Podcasts about apparate

1987 veröffentlichte Hans Wollschläger eine böse Schrift über unseren Umgang mit Tieren. Wie wir mit ihnen umgehen, sie mästen, quälen und töten, das stellt für ihn das "Potential Mengele" dar und ist nur psychoanalytisch zu erklären. In seinem gleichnamigen Radio-Essay beschreibt er die Grundlagen dieses "Potentials": Den Zwangscharakter der Deutschen, die nach 1945 ihr neues "Über-Ich" in der "Wirtschaft" fanden. Ein Kontinuum von der NS-Menschenquälerei über die Tierquälerei in Schlachthöfen und Laboren bis hin zur mechanistischen Lebensfeindlichkeit der Apparate- und Präparatemedizin. Von Hans Wollschläger SWR 1987

Diesmal beschäftigt sich Matussek, fernab der Aktualität, mit dem legendären Fernsehmacher Wolfgang Menge, über den soeben eine fulminante Biografie erschienen ist. Autor Gundolf Freyermuths „Wer war WM“ (Kadmos-Verlag) porträtiert darin einen „Televisionär“, der den öffentlich-rechtlichen Betrieb von heute wie eine teure und kahle Mondlandschaft an Einfallslosigkeit und Regierungspropaganda aussehen lässt. Mit dem „Millionenspiel“, „Ein Herz und eine Seele“ (Ekel Alfred), „3 nach 9“ und unzähligen Fernsehspielen hat Menge lustvoll ebenso die Apparate durchgeschüttelt wie die Zuschauer. Vereint mit dem Autor, zeichnet Matussek den Weg des ewig spöttelnden berühmtesten Glatzkopfs des Fernsehens nach, ein Abenteurer und Spieler, der in seiner genauen Beobachtung der bundesdeutschen Nachkriegsgesellschaft zu einem „Balzac“ des Mediums wurde. Ein Autorenleben voller Wirkungstreffer. Er feuerte pausenlos, von der frühen Krimiserie „Stahlnetz“ bis zum inszenierten nationalen Notstand „Smog“, bis das Gestrüpp an Bürokraten mit Parteibuch zu dicht wurde und er schließlich ermattet aufgeben musste. Und feststellen musste: „Wenn die Würstchen an der Macht sind, wird der Senf rationiert.“ Womit auch diese Sendung hochaktuell ist.

Bei einem brutalen Nagelbombenanschlag in Hamburg kommen Katja Şekercis Ehemann und ihr achtjähriges Kind ums Leben. Staatsanwaltschaft, Polizei und Presse vermuten, dass es sich um eine islamistisch motivierte Tat oder um einen Racheakt innerhalb der türkischen, kurdischen oder albanischen Mafia handelt. Die deutsche Familie mit türkischkurdischen Wurzeln, Opfer eines brutalen Gewaltaktes, wird zum Sündenbock. Die Brutalität und Unmenschlichkeit der Tat und das rassistische Vorgehen der staatlichen Apparate lassen Katja verzweifeln und die Wut in ihr wachsen. Doch Katjas bester Freund und Anwalt lässt nicht locker und vermutet hinter dem Ganzen einen Terrorakt von Nazis. Kann es Gerechtigkeit geben in einer Gesellschaft, die Menschen nach ihrer Herkunft unterteilt und beurteilt und sie aufgrund ihrer Wurzeln diskriminiert und ihnen mit Hass begegnet? Und wird Rache zu einer Option, wenn der Rechtsstaat versagt? Der Hamburger Filmemacher Fatih Akin, dessen Filme international gefeiert werden, hat mit „Aus dem Nichts“ 2018 den Golden Globe gewonnen. Sein Film beleuchtet den zwar fiktiven Fall eines Nazi-Terroranschlags, nimmt dabei aber sehr deutlich Bezug auf die NSU-Morde. Angesichts gegenwärtiger gesellschaftlicher Entwicklungen – europaweiter und internationaler Rechtsruck, Erstarken rechtsextremer Parteien auch in Deutschland, Pläne zur Deportation von Menschen mit migrantischen Wurzeln – möchte das Junge SchauSpielHaus diesen politischen Stoff in einer eigenen Fassung für ein junges Publikum für die Bühne adaptieren. Klaus Schumacher wird mit dem gleichen künstlerischen Team, das auch bei „Making of Sophie Scholl“ dabei war, diese Geschichte visuell und akustisch eindringlich inszenieren. Empfohlen für die Klassenstufen 9-13 Wir möchten darauf hinweisen, dass das Stück Rassismus, rechte Gewalt, Diskriminierung, Ableismus, Antisemitismus, Suizid und Gewalt thematisiert. Foto: Sinje Hasheider

Herzlichen Glückwunsch! Hiermit erhaltet ihr ein goldenes Ticket für den wissenschaftlichen Rundgang durch Willy Wonkas Wirkstätte. Dieser Audioguide gibt euch dabei stationsweise Einblick ins größte Schoko-Imperium der Filmgeschichte: Gibt es Kaugummis, die beim Kauen den Geschmack wechseln? Warum können Eichhörnchen so gut Nüsse knacken? Und werden in der Kieferorthopädie wirklich so monströse Apparate genutzt wie die Zahnspange vom kleinen Willy? Gemeinsam mit Zahnarzt und Science Slammer Moritz Göde fühlen wir Tim Burton auf den Zahn – in dieser Folge!

Waren wir gestern am Potsdamer Platz, um die innovative Ampelschaltung zu betrachten, so kehren wir heute in den Großraum Hamburg zurück, der auf dem Gebiet der Kommunikationsverschaltung Vorreiter war. Wir erfahren aus dem Hamburgischen Correspondenten vom 1. November 1924, dass in mehreren Gemeinden automatische Telefonschaltungen implementiert wurden. Was das Fräulein vom Amt durch das manuelle Umstöpseln erreichte, wurde nun mittels einer Wählscheibe auf die Apparate der Telefonierenden verschoben. Frank Riede führt uns in die Feinheiten dieser Kommunikationsrevolution ein.

Fondsgesellschaften haben diverse Motivationen. Nicht nur der Kunde motiviert, auch eigene Interessen. Welche? Höre einfach mal rein. Viel Spaß beim Hören,Dein Matthias Krapp(Transkript dieser Folge weiter unten) NEU!!! Hier kannst Du Dich kostenlos für meinen Minikurs registrieren und reinschauen. Es lohnt sich: https://portal.abatus-beratung.com/geldanlage-kurs/   

Chapter 9 - A Place to Hide“When you say you've got the Cloak, and clothes . . .” said Harry, frowning at Hermione, who was carrying nothing except her small beaded handbag, in which she was now rummaging. “Yes, they're here,” said Hermione, and to Harry and Ron's utter astonishment, she pulled out a pair of jeans, a sweatshirt, some maroon socks, and finally the silvery Invisibility Cloak. Q1 - Is Hermione the greatest or what?Harry threw the Invisibility Cloak around his shoulders and pulled it up over his head, vanishing from sight. He was only just beginning to appreciate what had happened. “The others — everyone at the wedding —”Q2 - You think everyone is safe?After a minute or two, Ron said, “You know, we're not far from the Leaky Cauldron here, it's only in Charing Cross —” “Ron, we can't!” said Hermione at once. “Not to stay there, but to find out what's going on!” “We know what's going on! Voldemort's taken over the Ministry, what else do we need to know?” “Okay, okay, it was just an idea!” They relapsed into a prickly silence. The gum-chewing waitress shuffled over and Hermione ordered two cappuccinos: As Harry was invisible, it would have looked odd to order him one. A pair of burly workmen entered the café and squeezed into the next booth. Hermione dropped her voice to a whisper. Q3 - How did the Death Eaters find them?“What are we going to do with them?” Ron whispered to Harry through the dark; then, even more quietly, “Kill them? They'd kill us. They had a good go just now.” Hermione shuddered and took a step backward. Harry shook his head. “We just need to wipe their memories,” said Harry. “It's better like that, it'll throw them off the scent. If we killed them it'd be obvious we were here.”Q4 - What should they do with these people?“It's no wonder I can't get it out, Hermione, you packed my old jeans, they're tight.” “Oh, I'm so sorry,” hissed Hermione, and as she dragged the waitress out of sight of the windows, Harry heard her mutter a suggestion as to where Ron could stick his wand instead. Q5 - Would you go back to the Burrow for your good pair of jeans?Gingerly Harry took another step forward. Something shifted in the shadows at the end of the hall, and before any of them could say another word, a figure had risen up out of the carpet, tall, dustcolored, and terrible: Hermione screamed and so did Mrs. Black, her curtains flying open; the gray figure was gliding toward them, faster and faster, its waist-length hair and beard streaming behind it, its face sunken, fleshless, with empty eye sockets: Horribly familiar, dreadfully altered, it raised a wasted arm, pointing at Harry. “No!” Harry shouted, and though he had raised his wand no spell occurred to him. “No! It wasn't us! We didn't kill you —” On the word kill, the figure exploded in a great cloud of dust: Coughing, his eyes watering, Harry looked around to see Hermione crouched on the floor by the door with her arms over her head, and Ron, who was shaking from head to foot, patting her clumsily on the shoulder and saying, “It's all r-right. . . . It's g-gone. . . .” Q6 - Are these good defenses?“But then you've got to close your mind!” said Hermione shrilly. “Harry, Dumbledore didn't want you to use that connection, he wanted you to shut it down, that's why you were supposed to use Occlumency! Otherwise Voldemort can plant false images in your mind, remember —” Q7 - Would Voldemort do this again and would Harry be tricked by it again?He turned his back on Ron and Hermione, pretending to examine the old tapestry of the Black family tree on the wall. Then Hermione shrieked: Harry drew his wand again and spun around to see a silver Patronus soar through the drawing room window and land upon the floor in front of them, where it solidified into the weasel that spoke with the voice of Ron's father. “Family safe, do not reply, we are being watched.” Q8 - Can you fake Patronuses?“More, Rowle, or shall we end it and feed you to Nagini? Lord Voldemort is not sure that he will forgive this time. . . . You called me back for this, to tell me that Harry Potter has escaped again? Draco, give Rowle another taste of our displeasure. . . . Do it, or feel my wrath yourself!”Q9 - Do you feel bad for Draco?Chapter 10 - Kreacher's TaleHarry wondered whether they had fallen asleep holding hands. The idea made him feel strangely lonely. The wardrobe doors stood open and the bedclothes had been ripped back. Harry remembered the overturned troll leg downstairs. Somebody had searched the house since the Order had left. Snape? Or perhaps Mundungus, who had pilfered plenty from this house both before and after Sirius died?Q1 - Has someone been looking through Grimmauld Place?Thank you, thank you, for Harry's birthday present! It was his favorite by far. One year old and already zooming along on a toy broomstick, he looked so pleased with himself, I'm enclosing a picture so you can see. You know it only rises about two feet off the ground, but he nearly killed the cat and he smashed a horrible vase Petunia sent me for Christmas (no complaints there). Q2 - Was there something behind Petunia's gift?Bathilda drops in most days, she's a fascinating old thing with the most amazing stories about Dumbledore, I'm not sure he'd be pleased if he knew! I don't know how much to believe, actually, because it seems incredible that Dumbledore…Q3 - What was this going to say? And why was Dumbledore using the cloak?He read the letter again, but could not take in any more meaning than he had done the first time, and was reduced to staring at the handwriting itself. She had made her “g”s the same way he did: He searched through the letter for every one of them, and each felt like a friendly little wave glimpsed from behind a veil. The letter was an incredible treasure, proof that Lily Potter had lived, really lived, that her warm hand had once moved across this parchment, tracing ink into these letters, these words, words about him, Harry, her son.They had had a cat . . . perhaps it had perished, like his parents, at Godric's Hollow Q4 - Is this cat Crookshanks?His parents had known Bathilda Bagshot; had Dumbledore introduced them? Dumbledore's still got his Invisibility Cloak . . . There was something funny there. . . .“Harry, do you really think you'll get the truth from a malicious old woman like Muriel, or from Rita Skeeter? How can you believe them? You knew Dumbledore!” “I thought I did,” he muttered. “But you know how much truth there was in everything Rita wrote about you! Doge is right, how can you let these people tarnish your memories of Dumbledore?” He looked away, trying not to betray the resentment he felt. There it was again: Choose what to believe. He wanted the truth. Why was everybody so determined that he should not get it? Q5 - What is the truth here?This, then, was how Voldemort had tested the defenses surrounding the Horcrux: by borrowing a disposable creature, a house-elf . . . “There was a b-basin full of potion on the island. The D-Dark Lord made Kreacher drink it. . . .” The elf quaked from head to foot. “Kreacher drank, and as he drank, he saw terrible things. . . . Kreacher's insides burned. . . . Kreacher cried for Master Regulus to save him, he cried for his Mistress Black, but the Dark Lord only laughed. . . . He made Kreacher drink all the potion. . . . He dropped a locket into the empty basin. . . . He filled it with more potion. Q6 - How much pity do you have for Kreacher?Kreacher knew how to open the concealed entrance to the underground cavern, knew how to raise the tiny boat; this time it was his beloved Regulus who sailed with him to the island with its basin of poison. . . . “And he made you drink the potion?” said Harry, disgusted. But Kreacher shook his head and wept. Hermione's hands leapt to her mouth: She seemed to have understood something. “M-Master Regulus took from his pocket a locket like the one the Dark Lord had,” said Kreacher, tears pouring down either side of his snoutlike nose. “And he told Kreacher to take it and, when the basin was empty, to switch the lockets. . . .”Q7 - What do you think of Kreacher's Tale?“Kreacher, I want you, please, to go and find Mundungus Fletcher. We need to find out where the locket — where Master Regulus's locket is. It's really important. We want to finish the work Master Regulus started, we want to — er — ensure that he didn't die in vain.” Kreacher dropped his fists and looked up at Harry. “Find Mundungus Fletcher?” he croaked. “And bring him here, to Grimmauld Place,” said Harry. “Do you think you could do that for us?” As Kreacher nodded and got to his feet, Harry had a sudden inspiration. He pulled out Hagrid's purse and took out the fake Horcrux, the substitute locket in which Regulus had placed the note to Voldemort. Q8 - How will they open the locket?Chapter 11 - The Bribe“Will you stop it!” she cried on the third evening of Kreacher's absence, as all light was sucked from the drawing room yet again. “Sorry, sorry!” said Ron, clicking the Deluminator and restoring the lights. “I don't know I'm doing it!” “Well, can't you find something useful to occupy yourself?” “What, like reading kids' stories?” “Dumbledore left me this book, Ron —” “— and he left me the Deluminator, maybe I'm supposed to use it!” Q1 - Any further theories on why Dumbledore left them these objects?“I had to Apparate very precisely onto the top step outside the front door to be sure that they would not see me. They can't know you're in here or I'm sure they'd have more people out there; they're staking out everywhere that's got any connection with you, Harry. Let's go downstairs, there's a lot to tell you, and I want to know what happened after you left the Burrow.”Q2 - How does the Fidelius Charm actually work?“So, you came straight here after the wedding?” “No,” said Harry, “only after we ran into a couple of Death Eaters in a café on Tottenham Court Road.” Lupin slopped most of his butterbeer down his front. “What?” They explained what had happened; when they had finished, Lupin looked aghast. “But how did they find you so quickly? It's impossible to track anyone who Apparates, unless you grab hold of them as they disappear!”Q3 - How did the Death Eaters find him?“There were about a dozen of them, but they didn't know you were there, Harry. Arthur heard a rumor that they tried to torture your whereabouts out of Scrimgeour before they killed him; if it's true, he didn't give you away.” Q4 - Does this make you think highly of Scrimgeour?Q5 - What do you think of the Muggle Born Registration Committee?“I know,” said Lupin. “Nevertheless, unless you can prove that you have at least one close Wizarding relative, you are now deemed to have obtained your magical power illegally and must suffer the punishment.” Ron glanced at Hermione, then said, “What if purebloods and half-bloods swear a Muggle-born's part of their family? I'll tell everyone Hermione's my cousin —” Q6 - How cute is Ron here? “I'll understand if you can't confirm this, Harry, but the Order is under the impression that Dumbledore left you a mission.” “He did,” Harry replied, “and Ron and Hermione are in on it and they're coming with me.” “Can you confide in me what the mission is?” Harry looked into the prematurely lined face, framed in thick but graying hair, and wished that he could return a different answer. “I can't, Remus, I'm sorry. If Dumbledore didn't tell you I don't think I can.” Q7 - Danny during the liveread you said “Don't do it.” Why?“Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and —” “Everything is fine, thank you,” said Lupin pointedly. Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.” “Oh, how wonderful!” squealed Hermione. “Excellent!” said Ron enthusiastically. “Congratulations,” said Harry. Q8 - How'd ya guess that Jenn?“You don't understand,” said Lupin at last. “Explain, then,” said Harry. Lupin swallowed. “I — I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.” “I see,” said Harry, “so you're just going to dump her and the kid and run off with us?” Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face. “Don't you understand what I've done to my wife and my unborn child? I should never have married her, I've made her an outcast!”Q9 - Should Lupin have married Tonks?“Remus!” whispered Hermione, tears in her eyes. “Don't say that — how could any child be ashamed of you?” “Oh, I don't know, Hermione,” said Harry. “I'd be pretty ashamed of him.” Harry did not know where his rage was coming from, but it had propelled him to his feet too. Lupin looked as though Harry had hit himQ10 - How did Harry handle this whole situation?Q11 - What do you think was the truth about Ariana Dumledore?There was the sound of pattering feet, a blaze of shining copper, an echoing clang, and a shriek of agony: Kreacher had taken a run at Mundungus and hit him over the head with a saucepan. “Call 'im off, call 'im off, 'e should be locked up!” screamed Mundungus, cowering as Kreacher raised the heavy-bottomed pan again. “Kreacher, no!” shouted Harry. Kreacher's thin arms trembled with the weight of the pan, still held aloft. “Perhaps just one more, Master Harry, for luck?” Ron laughed. “We need him conscious, Kreacher, but if he needs persuading you can do the honors,” said Harry. “Thank you very much, Master,” said Kreacher with a bow, and he retreated a short distance, his great pale eyes still fixed upon Mundungus with loathing.Q12 - Isn't is crazy how you can go from hating a character so quick to loving him?Chapter 12 - Magic is MightA large picture of a familiar, hook-nosed, black-haired man stared up at them all, beneath a headline that read: SEVERUS SNAPE CONFIRMED AS HOGWARTS HEADMASTER Q1 - What do you think of this?“Phineas Nigellus,” Hermione explained as she threw the bag onto the kitchen table with the usual sonorous, clanking crash. “Sorry?” said Ron, but Harry understood. The painted image of Phineas Nigellus Black was able to flit between his portrait in Grimmauld Place and the one that hung in the headmaster's office at Hogwarts: the circular tower-top room where Snape was no doubt sitting right now, in triumphant possession of Dumbledore's collection of delicate, silver magical instruments, the stone Pensieve, the Sorting Hat and, unless it had been moved elsewhere, the sword of Gryffindor.Q2 - Do you think Snape had ever spied on them using that before?Q3 - They are going to storm the ministry? Should they be doing this? The door opened: A laughing woman stood there. Her face fell as she looked into Harry's face: humor gone, terror replacing it. . . . “Gregorovitch?” said a high, cold voice. She shook her head: She was trying to close the door. A white hand held it steady, prevented her shutting him out. . . . “I want Gregorovitch.” “I hate it, I hate the fact that he can get inside me, that I have to watch him when he's most dangerous. But I'm going to use it.” “Dumbledore —” “Forget Dumbledore. This is my choice, nobody else's. I want to know why he's after Gregorovitch.” Q4 - Is Harry foolish to try this?Q5 - How is their plan to get into the ministry?Harry looked more closely and realized that what he had thought were decoratively carved thrones were actually mounds of carved humans: hundreds and hundreds of naked bodies, men, women, and children, all with rather stupid, ugly faces, twisted and pressed together to support the weight of the handsomely robed wizards. The golden grilles slid apart again and Hermione gasped. Four people stood before them, two of them deep in conversation: a longhaired wizard wearing magnificent robes of black and gold, and a squat, toadlike witch wearing a velvet bow in her short hair and clutching a clipboard to her chest.

