Podcasts about strassburg

Verteidigungsminister Martin Pfister zieht nach 50 Tagen im Amt eine erste Bilanz. Die aktuelle sicherheitspolitische Lage lasse keine Zeit für ein langes Schweigen, begründet Pfister. Er hat drei Schwerpunkte definiert, darunter die Entwicklung einer sicherheitspolitischen Strategie. Weitere Themen: In immer mehr Ländern weltweit geraten Frauen und ihre Rechte wieder stärker unter Druck. Von einem sogenannten "Rollback" ist gar die Rede. Zu diesem Schluss gelangen Untersuchungen des Europarates in Strassburg und der Uno. Das Verhältnis zwischen Süd- und Nordkorea ist wieder geprägt von Spannungen. Während die Älteren in Südkorea trotzdem von einer Wiedervereinigung träumen, beschäftigt die Jungen anderes.

Der Kanton St. Gallen senkt die Zinsen für Kredite aus den kantonalen Covid-19-Programmen einheitlich auf 0,25 Prozent. Damit zieht er mit dem Bund gleich. Per Ende März senkte der Bundesrat die Zinsen für Kredite unter 5 Millionen Franken ebenfalls auf 0,25 Prozent. Die Anpassung erfolgt auf Juni. Weitere Themen: · Daniel Model blitzt in Strassburg ab. · Ausgleichsbecken bei Bergün muss saniert werden. · Rolf Müller neuer Präsident von Thurgau Tourismus. · Glarner Regierung gegen Lockerung der Gebäudeabstände.

Keine lebenslangen Renten mehr für Witwen, dafür Gleichstellung der Witwer mit unterhaltsberechtigten Kindern. Doch die nötige Reform stockt. Worum geht es? Die Schweiz soll Witwer den Witwen gleichstellen, verlangte der Europäischen Gerichtshofs für Menschenrechte EGMR in Strassburg in einem wegweisenden Urteil im Oktober 2022. Ein Witwer hatte geklagt, weil er seine Rente verlor, als das jüngste Kind volljährig wurde. Wäre er eine Frau, argumentierte der Witwer, hätte er Anrecht auf eine lebenslange Rente. Der EGMR gab ihm recht. Das Urteil ist rechtsverbindlich. Das gilt aktuell: Witwen haben Anspruch auf eine lebenslange Rente mit oder ohne unterhaltsberechtigte Kinder. Neu: Die Schweiz hat eine Übergangsregelung eingerichtet, die auch Witwern mit Kindern eine lebenslange Rente gewährt. Bis die Reform vollzogen ist. Die Reform: Der Bundesrat sieht Folgendes vor: Egal ob Mann oder Frau, verheiratet oder nicht: Die hinterbliebene Person erhält eine Rente, bis das jüngste Kind 25-jährig ist. Danach ist Schluss. Diese Rente soll neu Hinterlassenenrente heissen. Das passiert mit den bestehenden Witwenrenten: Geht es nach dem Bundesrat, sollen auch laufende Witwenrenten angepasst werden. Ist eine Witwe jünger als 55 und hat keine unterhaltsberechtigten Kinder mehr, wird ihr, nach einer Übergangsphase von 2 Jahren, die Witwenrente gestrichen. Witwen über 55 Jahren sind von diesen Neuerungen nicht mehr betroffen. Die mögliche Reform stockt: Eigentlich wollte der Bundesrat die Reform auf 2026 einführen. Sparpotential 350 Millionen Franken pro Jahr. Die Kommission für soziale Sicherheit und Gesundheit (SGK) des Nationalrates hat vor ein paar Tagen die Reform vorerst gestoppt, weil diverse Vorschläge auf dem Tisch liegen, die mit der Rentenreform verknüpft sein könnten. Gäste in der Sendung · Regine Sauter, Nationalrätin FDP ZH · Sandra Nussbaum-Stäuble, Präsidentin Verein Aurora

This chapter covers significant people and events 1300 - 1500, including an exceptional Bavarian Emperor and another man known to history only as "Friend of God from Oberland." This excerpt from a document in Strassburg, dated 1404, well describes the true followers of Jesus Christ (the true church) that the corrupt Roman Catholic hierarchy and political power has always tried to stamp out: "But if she disappears in one place we know that she is to be seen in other lands, even if the saints are only a few who lead a good life and remain in the holy fellowship." All of the Bible News Press recordings are hosted on The Happy Homeschool website. For links mentioned, please go to:  https://thehappyhomeschool.com/the-pilgrim-church-an-audiobook-chapter-6/

Bundesasylzentren sollen sicherer werden für Mitarbeitende und Asylsuchende. Dafür will der Nationalrat dem Sicherheitspersonal mehr Kompetenzen geben. So sollen etwa Asylsuchende, die älter als 15 Jahre als sind, für kurze Zeit eingesperrt werden dürfen. Die Vorlage geht nun in den Ständerat. Weitere Themen: Am Mittwoch tritt Altbundesrat Alain Berset sein Amt als Generalsekretär des Europarats mit Sitz in Strassburg an. An Herausforderungen mangelt es nicht. Demokratie, Rechtsstaatlichkeit und Menschenrechte, wofür der Europarat steht, sind in etlichen der 46 Mitgliedsländer unter Druck. Dass zu viel Zucker dick macht, ist bekannt. In letzter Zeit mehren sich Stimmen, wonach Zucker auch die kognitiven Fähigkeiten beeinträchtigt. Manche Fachleute sagen sogar, Zucker könne Alzheimer auslösen. Schadet Zucker dem Hirn? Die Antwort ist komplex.

This episode of Titanic Talkline features a dear friend of the show, Joanna! Joanna is a mainstay of the Titanic Con community; come out and see her in August!Follow her all over the internet:RMS Titanic Reflections Facebook pageGreat Olympic Class Ships groupTitanic Adventure Out Of Time Forever groupRMS Titanic Reflections YouTube ChannelRMS Titanic Reflections on InstagramRMS Titanic Reflections on TikTokBe sure to like and subscribe to the show on your favorite podcasting platform!@TitanicTalkine on TwitterTitanicTalkline on FacebookTitanicTalkline on IG Hosted on Acast. See acast.com/privacy for more information.

Cédric war vor Ort als Alain Berset zum neuen Generalsekretär des Europarates gewählt wurde. Was ist ihm von seinem Tag in Strassburg geblieben? Und was kommen jetzt überhaupt für Aufgaben auf den ehemaligen SP-Bundesrat zu? Alle Themen: ((00:00)) Begrüssung: Unwetter und Schweizer Nati ((03:13)) Alain Berset: Was ist nochmals dieser Europarat? ((13:43)) Joe Biden: Sorgenvolle Blicke in die USA und nach Frankreich ((26:17)) Individualbesteuerung: Gleichstellung mit hohem Preisschild? ((32:59)) Kurze Antworten auf komplexe Fragen (JUSO, Biodiversität, Demokratiefeinde, Lehrpersonenmangel)

Der frühere SP-Bundesrat Alain Berset wird neuer Generalsekretär des Europarats. Direkt nach seiner Wahl gestern hat Berset bereits seine künftigen Prioriäten skizziert. Die Reaktionen der Schweizer Abgeordneten in Strassburg fielen parteiübergreifend positiv aus. Ausserdem: Julian Assange ist frei. Der Wikileaks-Mitgründer sitzt im Flugzeug Richtung Heimatland Australien.

Bis am Sonntag wird in 27 EU-Ländern ein neues EU-Parlament gewählt. Der deutsche Komiker und Politiker Nico Semsrott stellt sich allerdings nicht wieder zur Wahl. Er war nun fünf Jahre Abgeordneter im EU-Parlament und habe in seinem Leben noch nie so viel geweint. Was hat ihn so erschüttert? 2019 wählte Deutschland den Komiker Nico Semsrott ins EU-Parlament. Anstatt erneut zu kandidieren, veröffentlicht er jetzt ein Buch: «Brüssel sehen und sterben: Wie ich im Europaparlament meinen Glauben an (fast) alles verloren habe». Im «Tagesgespräch» sagt Semsrott, wieso ihn das EU-Parlament depressiv machte. Nach fünf Jahren in Strassburg rechnet der Satiriker mit der Europapolitik ab und erzählt von Korruption, absurden Regelungen und fehlendem Initiativrecht.

