findest du auch unseren monatlichen Newsletter, der dich immer kompakt mit den wichtigsten Infos und Artikeln von STEPS Leaders versorgt.

Ref.: P. Andreas Pohl, Rektor des Klosters und der Wallfahrtskirche Maria Martental, Leienkaul (Bistum Trier) Am Brunnen Erfrischende Glaubens-Impulse Kawohl Verlag; ISBN: 978-3-86338-355-8; Preis: 12,80

10th Anniversary Special: Interview with Linda Garber The Lesbian Historic Motif Podcast - Episode 348 with Heather Rose Jones An interview with Professor Linda Garber about her research into lesbian historical fiction. Books and Media Mentioned Garber, Linda. 2022. Novel Approaches to Lesbian History. Palgrave. ISBN 978-3030854164 Cruikshank, M. (ed) 1982. Lesbian Studies: Present and Future. The Feminist Press at CUNY. ISBN 978-0935312072 Garber, Linda. 2001. Identity Poetics: Race, Class and the Lesbian-Feminist Roots of Queer Theory. Columbia University Press. Schwartz, Selby Wynn. After Sappho. (novel) Keen, Suzanne. 2003 Romances of the Archive in Contemporary British Fiction. University of Toronto Press. ISBN 978-0802086846 (credit for the phrase “romance of the archives” which I've been misattributing) Martinac, Paula. Out of Time. (novel) Davies, Stevie. Impassioned Clay. (novel) Friend, Catherine. The Spanish Pearl. (novel) Dickinson (tv series) Gentleman Jack (tv series) Arnold, June Davis. The Cook and the Carpenter. (novel) Faderman, Lillian. 1981. Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present. William Morrow and Company, Inc. ISBN 0-688-00396-6 Hall, Radclyffe. The Well of Loneliness. (novel) Portrait of a Lady on Fire (movie) The Favourite (movie) Ammonite (movie) Saturday Night Live “Lesbian Period Drama” (sketch on YouTube) Desert of the Heart (movie) based on Jane Rule's Desert Hearts A Knight's Tale (movie) Giffney, Noreen, Michelle M. Sauer & Diane Watt (eds). 2011. The Lesbian Premodern. Palgrave. ISBN 978-0-230-61676-9 The Belle of Amherst (movie) Gomez, Jewelle. The Gilda Stories. (novel) Giddings, Megan. The Women Could Fly (novel) Korn, Gabrielle. Yours for the Taking (novel) Pérez, Emma. Forgetting the Alamo, or, Blood Memory (novel McCollum, Hilary. As a Lover (novel) McCollum, Hilary. Golddigger (novel) Gagehabib, LaVerne. The Blacksmith and the Doctor (novel) Winterson, Jeanette. The Passion (novel) A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page) Links to Linda Garber Online Website: academic website

Die Angst vor dem Autofahren war bei Mara so groß, dass sie lange behauptete, gar keinen Führerschein zu haben. Häufig sind diese Ängste irrational, sagt eine Verkehrspsychologin. Eine Fahrlehrerin, die hilft, die Angst zu überwinden, gibt Tipps.**********Ihr hört: Gesprächspartnerin: Mara, hat acht Jahre lang verschwiegen, dass sie einen Führerschein hat, weil sie Angst vor dem Autofahren hatte Gesprächspartner: Ulrich Chiellino, Verkehrspsychologe beim ADAC Gesprächspartnerin: Silvia Wirtz, Fahrlehrerin, gibt Auffrischungskurse für Frauen, die Angst vor dem Autofahren haben Autor und Host: Przemek Żuk Redaktion: Sarah Brendel, Yevgeniya Shcherbakova, Friederike Seeger, Till Tognino Produktion: Philipp Adelmann**********Quellen:Fischer, C., Schröder, A. & Heider, J. (2021). Kognitive Verhaltenstherapie bei Autofahrangst. Psychotherapeut, 66, 132–139.Fischer, C., Heider, J., Schröder, A. et al. (2020). “Help! I'm Afraid of Driving!” Review of Driving Fear and its Treatment. Cognitive Therapy and Research, 44, 420–444.Becker, E. S., Rinck, M., Türke, V., et al. (2007). Epidemiology of specific phobia subtypes: Findings from the Dresden Mental Health Study. European Psychiatry, 22(2), 69–74.Fischer, C., & Heider, J. (2024). Angstfrei Auto fahren: Ein kognitiv-verhaltenstherapeutisches Behandlungsmanual. Deutscher Psychologen Verlag, Berlin. ISBN 978-3-942761-84-0. Heider, J., Fischer, C., & Schröder, A. (2018). Die deutsche Version des “Driving Cognitions Questionnaire” (DCQ). Zeitschrift für Klinische Psychologie und Psychotherapie, 47, 36–47. **********Mehr zum Thema bei Deutschlandfunk Nova: Autofahren: Wenn wir am Steuer Angst bekommenRekord bei Pkw-Zulassung – Mobilitätsforscher Andreas Knie: "Es sind weniger mehr Autos"Verkehrswende: Wieso Menschen auf dem Land lieber mit dem Auto fahren**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .**********Meldet euch!Ihr könnt das Team von Facts & Feelings über Whatsapp erreichen.Uns interessiert: Was beschäftigt euch? Habt ihr ein Thema, über das wir unbedingt in der Sendung und im Podcast sprechen sollen?Schickt uns eine Sprachnachricht oder schreibt uns per 0160-91360852 oder an factsundfeelings@deutschlandradio.de.Wichtig: Wenn ihr diese Nummer speichert und uns eine Nachricht schickt, akzeptiert ihr unsere Regeln zum Datenschutz und bei Whatsapp die Datenschutzrichtlinien von Whatsapp.

What belongs at the beginning of your book? Brad and Dave discuss whether an anti-AI statement offers creators any meaningful protection, break down the information that belongs on a copyright page, and explore the many ways cartoonists can approach the first page of a story or chapter. The best opening isn't determined by a universal rule—it should establish the right expectations, reflect the story you're telling, and give readers a reason to keep going. Topics include: Skunk Watch 2026 Do anti-AI statements offer creators legal protection? Why a standard copyright notice may already cover AI training The difference between creating, declaring, and registering a copyright What information belongs on a copyright page Copyright and trademark ownership When to use ™ and when to use ® Print location, printing numbers, and edition information ISBNs and Library of Congress numbers Combining copyright, title, credit, and dedication pages Should a comic begin with a splash page? Does the main character need to appear on page one? Using the opening page to establish tone and make a promise to the reader Why different stories require different kinds of openings Brad's two-page system for beginning a new Evil Inc chapter Creating separate covers for SFW and NSFW editions Using chapter openers as archive markers, promotional art, and production buffers Dave's approach to prologues, chapter openings, and world-building vignettes The difference between the first page and the first chapter ComicLab LIVE at the National Cartoonists Society Reuben Awards You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

There is a temptation when reading the closing section of Homily 17 to see it as little more than a long list of prohibitions. Do not quarrel. Do not lie. Speak little. Avoid pride. Flee idle disputes. Endure injustice. Keep away from the powerful. Be moderate. At first glance, it can seem as though Isaac is describing a life of relentless restraint. Yet nothing could be further from his intention. The asceticism Isaac describes is never an end in itself. It is not a spiritual achievement, nor a demonstration of discipline. It is medicine. Every command is given for one purpose alone: to heal the heart until it can see again. The passions do not simply lead us into sin; they cloud our vision. Anger, pride, gluttony, argumentativeness, ambition, and constant speech scatter the soul. They fragment our attention until we can no longer perceive the quiet movements of grace. We remain busy with ourselves while becoming strangers to the Kingdom already present within us. This is why Isaac warns so carefully about seemingly ordinary things. Much talk extinguishes the noetic movements of the heart. Pride drives away the gentle energy of the Holy Spirit. Endless disputes over doctrine can become more about victory than truth. Even legitimate concerns can consume the heart until it loses its capacity for wonder. Asceticism, then, is not primarily about saying no. It is about making room for a greater yes. As the heart is purified, something extraordinary begins to emerge. Desire awakens—not the restless desire that seeks to possess, but the deep longing placed within us by God from the beginning. Wonder returns. The world ceases to be merely useful or threatening and becomes transparent to divine love. We begin to recognize that every act of humility, every silence embraced, every injury patiently endured is quietly removing another veil from the eyes of the heart. Then Isaac arrives at the astonishing conclusion toward which the entire homily has been moving: “Your soul will see the light of Christ in herself.” This is not poetic exaggeration. Nor is it a mystical privilege reserved for a few extraordinary souls. It is the destiny of every human being. The One whom we have sought in prayer, in Scripture, in the sacraments, and in the wilderness is discovered dwelling within the heart itself. The ascetical life has not brought Christ near; it has healed our blindness so that we may finally behold the One who has never departed. Here desire reaches its fulfillment. Wonder is no longer merely a response to creation but to the Creator living within His creature. Love recognizes Love. The heart discovers that beneath all its restless searching there has always been an eternal Presence waiting in silence. The Desert Fathers never practiced asceticism because they despised the world. They practiced it because they longed to see. Every fast, every vigil, every hidden act of humility was an act of hope that the eyes of the heart might become clear enough to behold Christ shining from within. Perhaps this is why Isaac ends not with another command but with a promise. The goal is not a perfectly disciplined life. The goal is a luminous heart. For when the heart is healed, it does not merely believe that Christ dwells within. It begins to see Him there. And in that vision, desire finds its home, wonder becomes ceaseless, and the soul enters even now into the eternal light that can never again be overcome by darkness. --- Text of chat during the group:   00:02:13 Fr. Charbel Abernethy: https://www.philokaliaministries.org/post/philokalia-ministries-summer-retreat 00:10:02 Fr. Charbel Abernethy: https://www.philokaliaministries.org/post/where-silence-learns-to-speak   00:11:13 Larry Ruggiero: Can you send the ISBN# of the book you are reading from. I'm having a difficult time following in my book translated by Nun Christina   00:11:35 Fr. Charbel Abernethy: Above link is the Charter for City a Desert Press   00:13:17 Fr. Charbel Abernethy: Page 216 para 7 mid paragraph   00:15:34 Fr. Charbel Abernethy: https://www.philokaliaministries.org/post/where-silence-learns-to-speak   00:29:23 James Hickman: Father, no disagreement here, but could you please share a few concrete examples of what Saint Isaac means by “something pertaining to the soul”? I can see why we don't want to hurt the soul. What does Isaac have in mind that pertains to the soul though?   00:33:23 James Hickman: Thank you   00:46:01 Maureen Cunningham: I put an icon in my car when get urge for fries I look at the Icon of the Holy Face of Jesus   00:46:57 paul g.: ✔️   00:47:42 James Hickman: The Thomistic Institue just released a podcast recording of a retreat talk on forgiveness by Fr. Andrew Hofer, OP, where he reminds us of the patristic interpretation of the fatted calf as Christ. The saints denied themselves of delicious food because they've tasted and seen how good and sweet the Lord is. Far tastier than any food made by human hands is the Fatted Calf.   00:52:57 Maureen Cunningham: Not passed by FDA only baby product   00:53:49 Rebecca Thérèse: Is the supplement research conducted by pharmaceutical companies?   01:04:38 Erick Chastain: this set of passages seems to make the argument you should not often be on social media   01:17:09 John ‘Jack': They sanctify us   01:20:59 Joan Chakonas: I used to seek truth in economics and current events back in my secular days- but upon finding my faith I know Seeking truth with the help of the desert fathers is all i ever needed   01:21:07 Julie: Thank you Father

Servicio publicar un libro en Amazon: https://www.letraminuscula.com/publicar-en-amazon/ RESUMEN: En este directo de preguntas y respuestas, Roberto Augusto resuelve dudas sobre autopublicación en Amazon, pagos de KDP, ISBN, registro de la propiedad intelectual y copyright. También explica estrategias de marketing para vender libros, analiza portadas y fichas de varios autores, habla de concursos literarios, traducciones, uso de la IA, protección de manuscritos y cómo construir una marca personal como escritor. ⏲MARCAS DE TIEMPO: ▶️00:00 Bienvenida y preguntas del directo ▶️01:07 Filtro de calidad editorial ▶️02:04 Cuándo paga Amazon KDP ▶️04:48 Concurso solo para inéditos ▶️05:27 Copyright y registro explicados ▶️08:27 ISBN o registro: diferencias ▶️12:28 Extras al publicar un libro ▶️15:35 ISBN no protege la autoría ▶️16:29 Amazon Ads para vender libros ▶️20:58 Derechos en traducciones y obras ▶️22:16 Marketing tras publicar ▶️24:51 Cuidado con agentes literarios ▶️29:43 Uso de los adjetivos ▶️30:42 Proceso editorial paso a paso ▶️33:12 Cómo vender un libro publicado ▶️38:30 ¿La IA sustituirá escritores? ▶️40:29 Análisis de un libro publicado ▶️45:29 Concursos y condiciones ▶️50:05 Errores en fichas y portadas ▶️01:21:45 Construir una carrera literaria

Seit einigen Jahren erhalten auch Erwachsene immer öfter die Neudiagnose ADHS, Autismus-Spektrum- oder Tic-Störung. Die Zahlen steigen kontinuierlich an, und soziale Medien wie TikTok tragen das Thema in die Breite. In dieser Folge von O-Ton Allgemeinmedizin spricht Tobias Stolzenberg mit Prof. Dr. Ludger Tebartz van Elst, Leitender Oberarzt an der Klinik für Psychiatrie und Psychotherapie am Universitätsklinikum Freiburg. Prof. Tebartz van Elst leitet eine Spezialambulanz für Autismus-Spektrum-Störungen und ist einer der renommiertesten deutschsprachigen Experten für ADHS, Autismus-Spektrum-Störungen und Tics beim Erwachsenen. Zudem ist er Autor und Mitherausgeber verschiedener Fach- und Lehrbücher sowie zahlreicher wissenschaftlicher Publikationen. Die Folge beleuchtet, was hinter dem markanten Anstieg der Diagnosezahlen steckt und welche Rolle das sogenannte Masking bei der sozialen und diagnostischen Unsichtbarkeit insbesondere bei Autismus spielt. Des Weiteren erläutert Prof. Tebartz van Elst, wo die Grenzen zwischen Normvariante, Persönlichkeitsstruktur und behandlungsbedürftiger psychiatrischer Störung verlaufen. Er erklärt, wie Hausärztinnen und Hausärzte Betroffene erkennen und weiterverweisen können und was es mit dem Begriff der Strukturdiagnose auf sich hat. Auch das Phänomen der funktionellen Tics, die durch soziale Medien verbreitet werden, und die Bedeutung von identitären Diagnosen und Stigma kommen zur Sprache. Gast dieser Folge: Prof. Dr. Ludger Tebartz van Elst, Leitender Oberarzt an der Klinik für Psychiatrie und Psychotherapie, Universitätsklinikum Freiburg Host dieser Folge: Tobias Stolzenberg, Redakteur bei Medical Tribune in Wiesbaden Kontakt zur Redaktion: o-ton-allgemeinmedizin@medtrix.group Sie wollen Werbung in unseren Podcasts platzieren? podcast-vermarktung@medtrix.group Podcast-Tipp: ADHS im Erwachsenenalter: Modediagnose oder bislang unterdiagnostiziert? – O-Ton Allgemeinmedizin, Folge 47 vom 24. April 2026 https://soundcloud.com/o-ton-allgemeinmedizin/adhs-im-erwachsenenalter-modediagnose-oder-bislang-unterdiagnostiziert Lesetipps: Autismus, ADHS und Tics – Zwischen Normvariante, Persönlichkeitsstörung und neuropsychiatrischer Krankheit Ludger Tebartz van Elst 3., erweiterte und überarbeitete Auflage ca. 240 Seiten, kartoniert ca. € 35,– (D) / ca. CHF 42,– / ca. € 36,– (A) ISBN 978-3-17-041158-6 auch als E-Book verfügbar PDF 978-3-17-041159-3 EPUB 978-3-17-041160-9 Psychiatrie und Psychotherapie für die Hausarztpraxis Peter Zwanzger (Hrsg.), Michael Rentrop (Hrsg.) 1. Auflage, erschienen: 30. Januar 2026 260 Seiten, Paperback 9 s/w Abbildungen, 52 Tabellen ISBN 978-3-7753-0011-7 € 69,95 (D) Weiterführende Links: S3-Leitlinie ADHS bei Kindern, Jugendlichen und Erwachsenen https://register.awmf.org/de/leitlinien/detail/028-045 Zentrales ADHS-Netz vom Universitätsklinikum Köln https://www.adhs.info ADHS Deutschland e.V. – Selbsthilfe für Menschen mit ADHS www.adhs-deutschland.de S3-Leitlinie Autismus-Spektrum-Störungen im Kindes-, Jugend- und Erwachsenenalter, Teil 1: Diagnostik https://register.awmf.org/de/leitlinien/detail/028-018#anmeldung Adult ADHD Self-Report Scale (ASRS-v1.1) Symptom Checklist - English https://add.org/wp-content/uploads/2015/03/adhd-questionnaire-ASRS111.pdf autismus Deutschland e.V. – Bundesverband zur Förderung von Menschen mit Autismus https://www.autismus.de/ Universitäres Zentrum Autismus-Spektrum Freiburg https://www.uniklinik-freiburg.de/psych Autism Spectrum Quotient 10 items (AQ-10) (Adult) – Deutsch https://www.autismresearchcentre.com/tests/autism-spectrum-quotient-10-items-aq-10-adult/ IVTS e. V. – InteressenVerband Tic & Tourette Syndrom https://iv-ts.de/ Tourette-Gesellschaft Deutschland e.V. (TGD) https://www.tourette-gesellschaft.de NIH / PubMed Central – „Tics bei Erwachsenen" https://pmc.ncbi.nlm.nih.gov/articles/PMC9735045/

Malpertuis is eigenlijk een raamvertelling, die bestaat uit vier luiken. In een proloog vertelt een naamloos heerschap hoe hij inbrak in het klooster van de witheren (norbertijnen), waar hij de manuscripten ontvreemdde die volgen. Hetzelfde personage komt ook in een epiloog aan bod, die start met de uitroep: ‘Ik heb de Stad gevonden!' Hij bedoelt uiteraard ‘de stad waar Malpertuis zich bevindt' – oftewel: Gent. Terribilis est locus iste!*Heeft Patrick Bernauw in die stad ook Malpertuis gevonden, het Huis van de Boze?  Daar verneemt u alles over in deze laatste aflevering van het drieluik naar het essay Malpertuis dat zopas verscheen in de Rare Boekjes Reeks van Fantastische Vertellingen, hier te bestellen (7,95€):Een Gentse schrijver, het geheim van het vervloekte Malpertuis, ongeloof over het beweerde verscheiden van John Flanders, te rusten gelegd naast Virginie Bal. De werkelijkheid zoals wij die kennen staat op losse schroeven en uiteengezet wordt op grond waarvan.Het magisch realisme spat er vanaf.Malpertuis; literair essay; Patrick Bernauw; omslag- en binnenillustraties Gert-Jan van den Bemd; Rare Boekjes-reeks 73; ISBN 978-90-78499-74-9; 72 blz.; 1e druk 2026; uitg. Stichting Fantastische Vertellingen; omslagontwerp Ingrid Heit; biografie van auteur en omslagillustrator; Penguin-formaat pocketboek.Wie over het boekje beschikt en graag de reclamevrije luisterboek versie gratis & voor niets in zijn mailbox wil ontvangen, kan een mailtje sturen naar info@inter-actief.be Blogpost over deze productie.Rare Boekjes-reeksVia de Rare Boekjes-reeks biedt de Stichting Fantastische Vertellingen een springplank voor nieuw of miskend oorspronkelijk Nederlandstalig talent op het gebied van fantastische literatuur en kunst. De publicaties in deze reeks beogen de creativiteit te stimuleren en de geesten maximaal te verruimen.* 'Verschrikkelijk is deze plek!'Become a supporter of this podcast: https://www.spreaker.com/podcast/mysterieus-belgie--5917929/support.Mysterieus België is een podcast van de Vlaamse auteur Patrick Bernauw. Zijn werk is verkrijgbaar in iedere plaatselijke en online boekhandel, o.a. bij Bol of Standaard Boekhandel. Zijn meest recente boeken: BeeldSpraak https://www.bernauw.com/p/beeldspraak-gecartoniseerde-collages.htmlGroetjes uit de Vierde Dimensie https://www.bernauw.com/p/maf.htmlThis episode includes AI-generated content.

From our moods to our metabolism, hormones are running the show behind nearly every bodily function. They tell our hearts how quickly to beat, our guts how to process the food we eat, our bones to release calcium, and our muscles to grow new fibers. Yet, most of us don't fully understand how our bodies and their systems work—and more importantly, what to do when they don't. Enter renowned endocrinologist Dr. Gillian Goddard, author of the groundbreaking new book THE HORMONE LOOP: An Empowering Guide to Restoring Hormonal Harmony, from Puberty to Menopause (Harper Influence, ISBN: 9780063455047; $30.00; Hardcover; on sale: 6/2/2026). Dr. Goddard knows firsthand how urgently women need clear, accessible information about their hormonal health. Drawing from years of clinical experience, she presents a definitive and engaging guide to hormonal health at every stage of a woman's life—from puberty to reproductive years to perimenopause to menopause to post menopause. As Dr. Goddard clearly explains, at each of these stages, there are four distinct hormone loops that keep our bodies in balance: the reproductive loop, the thyroid loop, the growth hormone loop, and the adrenal loop. While these loops often operate quietly in the background, each plays a powerful role in our lifelong health. There is no one-size-fits-all solution to the challenges and changes our bodies experience throughout our lives, but hormones often hold the key. Weaving stories from her practice with the latest medical research and featuring helpful charts and illustrations, THE HORMONE LOOP breaks down the problems that commonly arise throughout our lives and offers a clear rubric for how to have better conversations with our doctors. THE HORMONE LOOP is an essential and long overdue book that equips women with the knowledge and confidence to become their own powerful, self-advocates, and also empower mothers to help their daughters navigate the often- confusing stage of puberty.