Chapter 25 - The Seer OverheardHarry found himself newly and happily impervious to gossip over the next few weeks. After all, it made a very nice change to be talked about because of something that was making him happier than he could remember being for a very long time, rather than because he had been involved in horrific scenes of Dark Magic. Q1 - What is the happiest you've been in recent memory?“Well, why not? Harry, there aren't any real princes in the Wizarding world! It's either a nickname, a made-up title somebody's given themselves, or it could be their actual name, couldn't it? No, listen! If, say, her father was a wizard whose surname was Prince, and her mother was a Muggle, then that would make her a ‘halfblood Prince'!” Q2 - Could Hermione be right here?“The headmaster has intimated that he would prefer fewer visits from me,” she said coldly. “I am not one to press my company upon those who do not value it. If Dumbledore chooses to ignore the warnings the cards show —” Her bony hand closed suddenly around Harry's wrist. “Again and again, no matter how I lay them out —” And she pulled a card dramatically from underneath her shawls. “— the lightning-struck tower,” she whispered. “Calamity. Disaster. Coming nearer all the time . . .” Q3 - What is she talking about here?I must confess that, at first, I thought he seemed ill-disposed toward Divination . . . and I remember I was starting to feel a little odd, I had not eaten much that day . . . but then . . .” And now Harry was paying attention properly for the first time, for he knew what had happened then: Professor Trelawney had made the prophecy that had altered the course of his whole life, the prophecy about him and Voldemort. “. . . but then we were rudely interrupted by Severus Snape!” It was Snape who had overheard the prophecy. It was Snape who had carried the news of the prophecy to Voldemort. Snape and Peter Pettigrew together had sent Voldemort hunting after Lily and James and their son. . . . Q4 - What do you think about Snape interrupting?Q5 - Why did Dumbledore hire Snape?“Professor Snape made a terrible mistake. He was still in Lord Voldemort's employ on the night he heard the first half of Professor Trelawney's prophecy. Naturally, he hastened to tell his master what he had heard, for it concerned his master most deeply. But he did not know — he had no possible way of knowing — which boy Voldemort would hunt from then onward, or that the parents he would destroy in his murderous quest were people that Professor Snape knew, that they were your mother and father —” “You have no idea of the remorse Professor Snape felt when he realized how Lord Voldemort had interpreted the prophecy, Harry. I believe it to be the greatest regret of his life and the reason that he returned —” “But he's a very good Occlumens, isn't he, sir?” said Harry, whose voice was shaking with the effort of keeping it steady. “And isn't Voldemort convinced that Snape's on his side, even now? Professor . . . how can you be sure Snape's on our side?” Dumbledore did not speak for a moment; he looked as though he was trying to make up his mind about something. At last he said, “I am sure. I trust Severus Snape completely.” Q6 - Why does he trust Snape? And why does he say Snape regrets it?“I . . . they're up to something!” said Harry, and his hands curled into fists as he said it. “Professor Trelawney was just in the Room of Requirement, trying to hide her sherry bottles, and she heard Malfoy whooping, celebrating! He's trying to mend something dangerous in there and if you ask me, he's fixed it at last and you're about to just walk out of school without —” “Enough,” said Dumbledore. He said it quite calmly, and yet Harry fell silent at once; he knew that he had finally crossed some invisible line. “Do you think that I have once left the school unprotected during my absences this year? I have not. Tonight, when I leave, there will again be additional protection in place. Please do not suggest that I do not take the safety of my students seriously, Harry.” Q7 - What did Draco just do?“If I tell you to hide, you will do so?” “Yes.” “If I tell you to flee, you will obey?” “Yes.” “If I tell you to leave me and save yourself, you will do as I tell you? “I —” “Harry?” They looked at each other for a moment. “Yes, sir.”Q8 - Is this stuff actually going to happen?“No!” said Hermione, as Ron unwrapped the tiny little bottle of golden potion, looking awestruck. “We don't want it, you take it, who knows what you're going to be facing?” “I'll be fine, I'll be with Dumbledore,” said Harry. “I want to know you lot are okay. . . . Don't look like that, Hermione, I'll see you later. . . .”Harry turned. At once, there was that horrible sensation that he was being squeezed through a thick rubber tube; he could not draw breath, every part of him was being compressed almost past endurance and then, just when he thought he must suffocate, the invisible bands seemed to burst open, and he was standing in cool darkness, breathing in lungfuls of fresh, salty air. Q9 - What is going to happen in the cave?Chapter 26 - The CaveHe was standing upon a high outcrop of dark rock, water foaming and churning below him. He glanced over his shoulder. A towering cliff stood behind them, a sheer drop, black and faceless. A few large chunks of rock, such as the one upon which Harry and Dumbledore were standing, looked as though they had broken away from the cliff face at some point in the past. It was a bleak, harsh view, the sea and the rock unrelieved by any tree or sweep of grass or sand. “What do you think?” asked Dumbledore. He might have been asking Harry's opinion on whether it was a good site for a picnic. Q1 - What do you think of Dumbledore and Harry's interactions?I imagine that Riddle climbed down; magic would have served better than ropes. And he brought two small children with him, probably for the pleasure of terrorizing them. I think the journey alone would have done it, don't you?” Q2 - Shouldn't Riddle have been found out with underage magic? What happened here?“Yes, this is the place,” said Dumbledore. “How can you tell?” Harry spoke in a whisper. “It has known magic,” said Dumbledore simply….“Here,” he said. “We go on through here. The entrance is concealed.” Harry did not ask how Dumbledore knew. He had never seen a wizard work things out like this, simply by looking and touching; but Harry had long since learned that bangs and smoke were more often the marks of ineptitude than expertise. Q3 - How do you sense magic?Q4 - How good of a wizard is Dumbledore?“You are very kind, Harry,” said Dumbledore, now passing the tip of his wand over the deep cut he had made in his own arm, so that it healed instantly, just as Snape had healed Malfoy's wounds. “But your blood is worth more than mine. Ah, that seems to have done the trick, doesn't it?Harry had not expected this, but cleared his throat and said loudly, wand aloft, “Accio Horcrux!” With a noise like an explosion, something very large and pale erupted out of the dark water some twenty feet away; before Harry could see what it was, it had vanished again with a crashing splash that made great, deep ripples on the mirrored surface. Harry leapt backward in shock and hit the wall; his heart was still thundering as he turned to Dumbledore. “What was that?” “Something, I think, that is ready to respond should we attempt to seize the Horcrux.” Harry looked back at the water. The surface of the lake was once more shining black glass: The ripples had vanished unnaturally fast; Harry's heart, however, was still pounding. Q5 - How chilling is this?“I do not think you will count, Harry: You are underage and unqualified. Voldemort would never have expected a sixteen-year-old to reach this place: I think it unlikely that your powers will register compared to mine.” These words did nothing to raise Harry's morale; perhaps Dumbledore knew it, for he added, “Voldemort's mistake, Harry, Voldemort's mistake . . . Age is foolish and forgetful when it underestimates youth. . . . Now, you first this time, and be careful not to touch the water.” And then Harry saw it, marble white, floating inches below the surface. “Professor!” he said, and his startled voice echoed loudly over the silent water. “Harry?” “I think I saw a hand in the water — a human hand!” “Yes, I am sure you did,” said Dumbledore calmly. Harry stared down into the water, looking for the vanished hand, and a sick feeling rose in his throat. “So that thing that jumped out of the water — ?” But Harry had his answer before Dumbledore could reply; the wandlight had slid over a fresh patch of water and showed him, this time, a dead man lying faceup inches beneath the surface, his open eyes misted as though with cobwebs, his hair and his robes swirling around him like smoke. Q6 - What do you think about Voldemort's protections?Q7 - Who's bodies are these?“There is nothing to be feared from a body, Harry, any more than there is anything to be feared from the darkness. Lord Voldemort, who of course secretly fears both, disagrees. But once again he reveals his own lack of wisdom. It is the unknown we fear when we look upon death and darkness, nothing more.” “Lord Voldemort would not want to kill the person who reached this island.” Harry couldn't believe it. Was this more of Dumbledore's insane determination to see good in everyone? “Sir,” said Harry, trying to keep his voice reasonable, “sir, this is Voldemort we're —” “I'm sorry, Harry; I should have said, he would not want to immediately kill the person who reached this island,” Dumbledore corrected himself. “He would want to keep them alive long enough to find out how they managed to penetrate so far through his defenses and, most importantly of all, why they were so intent upon emptying the basin. Do not forget that Lord Voldemort believes that he alone knows about his Horcruxes.” Q8 - Who else knows?“Undoubtedly,” he said, finally, “this potion must act in a way that will prevent me taking the Horcrux. It might paralyze me, cause me to forget what I am here for, create so much pain I am distracted, or render me incapable in some other way. This being the case, Harry, it will be your job to make sure I keep drinking, even if you have to tip the potion into my protesting mouth. You understand?” Their eyes met over the basin, each pale face lit with that strange, green light. Harry did not speak. Was this why he had been invited along — so that he could force-feed Dumbledore a potion that might cause him unendurable pain? “You remember,” said Dumbledore, “the condition on which I brought you with me?” Harry hesitated, looking into the blue eyes that had turned green in the reflected light of the basin. “But what if — ?” “You swore, did you not, to follow any command I gave you?” “Yes, but —” “I warned you, did I not, that there might be danger?” “Yes,” said Harry, “but —” “Well, then,” said Dumbledore, shaking back his sleeves once more and raising the empty goblet, “you have my orders.” “Why can't I drink the potion instead?” asked Harry desperately. “Because I am much older, much cleverer, and much less valuable,” said Dumbledore. “Once and for all, Harry, do I have your word that you will do all in your power to make me keep drinking?” “Couldn't — ?” “Do I have it?” “But —” “Your word, Harry.” “I — all right, but —” Before Harry could make any further protest, Dumbledore lowered the crystal goblet into the potion. For a split second, Harry hoped that he would not be able to touch the potion with the goblet, but the crystal sank into the surface as nothing else had; when the glass was full to the brim, Dumbledore lifted it to his mouth. “Your good health, Harry.”Q9 - Should Harry have drunk this?And obediently, Dumbledore drank, as though it was an antidote Harry offered him, but upon draining the goblet, he sank to his knees, shaking uncontrollably. “It's all my fault, all my fault,” he sobbed. “Please make it stop, I know I did wrong, oh please make it stop and I'll never, never again . . .” Dumbledore began to cower as though invisible torturers surrounded him; his flailing hand almost knocked the refilled goblet from Harry's trembling hands as he moaned, “Don't hurt them, don't hurt them, please, please, it's my fault, hurt me instead . . .” Q10 - What is Dumbledore seeing here?“Drink this, Professor. Drink this. . . .” Dumbledore drank, and no sooner had he finished than he yelled, “KILL ME!” “This — this one will!” gasped Harry. “Just drink this . . . It'll be over . . . all over!” Dumbledore gulped at the goblet, drained every last drop, and then, with a great, rattling gasp, rolled over onto his face. “No!” shouted Harry, who had stood to refill the goblet again; instead he dropped the cup into the basin, flung himself down beside Dumbledore, and heaved him over onto his back; Dumbledore's glasses were askew, his mouth agape, his eyes closed. “No,” said Harry, shaking Dumbledore, “no, you're not dead, you said it wasn't poison, wake up, wake up — Rennervate!” he cried, his wand pointing at Dumbledore's chest; there was a flash of red light but nothing happened. “Rennervate — sir — please —” Dumbledore's eyelids flickered; Harry's heart leapt. “Sir, are you — ?” “Water,” croaked Dumbledore.The goblet filled and emptied once more. And now Dumbledore's breathing was fading. His brain whirling in panic, Harry knew, instinctively, the only way left to get water, because Voldemort had planned it so . . . Q11 - How sick is Voldemort?Q12 - Could you have done what Harry is doing?And pulling Dumbledore's uninjured arm around his shoulders, Harry guided his headmaster back around the lake, bearing most of his weight. “The protection was . . . after all . . . well-designed,” said Dumbledore faintly. “One alone could not have done it. . . . You did well, very well, Harry. . . .” “It's going to be all right, sir,” Harry said over and over again, more worried by Dumbledore's silence than he had been by his weakened voice. “We're nearly there. . . . I can Apparate us both back. . . . Don't worry. . . .” “I am not worried, Harry,” said Dumbledore, his voice a little stronger despite the freezing water. “I am with you.” Q13 - How intense was this chapter?Q14 - If the cave was protected like this, was it the same for the Gaunt shack and all the other horcruxes?Chapter 27 - The Lightning Struck Tower“What has happened?” asked Dumbledore. “Rosmerta, what's wrong?” “The — the Dark Mark, Albus.” And she pointed into the sky, in the direction of Hogwarts. Dread flooded Harry at the sound of the words. . . . He turned and looked. There it was, hanging in the sky above the school: the blazing green skull with a serpent tongue, the mark Death Eaters left behind whenever they had entered a building . . . wherever they had murdered. . . . Q1 - Dumbledore is exhausted here, what's the tiredest you've ever been?Harry hurried over to the door leading to the spiral staircase, but his hand had only just closed upon the iron ring of the door when he heard running footsteps on the other side. He looked around at Dumbledore, who gestured him to retreat. Harry backed away, drawing his wand as he did so. The door burst open and somebody erupted through it and shouted, “Expelliarmus!” Harry's body became instantly rigid and immobile, and he felt himself fall back against the tower wall, propped like an unsteady statue, unable to move or speak. He could not understand how it had happened — Expelliarmus was not a Freezing Charm — Then, by the light of the Mark, he saw Dumbledore's wand flying in an arc over the edge of the ramparts and understood. . . . Dumbledore had wordlessly immobilized Harry, and the second he had taken to perform the spell had cost him the chance of defending himself. Q2 - Why did Dumbledore do this to Harry?Q3 - What do you think of Draco disarming Dumbledore? Draco Malfoy did nothing but stare at Albus Dumbledore, who, incredibly, smiled. “Draco, Draco, you are not a killer.” “How do you know?” said Malfoy at once. “But why? I don't think you will kill me, Draco. Killing is not nearly as easy as the innocent believe. . . . So tell me, while we wait for your friends . . . how did you smuggle them in here? It seems to have taken you a long time to work out how to do it.” Q4 - What do you think of Dumbledore's attitude here?“I tried, Draco. Professor Snape has been keeping watch over you on my orders —” “He hasn't been doing your orders, he promised my mother —” “Of course that is what he would tell you, Draco, but —” “He's a double agent, you stupid old man, he isn't working for you, you just think he is!” “We must agree to differ on that, Draco. It so happens that I trust Professor Snape —” “Well, you're losing your grip, then!” sneered Malfoy.Q5 - How much does it hurt to hear these words?“Someone's dead,” said Malfoy, and his voice seemed to go up an octave as he said it. “One of your people . . . I don't know who, it was dark. . . . I stepped over the body. . . . I was supposed to be waiting up here when you got back, only your Phoenix lot got in the way. . . .” Q6 - Has someone actually died?“Come over to the right side, Draco, and we can hide you more completely than you can possibly imagine. What is more, I can send members of the Order to your mother tonight to hide her likewise. Your father is safe at the moment in Azkaban. . . . When the time comes, we can protect him too. Come over to the right side, Draco . . . you are not a killer. . . .” Malfoy stared at Dumbledore. “But I got this far, didn't I?” he said slowly. “They thought I'd die in the attempt, but I'm here . . . and you're in my power. . . . I'm the one with the wand. . . . You're at my mercy. . . .” “No, Draco,” said Dumbledore quietly. “It is my mercy, and not yours, that matters now.” Q7 - Is Malfoy redeemable?“We've got a problem, Snape,” said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, “the boy doesn't seem able —” But somebody else had spoken Snape's name, quite softly. “Severus . . .” The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forward and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. “Severus . . . please . . .” Snape raised his wand and pointed it directly at Dumbledore. “Avada Kedavra!”Q8 - How evil is Snape?