Send us a Text Message.This is the third of a multi-episode series in which I chat with Dr. Larissa ‘Kat' Tracey about literary representations of medieval adultery and its reality. In this episode Kat and I survey and discuss the major nineteenth- and twentieth-century literary treatments of medieval adultery, focusing on the stories of La(u)ncelot and Guinevere and of Tristan/Tristram and Isolde/Isolt/Iseult  The episode begins with an opera, Richard Wagner's extremely influential retelling of the tale, Tristan und Isolde. Although composed between 1857 and 1859, the opera did not premiere until 1865, because it was deemed too expensive to stage and its complex, innovative music was thought to be unperformable. We consider how Wagner reconceived his medieval source, Gottfried of Strassburg's thirteenth-century romance, through the lens of Schopenhauer's life-denying philosophy, and how in its composition art imitated life, as Wagner engaged in what was the very least an emotional affair with his wealthy Swiss patron's wife.  Kat and I then discuss the very different treatments of these Arthurian stories about adultery by three leading Victorian poets and one early twentieth-century American: the poet Laureate Alfred Lord Tennyson, the decadent aesthete Algernon Swinburne, the Pre-Raphaelite artist and author William Morris, and the popular American poet Edwin Arlington Robinson, whose now all-but-forgotten best-selling poem Tristram won the Pulitzer Prize in 1928. We then turn to how twentieth-century novelists have handled the moral issues arising from medieval adultery in their renditions of the Arthurian legend. The episode concludes with an analysis of adultery in a non-Arthurian medieval novel, Sigrid Undset's historical trilogy about fourteenth-century Norway, Kristin Lavransdatter (1920-1923), which earned the author the Noble Prize for Literature in 1928, the same year that Robinson's very different Tristram won the Pulitzer. Kat and I began this episode with the intention of covering both modern literature and movies dealing with medieval adultery. But it became clear as we were recording that a single episode would be very long. So we decided to talk about medieval adultery on film in a final, fourth episode, which I will be releasing in about a week's time. And that will be it for medieval adultery, although I plan to have Kat return in future to talk about a subject on which she has written extensively, torture and cruelty in medieval literature. As I have jokingly told her, she is my go to person for medieval perversities.  This episode contains two musical snippets:Wagner's “Prelude to the Liebestod [Love Death]” from his opera Tristan und Isolde, conducted by Arturo Toscanini (https://www.youtube.com/watch?v=lBFcDGTzgAI) “If Ever I Would Leave You” from the musical Camelot, lyrics and music by Lerner and Loewe and sung by Robert Goulet as Lancelot (https://www.youtube.com/watch?v=xL52hEArSfM) In my discussion of the literary texts, I drew upon the researches of several scholars, among them:John Deathridge, Wagner Beyond Good and Evil, University of California Press,  2008R.J.A. Kilbourn, “Redemption Revalued in Tristan und Isolde: Schopenhauer, Wagner, Nietzsche,” in University of Toronto Quarterly, Volume 67, Number 4, Fall 1998, pp. 781-788“Tristan und Isolde,” Wikipedia (yes, I do consult Wikipedia)“Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Der Bundesrat soll das Klimaurteil aus Strassburg ignorieren. Peach Weber bereitet den Bundesrat auf das Gang-Leben vor.

Der Bundesrat soll das Klimaurteil aus Strassburg ignorieren. Peach Weber bereitet den Bundesrat auf das Gang-Leben vor.

Der Bundesrat will nicht sparen, um die 13. AHV-Rente zu Finanzierung zieren. Dafür will er mehr Geld für Entwicklungshilfe ausgeben. Beat Jans greift durch – die Asylchefin muss gehen. Die Ständeräte wollen das Klima-Urteil aus Strassburg ignorieren – die SP tobt, obwohl ihre Mitglieder noch so gerne herumfliegen.

Albert Rösti reagiert scharf auf das Klima-Urteil des Europäischen Menschenrechtsgerichthofes: Der Umweltminister hält es für unvereinbar mit der direkten Demokratie. Reicht das als Antwort? Und: Wie überzeugt er das Volk vom umstrittenen Stromgesetz? Die Schweiz tue genug in der Klimapolitik. Und der Richterspruch aus Strassburg vertrage sich schlecht mit der direkten Demokratie, bei der das Volk bestimme. So lässt sich die Reaktion von Albert Rösti auf das Urteil des Europäischen Gerichtshofes für Menschenrechte zusammenfassen. Doch macht es sich der Umweltminister nicht zu einfach? Kann die Schweiz ihre eigenen Klimaziele wirklich einhalten? Albert Rösti nimmt Stellung zu kritischen Fragen. Thema ist dabei auch seine Kritik am Gerichtshof selbst: Will der SVP-Bundesrat eine Diskussion anstossen über die Rolle des Gerichts? Möchte er «Strassburg» zurückbinden? Im Zentrum der Sendung steht auch Bundesrat Röstis grosse Bewährungsprobe an der Urne: Am 9. Juni stimmen wir aber über das Stromgesetz. Einzelne Naturschutz-Verbände und seine eigene Partei bekämpfen den geplanten massiven Ausbau von Wasser-, Sonnen- und Windenergie. Bringt die Vorlage tatsächlich genug Strom? Wie steht es um die Mitspracherechte der Bevölkerung? Thema in der Samstagrundschau ist schliesslich auch die SRG: Der Bundesrat will die Radio- und Fernsehabgabe von 335 auf 300 Franken kürzen. Das soll der deutlich schärferen SRG-Initiative von rechts den Wind aus den Segeln nehmen. Nur: Geht diese Taktik auch wirklich auf? Und was sagt Albert Rösti als Medienminister zu den Befürchtungen der SRG? Ergänzend zum «Tagesgespräch» finden Sie jeden Samstag in unserem Kanal die aktuelle «Samstagsrundschau».

Albert Rösti reagiert scharf auf das Klima-Urteil des Europäischen Menschenrechtsgerichthofes: Der Umweltminister hält es für unvereinbar mit der direkten Demokratie. Reicht das als Antwort? Und: Wie überzeugt er das Volk vom umstrittenen Stromgesetz? Die Schweiz tue genug in der Klimapolitik. Und der Richterspruch aus Strassburg vertrage sich schlecht mit der direkten Demokratie, bei der das Volk bestimme. So lässt sich die Reaktion von Albert Rösti auf das Urteil des Europäischen Gerichtshofes für Menschenrechte zusammenfassen. Doch macht es sich der Umweltminister nicht zu einfach? Kann die Schweiz ihre eigenen Klimaziele wirklich einhalten? Albert Rösti nimmt Stellung zu kritischen Fragen. Thema ist dabei auch seine Kritik am Gerichtshof selbst: Will der SVP-Bundesrat eine Diskussion anstossen über die Rolle des Gerichts? Möchte er «Strassburg» zurückbinden? Im Zentrum der Sendung steht auch Bundesrat Röstis grosse Bewährungsprobe an der Urne: Am 9. Juni stimmen wir aber über das Stromgesetz. Einzelne Naturschutz-Verbände und seine eigene Partei bekämpfen den geplanten massiven Ausbau von Wasser-, Sonnen- und Windenergie. Bringt die Vorlage tatsächlich genug Strom? Wie steht es um die Mitspracherechte der Bevölkerung? Thema in der Samstagrundschau ist schliesslich auch die SRG: Der Bundesrat will die Radio- und Fernsehabgabe von 335 auf 300 Franken kürzen. Das soll der deutlich schärferen SRG-Initiative von rechts den Wind aus den Segeln nehmen. Nur: Geht diese Taktik auch wirklich auf? Und was sagt Albert Rösti als Medienminister zu den Befürchtungen der SRG? SVP-Bundesrat Albert Rosti ist Gast bei Dominik Meier in der «Samstagsrundschau».

Elisabeth Joris war dabei, als im Gemeinschaftsraum ihrer Wohnsiedlung der Verein Klimaseniorinnen gegründet wurde. Und sie war vor Ort, als vorletzte Woche in Strassburg das historische Urteil fiel. Wie sie diese Momente erlebte, was in den acht Jahren dazwischen alles passiert ist und was sie sich jetzt erhofft, erzählt sie im Gespräch mit Cédric.