No episódio desta semana do podcast do PublishNews, vamos trazer um pouco da Casa PublishNews nesta 24a FLIP. com a mesa: LITERATURA EM VOZ ALTA: INTERPRETAÇÕES LITERÁRIAS EM ÁUDIO, os atores Gustavo Falcão e Maria Manoella conversaram com o músico e produtor Roberto Bürgel sobre a produção e narração de audiolivros com a mediação de Vivian Vergal, produtora de audiolivros na Companhia das Letras. eles discutem a arte da narração de audiolivros, suas diferenças em relação à contação de histórias tradicional e as experiências de narradores profissionais. Uma conversa que aprofunda o universo do áudio na literatura e sua importância cultural.A Casa PublishNews na Flip 2026 celebrou os 10 anos de programação paralela do canal na Festa em Paraty, com nova identidade visual, distribuição da Revista PublishNews #3, 24 painéis com 71 profissionais do mercado editorial, escritores e especialistas, e um público atento que preencheu todos os espaços da Casa entre a quarta-feira (22) e o sábado (25) Patrocínio Master de Câmara Brasileira do Livro (CBL), MVB América Latina e Transpo Express; Patrocínio Ouro de Bookwire Brasil, Carreira Literária, UmLivro e Via Lúdica; Patrocínio Prata de Alta Books, Intrínseca, Labrador Editora, Sextante e Skeelo; e Apoio de Abrelivros, Edições Sesc, Gráfica Viena, Great People Books, Nielsen BookData, Sindicato Nacional de Editores de Livros (SNEL), Suzano e Wave Studios. E a programação foi coordenada pela equipe do PublishNews, em conjunto com Fabio Uehara e Maria Carolina Borin.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro, Gráfica Viena e Nielsen BookData — referência mundial em dados que impulsionam estratégias.Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

FOREWORDThe intricate interplay between culture and individual legacy forms a critical site of scholarly inquiry in the humanities and social sciences. The volume entitled The Right Excellent Sir Garfield St. Aubrun Sobers, NH, AO, OCC (1936–2026): An Interdisciplinary Investigation of Authorship, Media Representation, and Theological Vision via the Scholarly Perspective of Dr. William Anderson Gittens, Doctor of Divinity offers a seminal contribution to this discourse by foregrounding how cultural frameworks shape the interpretation of one of the Caribbean's preeminent figures. This work situates Sir Garfield Sobers not solely as an unparalleled athlete but as a profound cultural icon whose multifaceted legacy encapsulates the sociohistorical, theological, and media dimensions of Caribbean identity and postcolonial subjectivity.Culture, as theorized by Hall (1997), functions beyond mere customs or traditions; it constitutes a dynamic, interpretive process through which societies negotiate meaning, continuity, and historical memory. This conceptualization undergirds Dr. Gittens' interdisciplinary approach, which deftly integrates anthropology, sociology, media studies, cultural theory, and theology to illuminate Sir Garfield Sobers' enduring impact. Drawing from the rich vein of Caribbean scholarship—intersecting with postcolonial theorists such as Bhabha (1994) and cultural anthropologists like Geertz (1973)—the author articulates how Sobers' narrative transcends athletic achievement to embody broader questions of national identity, ethical leadership, and spiritual vision.Dr. Gittens advances a compelling thesis that authorship serves as cultural stewardship, whereby biography is more than historical recounting; it becomes a vital vehicle for preserving collective memory and fostering intellectual reflection. This aligns with Nichols' (2017) insights into narrative ethics and Sontag's (1977) explorations of representation, especially as mediated through contemporary platforms. The volume's rigorous analysis of media representations underscores the formative role of newspapers, broadcasting, and digital media in constructing public memory and shaping societal ideals surrounding excellence and humility, echoing Couldry's (2012) argument regarding media as constitutive of social reality.Perhaps most distinctive is the integration of theological reflection as an interpretive lens, situating moral virtue, vocation, and gratitude at the center of Sobers' public legacy. This theological dimension, informed by Dr. Gittens' own expertise in divinity, enriches the interdisciplinary dialogue and expands the contours of cultural inquiry. It invites readers to consider the ethical and spiritual dimensions that underpin leadership and cultural resilience, thus harmonizing with Wright's (2006) discourse on spirituality in postcolonial contexts.In sum, this volume stands as a testament to the power of interdisciplinary scholarship to deepen our understanding of culture as an active force shaping identity, memory, and historical consciousness. By elucidating Sir Garfield Sobers' multifarious legacy, Dr. Gittens contributes significantly to Caribbean studies while offering broader methodological insights relevant to scholars of biography, media, and theology. This work invites ongoing engagement with the ways in which extraordinary individuals become enduring cultural symbols—an engagement that is essential for sustaining the intellectual and cultural vitality of societies worldwide.It is with great scholarly admiration that I commend this volume to readers who seek to explore the intricate nexus of culture, history, and spirituality through the exemplary life of Sir Garfield Sobers.Dr. William Anderson Gittens, Doctor of Divinity ReferencesBeckles, H. (1998). The Development of West Indies Cricket. Pluto Press.Beckles, H. (2010). The development of West Indies cricket. Ian Randle Publishers.Beckles, H. (2010). The first black slave society: Britain's "barbarity time" in Barbados, 1636–1876. The University of the West Indies Press.Bhabha, H. K. (1994). The location of culture. Routledge.Brathwaite, E. K. (2022). Constitutional Developments in Barbados. Caribbean Journal of Political Studies, 14(2), 45-60.Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity Press.Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity Press.Geertz, C. (1973). The interpretation of cultures. Basic Books.Gittens, W. A. (2024). A Memoir of Dr. William Anderson Gittens, D.D. Academia.edu. https://www.academia.edu/123754463/A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBN978_976_97385_0_8Gittens, W. A. (2026). The Right Excellent Sir Garfield St. Aubrun Sobers NH, AO, OCC (1936–2026): An interdisciplinary investigation of authorship, media representation, and theological vision. Devgro Media Arts Services Publishing®. ISBN 978-976-97997-5-2.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage Publications.Hall, S. (1997). Representation: Cultural representations and signifying practices. Sage.James, C. L. R. (1963). Beyond a boundary. Hutchinson.James, C. L. R. (1963). Beyond a boundary. Stanley Paul.Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.New International Version Bible. (2011). Zondervan. (Original work published 1973)Nichols, B. (2017). Introduction to documentary (3rd ed.). Indiana University Press.Nichols, B. (2017). Introduction to documentary (3rd ed.). Indiana University Press.Sontag, S. (1977). On photography. Farrar, Straus and Giroux.The Holy Bible, New International Version. (2011). Zondervan.Tylor, E. B. (1871). Primitive culture. John Murray.Tylor, E. B. (1871). Primitive culture. John Murray.Wikipedia contributors. (2026). Garfield Sobers. Wikipedia. https://en.wikipedia.org/wiki/Garfield_SobersWilliams, R. (1981). Culture. Fontana Press.Wisden. (2000). Wisden Cricketers of the Century. Wisden Cricketers' Almanack.Wright, M. (2006). Spirituality and postcolonial literature. Palgrave Macmillan.Wright, N. T. (2006). Simply Christian: Why Christianity makes sense. HarperOne.Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

Im 58. Beispiel des Hekiganroku wird Meister Joshu gefragt, warum er den Satz: »Der wahre Weg ist nicht schwer; er verabscheut nur Wahl und Festhalten«, so oft zitiere. Joshu entgegnet, dass er dafür keine Rechtfertigung habe. Was Wahl bedeutet und wie wir dem Anhaften entgehen können, ist ein wiederkehrendes Thema. Joshus Botschaft bleibt dabei stets dieselbe: Der wahre Weg (Dao) ist einfach, nur unser Denken macht ihn kompliziert. Steven Mitchell schreibt dazu in seinem Buch »The Second Book of the Dao«: »Wir glauben die menschliche Natur zu kennen. Doch was, wenn unsere liebsten Annahmen falsch sind? Was, wenn alles Leid aus verwirrten Gedanken resultiert?« In diesem Teisho stellt Christoph Rei Ho Hatlapa dem analytischen Verstand die Wahrnehmung mit dem Herzen zur Seite. Aus ihr erwachsen Mitgefühl und die Einsicht, dass wir nicht von den Wesen um uns herum getrennt sind. Die praktische Aufgabe besteht darin, immer wieder zu unserer eigenen Mitte zurückzukehren, auch wenn in uns viele unterschiedliche Stimmen sprechen: die des inneren Kindes, der Eltern oder unserer Erwartungen. Durch die Zen-Praxis können wir lernen, diese Stimmen wahrzunehmen und den inneren Frieden zwischen ihnen wiederherzustellen. Indem wir unsere mentalen Konstruktionen loslassen und die Wirklichkeit unmittelbarer erkennen, kann Klarheit entstehen. In dieser Klarheit ist der Weg nichts Fernes oder Geheimnisvolles, sondern etwas, das bereits im gegenwärtigen Moment vorhanden ist. Literatur: Stephen Mitchell: The Second Book of the Tao, 1. Auflage, Penguin Publishing Group, 2010, ISBN: 0143116703, 9780143116707 Um für junge Erwachsene den Aufenthalt im ToGenJi zu ermöglichen, bitten wir um eine Spende: Sie finden die Kontodaten/Paypal auf unserer Website https://choka-sangha.de/spenden/ Herzlichen Dank

Ein lange gehütetes Geheimnis wird gelüftet: Die geheimen Tagebücher von Tobias Vogel (Krieg und Freitag) befanden sich seit jeher im Besitz von Andre Lux (Egon Forever!). Dieser versucht bereits seit vielen Jahren dafür ISBNs zu kriegen um sie dann wiederum für viel Geld an die TV Spielfilm Redaktion zu verkaufen. Über all das wird in dieser Episode eures Lieblingspodcasts feige geschwiegen. Na super.

Culture is not what we inherit . It's what we decide © 2026 ISBN 978-976-97997-7-6.mp3AbstractThis paper examines the proposition that culture is not passively inherited but actively maintained through conscious stewardship. Drawing upon anthropological theory, cultural studies, postcolonial scholarship, and theological perspectives, the study compares the public contributions of The Right Excellent Sir Garfield St. Aubrun Sobers NH AO OCC (1936–2026) and Dr. William Anderson Gittens, Doctor of Divinity (born July 17, 1958). The analysis explores how both individuals have contributed to Barbadian cultural identity through different forms of public engagement. The Right Excellent Sir Garfield St. Aubrun Sobers NH AO OCC (1936–2026) represents cultural stewardship through athletic excellence and national representation, whereas Gittens has sought to preserve Barbadian heritage through publishing, photography, broadcasting, podcasting, and documentary media. The paper argues that culture is sustained through intentional acts of preservation rather than biological inheritance alone.Dr. William Anderson Gittens, Doctor of DivinityPodcast 308 Three Presentations, One Stewardship: A Comparative Analysis of The Right Excellent Sir Garfield St. Aubrun Sobers, NH, AO, OCC (1936–2026) and Dr. William Anderson Gittens, Doctor of Divinity (born July 17, 1958)© 2026 ISBN: 978-976-97997-7-6Devgro Media Arts Services Publishing®2015 In collaboration with iMovie present Podcast 308 Three Presentations, One Stewardship: A Comparative Analysis of The Right Excellent Sir Garfield St. Aubrun Sobers, NH, AO, OCC (1936–2026) and Dr. William Anderson Gittens, Doctor of Divinity (born July 17, 1958)© 2026 ISBN: 978-976-97997-7-6RECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 481 E-Publications and 308 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D. ReferencesBeckles, H. (1998). The Development of West Indies Cricket. Pluto Press.Brathwaite, E. K. (2022). Constitutional Developments in Barbados. Caribbean Journal of Political Studies, 14(2), 45-60.Geertz, C. (1973). The Interpretation of Cultures. Basic Books.Gittens, W. A. (2024). A Memoir of Dr. William Anderson Gittens, D.D. Academia.edu. https://www.academia.edu/123754463/A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBN978_976_97385_0_8Hall, S. (1997). Representation: Cultural Representations and Signifying Practices. Sage Publications.James, C. L. R. (1963). Beyond a Boundary. Stanley Paul.Tylor, E. B. (1871). Primitive Culture. John Murray.Wikipedia contributors. (2026). Garfield Sobers. Wikipedia. https://en.wikipedia.org/wiki/Garfield_SobersWisden. (2000). Wisden Cricketers of the Century. Wisden Cricketers' Almanack.The Holy Bible, New International Version. (2011). Zondervan.Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

https://triunfacontulibro.com/Cómo sacar tu ISBN en España paso a paso en la web oficial (agenciaisbn.es), sin gestoría y sin equivocarte en ningún campo. Te enseño el proceso completo en pantalla: solicitud, pago, y registro de tu título.En este audio verás:✅ Los DOS caminos que existen en España para obtener un ISBN (autor o sello editorial) y cuál te corresponde✅ El formulario de solicitud, campo a campo, en pantalla✅ Precios y plazos: tramitación normal y servicio urgente✅ Cómo registrar los datos de tu libro en la plataforma de la agencia✅ El depósito legal: qué es y cómo cumplirlo✅ Cómo crear tu propio sello editorial (modelo 036) para comprar ISBN en bloque mucho más baratos⚠️ Importante: pide tu ISBN solo cuando tu libro esté TERMINADO. Un cambio de título o de contenido después te obligará a sacar un ISBN nuevo.

Wed, 22 Jul 2026 17:40:00 +0000 https://jungeanleger.podigee.io/3240-books-from-friends-4-wiener-wedding-killer-franziska-waltz-2 a4b08067e4feb124b349993a37239e09 Mein Buch "Ein Fanboy über die jüngere Geschichte der Wiener Börse im Remix mit Sport, Musik und (m)einer Biografie" ist erschienen, alle Infos unter christian-drastil.com. Im Buch spielt die Zahl 42 eine grosse Rolle und so werde ich 42 Werke anderer Autoren hier präsentieren, zu denen ich inhaltlichen Bezug habe. Ich nenne die Serie Books from Friends. Und es gibt zwei Möglichkeiten im Rahmen dieser Podcastreihe. a) ein Podcasttalk b) eine Leseprobe Für Folge 4 kam mich die grossartige Franziska Waltz, eine enge Wegbegleiterin meiner engen Wegbegleiter Norbert Peter/Marco Seltenreich, besuchen. Franziska schreibt gemeinsam mit Norbert Peter (ja, der!) und Claus Schönhofer Killer-Krimi-Kurzgeschichten (3 AutorInnen a 3 Stories in 9-Story-Bänden), die jüngste Tat heisst "Wiener Wedding Killer". Angesprochen hab ich Franziska bei einer Lesung bei Thalia in Wien 3, als ich mit Marco Seltenreich die WM-Vorhersagen aufgenommen habe, weil alles so lange dauerte. Als die Lesung dann mit Franziska startete, waren wir ruhig, weil impressed. Franziska darf die Lesungen immer starten und nach dem Podcast-Genuss wird man erahnen, warum. Im Vorfeld des Podcasts hatte ich Angst, weil Franziska über sich sagt, dass sie gerne im Sommer mordet. Daher habe ich ihren Besuch mehrfach angekündigt, damit mir nix passiert. Dann kam sie auch noch im Bösewichtin-Shirt, aber ich bin ja mutig. Im Podcast stellen wir das Buch vor, reden über Cosy Krimis, über Bräutigamie, über Tote in Buch und Film, gefundene Trotteln, über einen Leichen-Wunsch von Peter/Seltenreich, Filme, Hörbücher, Todessterne und und vieles mehr. Wiener Wedding Killer bei Thalia: https://www.thalia.at/shop/home/artikeldetails/A1077550623 Wiener Wedding Killer bei Morawa: https://www.morawa.at/detail/ISBN-9783903989979/Waltz-Franziska/Wiener-Wedding-Killer Welche Sensation Marco Seltenreich mit mir beim Warten aufgenommen hat: http://www.audio-cd.at/offline-der-podcast Franziska und Film-Leichen: https://www.cultfilm.at Wiener Krimi Trio auf Insta: https://www.instagram.com/wiener_krimitrio/ Wiener Krimi Trio auf Facebook: https://www.facebook.com/wienerkrimitrio Das Fanboy-Buch: http://www.christian-drastil.com Mehr Books from Friends: http://www.audio-cd.at/booksfromfriends About: "Books from Friends" wird 42 Folgen umfassen und ist via http://www.audio-cd.at (über den Podcast "Audio-CD.at Indie Podcasts" (http://www.audio-cd.at/spotify , http://www.audio-cd.at/apple) abrufbar. Bewertungen bei Apple (oder auch Spotify) machen Freude. Du möchtest deine Werbung in diesem und vielen anderen Podcasts schalten? Kein Problem!Für deinen Zugang zu zielgerichteter Podcast-Werbung, klicke hier.Audiomarktplatz.de - Geschichten, die bleiben - überall und jederzeit! 3240 full no Christian Drastil Comm. (Agentur für Investor Relations und Podcasts) 1253

Wir haben ein Buch geschrieben! Gemeinsam mit dem GABAL Verlag dürfen wir unser erstes gemeinsames Buchprojekt ankündigen. Nach fast 80 Podcast Folgen, über zweieinhalb Jahren Gesprächen, vielen spannenden Gästen und sehr vielen Momenten, in denen wir selbst dazugelernt haben. In unserer aktuellen Folge 78 sprechen wir darüber, wie es dazu kam. Warum der Verlag auf uns zugekommen ist. Warum sich der Zeitpunkt gerade jetzt richtig anfühlt. Und was uns im letzten Jahr beim Schreiben besonders bewegt hat. Wir haben an vielen Orten an diesem Buch gearbeitet. Auf Reisen, zwischen Terminen, in langen Gesprächen, mit sehr viel Reibung, sehr viel Freude und immer wieder mit dem Gefühl, dass dieses Thema größer ist als wir beide. Es geht um Führung in einer Arbeitswelt, die sich gerade massiv verändert. Um Generationen, die oft mehr verbindet, als sie selbst glauben. Um Selbstführung, Zusammenarbeit, Vertrauen und Klarheit. Und um KI. Um die Frage, wie wir künftig nicht nur Menschen führen, sondern auch Systeme, Agenten und neue Formen von Arbeit sinnvoll orchestrieren. Das Buch richtet sich an Führungskräfte, an Menschen, die Führung übernehmen wollen, und an alle, die verstehen möchten, wie gute Arbeit in Zukunft gelingen kann. Man kann es jetzt vorbestellen. Bei Thalia (https://www.thalia.de/shop/home/artikeldetails/A1079025388), Hugendubel (https://www.hugendubel.info/detail/ISBN-9783967392845/Trautmann-Michael/Wir-m%C3%BCssen-%C3%BCber-F%C3%BChrung-reden) und natürlich auch beim Verlag direkt (https://www.gabal-verlag.de/buch/wir-muessen-ueber-fuehrung-reden/9783967392845 ). Und wenn ihr es gelesen habt, freuen wir uns sehr über eine Bewertung. Das hilft gerade am Anfang enorm. Jetzt sind wir erstmal für ein paar Wochen in der Sommerpause aber freuen uns schon auf die nächsten Folgen. Habt einen erholsamen Sommer und vielen Dank für eure Unterstützung! Eure Oskar & Michael #Leadership #GenZ #Führung #Stärkenorientierung #Feedbackkultur #ReverseMentoring #NewWork #KI #ZoomerMeetsBoomer

No episódio desta semana do podcast do PublishNews, conversamos com Raquel Cozer, jornalista, editora de livros, pesquisadora e roteirista para o audiovisual. Ela foi colunista de literatura e mercado editorial, além de ter atuado como editora.Na conversa, Raquel compartilha como surgiu o Notas de Rodapé, seu programa no canal Amado Mundo, e conta como tem sido o processo de escrever a biografia de Lygia Fagundes Telles para a Companhia das Letras. Ela fala ainda sobre os bastidores da criação de conteúdo cultural e as lições aprendidas ao longo do caminho.E aproveitando, se você está indo para a FLIP, não se esqueça de passar na Casa PublishNews, um espaço para falar do negócio do livro, políticas públicas de leitura, produção e distribuição de livros digitais, literatura brasileira contemporânea, eventos literários e outros assuntos estarão distribuídos em 24 painéis, com 71 profissionais do mercado editorial, escritores e especialistas. Entre os dias 22 e 25 de julho (de quarta-feira a sábado), na Rua Tenente Francisco Antônio (Rua do Comércio), nº 300, com Patrocínio Master de Câmara Brasileira do Livro (CBL), MVB América Latina e Transpo Express; Patrocínio Ouro de Bookwire Brasil, Carreira Literária, UmLivro e Via Lúdica; Patrocínio Prata de Alta Books, Intrínseca, Labrador Editora, Sextante e Skeelo; e Apoio de Abrelivros, Edições Sesc, Gráfica Viena, Great People Books, Nielsen BookData, Sindicato Nacional de Editores de Livros (SNEL), Suzano e Wave Studios. E a programação coordenada pela equipe do PublishNews, em conjunto com Fabio Uehara e Maria Carolina Borin.Indicações:HQ: Caixa de quadrinhos - Reescrevendo ContosHQ - Pyongyang: Uma Viagem à Coreia do Norte - Guy Delisle Livro - Escreviventes -  Conceição Evaristo e Eliana Alves Cruz (Pallas Editora)Livro - Aí de nós, Copacabana - Alexandre Medeiros (Morula e Folha seca) Livro - Pessoa: uma biografia - Richard Zenith - Tradução: Pedro Maia Soares (Companhia das Letras)Audiolivro - Pessoa - Richard Zenith Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

Ref.: Michael Papenkordt, ICPE-Mission, Institut für Weltevangelisierung, Mannheim Die Botschaft der Psalmen Mit dem Papst beten beide Bände in einer Ausgabe von Papst Johannes Paul II. und von Papst Benedikt XVI. Bibelwerk Verlag; ISBN: 978-3-460-32123-6; Preis: 10 Euro "Unsere christlichen Gemeinden müssen echte Schulen des Gebets werden, wo die Begegnung mit Christus nicht nur im Flehen um Hilfe Ausdruck findet, sondern auch in Danksagung, Lob, Anbetung, Betrachtung, Zuhören, Leidenschaft der Gefühle bis hin zu einer richtigen Verliebtheit des Herzens". (Papst Johannes Paul II.)