Mit dieser Überschrift berichtete eine Lokalzeitung über ein Repair-Café eines Bürgerzentrums in Kierspe (Sauerland). Dort kann man kaputte Haushaltsgeräte mit fachmännischer Hilfe reparieren: die Kaffeemaschine, den Toaster, das Radio oder auch ein Fahrrad. Die Motivation, die kaputten Apparate zu bringen, ist ganz unterschiedlich: Dem einen geht es einfach darum, das Geld für ein neues Gerät zu sparen. Bei dem anderen ist Nachhaltigkeit der Ansporn. Oder es sind mit einem Stück besondere Erinnerungen verbunden. Auf diese Weise kann vieles erhalten bleiben, was anderenfalls einfach weggeworfen würde, und das, obwohl oft nur eine Kleinigkeit nicht mehr funktioniert und der Laie mit einer Reparatur überfordert ist.Eines aber setzt jede Reparaturbemühung voraus: Das betreffende Gerät muss grundsätzlich noch reparierbar sein. Sonst muss man es letztlich doch wegwerfen.Wie sieht die Situation bei uns Menschen aus? Wenn wir ehrlich sind, ist bei jedem von uns eine Menge kaputt. Jeder Konflikt, jedes Versagen hat seine Ursache in einer menschlichen Fehlfunktion. Reicht hier auch ein »Repair-Café«? Die Bibel zieht ein ernüchterndes Resümee: »Das ganze Haupt ist krank, und das ganze Herz ist siech. Von der Fußsohle bis zum Haupt ist nichts Gesundes an ihm: Wunden und Striemen und frische Schläge; sie sind nicht ausgedrückt und nicht verbunden und nicht mit Öl erweicht worden« (Jesaja 1,5.6). Wenn man das ernst nimmt, ist unser Zustand irreparabel. Die Konsequenz? Wegwerfen!Doch das ist nicht Gottes Absicht – ganz im Gegenteil. Gott will in jedem Menschen, der seine Fehlerhaftigkeit erkennt und sich an ihn wendet, ein ganz neues Herz und einen ganz neuen Geist geben.Martin ReitzDiese und viele weitere Andachten online lesenWeitere Informationen zu »Leben ist mehr« erhalten Sie unter www.lebenistmehr.deAudioaufnahmen: Radio Segenswelle

Chapter 6 - The PortkeyINTRO - Character impressions in your mind.Harry felt as though he had barely lain down to sleep in Ron's room when he was being shaken awake by Mrs Weasley.Q1 - Is this the worst feeling ever? Non-snow days? What is the worst feeling as a kid?Q2 - You need a license to Apparate? Do you think anything else should require a license in the magical world?Q3 - What's the earliest you've ever woken up?[Portkeys are] objects that are used to transport wizards from one spot to another at a prearranged time.Q4 - Would you rather travel by broom, apparition, or portkey?Q5 - Amos Diggory works for the department of the regulation and control of magical creatures…did he vote yes to killing buckbeak?“I'm sure Harry'd say the same, wouldn't you, eh? One falls off his broom, one stays on, you don't need to be a genius to tell which one's the better flier.”Q6 - How do you like Amos and Cedric?Q7 - Thoughts on the wizarding world spreading trash around the planet in the form of portkeys?Chapter 7 - Bagman and CrouchQ1 - If you had to hide a quidditch world cup game, how would you do it?“Been having a lot of trouble with him. Needs a Memory Charm ten times a day to keep him happy. And Ludo Bagman's not helping. Trotting around talking about Bludgers and Quaffles at the top of his voice, not a worry about anti-Muggle security.”Q2 - How should they deal with Mr Roberts…should some Muggles just be able to know about Wizards?“Always the same.” said Mr Weasley, smiling, “we can't resist showing off when we get together.”Q3 - How do you like the magic of expanding something like the tent into being massive inside?It was only just dawning on Harry how many witches and wizards there must be in the world; he had never really thought much about those in other countries.Q4 - How large do you figure the wizarding world is? Q5 - There's a description of all sorts of other witches and wizards here, if you could travel to see magic from any other country in the world, where would you go visit?“I'm not putting them on [referring to the trousers],” said Old Archie in indignation. “I like a healthy breeze around my privates, thanks.”Harry laughed but didn't voice the amazement he felt at hearing about other Wizarding schools. He supposed, now that he saw representatives of so many nationalities in the campsite, that he had been stupid never to realize that Hogwarts couldn't be the only one.“That's Bode and Croaker…they're unspeakables.” “They're what?” “From the department of mysteries, top secret, no idea what they get up to.”Q6 - What do you think they do in the Department of Mysteries?Q7 - How do you like Bagman and Crouch? Which do you like more?“Ali Bashir's on the warpath. He wants a word with you about your embargo on flying carpets.” Mr Weasley heaved a deep sigh. “I sent him an owl about that just last week. If I've told him once I've told him a hundred times: carpets are defined as a Muggle Artifact by the Registry of Proscribed Charmable Objects, but will he listen?”Q8 - Broom or Carpet?A sense of excitement rose like a palpable cloud over the campsite as the afternoon wore on. By dusk, the still summer air itself seemed to be quivering with anticipation, and as darkness spread like a curtain over the thousands of waiting wizards, the last vestiges of pretense disappeared: the Ministry seemed to have bowed to the inevitable and stopped fighting the signs of blatant magic now breaking out everywhere.Q9 - Harry gets Ron omnioculars…is he cheap for saying he won't get anything for him for Christmas?And then a deep, booming gong sounded somewhere beyond the woods, and, at once, green and red lanterns blazed into life in the trees, lighting a path to the pitch.Chapter 8 - The Quidditch World Cup“Ah, sir,” said Winky, shaking her head, “ah, sir, meaning no disrespect, sir, but I is not sure you did Dobby a favor, sir, when you is setting him free.”Q1 - What do you think of House Elves? Should they be set free?Q2 - Do you think it's cruel to have a house elf sit at the booth who is afraid of heights just to save a seat?She would have been nice looking if she hadn't been wearing a look that suggested there was a nasty smell under her nose.Q3 - What are your thoughts on the Veela and the Leprechauns? Q4 - What would the American mascot be?Q5 - What do you think of Victor Krum?Q6 - Would you want to go to this game?Q7 - Was Krum an idiot for ending the game when they were down too much?Chapter 9 - The Dark Mark“Get up! Ron — Harry — come on now, get up, this is urgent!” Harry sat up quickly and the top of his head hit canvas. “S'matter?” he said. Dimly. He could tell that something was wrong. The noises in the campsite had changed. The singing had stopped. He could hear screams, and the sound of people running.Q1 - Have you ever been in a riot or a situation this scary?Q2 - What do you think of these masked people's actions?The colored lanterns that had lit the path to the stadium had been extinguished. Dark figures were blundering through the trees; children were crying; anxious shouts and panicked voices were reverberating around them in the cold night air. Harry felt himself being pushed hither and thither by people whose faces he could not see. Then he heard Ron yell with pain.Q3 - Do you think Lucious might be out there among the masked people?Q4 - How many magical schools do you think there are?A rustling noise nearby made all three of them jump. Winky the house-elf was fighting her way out of a clump of bushes nearby. She was moving in a most peculiar fashion, apparently with great difficulty; it was as though someone invisible were trying to hold her back.Q5 - Do you think Harry is right, that Winky is just disobeying, or do you think she was cursed?Q6 - Do you think Stan Shunpike would ever become minister of magic? And would he do better than Fudge?Q7 - What do you think Bagman was doing deep in the woods? Do you trust him?For a split second, Harry thought it was another leprechaun formation. Then he realized that it was a colossal skull, comprised of what looked like emerald stars, with a serpent protruding from its mouth like a tongue. As they watched, it rose higher and higher, blazing in a haze of greenish smoke, etched against the black sky like a new constellation. Suddenly, the wood all around them erupted with screams. Harry didn't understand why, but the only possible cause was the sudden appearance of the skull, which had now risen high enough to illuminate the entire wood like some grisly neon sign. He scanned the darkness for the person who had conjured the skull, but he couldn't see anyone.Q8 - What do you think of the Dark Mark?Q9 - Do you think Crouch is good at his job or is he mad?"Here, look. " Mr. Diggory held up a wand and showed it to Mr. Weasley. "Had it in her hand. So that's clause three of the Code of Wand Use broken, for a start. No non-human creature is permitted to carry or use a wand."Q10 - Are wizards right to restrict wand usage to just humans?Q11 - What are your thoughts on Amos Diggory's interrogation style?Q12 - What do you think of the Prior Incantato spell?Q13 - What do you think of Mr Crouch and Winky's relationship?"Of course it's not Him," said Mr. Weasley impatiently. "We don't know who it was; it looks like they Disapparated. Now excuse me, please, I want to get to bed.”"I don't get it," said Ron, frowning. "I mean. . . it's still only a shape in the sky. . . " "Ron, You-Know-Who and his followers sent the Dark Mark into the air whenever they killed," said Mr. Weasley. "The terror it inspired. . . you have no idea, you're too young. Just picture coming home and finding the Dark Mark hovering over your house, and knowing what you're about to find inside. . . . " Mr. Weasley winced. "Everyone's worst fear. . . the very worst. . . " There was silence for a moment. Then Bill, removing the sheet from his arm to check on his cut, said, "Well, it didn't help us tonight, whoever conjured it. It scared the Death Eaters away the moment they saw it. They all Disapparated before we'd got near enough to unmask any of them. We caught the Robertses before they hit the ground, though. They're having their memories modified right now. " "Death Eaters?" said Harry. "What are Death Eaters?" "It's what You-Know-Who's supporters called themselves," said Bill. "I think we saw what's left of them tonight - the ones who managed to keep themselves out of Azkaban, anyway. "Q14 - Who do you think actually conjured the Dark Mark?Q15 - What do you think of the Death Eaters?

Alle Ressourcen sind begrenzt, gleichzeitig hat die Industrie große Nachhaltigkeitsziele. Da liegt es nahe, sich an der Natur zu orientieren. Die Verbindung von Bio-, Hard- und Software in einer Systemarchitektur ist revolutionär und eröffnet einen neuen Innovationsraum. Dazu sind biointelligente Wertschöpfungssysteme nachhaltig, effizient und dezentral. Wie weit die Industrie dabei ist, welche Ansätze am vielversprechendsten sind und wo die Politik noch nachhelfen muss, diskutiert Prof. Dr. Thomas Bauernhansl, Leiter des Fraunhofer-Instituts für Produktionstechnik und Automatisierung IPA mit Richard Clemens, Geschäftsführer Fachverbände Nahrungsmittel- und Verpackungsmaschinen und Verfahrenstechnische Maschinen und Apparate im VDMA. Produktion: New Media Art Pictures

300 Farben sehen und automatisiert nutzen? Das geht per Hyperspektralanalyse. Apparate, die diese Verfahren verwenden, werden in der Qualitätskontrolle eingesetzt, in der Erdbeobachtung durch Satelliten oder in der Mülltrennung. Wir erklären, wie das Verfahren funktioniert.