Die Diskussion über den Klimaschutz in der Schweiz ist neu entfacht. Die Klima-Seniorinnen verzeichneten letzte Woche einen überraschenden Erfolg am Europäischen Gerichtshof für Menschenrechte (EGMR). Ist die Schweizer Klimapolitik auf Kurs? Oder braucht es jetzt mehr Massnahmen? Die Schweiz muss mehr für den Klimaschutz tun, urteilt der EGMR in Strassburg. Zum ersten Mal wurde ein Land wegen unzureichendem Klimaschutz verurteilt. Das Urteil ist rechtlich bindend für die Schweiz, die Klimapolitik muss nun überprüft werden. Während Links-Grün eine rasche Umsetzung des Urteils fordert, üben Exponenten aus der Mitte und der FDP Kritik an den Strassburger Richtern. Die SVP sieht im Urteil einen Skandal und fordert gar den Austritt aus dem Europarat. Ist Klimaschutz ein Menschenrecht? Oder widerspricht das Klimaurteil den Grundsätzen der Schweizer Demokratie? Netto-Null bis 2050 Fakt ist: Die Schweiz hat sich im Rahmen des Pariser Klima-Abkommens zusammen mit 190 weiteren Staaten dazu verpflichtet, ihre Treibhausgasemissionen bis 2030 zu halbieren. Zudem will die Schweiz, ausgehend vom Klima-Abkommen mit Paris, bis 2050 netto-null erreicht haben. Diese Ziele sollen hauptsächlich im CO2-Gesetz und im Klimaschutzgesetz umgesetzt werden. Reichen diese Massnahmen aus, damit die Schweiz ihre Klimaziele erreicht? Oder ist eine klimaneutrale Schweiz bis 2050 sowieso unrealistisch? Klima-Aktivistinnen im Aufwind Für die Klimastreik-Bewegung ist der Fall klar: Die Schweiz muss dringend handeln und das Urteil von Strassburg so schnell wie möglich umsetzen. Bei einem globalen Klimastreik am Freitag wollen die Klima-Aktivisten auch in vier Schweizer Städten mit Kundgebungen auf ihre Anliegen aufmerksam machen. Am Zürcher Sechseläuten sorgte bereits eine Abspaltung der Gruppe «Renovate Switzerland» mit einer Protestaktion für Aufsehen: Mehrere Personen begossen sich während des Umzugs mit einer schwarzen Flüssigkeit. Einen Tag später störten Klima-Aktivisten einen Anlass im Verkehrshaus Luzern. Sind diese Aktionen gerechtfertigt? Oder schadet es den Anliegen des Klimaschutzes? Zu diesen Fragen begrüsst Sandro Brotz am 19. April 2024 in der «Arena»: – Christian Imark, Nationalrat SVP/SO; – Nicola Siegrist, Präsident Juso Schweiz; – Christian Wasserfallen, Nationalrat FDP/BE; und – Aline Trede, Fraktionspräsidentin Grüne.

Gelingt der Klimabewegung das Comeback? Die grüne Partei stellt sich neu auf und die Aktivisten provozieren mit neuen Aktionen. Ausserdem: Wie Philippe Lazzarini versucht, das UNO-Hilfswerk für Palästinenser vor dem Kollaps zu retten. Und: der Verdacht auf chinesische Spionage in der Schweiz. Klimabewegung mit neuem Schub: Kampf auf allen Ebenen Klimajugend, Klimaseniorinnen – der Kampf gegen den Klimawandel mobilisiert viele. Doch bei den letzten Wahlen erlitt die grüne Partei eine herbe Niederlage. Auch die Klimakleber stiessen mit ihren Strassenblockaden kaum auf Sympathien. Nun stellt sich die Klimabewegung neu auf: Die Grünen haben mit Lisa Mazzone eine neue Präsidentin an ihre Spitze gewählt. Die Jugendlichen bereiten neue Streiks vor. Und alle wollen vom Sieg der Klimaseniorinnen in Strassburg profitieren. Hilfswerk unter Druck: Wie Lazzarini die UNRWA retten will Es sind schwere Vorwürfe, die Israel gegen die UNRWA, das UNO-Hilfswerk für Palästina-Flüchtlinge, erhebt: Mitarbeitende sollen sich an den Attentaten vom 7. Oktober 2023 beteiligt haben. Und: Das Hilfswerk habe einen Hamas-Tunnel unter den Gebäuden der Organisation geduldet. An der Spitze der UNRWA steht der Schweizer Philippe Lazzarini. Er reagierte: Mitarbeitende wurden entlassen, eine Untersuchung eröffnet. Trotzdem stellten mehrere Staaten die Zahlungen ein. Auch die Schweiz hat ihre Hilfsgelder blockiert. Die Reportage begleitet den Generalkommissar Lazzarini im Wettlauf gegen die Zeit, um das Hilfswerk vor dem finanziellen Kollaps zu retten. Dazu stellt sich Nationalrat Hans-Peter Portmann (FDP/ZH), Mitglied der Aussenpolitischen Kommission, den Fragen von Franziska Ramser. Spione im Berner Oberland: Kampfflugzeuge im Visier der Chinesen? Es tönt wie eine Story aus einem Spionageroman: Der Militärflughafen Meiringen soll im Visier des chinesischen Geheimdienstes gewesen sein. Im Zentrum steht das Rössli, ein altes Hotel, das direkt neben der Startbahn liegt. Eine chinesische Familie hat dieses Hotel und Restaurant gekauft: Zimmer mit wenig Charme, aber mit einem atemberaubenden Blick auf die Kampfflugzeuge. Der moderne Kampfjet F-35 wird bald hier stationiert sein. Die chinesische Familie soll den Stützpunkt fünf Jahre lang ausspioniert haben, bevor die Polizei intervenierte, hiess es in der Presse. Und es gibt noch mehr Hinweise auf Spionage durch Chinesen in der Schweiz.

Gelingt der Klimabewegung das Comeback? Die grüne Partei stellt sich neu auf und die Aktivisten provozieren mit neuen Aktionen. Ausserdem: Wie Philippe Lazzarini versucht, das UNO-Hilfswerk für Palästinenser vor dem Kollaps zu retten. Und: der Verdacht auf chinesische Spionage in der Schweiz. Klimabewegung mit neuem Schub: Kampf auf allen Ebenen Klimajugend, Klimaseniorinnen – der Kampf gegen den Klimawandel mobilisiert viele. Doch bei den letzten Wahlen erlitt die grüne Partei eine herbe Niederlage. Auch die Klimakleber stiessen mit ihren Strassenblockaden kaum auf Sympathien. Nun stellt sich die Klimabewegung neu auf: Die Grünen haben mit Lisa Mazzone eine neue Präsidentin an ihre Spitze gewählt. Die Jugendlichen bereiten neue Streiks vor. Und alle wollen vom Sieg der Klimaseniorinnen in Strassburg profitieren. Hilfswerk unter Druck: Wie Lazzarini die UNRWA retten will Es sind schwere Vorwürfe, die Israel gegen die UNRWA, das UNO-Hilfswerk für Palästina-Flüchtlinge, erhebt: Mitarbeitende sollen sich an den Attentaten vom 7. Oktober 2023 beteiligt haben. Und: Das Hilfswerk habe einen Hamas-Tunnel unter den Gebäuden der Organisation geduldet. An der Spitze der UNRWA steht der Schweizer Philippe Lazzarini. Er reagierte: Mitarbeitende wurden entlassen, eine Untersuchung eröffnet. Trotzdem stellten mehrere Staaten die Zahlungen ein. Auch die Schweiz hat ihre Hilfsgelder blockiert. Die Reportage begleitet den Generalkommissar Lazzarini im Wettlauf gegen die Zeit, um das Hilfswerk vor dem finanziellen Kollaps zu retten. Dazu stellt sich Nationalrat Hans-Peter Portmann (FDP/ZH), Mitglied der Aussenpolitischen Kommission, den Fragen von Franziska Ramser. Spione im Berner Oberland: Kampfflugzeuge im Visier der Chinesen? Es tönt wie eine Story aus einem Spionageroman: Der Militärflughafen Meiringen soll im Visier des chinesischen Geheimdienstes gewesen sein. Im Zentrum steht das Rössli, ein altes Hotel, das direkt neben der Startbahn liegt. Eine chinesische Familie hat dieses Hotel und Restaurant gekauft: Zimmer mit wenig Charme, aber mit einem atemberaubenden Blick auf die Kampfflugzeuge. Der moderne Kampfjet F-35 wird bald hier stationiert sein. Die chinesische Familie soll den Stützpunkt fünf Jahre lang ausspioniert haben, bevor die Polizei intervenierte, hiess es in der Presse. Und es gibt noch mehr Hinweise auf Spionage durch Chinesen in der Schweiz.