ABSTRACTOn 30 November 2021 Barbados transitioned from a constitutional monarchy to a parliamentary republic, installing The Most Honourable Dame Sandra Mason FB GCMG DA SC as its first President. This scholarly conversation examines how shifting definitions of culture — from colonial, to national, to sovereign Caribbean identity — influenced that constitutional change. Drawing on cultural theory, parliamentary records, and Barbadian public discourse, I argue that the Republic was not merely a legal act but a cultural declaration. As definitions of “Bajan culture” moved to center self-determination, memory, and service, the office of President became the symbolic vessel for those values. The transition from Queen Elizabeth II to a Barbadian Head of State therefore reflects culture as both the cause and content of republicanism.It should be noted that the social constructs  Barbados, republic, culture, postcolonialism, national identity, The Most Honourable Dame Sandra Mason FB GCMG DA SC was a legal change. But more importantly, it was a cultural one (Barbados Today, 2021). Four years later, the swearing in of His Excellency the Most Honourable Jeffrey Bostic FB MVO, and Caribbean governance underpin this conversation Dr. William Anderson Gittens, Doctor of DivinityHow the Definition of Culture Has Influenced the Barbadian Republic ©2026 ISBN 978-976-97997-6-9  Presented by Dr. William Anderson Gittens, Doctor of DivinityDevgro Media Arts Services Publishing®2015 In collaboration with iMovie present How the Definition of Culture Has Influenced the Barbadian Republic ©2026 ISBN 978-976-97997-6-9  Presented by Dr. William Anderson Gittens, Doctor of DivinityRECOGNITIONSAs I take a moment to reflect on my journey, I am filled with profound gratitude for the Creator's guiding hand that has led me every step of the way. Life has brought me countless blessings, and at the forefront of these blessings is the immeasurable debt of thanks I owe to my late parents, Charles and Ira Gittens. They bestowed upon me their wisdom and creative spirit, which have been a consistent source of inspiration throughout my life. Their counsel and encouragement continue to resonate within me, shaping my path and purpose. To my beloved wife, Magnola Gittens, your unwavering support has been my anchor in turbulent seas. Your love and understanding provide the strength necessary to navigate life's complexities. I am eternally grateful for your presence, which comforts and uplifts me. To my brothers—Shurland, Charles, Ricardo, and my late brothers Arnott and Stephen—as well as my sisters, Emerald, Marcella, and Cheryl, thank you for being my steadfast companions along this journey. Each of you has contributed uniquely to my narrative, reminding me of the importance of family ties in shaping who I am today. I extend my heartfelt appreciation to my cousins: Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, and Jackie Clarke. Your love and camaraderie have enriched my life beyond measure. To my uncles, Clifford, Leonard Mayers, David Bruce, and Collin Rock, your support has been invaluable, strengthening the bonds of our family. To my children, Laron and Lisa, grandson Elijah you are my pride and joy, the motivation behind my work, fuelling my desire to create and inspire.Moreover, I am equally grateful to all who have believed in me and wanted nothing but the best for my growth. Mr. and Mrs. Andrew Platizky, Mr. Matthew Sutton, Mr. Juan Arroyo, Mr. and Mrs. David Lavine, and many others have played pivotal roles in my development, encouraging me to pursue my passions relentlessly. During my time at New Jersey City University (NJCU), I had the privilege of receiving guidance from exceptional mentors, including the late Dr. Joseph Drew, Merline Mayers, Mrs. Ellen Gordon, Dr. Nicholas Gordon, Rev. Dr. Scofield Eversley BSS, and many others. Conversations about enhancing my writing skills after graduating were integral to my growth, providing the foundation for my future endeavours. Over the past three decades, my experiences in the leisure activities industry have significantly shaped my journey. From 1995 to 2026, I have devoted myself to writing, resulting in 477 E-Publications and 304 podcasts that resonate within the community. In recognition of the profound impact Dr. Joseph Drew had on my academic and personal development, I dedicated my 66th publication, "A Tribute to Culture" Vol. 1, to him—a small token of gratitude for his enormous influence on my life.As I look forward to what lies ahead, I remain thankful to all who have contributed to my story and to the Creator for the endless possibilities this journey holds. Each person's presence has left an indelible mark on my life, guiding me toward a future filled with hope and potential.Dr. William Anderson Gittens, D.D. ReferencesREFERENCES(Jamaica Observer. (2025, November 30). Barbados installs second president during Independence Day parade. https://www.jamaicaobserver.comAristotle. (2007). On rhetoric: A theory of civic discourse (G. A. Kennedy, Trans., 2nd ed.). Oxford University Press. (Original work published ca. 4th century BCE)Barbados Parliament. (2025a). Election of the President of Barbados. https://www.barbadosparliament.comBarbados Parliament. (2025b). Parliamentary proceedings concerning the election of the President. https://www.barbadosparliament.comBarbados Parliament. (n.d.). Member details: Jeffrey Bostic. https://www.barbadosparliament.comBarbados Today. (2021, November 30). Barbados becomes a republic. https://www.barbadostoday.bbBarbados Today. (2025, October 7). New President of Barbados elected. https://www.barbadostoday.bbCaribbean Elections. (n.d.). Caribbean Elections Biography | Jeffrey Bostic. https://www.caribbeanelections.comConstitutionNet. (2021, November 30). Barbados swears in first president, becoming a republic. https://constitutionnet.org/news/barbados-swears-first-president-becoming-republicGeertz, C. (1973). The interpretation of cultures. Basic Books.Gittens, W. A. (2026). How the Definition of Culture Has Influenced the Barbadian Republic ©2026 ISBN978-976-97997-6-9 Dr. William Anderson Gittens, Doctor of Divinity Devgro Media Arts Services Publishing®️2015 | Independent Scholar wgittens11@gmail.comGovernment of Barbados. (n.d.). President. https://www.gov.bb/Visit-Barbados/presidenthttps://www.barbadosparliament.com/bills/details/581 Mason, S. P. (2021). The President's address. Government of Barbados. https://www.foreign.gov.bb/?jet_download=69dd013d00496395a9eb23d6d08d6bd585f7eaeeMottley, M. (2020, September 15). Throne speech to Parliament of Barbados. Barbados Government Information Service.Nation News Barbados. (2025, September 16). Bostic nominated as Barbados' second president. https://www.nationnews.comPrime Minister's Office of Barbados. (2020, April 5). Press conference & COVID-19 update. https://pmo.gov.bb/2020/04/05/press-conference-covid-19-update/Tylor, E. B. (2010). Primitive culture (Original work published 1871). Cambridge University Press.Support the showCultural Factors Influence Academic Achievements© 2024 ISBN978-976-97385-7-7 A_MEMOIR_OF_Dr_William_Anderson_Gittens_D_D_2024_ISBNISBN978_976_97385_0_8Academic.edu. Chief of Audio Visual Aids Officer Mr. Michael Owen Chief of Audio Visual Aids Officer Mr. Selwyn Belle Commissioner of Police Mr. Orville Durant Dr. William Anderson Gittens, D.D En.wikipedia.org/wiki/Lifelong_learning Hackett Philip Media Resource Development Officer Holder, B,Anthony Episcopal Priest,https://brainly.com/question/36353773https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-19https://en.wikipedia.org/wiki/Lifelong_learning#cite_note-:2-18https://independent.academia.edu/WilliamGittens/Bookshttps://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=william+anderson+gittens+barbados&oq=william+anderson+gittenshttps://www.academia.edu/123754463/https://www.buzzsprout.com/429292/episodes. https://www.youtube.com/@williamandersongittens1714. Mr.Greene, Rupert

On the Shelf for June & July 2026 The Lesbian Historic Motif Podcast - Episode 347 with Heather Rose Jones Your monthly roundup of history, news, and the field of sapphic historical fiction. In this episode we talk about: Recent and upcoming publications covered on the blog Moore, Lisa L. 2005. “Queer Gardens: Mary Delany's Flowers and Friendships” in Eighteenth-Century Studies Vol. 39, No. 1 (Fall, 2005), pp. 49-70 O'Driscoll, Sally. 2003. “The Lesbian and the Passionless Woman: Femininity and Sexuality in 18th century England” in The Eighteenth Century: Theory and Interpretation 44.2-3. p.103-31 Peakman, Julie. 2004. Lascivious Bodies: A Sexual History of the Eighteenth Century. Atlantic Books, London. Chapter 8 “Tribadism: ‘A New Sort of Sin'” Anonymous. 1697. The history of the intrigues & gallantries of Christina, Queen of Sweden, and of her court whilst she was at Rome faithfully render'd into English from the French original. London: Richard Baldwin. Abbott, Carmeta. 1993. “The Portrait as Text: Two Depictions of Madame de Saint-Balmon (1607-1660)” in Atlantis: Critical Studies in Gender, Culture, and Social Justice vol. 19, No. 1. Bell, Rudolph M. 1987. “Renaissance Sexuality and the Florentine Archives: An Exchange” in Renaissance Quarterly, Vol. 40, No. 3: pp. 485-511 Reynolds, Nicole. 2010. “Cottage Industry: The Ladies of Llangollen and the Symbolic Capital of the "Cottage Ornée"” in The Eighteenth Century, Vol. 51, No. 1/2: 211-227 Vicinus, Martha. “Lesbian Perversity and Victorian Marriage: The 1864 Codrington Divorce Trial” pp.92-94 in Journal of British Studies 36, no. 1 (1997). Liddington, Jill. 1993. “Anne Lister of Shibden Hall, Halifax (1791-1840): Her Diaries and the Historians” in History Workshop, 35: 45-77. Orr, Dannielle. 2006. A Sojourn in Paris 1824-25: Sex and Sociability in the Manuscript Writings of Anne Lister (1791-1840). (Doctoral Dissertation, Murdoch University) Roulston, Chris & Caroline Gonda, eds. 2023. Decoding Anne Lister: From the Archives to ‘Gentleman Jack'. Cambridge University Press, Cambridge. ISBN 9781009280723 Book Shopping Norton, Rictor. 1997. The Myth of the Modern Homosexual: Queer History and the Search for Cultural Unity. Cassell. ISBN 0-304-33892-3 Mansel, Philip. 2001. Paris Between Empires: Monarchy and Revolution 1814-1852. St. Martin's Press, New York. ISBN 0-312-30857-4 Recent Lesbian/Sapphic Historical Fiction Dreaming of Jerusalem by Susie Helme Silk Road Runaways by Christine Inserra Chivalry in the Shadows by Meg Merriet Wahlberg With My Own Hand: The secret life of Marie Maitland, Scotland's sixteenth-century Sappho by Ashley Douglas Bound By Silk & Salt Water by Caren Cross Tempest: A Novel of Anne Bonny, the Pirate Queen Who Disappeared by K. Knight The Ruby Reaper (The Ruby Reaper #1) by Eline Evans The Emerald Eclipse (The Ruby Reaper #2) by Eline Evans Mr. Moore by Giny Morales The Miseducation of Caroline Bingley by Lindz McLeod Caroline's Courtesan (The Comerford Courtesans #4) by Jess Michaels Pretence & Pretentiousness by Lynn Kear A Season of Teeth and Silk by Henriette Twinne The Art of Longing by Michael David The Green Seal (Blackthorn Hall Romances # 3) by E. L. Vale What the Willow Kept (The Women of Sapphire #1.5) by L. Creeke When Embers Find Her (The Women of Sapphire #1) by L. Creeke The Wrong Widow (Cielo Seco # 1) by D. S. Briar Gold Rush 1860 by Randa Hink Two Whoops and a Holler by Carmilla Deane Charity and Sylvia by Tillie Walden Disfigured (New York's Gilded Age #4) by Joseph P. Garland Becoming Legends Elsie-Bessie: A Love Story (book #1) by Barbara Barna Abel & Shannon McMahon Lichte Lena and Miss Cawkwell by Julie Bozza Murder by Degrees by Rachel Ford A Blue Note by Katrina Jackson Little Wild by Laura Evans The Malign Ghosts of Summer by Ann McMan Cold Water by C. R. Ellery The Rude Bird (New Orleans Noir # 1) by M. R. Dimond What I've been consuming Platform Decay by Martha Wells Monstrous Regiment by Terry Pratchett Death of the Author by Nnedi Okorofor A Change of Pace by J.A. Stevens Call for submissions for the 2027 LHMP audio short story series. See here for details. A transcript of this podcast is available here. (Interview transcripts added when available.) Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Rund ein Jahr nach der Publikation des Sammelbandes „Gütersloh - Geschichte einer Stadt (1945–2025)“ blicken wir zurück auf drei Jahre Stadtgeschichtsforschung. In der siebten und letzten Folge der Reihe „Zum Beispiel Gütersloh“ sprechen Projektleiter PD Dr. Christoph Lorke und Host Dr. Greta Civis darüber, was partizipative Stadtgeschichtsforschung ermöglicht und wie die Einbindung der Bevölkerung einen Forschungsprozess prägen kann. Begleitet wird die Folge von O-Tönen und Einblicken in zentrale Stationen des Projekts – ein Rückblick auf Forschung, Austausch und neue Perspektiven auf Stadtgeschichte.Links und Hinweise:Audiowalk „Zeit:Punkte“: Stadtarchiv GüterslohInstagram: Stadtgeschichten GTBegleitprojekt: ErzählcafésBuch zur Reihe:Gütersloh – Geschichte einer Stadt (1945–2025), herausgegeben von Christoph Lorke, Verlag für Regionalgeschichte, 2025, 603 Seiten, ISBN 978-3-7395-1527-4

Servicio publicar un libro en Amazon ➡️https://www.letraminuscula.com/publicar-en-amazon/ SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Llama☎ o WhatsApp: +34640667855 RESUMEN: En este tutorial completo aprenderás paso a paso cómo publicar un libro en Amazon KDP. Descubre qué archivos necesitas, cómo configurar correctamente ebook, tapa blanda y tapa dura, elegir categorías, palabras clave, precios, regalías, ISBN, uso de IA y evitar los errores más comunes para publicar tu libro con éxito. ⏲MARCAS DE TIEMPO: ▶️00:00 Introducción al tutorial KDP ▶️00:55 Archivos necesarios para publicar ▶️04:12 Interior, ISBN y depósito legal ▶️07:29 Panel de Amazon KDP explicado ▶️09:59 Datos básicos del libro ▶️15:14 Descripción y derechos de autor ▶️18:22 Tienda principal y categorías ▶️24:43 Palabras clave y preventa ▶️29:49 ISBN y opciones de impresión ▶️34:40 Tamaño, portada y manuscrito ▶️40:02 Uso de IA y vista previa ▶️48:41 Precios y regalías en papel ▶️54:49 Publicación del ebook ▶️01:00:11 Texto alternativo y KDP Select ▶️01:04:13 Regalías y precios del ebook ▶️01:08:12 Publicación en tapa dura ▶️01:09:38 Diferencias con tapa blanda ▶️01:12:42 Publicar y cierre del tutorial

https://triunfacontulibro.com/Terminas de escribir tu libro, revisas la portada, compruebas la maquetación y, justo cuando creías que ya estaba todo listo para publicar, aparece una nueva duda: ​¿Necesito un ISBN oficial? ​Entonces buscas información y te encuentras con más siglas, trámites y conceptos: ISBN, ASIN, depósito legal, propiedad intelectual… ​Y lo que parecía una pregunta sencilla empieza a tener aspecto de examen administrativo. ​En este nuevo video hablamos de si tu libro necesita o no un ISBN oficial, en qué momento deberías solicitarlo y qué conviene tener en cuenta antes de publicar. ​No es una cuestión menor. ​Una decisión que hoy parece puramente técnica puede influir más adelante en la distribución del libro, en sus diferentes formatos o en la estrategia que quieras seguir como autor. ​Durante la conversación abordamos algunas de las dudas más frecuentes: Qué diferencias existen entre ISBN y ASIN. Qué relación tienen con el depósito legal. Qué papel desempeña el registro de la propiedad intelectual. Qué errores cometen muchos autores antes de publicar. Qué puede suceder cuando se cambia de estrategia posteriormente. Por qué identificar un libro no es lo mismo que proteger su contenido. También hablamos de uno de los temores más comunes entre quienes publican por primera vez: pagar por trámites que quizá no necesitan o, en el extremo contrario, descubrir demasiado tarde que tomaron una decisión sin conocer todas sus implicaciones. ​Porque escribir un libro ya exige bastante energía. ​No hace falta añadir a la experiencia una colección de formularios, dudas y decisiones tomadas a ciegas. ​El objetivo de este episodio es ayudarte a entender qué preguntas debes hacerte antes de publicar, para que puedas elegir con más criterio y evitar sorpresas cuando tu libro ya esté a la venta. ​Además, en el próximo vídeo mostraremos cómo obtener el ISBN paso a paso, entrando en la página de la Agencia del ISBN y recorriendo el proceso de solicitud. ​Sí, incluyendo esas casillas que parecen redactadas para comprobar cuánto deseas realmente convertirte en autor. ​Pero antes de iniciar cualquier trámite, conviene comprender qué estás solicitando y por qué. ​Escucha la entrevista completa y descubre qué debes saber sobre el ISBN antes de publicar tu libro. ​>> Escucha el video completo​Y si necesitas ayuda para preparar tu manuscrito, corregirlo, maquetarlo, diseñar su portada o publicarlo, en Edita tu libro ponemos a tu disposición los servicios editoriales necesarios para acompañarte durante todo el proceso. ​Porque publicar no consiste únicamente en subir un archivo. ​Consiste en convertir tu manuscrito en un libro profesional, preparado para llegar a sus lectores. ​>> Conocer los servicios editoriales de Edita tu libro

Zeitgeist #29 s Janem Pačesem o sílící epidemii eboly, přípravě na nebezpečné viry i umělé inteligenci nahrazující vědce.Epidemii eboly v Demokratické republice Kongo se podle Světové zdravotnické organizace bohužel stále nedaří dostat pod kontrolu a virus se v zemi dál šíří. Dva měsíce po vyhlášení epidemie evidovala WHO přes 1926 nakažených a více než 700 mrtvých (data z 11. července).  Vývoj zatím podle všeho směřuje spíše k pesimističtějším epidemiologickým scénářům s mnohanásobně větším počtech nakažených. Jde přitom o kmen filoviru s názvem Bundibugyo proti němuž zatím není vyvinuté očkování ani účinná léčba.Americké centrum pro kontrolu a prevenci nemocí (CDC) zvýšilo na konci června úroveň reakce na epidemii eboly na nejvyšší stupeň, jakkoliv rozšíření nemoci do USA zůstává nízké. Dobrá zpráva podle WHO je, že se podařilo přinejmenším proteď zamezit šíření v sousední Ugandě, kde nákaze také podlehlo několik lidí ale v době natáčení nebyl už více než dva týdny evidován nový případ nákazy. Ebola patří k nejsmrtelnějším nemocem a rizika spojená s jejím šířením nelze brát na lehkou váhu nikde na světě. Pomoc zastavit její šíření můžete například příspěvkem v krizové sbírce organizace Lékaři bez hranic, která zasahují přímo v ohniscích nákazy a posiluje zdravotnickou péči v postižených oblastech.Tento virus se naštěstí nešíří vzduchem a jde tak o spíše nepravděpodobného kandidáta na původce příští pandemie, která by mohla ochromit podstatnou část světa podobně jako covid. Vědci upozorňují na jiné patogeny. Navíc se ukazuje, že nezanedbatelné riziko může pramenit také od generativní AI, která je za jistých podmínek ochotná nabídnout podrobný plán na vytvoření biologické zbraně třeba ve formě nebezpečného viru.Zmíněné webové stránky o ebole a hantaviru, které Jan Pačes vytváří spolu s Michaelou Liegertovou a pomocí AI agentů najdete zde:https://titan.img.cas.cz/ebola https://titan.img.cas.cz/hantavirusDoporučená literatura k tématu epizody od Jana Pačesa:Jonathan Kennedy - Pathogenesis: A History of the World in Eight Plague (2023) ISBN: 978-0593182963 Evoluční a historický pohled na to, jak infekční nemoci formovalylidskou civilizaci – od neolitické revoluce po COVID-19. Autor jeepidemiolog na Queen Mary University of London. Kniha byla velmidobře přijata odbornou i populárně-vědeckou kritikou a představuje jeden z nejlepších titulů posledních let na pomezí evoluční biologie, historie a epidemiologie.⁠https://en.wikipedia.org/wiki/Pathogenesis:_A_History_of_the_World_in_Eight_Plagues⁠Michael T. Osterholm & Mark Olshaker - The Big One: How We Must Prepare for Future Deadly Pandemics (2025) ISBN: 978-0-316-58027-8 Osterholm patří mezi nejrespektovanější epidemiology světa, ředitel Center for Infectious Disease Research and Policy (CIDRAP), dlouhodobý poradce americké vlády pro pandemickou připravenost. Kniha je o tom, co jsme se (ne)naučili z COVID-19 a jak se připravit na příští pandemii, která může být výrazně smrtnější než SARS-CoV-2. Autoři rozebírají i výrobní řetězce léčiv, vakcíny a biologickou bezpečnost. ⁠https://www.youtube.com/watch?v=PakbsI6WjvE⁠David Quammen - Spillover: Animal Infections and the Next Human Pandemic (2012) ISBN: 9780393066807David Quammen je špičkový vědecký publicista, kniha vznikala nazákladě rozhovorů s předními virology a ekology. Nejlepší kniha ovzniku zoonóz a přeskoku virů mezi druhy.⁠https://davidquammen.com/spillover⁠

No episódio do podcast do PublishNews desta semana, conversamos com sobre a evolução do mercado editorial brasileiro na última década, abordando temas como digitalização, impacto da pandemia, de como foi 2025, crescimento de ficção, de como tem sido as vendas em 2026 até agora e tendências futuras. Uma conversa com Luiz Gaspar, diretor de pesquisas e Mariana Bueno, coordenadora de pesquisas, ambos da Nielsen BookData, essencial para entender os desafios e oportunidades do setor.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro, Gráfica Viena e Nielsen BookData — referência mundial em dados que impulsionam estratégias.Indicações:Livro: A cidade e suas muralhas incertas - Haruki Murakami - Tradução: Jefferson José Teixeira (Companhia das Letras) Livro: A visão das plantas - Djaimilia Pereira de Almeida (Todavia) Livro: Parcelado: dinâmicas de consumo na periferia - Kauê Lopes dos Santos (Fósforo)Livro: A ameaça interna – Psicanálise dos novos fascismos globais - Vladimir Safatle (Ubu)Livro: Ensino à distância - Ana Guadalupe (Companhia das Letras)Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

1325 gründen die Mexica auf einer sumpfigen Insel im westlichen Teil des Texcoco-Sees eine Siedlung. Nur wenige Jahre später entsteht nördlich davon auf einer zweiten Insel Tlatelolco, zunächst eine eigenständige Stadt mit eigenem Herrscher. Beide Städte wachsen über Generationen zusammen – zur aztekischen Metropole Tenochtitlan.Anfang des 16. Jahrhunderts gehört Tenochtitlan zu den größten Städten der Welt. Bis zu einer Viertelmillion Menschen leben hier, handeln mit Kakao aus dem Süden, Baumwolle von den Küsten, Gold, Jade, exotische Federn und Sklaven. Heute existiert nichts mehr davon. Doch wir erwecken die Stadt in dieser Folge noch einmal zum Leben.Du hast Feedback oder einen Themenvorschlag für Joachim und Nils? Dann melde dich gerne bei Instagram: @wasbishergeschah.podcastQuellen:Hernando Cortés: Die Eroberung Mexikos: drei Berichte an Kaiser Karl V. 5. Aufl. Insel Verlag, Frankfurt/Main 1980, ISBN 3-458-32093-8. Arthur Schurig (Hrsg.): Die Eroberung von Mexiko durch Ferdinand Cortés. Mit den eigenhändigen Berichten des Feldherrn an Kaiser Karl V. von 1520 und 1522. Insel Verlag, Leipzig 1923. Michael E. Smith: The Aztecs. Peoples of America (Band 1), Hoboken 2011³.Camilla Townsend: Fifth Sun: A New History of the Aztecs, Oxford 2019.Hugh Thomas: Die Eroberung Mexíkos: Cortés und Montezuma (Fischer Sachbücher), Frankfurt a.M. 2000. Frances F. Berdan: Aztec Archaeology and Ethnohistory, Oxford 2014.++ Du willst Teil der WBG-Community auf Steady werden und werbefrei hören? Hier gehts lang! ++++ Bookbeat 60 Tage kostenlos nutzen mit dem Code "geschichte26" : https://wbgprods.com/bookbeat ++++ 115 Euro bei deinem Stromtarif sichern mit dem Code "WBG115": bei Octopus Energy ++++ Livetour 2027: Jetzt Tickets sichern ++ Hosted on Acast. See acast.com/privacy for more information.