Today's classic episode will help you get the first version of your product up and out this weekend.We use a three-part framework to help you focus in on the one core feature you've got to nail that can be built by someone with no technical or product building skills in an afternoon. We also find your customers inertia and ride that wave to make it easier to use your product than not.We get help from an airbnb for lawn equipment startup and move the ball forward on the chronic pain idea.BylddTackleboxTacklebox NewsletterThe Personal MBA0:55 The Two Questions Entrepreneurs Have About Products2:35 A Great Product Does Two Things4:26 Entrepreneur Baggage + Airbnb for Lawn Equipment6:29 A Mindset for Today8:13 Step One - Process8:53 Organ Donors9:55 Inertia11:35 Chronic Pain13:07 Frank's Process14:50 Harry Potter and Being Chosen15:43 Step Two - Metrics17:12 Chronic Pain Ex-College Athlete SOM18:35 Outcome not Features - The Product is Irrelevant19:16 The Five Marketing Archetypes - STTC, Pain, Cost, Apparate, Urgency20:19 Step Three - Delivery (The Product)20:32 Warby Parker22:23 The Twelve Forms of Value25:49 The Venmo Accountability Group 

Moderner Alltag? Ist heute ohne Internet und Smartphone so gut wie unvorstellbar! Es gab aber eine Zeit, in der Computer noch Elektronengehirne hießen und höchstens in Großkonzernen, Universitäten und Forschungslabors standen. Kaum jemand hat diese ominösen Apparate damals verstanden. Vor ziemlich genau 40 Jahren hat sich das schlagartig geändert - als die Homecomputer den Markt eroberten und so zu uns nach Hause kamen. Und das ist nicht spurlos an Politik und Gesellschaft vorbeigegangen. Von Christian Schaaf und Michael Zametzer

Ein Mitschnitt der digitalen Jour fixe Reihe der Assoziation für kritische Gesellschaftsforschung (AkG) vom 14. Februar. In der heutigen Ausgabe des mosaik-Podcast setzen wir uns mit munizipalistischen Bewegungen auseinander. Sowohl in Barcelona als auch in Zagreb regierten in den vergangenen Jahren neue linke Akteurszusammenhänge, sogenannte munizipalistische Initiativen, die Stadt. Entstanden aus vielfachen und teils massiven Protestbewegungen haben sie sich als hybride Form zwischen Bewegung und Partei institutionalisiert. In ihrer Praxis sind munizipalistische Plattformen mit dem konfrontiert, was Marx die „Staatsmaschinerie“ nannte: ein Ensemble von Apparaten, die den Status quo der kapitalistischen Akkumulation schützen. Angesichts dieser Realität ist es für munizipalistische Bewegungen schwierig, das ursprüngliche Tempo bei der „Erstürmung der Rathäuser“ aufrechtzuerhalten, sobald sie das genuin institutionelle Terrain betreten haben. Mit Blick auf Barcelona En Comú (Barcelona Gemeinsam) und Zagreb Je NAŠ! (Zagreb gehört uns!) geht es um die Frage, welche Erfahrungen munizipalistische Akteur:innen machen, wenn sie die Staatsmaschinerie aus nächster Nähe inspizieren. Hierzu werden Spuren identifiziert, die sie in der Materialität des (lokalen) Staates hinterlassen: die Organisation von Partizipation als Konflikt, die Skandalisierung der Bedienung partikularer Interessen und die Auseinandersetzung mit den Geschlechtsverhältnissen innerhalb patriarchal strukturierter Apparate. Die beiden Beispiele verdeutlichen trotz des politischen Wandels die systemische Trägheit der hegemonial programmierten Staatsapparate und die Schwierigkeiten, neoliberale und maskulinistische Politik zu überwinden. Zu diesem Thema hören wir in der heutigen Folge einen Beitrag von Norma Tiedemann (Wissenschaftliche Mitarbeiterin an der Universität Kassel) und Martin Sarnow (Arbeitsgruppe Stadt- und Bevölkerungsgeographie an der Universität Kiel) mit dem Titel „Die neoliberale Staatsmaschinerie unterbrechen? Strategische Selektivitäten und munizipalistische Praxis in Zagreb und Barcelona“, den die beiden im Kontext der online jour-fix Reihe der Assoziation für kritische Gesellschaftsforschung präsentiert haben. Zu Beginn haben sich die beiden Redner:innen noch einmal kurz für ihre Zuhörer:innen vorgestellt.

Chemisches Recycling hat das Potential, Kunststoffe, die mechanisch nicht aufzuarbeiten sind, wieder in den Kreislauf zurückzuführen - also die Wertschöpfungskette vom Kunststoffabfall zur recycelten Neuware zu schließen. Wie das im Detail funktioniert und wie weit die Verfahren in Deutschland im europäischen Vergleich sind, erläutern Richard Clemens, Geschäftsführer der VDMA Fachverbände Nahrungsmittel- und Verpackungsmaschinen sowie Verfahrenstechnische Maschinen und Apparate, und Prof. Dr. Manfred Renner, Institutsleiter des Fraunhofer-Institut für Umwelt-, Sicherheits- und Energietechnik UMSICHT, in der neuen Folge des Industrie Podcast des VDMA. Produktion: New Media Art Pictures

What would an upgraded, Wizard version of Santa Claus look like? Would he have any need for reindeer, or could he Apparate? This and other holiday-related questions are the focus of our last bonus MuggleCast segment for 2023! We also discuss non-Christmas holiday representation, and how many times "Santa" appeared in canon.  For two brand new Bonus MuggleCast installments every month, become a Patron or sign up for our paid Apple Podcasts subscription! We couldn't do this show without your support, so thank you in advance!

Es gibt viele verschiedene Gadgets, Helferlein und Apparate für Ausdauersportler, insbesondere auch für Triathlet:innen. Doch was davon ist Schnickschnack, und welche Gadgets sind ein "Muss"? In dieser Folge reden wir über zehn mal mehr, mal weniger bekannte und brauchbare Gadgets - welche davon benutzt Du auch? Bei Fragen und Anregungen kannst Du gerne eine Mail an john(at)ausdauerwelt.com schicken oder uns auf FB / IG schreiben: https://www.facebook.com/JorgeSports https://www.facebook.com/ausdauerwelt https://www.instagram.com/john.rueth/ https://www.instagram.com/triathlon.coach.jorge/.  Gerne kannst Du auch unserer Strava-Gruppe beitreten, um Dich weiter mit der Community zu vernetzen: https://www.strava.com/clubs/ausdauerwelt. 

Akustisches Biopic · Er entwarf Musikinstrumente, neue Weltordnungen, Flugfahrräder und andere Maschinen voll poetischer Schönheit: Gustav Mesmer, "der Ikarus vom Lautertal", geboren 1903. Der Erste Weltkrieg verhinderte seine Schulausbildung, es bleibt damals nur der Weg in ein Kloster. Als er einen Gottesdienst mit den Worten stört, dass hier nicht das Blut Christi ausgeteilt werde und alles Schwindel sei, wird er mit der Diagnose Schizophrenie in eine Heilanstalt eingeliefert. 1932 taucht in seiner Krankenakte folgende Notiz auf: "Hat eine Flugmaschine erfunden, gibt entsprechende Zeichnungen ab." 1964 wird Mesmer aus der Psychiatrie entlassen und wird zur lokalen Berühmtheit. Kurz vor seinem Lebensende werden seine Apparate und Zeichnungen auf der Weltausstellung in Sevilla ausgestellt. Hörspielkomposition mit den Instrumenten und Sprechmaschinen Gustav Mesmers, in Zusammenarbeit mit der Gustav Mesmer Stiftung. Mit Maxi Pongratz nahm Micha Acher das Musik-Album "Musik für Flugräder" auf, eine "Verneigung vor dem Werk Gustav Mesmers". | Mit Anna Mc Carthy, Philipp Moog, Hias Schaschko | Komposition und Realisation: Andreas Ammer/Micha Acher/Markus Acher/Cico Beck BR 2021

Chapter 10 - Kreacher's TaleHarry wondered whether they had fallen asleep holding hands. The idea made him feel strangely lonely. The wardrobe doors stood open and the bedclothes had been ripped back. Harry remembered the overturned troll leg downstairs. Somebody had searched the house since the Order had left. Snape? Or perhaps Mundungus, who had pilfered plenty from this house both before and after Sirius died?Q1 - Has someone been looking through Grimmauld Place?Thank you, thank you, for Harry's birthday present! It was his favorite by far. One year old and already zooming along on a toy broomstick, he looked so pleased with himself, I'm enclosing a picture so you can see. You know it only rises about two feet off the ground, but he nearly killed the cat and he smashed a horrible vase Petunia sent me for Christmas (no complaints there). Q2 - Was there something behind Petunia's gift?Bathilda drops in most days, she's a fascinating old thing with the most amazing stories about Dumbledore, I'm not sure he'd be pleased if he knew! I don't know how much to believe, actually, because it seems incredible that Dumbledore…Q3 - What was this going to say? And why was Dumbledore using the cloak?He read the letter again, but could not take in any more meaning than he had done the first time, and was reduced to staring at the handwriting itself. She had made her “g”s the same way he did: He searched through the letter for every one of them, and each felt like a friendly little wave glimpsed from behind a veil. The letter was an incredible treasure, proof that Lily Potter had lived, really lived, that her warm hand had once moved across this parchment, tracing ink into these letters, these words, words about him, Harry, her son.They had had a cat . . . perhaps it had perished, like his parents, at Godric's Hollow Q4 - Is this cat Crookshanks?His parents had known Bathilda Bagshot; had Dumbledore introduced them? Dumbledore's still got his Invisibility Cloak . . . There was something funny there. . . .“Harry, do you really think you'll get the truth from a malicious old woman like Muriel, or from Rita Skeeter? How can you believe them? You knew Dumbledore!” “I thought I did,” he muttered. “But you know how much truth there was in everything Rita wrote about you! Doge is right, how can you let these people tarnish your memories of Dumbledore?” He looked away, trying not to betray the resentment he felt. There it was again: Choose what to believe. He wanted the truth. Why was everybody so determined that he should not get it? Q5 - What is the truth here?This, then, was how Voldemort had tested the defenses surrounding the Horcrux: by borrowing a disposable creature, a house-elf . . . “There was a b-basin full of potion on the island. The D-Dark Lord made Kreacher drink it. . . .” The elf quaked from head to foot. “Kreacher drank, and as he drank, he saw terrible things. . . . Kreacher's insides burned. . . . Kreacher cried for Master Regulus to save him, he cried for his Mistress Black, but the Dark Lord only laughed. . . . He made Kreacher drink all the potion. . . . He dropped a locket into the empty basin. . . . He filled it with more potion. Q6 - How much pity do you have for Kreacher?Kreacher knew how to open the concealed entrance to the underground cavern, knew how to raise the tiny boat; this time it was his beloved Regulus who sailed with him to the island with its basin of poison. . . . “And he made you drink the potion?” said Harry, disgusted. But Kreacher shook his head and wept. Hermione's hands leapt to her mouth: She seemed to have understood something. “M-Master Regulus took from his pocket a locket like the one the Dark Lord had,” said Kreacher, tears pouring down either side of his snoutlike nose. “And he told Kreacher to take it and, when the basin was empty, to switch the lockets. . . .”Q7 - What do you think of Kreacher's Tale?“Kreacher, I want you, please, to go and find Mundungus Fletcher. We need to find out where the locket — where Master Regulus's locket is. It's really important. We want to finish the work Master Regulus started, we want to — er — ensure that he didn't die in vain.” Kreacher dropped his fists and looked up at Harry. “Find Mundungus Fletcher?” he croaked. “And bring him here, to Grimmauld Place,” said Harry. “Do you think you could do that for us?” As Kreacher nodded and got to his feet, Harry had a sudden inspiration. He pulled out Hagrid's purse and took out the fake Horcrux, the substitute locket in which Regulus had placed the note to Voldemort. Q8 - How will they open the locket?Chapter 11 - The Bribe“Will you stop it!” she cried on the third evening of Kreacher's absence, as all light was sucked from the drawing room yet again. “Sorry, sorry!” said Ron, clicking the Deluminator and restoring the lights. “I don't know I'm doing it!” “Well, can't you find something useful to occupy yourself?” “What, like reading kids' stories?” “Dumbledore left me this book, Ron —” “— and he left me the Deluminator, maybe I'm supposed to use it!” Q1 - Any further theories on why Dumbledore left them these objects?“I had to Apparate very precisely onto the top step outside the front door to be sure that they would not see me. They can't know you're in here or I'm sure they'd have more people out there; they're staking out everywhere that's got any connection with you, Harry. Let's go downstairs, there's a lot to tell you, and I want to know what happened after you left the Burrow.”Q2 - How does the Fidelius Charm actually work?“So, you came straight here after the wedding?” “No,” said Harry, “only after we ran into a couple of Death Eaters in a café on Tottenham Court Road.” Lupin slopped most of his butterbeer down his front. “What?” They explained what had happened; when they had finished, Lupin looked aghast. “But how did they find you so quickly? It's impossible to track anyone who Apparates, unless you grab hold of them as they disappear!”Q3 - How did the Death Eaters find him?“There were about a dozen of them, but they didn't know you were there, Harry. Arthur heard a rumor that they tried to torture your whereabouts out of Scrimgeour before they killed him; if it's true, he didn't give you away.” Q4 - Does this make you think highly of Scrimgeour?Q5 - What do you think of the Muggle Born Registration Committee?“I know,” said Lupin. “Nevertheless, unless you can prove that you have at least one close Wizarding relative, you are now deemed to have obtained your magical power illegally and must suffer the punishment.” Ron glanced at Hermione, then said, “What if purebloods and half-bloods swear a Muggle-born's part of their family? I'll tell everyone Hermione's my cousin —” Q6 - How cute is Ron here? “I'll understand if you can't confirm this, Harry, but the Order is under the impression that Dumbledore left you a mission.” “He did,” Harry replied, “and Ron and Hermione are in on it and they're coming with me.” “Can you confide in me what the mission is?” Harry looked into the prematurely lined face, framed in thick but graying hair, and wished that he could return a different answer. “I can't, Remus, I'm sorry. If Dumbledore didn't tell you I don't think I can.” Q7 - Danny during the liveread you said “Don't do it.” Why?“Remus,” said Hermione tentatively, “is everything all right . . . you know . . . between you and —” “Everything is fine, thank you,” said Lupin pointedly. Hermione turned pink. There was another pause, an awkward and embarrassed one, and then Lupin said, with an air of forcing himself to admit something unpleasant, “Tonks is going to have a baby.” “Oh, how wonderful!” squealed Hermione. “Excellent!” said Ron enthusiastically. “Congratulations,” said Harry. Q8 - How'd ya guess that Jenn?“You don't understand,” said Lupin at last. “Explain, then,” said Harry. Lupin swallowed. “I — I made a grave mistake in marrying Tonks. I did it against my better judgment and I have regretted it very much ever since.” “I see,” said Harry, “so you're just going to dump her and the kid and run off with us?” Lupin sprang to his feet: His chair toppled over backward, and he glared at them so fiercely that Harry saw, for the first time ever, the shadow of the wolf upon his human face. “Don't you understand what I've done to my wife and my unborn child? I should never have married her, I've made her an outcast!”Q9 - Should Lupin have married Tonks?“Remus!” whispered Hermione, tears in her eyes. “Don't say that — how could any child be ashamed of you?” “Oh, I don't know, Hermione,” said Harry. “I'd be pretty ashamed of him.” Harry did not know where his rage was coming from, but it had propelled him to his feet too. Lupin looked as though Harry had hit himQ10 - How did Harry handle this whole situation?Q11 - What do you think was the truth about Ariana Dumledore?There was the sound of pattering feet, a blaze of shining copper, an echoing clang, and a shriek of agony: Kreacher had taken a run at Mundungus and hit him over the head with a saucepan. “Call 'im off, call 'im off, 'e should be locked up!” screamed Mundungus, cowering as Kreacher raised the heavy-bottomed pan again. “Kreacher, no!” shouted Harry. Kreacher's thin arms trembled with the weight of the pan, still held aloft. “Perhaps just one more, Master Harry, for luck?” Ron laughed. “We need him conscious, Kreacher, but if he needs persuading you can do the honors,” said Harry. “Thank you very much, Master,” said Kreacher with a bow, and he retreated a short distance, his great pale eyes still fixed upon Mundungus with loathing.Q12 - Isn't is crazy how you can go from hating a character so quick to loving him?

Wake up! It's time to go stand on a hill until our boot is ready! Join Andrew, Eric, Laura and Micah for the latest episode of MuggleCast in which we have a fun Chapter-by-Chapter discussion discussing the pitfalls of magical means of transportation in the Wizarding World. Would we rather use Portkeys or learn to Apparate? Find out during our discussion on Episode 636 of MuggleCast. We would like to wish a happy Thanksgiving to all who are celebrating this week. We are honored to be part of your Harry Potter family. The MuggleCast Overstock Store is NOW OPEN! Ever wanted one of our cool physical gifts that we send to Patrons, but didn't want to subscribe to our Patreon? WELL, for the first time ever, we are selling leftover physical gifts from years past! Only while supplies last! Chapter-by-Chapter returns with Goblet of Fire, Chapter 6: The Portkey 7-Word Summary: The Quidditch World is excited regarding Voldemort  Main Discussion 1: Magical modes of transport for Wizards Does it make sense for folks with cheaper tickets to have to arrive sooner? Isn't it more likely that the rich could afford staying on site for longer? Which governments are involved here protecting the Statute of Secrecy and are they all working in tandem for the game? Is a Portkey really the best / safest form of transportation? Why not Apparate? Percy is made fun of by the Weasley Twins for Apparating downstairs, but each MuggleCaster comes to his defense separately. We ask: would you rather Apparate or use a Portkey? The hosts make their decisions. Would taking Muggle transport really be so bad in 2023? Main Discussion 2: Amos "Cringe Dad" Diggory We reflect on Amos' love for his boy and how sad it is reading this chapter knowing how the book ends, but also how awkward this conversation with Amos must be for Harry in the moment. Could Arthur have not gotten better tickets through his Ministry connections? Quizzitch: According to Percy, about how many languages does Mr Crouch speak? Transcripts are now available for our most recent episodes of MuggleCast, with more coming each week! This week's episode is brought to you by MasterClass. Give one annual membership and get one FREE at MasterClass.com/MuggleCast) Coming up on Bonus MuggleCast on Patreon.com/MuggleCast, we discuss the alternate titles for Goblet of Fire and reflect on how the series and story may have been different with a different title! Subscribe now and receive all of our magical benefits.