Das hätten dem FC Winterthur viele zu Beginn der Saison nicht zugetraut: dass er sich vorzeitig für die Meisterrunde qualifiziert und nun zu den besten sechs Teams der Schweiz gehört. Der FCW hat jetzt sogar die Chance, europäisch mitzuspielen. Weitere Themen: * Für die Zürcher Anwältin Cordelia Bähr ist der Kampf für mehr Klimaschutz mit dem Urteil aus Strassburg nicht vorbei * 3000 Kinder sind beim Kinderumzug des Zürcher Sechseläutens zünftig ins Schwitzen gekommen.

Es war eine Woche mit grossen Schlagzeilen: Die Schweiz, die veruteilt wurde, weil sie zu wenig für den Klimaschutz macht. Und die UBS, die auch in Zukunft keine Bussen fürchten muss. Die grossen Parteien bringen sich mit Forderungen in Stellung. Nur die FDP ist zaghaft. Der Europäische Gerichtshof für Menschenrechte rügt die Schweiz, zu wenig für den Klimaschutz zu unternehmen. Schaut man sich die Klimapolitik der vergangenen Jahre an, fällt auf, dass die FDP immer wieder Vorstösse mitvereitelt hat. Was für Ideen hat die Partei, um auf das Urteil aus Strassburg zu reagieren? Und ist sie bereit, sich bei konkreten Vorschlägen zu bewegen? Ausserdem präsentiert der Bundesrat diese Woche die Vorschläge zur Bankenregulierung. 22 Massnahmen umfasst der «Too-big-to-fail»-Bericht. Harte Eingriffe, wie Bussen oder eine generelle Eigenkapitalerhöhung für die Banken, sind nicht vorgesehen. Trotzdem warnt die FDP schon jetzt vor einer Überregulierung. Ist die Partei ganz auf der Linie der Banken? Und wie genau will sie sich für eine nächste Bankenkrise wappnen? FDP-Fraktionspräsident Damien Cottier ist Gast in der Samstagsrundschau bei Eliane Leiser. Ergänzend zum «Tagesgespräch» finden Sie jeden Samstag in unserem Kanal die aktuelle «Samstagsrundschau».

Es war eine Woche mit grossen Schlagzeilen: Die Schweiz, die veruteilt wurde, weil sie zu wenig für den Klimaschutz macht. Und die UBS, die auch in Zukunft keine Bussen fürchten muss. Die grossen Parteien bringen sich mit Forderungen in Stellung. Nur die FDP ist zaghaft. Der Europäische Gerichtshof für Menschenrechte rügt die Schweiz, zu wenig für den Klimaschutz zu unternehmen. Schaut man sich die Klimapolitik der vergangenen Jahre an, fällt auf, dass die FDP immer wieder Vorstösse mitvereitelt hat. Was für Ideen hat die Partei, um auf das Urteil aus Strassburg zu reagieren? Und ist sie bereit, sich bei konkreten Vorschlägen zu bewegen? Ausserdem präsentiert der Bundesrat diese Woche die Vorschläge zur Bankenregulierung. 22 Massnahmen umfasst der «Too-big-to-fail»-Bericht. Harte Eingriffe, wie Bussen oder eine generelle Eigenkapitalerhöhung für die Banken, sind nicht vorgesehen. Trotzdem warnt die FDP schon jetzt vor einer Überregulierung. Ist die Partei ganz auf der Linie der Banken? Und wie genau will sie sich für eine nächste Bankenkrise wappnen? FDP-Fraktionspräsident Damien Cottier ist Gast in der «Samstagsrundschau» bei Eliane Leiser.

Am Dienstag hiess der Europäische Gerichtshof für Menschenrechte (EGMR) in Strassburg die Klage der Klimaseniorinnen gut und rügte die Schweiz unter anderem wegen ungenügenden Klimaschutzes. Damit ist der EGMR das erste internationale Gericht überhaupt, das in einer Klimaklage ein Urteil fällt.Wie kam es überhaupt zu diesem Urteil? Welche Folgen hat es jetzt für die Schweiz – und für die Welt? Und folgen jetzt zahlreiche weitere Gerichtsentscheide in Klimaklagen?Inland-Reporterin Alexandra Aregger hat Rosmarie Wydler-Wälti und die Klimaseniorinnen zur Urteilsverkündung nach Strassburg begleitet. Im täglichen Podcast «Apropos» ordnet sie die Tragweite des EGMR-Entscheids ein.Host: Philipp LoserProduzent: Noah FendMehr zum Thema:Reportage aus Strassburg: Und dann schaut niemand mehr auf Greta: Die Stunde der KlimaseniorinnenReaktionen der Schweizer Parteien auf das UrteilInterview mit Völkerrechtsprofessor Andreas Müller zum UrteilÄrger über «fremde Richter»? Klimarüge kratzt am Schweizer Selbstverständnis Als Podcast-Hörer:in den Tagi 3 Monate zum Preis von einem Monat lesen und hören: tagiabo.chHabt ihr Feedback, Ideen oder Kritik zu «Apropos»? Schreibt uns an podcasts@tamedia.ch

Es war keine Fata Morgana. Unsere Pisten wurden zu Sanddünen und unser Blick in die Zukunft war ganz ohne Brille rosarot. Doch dann fiel der Blutregen und ein Gericht in Strassburg fällte ein Urteil. Lisa Christ untersucht den Fall. Alle drei Wochen am Samstag. Hier auf SRF 1. Wer die Sendung live am Radio hören will – sie läuft am: Samstag, 13.04.2024, 13.00, Radio SRF 1 Sonntag, 14.04.2024, 23.00 Uhr, Radio SRF 1 (Wiederholung)

(00:00:46) Der Europäische Gerichtshof für Menschenrechte hat sein Urteil veröffentlicht zur Klage der Schweizer Klimaseniorinnen. Der Gerichtshof rügt die Schweiz, dass sie zu wenig für den Klimaschutz mache. Wir ordnen dieses Urteil ein. (00:04:43) Das Kinderbuch «Der Waldausflug» von Förster Roger Bolliger klärt Kinder über Wald als Erholungsgebiet auf. (00:08:31) Welche Idealvorstellungen hatten Menschen früher vom Körper? Ausstellung „begehrt. umsorgt. gemartert im Landesmuseum Zürich geht ästhetischen Fragen nach. (00:12:53) «Public Recordings @ SRF»: Band der schweizerisch-albanischen Sängerin Elina Duni hat vor Publikum Musik aufgenommen.

Dank den Klimaseniorinnen ist Klima jetzt ein Menschenrecht und die Schweiz verstösst dagegen. Die Seniorinnen haben am Montag in Strassburg mit ihrer Klage für internationales Aufsehen gesorgt. Was bedeutet dieser Gerichtsentscheid aber nun? Welcher Pflicht muss die Schweiz jetzt nachkommen? Lesen Sie hier den Artikel zur Folge: https://www.aargauerzeitung.ch/schweiz/expertin-erklaert-uebersteuern-die-richter-die-demokratie-was-sie-jetzt-ueber-das-klimaseniorinnen-urteil-wissen-muessen-ld.2604903

Die Schweizer Klimaseniorinnen waren erfolgreich mit ihrer Klage vor dem Europäischen Gerichtshof für Menschenrechte in Strassburg. Laut dem Urteil des EGMR muss die Schweiz mehr machen für den Klimaschutz. Der Entscheid dürfte weitreichende Auswirkungen haben. Weitere Themen: Im Gazastreifen ist die öffentliche Ordnung nach einem halben Jahr Krieg fast komplett zusammengebrochen. Während sich die Stadt Rafah im Süden noch unter der Kontrolle der Hamas befindet, werden inzwischen weite Teile des Küstenstreifens von kriminellen Banden kontrolliert. Ende Juli werden in Paris die 33. Olympischen Sommerspiele eröffnet. Die Athletinnen und Athleten sehen sich dabei mit vielen Regeln, Vorgaben und Verboten konfrontiert. Insbesondere im Bereich «Social Media». Nun aber plant das Internationale olympische Komitee (IOC) gewisse Lockerungen.