A malevolent force is operating through every lever of power — government, media, finance, military — and for the first time in history, its reach is nearly global. Borders that once kept the damage in check are gone. Good has been inverted as evil. Most people feel it but can't name it.In this episode of Presbyter Chat, Darren Kelama names it — and traces it straight back to the Pre-Nicene Christians who fought the same enemy centuries ago. Drawing on scripture from the first Christian Bible of 144 AD, academic research from the Journal of Pre-Nicene Christian Studies, and the survival playbook of the most persecuted denomination in history — the Marcionites — this episode lays out:• Who the "sons of disobedience" are and how they operate through hijacked institutions • Why voting, politics, and the democratic path are now closed • The ancient Greek discipline of Apatheia — calm, detached clarity in the face of manufactured chaos • How persecuted Christians survived by becoming invisible to a system that feeds on fear • Practical steps to disconnect, go off-grid, and protect your family before the window closesScripture readings from the Evangelion and the Epistle to the Laodiceans. Referenced theologians include Thomas Römer, Walter Brueggemann, Peter Enns, and A.W. Mitchell's Theophanic Replacement Protocol.The enemy cannot crush an opponent it cannot see, cannot starve, and cannot terrorize. Your duty is to survive.Notes:Mitchell, A. W. "The Theophanic Replacement Protocol: A Forensic Reconstruction of Divine Identity Theft, Textual Erasure, and the Formation of Nicene Christianity." Journal of Pre-Nicene Christian Studies (2025). DOI: 10.5281/zenodo.17964659.Romer, Thomas. The Invention of God. Cambridge, MA: Harvard University Press, 2015Sorabji, Richard. Emotion and Peace of Mind: From Stoic Agitation to Christian Temptation. Oxford: Oxford University Press, 2002.The Very First Bible: The Evangelion and Apostolikon (144 AD). 2020. Marcionite Church (marcionitechurch.org). ISBN: 978-0578641591. LinkMarcionite Church (MarcioniteChurch.org)Podcast based largely on this paper: https://www.journal.pre-nicene.org/JPCS-July-2026.htmlExternal media: https://www.youtube.com/@PreNiceneTVFree PreNicene Bible ebook version: https://www.theveryfirstbible.org/ebook.html

Bright on Buddhism - Kōan Series Episode 15 - Unmon's KanshiketsuHello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy.Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5sclEpisode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31iHori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Neste episódio do PublishNews, conversamos com Marília Mendes, gerente editorial da literatura, e Luara Almeida, editora de literatura para crianças e jovens, ambas da Via Lúdica, Editora do Grupo Multiverso das Letras. A conversa gira em torno da formação de leitores, da literatura infantil e do papel dos quadrinhos nesse processo. A partir da experiência das duas no mercado editorial, o episódio discute como a literatura para crianças e jovens vai além da função de ensinar conteúdos: ela pode formar leitores críticos, sensíveis e capazes de interpretar o mundo por meio da linguagem, da imagem e da experiência estética.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro, Gráfica Viena e Nielsen BookData — referência mundial em dados que impulsionam estratégias e agradecer especialmente a Via Lúdica, que oferece este episódio. Indicações:Livro: Meu pé de laranja lima - José Mauro de Vasconcelos (Melhoramentos)Livro: Flicts - Ziraldo (Melhoramentos)Gibis: Turma da Mônica Livro: Lobinho na escola de enganação - Ian Whybrow - Ilustrador: Tony Ross - Tradução: Carlos Sussekind (Companhia das Letrinhas)Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

Bright on Buddhism - Śrīmālādevī Siṃhanāda Sūtra - Part 3 - Chapters 11-15Join us as we read and discuss Chapters 11-15 of the Diana Paul translation of the Śrīmālādevī Siṃhanāda SūtraBarber, Anthony W. (2009), Buddhism in the Krishna River Valley of Andhra, NY: State Univ of New YorkBrown, Brian Edward (1994), The Buddha Nature. A Study of the Tathagatagarbha and Alayavijnana, Delhi: Motilal Banarsidass PublishersHodge, Stephen (2006), "On the Eschatology of the Mahaparinirvana Sutra and Related Matters". (PDF), lecture delivered at the University of London, SOASMcRae, John; Paul, Diana (2004), The Sutra of Queen Śrīmālā of the Lion's Roar and the Vimalakīrti Sutra (PDF), Berkeley, CA: Numata Center for Buddhist Translation and Research, ISBN 1886439311, archived from the original (PDF) on 2017-02-28, retrieved 2017-05-06Tola, Fernando; Dragonetti, Carmen (2004), Being As Consciousness: Yogācāra Philosophy of Buddhism, Delhi: Motilal Banarsidass, ISBN 8120819675Wayman, Alex and Hideko (1990), The Lion's roar of Queen Srimala, New York: Columbia University Press_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Episode 152 of The Fifth Court features a very special guest: Jimmy Wales, founder of WikipediaInterviewed by Mark Tottenham BL at Dalkey Book Festival.This is not just a tech-founder interview. It is a fascinating conversation about law, trust, neutrality, rules, evidence, platform responsibility, AI hallucinations, volunteer communities, public knowledge and why Wikipedia has survived while much of the internet has become angrier, noisier and less trusted.Jimmy explains why Wikipedia's neutral point of view matters, why “assume good faith” is more practical than naïve, how Wikipedia deals with vandalism, why AI can invent very convincing false sources, why WikiNews did not work, and why Wikipedia avoided the advertising model that turned so much of the web into clickbait.Jimmy's cultural recommendation, a book by the late author Ray Bradbury, 'Something Wicked this Way Comes'.Before the interview, Peter Leonard BL and Mark Tottenham BL discuss three recent cases from the Decisis Casebook, sponsored by Charltons Solicitors & Collaborative Practitioners: the Supreme Court on “no foal, no fee” and conditional fee arrangements; a drink-driving blood-specimen chain-of-custody case; and a murder conviction quashed because of an unbalanced judicial charge to the jury.00:00 – Intro: Episode 152 01:47 – Decisis Casebook sponsor: Charltons Solicitors & Collaborative Practitioners 02:00 – “No foal, no fee” and conditional fee arrangements 03:29 – Drink-driving conviction and blood-specimen chain of custody 04:34 – Murder conviction quashed over judicial charge to jury 06:03 – Jimmy Wales interview begins 06:43 – Why Wikipedia was hard to compete with 07:58 – Neutral point of view and controversial topics 09:49 – How Wikipedia's rules developed 11:40 – Volunteer communities and optimism about people 15:12 – Why a wiki works for an encyclopedia, but maybe not for poetry 17:03 – Why Wikipedia is vandal-proof 18:30 – Jimmy Wales: “Queen Elizabeth II, not Henry VIII” 20:07 – Arbitration committees and Wikipedia governance 21:24 – Wikipedia in 150–300 languages 23:31 – What workplaces can learn from volunteers 29:06 – Audrey Tang, Taiwan and digital consensus 32:10 – “Assume good faith” 34:25 – ChatGPT, fake ISBNs and made-up legal cases 37:17 – Law enforcement and good faith 39:03 – Why WikiNews did not really work 44:12 – Constitutional change and institutional deadlock 49:37 – Platforms, publishers and free speech 50:25 – Why Wikipedia did not become an ad machine 53:04 – Jimmy Wales' book recommendation: Something Wicked This Way Comes 54:33 – Outro Hosted on Acast. See acast.com/privacy for more information.

"I write for myself, but I edit for the reader." — Liz Lazarus --- ABOUT THIS EPISODE Liz Lazarus is an engineer by education, a GE Healthcare executive by experience, and an author by calling. Her fourth novel, Dawn Before Darkness, is a psychological thriller about a vet tech named Dawn Smith who escapes a toxic relationship only to find herself stalked, harassed, and dragged into a guardianship battle for her aging mother. It's a story ripped from Liz's own life — she spent ten years and thousands of dollars fighting a stranger for legal guardianship of her mom in South Carolina. To build her supervillain, Liz interviewed ten women who survived stalkers and combined their experiences into one relentless antagonist. Mike and Liz talk about writing as therapy, journaling your way into a debut novel, the puzzle of twist endings, self-publishing as self-determination, and why you should sit down with your family and have the uncomfortable estate planning conversation before it's too late. --- KEY TAKEAWAYS 1. Writing began as therapy, not ambition. Liz's first novel, Free of Malice, started as a journal she kept after a man broke into her house in college at Georgia Tech. She didn't know she had PTSD — she just knew journaling was helping her process what happened. That journal eventually became a legal thriller about self-defense. 2. The four things she needs before writing. Liz won't start a novel until she knows the protagonist, the antagonist, the twist ending, and the opening hook. Once those are locked, she outlines, interviews experts, and writes when she has content — no rigid daily schedule. 3. Every book educates and entertains. All four novels carry social causes — self-defense law, stalking, guardianship abuse — but entertainment comes first. The education is baked into the story, never lectured. 4. A ten-year guardianship nightmare inspired the book. Liz fought a family member, then a professional guardian, for control of her mother's care. The judge recused himself; they moved counties; the costs were staggering. Dawn's story in the novel is actually a softened version of what Liz lived through. 5. Ten stalker survivors built one supervillain. Liz put the word out on Facebook asking women with stalker experiences to talk. Several came forward, and she combined their stories into a single antagonist so devastating that reviewers say they've never hated a character more. 6. Characters are real people — and sometimes they surprise you. Liz describes writing in a groove as watching characters on a screen and taking notes. Twice a character did something she didn't plan — including getting fired — and she kept it because human behavior trumps outlines. 7. Self-publishing is owning your destiny. Liz created her own publishing company, learned ISBNs, layout, Mobi, EPUB, and PR from scratch. She values the control — no risk of being dropped by a publisher, no lost say over covers or release dates. 8. A twist must be earned. Inspired by The Usual Suspects, Liz insists every twist must make the reader say "I should have caught that." No tropes, no lost phones — it has to follow from human behavior and planted clues. --- GET THE BOOK Dawn Before Darkness by Liz Lazarus Amazon: https://www.amazon.com/Dawn-Before-Darkness-Liz-Lazarus/dp/099093747X?tag=rettocasgra-20 Barnes & Noble: https://www.barnesandnoble.com/w/dawn-before-darkness-liz-lazarus/1146561497 Bookshop.org: https://bookshop.org/a/54587/9780990937470 Book Website: http://www.dawnbeforedarkness.com/ Also by Liz Lazarus: Free of Malice, Plea for Justice, Shades of Silence --- CONNECT WITH LIZ Website: https://lizlazarus.com Linktree: https://linktr.ee/lizlazarus --- CONNECT WITH YOUR HOST Mike Carlon | Uncorking a Story Website: https://uncorkingastory.com YouTube: @uncorkingastory — https://www.youtube.com/@uncorkingastory Instagram: @uncorkingastory — https://www.instagram.com/uncorkingastory/ Facebook: Uncorking a Story — https://www.facebook.com/uncorkingastory TikTok: @uncorkingastory — https://www.tiktok.com/@uncorkingastory Twitter/X: @uncorkingastory — https://twitter.com/uncorkingastory LinkedIn: Uncorking a Story — https://www.linkedin.com/company/uncorking-a-story/ SUBSCRIBE & LEAVE A REVIEW — It helps more readers and writers find the show! Apple Podcasts: https://podcasts.apple.com/us/podcast/uncorking-a-story/id563636205 Spotify: https://open.spotify.com/show/5HZiAEtFlhAzk60Z4eAkhY RSS Feed: https://feeds.megaphone.fm/uncorkingastory --- Uncorking a Story is produced by Mike Carlon. New episodes drop every Tuesday. --- HASHTAGS #UncorkingAStory #DawnBeforeDarkness #LizLazarus #PsychologicalThriller #ThrillerBooks #WritingCommunity #AuthorInterview #BookPodcast #Stalking #GuardianshipAbuse #ElderCare #SelfPublishing #WomenWriters #TwistEnding #WritersOfInstagram #BookRecommendations #AuthorsOfInstagram #Podcast #SuspenseNovel #TrueCrimeInspired Learn more about your ad choices. Visit megaphone.fm/adchoices