Prof. Michael Reisch, Prof. Alex Grein, Prof. Achim Mohné, Aaron Scheer. Andy Scholz berichtet als Kurator und Festivalintendant über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER und kristallisiert anhand von Auszügen aus Gesprächen mit den beteiligten Künstlern heraus, worum es in der Hauptaussstellung in Regensburg ab 23. November 2023 in der Städtischen Galerie im »Leeren Beutel« geht. Da das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER von Anfang an diese ›neue‹ Bedeutung von Fotografie und fotografischen Bildern für unsere Gesellschaft, für die Bildung, für unsere Kinder immer wieder in den Fokus genommen hat, haben die beiden Organisatoren, Martin Rosner und Andy Scholz zur dritten Festival-Ausgabe im November 2023 die internationale Künstler*innen-Gruppe ›darktaxa-project‹ eingeladen, um einen Überblick über die gegenwärtige Auseinandersetzung mit fotografischen, fotobasierten, fotogenetischen und bildgebenden Verfahren zu erarbeiten. Der so genannte ›Fotografie-Begriff‹ wird auf den Kopf und in Frage gestellt. ›darktaxa-project‹ lotet Grenzen, Möglichkeiten und Verfahren aus. »Wir verstehen Fotografie als vernetztes und global vernetzendes Kommunikationsmedium, und als eine sozial wie politisch relevante Praxis. Mit dem Begriff ›Fotografie‹ wurde immer schon ein Spektrum unterschiedlicher älterer und aktueller Bildgebungsverfahren bezeichnet, die auf kulturell komplex codierten Sehmodellen und Blickregimen basieren: technisch-optische Apparate, chemische Prozesse und Programme ebenso wie Formen der Bildhandlung und des Bildgebrauchs, die entweder in ›die Fotografie‹ integriert wurden oder sich neu mit ihr herausgebildet haben und im digitalen Raum weiter mutieren. Die Grenzen zum Bewegtbild, zur Animation, zur Skulptur, Programmierung und Performance sind fließend. Der traditionell dehnbare Begriff erscheint heute unscharf wie nie.« Prof. Michael Reisch, Initiator und Kurator der Gruppe Zitat, Quelle: http://www.darktaxa-project.net/about/ »Zum ersten Mal haben wir als Gruppe exklusiv für Regensburg eine Ausstellung zusammengestellt unter dem Titel: The Regensburg constellation.« Prof. Michael Reisch, Initiator und Kurator der Gruppe http://www.darktaxa-project.net https://festival-fotografischer-bilder.de/ https://www.instagram.com/festivalfotografischerbilder/ Https://deutscherfotobuchpreis.de/ Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Andy Scholz/Martin Rosner In unseren Newsletter eintragen und regelmäßig gut informiert sein über das INTERNATIONALE FESTIVAL FOTOGRAFISCHER BILDER, den »Deutschen Fotobuchpreis« und den Podcast Fotografien Neu Denken. https://festival-fotografischer-bilder.de/newsletter/ Idee, Produktion, Redaktion, Moderation, Schnitt, Ton, Musik: Andy Scholz Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2020-2023. Andy Scholz wurde 1971 in Varel am Jadebusen geboren. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom INTERNATIONALEN FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtete er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum, seit 2022 auch an der Pädagogischen Hochschule Ludwigsburg. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ https://www.instagram.com/festivalfotografischerbilder/ Https://deutscherfotobuchpreis.de/ http://andyscholz.com/ https://www.instagram.com/scholzandy/

Instrumentale Transkommunikation, kurz ITK, ist ein Sammelbegriff für technische Verfahren, mit denen die Stimmen von Verstorbenen hörbar gemacht werden sollen. Hörstück über technoide Sounds rund um paranormale Apparate.Von Dirk Specht und Svann Langguthwww.deutschlandfunkkultur.de, KlangkunstDirekter Link zur Audiodatei

Ein Standpunkt von Jochen Mitschka.Wenn man allabendlich die Frontberichterstattung hört, und wie viele „Einheiten“ „Bataillone“ wieder „vernichtet“ wurden in einem Krieg, und dann fast online sieht, wie Bomben auf Zivilisten abgeworfen werden, und die Bombardierer das auch noch stolz posten, während in Deutschland dazu Beifall geklatscht wird, droht der Verlust des Glaubens an die Menschlichkeit. Dann ist es besser, man beschäftig sich ab und zu mit anderen Themen, besonders solchen, bei denen es um die eigene Gesundheit geht. Das wird um so wichtiger, je älter man wird. Deshalb möchte ich heute aus meiner Erfahrung erzählen, wie das so ist, wenn man in Richtung Rente bzw. Ruhestand geht, und plötzlich die Wehwehchen anfangen, und wie man gegensteuern kann. Und nein, das soll kein „Influencer“ Spot werden, um Geld damit zu verdienen.Als ich Mitte der 50er Jahre war, überzeugte mich mein Hausarzt, dass ein Generalcheck bei ihm notwendig sei. Er hatte einige neue Apparate und wollte die wohl mal gründlich ausprobieren. Freudestrahlend erklärte er mir dann, dass eine Herzklappe fehlerhaft sei und ersetzt werden müsste, dass meine Prostata viel zu groß sei und er fand noch einige andere Krankheiten, die mir gar nicht bewusst gewesen waren. Das hatte übrigens später dazu geführt, dass meine private Krankenversicherung einen Teilausschluss verlangte, als ich einige Jahre später eine Tarifwechsel beantragte. Um es kurz zu machen: Keine der damals diagnostizierten gesundheitlichen Probleme haben mich die nächsten Jahre belästigt. Dafür aber passierte etwas Anderes...... hier weiterlesen: https://apolut.net/ab-und-zu-einfach-abschalten-von-jochen-mitschka+++Bildquelle: Jochen Mitschka+++Apolut ist auch als kostenlose App für Android- und iOS-Geräte verfügbar! Über unsere Homepage kommen Sie zu den Stores von Apple und Huawei. Hier der Link: https://apolut.net/app/Die apolut-App steht auch zum Download (als sogenannte Standalone- oder APK-App) auf unserer Homepage zur Verfügung. Mit diesem Link können Sie die App auf Ihr Smartphone herunterladen: https://apolut.net/apolut_app.apk+++Abonnieren Sie jetzt den apolut-Newsletter: https://apolut.net/newsletter/+++Ihnen gefällt unser Programm? Informationen zu Unterstützungsmöglichkeiten finden Sie hier: https://apolut.net/unterstuetzen/+++Unterstützung für apolut kann auch als Kleidung getragen werden! Hier der Link zu unserem Fan-Shop: https://harlekinshop.com/pages/apolut+++Website und Social Media:Website: https://apolut.netOdysee: https://odysee.com/@apolut:aRumble: https://rumble.com/ApolutTwitter‪:‬ https‪://‬twitter‪.‬com‪/‬apolut‪_‬netInstagram: https://www.instagram.com/apolut_net/Gettr: https://gettr.com/user/apolut_netTelegram: https://t.me/s/apolutFacebook: https://www.facebook.com/apolut/ Hosted on Acast. See acast.com/privacy for more information.

Chapter 26 - The CaveHe was standing upon a high outcrop of dark rock, water foaming and churning below him. He glanced over his shoulder. A towering cliff stood behind them, a sheer drop, black and faceless. A few large chunks of rock, such as the one upon which Harry and Dumbledore were standing, looked as though they had broken away from the cliff face at some point in the past. It was a bleak, harsh view, the sea and the rock unrelieved by any tree or sweep of grass or sand. “What do you think?” asked Dumbledore. He might have been asking Harry's opinion on whether it was a good site for a picnic. Q1 - What do you think of Dumbledore and Harry's interactions?I imagine that Riddle climbed down; magic would have served better than ropes. And he brought two small children with him, probably for the pleasure of terrorizing them. I think the journey alone would have done it, don't you?” Q2 - Shouldn't Riddle have been found out with underage magic? What happened here?“Yes, this is the place,” said Dumbledore. “How can you tell?” Harry spoke in a whisper. “It has known magic,” said Dumbledore simply….“Here,” he said. “We go on through here. The entrance is concealed.” Harry did not ask how Dumbledore knew. He had never seen a wizard work things out like this, simply by looking and touching; but Harry had long since learned that bangs and smoke were more often the marks of ineptitude than expertise. Q3 - How do you sense magic?Q4 - How good of a wizard is Dumbledore?“You are very kind, Harry,” said Dumbledore, now passing the tip of his wand over the deep cut he had made in his own arm, so that it healed instantly, just as Snape had healed Malfoy's wounds. “But your blood is worth more than mine. Ah, that seems to have done the trick, doesn't it?Harry had not expected this, but cleared his throat and said loudly, wand aloft, “Accio Horcrux!” With a noise like an explosion, something very large and pale erupted out of the dark water some twenty feet away; before Harry could see what it was, it had vanished again with a crashing splash that made great, deep ripples on the mirrored surface. Harry leapt backward in shock and hit the wall; his heart was still thundering as he turned to Dumbledore. “What was that?” “Something, I think, that is ready to respond should we attempt to seize the Horcrux.” Harry looked back at the water. The surface of the lake was once more shining black glass: The ripples had vanished unnaturally fast; Harry's heart, however, was still pounding. Q5 - How chilling is this?“I do not think you will count, Harry: You are underage and unqualified. Voldemort would never have expected a sixteen-year-old to reach this place: I think it unlikely that your powers will register compared to mine.” These words did nothing to raise Harry's morale; perhaps Dumbledore knew it, for he added, “Voldemort's mistake, Harry, Voldemort's mistake . . . Age is foolish and forgetful when it underestimates youth. . . . Now, you first this time, and be careful not to touch the water.” And then Harry saw it, marble white, floating inches below the surface. “Professor!” he said, and his startled voice echoed loudly over the silent water. “Harry?” “I think I saw a hand in the water — a human hand!” “Yes, I am sure you did,” said Dumbledore calmly. Harry stared down into the water, looking for the vanished hand, and a sick feeling rose in his throat. “So that thing that jumped out of the water — ?” But Harry had his answer before Dumbledore could reply; the wandlight had slid over a fresh patch of water and showed him, this time, a dead man lying faceup inches beneath the surface, his open eyes misted as though with cobwebs, his hair and his robes swirling around him like smoke. Q6 - What do you think about Voldemort's protections?Q7 - Who's bodies are these?“There is nothing to be feared from a body, Harry, any more than there is anything to be feared from the darkness. Lord Voldemort, who of course secretly fears both, disagrees. But once again he reveals his own lack of wisdom. It is the unknown we fear when we look upon death and darkness, nothing more.” “Lord Voldemort would not want to kill the person who reached this island.” Harry couldn't believe it. Was this more of Dumbledore's insane determination to see good in everyone? “Sir,” said Harry, trying to keep his voice reasonable, “sir, this is Voldemort we're —” “I'm sorry, Harry; I should have said, he would not want to immediately kill the person who reached this island,” Dumbledore corrected himself. “He would want to keep them alive long enough to find out how they managed to penetrate so far through his defenses and, most importantly of all, why they were so intent upon emptying the basin. Do not forget that Lord Voldemort believes that he alone knows about his Horcruxes.” Q8 - Who else knows?“Undoubtedly,” he said, finally, “this potion must act in a way that will prevent me taking the Horcrux. It might paralyze me, cause me to forget what I am here for, create so much pain I am distracted, or render me incapable in some other way. This being the case, Harry, it will be your job to make sure I keep drinking, even if you have to tip the potion into my protesting mouth. You understand?” Their eyes met over the basin, each pale face lit with that strange, green light. Harry did not speak. Was this why he had been invited along — so that he could force-feed Dumbledore a potion that might cause him unendurable pain? “You remember,” said Dumbledore, “the condition on which I brought you with me?” Harry hesitated, looking into the blue eyes that had turned green in the reflected light of the basin. “But what if — ?” “You swore, did you not, to follow any command I gave you?” “Yes, but —” “I warned you, did I not, that there might be danger?” “Yes,” said Harry, “but —” “Well, then,” said Dumbledore, shaking back his sleeves once more and raising the empty goblet, “you have my orders.” “Why can't I drink the potion instead?” asked Harry desperately. “Because I am much older, much cleverer, and much less valuable,” said Dumbledore. “Once and for all, Harry, do I have your word that you will do all in your power to make me keep drinking?” “Couldn't — ?” “Do I have it?” “But —” “Your word, Harry.” “I — all right, but —” Before Harry could make any further protest, Dumbledore lowered the crystal goblet into the potion. For a split second, Harry hoped that he would not be able to touch the potion with the goblet, but the crystal sank into the surface as nothing else had; when the glass was full to the brim, Dumbledore lifted it to his mouth. “Your good health, Harry.”Q9 - Should Harry have drunk this?And obediently, Dumbledore drank, as though it was an antidote Harry offered him, but upon draining the goblet, he sank to his knees, shaking uncontrollably. “It's all my fault, all my fault,” he sobbed. “Please make it stop, I know I did wrong, oh please make it stop and I'll never, never again . . .” Dumbledore began to cower as though invisible torturers surrounded him; his flailing hand almost knocked the refilled goblet from Harry's trembling hands as he moaned, “Don't hurt them, don't hurt them, please, please, it's my fault, hurt me instead . . .” Q10 - What is Dumbledore seeing here?“Drink this, Professor. Drink this. . . .” Dumbledore drank, and no sooner had he finished than he yelled, “KILL ME!” “This — this one will!” gasped Harry. “Just drink this . . . It'll be over . . . all over!” Dumbledore gulped at the goblet, drained every last drop, and then, with a great, rattling gasp, rolled over onto his face. “No!” shouted Harry, who had stood to refill the goblet again; instead he dropped the cup into the basin, flung himself down beside Dumbledore, and heaved him over onto his back; Dumbledore's glasses were askew, his mouth agape, his eyes closed. “No,” said Harry, shaking Dumbledore, “no, you're not dead, you said it wasn't poison, wake up, wake up — Rennervate!” he cried, his wand pointing at Dumbledore's chest; there was a flash of red light but nothing happened. “Rennervate — sir — please —” Dumbledore's eyelids flickered; Harry's heart leapt. “Sir, are you — ?” “Water,” croaked Dumbledore.The goblet filled and emptied once more. And now Dumbledore's breathing was fading. His brain whirling in panic, Harry knew, instinctively, the only way left to get water, because Voldemort had planned it so . . . Q11 - How sick is Voldemort?Q12 - Could you have done what Harry is doing?And pulling Dumbledore's uninjured arm around his shoulders, Harry guided his headmaster back around the lake, bearing most of his weight. “The protection was . . . after all . . . well-designed,” said Dumbledore faintly. “One alone could not have done it. . . . You did well, very well, Harry. . . .” “It's going to be all right, sir,” Harry said over and over again, more worried by Dumbledore's silence than he had been by his weakened voice. “We're nearly there. . . . I can Apparate us both back. . . . Don't worry. . . .” “I am not worried, Harry,” said Dumbledore, his voice a little stronger despite the freezing water. “I am with you.” Q13 - How intense was this chapter?Q14 - If the cave was protected like this, was it the same for the Gaunt shack and all the other horcruxes?Chapter 27 - The Lightning Struck Tower“What has happened?” asked Dumbledore. “Rosmerta, what's wrong?” “The — the Dark Mark, Albus.” And she pointed into the sky, in the direction of Hogwarts. Dread flooded Harry at the sound of the words. . . . He turned and looked. There it was, hanging in the sky above the school: the blazing green skull with a serpent tongue, the mark Death Eaters left behind whenever they had entered a building . . . wherever they had murdered. . . . Q1 - Dumbledore is exhausted here, what's the tiredest you've ever been?Harry hurried over to the door leading to the spiral staircase, but his hand had only just closed upon the iron ring of the door when he heard running footsteps on the other side. He looked around at Dumbledore, who gestured him to retreat. Harry backed away, drawing his wand as he did so. The door burst open and somebody erupted through it and shouted, “Expelliarmus!” Harry's body became instantly rigid and immobile, and he felt himself fall back against the tower wall, propped like an unsteady statue, unable to move or speak. He could not understand how it had happened — Expelliarmus was not a Freezing Charm — Then, by the light of the Mark, he saw Dumbledore's wand flying in an arc over the edge of the ramparts and understood. . . . Dumbledore had wordlessly immobilized Harry, and the second he had taken to perform the spell had cost him the chance of defending himself. Q2 - Why did Dumbledore do this to Harry?Q3 - What do you think of Draco disarming Dumbledore? Draco Malfoy did nothing but stare at Albus Dumbledore, who, incredibly, smiled. “Draco, Draco, you are not a killer.” “How do you know?” said Malfoy at once. “But why? I don't think you will kill me, Draco. Killing is not nearly as easy as the innocent believe. . . . So tell me, while we wait for your friends . . . how did you smuggle them in here? It seems to have taken you a long time to work out how to do it.” Q4 - What do you think of Dumbledore's attitude here?“I tried, Draco. Professor Snape has been keeping watch over you on my orders —” “He hasn't been doing your orders, he promised my mother —” “Of course that is what he would tell you, Draco, but —” “He's a double agent, you stupid old man, he isn't working for you, you just think he is!” “We must agree to differ on that, Draco. It so happens that I trust Professor Snape —” “Well, you're losing your grip, then!” sneered Malfoy.Q5 - How much does it hurt to hear these words?“Someone's dead,” said Malfoy, and his voice seemed to go up an octave as he said it. “One of your people . . . I don't know who, it was dark. . . . I stepped over the body. . . . I was supposed to be waiting up here when you got back, only your Phoenix lot got in the way. . . .” Q6 - Has someone actually died?“Come over to the right side, Draco, and we can hide you more completely than you can possibly imagine. What is more, I can send members of the Order to your mother tonight to hide her likewise. Your father is safe at the moment in Azkaban. . . . When the time comes, we can protect him too. Come over to the right side, Draco . . . you are not a killer. . . .” Malfoy stared at Dumbledore. “But I got this far, didn't I?” he said slowly. “They thought I'd die in the attempt, but I'm here . . . and you're in my power. . . . I'm the one with the wand. . . . You're at my mercy. . . .” “No, Draco,” said Dumbledore quietly. “It is my mercy, and not yours, that matters now.” Q7 - Is Malfoy redeemable?“We've got a problem, Snape,” said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, “the boy doesn't seem able —” But somebody else had spoken Snape's name, quite softly. “Severus . . .” The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forward and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. “Severus . . . please . . .” Snape raised his wand and pointed it directly at Dumbledore. “Avada Kedavra!”Q8 - How evil is Snape?