Rosmarie Wydler-Wälti verlangt mit den Klima-Seniorinnen von der Schweiz mehr Klimaschutz. Sie sind bei den Gerichten jedoch abgeblitzt und an den Europäischen Gerichtshof für Menschenrechte gelangt. Heute wird das Urteil publik. «Kontext» blickt zurück auf den Gang der Frauen nach Strassburg. * Erstmals wurde vor einem Jahr eine Klimaklage vor dem Europäischen Gerichtshof für Menschenrechte in Strassburg verhandelt. * Die Klima-Seniorinnen waren bei den Gerichten in der Schweiz abgeblitzt und haben deshalb eine Klage in Strassburg eingereicht. * Das Urteil, das heute publik werden soll, wird für die europäischen Staaten wegweisend sein und aufzeigen, wozu sie beim Klimaschutz verpflichtet sind. * Die europäischen Länder schauen mit Spannung auf das Urteil, das in der Rechtssprechung zu einem historischen Präzedenzfall wird. Im Podcast zu hören sind: * Rosmarie Wydler-Wälti, Klima-Seniorin, Psychologin * Pia Hollenstein, Klima-Seniorin und ehemalige St. Galler Nationalrätin der Grünen * Alain Chablais, Jurist, Bundesamt für Justiz * Franz Perrez, Umweltamabassador, Bundesamt für Umwelt (BAFU) * Jessica Simor, Menschenrechtsanwältin, Grossbritannien * Siofra O'Leary, Präsidentin des Europäischen Gerichtshofes für Menschenrechte in Strassburg * Prof. Helen Keller, Völker- und Europarechtsspezialistin, Universität Zürich * Studentin (Altea, 23) und Student (Basil, 23) der Universität Lausanne Erstsendung: 14.4.2023 Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Mehr zum Kontext Podcast: https://srf.ch/audio/kontext

Die Schweizer Klimaseniorinnen waren erfolgreich mit ihrer Klage vor dem Europäischen Gerichtshof für Menschenrechte in Strassburg. Laut dem Urteil des EGMR muss die Schweiz mehr machen für den Klimaschutz. Der Entscheid dürfte weitreichende Auswirkungen haben. Weitere Themen: - Deutschland: Zahl der Straftaten stark gestiegen - Chaos und Bandengewalt im Gazastreifen - Verdacht auf Vetternwirtschaft in Genf - Der Onlinehandel gerät ins Stocken - Olympische Spiele: Weniger Vorgaben für Soziale Medien - Tagesgespräch: Weniger Hürden in der Sexarbeit

Der Gerichtshof in Strassburg hat ein Urteil gefällt: Die Schweiz hat bei Klimafragen die Menschenrechte verletzt. Eine grüne Stadträtin steht unter Beschuss, weil ihre Amtschefin gleich mehrere heikle Personalentscheide gefällt oder vorbereitet hat. Die Stadt Zürich sucht einen Delegierte*r Wohnen. Gut drei Monate nach dem Tod des CDU-Politikers Wolfgang Schäuble erscheinen seine Memoiren.

Am 9. April wird das Urteil aus Strassburg zur Klimaklage von 2500 Seniorinnen gegen die Schweiz erwartet; es ist denkbar, dass der Entscheid um die Welt gehen wird. Auch: In Asphalt und Beton Kohlenstoff binden – eine bestechende Idee auf dem Prüfstand. Zudem: Wie nachhaltig ist Aquakultur? 00:00 Schlagzeilen 00:45 Klima-Urteil mit Signalwirkung? Nächste Woche wird der Europäische Gerichtshof für Menschenrechte sein Urteil zur Klimaklage von 2500 Seniorinnen gegen die Schweiz verkünden. Es ist denkbar, dass der Entscheid um die Welt gehen wird. 06:53 Der Kohlenstoff im Baustoff: In Asphalt und Beton Kohlenstoff zu binden, ist eine bestechende Idee. Denn die Baubranche ist für einen beträchtlichen Teil der CO2-Emissionen verantwortlich. Doch welche Eigenschaften haben solche "grüneren" Baustoffe? Erfüllen sie die Anforderungen an Festigkeit und Langlebigkeit?  13:03 Meldungen: Nasa soll eigene Mondzeit einführen. Erkennen mit ein oder zwei Sinnen. Historisches Wrack im Lago Maggiore entdeckt. 18:43 Wie Aquakultur nachhaltiger wird: Aquakultur hilft die Welternährung der Zukunft sichern. Zugleich stösst das Züchten der von Speisefischen in riesigen Netzkäfigen in Seen und Meeren auf Kritik, es sei umweltbelastend und nicht tiergerecht. Wie liesse sich die „Landwirtschaft unter Wasser nachhaltig betreiben und wo steht man heute? Mehr zum Wissenschaftsmagazin und Links zu Studien: https://www.srf.ch/wissenschaftsmagazin .

Zur Jahrtausendwende versetzt ein unbekannter Frauenmörder die Bevölkerung von Kehl in Angst und Schrecken.Und dann setzt sich die Serie auf der anderen Rheinseite in Strassburg fort...

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Die «Dicken» steigen ein mit einer von Sam geschenkten Kappe. Oli erzählt über das Weihnachtsgeschenk an seine Mitarbeiter. 300 Pakete, per Post zu den Mitarbeitern nach Hause verschickt, mit viel Freude unterm Tannenbaum. Dann diskutieren sie über Weihnachtmärkte. Oli hat über viele Jahre mit David Wyssen den Visper Weihnachtsmarkt organisiert, mit viel Musik und Party. Das Oberwallis hat sich zu jener Zeit am Weekend vor Weihnachten immer in Visp getroffen. Dann erzählt Michi von seiner Tortur nach Strassburg. Daria wollte unbedingt den Strassburger Weihnachtsmarkt besuchen. Völlig hektisch und kommerziell. Michi hat gelitten. Daria auch, weil Michi möff war und im Auto nur mehr Slipknot gespielt hat. Ein Tripp der sich nicht gelohnt hat. Und sicher nie mehr wiederholt werden wird.

Gary Strassburg is a veteran, hunter, family man, and Washington resident who was troubled by what he was seeing taking place with the hunting community in the Evergreen State. He is the perfect example of when a citizen decides to get engaged and take action. In this episode, Gary and I discuss the events that led him to participating in wildlife commission meetings and taking action with the newly formed Conservation Coalition of Washington. We discuss a framework of solutions to change the tide of anti-hunting sentiment, hunter engagement, and messaging to the American non-hunter that shines a positive light on the hunting community.  Gary on Instagram Cougar/Bear Petition Article Show Sponsors! Phelps Game Calls - The game call company of The Western Huntsman! https://phelpsgamecalls.com/  -Use Promo Code “Huntsman10” for 10% off! Silencer Central - Get started with a suppressor for your next hunt by going to the website here: https://www.silencercentral.com/ They make it very easy to get licensed, purchased, and set up so you can find out why getting a suppressor from Silencer Centrals is so popular! Hoffman Boots - Best hunting boots you'll ever own. Specifically, check out the Hoffman Explorers, hands down the finest mountain boot for Western big game on the planet, I guarantee it! Use promo code “HUNTSMAN10” for 10% off! https://hoffmanboots.com/hoffman-mountain-boots Spypoint Cameras - as a trail camera junkie, I am fairly picky about my cameras. Whether setting cell-cams around the property or regular cameras in the backcountry, Spypoint has delivered! Excellent photo quality, video, functionality, and my favorite part… Easy to use! Check it out at Spypoint.com! Savage Arms - Don't skimp on your next big game rifle. Savage Arms has redefined high-performance rifles built specifically for guys and gals like us! Check out the 110 with Accu-Trigger, I promise you won't regret it. www.savagearms.com Juniper Mountain Coffee - If you're as fanatical about coffee as I am, why buy crap?? I take my coffee very seriously, and I've tried most of them! Juniper Mountain Coffee is not only insanely good, but it's made by a company you would be proud to spend your money with. Check it out here www.junipermountaintradingpost.com/ Barnes Bullets - Since 1932, Barnes Bullets has been a leader in hunting ammo. The world-famous X-Bullet was the first expanding all-copper bullet known for its exceptional knock down power and performance. I have personally been using Barnes Bullets since 1998 and wouldn't recommend them if I didn't know for sure how well they perform. Check them out at www.barnesbullets.com Eastmans Hunting Journals - What Western Hunter doesn't know Eastmans Hunting Journals?? I've been a fan and subscriber to the magazine since I was a kid, and you should too. Between the magazine, Eastmans TagHub, and the new Mule Deer eCourse, Eastmans has something for everyone and the tools every Western Hunter should have! Check it out at https://www.eastmans.com/ Hit me up at jim@thewesternhuntsman.com  