A life filled with curiosity can take you further than you ever imagined. I sit down with German journalist, author, entrepreneur and media expert Helmut Stapel to explore how childhood curiosity, world travel, creativity and a willingness to take risks shaped an unstoppable life. From growing up in a village of just 700 people to building an international media company, writing books, producing films and launching a global leadership initiative called The Center, Helmut shares why open-mindedness, passion and persistence matter more than fear. You will hear why he believes every idea deserves a chance, how meaningful relationships create opportunity, and why making the world better begins with each of us. I believe you will enjoy Helmut's thoughtful outlook and practical lessons on creating a life with purpose. Highlights: ·  03:05 - Early childhood curiosity becomes the foundation for a lifetime of creativity. ·  09:18 - Choosing passion over convention leads to a career that never feels like work. ·  17:33 - Building a business with almost nothing proves resourcefulness beats fear. ·  25:13 - The vision for The Center offers a new way to bring leaders together. ·  43:15 - A humorous book about the pandemic delivers a powerful lesson on questioning information. ·  54:31 - Every great achievement begins by protecting an idea instead of doubting it. About the Guest: After completing my training as a media designer, I finished my editorial traineeship at the Nordsee-Zeitung in Bremerhaven/Germany in 1997 and founded successful my media agency, “Stop press & public”, based in Bremerhaven. Through various trainings across all media sectors, I had the opportunity to build up my client base both nationally and internationally. These include contributions for the BBC as well as film work alongside the well-known producer Stratton Leopold (Mission Impossible, Captain America). My journalistic repertoire ranges from short news reports and podcasts to features in words and images. For over ten years, I have been sharing my expertise on the successful construction of narratives, stories and storylines in seminars at colleges and universities worldwide like the University of Cancún in Mexico and German Universities. The range of course content spans storytelling, digital marketing and social media strategies, journalism, photography and PR, as well as scriptwriting for novels and films. All seminars are held in English and German. As author I write fiction, travel, culture, fitness and business book. My works include the novel ‘The Day a Chinese Man Ate a Bat', lighthouse stories, the fitness guide ‘Couch Coach' and the international port book ‘Port City'. In 2024 I started my career as artist with my first internationally recognised concept series WorLds, which was curated for the exhibitions at ArtExpo Paris 2025 and the 24 International Art Fair Venice in 2026. The renowned Magazine FineArtNews published a multi-page feature about my new artistic approach in concept art. In autumn 2026 I will open my first solo exhibition in London with the aim, to let people benefit from the proceeds of my art. As part of the European Group “Speakers Excellence” I give keynote speeches at official events and charity events. With the project THE CENTER I have started together with my wife Daja a worldwide initiative, which will create a new basis of respect and a generation of leaders, with a new understanding of global interconnections in the spirit of a united humanity which takes responsibility for working together rather than against each other. The first events will be held in 2027 in Tuscany/Italy and Switzerland. Ways to connect with Helmut**:** Social Media: http://linkedin.com/in/helmut-stapel-5b3a60b6 https://stoppress.contently.com/ www.facebook.com/helmut.stapel #5000 www.instagram.com/stoppress Homepage: www.stoppress.de Article FineArtsNews: From Journalism to the Canvas of Conceptual Art - FineArtsNews About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:03 One of the biggest things holding you back isn't what's in front of you, but rather what you believe. Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Well, hello everyone, wherever you happen to be in the world today, I want you to feel welcome at Unstoppable Mindset, that's our podcast name, and I'm your host, Michael Hingson, or if you want, you can call me Mike Hingson. Our guest today is Helmut Steppel, who is a media person, he's an author, he's an artist, he's a lot of different things, he's an entrepreneur, he started his own company. My gosh, I'm jealous, he's done a lot of different things, and I think we're going to have a great conversation over the next hour or so. So, Helmut, I want to welcome you to Unstoppable Mindset. We're glad you're here. Helmut Stapel  01:39 Thank you so much. Thank you so much, dear Mike, and thanks for having me. It's an honor to be here, because as your invitation popped up suddenly, I was a bit surprised about, I think oneself never looks at its own way of living or where we are in the way other people maybe do, and so thank you for having me and your podcast. Michael Hingson  02:02 Well, thank you. I think we'll, we'll have a lot of fun. We have a lot of things to talk about. I appreciate all the information that you sent me, and, and we'll, we got to keep it interesting because it's late where you are. It's after 9o'clock now in the evening over there, so we gotta, gotta make sure it, it stays interesting, so that you don't fall asleep. Helmut Stapel  02:24 Definitely, I try, I try to, I try to. Sorry, in another part of Germany, it's cold outside, it's not dark already, but it's getting to be dark, so it's bad time to say so. But I'm happy to be with you. Michael Hingson  02:39 How cold Helmut Stapel  02:41 is it 14 degrees, something like that. Should, should be more. Everybody's talking about El Nino, and looking at the guy in Mexico, showing pictures of red things. And we have some prognosis regarding summertime coming, some big heat from whatever it is at the moment. I must say it's quite normal and a bit too cold for this year of the time. Michael Hingson  03:05 Well, we'll see what happens. Well, why don't we start? I love to start this way. I ask people to start by telling me a little bit about, in your case, the early helmet growing up, and so on. Let's start with that. Helmut Stapel  03:18 Okay, we can do that question from my side, when does early helmet start, at which age? Because for me, for most fascinating is that for some reason I can remember, at least I can go back to, I think, as when I was one year old. Michael Hingson  03:35 Well, I'll let you start wherever you'd like to start, that certainly is early enough, but you, you tell us what it was like growing up, and all that, and if you remember back to one year old, that's great. Helmut Stapel  03:46 Okay, I grew up in a very, very beautiful landscape, a small village, 700 people living there, called Stuben in Germany, and what I remember is laying as a small child, not be able to walk, and just in a wagon, and staying at the blue sky, the clouds, tree leaves, sometimes people coming big faces. It was my aunt Helga would have figured out later on, and so I remember sounds of bees and hums and roses, the smell of roses. My mother loved roses about all around the houses, and as you see, in this way I grew up in a way where I got used to use all my senses, and I think that was some of the basis for all what followed up, because I started then to have a closer look at my environmental. When I was seven or eight years old in school, I wrote my first text. Later on, I became a journalist, but in this very moment, then I realized, and that, and also the grown-ups, that is maybe some kind of talent because. My first text got a one with a plus, so I think it was eight years old, and so I grew up in a very, very good surrounding. My father was a captain. He took me with his ship to Portugal, to Norway, to Russia in the summer time when we were out of school, so in this way somehow I got in touch with the world very early, very early. I was seven when I went the first time to Portugal, and so I think this was the basis for all what came afterwards till today. You know, I'm 60. Michael Hingson  05:35 What did you think of traveling, and how has that kind of shaped the way you look at life today, Helmut Stapel  05:44 and a lot of ways, and in a positive way, because to say so, I was not aware of how many prejudices I had in my head regarding society, media, whatever it is, since I met the people for real in the countries they were living in, and this is from the USA to Arabian countries to Asia, whatever it is, and suddenly all these influences came to my head regarding the fact, and also then the knowledge that we are all different, we all look different, and we come from different cultures, but at the end, we have all the same needs, and so there's no country where I have ever been to where I felt unsure. There is no country where I didn't met friends, for example, and it was always about being open-minded, and then meeting people who have been open-minded in the same way as I was, and so that's how everything developed. Michael Hingson  06:52 Do you have any countries that you haven't been to that you'd like to go to? Helmut Stapel  06:57 Yes, to turn upside down, where I have been to is from Alaska to Cape Horn, to go to then the Caribbean, the Atlantic, European countries, from Norway to South Africa, then to the Maldives, and go on to the beginning of India to say so. Australia is on my map. I was asked to go there, but then when the war with Ireland and USA popped up, that was so dangerous to go by Dubai by plane to go to Australia. So I will do this next spring, and somehow China is a bit too big for me, I would say, means that I would love to go inside the country to meet people that takes a lot of time, and travel journalism is a lot of people think travel journalism is something where you just stay for six months in the country, or whatever it is, it's different because of money and time, because it's all organized, and that means a big country like China would be great regarding culture, but it's would be a long part in before to have a closer look at where the stories and the people are, so I would be Australia and Japan, I think, and to say so the fastest thing I've ever had to do with Cape Horn, surrounding by zodiac with a dingy seriously, and I made 30,000 kilometers in six days coming from Germany, and I was on three continents and in six or seven different countries, and so this is travel journalism to say, so, Michael Hingson  08:43 wow. Well, I went to New Zealand in 2003 but I never got to Australia. But earlier this year, kind of, my, my wish was granted, and I'll be traveling to Australia later this year. Wow, to speak. It's the first time that I will have been to Australia. I've been to Japan, and I've been to South Korea. I've not been to China either. I think it would be fascinating to go if someday that will happen. I've not been to Germany, I've been to Spain. I'd love to come. Well, all I need are some speaking engagements to get me over there, so you know, if you know anybody who needs a speaker, we're always looking for opportunities to come and speak, but I Helmut Stapel  09:28 can have a closer look for that. Definitely, Michael Hingson  09:30 that would be fun. But anyway, I enjoy traveling. I appreciate that in reality we're all really the same. We may be raised in different cultures, and we think we're a lot more different than I think we really are, and in so many ways, but you, so you went, and you grew up, you went to school, then you went to university, right? Helmut Stapel  09:54 Yes, but in a way that I realized that in that I. Way, and at that time I was about worth 30 years old, because I did my A level at the evening school, while I was working at the same time, and then I figured out that I'm more the practical type of human being, I was not able to sit and to listen to someone and to analyze texts of other people, for I figured out that my brain was, as I was telling you, when I grew up and saw all these things with the sky and the clouds and whatever it was that my brain was meant to produce things by itself, and that it was full of ideas and pictures, and it all had to come out, and so in that way I stopped studying and made a, I was a volunteer, I made an apprenticeship at a newspaper, and became an editor, and so in that way I found my job 30 years ago, which I self employed now for 30 years due, and it's I'm blessed to do that, because since that time I don't work, I have spare time all the time. It's just doing something which I love. Michael Hingson  11:07 Well, and that's kind of important to do, and that that makes it so much more fun when you can do something that you love doing. It doesn't seem like a job anymore. It doesn't seem nearly so difficult to do, because you enjoy it, Helmut Stapel  11:22 definitely, definitely. Also, regarding writing novels, which I started then a few years ago, because sometimes my wife has to hold me back for sitting and writing, because I always love to do that. I do other things as well, but it's something which is really in my mind and my heart. Michael Hingson  11:47 Well, and you mentioned earlier that you and Daddy are getting into a new house. I hope she likes the house. Helmut Stapel  11:54 Definitely, it's our.. it's our.. thank you for asking. It's our dream house, because it's not too big. It's 160 square meters with a cellar and the roof and things like that, and there's enough space, and we have a fireplace, we have a garden, we will have a dog, and so it's like, like a dream came true, because it's a place which is silent, and for me the best thing is that we will have a fireplace in the working room as well, so I love to stay there in winter time, and then suggest to do my work, and she loves that, really, because she also says this is the house she was always looking for, and so we will then have our own home, and this is a dream. Also, Michael Hingson  12:36 do you have any children? Helmut Stapel  12:39 No, personally not. I grew up some children with the women I cared for for 12 or 15 years, but as it is sometimes when the when the young birds have grown up, the mother birds and the grown-up birds are leaving the nest without asking the father bird if he wants to fly with them, and so they flew away, and I stayed a bit concerned, but then I meet Daya, and so I knew where that comes from and what was the sense behind that, because since that time I'm absolutely happy, and I've never been that happy before in my life. Michael Hingson  13:20 Good for you and Daya, that'll, that's great. Well, it's exciting. I have lived in a number of homes. My wife and I got married in 1982 and then she passed away in 2022 And so we, we lived in various places, and we always figured out how to make it work. We had challenges because she was in a wheelchair her whole life, but we, we love to build houses when we could. There were, there were a couple times that we couldn't, but we love to build houses because that way we build accessibility into it, and it doesn't cost to do that. So, Helmut Stapel  13:54 yes, Michael Hingson  13:55 so we, we had a lot of fun with, with that. So, I, I, I can't complain a whole lot. It's worked out pretty well, but I'm glad you guys are getting into a house that'll be pretty exciting. That'll keep you busy, and while you're moving from one house to another, you'll probably find all sorts of treasures that you forgot you even had. Helmut Stapel  14:15 Can can be also some things in some cartoons or in wardrobes or whatever it is, all things I have books of my father as well, instance he was a captain, as I said, and some things are maybe hidden somewhere. Really keen on doing that, for example, as I have a past as a musician as well. When I was 23 I had a record contract with Sony Records, and somehow, regarding private things, this did not come out on the way I wanted it to be. It was for three or four years, but all this musician past is also in some draws line with things or songs. I, I started to compose and. Maybe I start this in our new home next to the fireplace again. There Michael Hingson  15:04 you go. Well, that'll be kind of fun, Helmut Stapel  15:07 definitely. Michael Hingson  15:08 So, when did you found, when did you start your own company? Helmut Stapel  15:12 Ah, that was almost 30 years ago, was in 1997 right? Directly after my apprenticeship as an editor, because I figured out that it's somehow my spirit to be more on my own track. This is also maybe founded because of my father being a captain, because when I was a young boy standing on the bridge, and he asked me if I like to be the captain of the ship, I was seven years old, and I was then asked to guide and to lead this big freight ship to the Biscaya near to Portugal in a stormy day, and I was this feeling of I can go everywhere, I could go everywhere, and so from this moment on, I had the feeling that the chances I create for myself are endless when I give them the chance to appear, and so this is why I decided to become self-employed. Michael Hingson  16:11 Wow, so that, well, it's kind of fun. So, do you, you've decided, though, you don't want to be a captain anymore? Helmut Stapel  16:18 Yes, I've became, I've become a sailor. I had a sailing boat, but I was not about to make this my profession to say so. Right, I'm a seaman as well. I do a lot of cruises, I write about cruises, I work for several magazines. I've just come back from the middle ocean with a nice trip, Explorer One from MSC, it's the Italian shipping company. I visited Sting, the international position, on his vineyard in Tuscany, which was quite an honor. And so there is a lot of connection to being a seafarer. I like cruising, and Michael Hingson  17:00 I've had had fun doing it, and would like to do more of it, even though it's just me now, but I, and I will, I think cruising for me is a great way to take a vacation, because I only have to unpack once, but, but more important than that, you know, unlike being in a timeshare where you, you go and visit places and drive, you know, I'm not going to drive or anything like that. So, I, I like cruising. I think that'll be kind of fun, and I'm looking forward to doing that in the next few years again. But, in the meanwhile, in the meanwhile, as I speak, I get to travel around and meet lots of different people, and that's kind of fun too. Helmut Stapel  17:40 Definitely, I think you're the same as I am regarding that the exchange with people is something which makes oneself feeling alive, because there are so many impulses and things one maybe has never been thinking about, and suddenly some ideas pop up out of this conversation, which is, which is quite great. Michael Hingson  18:06 Well, so tell me about your company that you started 30 years ago. It's been a been going a long time. Tell me about that. Helmut Stapel  18:14 My pleasure, because at it's also about thinking positive about life and not building your own barriers, because at that time I was, I was not a rich man, I'm not today as well, but I had so less money that I was not able to, at that time they were the starting time of computer, I was not able to have an old fax, so I had to ask some friends in the company if I could just creep in the, in the midday break into the office of their chef to send a fax to a company in Munich I wanted to work for, and so it was a bit adventurous, I really had not a lot of money. I found him affirming it in a two room apartment, and the financial department wanted not to give me the tax back, because I said it's not, it's not possible to live in a two room apartment, and in the same way found a firm, and I said, yeah, but I did it, I did it, and so in this way I worked on then working for radio because it did an apprenticeship as well then why I founded my firm and in this way it grew and grew and I did during the time all the work and apprenticeship and all kind of media you can imagine so I can work today for print for radio, I'm doing reportages for online, for TV, and in this way I ended up at the university at the end. Now, after 30 years, again, I think after 20, because since 10 years I work as a teacher as a lecturer at different university on German and English internationally as well. From South America to Japan, because online is a fascinating world where even there are no borderlines, and so I'm really happy that I was able to fulfill this dream, starting as I said, without fear. I always said I just try and never fail, I do it some other way. That's the point. Michael Hingson  20:24 You figure out a way to make it work, Helmut Stapel  20:27 absolutely, with the help of people. For example, that's always important that you meet people which feel some sympathy for you. That's right, just to help you, or they have some contacts. Most important is I think that the passion you feel for your work is readable, is hearable, whatever your media you work for, that people enjoy to follow you. And then the people who just are your employers say, 'Wow, we want to have more of that. So I think this is the point. How it works. So, what's the name of your company? It's Stop Press and Public, and it has a has a history behind that, because the part of Germany where I come from, as you see, my last name is Staple, S T A P E L, and we speak here flat German, which name means that staple is called Stoppel with an O instead of an A, right? And so I took the short form of Stoopel with an S T O P. It's like a stop sign you have in traffic, and so I said, okay, if I have stop, this is cool internationally seen for a marketing point, and I needed some things because I always, in the beginning, also as well thought, and I was sure that I wanted to work internationally, and so I thought that I need something which is short, which is international, and so I said I do it press, and there's something I do which is public, and then it will stop press and public, which is quite great, because I had no idea when I went the first time to the USA. I gave someone my business card. He said, "Whoa, this is the cool agency name, and say, "Why? And he said, "Yeah, regarding that, stop press as a synonym for latest news, stop the printing, stop the Michael Hingson  22:21 presses. Yeah. Helmut Stapel  22:22 Yes, I wasn't aware of that. And so there's really funny, yeah. And this is how that, how that figures out. Michael Hingson  22:30 And what do.. and what does the company do? Helmut Stapel  22:34 I do everything from all topics apart from ice hockey and soccer, because I, to say so, I could write or do some reports about that, but I have, you know, passion for this kind of sports, so I do everything apart from soccer and ice hockey, but also then I'm a photographer as well, so I do reportages all around the world regarding traveling as scientific journalists, as well. I do write for scientific magazines, which gives me a deep insight into topics I had never any idea before, which keeps my brain moving on and moving on, and also connecting different topics, which are maybe normally are not connected, and I do cultural reports as well. I do videos. I work for social media, and I develop social media and marketing companies as well, for big companies all around the wall, for example, the Q, not line England. I did some marketing, and there are others. So, everything which is connected with communication in what way ever is what I do. Michael Hingson  23:54 So, it's a marketing and communications company, which, which keeps you busy. How is it just you, or do you have other people in the company? Helmut Stapel  24:03 No, it's just me, and this is fascinating as well, because after I think 10 years, when I founded the firm, I was at a point from the mass of work, which came from all sides to me, to decide if I stay on my own or if I grew my firm, my company with some clerks regarding Dan becoming bigger, and when I was thinking about that, I had a closer look at my dog, which was a shepherd dog, a German Shepherd dog, and we were close friends, and he was my partner in triathlon, I did 10 years triathlon, and he was my running and my swimming partner as well, and so I looked at him, and at that time, at the day we wanted to go into the forest as we always did, and suddenly I was aware that if I have all this responsibility regarding all the people and getting all the work that they get their money at the. End of the month, and can feed their families, and things like that, that will be such a pressure for me and my small family as well. That I said, now, okay, I don't do that, because I will just lose my freedom, and so I decided to keep it small, and the way that I can normally live, and I'm not a poor man, but I'm not a rich man as well. But I have all the time of the world to organize myself. I can go to for a forest walk whenever I want. I can sleep midday on my couch whenever I want, and that was the point why I'm just on my own. Michael Hingson  25:38 And you can do podcast interviews whenever you want, and podcast conversations whenever you want. Helmut Stapel  25:43 Yes, definitely, Michael Hingson  25:44 that works out pretty well. Well, that's great. So, so what you have a project I think you're working on called The Center. Tell me about that. Helmut Stapel  25:54 Yes, thanks for asking, because this is something which is really on my mind and my heart, because dear Mike, as you asked before, regarding traveling the world, making experiences, meeting people over the years, it came to me and to my mind there are so many things where the world is not going in a direction where it should go just to be a good place for all the people that live on this planet, including all the nature which is on this planet, because without nature we cannot live on this planet, and so I developed the idea, and I'm working on this project, and I think in 2027 we will have the first, the first events is to found a place, which is called the center, because all the structures we were used to for decades, politically, naturally seen society, whatever it is, they are all breaking down, there are no, no, no roots anymore, and people are anxious that everything falls apart, and there's no center anymore, and so the idea was just to create a center where leading people from all kinds of areas, like it's economy, it's philosophy, it's a technical scene, it's astronomy, it's a religious whatever it is, just to take all this knowledge and all these different opinions and to make events for people which are in leading positions to create a feeling of that we are all in a network, because the earth is round, we cannot flee from here. We have to stay here, and we have to work with that. And the point is, when we all take something from the cookie plate and never give back anything on the plate, it will be empty, and if it's empty, no one is a winner, no one is a winner, and so the center is about then giving people the idea when they try to live a life where they give something, and it means not that they should give all their money, which they make to other people, it's about friendliness, it's about health, it's about clean water. It's about giving a warm word, and it's also giving more money as well. If someone's doing a good job, and so making the places where they live a better place, and the way they could do, and in this way giving more space for this message, because people have been treated better, they treat other people better, and it's like you throw a stone in the water, and small waves are coming, and just go. And this is the point. What the center is going to be about. If Speaker 1  28:54 you enjoy Unstoppable Mindset, and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the unstoppable mindset community. Michael Hingson  29:28 Well, and when you throw a pebble into the water, the waves go out to the end, and then they come back, and, and it's a process. It's a process. You're Helmut Stapel  29:37 right, definitely. Michael Hingson  29:38 So, how far along are you with with this? You said in 2027 you think you're going to have the first event, and what, what, what kind of preparations are you making, and how is that going Helmut Stapel  29:50 from the first steps, writing an expose, getting my, and Daya is with me as well, because we like to found this together, just. Putting the first thoughts on paper, writing an expose, getting clear about what should it be about, having the first contacts, meeting people was like creating some kind of magnetic field, because suddenly when we started with that, things came by itself to us, that was fascinating regarding people offering sponsoring the website, for example, I have been to Zurich to an event where I met people I was not aware about, which fit to, for example, than the event character to other people, which one is the former director, the technical director of the NASA, the space agency, there's some kind of neurologist, we would say something, some people who work on brain artificial intelligence, whatever it is, and so I meet a lot of people since then who future researchers, whatever, who will be able, and would love to have events and a speech at the events of the center to be part of creating a horizon for all the people who come there to make sure and clear that in which position we are in the moment we look at earth in the space, because not many people are aware of that, how, how fragile this is, and so with all the knowledge and all the things like philosophy, which, as I said, we will try to implement a feeling of we have an at the people I have to do something, and in this way we are on the way. We have two places where we love to make the events. We came across that in the beginning we would think to concentrate on one place, but then we figured out it's better to have different places, just to have more atmosphere. One is in Switzerland, and the other is in Italy. And we are about to create, then, the program to make sure, as people have to pay for that. This is quite a point. We cannot do it for free, because there are some costs, but to create the program and sending invitations, making advertisements on Instagram, social media, whatever it is, and have a closer look on LinkedIn, how the feedback is, and the point is that without, as I work all my life like that, even if I write a novel or whatever it is, without setting a deadline for something, you will never reach your aim, because you say, yeah, maybe sometime someday. No, we do it in 2027 in summer, and in this way we have some time to move into a new home and our house, and in the same moment, just working with the people who already have said that they want to have a speech there, for example, we also are in touch with Laura Chaplin, which is a niece, you say, so from Charlie Chaplin. She lives in Switzerland. She, she loves to come there too, because she, she's a person who thinks that humor is an important point in life to create some kind of life feeling, and so in that way we are on the way to have then the first event in June or July 2027 and it will be in Switzerland at the Lake of Your Walsh Stetter Zie, near to Lucerne, or in Tuscany near to Lawrence Fierense, Michael Hingson  33:48 that sounds exciting. How large do you think the event will be? Helmut Stapel  33:52 We think about two events in the beginning in a year with maximum of 15 participants, maybe 10, because it will be very intensive, and it's not something to say so, which can be in Germany. We say inflation, inflation, or maybe this is the word in English. It's something that has to grow, as to say so. I have a friend. When I talked to him about that, he said that's too big. You will never, never see and realize how this will work. And I said, no, this is not the idea behind it, because someone has to start the process. All the things which can be big in history of humanity started at one point, and over if it takes centuries, I don't care. Someone has to start it, and if the idea works, it will work inside the people, which carry the idea to other people. And so we start with, I think, two events in a year, and maybe then 10 up to 15 people, max. Simon, Michael Hingson  35:01 well, so 10 to 15 people will be speaking. Is there an audience in addition to that, or it's just going to be an event with those people, and they're going to then take the message elsewhere? Helmut Stapel  35:13 No, the audience will be 10 to 15 people. Got it? Because the idea behind this, that also, because they were thinking about that every every change in society, if you look at human history, started on an unhealthy basis, which means that we're all people who were hungry, they were poor, whatever it is, and they were just fed up with the lives they were living, and said we have to change something, and this always meant war, this meant revolution, whatever it is, and at the end, most of the time, exactly those people became like the people they were talking about before, that they are the vicious people, so we thought about if we want to change something, the best thing is to talk to the people who are able, in their actual, in their current positions, to change something, which is their advantage as well. This is the concept of the center. It doesn't mean that you change when you change your mindset in this way that you lose something. No, it's about the advantage for everyone, and this is the idea behind the center. Michael Hingson  36:23 How did this come to your, to your mind? How do you, how did you create it? What, what caused you to think about doing this? Helmut Stapel  36:32 I have not really an exact idea. It was, it was a, it was a fusion of all the things I was talking about. There was one moment where suddenly all the things I mentioned in the beginning, regarding there's no center, everything is falling apart. I witnessed that, as everyone does on the TV and the radio, on social media, and when this witness, I talk to people, to friends, and also in other countries, and I figured out that this kind of anxiety creeps into the minds and souls of so many people that they got stuck in their lives, and that somehow all this beauty, which is around us, is not seen anymore, and it's just something that it's like the world is going to be getting dark, whatever it is, and we can stop that. And that was the point when that this, when I said someone has to stop that. And then I said, okay, then I'm the one, together with Daya. Michael Hingson  37:39 Well, that'll keep you and I are busy, you know, gives you, gives you something to do, and, and, and I'm sure you'll, you'll create an environment where there'll be a lot of good ideas that will come out of it, which is, of course, what it's all about, right? Helmut Stapel  37:53 Yes, yeah, definitely, because the way we treat each other is the basis for all that, regarding that we both have have an eye on each other, a closer look, that the other one feels good, just asking, do you need something, can I do something, and things like that, and that way we created a process which brings us with the positive energy forward in a very, very exciting and powerful way. Michael Hingson  38:23 Well, and that's, you know, that's always exciting, and it'll be interesting to see where, where this goes, and how the center grows, and how you can use that to influence people. We need to have more of that, I think the whole idea of helping to create and change, well, to change the world and make it a better place, there's always a good thing to do. Helmut Stapel  38:49 Yeah, I think you're definitely right, Mike. Also, then based on the idea that when we start with that in this on the small scale, it doesn't mean that not other people can do the same in other countries, you know. I registered the trademark just to, and the logo, and the and the and the sign, because it makes sense to have something which is steady, and if other people, then, for example, think that they are convinced by this idea, there's, there's nothing which is against the idea, then, that they do is in the country with the same concept as well. So, this is what we hope, that it's for example, I think there's always fascinating friend of mine, he, he's a scientist in mushrooms, and he's so keen on mushrooms, and he's telling about mushroom stories all day long, but the point is, this is the most fascinating living being, because it's under the ground, and it's just no one is seeing how it moves, and it's getting bigger and bigger, and what we eat is just what pops. Up right, and but but it's invisible, and when it comes out, everybody says I had no idea that it's that big, and I think this is the idea about sorry, the center creating a network which grows by itself and has more and more points where the idea pops up, that's the point, Michael Hingson  40:18 yeah, which, which makes sense. Tell me about some of the books that you've written, if you would. Helmut Stapel  40:25 I love to love to, because as I said, when I was eight, I wrote my first essay, which somehow astonished the teacher, and then I wrote my first poems, and short stories was 1312 or 13 years, and then I was aware of the fact that I want to become a writer. What happened was I became a writer in the way that I became a journalist, which took a lot of time, because I'm self-employed, but in the same way I was always keen on writing books, and I wrote several books, I think. Meanwhile, it's seven or eight. The first novel and short story thing, the first novel was 2024 and the short story mixed with with pictures. I'm doing pictures as well. I'm a painter as well, and so this was then 20 years ago, and so this is just the process of developing things. There's a poem book as well, it's called Lemon Land, which is quite interesting with funny poems, and as I'm interested in so many things, there are people asked me to write tourism things about lighthouses, for example. There were people, they asked me to write economic books about how a harbor works. For example, in Germany, we have one of the biggest, or some of the biggest container harbors of the world, the city where I live, Bremerhaven, for example, which is very connected to the USA. We had, I think, 6 million containers a year, and now we are somehow about 3.8 3.6 or whatever it is, and so this is some logistical thing, I wrote a fitness book as well, since I did triathlon 10 years and it was a vegetarian at that time, and so I figured out how that works, and suddenly I started to eat meat again, because then from one day to another it tastes good again for me, and so I wrote a fitness book, as well. It's called The Couch Coach, because I figured out that so many people sitting in front of the TV saying, "Ah, I would like to go to a studio, but it costs so much energy, and I would love to stay in front of my TV. And so I thought to develop a fitness program for people just laying on the couch and making sports, so it works with some, it's not a lot of weight, it's for your food and for your hands, and so within 15 or 20 minutes, you can just exercise your body from the food while you, while you eat pizza and eat Coca Cola. So I also have some diet program in the book, but you're not forced to do this, is this is not this. If you want to become a better man, just have a diet and do sport. No, a lot of people just stop them doing that, because it's exhausting. And so you can decide to change your life, but you can keep on lying on the couch, just having pizza and drinking Coke. It's just about bringing people into the mood of movement, and so I think this is the mixture. Actually, I wrote a travel guide, which maybe can now will come out this year, and it's the first travel guide one has written in this style on this planet. Honestly, there's no book like that. I'm very proud on this, and while I'm looking for someone that publishes it, I already work on my next novel with Willy, a criminal story, which plays on a lighthouse. Daya is very excited hearing the next things I have written, and so these are the writing projects I do work on. Michael Hingson  44:16 So, what's the name of the travel book? Helmut Stapel  44:19 I cannot say this is a secret, it's Michael Hingson  44:23 not out yet. So, yeah, you can't say what's the last book. Oh, go ahead. Helmut Stapel  44:28 The last book is also quite exciting, because it will be published next week on English, and will be available worldwide. It's called The Day a Chinese Ate a Bet, and so, as you can imagine, it's about Corona, and it's the very first book on a journalism basis written in a comedian style, apart from the fact that Corona was not really funny, that that takes all the things which has happened based. Based on a two year research on press releases from US government, the World Health Health Organization, whatever it is, articles, just to make an overview, what happened at what time, and who did say what, because of blaming whom, to bring some light into this chaos in a very funny way, regarding that, the theory and the rumor that Chinese eat beds are just based on one video from an influencer from Thailand who pretended to eat a bed, and so that was an ah, all Chinese eat bats, they produce corona, and so this is why it's called like the day Chinese ate a bad and the main point is the message in this book is not to believe everything people are telling you because they want to influence you and not to ask the question where's the source where's the basis for that and so yeah and it's in one day in Wuhan, a taxi driver who has all the people, there's a billionaire called Phil Bates, you can assume who I mean, and other people who are driving in this taxi one after another, and all this taxi driver gets all the stories and infos, and so he gets more confused and confused and nervous, and so it's a day in Wuhan where it pops up all the people who are connected, maybe with the with the existing of the coronavirus, and they all meet at the end in a final place to say so. And then we have the conclusion, but I won't, I won't spoil that. Oh, you don't want to do Michael Hingson  46:42 that? No, by no means. So, it'll be published in English next week, huh? Helmut Stapel  46:47 Yes, exciting! Wow, Michael Hingson  46:48 that's pretty cool. Helmut Stapel  46:51 I'm really proud on that. Michael Hingson  46:54 Well, so what publisher is publishing it, or how's that working? Helmut Stapel  47:00 I did this by myself. Okay, Helmut Stapel  47:03 yeah, with this book, for example, and have chosen the soil name Arthur Block because it was my grandpa, and I thought Arthur Block is more international than Helmut Staple. It's more, there's more speed behind it. Arthur Block, yay. And as I did my first apprenticeship as graphic designer, I decided, because I'm familiar with books and publishing with the newspaper, I have all the knowledge to publish my book by myself, and I try to, and it's working out good, because I have a lot of five star five five-star ratings on Amazon, and there are some kind of.. we have in Germany, for example, companies like Books on Demand, which then bring this with an ISBN number into all bookshops in the world, and so it was a kind of adventure. I still work on that. Regarding also, thank you for naming this in your podcast, doing some marketing on Google, and things like that. Normal, just have a closer look, how that that works. And so, with the with the travel guide, I'm in touch with Lonely Planet, which is quite known as travel guide, which young people love all around the world, and they are interested, and so looking forward if they really want to. If not, and if no one likes to, I publish it by myself again Michael Hingson  48:35 now. So, will the day the Chinese ate a bat, when that comes out in English form, will that also be available in places like Amazon? Helmut Stapel  48:45 Definitely, I figured out, and this is the exciting part of, at first I had no idea how that works with Amazon and Kindle, and whatever it is, and then I figured out, by it was incidentally, when I created this book at first in German, then I published it on Amazon, and they have an ISBN number as well. And I thought, okay, now I'm in business internationally, and a friend of mine said, okay, I like to buy your book, I go to a bookshop, and he had the title and asked for the book, and they looked into the PC and said there is no book like that, and there is no author like that, and he called me, and I said this is not possible, because I have the ISBN number here from Amazon, and then I figured out that Amazon has an own ISBN number, which doesn't pop up in the international catalogs of bookshops, you need a different ISBN number from the first three numbers, Michael Hingson  49:41 yeah. Helmut Stapel  49:42 Yes, and so I always have to use two channels, it's Amazon with Kindle and things like that, and also the normal book shops who like books on demand, as I said, with the international normal ISBN number. Michael Hingson  49:55 Will there be a an audio version of the book? Helmut Stapel  49:58 Yes, I work. That since I'm a radio moderator as well, and we have a studio at home, and we will have a really pretty studio, and on your house, I love it. I will produce the books as audio versions as well. Michael Hingson  50:13 Well, that'll be exciting. You'll have to let us know when, when the audio version, especially, comes, comes out. That'll be, Helmut Stapel  50:20 I will, Michael Hingson  50:20 that'll be easier for me to read. I mean, I can buy a print book, and I can use optical character recognition to read it, but I'm lazy. I'd rather have an audio version, and I know other people would too. So, that'll be, that'll be exciting when it, when it does come out. Helmut Stapel  50:34 I'll let you know, it's more personally somehow, if you just see the voice of than the author just reading something. Michael Hingson  50:40 Yeah, well, whether it's you reading it or someone, it'll still be good to have an audio version. Now, you have also made a movie. Tell me about the movie. Helmut Stapel  50:49 Yes, I work on that. It's not in the cinema, it's the process I'm still working on, and I'm really proud on that too. Yeah, because it's also, yeah. yeah, realizing what chance you can take to do whatever it is, and as I said, the borderlines you have are the borderlines you put by yourself, and when I figured out that I was going to go to Savannah, USA, and had the chance to have an interview with Stratton Leopold, who is the very, very well-known producer in the USA. He made movies like Mission Impossible, Star Trek. He was involved in Captain America, and things like that. I thought, when I have so many ideas in my head, I just can write two pages down and just ask him if he thinks it's a good story, and so when we had this interview, we're sitting on our own in an old cinema in Savannah, next to the ice shop he's running, he has taken that from his father, Leopold's ice cream, it's really cool because you have all the things from his movies into the ice shop, all the things from Mission Impossible, and this is really cool. And so I was asking him if you could maybe have a closer look at this two page, no, I think it was four pages, and what he thinks about the story, and he said, yeah, for sure, and was quite great a moment in my life, because in the interview he before mentioned how many people give him short things, manuscripts or text, and hope that he's doing something with that, and there, and he said there's so many things he's sorry to say that, but they are not good, and then he was reading my text, and at the end he was looking at me and was like one second, two seconds, three seconds, and then he said this is a good story, and I say, thank you. And then he asked me if he could take it home with him, just have a closer look. He asked me if I had already saved it. I said, no, I didn't. He said, just do. For example, now I'm a member of the American Writers Guild East, so that my text and my scripts are protected and I shifted all my dates behind with the travel journalism because he asked me if I can come back next day and we had a closer tour in Savannah to look for locations where we can just have this movie we were looking for people with money then for script writers and things like that but unfortunately in between, then Corona popped up, and it was then this 2021 22 and 23 in the middle, I think we started to work again on that, but unfortunately, the people who was were before able to give the money, they were gone, and so we are start, we have started from some new point, but with the same energy, and suddenly, because our movie should be named Wish, like the Wish, because it's about wishing something, and it's a mixture between the digital world and the fairy tale world and the reality, to say so, which is quite interesting, and suddenly I walked beneath a cinema in Germany, and I saw this Walt Disney movie, Wish, and I said no, impossible. So there was this title, and we had a conference as well. So we renamed the movie. I cannot tell you how it is named, but we found people with money. Again, we have a script writer, and so we're going in the next process. Then I'm going to contact different companies like Netflix, Walt Disney, and Paramount. At first, the three is enough. And we have in Germany an institution, it's called a Deutsche Film Ferderung. They give money by the state to people who create movies. I'm in touch with them. Helmut Stapel  54:45 The only point is that if you get money from the state of Germany, you have to integrate parts of Germany visual into the movie, so, and this is this is the reason why in Mission Impossible films. Tom Cruise starts from Berlin with a plane or a factory in Hamburg is going to explode, or whatever it is, because they got money from the German state for the production, and we worked on that already, and so this is the point I think. Also, 22 seven will be a very, very fascinating year for me, because we think about having the movie then on the market, it's Michael Hingson  55:27 exciting. Absolutely, well, so what, what, what would you say to someone to help them get motivated to achieve their goal, whatever that might be. Helmut Stapel  55:44 Whoa, as I also teach script writing, there's one point where we start in how this movie script starts. It always starts with an idea, and the idea is only there because you realize something, which has happened, and then you, you stuck to that, and you go on with that, and don't stop developing it till the script and the movie is done, and so it's the same in reaching your life goals. If you have an idea, maybe you have it by itself in your brain, or you are motivated by people, or you want to copy or cover whatever it is, but there are two chances, two channels to say, so you can go. The one is to demotivate yourself, because you say, 'Oh no, I don't think this is quite good. It could be better. There may be some people who might say it could be better, or they think about things what I think, and so then you lose your energy. The other channel is to realize that every everything you're thinking, everything you figure out is unique in the world and the universe, and if you just blow it away, it's gone. And this is such a waste, this is such a waste, and so just take the channel, keep the idea like a treasure, get energy, money, whatever it is, and think about that. Also, a tree is not a tree because it's grown up in 10 seconds, it starts small, and so start small, like I said, with the Savannah cinema thing with Stratton, have a closer look at my script. What do you think? And so then maybe in one and a half year, this movie will then be into the cinema, and also it doesn't matter what other things that are, if you stay to your idea, don't block yourself, and don't forbid you anything regarding thinking how something could work. Test it, as I said, and if it doesn't work, test another way. Thomas Alpha Edison, for example, before he, he was able to have electric light, I think he destroyed 1000 of the gluing, whatever, glooming, whatever, bomb, because the material wasn't right. And then he was asked by some journalist, wasn't that frustrating? And he said no, because then in this way I figured 1000 way out, how it does not work. You find 1000 Michael Hingson  58:36 things that didn't work, you don't have to worry about them anymore. Helmut Stapel  58:39 Yeah, and as I always say, even if you are going to be self-employed, looking for clients, whatever it is, if you are disappointed by yourself or by someone else, take it as a motivation. It's a motivation. It's not the end of the world, it's the start of doing something else. Michael Hingson  58:59 What do you think is the most important thing that you've ever Helmut Stapel  59:04 done. Meeting Daya, of course, I think that's Michael Hingson  59:08 a good answer. Helmut Stapel  59:09 This is one, and during my lifetime, I saved the life of seven people for real, biologically, financially, emotionally, so this is something I'm very proud on, regarding cost, cost a lot of energy to do that, but they are on their way, and they're still here, which is quite great. This is something I wrote, my first novel. Yeah, I saved my mother's life, which is quite a good thing, because she brought me to the world. This is something, and what else? Let me think, because it's such an important question. I think that this is something. Okay, and there was a day when I figured out that it's an important thing to love myself and. That I like myself, and even if there are things which are maybe not quite content with, but that I realized that I'm a worthwhile person in that way. When I give something to other people, and this way I have grown, because I don't expect people to give something to me back. If they do it, it's fine. Then I'm grateful, but in that way I can give a lot of things to other people, and this is, I think, a bit - this is a big gift. Michael Hingson  1:00:30 That's great. Well, if people want to reach out to you, how do they do that? Helmut Stapel  1:00:35 It could be on my homepage, as it maybe appears. Then, after our podcast it's www stop press, what could it be.de stop press or Michael Hingson  1:00:48 de, okay, Helmut Stapel  1:00:49 or even also on on WhatsApp on my mobile phone would work because I love fast conversation and writing emails as well, yeah. Instagram would be a good idea. It's also stop press on Instagram. There are a lot of channels, but I think these are the most important. LinkedIn, for example, also Michael Hingson  1:01:12 stop press again. Helmut Stapel  1:01:14 Yes, Michael Hingson  1:01:15 okay. Well, I hope people will reach out. This has been absolutely fascinating. I have enjoyed it. I hope you have, and absolutely. And it's time for you to go to bed. It's getting late there. It's 10 o'clock. Yeah, I Helmut Stapel  1:01:27 think I will not go to bed. I asked my wife if we have an hour TV watching from the couch and having couch coach training. Well, there you go. Well, Michael Hingson  1:01:36 maybe now she can watch TV again, since we keep the internet free. But I want to thank you for being here, and I want to thank all of you for listening and watching us today. If you'd like, if you'd like to talk to me, any of you, feel free to email me at speaker at Michael hinkson.com that's s p e a k e r at m i c h a e l h i n g s o n.com Hopefully, you will also reach out to Helmut, love to get a review from you, so wherever you're observing the podcast, please give us a review, and if you know of anyone who ought to be a guest, we'd love it if you'd introduce us. We're always looking for people to tell their stories, but Helmut, I want to thank you again for being here. This has been absolutely wonderful. Helmut Stapel  1:02:20 Thank you so much, Mike. It was my pleasure. Comes from the heart, and it was a very, very interesting and great time. And I hope we stay in touch to start some common projects that would be wonderful. Michael Hingson  1:02:30 Let's do it. But I really thank you for being here. Helmut Stapel  1:02:34 My pleasure, Mike. Michael Hingson  1:02:38 Thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. 1:03:40 Thank