In dieser Podcast-Folge unternehmen unsere galaktischen Spaziergänger Paul und Susanne eine Zeitreise in die Vergangenheit. Was wussten eigentlich unsere Vorfahren vor tausenden von Jahren schon über den Himmel? Vielleicht waren ihnen manche Abläufe wie Mondphasen und Jahreszeiten näher als uns heute – schließlich war zu viel künstliches Licht für sie sicherlich noch kein Problem! Und große Steinkreise wir Stonehenge oder die berühmte „Himmelsscheibe von Nebra“ aus der Bronzezeit zeigen, dass auch Menschen, die noch keine Schrift kannten, sich schon intensiv mit dem Himmel auseinandersetzten. Die Babylonier schufen dann einen komplexen und genauen Kalender und machten exakte Aufzeichnungen über ihre Beobachtungen der Bewegungen der Himmelskörper. Griechische und römische Gelehrte benutzten dieses Wissen und entwickelten es weiter. Und sie schufen erste Apparate, auf denen man den Lauf der Gestirne ablesen konnten, wie den berühmten und geheimnisvollen Mechanismus von Antikythera – der aber sicherlich keine Zeitmaschine im Sinne der letzten Folge der Serie um Indiana Jones war…

Es war einmal ein Händler, der dem König ganz spezielle Apparate verkaufen wollte. Komisches Kurzhörspiel von Felix Batusic

Today we'll help you get the first version of your product up and out. We use a three-part framework to help you focus in on the one core feature you've got to nail. We also find your customers inertia and ride that wave to make it easier to use your product than not. We get help from an airbnb for lawn equipment startup and move the ball forward on the chronic pain idea. Subscribe to get Idea to Startup extended info + show notes + frameworks + bonus epsTackleboxThe Personal MBAEpisode Details0:55 The Two Questions Entrepreneurs Have About Products2:35 A Great Product Does Two Things4:26 Entrepreneur Baggage + Airbnb for Lawn Equipment6:29 A Mindset for Today8:13 Step One - Process8:53 Organ Donors9:55 Inertia11:35 Chronic Pain13:07 Frank's Process14:50 Harry Potter and Being Chosen15:43 Step Two - Metrics17:12 Chronic Pain Ex-College Athlete SOM18:35 Outcome not Features - The Product is Irrelevant19:16 The Five Marketing Archetypes - STTC, Pain, Cost, Apparate, Urgency20:19 Step Three - Delivery (The Product)20:32 Warby Parker22:23 The Twelve Forms of Value25:49 The Venmo Accountability Group

Die Energiepreiskrise ist bereits seit längerem deutlich spürbar. Die Industrie muss unabhängig von russischem Gas werden - grüne Energiequellen sind künftig das Ziel. Eine der Alternativen dafür ist Liquefied Natural Gas (LNG, Flüssigerdgas). Wie kann LNG als Brückentechnologie fungieren? Woher kommt es und wie muss die Infrastruktur in Deutschland und Europa beschaffen sein, damit es eine alternative Energiequelle für die Industrie sein kann? Diesen Fragen widmen sich in der aktuellen Folge "LNG als Brückentechnologie" des Industrie Podcast des VDMA die beiden Experten Thomas Sölla, Vertriebsleiter bei TGE Gas Engineering sowie Ragnar Strauch, Experte der VDMA Fachabteilung Verfahrenstechnische Maschinen und Apparate. Produktion: New Media Art Pictures

Klinisch tot? Aber die angeschlossenen Apparate zeigen noch Aktion? Was geschieht in dem Moment, in dem wir dem Tode nahe sind, aber reanimiert - wieder ins Leben zurückkommen? Wolfgang Knüll gehört zu den Pionieren der Nahtodforschung.

„Die USA und die Europäischen Führer haben in meinen Augen zu früh dieses Nein formuliert“, sagt Dr. Stefanie Babst, und meint damit die Aussage von NATO-Generalsekretär Jens Stoltenberg, der Russland noch kurz vor dessen Einmarsch in die Ukraine versichert hatte, die NATO werde niemals in diesen Krieg eingreifen. Sie hätte sich mehr strategische Ambiguität gewünscht, „um zumindest den russischen Präsidenten im Ungewissen zu lassen, was genau die NATO tun würde, sollte Russland die Ukraine angreifen.“ Jetzt aber – so eine ihrer Thesen – könnten weder die NATO noch die EU die militärische Dynamik auf dem Schlachtfeld und damit den Ausgang des Krieges direkt beeinflussen. Dies ist nur ein Beispiel für die fehlende Weitsicht, die die NATO- und Sicherheits-Expertin Stefanie Babst dem NATO-Bündnis in ihrem neuen, am 20. April im dtv-Verlag erschienenen, Buch „Sehenden Auges: Mut zum strategischen Kurswechsel“ bescheinigt. Im Gespräch mit Atlantic-Talk-Moderator Oliver Weilandt schildert die „Verfechterin des sicherheitspolitischen Multilateralismus'“, wie die Autorin sich selbst bezeichnet, dass Organisationen wie die NATO „relativ schwerfällige und risikoscheue Apparate“ sind. Viel zu oft landeten Analysen zur strategischen Vorausschau in Schubladen. Umso wichtiger sei es deshalb jetzt, angesichts des Angriffskriegs Russlands auf die Ukraine, die Formulierung des klaren Ziels, den „Putinismus“ („ein zutiefst autoritäres, kleptokratisches System“) zurückzudrängen und einzudämmen. Um die Großmachtziele Russlands zu vereiteln, sei es zugleich wichtig, dass sich die Transatlantiker nicht spalten lassen. Unsere Gesellschaften seien nicht darauf ausgerichtet, Krieg zu führen. „Unsere Eliten gucken auf ihren Wahlzyklus“, mit dem Schutz kritischer Infrastruktur täten sich die westlichen Demokratien schwer. – Aus Sicht Putins: Schwächen. Babst betont, wir hätten es mit einem fundamentalen, vielleicht sogar existenziellen Konflikt zu tun, keinem vorübergehenden Sturm, „wie vielleicht manche in Berlin oder Paris hoffen. Das wird nicht der Fall sein.“ Russland sei aufgebrochen, unterstützt von China und anderen autoritären Staaten, „um unsere internationale Ordnung nachhaltig zu verändern“. Ein strategischer Blick der NATO nach vorne sei daher auch in Bezug auf die Zeit nach Ende der Kampfhandlungen in der Ukraine dringend nötig. „Dann wird sich eine Art »Eiserner Vorhang« durch die Ukraine legen“ und es stelle sich die Frage: Wer auf westlicher Seite kann wie dazu beitragen, die Ukraine dauerhaft zu beschützen? Konzeptionelle Vorbereitungen dafür sieht Babst bisher bei der NATO nicht. »Was zu tun ist«, um das Überleben der Ukrainerinnen und Ukrainer zu retten, Russlands imperialistischen Krieg zu stoppen und eine neue europäische Friedensarchitektur aufzubauen – das erläutert die Sicherheitsexpertin im Gespräch mit Moderator Weilandt Punkt für Punkt: Welche Waffen benötigt die Ukraine, um ihr Territorium zurückzuerobern? Wie kann eine Nuklearisierung Europas aussehen, wenn sich die USA aus Europa zurückziehen? Welche Schritte sind nötig, um Russlands Position im UN-Sicherheitsrat zu thematisieren? Braucht es zum Schutz der Ukraine, Moldawiens, Georgiens eine neue NATO-Osterweiterungs-Runde? Ernste, harte Themen kommen zur Sprache in diesem Atlantic Talk, zumal die langjährige NATO-Expertin ihren Maulkorb spätestens mit ihrem Buch »Sehenden Auges« sehenden Auges abgelegt hat.

Die Gegner der Waffenlieferungen in die Ukraine sollten die Klassenfrage nicht ausblenden.Ein Kommentar von Susan Bonath.Die einen sehen „die Ukraine“ als das von Putin angegriffene „unschuldige Opfer“, das der Westen militärisch unterstützen müsse. Die Gegner der Waffenlieferungen erwidern, das Vorrücken der NATO und der vom Westen unterstützte Putsch in der Ukraine hätten den Einmarsch der russischen Armee provoziert. Letzteres ist belegbar, klammert aber ebenfalls ein wichtiges Argument aus: die Klassenfrage. Staaten als kapitalistische Herrschaftsinstrumente verfolgen andere Interessen als die Mehrheit der Bevölkerung. Die Gleichsetzung von „Volk und Führer“ bedient den Diskurs der Macht.Spielfiguren für MachtinteressenWestliche Politiker, auch deutsche, werden nicht müde, „das ukrainische Volk“ zu heroisieren. „Heldenhaft“ verteidige es sein Land gegen die „russischen Invasoren“. Der „demokratische“ Westen müsse es dafür mit immer mehr und schwereren Waffen unterstützen. Problem: Dem lohnabhängigen ukrainischen Volk gehört das Land namens Ukraine gar nicht. Dieser Staat, für den die Ukrainer in den Krieg gezogen sind, ist wie jeder kapitalistische Staatsapparat ein Machtinstrument der Herrschenden.Viele Westukrainer mögen sich ein besseres Leben durch EU- und NATO-Mitgliedschaft ihres Landes erhoffen. Nur warum wollen sie die Ostukrainer und Krim-Bewohner, die das mehrheitlich nicht unterstützen, ebenfalls dazu zwingen? Das ergibt überhaupt keinen Sinn. Eine dauerhafte Abspaltung des Donbass´ und der Krim — völlig egal, ob in die totale Autonomie oder unter russische Führung — würde ihr Leben kein bisschen tangieren — der Krieg hingegen zerstört es, wahrscheinlich für immer.Mit anderen Worten: Die westukrainischen Söldner kämpfen nicht für ihre eigenen, sondern die Interessen derjenigen, die sie beherrschen und unterdrücken. Ob sie im Auftrag der Macht den Osten zurückerobern oder nicht: Am Leben der Kämpfer und ihrer Familien ändert das nichts. Sie sind — man muss es so hart sagen — keine „Helden“, sondern Spielfiguren für Machtinteressen der Herrschenden.Gleichsetzung von „Volk und Führer“Die Gleichsetzung von „Volk und Führer“ ist seit jeher Bestandteil der herrschenden Propaganda. Die Mächtigen und ihre politischen Apparate heucheln stets, die Interessen der „einfachen“ Menschen zu vertreten. Sie geben sich als wohltätige Arbeitgeber oder Hüter von Recht und Ordnung aus. Das gemeine Volk möge sich dafür vor Dankbarkeit im Staub wälzen. Ihre Lüge untermauern sie mit viel Heuchelei von Demokratie, die mit Blick auf die Bevölkerung eben gar nicht so repräsentativ wie behauptet ist. Mit dieser Propaganda verfolgt die herrschende Klasse freilich ihr eigenes Interesse: Die ausgebeuteten Massen sollen sich ihr „freiwillig“ unterwerfen. Sie sollen mit ihren Unterdrückern sympathisieren und kollaborieren. Das erspart den Herrschenden viele Kosten, die eine rein gewaltsame Unterdrückung mit sich brächte.Die Mächtigen forcieren mit ihrer Propaganda in der Bevölkerung seit jeher ein klassisches Stockholm-Syndrom. Dies ist das sicherste Mittel, um Widerstand zu vermeiden. Das Volk soll mitlaufen.....weiterlesen hier: https://apolut.net/gefangen-im-macht-diskurs-von-susan-bonath+++Dieser Beitrag erschien zuerst am 31.03.2023 im Rubikon – Magazin für die kritische Masse.+++Bildquelle: diy13 / shutterstock Hosted on Acast. See acast.com/privacy for more information.

Alle schauen wie gebannt auf GPT4, die allerneueste künstliche Sprachintelligenz des Unternehmens OpenAI. Deren Software kann schon heute medizinische Staatsexamen, juristische Hausarbeiten, journalistische Zusammenfassungen, ja, selbst psychologische Beratung so tadellos texten, dass mancher sich besorgt fragt: Braucht es denn dann überhaupt noch den Menschen? Noch mögen die Witze, die GPT auf Aufforderung erzählt, nur ein müdes Schmunzeln auslösen; Kreativität ist noch nicht die Stärke des Programms. Aber fraglos handelt es sich um einen technologischen Durchbruch, von dem manche behaupten, er würde unsere Arbeitswelt transformieren. Auf jeden Fall wird eine uralte philosophische Debatte plötzlich brandaktuell: Das Leib-Seele-Problem ist wieder da! Ist das Bewusstsein nur eine Illusion oder gibt es so etwas wie den Geist? Weil diese Streitfrage das Allerheiligste unseres Menschenbilds tangiert, streiten sich auch Ijoma Mangold und Lars Weisbrod in der neuesten Folge der Sogenannten Gegenwart: Kann man eine Künstliche Intelligenz wie GPT einfach als “stochastischen Papagei” abtun, der nie wirklich etwas versteht? Oder sind wir alle, blickt man einmal hinter den Vorhang, nur hochfunktionale Apparate, die sich ihre Gedanken zusammenrechnen? Weitere Links zur Folge finden Sie hier auf ZEIT ONLINE: https://www.zeit.de/kultur/2023-03/kuenstliche-intelligenz-philosophie-feuilleton-podcast Sie erreichen das Team unter gegenwart@zeit.de.