In Episode 388 of District of Conservation, Gabriella speaks with Conservation Coalition of Washington's Gary Strassburg and Douglas Boze on the latest attacks on wildlife conservation in Washington State and the proposed EIS to reintroduced grizzlies in the North Cascades. Tune in to learn more! SHOW NOTES Washington State Wildlife Agency News Washington State - American Bear Foundation Chapter Conservation Coalition of Washington Connect with Douglas Boze on Facebook, Instagram Connect with Gary Strassburg on Facebook, Instagram North Cascades Grizzly Bear Restoration EIS Statement on NPS and USFWS draft EIS and proposed 10(j) rule for restoring grizzly bears to the North Cascades Newhouse Introduces Legislation to Stop the Biden Administration from Introducing Grizzly Bears to the North Cascades --- Support this podcast: https://podcasters.spotify.com/pod/show/district-of-conservation/support

On this weeks Episode- Host Duane Inglin is flying solo he welcomes guest: Joey Walton with REEL Time Fishing, Joey is catching extremely large Smallmouth, the guys will get into all the details Also-Gary Strassburg, with Conservation Coalition of Washington State. The CCWS is a watchdog group with their sights set on the Fish & Wildlife Commission. They have a petition in circulation, find out what it is for and why you need to sign it. Additionally-  Bait Lab on River Bait Prep, also a recap on teh recent Fish and Wildlife Commission "Wildlife Committee Meeting... So frustrating and their ability to get anything accomplished is questionable

There wasn't an actual conversation for the second segment of today's show. A last minute guest cancellation gave me an opportunity to step onto my "soapbox" and spend a few minutes talking about the importance of being involved in your community. The transcript is below. If you have questions, need resources or access to information, feel free to email me or send a text to 540-635-4121 and I'm happy to point you in the right direction. I'd also LOVE to hear how you are involved in your community! Send me your stories - maybe I'll feature YOU on a future show! Trancript: Welcome back to the Valley today. I am your host, Janet Michael, and you are stuck with me for just a couple of minutes as we finish out the show today. And I wanna talk about something that is important to me, and I hope that it's important to most of you listening, and that is community community means different things to different people. It looks very different for each of us, depending on how we were raised, what careers we've chosen, even the neighborhoods that we live in. I wasn't necessarily raised with a sense of community. I mean, I grew up in a blue collar family. My dad, to this day, it's. 70 plus years old still pours and finishes concrete. He still does side jobs. My mom worked at the local corner store. We had tons more of those back in the 1980s. my uncles all built houses. My aunt was a teacher. Volunteering, being part of civic organizations. That really wasn't something that I saw or I had experience with growing up. And I say that only to point out the fact that you don't have to have been raised in a certain way in order to embrace and give back to your community in any number of other ways. I struck out on my own and my career, Took all kinds of different, little side turns and When I got started in radio, ironically enough, and it was sales, certainly not on air. Never in a million years had you told me back in 1998 that I would be on the radio. I would've laughed at you and told you you had lost your mind. But one of my first radio bosses encouraged me to be active in the Winchester Chamber, and that's how long ago it's been, because that's actually what it was called. It was the Winchester Chamber. It was long before it was top of Virginia Regional Chamber, and they bought me, Yogi bought me my first red jacket in order to become an ambassador for the Winchester Chamber at the time. Shortly thereafter, I joined Kiwanis, and then I really began to learn and understand the powerful thing that being involved in your community can be. The Ambassadors Club was great because it put me in front of a ton of different small businesses. It allowed me to find out how their businesses worked. What kinds of things did they need? How could I facilitate introducing them to people or helping them to spread the word about their business, about their products, about their services, and be able to help them in some way? Kiwanis and then later when I joined Rotary, were fantastic because they put me on the front lines of a lot of the nonprofits in our area that are doing so much good, but need so much help. And that help doesn't always come in the form of writing a check. I know I joke a lot on the air. It's not really a joke 'cause I actually mean it, but I talk a lot about writing checks to nonprofits that have commas in them because those are the best checks that they like to receive. But not everything has to necessarily come with an actual dollar sign attached to it. You can volunteer for these nonprofits. You can find a nonprofit that you believe in and call them. Ask them, how can I support you? I don't have a lot of money. I have very little time, but the chances are there is going to be something that one of those nonprofits need that you have a skillset and are able to provide to them. It may be something as simple as we'd really like to get more Engagement and more interaction on our social media. So if you could pay closer attention to the social media posts that we make on our Facebook or make on our Instagram and share those on your Facebook page, that helps them to spread the word and it gets that message out to a much larger audience that they wouldn't normally have had access to. But being involved in these civic groups and then taking this job as host of the Valley today, I have had, let's see, as of today, I have had 1,935 conversations with people, and those conversations range from small businesses to local governments, to elected officials. I've talked to a slew of nonprofits, I've talked about events. It just brings home to me how important it is for each and every one of us to be involved in some way in our community. I. We hear so much these days about being what's deemed a bedroom community where people live in a particular area and they get up in the morning and they drive into Northern Virginia. They drive into DC where they work that typically, that's where they do their grocery shopping. That's where they do their entertaining. They get in the car at the end of the work. Day, and then they drive home and they go to bed, or they spend time with their family and they're not really engaged in the community in which they actually live. So I really wanna take a couple of minutes today and just encourage you wander outside of your driveway or your backyard and think about things that are important to you. Think about things that you are passionate about, and if that is going to local events, then do a little research. Do a little digging, call your local chambers of commerce. You do not have to be a member to call a Chamber of Commerce and say, Hey, can you give me an idea of some events that are happening in the area? And then go and attend those events. Go to the United Way website and look and see what volunteer opportunities are available there. Find out whether or not there's something that you offer that, a skillset that you have that you would be willing to donate an hour or two of your time. You can be trained and be a listener at Concern Hotline. There are so many things that we can all do in our community that sometimes we forget or we think we are not eligible for, or we overestimate actually the amount of time that it might take to be able to make a difference. So we just don't do it at all, and I really, really, really would like to encourage everyone who's listening today to take five minutes. It's Friday afternoon. Take five minutes, do a Google search for nonprofits in my area. If you are passionate about blood drives, do a Google search for blood drives. Find out where can you go give blood. How can you volunteer for the American Red Cross? If homeless is something that you really have a passion for and you would like to see some sort of positive change, come to the homeless community in whatever your community is. Then reach out to any of the homeless shelters, to any of the nonprofits that are serving that community and say, what can I do to help? How can I be of service to you? As soon as you start becoming a service to your community? what you're gonna find, I guarantee you what you're gonna find is that your community becomes a much better place for you to live. And all of the nonsense that you see and hear on the national news is gonna fade into the background. All of the criticisms and the complaints and the pettiness that you find in those Facebook groups for all of the different communities, you're gonna find that you're even going to those less and less. Because you're getting something more out of your community and it's all based on what you're putting into your community. If you're not sure where to start, ask me. Send me an email, Janet, at the river nine five three.com. You can send a text message to the radio station 6 3 5 4 1 2 1, and say, Hey, I don't know where to start. I don't know who to contact about this particular thing or that particular thing. I have contacts I have. People in Winchester, in Frederick County, in Clark County, in Shenandoah County, in Page County, LaRay in front Royal in Warren County. I will connect you, but the key is you've gotta make that first step. So please take some time today as you're going into the weekend and think, what can I do to today to be more engaged in my community? What can I do today to make somebody else's life a little bit better that lives in my community or even a neighboring community? If you live in. Winchester Frederick County like I do, but you work in Strassburg or you work in Woodstock and that's the community that you wanna support, that's okay too because supporting a local community is so much better than not supporting any community at all. So, I'm gonna climb down off my soapbox. I'm getting a little bit of a nosebleed from being up here so high. Thank you all for listening to me go on a bit of a rant. I really hope that something I've said has resonated with you, and if you do make a change or reach out to a nonprofit or decide to attend a local community event, I wanna know about it. Send me an email, send me a text and say, Hey Janet. I went to this event and it was great, and I met these great people. I went over to the library and just checked out a few books and wandered around. I took a class. Any of those things, I really, really wanna hear about it because that is what makes me keep going day to day. It's what makes me keep wanting to do this radio show because I feel like I'm trying to bring you opportunities. When you tell me that you're taking advantage of them, it is the best feeling for me in the world. So go have a great weekend. I'll meet you back here on Monday with, as a matter of fact, a nonprofit Dakota's Dream. Randy Woodward is gonna join me along with Alicia from Dakota's Dream. We're gonna talk about the fundraiser that Randy is, Currently embroiled in the middle of, he's gonna race in his first half marathon. He's raising money for one of the cats, Liam, that is currently housed at Dakota's Dream. And Alicia's gonna tell us Liam's story and a little bit about how we can help her, help him. So meet me back here for that just a few minutes. Afternoon, and thank you for listening today.