O Podcast do PublishNews recebe nesta terça-feira (30) Rita Palmeira, crítica literária e curadora da 24a Flip. A Festa Literária Internacional de Paraty deste ano vai homenagear a poeta paulista Orides Fontela (1940-1998), escritora de trajetória rara e específica, que agora deixa sua marca em um dos eventos literários mais importantes do Brasil. Orides tem sua obra completa editada pela Hedra, que já colocou nas livrarias as novas edições.Ieda Lebensztayn, pesquisadora e crítica literária, organizou as novas edições dos cinco livros publicados em vida por Orides — Transposição (1969), Helianto (1973), Alba (1983), Rosácea (1986) e Teia (1996). As novas edições da Hedra reúnem textos críticos clássicos e inéditos, ampliando o panorama da fortuna crítica em torno da autora.Na conversa, Rita falou sobre sua trajetória como leitora, mas também sobre como foi o trabalho de curadoria para a Flip — em contato com muitas editoras, sentindo a temperatura do mercado editorial brasileiro, sobre os segredos de encontrar a química entre os autores — entre outros assuntos.O evento fluminense ocorre entre os dias 22 e 26 de julho, de quarta a domingo. Uma das novidades são os horários das mesas. Na sexta e no sábado, o último painel do dia será realizado às 19h. No domingo, serão apresentadas três mesas: às 10h, às 12h e às 15h30. Dois dos nomes confirmados nesta terça são os da ministra do STF Carmen Lúcia e o da escritora inglesa Zadie Smith.Indicações:Livro: Claro Enigma - Carlos Drummond de Andrade (Record) Livro: O Morro dos Ventos Uivantes - Emily Brontë - Tradução: Stephanie Fernandes (Antofágica)Livro: Música do Mundo - Tarso de Melo (Fósforo)Eventos: Mesas sobre Orides Fontela na FLIPEste podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.br

In this episode of Varn Vlog, we sit down with Sam Badger to explore the moral philosophy hidden within Marxian theory. While Karl Marx is famously derisive of "moralism," this discussion unpacks how his work actually outlines a robust "Ethics of Human Flourishing"—a vision of human liberation rooted in the realization of our creative and social potential beyond the constraints of capital.We delve into Sam's latest research, comparing Marx's views on character development and well-being with Aristotelian ethics, while highlighting how Marx's focus on labor and class status creates a unique framework for modern social movements.Key Topics Covered:The Ethics of Character: How Marx defines the "good life" through the lens of historical context and labor.Alienation and Well-being: The impact of capitalist structures on individual development and freedom.Beyond Aristotle: Why Marx's version of flourishing is inclusive of the working class, unlike classical elite-focused ethics.Modern Social Movements: Using Marx's ethical framework to address today's economic and social inequalities.Referenced Work:Book Citation: Badger, Sam. Karl Marx's Ethics of Human Flourishing. 1st ed. New York: Bloomsbury Academic, 2026. (ISBN: 9798216251026).Connect With the Guest:Sam Badger's Substack: sambadger.substack.comSend us Fan Mail Musis by Bitterlake, Used with Permission, all rights to BitterlakeSupport the showCrew:Host: C. Derick VarnIntro and Outro Music by Bitter Lake.Intro Video Design: Jason MylesArt Design: Corn and C. Derick VarnLinks and Social Media:twitter: @varnvlogblue sky: @varnvlog.bsky.socialYou can find the additional streams on YoutubeCurrent Patreon at the Sponsor Tier: Jordan Sheldon, Mark J. Matthews, Lindsay Kimbrough, RedWolf, DRV, Kenneth McKee, JY Chan, Matthew Monahan, Parzival, Adriel Mixon, Buddy Roark, Daniel Petrovic,Julian, Drea, Free Beer 

Bright on Buddhism - Episode 142 - What was the haibutsu kishaku movement in Meiji Japan? Why did it happen? What was the result?Resources: Breen, John and Mark Teeuwen. (2000). Shinto in History: Ways of the Kami. Honolulu: University of Hawaii Press. ISBN 978-0-8248-2362-7; ISBN 978-0-8248-2363-4; OCLC 43487317James Ketelaar: Of Heretics and Martyrs in Meiji Japan: Buddhism and its Persecution, Princeton 1990Grapard, Allan G. (1992), Review of: James Ketelaar, Of Heretics and Martyrs in Meiji Japan: Buddhism and Its Persecution, Princeton 1990. In: Japanese Journal of Religious Studies 19 (4), 390-395_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Send us Fan MailThink publishing your book is the finish line? Think again.Many authors unknowingly make small publishing decisions that lead to poor discoverability, lost sales, rejected bookstore submissions, or even leave their work vulnerable to theft. The good news? Most of these costly mistakes are completely avoidable—if you know what to look for.On this episode of Talking Book Publishing, Kathleen and Adanna welcome Juliet Clark of Superbrand Publishing to discuss the publishing and marketing mistakes she sees every day, from copyright protection and metadata to author branding, Amazon optimization, and the scams targeting today's authors.In this episode, you'll learn:Why registering your copyright mattersThe difference between ISBNs, Library of Congress registrations, and Amazon product codesHow cover design affects discoverability and salesWhat makes effective back cover copyWhy every author needs a consistent brandHow Amazon A+ Content helps readers understand your bookWhy metadata and categories are critical for discoverabilityThe importance of building your author platform before launchHow lead magnets grow your email listHow to recognize and avoid common publishing scamsWhether you're publishing your first book or looking to improve the performance of an existing one, this episode is full of practical advice that can help you publish smarter and market with confidence.Connect With UsKathleen: kathleenkaiser.comAdanna: maddannastudio.comPodcast listeners receive a special 20% off all ProBookLaunch products. Use code TBPLISTENER20 at checkout.Have a topic or guest suggestion?Email us at podcast@talkingbookpublishing.todayJoin the conversation on Instagram: @writerspubsnet

In this episode, you discover research-validated ways to harness the power of kind words to lift others and yourself. Study citations shared in this episode:Newberg, A., & Waldman, M.R. (2012). Words Can Change Your Brain: 12 Conversation Strategies to Build Trust, Resolve Conflict, and Increase Intimacy. Hudson Street Press / Penguin Books. ISBN: 978-0142196779.Hirano, Y., et al. (2024). "Neural Effects of One's Own Voice on Self-Talk for Emotion Regulation." Brain Sciences, 14(7), 637. MDPI. https://doi.org/10.3390/brainsci14070637The added segment was taken from: "Bible Verses for Better Living", Episode: "The Hidden Power of Your Words - Proverbs 16-24". Link: https://www.spreaker.com/episode/the-hidden-power-of-your-words-proverbs-16-24--71964504---Host info: Stephen Carter - Website: https://StressReliefRadio.com - Email: CarterMethod@gmail.com---Technical information: Recording and initial edits with Twisted Wave. Additional edits with Soften, Audacity, Amadeus Pro, and Waves Voice ReGen. Final edits and rendering with Hindenburg Pro. Microphone: Earthworks Ethos.---Keywords: love, kindness, emotional well-being,

What's a practice or mindset you've personally built into your own business to protect your joy and energy long-term?   Today's top story is… Do I Need an ISBN or Copyright?. What's a practice or mindset you've personally built into your own business to protect your joy and energy long-term?   Join the Sell More Books Show Afterparty group on Facebook and answer the Question of the Week in the comment section. Be sure to leave us a review on Apple Podcasts.

No episódio do Podcast do PublishNews desta semana,falamos como o livro está se transformando em um objeto de identidade e uma tendência importante nas redes sociais, Conversamos com Bernardo Machado - Editor do Selo Paidós da Editora Planetae Fred Indiani - Diretor de negócios do Grupo Autêntica. Conversamos também sobre estratégias de mercado, incluindo edições especiais e livros como objetos além de ser um produto cultural. Discutimos também o impacto das redes sociais na formação de identidades e na promoção de livros.O podcast é oferecimento da: MVB América Latina Um livro, Câmara Brasileira do Livro e Nielsen BookData — referência mundial em dados que impulsionam estratégias e Gráfica Viena.Este podcast é um oferecimento da MVB América Latina! Onde a inovação e tecnologia impulsionam o mercado do livro. Com a Pubnet, você ganha eficiência, agilidade e segurança em cada pedido.E quando o assunto é metadados… metadados é com Metabooks! Porque, no fim das contas, o propósito da MVB é um só: levar os livros até os leitores! https://pt.mvb-online.com/Já ouviu falar em POD, impressão sob demanda? Nossos parceiros da UmLivro são referência dessa tecnologia no Brasil, que permite vender primeiro e imprimir depois; reduzindo custos com estoque, armazenamento e distribuição. Com o POD da UmLivro, você disponibiliza 100% do seu catálogo sem perder nenhuma venda. http://umlivro.com.brA Câmara Brasileira do Livro representa editores, livreiros, distribuidores e demais profissionais do setor e atua para promover o acesso ao livro e a democratização da leitura no Brasil. É a Agência Brasileira do ISBN e possui uma plataforma digital que oferece serviços como: ISBN, Código de Barras, Ficha Catalográfica, Registro de Direito Autoral e Carta de Exclusividade. https://cbl.org.brIndicações:Audiolivro - O gato que amava livros - Sosuke Natsukawa - Narrador: Daniel Bertoloci - Tradução: Fernanda Dias (Outro Planeta)Livro - O cálice contaminado - Robert Jackson Bennett - Tradução: Flavia de Lavor (Aleph) Livros - Sandro Veronesi (autêntica)