Klinisch tot? Aber die angeschlossenen Apparate zeigen noch Aktion? Was geschieht in dem Moment, in dem wir dem Tode nahe sind, aber reanimiert - wieder ins Leben zurückkommen? Wolfgang Knüll gehört zu den Pionieren der Nahtodforschung.

Bis 2011 standen sie auf unseren U-Bahnhöfen: 58 Personen-Waagen. Große Apparate aus Eisen, 220 Kilo schwer, mit denen man sich eben wiegen konnte. Doch auf einmal waren alle Waagen weg. Aber wohin sind sie verschwunden? Tim Koschwitz und Lydia Mikiforow machen sich auf die Suche. Und sie stoßen dabei auf kuriose Waagen, die zum Gewicht auch noch eine Tafel Schokolade ausspuckten. Auf einen Mann aus Marzahn, der sein ganzes Leben den Waagen widmete. Und auf das Tinder von 1913. Das alles in der neuen Folge. Folge 182 des rbb 88.8-Podcasts "100 % Berlin"

Join hosts Aureo, Irvin, Sophia, and guest Adam as they discuss the middle chapter in the Harry Potter series: The Noble and Most Ancient House of Black, Order of the Phoenix chapter 6 Join the discussion: https://threebroomstickspod.com/episode-2-ootp-chapter-6-the-feng-shui-screams-harry-potter/ In this episode: The middle chapter of the series - a turning point? Can you Apparate in the dark? Harry's being treated like an adult Who knows Harry best? What is a weapon, anyway? Is Kreacher crazy or just mean? Irvin's going to projectile vomit over Umbridge's desk Ginny comes into her own “The world isn't split into good people and Death Eaters” Resources: Death Eaters – Part 2: Voldemort's Resurrection by Irvin Death Eaters – Part 4: The Azkaban Ten by Irvin The Pub's Jukebox: Starcross'd Brothers by Malfoy Manor Contact: Website: https://threebroomstickspod.com/ Facebook: https://www.facebook.com/threebroomstickspod/ Instagram: https://www.instagram.com/threebroomstickspodcast/ Twitter: https://twitter.com/threebroompod Email: 3broomstickspod@gmail.com Patreon: https://www.patreon.com/3broomsticks   

Chapter 1 - Dudley DementedThe hottest day of the summer so far was drawing to a close and a drowsy silence lay over the large, square houses of Privet Drive . . . The only person left outside was a teenage boy who was lying flat on his back in a flowerbed outside number four.Q1 - What do you think of Mrs Figg?Every day this summer had been the same: the tension, the expectation, the temporary relief, and then mounting tension again … and always, growing more insistent all the time, the question of why nothing had happened yet.Q2 - Why hasn't anything happened yet?He had moved about two inches when several things happened in very quick succession. A loud, echoing crack broke the sleepy silence like a gunshot; a cat streaked out from under a parked car and flew out of sight; a shriek, a bellowed oath and the sound of breaking china came from the Dursleys' living room, and as though this was the signal Harry had been waiting for he jumped to his feet, at the same time pulling from the waistband of his jeans a thin wooden wand as if he were unsheathing a sword – but before he could draw himself up to full height, the top of his head collided with the Dursleys' open window. The resultant crash made Aunt Petunia scream even louder.Q3 - What is everything that's happening here?Q4 - What do you think of Harry here? What about Ron and Hermione?Q5 - What are Ron and Hermione busy doing?In the meantime, he had nothing to look forward to but another restless, disturbed night, because even when he escaped the nightmares about Cedric he had unsettling dreams about long dark corridors, all finishing in dead ends and locked doors, which he supposed had something to do with the trapped feeling he had when he was awake.Q6 - What is Harry dreaming about here?Harry watched the dark figures crossing the grass and wondered who they had been beating up tonight. Look round, Harry found himself thinking as he watched them. Come on … look round … I'm sitting here all alone … come and have a go …Q7 - Why is Harry thinking this? And what's with his goading of Dudley?Q8 - How did the Dementors get to Harry?Q9 - Why wasn't Harry able to cast the Patronus?Chapter 2 - A Peck of OwlsQ1 - Did you expect Mrs Figg was involved in the wizarding world?Q2 - What are your thoughts on Mundungus Fletcher?'I'll take you to the door,' said Mrs Figg, as they turned into Privet Drive. 'Just in case there are more of them around… oh my word, what a catastrophe… and you had to fight them off yourself… and Dumbledore said we were to keep you from doing magic at all costs… well, it's no good crying over spilt potion, I suppose… but the cat's among the pixies now.' Q3 - Why does Dumbledore want to keep Harry from doing magic at all costs?Q4 - What's a time in your life when your stomach just dropped out of your body?'How many times do I have to tell you?' said Harry, temper and voice both rising. 'It wasn't me! It was a couple of Dementors!' 'A couple of - what's this codswallop?' 'De - men - tors,' said Harry slowly and clearly. 'Two of them.' 'And what the ruddy hell are Dementors?' 'They guard the wizard prison, Azkaban,' said Aunt Petunia. Two seconds of ringing silence followed these words before Aunt Petunia clapped her hand over her mouth as though she had let slip a disgusting swear word. Uncle Vernon was goggling at her. Harrys brain reeled. Mrs Figg was one thing - but Aunt Petunia'? Q5 - How does Petunia know this?Q6 - Why were there Dementors in Little Whinging?Q7 - Does Harry have a right to be this angry?'Back?' whispered Aunt Petunia. She was looking at Harry as she had never looked at him before. And all of a sudden, for the very first time in his life, Harry fully appreciated that Aunt Petunia was his mother's sister. He could not have said why this hit him so very powerfully at this moment. All he knew was that he was not the only person in the room who had an inkling of what Lord Voldemort being back might mean. Aunt Petunia had never in her life looked at him like that before. Her large, pale eyes (so unlike her sister's) were not narrowed in dislike or anger, they were wide and fearful. The furious pretence that Aunt Petunia had maintained all Harry's life - that there was no magic and no world other than the world she inhabited with Uncle Vernon - seemed to have fallen away. 'Yes,' Harry said, talking directly to Aunt Petunia now. 'He came back a month ago. I saw him.' Q8 - What do you think of Aunt Petunia this chapter?Q9 - What do the words “Remember my last, Petunia” mean? Who sent it?Chapter 3 - The Advance GuardQ1 - Is Harry justified to be this angry?So it went on for three whole days. Harry was alternately filled with restless energy that made him unable to settle to anything, during which time he paced his bedroom, furious at the whole lot of them for leaving him to stew in this mess; and with a lethargy so complete that he could lie on his bed for an hour at a time, staring dazedly into space, aching with dread at the thought of the Ministry hearing. Q2 - Do you have more or less sympathy for the Dursleys?Q3 - What do you think of Tonks?Q4 - Do you think Moody is serious about dying trying to fly Harry to safety?Q5 - Why is Harry in such dire danger?Harry looked down at the piece of paper. The narrow handwriting was vaguely familiar. It said: The Headquarters of the Order of the Phoenix may be found at number twelve, Grimmauld Place, LondonQ6 - So what is the Order of the Phoenix?

Wie kann es sein, dass auf der einen Seite unzählige Satelliten Aufnahmen machen und enorme Apparate zur Erlangung von Informationen betrieben werden, die Politiker aber so agieren, als gäbe es das alles nicht? Wo bleiben die ganzen Erkenntnisse? Von Dagmar Henn

ETL Echo and Friends present: Winter Wonderfics “How did you—did you Apparate?” She never Apparated with coffee, not being able to afford the dry cleaning bills, but perhaps he kept a spare wardrobe at work. “Not at all, only planned my morning well enough to arrive on time, out of respect for the busy schedules of my fellow party planners.” “We're the only party planners.” Probably his doing, though she didn't know how. “Are you saying you don't respect my busy schedule?” “Correct. Anyway, the coffee shop had to remake my drink since someone walked off with mine, which is why I'm late.” His gaze dropped to his own drink, rather guiltily, and her eyes immediately followed. He turned the cup quickly and wrapped his whole hand around it, but not before she saw HERMIONE scribbled across it, clear as day. Frustration immediately rose in her chest, flooding her skin with heat. “What the fuck, Malfoy—you took my drink?” And then he had the nerve to give her a hard time about being late. OR: Draco Malfoy steals Hermione's morning coffee. Things escalate. --- Send in a voice message: https://anchor.fm/etl-echo/message

Chapter 6 - The PortkeyINTRO - Character impressions in your mind.Harry felt as though he had barely lain down to sleep in Ron's room when he was being shaken awake by Mrs Weasley.Q1 - Is this the worst feeling ever? Non-snow days? What is the worst feeling as a kid?Q2 - You need a license to Apparate? Do you think anything else should require a license in the magical world?Q3 - What's the earliest you've ever woken up?[Portkeys are] objects that are used to transport wizards from one spot to another at a prearranged time.Q4 - Would you rather travel by broom, apparition, or portkey?Q5 - Amos Diggory works for the department of the regulation and control of magical creatures…did he vote yes to killing buckbeak?“I'm sure Harry'd say the same, wouldn't you, eh? One falls off his broom, one stays on, you don't need to be a genius to tell which one's the better flier.”Q6 - How do you like Amos and Cedric?Q7 - Thoughts on the wizarding world spreading trash around the planet in the form of portkeys?Chapter 7 - Bagman and CrouchQ1 - If you had to hide a quidditch world cup game, how would you do it?“Been having a lot of trouble with him. Needs a Memory Charm ten times a day to keep him happy. And Ludo Bagman's not helping. Trotting around talking about Bludgers and Quaffles at the top of his voice, not a worry about anti-Muggle security.”Q2 - How should they deal with Mr Roberts…should some Muggles just be able to know about Wizards?“Always the same.” said Mr Weasley, smiling, “we can't resist showing off when we get together.”Q3 - How do you like the magic of expanding something like the tent into being massive inside?It was only just dawning on Harry how many witches and wizards there must be in the world; he had never really thought much about those in other countries.Q4 - How large do you figure the wizarding world is? Q5 - There's a description of all sorts of other witches and wizards here, if you could travel to see magic from any other country in the world, where would you go visit?“I'm not putting them on [referring to the trousers],” said Old Archie in indignation. “I like a healthy breeze around my privates, thanks.”Harry laughed but didn't voice the amazement he felt at hearing about other Wizarding schools. He supposed, now that he saw representatives of so many nationalities in the campsite, that he had been stupid never to realize that Hogwarts couldn't be the only one.“That's Bode and Croaker…they're unspeakables.” “They're what?” “From the department of mysteries, top secret, no idea what they get up to.”Q6 - What do you think they do in the Department of Mysteries?Q7 - How do you like Bagman and Crouch? Which do you like more?“Ali Bashir's on the warpath. He wants a word with you about your embargo on flying carpets.” Mr Weasley heaved a deep sigh. “I sent him an owl about that just last week. If I've told him once I've told him a hundred times: carpets are defined as a Muggle Artifact by the Registry of Proscribed Charmable Objects, but will he listen?”Q8 - Broom or Carpet?A sense of excitement rose like a palpable cloud over the campsite as the afternoon wore on. By dusk, the still summer air itself seemed to be quivering with anticipation, and as darkness spread like a curtain over the thousands of waiting wizards, the last vestiges of pretense disappeared: the Ministry seemed to have bowed to the inevitable and stopped fighting the signs of blatant magic now breaking out everywhere.Q9 - Harry gets Ron omnioculars…is he cheap for saying he won't get anything for him for Christmas?And then a deep, booming gong sounded somewhere beyond the woods, and, at once, green and red lanterns blazed into life in the trees, lighting a path to the pitch.Chapter 8 - The Quidditch World Cup“Ah, sir,” said Winky, shaking her head, “ah, sir, meaning no disrespect, sir, but I is not sure you did Dobby a favor, sir, when you is setting him free.”Q1 - What do you think of House Elves? Should they be set free?Q2 - Do you think it's cruel to have a house elf sit at the booth who is afraid of heights just to save a seat?She would have been nice looking if she hadn't been wearing a look that suggested there was a nasty smell under her nose.Q3 - What are your thoughts on the Veela and the Leprechauns? Q4 - What would the American mascot be?Q5 - What do you think of Victor Krum?Q6 - Would you want to go to this game?Q7 - Was Krum an idiot for ending the game when they were down too much?

Heute mit Käpt`n Blaubär und besonderen Rasierapparaten, einem Händetrockner und natürlich mit der Maus. Von Marvin Zimmermann.

Chapter 8 - Flight of the Fat LadyQ1 - How do you think the Fat Lady feels that she is just known as the Fat Lady?“Well, look at it logically,” said Hermione turning to the rest of the group. “I mean, Binky didn't even die today, did he, Lavender just got the news today —” Lavender wailed loudly, “—and she can't have been dreading it, because it's come as a real shock—” “Don't mind Hermione, Lavender,” said Ron loudly, “she doesn't think other people's pets matter very much.”Q2 - Is Hermione a good pet owner?Q3 - If you started a magical shop in Hogsmeade, what would it be?He thought for a moment of telling Lupin about the dog he'd seen in Magnolia Crescent but decided not to. He didn't want Lupin to think he was a coward.Q4 - What is this potion that Snape gives Lupin?Q5 - How is fearing fear most wise?“He got very angry when she wouldn't let him in, you see.” Peeves flipped over, and grinned at Dumbledore from between his own legs. “Nasty tempers he's got, that Sirius Black.”Q6 - How good is the end of this chapter?!Chapter 9 - Grim DefeatQ1 - Should the students be sent home after Sirius Black got in the castle?“Have you any theories as to how he got in, Professor?” asked Snape. Harry raised his head very slightly off his arm to free his other ear. “Many, Severus, each of them as unlikely as the next.”Q2 - How do you think Sirius got in the castle?Harry knew she was deeply interested in the Gryffindor team's prospects.Q3 - Is it alarming that McGonnagal chooses Madam Hooch to oversee the practices?“You are easily satisfied. Lupin is hardy over-taxing you — I would expect first-years to be able to deal with Red Caps and Grindylows. Today we shall discuss — werewolves.”Q4 - If you had to fight a werewolf, how do you think you'd defeat it?“This is the second time you have spoken out of turn, Miss Granger,” said Snape coolly. “Five more points from Gryffindor for being an insufferable know-it-all.”Q5 - Why is Snape so mean?“Not Harry, not Harry, please not Harry!” “Stand aside, you silly girl…stand aside, now…” “Not Harry, please no, take me, kill me instead—”Q6 - What is this that Harry heard during the dementor attack?Q7 - Do you think Harry will be a bad seeker now he doesn't have a good broom?Chapter 10 - The Marauder's MapMadam Pomfrey insisted on keeping Harry in the hospital wing for the rest of the weekend. He didn't argue or complain, but he wouldn't let her throw away the shattered remains of his Nimbus Two Thousand. He knew he was being stupid, knew that the Nimbus was beyond repair, but Harry couldn't help it; he felt as though he'd lost one of his best friends.Q1 - Is Harry being extreme by saying he'd lost one of his friends?Ron finally cracked, flinging a large, slippery crocodile heart at Malfoy, which hit him in the face and caused Snape to take fifty points from Gryffindor.Q2 - 50!?“The dementors affect you worse than the others because there are horrors in your past that the others don't have.”...”Dementors are among the foulest creatures that walk this earth. They infest the darkest, filthiest places, they glory in decay and despair, they drain peace, hope and happiness out of the air around them. Even muggles feel their presence, though they can't see them. Get too near a Dementor and every good feeling, every happy memory, will be sucked out of you. If it can, the Dementor will feed on you long enough to reduce you to something like itself — soulless and evil. You'll be left with nothing but the worst experiences of your life. And the worst that has happened to you, Harry, is enough to make anyone fall off their broom. You have nothing to feel ashamed of.”Q3 - What are your thoughts on Dementors and the Azkaban Prison?“This little beauty's taught us more than all the teachers in the school.”Q4 - Where do you think the map came from?Q5 - Is Harry irresponsible for going to Hogsmeade?Q6 - What is apparition?“Never saw one without the other, did you? The number of times I had them in here — ooh, they used to make me laugh. Quite the double act, Sirius Black and James Potter!”Q7 - Does James and Sirius being best friends make Sirius that much worse for going to the dark side?“An immensely complex spell,” he said squeakily, “involving the magical concealment of a secret inside a single, living soul. The information is hidden inside the chosen person, or Secret-Keeper, and is henceforth impossible to find – unless, of course, the Secret-Keeper chooses to divulge it.”Q8 - What do you think about Sirius being Harry's godfather?Q9 - What do you think of the Fidelius Charm?“You know most of the prisoners in there sit muttering to themselves in the dark, there's no sense in them…but I was shocked at how normal Black seemed. He spoke quite rationally to me. It was unnerving. You'd have thought he was merely bored…Yes, I was astounded at how little effect the Dementors seemed to be having on him.”Q10 - What do you think about Peter Pettigrew?Q11 - How do you feel after hearing this story?