Für diese Episode bin ich in das Elsass gereist und habe mich mit dem Kochprofi John Oed getroffen. Ich wollte von dem ehemaligen Spitzenkoch wissen, wofür das Elsass kulinarisch steht. Ist die elsässische Küche mehr als nur Sauerkraut, Würstchen, gesottenes oder geräuchertes Fleisch? Und dafür ist John Oed genau der richtige Gesprächspartner und Reisebegleiter, denn er hat 15 Jahre lang sein eigenes Restaurant im Elsass betrieben, davor war er Küchenchef eines elsässischen Sterne-Restaurants, und hat auch mehrere Jahre in den USA, der Schweiz und in Deutschland gearbeitet. Heute vertritt er einen der bekanntesten französischen Produzenten für Kochutensilien, die Firma De Buyer mit Firmensitz in den Vogesen. Seit 1830 werden hier vornehmlich Pfannen und Töpfe produziert - berühmt ist De Buyer unter anderem für seine traditionellen Eisenpfannen und das Kochgeschirr aus Kupfer. John erklärt mir nicht nur, welches die berühmtesten Gerichte im Elsass sind und welchen historischen Hintergrund diese haben, er macht mit mir auch einen Exkurs in die Küche und zeigt mir, wie ich mit den unterschiedlichen Materialien und Temperaturen beim Braten und Kochen umzugehen habe. Aber was ist nun typisch elsässisch? Erstmal, so John, kommt der Wein. Die wichtigste Grundlage für viele lokale Gerichte und natürlich auch als Koch- und Essensbegleitung unverzichtbar. Riesling, Muscat, Gewürztraminer, Weissburgunder, Grauburgunder sind hier die gängigsten Rebsorten. Aber nun zu den typischen Gerichten: Am bekanntesten ist wohl das Sauerkraut mit einer Vielzahl von Fleischvarianten wie geräuchertem Speck, Würstchen und Schweinefleisch. Dann natürlich die elsässische Pizza, der Flammkuchen. Ein anderes berühmtes Gericht ist Baeckeoffe - eine köstliche Mischung aus geschichteten Kartoffeln, Fleisch (meist Rind, Lamm und Schwein), Möhre, Lauch, Zwiebeln und Gewürzen wie Wacholder, Nelke, Lorbeerblätter, die langsam in einem Tontopf geschmort wird. Aber auch die Fleischschnecken - ein Nudelgericht geschichtet mit Fleischfüllung zu einer Schnecke gedreht und in der Pfanne gebraten - gehören genauso zu den traditionellen Gerichten wie die Bouchée à la Reine - Blätterteigpasteten gefüllt mit Hühnerfleisch, Pilzen und Gemüse oder auch der Kougelhopf - ein Hefekuchen meist mit Rosinen und Mandeln verfeinert. Und nicht zu vergessen, die Elsässer Winzerpastete. Es heißt sogar, dass hier die Foie-Gras Pastete ihren Urspung hat. Eines läßt sich sagen, es geht traditionell recht deftig zu, aber auch im Elsass sind viele traditionelle Gerichte in die Moderne übertragen und mit anderen Stilen variiert worden. Viel Spass bei diesem Ausflug ins Elsäss und die Vogesen. Und wenn ihr selber dort hinreist, lautet mein Tipp, startet mit der malerischen Altstadt von Colmar und schaut euch nach einer roten Ente um. Vielleicht sitzt John darin und winkt euch zu. Moderation & Redaktion: Boris Rogosch Links zu dieser Episode: https://www.debuyer.com/de https://www.visit.alsace/de https://www.tourisme-colmar.com/de https://www.foodtalker.de Werbepartner dieser Episode sind: Roku Gin ist der authentische japanische Premium-Gin, der nach den Regeln vollendeter Handwerkskunst mit sechs japanischen Botanicals hergestellt wird. Das Ergebnis ist ein komplexer und harmonischer Gin mit einem perfekt ausbalancierten Geschmack - ausgewogen, blumig und frisch: https://rokugin.suntory.com/de/de Der Große Restaurant & Hotel Guide: https://www.der-grosse-guide.de Ein Guide für Gäste - Inspirationen für Menschen mit Stil und Geschmack CUCINARIA - der Küchentempel: https://www.cucinaria.de Das Fachgeschäft für Küche, Kochen und Kaffeekultur in Hamburg

[Duri Bonin](https://www.duribonin.ch) diskutiert mit der Anwältin [Nicole Fässler](https://www.delphin-anwaelte.ch) den Geständnisdruck in der Strafuntersuchung: Wie kann man diesem entgegenwirken? Was rät Nicole, wenn einem eine Vorladung zu einer Einvernahme ins Haus flattert? Was, wenn eine Hauptverhandlung ansteht? Und was ist bei Beschwerden an den Europäischen Gerichtshof für Menschenrechte in Strassburg zu beachten? Als Strafverteidiger erhält man Einblicke in die unglaublichsten Fälle und arbeitet eng mit sehr unterschiedlichen und spannenden Menschen zusammen. Im Podcast [Auf dem Weg als Anwält:in](https://www.duribonin.ch/podcast) versucht der Anwalt Duri Bonin gemeinsam mit seinen Gesprächspartnern (Beschuldigte, Verurteilte, Staatsanwälte, Strafverteidiger, Gutachter, Opfer, Unschuldigte, Schuldige …) zu ergründen, wie diese ticken, was sie antreibt und wie sie das Justizsystem erleben. Behandelt werden urmenschliche Themen. Bei genauerem Hinsehen findet man Antworten auf eigene Fragen des Lebens und der Gesellschaft. Links zu diesem Podcast: - Neuauflage von [Strafuntersuchung - was tun?](https://www.strafuntersuchung.ch/neuausgabe-2023/) - Mein Gästin [Nicole Fässler](https://www.delphin-anwaelte.ch) - [Anwaltskollektiv](https://www.anwaltskollektiv.ch) - Anwaltskanzlei von [Duri Bonin](https://www.duribonin.ch) - [Titelbild bydanay](https://www.instagram.com/bydanay/) - [Lehrbücher für Anwaltsprüfung und Anwaltsmanagement](https://www.duribonin.ch/shop/) - [Strafprozessordnung](https://www.fedlex.admin.ch/eli/cc/2010/267/de) (StPO) - [Das Verfahren vor dem EGMR](https://www.coe.int/de/web/portal/verfahren) - [EGMR: Wie kann man eine Beschwerde einreichen?](https://www.humanrights.ch/de/ipf/grundlagen/durchsetzungsmechanismen/europarat/egmr/beschwerde-einreichen/) Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören

Rosmarie Wydler-Wälti verlangt mit den Klima-Seniorinnen vom Staat mehr Klimaschutz. Die älteren Frauen sind bei allen juristischen Instanzen in der Schweiz abgeblitzt. Nun wurde ihre Klage am Europäischen Gerichtshof für Menschenrechte angehört. Das Urteil wird juristisch neue Massstäbe setzen. * Die erste und bisher wichtigste Klimaklage wird vor dem Europäischen Gerichtshof für Menschenrechte in Strassburg verhandelt. * Die Klima-Seniorinnen sind bei den Gerichten in der Schweiz abgeblitzt, haben aber erfolgreich eine Klage in Strassburg eingereicht. * Das Urteil, das Ende Jahr erwartet wird, wird für die europäischen Staaten wegweisend sein und ihnen aufzeigen, wozu sie beim Klimaschutz verpflichtet sind. * Die europäischen Länder schauen mit Spannung auf das Urteil, das in der Rechtssprechung Bzu einem historischen Präzedenzfall wird. Im Podcast zu hören sind:  * Rosmarie Wydler-Wälti, Klima-Seniorin, Psychologin * Pia Hollenstein, Klima-Seniorin und ehemalige St. Galler Nationalrätin der Grünen * Alain Chablais, Jurist, Bundesamt für Justiz * Franz Perrez, Umweltamabassador, Bundesamt für Umwelt (BAFU) * Jessica Simor, Menschenrechtsanwältin, Grossbritannien * Siofra O'Leary, Präsidentin des Europäischen Gerichtshofes für Menschenrechte in Strassburg * Prof. Helen Keller, Völker- und Europarechtsspezialistin, Universität Zürich * Studentin (Altea, 23) und Student (Basil, 23) der Universität Lausanne Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Mehr zum Kontext Podcast: https://srf.ch/audio/kontext