What if the real secret to a lasting writing career isn't talent or luck, but learning to thrive in the mess? Why are in-person events worthwhile even if the maths doesn't add up? How do you protect your creativity when the machines never sleep and the community is at one another's throats? With Mark Leslie Lefebvre In the intro, Has AI Already Killed Non-Fiction [Tim Ferriss]; 9 ways that AI would disrupt authors and the publishing industry over the next decade; Pivoting towards The Transformation Economy; and Who do you serve? This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why print and in-person events are making a comeback for indie authors The case for (and against) licensing your voice clone through ElevenLabs Why we keep selling books in person when the numbers rarely add up Measuring success by creative satisfaction rather than money Being honest about author earnings and the fear of being truly seen Managing stress, divisiveness, and the noise around AI You can find Mark at MarkLeslie.ca. Transcript of the interview with Mark Leslie Lefebvre Jo: Mark Leslie Lefebvre is the author of horror and paranormal fiction, as well as non-fiction travel and books for authors. He's also an editor, professional speaker, and the Director of Business Development at Draft2Digital. His latest book is Stark Realities: Stacked Up Lessons Every Writer Needs to Know About the Business of Writing and Publishing. Welcome back to the show, Mark. Mark: Oh, hey, Jo. It's always an awesome time chatting with you. Jo: You've been on the show lots of times over the years, but the last time was in September 2024, when we talked about selling books in person. So give us a bit of an update. What does your writing and publishing business look like at the moment? How do you manage it alongside the day job and everything else you do? Mark: Oh my God. Well, sleep is—no rest for the wicked, maybe. I'll sleep when I'm dead. It's so funny, it was just this last weekend in Waterloo. I was at Waterloo Book Fest, and somebody came up to my table—another author from one of the other tables—and said, “I heard you on the The Creative Penn Podcast. And then when you mentioned something about Waterloo, I said, ‘He can't be from Waterloo.' And then when you mentioned the skeleton, I said, ‘I know where he lives.'” Jo: That's scary. Mark: So I love the fact that there are so many of your listeners all over the world, and that's usually how people know me. No matter what else I've done, it's like, “Oh, you've been on Joanna Penn's podcast.” I'll say, “Yes, I have.” You know what's really funny? The last time I was on the podcast, we were talking about A Book in Hand, which I was supposed to release that year. Jo: Yes. Mark: I just added another 5,000 words to it this morning. Jo: Wait, it's still not published? Mark: No, and it's so funny. I actually have the first 60,000 words of it with an editor right now, and I told her I'd get her the rest of it, which I thought would be another 20,000 words, by the end of June. But I think it's going to hit 100,000. Here's the weird thing that happened with this. This is trying to accumulate my life of book selling, as well as doubling down on doing in-person events in the last several years. I thought I was going to have the book done in 2024. I ran into some issues where I didn't back it up properly. It was an old version, and I accidentally overwrote the only version I had. Jo: So, for everyone listening, Mark—how many decades have you been an author and a publisher? How come you're still missing deadlines and still not backing up your work properly? Mark: Yes, this is a lesson: no matter how long you've been doing something, you can still make boneheaded errors. So if you, dear listener, have made mistakes, just know that this old guy who's been doing this since the mid-'80s still makes mistakes like that. Don't beat yourself up. I probably did something worse. Anyway, that book I thought was going to be maybe 40, 45,000 words, it's going to be bigger than Wide for the Win—close to 100,000 words. Here's a really important lesson I learned in that, Jo. I thought the book would be something. It became something else. Through my own experiences of doing more in-person events, book signings, and library event. Also in talking to awesome folks like Johnny B. Truant, Katie Cross, Todd Fahnestock, and so many other authors I know, and seeing what Ben Wolf is up to, and a whole bunch of different people who are doing in-person events. In creating case studies for how they interact specifically with a bookstore or library, or how they do in-person selling—I really think the book wasn't ready then. It's like the recipe wasn't ready. I still needed to play with some things. I do sincerely have faith, since I got it into the editorial process, that this will be the year the book actually gets released. Jo: As you said, there are some really good lessons there around sometimes the book not being quite ready. I'd bought an early version from the StoryBundle, which is how I got this book as well, actually. Mark: Yes. Jo: That's another tip for people—storybundle.com. You can go and find some great bundles there. I was also thinking, as you were talking, that maybe one of the reasons this book about in-person events has got so big is because that's a real trend in the community. It feels like indies, we've moved… Back in the day, I said, “I'm not doing print. No way.” This was the early days of digital, because print was really hard back then. So I was like, “Oh, and we've got all the advantages doing digital, so I'm just going to focus on that.” It feels like the pendulum has swung, perhaps even more with the ease of mass production of digital with AI. The focus on print and in person is getting stronger and stronger. Do you think that's happening? Mark: Oh, yes, 100%. I did print in 2004. It was really hard back then, so that's gotten easier. I think there are a few reasons. One of the reasons is, yes, digital made it so much easier for indie authors to get out there and break into the community. But the reality is that print books still outsell e-books in general—overall—despite the fact that indie authors can make six and seven figures a year from selling e-books alone on a single platform. So print has never really gone away. It was just never something indie authors attended to. They were in a different business than traditional publishers were in. And second, obviously I've got these gorgeous books that you've created on Kickstarter, because I like the beautiful books. I've never stopped buying print books. I actually buy more print books. I read more because of audiobooks and e-books, but I buy more print books, especially when I can get a nice signed copy. Then the other reason comes back, again, to your advice—something I've been following for the longest time, and you've long been saying. I do repeat this, and I try my best to offer attribution to you every time I use it: to double down on your humanity, particularly in this age of digital generation and the ability for even non-writers to leverage tools to create content. I think it's so much more important for me, as a creative who will never be able to catch up with the machines, to exploit my humanity. I mean, we both have digital voices of ourselves, right? There's a digital Mark Leslie Lefebvre voice that people can use, and I'm making money off it because people are able to license it through ElevenLabs. But when I'm there in person, so far the holograms aren't good enough to fool people. I think I'm not just selling a book to somebody; I want to create an experience where, “Oh, I'm talking to the author, and we're signing a book together, and we're taking a selfie together.” For me, there's that tactile experience that's really enriching. And it may not be something that lines my pockets as easily, because the investment is more significant. For every $10 I make, it costs me six or seven dollars, as opposed to an e-book, where the cost is amortised in the most beautiful way over millions of copies. Jo: There are a few things there. First of all, let's talk about that ElevenLabs voice licensing, because, as you say, I also have a voice clone. Bones of the Deep, the latest book, that's my voice clone. I haven't gone with the licensing, partly because you don't have control over what someone can do with it. So, for example, someone could create Nazi content, or content that I might not agree with, in my voice. So how have you got over that? Because part of me really does want to license my voice, and the other part doesn't. Mark: This is a great question, Jo, and I'm glad you asked it. It's the same reason I don't worry about people stealing my books—adding DRM onto my e-books and things like that. I may as well make some money off it, because let's be honest: you and I, our voices are out there. Thousands of hours of our voices, right? In your podcast, my podcast, in various interviews we've done over the years. The technology exists for someone to make a copy of my voice themselves anyway. The tools exist. They can do it easily, so why not do it myself and at least make money? I'm actually getting money deposited into my account. Not a lot—maybe $30, $18, something like that every week. Again, I've taken a lot of my non-fiction books that I haven't had the time to record myself, as I like to do, and I can at least load those to ElevenLabs and make my voice the default voice. But wouldn't it be great to be able to listen to my book in your voice? It would sound so much better. Because you can do that. When you listen to a book on that platform, you can choose my voice if you'd rather hear it in my voice, or you can choose Burt Reynolds' voice, or some other folks who've licensed theirs. Again, for me, the whole concept of wide publishing has always been important. It's another small revenue stream that's adding to my numerous revenue streams. So I guess that's how I've justified just licensing the voice. If someone's going to do something with my voice that I can't control, they can do it regardless of whether or not I put it out there myself. Jo: I agree with you. That could happen, and neither of us is famous enough that it's likely to happen anyway. I do quite like the idea of people using our voices, say, for other books for authors, because that would make sense—that's where we fit in the niche. I will rethink that, because I think it's interesting. I wanted to come back to print books. You said sometimes there are easier ways to line your pockets, and I think that's funny. So, getting into the book, this leapt out at me quite near the beginning: Why do we keep doing this when the maths almost never adds up? Mark: Oh, I have a perfect example of that from an event I did a couple of weekends ago in Burlington, Ontario. I think it was a $60 table fee. It was a new event. I believe I made $90 or $95 in sales. So even after the costs of printing and all that stuff, I really didn't make money. I made my table back, which is always a good thing. There were a few encounters I had with people who were really excited to find my Canadian Werewolf series of books, and just so thrilled to get started. Among the four of them, they bought one copy, but they were going to pass it amongst each other. You know what? Okay, they bought a single copy, and I was like, “Well, the e-book is permanently free online. You don't even have to buy a copy”—which is anti-selling. I just want them to read the book and enjoy it. But if they read it and pass it along and start talking about it, they could become readers for a long time. It's an eight-book series, with the ninth book coming out later this year. There was another encounter I had that day. A woman and her teenage daughter came in, and they were looking at my traditionally published books that I buy at a reduced price from a local bookstore and resell. They were looking at these true ghost story books I had, and they were pointing: “Do you have that one?” “Yes, I have this one, I have that one.” And the mother's like, “Well, she collects all your books, and she wants to make sure she has them.” We had this conversation, and she was so excited to meet me in person and to get a signed copy of the book. That experience was such a vanity moment for me as an author. We're lonely. I'm a big loser. Nobody's buying my books. We're always down on ourselves. So that investment of time and energy, in order to get that little pat on the back or that feeling of, “Wow, I really connected with someone who likes my stuff”—those moments are really precious. They're difficult to explain if you only look at the world in a financial way. I guess I'm fortunate enough that I do have enough income from numerous streams, including the consulting I do part-time, that it's okay if not every bookish endeavour leads to more money in my pocket at the end of the day. I can still have these authentic connections with people, which I think is one of the reasons I'm a storyteller. Yes, it's the stories I have to tell, but it's also putting the story into somebody else's hands and eyes and heart and mind. Jo: You're very giving like that. You have that sense about you, whereas I'm just a curmudgeon in the corner. Mark: That is not true. Jo: It is, generally. I don't do events like you do for readers. Mark: But that's because it takes a lot out of you. Jo: Yes, but that doesn't matter. Why do I write? I write for me. Mark: Ah, very good. Jo: At the end of the day—just being entirely selfish about this—when people say, “Oh, if you won the lottery, what would you do?” I'm like, “Well, I'd do pretty much what I'm doing now.” Mark: Yes, I'd just do the same. Of course, I'd write more books. Jo: I'd write more books. So this is where I'm trying to get to for people as well: measuring success in a different way. You were talking about measuring success by how that girl loved your books, and how you feel when someone says they love your books. With Bones of the Deep, this thriller I've just done, I feel like I had the benefit of that book before anyone even read it. As soon as it was finished, I made a nice proof copy from BookVault, and I held it in my hand and said, “I made this. I'm proud of the story, I wrote the story, and it's outside my head now.” I feel like I'm creatively satisfied in that moment. Then, of course, the Kickstarter was great, and I love that the books are going out around the world, but— I think the happiest I felt was that moment of finishing—that creative satisfaction of holding the book in my hand. You know what I mean? Mark: 100%, Jo. I cannot agree with you enough. I love so many aspects of writing. Yes, the connection with people is amazing. But I often say this when I'm doing my one-on-one consulting with authors: focus on the projects that mean the most to you, those passion projects. The process of writing, and the painful rewriting and editing and all the things you go through—when you finish that book, like you said, you hold it in your hands and it is a thing of beauty. It's a huge achievement. You've won. Whether or not you sell a single copy, you've won by doing it. Everything else is gravy: the sales, the money in your pocket or not, the reviews, positive or not, the people who say, “Oh my God, Bones of the Deep, thank you for writing this book. I'm so glad you introduced this into the world and into my life.” Anything beyond the creation itself, which is a pure joy—I love it so much. It's just why I get up at 5:30 every morning and write for hours before the rest of my day begins. I try to get stuff done before the rest of the world wakes up. I want to get the writing done first, when I have the most energy to give myself to the page. Then the rest of the day is kind of gravy for me too. Jo: You talk there about giving yourself to the page, but in Stark Realities— You talk about the fear of truly being seen. What do you mean by that, and how do you manage that feeling? Mark: For anyone who has written anything—fiction, non-fiction, memoir in particular, since it's a bit more closely tied to reality—it's exposing yourself to the world. I'll never forget an interview I did with Canadian science fiction author Julie E. Czerneda, who, before being a fiction writer, was writing biology textbooks, but her real passion was science fiction and fiction. When her first novel came out, she said, “It's like standing naked on the front lawn.” When you release a book, even a novel, people look at it and they're going to judge you and rate you. I remember early on, Jo—we knew each other through Twitter, I think, where we initially met, and then interacted with and finally met in person at London Book Fair. I think you and I have a very similar reaction. When people know us as positive and upbeat and out there helping authors in the community, and then they read our fiction, they go, “Well, Jo, you burned a nun alive on page one.” Or, “Mark, what kind of… they're drinking from the skulls of dead people? What the heck is going on with you two?” We are exposing parts of ourselves in our fiction and non-fiction. That's a fear I embrace, but also never get over, if that makes any sense. I write scary stories because I'm a big chicken. So maybe the entire process is just cheap therapy for me. Or not cheap, because it's an expensive pastime, isn't it? Jo: It certainly can be, but I agree. I struggle with fear of judgment still. I think it's also because we do this in public, which comes back to the financial side of things. We do a lot of this in public, and then people judge us on our author businesses too. You could look at Bones of the Deep, which was just on Kickstarter, and compare my Kickstarter to another author's Kickstarter for a fiction book, and judge one or the other person based on numbers. I feel like this is because you and I have done so much in public—for me, almost 20 years, and for you, like 40 years or whatever. Maybe 30 years. You look that old. Mark: Listen there, dearie. Get off my lawn. Jo: Yes, get off my lawn—with those skeletons you have on your lawn. Mark: Yes. They're no longer in my closet. Jo: They're not in your closet. I wonder if that also plays a part of it—the pros and cons of doing this business in public. Mark: Yes, that is a part of it. One thing I try to be very clear about, because there's so much FOMO and so much out there about people thinking that everyone else is making a million dollars from their books and “I'm the only loser who's not”—I try to be clear that I have never made more than a mid-five figures as an author from my author earnings, ever. I haven't yet hit six figures. One of the reasons I try to be transparent in sharing that is I don't want people to think that everyone else is a six- and seven-figure success story, and they're the only one who's only made $100 last year on their books. The reality is, 90 to 99% of the people who are writing and publishing are not going to earn a significant amount of money. I realise I'm also very, very lucky that I've earned this much, and it's taken a long time. I just shared this in a Substack post I posted yesterday: it was 10 years of rejections before I got $5 for my first short story that was published in '92. It wasn't until 2001 that I finally made pro rate, six cents US a word, for a short story that, ironically, Julie Czerneda bought from me back in the day. For me, I've been lucky that it's always been a long, slow slog. It's been a marathon, and I've never instantly sprinted across any dramatic finish line. I've had some really phenomenal moments—doing a book signing in a Costco, walking into Walmart and seeing my books there. Even last night at the Burlington Public Library, going, “Wow, they have eight of my books here—four of my self-published books and four of my traditionally published books, in two different sections.” I was like, “That's kind of cool.” So I've had these amazing moments as a writer, but I've never had the blockbuster—the Brandon Sanderson, or even the Dungeon Crawler Carl, Matt Dinniman, kind of moments. I still think I've had a very fortunate and lucky journey. Even if I wasn't making the money I'm making, I'd still be writing, and I'm sure you would be too. Jo: Oh, yes, for sure. I actually think the thing most of us would probably let go is the marketing. If we won the lottery, we'd carry on with all the creative stuff, the writing, the community stuff, and we'd just literally do no marketing at all. Mark: Well, yes, of course. Or potentially say, “Oh, here, ad agency, here's some money. You just run it, whatever. Let me know if it works or not. I don't care.” Jo: That's a much better idea. Mark: At least I've got the extra disposable income, so I may as well, because I'm helping the world when my books are out there. I know my books will help people. I really honestly think that as storytellers—whether it's fiction or non-fiction, we're still storytellers—what we do in writing and podcasting and all the things we do, the re-sharing on social media, is really helping connect people. I think that is one of the most profound things we can do as writers. And I mean that the writing, in and of itself, is a reward. Jo: Like you said, we met on Twitter when Twitter was what it was back in the day. I do very, very little social media now. But you just mentioned your Substack, and you also have your podcast, Stark Reflections. So how are you balancing what you put on each? I only do this podcast now. I don't even blog. I write books, obviously, and then I do the podcast. So what are you doing differently on Substack to the podcast, and what part do they play in income and marketing? Mark: Great question. I realise most people have never heard of me, or read or listened to the things I put out into the world. And I've been a longtime fan of “reduce, reuse, recycle my IP.” My podcast is not as long-running as yours, but I'm in my ninth year, and I've not missed a single Friday in the full eight years, or eight and a half by now, that I've been doing this. Every week I reflect on what I learned from an interview, or I'll reflect on something you've posted and say, “This episode is not an interview, but Jo said this last week, and I'm going to talk about it.” The podcast itself takes a lot of work. I still do all of it myself, and I know I probably shouldn't, but I like doing it, so it's one of those tasks I enjoy. I also have reflections that aren't going to come out vocally but might come out in writing. Sometimes in the morning I'm not in the mood to write the novel or the non-fiction book I'm writing, but I'm writing some tangent. I just let the creative monster go. I find that re-sharing… I might have reflected on something for a couple of minutes at the end of an interview, but I really want to expand upon it, so I write the Substack article. I try to reuse some of that content. Someone's going to enjoy seeing it on a short video clip I share on YouTube, or whatever the platform is. Someone else is going to listen to it on a podcast, wherever they listen to podcasts, and someone else is going to want to read it. It could be the same information, just shared in a slightly different way, to potentially get it out to other people. So for me, it's part of that wide publishing mentality. I'm trying not to completely duplicate the work, although I am duplicating some of it. I'll give you an example. Hey, Canadian listeners—if you have not registered for Public Lending Right in Canada, please put something in your calendar for February 2027, because the deadline's over. It was May 1st of 2026. Put it in your calendar for next year. I even had somebody at this writers' event I was at this last weekend say, “You mentioned something in a presentation you did for the Canadian Authors Association about Public Lending Right, and thank you, because now I get thousands of dollars a year from this.” So just look up Public Lending Right. I've been saying stuff about Public Lending Right for at least 10 years now. Every time I get my beautiful multi-four-figure cheque from them in February every year, I post on social media and remind authors to check it out. I know it exists in the UK, and it exists in 36 countries in the world—just not the US. Jo: Not the US. Mark: They don't have a programme like this, probably because the big publishers—and probably one of the authors' associations—think that libraries are cannibalising book sales, which is not true. It's been proven time and time again, and that lobbying has prevented it from happening. Whereas here in Canada, the Canada Council for the Arts and the Writers' Union of Canada worked hard to make this happen. Anyway, I talk about something like Public Lending Right and I feel like I must have said this so much that people are sick of it, but every single time I mention it, someone goes, “Oh my God, thanks for saying that. I never heard it.” That's a good reminder, especially for folks like you and me. We know the basics. We know what an ISBN is. We know KDP Select means you can't put the e-book on any other retailer, or even sell it on your own website. We know all these things, but it's hard for us to remember that there are folks coming to this for the very first time who've never heard it, even though we feel like, “Oh my God, I've said this till I'm blue in the face.” I think I got that from retail. When I worked in retail, I recognised that somebody's going to come in and ask for “that blue book that Reese Witherspoon was talking about,” or Oprah was talking about, or whatever. And you do your darn best to help them figure it out rather than mock them. I try to take the same approach when people ask me those questions, because I'm trying to remember what it was like when I honestly did not know the answer, and having someone take the time to help me. I've been very, very lucky that I've had a lot of people take the time to help me. I'll never forget—God rest her soul—Nancy Kilpatrick, a horror writer here from Canada who passed away a few years ago. She gave me a blurb for my very first book in 2004 because she'd acquired one of my short stories for an anthology she'd edited. I was trying to call my short story collection an anthology, and she very kindly took me aside and said, “It's not an anthology if it's a single author. An anthology is a…” Jo: I didn't know that until, like, last year. I got that wrong as well. There are lots of words like that. I want to circle back, because you didn't really answer earlier about the time management. You just mentioned YouTube, on top of Substack and all the things you do. You also have a day job at Draft2Digital—it's part-time, right? You also do part-time at the university, teaching publishing, right? You do all kinds of things. How do you manage your time with all of that? Mark: Well, I mismanage my time more than I manage it, Jo. That's the God's honest truth. Fortunately, most of the things I have that aren't scheduled—like, scheduled to do this lecture at this time, or scheduled to have this meeting at this particular time with Draft2Digital—most of my work is very flexible. I do not work a regular 9:00 to 5:00, Monday to Friday. Well, I never did. I always worked way more. But I have a very flexible schedule. Every single day is a work day, and every single day is a play day for me. So I'm very, very lucky. I do schedule in the very important things, particularly where somebody else is reliant upon me—meetings and connections and stuff like that. Then I make the time first thing in the morning to get the writing done. Everything else is not as important, and it's part of… I guess it's part of playing. You know, like the social media sharing. I don't look at social media as marketing. I just look at it as another way to connect with people, with other creatives, and with readers potentially, all six people who read my stuff. I probably could do a better job of managing my time. I've tried several times over the years to adapt processes to make it better, but I consistently default back to what I do, and so far I guess I've been getting away with it. So I was like, “Do I want to waste more time trying to come up with a process, or do I just want to roll with it?” Because so far I haven't killed myself doing it, and I've been enjoying the journey. So, if it ain't broke… Jo: I think that's the point, if it doesn't feel like it's broken. Having known you for a long time now, and we work together—obviously we co-wrote The Relaxed Author—you do work very, very differently to me. You definitely are a little bit more chaotic. I'm chaotic in some ways too. Mark: Oh, you're very generous. “A little bit chaotic.” Thanks. That was generous, Jo. Jo: You're chaotic in your work practices and scheduling and all that, which I couldn't cope with very well. Even though I feel like a part of my brain is very chaotic—the creative side, I guess, can be quite chaotic—I think I'm actually quite controlling and very scheduled in my work practices. As you say, for someone else on the outside, it might feel to me like you have too many balls in the air. But if you don't feel that, then that's the way of working that works for you. So this is another important thing, isn't it? You can't adapt to what other people say your life should look like. It's what feels good to you. Mark: Oh, for sure. One thing I know about my procrastination tendency is that panic and fear motivate me. So, a deadline—”I have to get this into a publisher by this date, I have to get this manuscript to an editor by that date”—I'm motivated by fear. And I'm afraid of everything, so I guess I'm always motivated. Jo: But I also know that when you hear the word “deadline”—and I know a lot of people who do this—the deadline means you get it in on the deadline, or the day before the deadline. To me, a deadline means I have it ready a month earlier. Mark: I love that. I've done that a few times and shocked myself. I actually had a pre-order up—with the audiobook, the print, and the e-book—a month in advance, and I didn't know what to do with myself. I was like, “Well, what am I going to do now in the next month?” Jo: Work on the next thing. Mark: But I'm so used to working on it up to the last second that I was kind of like, “What do I do?” That actually caught me by surprise, and I honestly felt weird. I was like, “I've never felt this before.” I'm really lucky. I know you have a very supportive and amazing partner, and so do I. My partner, scarily enough, is maybe a bigger procrastinator than me, so she never gives me a hard time. She supports me, and I do the same thing with her own work. I'm up all night with her at the last minute so we can get something turned in. So, fortunately, we really understand one another, and we don't give each other a hard time. We just go, “Well, got away with it again. I guess I'm not going to change my ways.” Jo: We made it. And again, that's the point. You and I could stand up in front of people, both hold up the last book we wrote, and say, “We made this,” and our processes are completely different. Our brains are completely different. We come from different countries. There are lots of things that are different, and yet we both made a book. So hopefully that encourages people. You don't have to do anything that we're telling you, or anyone else tells you. But if you want to be an author, at some point you have to produce a book. Mark: Exactly. As Brian in the classic Monty Python film gets them to say: “Yes, we are all different.” Embrace that difference. I think that's such a powerful reminder that there is no one process for getting anything done. Jo: Given that we co-wrote The Relaxed Author back in 2021—and we did that because we had another show, and we were talking, and we said, “Oh, everyone's stressed and the anxiety levels are really high, and we think there's a better path”—we co-wrote that book, which I think is still a very good book. Definitely people should get it. Interestingly, I think the stress and anxiety might actually be higher now than it was. So what do you think the main stresses are in the community now? You also see a lot with Draft2Digital, I guess, as well. Mark: Oh, for sure. Honestly, Jo, I'm so glad we wrote that book, because I actually pick it up every once in a while to remind myself of the things we tried to help others with. Again, it's therapy for me as well, so I'm so glad we did it. I think we're 10, if not 100, times more stressed. The world events and things going on, the divisiveness—not just in the world in general, in politics and everything else, but the divisiveness in the author community. The witch-hunting that happens, people trying to tear down other authors either because they're successful, or because, “Oh my God, you dared use a new technology.” All of these things are happening, and everyone's at one another's throats. I need to pick that book up and reread it. I'm a lot more stressed than I was. I'm just getting over shingles, which is… Jo: Oh. Which is actually related to stress as well, isn't it? Mark: It is, yes. I was in LA for Writers of the Future—I'm a judge for that science fiction and fantasy conference. I went right from LA, like a week in LA, which was a phenomenal experience getting to mentor the winners. And I mean, come on, it's a free trip to Hollywood, hanging out with Kevin Anderson, having beers and stuff like that. Then I came back to the Toronto Indie Author Conference, run by Tao Wong, here in Toronto. I went right from the airport—didn't even go home—straight to the hotel, because I kicked into another conference. We did a display on how to set up an in-person booth, so I ended up having to hand-bomb boxes, blocks down the street from where I was parked. My chest was really sore when I got home on the Monday, and I thought it was because I hadn't used these muscles, because I'm not in the best shape. Then I took my shirt off and went, “Oh, there's a rash there.” Liz goes, “You have shingles.” Because the pain in my chest, which I thought was the muscle, was actually underneath. I'm one of those lucky people that it's taken the full five weeks, and I'm still in pain even afterwards. So, again, public notice: if you're an older person like me, and there's a vaccine available for shingles, you may want to consider it. Jo: Yep, get it. Mark: Oh my God, it hurts. But, yes, the stress, I think, is higher—even though I didn't know I was feeling it. It was happy stress, right? I was stressed out because I'm there in Hollywood, helping people and doing some good things, and then I'm doing the same thing, interacting with some amazing authors at the Toronto Indie Author Conference. I didn't feel anxious stress. I was happy stress. Is that a thing? Jo: I think possibly… your physical body masks stress, physical stress, because you enjoy all of that stuff. Whereas someone like me, I'll feel it quicker and withdraw. Although I say that, back probably a decade ago, Jonathan would say to me, “You're going too fast, and you're going to hit the wall. And when you hit the wall, it's not going to be fun.” And I did hit the wall. Then, probably in 2021—I mean, that was when I just started going into menopause, and obviously we had the pandemic, and I wrote Pilgrimage, and I was doing all those walks, which I think really helped me. I learned a lot about maybe stopping that before it happened. Becca Syme obviously talks a lot about this too. But I find it interesting with you, because I think you're so positively happy with these events you do that it might mask your physical symptoms in a different way. That's really hard to watch out for. I'll give a tip to you and everyone else listening: schedule the calendar, and look at your calendar and go, “I can't go back-to-back-to-back. I have to put in some rest days.” Mark: Well, thank you. You know, Jo, you and Becca Syme are two of my best unpaid therapists. I appreciate that. Jo: You just don't listen, Mark. Mark: Or sometimes I do. Jo: Just coming back to the community, and the divisiveness there is primarily over AI at the moment, I think that's one of the biggest things. And the arbitrary lines as to what you're allowed to use it for and what you're not allowed to use it for, which is just kind of crazy. Obviously, you know I've opted out of that whole discussion now. How do you think we can move through this [divisiveness over AI], move on? We remember when it was trad versus indie, and then it was wide versus KU. So this will pass—it's just hard, when you're in it, to know when it might pass. Mark: Yes. I think the more generic advice—for whatever may come, whatever has come—is: why are you doing this? Why are you a writer? Heads down, focus on what gives you pleasure, and do that, because everything else is noise. All the marketing tactics and strategies, and all the people yelling at one another. Write your books. Do the things that motivate you. Do the things that give you that intrinsic reward. It's hard to ignore. I get it, it is hard to ignore. I have difficulty ignoring the haters and the yelling and the screaming that happens, but I do my best. Like this morning, when I was in the throes of my manuscript and I looked up and went, “Oh my God, I've got to shower. I'm going to be talking to Jo soon, I should comb my hair”—which I have none of. Because I was so in my book that everything else melted away. That, for me as a storyteller, as a writer, is one of the most beautiful places to be. Jo: I think you're absolutely right. I have a little thing that pops up in my calendar sometimes which says, “If you're feeling all of these things, just go create something.” The moment you refocus on creation—whatever that means to you—things change. It changes the energy. That, or go for a walk. That's my other tip. Mark: Outside. And I have to say, Jo, Pilgrimage is still one of the most profound and powerful books you've written, and you've written a lot of amazing ones. Jo: Oh, you're very sweet. Mark: That one really resonates, not just for me, but with Liz. Because one of the things we often do when we get stressed is go for a walk, ideally in nature. The vitamin N. I think there's something really profound in that, and it really helps me a lot. And again, sometimes going for a walk listening to your podcast, or an audiobook, or sometimes just attending to the environment. A tip I picked up years ago from Brooklyn author Denis Hamill was: go for a walk with your character. Listen to what they see. What do they comment on? How do they approach this environment that you've seen a million times? How do they see it? What do they notice that you don't notice? That's such an incredible experience of creativity—when you're not writing, but writing. That really helps me a lot. Jo: Oh, nice one. Okay, so your latest book is Stark Realities, but you have so many more. Where can people find you and your books and your podcast online? Mark: Jo, you can find everything you want to know about me—and stuff you don't want to know about me—over at MarkLeslie.ca. It links to all the other places from there. Jo: Brilliant. Thanks again for your time, Mark. That was great. Mark: Thanks so much, Jo. Bye-bye. The post Creative Satisfaction, In Person Print Book Sales, And Author Mindset With Mark Leslie Lefebvre first appeared on The Creative Penn.