Willkomm zu meinem Podcast "ERKENNEN ERINNERN ERLEBEN - Der Weg zu DIR selbst". Mein Name ist Witalij Deifel, ich bin Mindset Coach für eine tiefgründige und nachhaltige Veränderung. Überall, wo Stromleitungen, Sendemasten, Kabel, Wireless Lan, Bluetooth, 4G & 5G oder andere Apparate vorhanden sind, werden auch elektrische und magnetische Felder (Kraftfelder) erzeugt. Elektrosmog kann man weder greifen, fühlen noch sehen. Dank der digitalen Entwicklung und der Liebe zu all den elektrischen Helfern sind wir von einem dichten Nebel von elektromagnetischen Wellen umgeben. Doch nur weil die meisten Menschen Elektrosmog nicht wahrnehmen können, heißt es nicht, dass Elektrosmog ungefährlich ist. Mittlerweile gibt es unzählige, wissenschaftliche Studien die belegen, dass die grösste Bedrohung unserer Gesundheit von der schleichenden, allgegenwärtigen und unsichtbaren Verschmutzung durch Elektrosmog ausgeht. In dieser Podcastfolge spreche ich mit Dr. Laura Lazar über Elektrosmog, wie kann man sich dagegen schützen kann und ob irgendwelche Ketten, Aufkleber oder andere Hilfsmittel helfen. Dein Mindset Coach Witalij DR. LAURA LAZAR: Website: https://emf-impact.de/ Social Media: Für eine individuelle Unterstützung kannst du dir unter folgendem Link gerne direkt dein erstes unverbindliches Beratungsgespräch sichern: Website: https://witalijdeifel.de/

Hallo Beschwörer, „Automaten und Apparate“ ist fast zu Ende. Erhalte hier Informationen über eine Chibi-Aktion, die Rangliste und Schwarznebel-Pingu. Links: Twitch: https://www.twitch.tv/readoflegends Discord: https://discord.gg/Dv5a6fxEdh YouTube: http://bit.ly/ReadLegends Shorts? https://bit.ly/3EU0e4z Insterra: https://www.instagram.com/read_of_legends/ Runetwitter: https://twitter.com/ReadLegends Deezer: http://bit.ly/roldeezer "Das Ende von A&A: Aktionen, Rangliste und Schwarznebel-Pingu" wurde gemäß Riot Games „Rechtliches Jibber Jabber“ -Richtlinie erstellt und nutzt Gedankengut in Besitz von Riot Games. Dieses Projekt wird weder von Riot Games unterstützt noch gesponsert. --- Send in a voice message: https://anchor.fm/readoflegends/message

This week we chat about the Wizarding World's totally "tubular" magical transport - apparition! Plus, somehow we relate it to fish and pirates... Patreon.com/Potternyms Facebook.com/Potternyms-114160163713109/ Instagram.com/Potternyms Twitter.com/Potternyms YouTube.com/channel/UCaknzzz1J4ndCmPsG_Tte3g

Die Gedanken sind frei, heißt es in einem bekannten Volkslied. Dennoch behaupten Menschen, sie könnten anderen in die Köpfe gucken und mitlesen. Womöglich wird es bald sogar Apparate geben, die genau das tun können. Wir haben bei Forschern dazu nachgefragt.mit Patricia und MerleDirekter Link zur Audiodatei

Inka Schube. Fotokuratorin, Sprengel Museum Hannover. Zitate aus dem Podcast: »Frei nach Flusser: Was wir kritisieren müssen, sind die Programme und die Apparate.« »Für mich ist ein Bild immer dreidimensional.« »Es muss sich immer ein poetischer Überschuss in Bildern generieren, den man nicht versprachlichen kann.« »Wenn ich ein Bild komplett versprachlichen kann, dann brauche ich das Bild nicht mehr.« »Als Museumskuratorin muss ich immer versuchen aus der Zukunft zurück zu schauen – welches Bild kann in 30 Jahren interessant sein.« »Für mich ist der so genannten White Cube eine Art Untersuchungslabor in dem wir ein Bild in Ruhe studieren können.« Inka Schube wurde 1961 in Burg bei Magdeburg geboren und studierte in Berlin-Ost Kunstgeschichte, Klassische Archeologie und Kulturtheorie. Nach der Wende war sie Mitgründerin des Kunst- und Kulturzentrums »Brotfabrik« und kuratierte dort und an anderen Orten zahlreiche fotografische Ausstellungen. Seit 2001 ist sie Fotokuratorin am Sprengel Museum in Hannover als Nachfolgerin von Thomas Weski. https://www.sprengel-museum.de/ Episoden-Cover-Gestaltung: Andy Scholz Episoden-Cover-Foto: Privat Idee, Produktion, Redaktion, Moderation: Andy Scholz http://fotografieneudenken.de/ https://www.instagram.com/fotografieneudenken/ Der Podcast ist eine Produktion von STUDIO ANDY SCHOLZ 2021. Andy Scholz wurde 1971 in Varel am Jadebusen geboren. Er studierte Philosophie und Medienwissenschaften in Düsseldorf, Kunst und Design an der HBK Braunschweig und Fotografie/Fototheorie in Essen an der Folkwang Universität der Künste. Seit 2005 ist er freier Künstler, Autor sowie künstlerischer Leiter und Kurator vom FESTIVAL FOTOGRAFISCHER BILDER, das er gemeinsam mit Martin Rosner 2016 in Regensburg gründete. Seit 2012 unterrichtet er an verschiedenen Instituten, u.a. Universität Regensburg, Fachhochschule Würzburg, North Dakota State University in Fargo (USA), Philipps-Universität Marburg, Ruhr Universität Bochum. Im ersten Lockdown, im Juni 2020, begann er mit dem Podcast. Er lebt und arbeitet in Essen. http://fotografieneudenken.de/ http://photography-now.com/exhibition/150189 https://www.instagram.com/fotografieneudenken/ https://festival-fotografischer-bilder.de/ http://andyscholz.com/ http://photography-now.com/exhibition/147186

Wie wir durch die Harmonisierung unserer Energiefelder mehr Lebensenergie erfahren Durch die Ausbalancierung unseres Körper-Geist-Seele-Komplexes ist es möglich, unseren ursprünglichen Seinszustand wiederherzustellen, um dadurch eine deutliche Steigerung unserer Lebensenergie zu erfahren. Anders als im herkömmlichen Sinne müssen wir hierbei aber nicht nur die Hardware, also unseren grobstofflichen Körper, sondern auch die Software, also unser Geistwesen und die entsprechenden Energiefelder, optimieren und harmonisieren. Die Grundlagen der Informationsmedizin sind bereits seit langer Zeit bekannt und gelangen nun wieder verstärkt in unser Bewusstsein. Hierbei kommen auch Hilfsmittel wie Orgonite, elektromagnetische und elektrostatische Apparate wie das Auratron oder der Lakhovsky Oszillator, Kristalle, Mikrostrom- und Informationsfeld-Apparate wie der Healy oder auch hör- und spürbare Töne und Klänge zum Einsatz. Gegenstände werden informiert, Frequenzen aufgeschwungen, Energien zum Fließen gebracht und Eigenschwingungen angeregt. Dieses Gespräch führe ich mit Seelenbruder Thomas, dessen Instrumente dem Menschen ermöglichen, seine Energien zu harmonisieren und seine kosmischen Antennen zu eichen, um wieder die Informationen aus höheren Sphären unverfälscht zu empfangen. Freue Dich auf diesen Exkurs in die Alchemie der neuen Zeit. Thomas ist ebenfalls Mitglied im 5D Movement und steht Dir für Fragen zur Verfügung. Dieser Link führt Dich auf sein Profil: https://5d-movement.com/members/bruderthomas/ Seine Telegram-Gruppe findest Du hier: https://t.me/joinchat/mQ5FxBrw-w5kNjk8 *** Der 5D Consciousness Podcast ist dein Energie- und Informationsdownload für den Aufstieg in die 5. Dimension. Dein Gastgeber ist Martin Pleissner. Martin ist der Gründer der Bewusstseinsbewegung 5D Movement, einer Community von bewussten Menschen mit dem gemeinsamen Ziel, eine 5D Gesellschaft zu erschaffen. Bei uns findest du neben wertvollem Austausch mit Gleichgesinnten auch jede Menge Informationen rund um die Themen Bewusstseinserweiterung, Schwingungserhöhung, Zeitenwende und spirituelles Unternehmertum. Näheres findest du auf unserer Website https://5d-movement.com Wenn dir dieser Podcast gefallen hat, lass gerne ein Herz und Kommentar da, teile ihn mit deinen Freunden oder schreibe eine Rezension: https://www.podcast.de/podcast/883837/ Alle weiteren Podcast-Folgen findest du hier: https://5d-movement.com/podcast Folge uns auch gerne auf unseren Social Media Kanälen: Facebook: https://5d-movement.com/facebook Facebook Gruppe: https://5d-movement.com/facebookgruppe Instagram: https://5d-movement.com/instagram Youtube: https://5d-movement.com/youtube Telegram: https://5d-movement.com/telegram Falls du unsere Arbeit unterstützen magst, freuen wir uns über deine Spende und sagen von Herzen DANKE: https://5d-movement.com/paypalspende Oder trete besser gleich als 5D Supporter unserer Community bei: https://5d-movement.com/memberships/ Danke an diese Künstler für die schöne Handpan Musik auf der RAV Vast: Musik Intro: Greenred Productions https://www.youtube.com/watch?v=GEzBa3I9Q98 Musik Outro: Nadishana https://www.youtube.com/watch?v=eJM4HZiBr9k

Geld hat keinen intrinsischen Wert, nur die Sache oder Dienstleistung, die man sich dadurch leisten kann. Manchmal will man eben einfach das Gönnnunszentrum penetrieren und dazu brauch es eben, richtig, Geld! Gatzinho fragt sich, wie viel brauch man davon? Fynn Kliemann meint, es muss reichen für ne Hose, n Handy, n Laptop und n Auto. Bolloschkusch und Gatzi werfen die Grübel-Apparate an - wie will man sein Geld eigentlich einsetzen? Und kosten geile Momente wirklich so viel Geld? Diese Folge hat mal wieder Ecken und Kanten und der rote Faden flattert von Pontius zu Pilatus, aber so viel sei gesagt: der Aneck-Award geht mal sowas von an Bolloschkusch - aber hört selbst.

Gatzinho stellt fest, dass er dankbar dafür sein kann, das Urlaubsfeeling direkt vor der Tür zu haben - mitten in der Großstadt! Doch ist der Moment des Glückes an einen Ort geknüpft?! Die beiden Grübel Gurus werfen die Apparate an und die Bierflaschen um aber hört selbst...

The group meets some of the first years and notices some odd things going on with the start of term feast. Witchcraft & Wizardry is a magical adventure in the world of Harry Potter using Tablestory’s very own ruleset by the same name. Join us in the halls of Hogwarts as we follow the adventures […] The post Witchcraft and Wizardry – Y3 Ep. 2 – Don’t Apparate Around the House appeared first on Tablestory.

Join Ellen and Keighty as we discuss Harry Potter and the Goblet of Fire, covering Chapter Ten (Mayhem at the Ministry) and the corresponding film scenes. Thank you for checking out Just Keep Rowling! We post weekly podcast episodes comparing and contrasting the Harry Potter books to the movies, Potter Ponderings, a weekly trivia question (that can win you a sticker!), Sorting Hat Stories, and other Harry Potter related fun! Please subscribe and join us as we delve into our favorite book series and the films that brought them to life. Follow us on Podbean: https://justkeeprowling.podbean.com/ to get the episodes as early as possible and get a leg up on answering the trivia question! We have officially launched our website! Check it out at www.justkeeprowling.com for all of our latest news, merchandise, and more!  We are on a list for the Top 15 Harry Potter Podcasts of 2021! Check it out here: https://fictionhorizon.com/best-harry-potter-podcasts-ranked/ We have also been added to a Top 30 Harry Potter Podcast List! Check it out here: https://blog.feedspot.com/harry_potter_podcasts/ Find us at the handles below: Instagram and Twitter: @JustKeepRowling Facebook: www.facebook.com/JKRPodcast - join us here for Potter Pondering discussions and the chance to answer the weekly trivia question first! Subscribe to us on YouTube to get access to our weekly episodes, vlogs, other random videos, and our future cooking show: https://www.youtube.com/channel/UCvAWLJXzXgaE74QypkuXVbg?view_as=subscriber If you would like to share your own Sorting Hat Story with us to read on a future episode or have any other questions, email us at JustKeepRowling@gmail.com. Don’t forget to subscribe so you can get the episodes sooner! If you have Apple, please Rate and Review us! (send us an email to let us know you did and we will also send you a sticker!) If you don’t have Apple, you can leave us a recommendation on our Facebook page to get a sticker. We have also launched our Patreon Program. Become a patron for extra podcast perks, including access to Potterheads, A History, giveaways, a special Facebook group for patrons only, and more! Help us reach our monthly goals so we can create more content, t-shirts, hand-thrown mugs, other merchandise, and much more! Check it out here: https://www.patreon.com/JustKeepRowling Special thanks to our wonderful Patrons: Order of Merlin First Class: Diana Chapman, Andrew Smith, Mike Riley, Karlee Ferguson, Max Nash, Quincy Tyree, and Justin Reynolds Order of Merlin Second Class: Order of Merlin Third Class: Order of Merlin Fourth Class: Dave Garza, Julianna Mumau, and Sara Baines-Miller Order of Merlin Fifth Class: Amber Cox and Kayde Reiken Order of Merlin Sixth Class: Liselotte Gertenbach and Tabitha Dial

Die beiden Grübel Gurus bereuen sicher den ein oder anderen schlechten Witz, jedoch nicht den Mehrwert dieser Folge. Die Grübel Apparate werden mal wieder zum Qualmen gebracht bei der Frage: Wie vermeidet man Reue?

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.

respektive Peter Weibel | Symposium [28.09.2019] Im Rahmen der Ausstellung »respektive Peter Weibel« fand am Samstag, 28.09.2019 ein international besetztes Symposium zum Werk von Peter Weibel statt. Das Symposium nahm sein künstlerisches Schaffen als Ausgangspunkt, um über zentrale Themenstellungen der Medienkunst und der Institution Museum im medialen Zeitalter zu diskutieren – wie die Mechanismen der Wahrnehmung, die Gesetze des Denkens, die Eigenwelt der Apparate, die Krise der Repräsentation, den Skandal der apparativen Künste von den Bild- zu den Biomedien, den museologischen Wandel im Zeitalter der Globalisierung und Digitalisierung sowie die Beziehung von Kunst, Politik und Ökonomie. Mit unterschiedlichen Beitragsformaten (Vorträgen, Interventionen, poetischen Texten, Video-Clips) präsentieren KünstlerInnen, WissenschaftlerInnen, SchriftstellerInnen, Philosophen und Kulturschaffende in der Auseinandersetzung mit dem Werk und der Persönlichkeit Peter Weibels eine originelle Vielstimmigkeit aus Werkbetrachtungen, persönlichen Gedanken, Erfahrungen, Erinnerungen und Glückwünschen.