In the library of a theological seminary, a researcher opens Eusebius's Church History and traces the bishops of Jerusalem - the mother church, the apostolic see of sees. He finds fifteen names spanning nearly two centuries. Marcus. Cassian. Publius. Maximus. Julian. Gaius. Symmachus. And eight more.No biographies. No letters. No sermons. No doctrines. No martyrdom accounts. Not a single quotation from their enemies. Fifteen bishops, two hundred years - and a perfect, surgical silence.Rome, Antioch, and Alexandria - churches that suffered the same persecutions - all preserved rich documentary traditions. Only Jerusalem is a vacuum. Not a damaged record. An erasure.This is Part 1 of "Sleight of Hand, Sleight of Scripture" - a documentary series from Pre-Nicene Perspective, hosted by Darren Kelama, based on the 2026 paper "The Myth of the Jerusalem Continuity" by Chancellor A.W. Mitchell (Journal of Pre-Nicene Christian Studies).In this episode, we walk the crime scene: Aelia Capitolina, the pagan colony Hadrian built on the rubble of Jerusalem in AD 135. Banned from the city on pain of death were not only Jews - but Jewish scriptures. Inside those walls, the only Christian canon that could legally exist was one without the Old Testament: the Evangelion and the Apostolikon. Hadrian, unwittingly, granted the unalloyed Pauline gospel a two-hundred-year sanctuary.And we meet the first ghost: Marcus, the first Gentile bishop of Aelia Capitolina, whom Mitchell identifies as the first Christian bishop in the Pauline sense - leader of a church whose Bible had no Torah, whose God was not Yahweh, whose throne was the mother church itself, and whose treasury held the accumulation of Paul's diaspora collection. ▶ PART 2 DROPS NEXT WEEK—————————⏱ CHAPTERS—————————0:00 — Cold Open: Fifteen Names, Fifteen Ghosts1:52 — The Question That Launched a 1,700-Year Cold Case2:20 — Welcome to Pre-Nicene Perspective (Series Intro)2:48 — Aelia Capitolina (AD 135)4:12 — Possessing the Septuagint Was a Capital Crime5:08 — The Only Christians Who Could Survive in Aelia6:04 — The Mitchell Thesis (2026 Paper)7:00 — Part III — The Red Herrings8:24 — Claim 1: "The Records Were Lost"9:48 — Claim 2: Irenaeus Never Quotes Them10:44 — Claim 3: "Jerusalem Was Always Yahwist"11:40 — Part IV — The Investigation Begins12:36 — The First Christian Bishop in the Pauline Sense13:04 — The Treasury of the Mother Church13:52 — The Apostolikon — Paul's War Report14:28 — Marcus Resolves to Act (Cliffhanger — Part 2 Next Week)—————————ACADEMIC SOURCES & FURTHER READING—————————

For over a century, Pennsylvania has been a hotspot for UFO encounters that baffle experts and leave witnesses questioning reality. From glowing discs in remote lakes to crafts that defy physics, the Keystone State's skies are filled with the mysterious, paranormal, and extraterrestrial.EPISODE BLOG PAGE (includes sources):  https://weirddarkness.com/PennsylvaniaUFOsREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/ye247nxkFEATURED STORIES IN THIS EPISODE: Pennsylvania has always been a land of mysteries in the skies. It has become one of the most intriguing destinations for UFO sightings throughout the years, with tales that date back long before the term “flying saucer” was even coined. From glowing discs hovering over fields, to objects that break the laws of physics, the state's history is filled with encounters that leave you wondering what might actually be out there. And these are not mere passing glimpses; these are encounters that can leave a witness profoundly shaken – altered for life. There's the Carbondale incident, where strange lights in a lake sent people into a panic. There's the experienced aviator who encountered something that decades in the cockpit could not explain. There are numerous accounts of silent craft and disc-shaped objects, eerie lights in the sky — occasions when the stars were blotted out. There are reports of the stopping of time, an encounter that had state troopers speechless, and even an extraterrestrial werewolf-like entity. From the earliest sightings in 1917 through more modern accounts, Pennsylvania's connection to the UFO phenomenon is undeniable, if not unbelievable. What's going on in the skies over the Keystone State? And why is it happening there in particular?CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:37.162 = Show Open00:02:45.008 = Chapter 01: Lanterns and Lies: The Carbondale UFO Mystery00:11:48.101 = Chapter 02: Eerie Lights in Erie ***00:15:12.728 = Chapter 03: The Oil City Light Show00:16:46.996 = Chapter 04: Saylor's Lake, Silent Lights, and a Stunned State Trooper00:18:09.833 = Chapter 05: A Tent, A Grandmother, And A Silent Visitor Overhead00:20:02.281 = Chapter 06: The Wainwright's Werewolf00:25:33.631 = Chapter 07: The Black Circle In The Sky ***00:27:55.349 = Chapter 08: Friday Night Lights In The Sky00:30:36.853 = Chapter 09: Playing Chicken With An Experienced Pilot00:32:40.481 = Chapter 10: Mind Probing and Time Stopping00:35:41.135 = Chapter 11: The First Saucers00:41:31.466 = Chapter 12: Why Pennsylvania? ***00:44:16.924 = Show Close & Bloopers*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:UFOs in Pennsylvania: Encounters with Extraterrestrials in the Keystone State, Patty A. Wilson, ISBN 9780811 706483The Carbondale UFO Crash, 11-11-1974, The Reality, the Hoaxes and the Legend, M.J. Graeber https://www.ufocasebook.com/carbondalecrash1974.htmlHovered- Colored lights went out- sped away -left trail, National UFO Reporting Centerhttp://www.nuforc.org/webreports/068/S68976.htmlUFO Over Westline, National UFO Reporting Center http://www.nuforc.org/webreports/032/S32964.htmlUFO Over Erie, National UFO Reporting Center http://www.nuforc.org/webreports/019/S19817.htmlBright lights in the sky seperated by several miles, National UFO Reporting Centerhttp://www.nuforc.org/webreports/043/S43145.htmlWar of the Worlds Sighting, National UFO Reporting Center http://www.nuforc.org/webreports/054/S54491.htmlVery large circular craft with engine problem, descends, stabilizes, restores engines and tests them, National UFO Reporting Center http://www.nuforc.org/webreports/016/S16875.htmlOne larger white object & 2 smaller round white objects, National UFO Reporting Center http://www.nuforc.org/webreports/048/S48591.htmlUFO Sighting Johnstown 1951, National UFO Reporting Center http://www.nuforc.org/webreports/132/S132897.htmlBright Blue Object Sighting, National UFO Reporting Center http://www.nuforc.org/webreports/035/S35223.htmlSix craft observed that brought people out of their homes to look up, National UFO Reporting Center http://www.nuforc.org/webreports/043/S43006.htmlThe Discreetly Intriguing Carbondale Case – A Downed UFO In Pennsylvania, Marcus Lowth, UFO Insighthttps://www.ufoinsight.com/ufos/cover-ups/carbondale-case-downed-ufo-pennsylvania(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: February 24, 2025Weird Darkness traces more than a century of unexplained encounters in the skies over Pennsylvania, from a glowing disc submerged in a Carbondale lake to a werewolf-faced figure tied to a silent craft, the apparent stopping of time outside New Kensington, and the geography researchers believe may explain why the Keystone State draws so many sightings.It opens with the Carbondale incident of November 1974, when teenagers Bill Lloyd, John Lloyd, and Bob Gillette watched a golden-white light streak from the direction of Salem Mountain and drop near the lake outside Russell Park. A disc-shaped glow moved beneath the water, the surface fizzed and turned a sickly green-yellow, and when Officers Barbero and Jacobina fired their weapons at it, the object appeared to dodge the shots. The boys overheard a police radio order to hold off the news media, watched a scuba diver surface screaming, and saw a crane and delivery truck brought to the water's edge under the eye of Police Chief Francis Dottle — only for divers to later produce a single old railroad worker's lantern and declare the whole thing a hoax. Matt Graeber of the UFO Report and Information Center in Philadelphia arrived at five in the morning to find a crowd of between fifteen hundred and three thousand people ringing the lake.From there the episode moves to February 1975 in Simpson, where a driver on Route 171 joined other motorists pulled over to watch red and green lights hover before a white beam appeared and the object shot off faster than a fighter jet. That June, two friends fishing at Red Bank near the Allegheny Reservoir tracked a craft that stopped dead in midair and hovered for roughly an hour, then heard KDKA radio report at six-thirty that morning that a UFO had crashed into an eastern Pennsylvania lake and the National Guard had it surrounded, before the story disappeared from every outlet. Near Erie around the same stretch, two motorists stopped to study a silent disc about eighty feet across hanging a thousand feet up, ringed with red, yellow, blue, and green lights, and afterward never spoke of it to each other again.Next comes Oil City on November 1, 1974, where CB radio chatter about lights near the Vocational Technical Center across from Oil City High School drew a group of brothers out to look. They found three or four bright lights spread miles apart, moving in geometric formations no aircraft could manage, performing for nearly two hours in front of hundreds of onlookers.The account then shifts to Saylor's Lake in Monroe County on the evening of March 1, 1973, where lights began darting fifteen hundred feet above the water around seven-thirty, shifting between white, red, and blue. State Trooper Jeffrey Hontz, sent to investigate, later told the press the display looked like Christmas trees flying in the air. Witnesses counted roughly forty separate lights, all of them silent at an altitude where planes or helicopters would have roared, and the spectacle lasted until just before eleven.That summer of 1973 in Erie, a teenager sleeping in a backyard tent to escape the heat saw a red, star-like object cross the sky with apparent purpose and ran inside to fetch his grandmother. By the time the two returned, the sky had filled with colored star-like objects moving at impossible angles and near-collisions before they winked out of existence rather than flying away, and the grandmother, though she had watched the whole half-hour, afterward refused to discuss any of it.The most frightening encounter belongs to Bensalem on August 27, 1973, when Alan and Elsie Wainwright saw a boomerang-shaped craft glide silently over their home, halt overhead, and d

On this episode of Self-Publishing with ALLi, Dan Holloway reports on Spotify's investor day, where the company credited its Page Match feature for a 60 percent rise in audiobook listening hours, notes ElevenLabs' quiet expansion as a listening platform in its own right, and examines a troubling trend in AI copyright class actions — where increasingly narrow eligibility requirements around ISBN registration and Copyright Office filings are leaving many indie and overseas authors out of the picture. Sponsor Self-Publishing News is proudly sponsored by PublishMe—helping indie authors succeed globally with expert translation, tailored marketing, and publishing support. From first draft to international launch, PublishMe ensures your book reaches readers everywhere. Visit publishme.me. Find more author advice, tips, and tools at our Self-publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. About the Host Dan Holloway is a novelist, poet, and spoken word artist. He is the MC of the performance arts show The New Libertines, He competed at the National Poetry Slam final at the Royal Albert Hall. His latest collection, The Transparency of Sutures, is  available on Kindle.

Topics covered:A field report from week one of Crossroads Publishing Group—what's coming in the door, what's surprising, what's confirming.What a hybrid press actually is. A working definition: a publisher where the author shares the financial risk via a fee (broadly $5K to $45K, depending on the engagement), in exchange for real editorial work, professional production, distribution under the press's imprint, and a higher royalty share than traditional contracts.Why the vanity-press confusion exists, and why it's no longer accurate to the category as it stands in 2026.The IBPA Hybrid Publisher Pledge—the trade-association standard the legitimate hybrid presses meet (and the vanity operations don't).Three case studies of serious hybrid presses: She Writes Press (founded by Brooke Warner, 2012; 500+ titles; Industry Innovator Award from the Book Industry Study Group in 2017; Warner is chair of the IBPA) Greenleaf Book Group (Austin; operating since 2003; 1,500+ titles; multiple New York Times bestsellers) Lucid Books (Texas Christian hybrid; 5,000 authors in 20 years of operation)Three structural reasons the hybrid category is growing while the Big Five contracts: * The agent and Big Five pipeline is capped (≈1,000 active US agents, 3-5 new clients each per year) * Platform requirements at traditional imprints have become unworkable for serious working writers * The math of a hybrid contract is often better for the author: The traditional advance reality in 2026: $5K-$25K for non-celebrity nonfiction, declining year over year, with the author doing the marketing anyway, on a 10-15% royalty, with the publisher owning the ISBN.Why this matters for The Difficulty‘s actual listeners — coaches, therapists, consultants, pastors, mission-driven leaders, retired executives in second and third acts, working professionals in midlife transition.Five questions to ask any hybrid press before you give them a dollar:One — Are they IBPA pledged? If not, why not? Two — What is the author royalty split, in a specific number, with accounting schedule? Three — What editorial work is actually included in the price — developmental, line, copy, proofreading; at what stage; how many rounds? Four — Where does your book actually go after publication? Real distribution (Ingram, Amazon, Bookshop.org, library channels like Baker & Taylor and OverDrive) or just a SKU on a website? Five — What is the editorial selection rate? A serious hybrid press turns books down.About Crossroads Publishing Group:Crossroads is a hybrid press for practitioner authors—coaches, therapists, consultants, mission-driven leaders, and working professionals with a serious book and a body of insight. Three main category lanes on the site. 80% net royalties to the author. IBPA-pledged criteria built into the model.Inquiry door: crossroadspublishing.groupCall to action:If you're a practitioner author with a serious book and the hybrid path sounds like it could be yours, visit crossroadspublishing.group to start the conversation. Feedback on the show is welcome — what episodes are speaking to you, what you'd like to hear more or less of. Get full access to The Descent at chadprevost.substack.com/subscribe

he Untolld Story of NYC's Weed KiingpiinGenovese mob-scion Silvio Eboli lived within the shadows of history, and now for the first time, the untold story of a mafia legend is revealed. The Ganja Godfather (Trineday, March 23, 2015, ISBN: 978-1937584955) s the story about an ongoing organized criminal operation, in real time with firsthand accounts and experiences by award-winning author and investigative journalist, Toby Rogers.Shadowing the Ganja Godfather, Rogers witnesses it all standing next to the Boss himself: violence, drugs, celebrities, girls, construction hustles, crime-family business meetings and social gatherings. From strip clubs in Atlantic City to Sunday night dinner with the wife and kids, Rogers experiences whatever the Ganja Godfather does on any given day. As exhilarating as Silvio's life had become, it certainly was much more stressful behind the scenes. Being the Empire State's spliff king was undoubtedly the hardest job in New York. And it was only after Silvio finally got to the top of the mountain that he realized just how easy it was to fall over the edge.With a wife and kids, dysfunctional family business obligations, and an out-of-control social life all pulling him in conflicting paths, Silvio struggled keep the empire moving forward without detection from law enforcement. But when he was introduced to a Colombian cocaine princess with aspirations to become a model, he saw an opportunity to expand the family's profit margins to unimaginable heights and risked it all despite the collision course with disaster he saw right before him.Toby Rogers is an award winning author and investigative journalist. He has written for the New York Times, New York Post, Village Voice, High Times, Clamor Magazine, and Houston's Public News. He has been featured on MSNBC's Countdown with Keith Olbermann, Democracy Now, with Amy Goodman as well as the National Enquirer. He was a consultant and featured in HBO's Horns and Halos documentary.Rogers' first book, Ambushed: Secrets of the Bush Family, was featured in newspapers and magazines in America and internationally. rThe New York Times described Rogers as “a hell of a journalist,” and Ambushed as “very impressive top notch stuBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Host: JR Guest: Isabella Reddy, author of That You RememberJR sits down with acclaimed author Isabella Reddy to discuss her novel That You Remember, a work of historical fiction loosely based on the Buffalo Creek Disaster — a devastating flood that struck Logan County, West Virginia on February 26, 1972, killing 125 people, mostly women and children, after a coal slurry dam owned by the Pittston Coal Company catastrophically failed.Isabella shares how she spent 10 years researching the story, including visiting the region, reviewing court depositions from the landmark Gerald Stern lawsuit against Pittston, and even going inside coal mines in Beckley, WV and Wales. The spark that drove her to write the novel? A poem recited online by a disaster survivor, whose words — "I can't remember... I can't forget" — moved her to tell the story.The Buffalo Creek Disaster: What happened, who was affected, and why it's been overlooked in mainstream historyCoal culture in southern WV: The deep bond communities have with coal mining, the role of unions (UMWA), and the economic reality of Logan CountyResearch process: Visiting Logan County, going into homes, attending memorials (from the 40th to the 54th anniversary), and using her father's personal desk diaries — he once worked for PittstonThe character of Sarah: A fictional heroine inspired by real people Isabella met — spunky, outspoken, caught between loyalty to her community and a forbidden relationship with a coal operatorCorporate accountability vs. responsibility: Pittston infamously called the disaster "an act of God" — JR and Isabella discuss what that deflection reveals about corporate ethicsThe Miracle Baby, Carrie Albright: A real survivor of the disaster, thrown to safety by his mother as she was swept away; now a successful man in New York CityConnections to global disasters: The 1966 Aberfan disaster in Wales, Erin Brockovich, and Dark WatersHow to support the book and your local library: Purchase the book and provide its ISBN to your state capital to get it placed in every county libraryAmazon and Barnes & NobleRequest it at your local bookstore or libraryPublisher: Bell Aisle Books (an imprint of Brandy Lane Publishing, Richmond, VA)Author's website: thatyouremember.com- **Instagram | Tumblr | Twitter | TikTok | Facebook | LinkedIn — @WVUncommonPlaceMerch store: onecommonplacesquarespace.comJoin the email list via the websiteRate, subscribe, and leave feedback on your favorite podcast platformWV Uncommon Place is a variety podcast covering mental health, empowerment, pop culture, and West Virginia — hosted by JR and Stacey.Episode SummaryKey Topics CoveredWhere to Find the BookConnect with WV Uncommon Place