Von der Demokratiebewegung in Hongkong bis zu den Klimaprotesten in Europa, eines ist ihnen gemeinsam: Sie kämpfen für ihr Recht gehört zu werden und sie kämpfen gegen eine stille Mehrheit. «Kulturplatz» über Zivilcourage und die Furchtlosigkeit von David gegen Goliath. Im Sommer 2019 gingen in Hongkong über ein Million Menschen auf die Strasse und demonstrierten für mehr Freiheit und Demokratie in der chinesischen Sonderverwaltungszone. Heute, knapp vier Jahre später, ist Hongkongs Demokratiebewegung faktisch zerschlagen. Den oppositionellen Medien und Politikern wird seit Februar der Prozess gemacht. Das Beispiel Hongkong zeigt, wie China mit Gesetzen und scheinbarer Rechtsstaatlichkeit eine Opposition zum Schweigen gebracht hat. Die Frage bleibt, gibt es noch einen letzten Funken Hoffnung? Klimaseniorinnen haben vor dem europäischen Gerichtshof eine Klage gegen die Schweiz eingereicht, weil sie der Meinung sind, der Klimaschutz des Bundes sei unzureichend und verletze ihr Grundrecht auf Unversehrtheit. Ihr Argument: Die globale Erwärmung stelle ein erhöhtes Sterberisiko gerade für ältere Frauen dar. Mit der Frage, ob der Klimaschutz ein Menschenrecht sein kann, hat «Kulturplatz» die Seniorinnen auf ihrem Marsch nach Strassburg begleitet. Eine Frau, die mit ihrer Kunst und ihrem Protest einiges erreicht hat, ist die Fotografin Nan Goldin. Sie ist angetreten, eine der mächtigsten Familien der USA zu Fall zu bringen – die Sacklers. Sie haben mit ihrem Pharmaunternehmen Purdue und dem umstrittenen Schmerzmittel Oxycontin Milliarden verdient. Als Goldin von diesem Schmerzmittel abhängig wird, beginnt sie zu kämpfen. Der wunderbare Dokumentarfilm «All the Beauty and the Bloodshed» begleitet die Künstlerin in ihrem Kampf für Gerechtigkeit. In den Kinos ab dem 27. April 2023.

Schweizer Klima­seniorinnen verlagen den eigenen Staat vor dem Europäischen Gerichtshof für Menschen­rechte.

Kultur & Genuss am Fluss und beim WeinDer Kulturtourismus boomt, Eventreisen für den Kurzurlaub sind angesagt und das Erleben unterschiedlicher kultureller Szenen hat Hochkonjunktur. Ob klassische Konzertreisen, Theater- oder Ausstellungsreisen, das Publikum goutiert meist eine Kombination aus Kultur und Genuss. Wo könnte das nicht besser gelingen als in der trinationalen Region Oberrhein mit den Ländern Deutschland, Frankreich, Schweiz. Willkommen im «Upper Rhine Valley», einer der schönsten Regionen in Europas Mitte.www.seazentravel.com/abo Hosted on Acast. See acast.com/privacy for more information.

Gudrun Kargl ist von einer kraftvollen Mission erfüllt. Mit sogenannten Peace Seeds, welche sie selbst malt, trägt sie Friedensbotschaften in die Welt hinaus. Dabei lässt sie sich intuitiv an wichtige Orte wie dem WEF in Davos, dem Europaparlament in Strassburg oder dem Bundesplatz in Bern leiten. Wer ihr in die Augen blickt erkennt ihre Botschaft: «Lebe deinen Purpose, finde Erfüllung und hinterlasse bedeutende Spuren für die Welt von morgen. Es lohnt sich in jedem Fall.» Mehr über Gudrun Kargl: www.gudrunkargl.at

Nils Strassburg ist Deutschlands bester Elvis-Imitator - und ich begrüße ihn für die heutige Folge als meinen Gast im Studio. Wieso Nils sich sich für diesen außergewöhnlichen Beruf entschieden hat, wie lange er für Elvis berühmten Hüftschwung üben musste und wie ich ihn überhaupt kennen gelernt habe, erfahrt ihr hier.Hört rein und lasst die 60-iger noch einmal Revue passieren!

Nils Strassburg ist Deutschlands bester Elvis-Imitator - und ich begrüße ihn für die heutige Folge als meinen Gast im Studio. Wieso Nils sich sich für diesen außergewöhnlichen Beruf entschieden hat, wie lange er für Elvis berühmten Hüftschwung üben musste und wie ich ihn überhaupt kennen gelernt habe, erfahrt ihr hier. Hört rein und lasst die 60-iger noch einmal Revue passieren!

Award-winning, writer, director, actress Christina began her career acting in such cult films as Suburbia, Boys next door and Dudes. She was one of three women accepted into Fox Searchlights new director s program, her IFP nominated Best screenplay, debut feature, PERFECTION was part of their rough-cut labs, Independent film week and winner of The Adrienne Shelly female directing award.PERFECTION screened at The Oxford film festival where Christina won Best Actor and Best Narrative feature and also screened in the San Francisco International Women's film festival, the USA film festival in Dallas, Texas, The Egyptian theatre in Hollywood, CA, premiered at the RIO cinema London, The Quad cinema, New York and screened at The Laemmle' s Monica 4plex in Santa Monica, CA.Christina has sat on the juries for the London feminist film festival, the Eastern European film festival, the 100 word film festival, NC and has served head of the jury at the USA film festival, Dallas.Her upcoming projects include, EXPECTING GRACE set in Marseilles France, her short, HOOKER #2 and the punk rock pilot, POSEUR. Christina has lectured at The New York film academy, The Met School, London, Harvard Westlake, Cal State Fullerton and is an adjunct professor at Loyola Marymount University in Los Angeles in the film and television department.Show NotesChristina Beck's Website - https://www.christinabeck.comChristina Beck on Instagram - https://www.instagram.com/cbrubylee_xtinabeck/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistTranscripts Are Auto-GeneratedChristina Beck:I always say to my students, Pick stories that you love. Pick stories that you feel like you have to tell because you're gonna be living with that story and pitching that story way beyond the script. You're gonna be pitching it for grants, you're gonna be pitching it for festivals, you're gonna be pitching it for people to watch it online. You're forever pitching these stories. But to say something visually is powerful. I think it can change minds and hearts.Michael Jamin:You're listening to Screenwriters Need To Hear This with Michael Jen. Hey everyone, this is Michael Jamin and you're listening to Screenwriters. Need to Hear This. We got a special guest for you today. If you are an indie filmmaker, an aspiring indie filmmaker, you're gonna wanna listen to this. You're gonna wanna meet Christina Beck, who I've known forever. She's an old friend, independent filmmaker, but she's you. She also teaches at Loyola Marmont University and the Fame Stella Adler Theater where she teaches screen screenwriting as well as film producing filmmaking, all that stuff. Well Christina, welcome to the big show.Christina Beck:Thank you. Thank you so much. I was gonna call you Mr. Jam and it's a habit. I can't help it.Michael Jamin:It's a habit. There it is. Cause cuz Christina briefly worked for me as an assistant for me and my partner on a show. And then I force you to call me Mr. JaminChristina Beck:. it just kind of fell into this thing. Yeah, no, you did not force me. You didn't force me at all.Michael Jamin:I never did that.Christina Beck:But I will correct you Mr. Jamin. So I actually don't teach at Stella Adler. I teach at least Strassburg, but I could see where you would choose that. Oh, at least Strasberg. Yeah,Michael Jamin:Just I would think,Christina Beck:Right. Well, they're all,Michael Jamin:They're East Strasberg. Go to that one.Christina Beck:Yeah, but sad. They're not around anymore. But the legacies are for sure.Michael Jamin:I haven't been to West Hollywood forever. Yeah. And you guys see, you got your one sheet from, That's from Perfection. Let's talk about what you're at, some of your movies that you've done, cuz Christina is an indie filmmaker. She's a hustler. She makes her movie, she writes your stuff. You also started as an actor, right? Where, let's take me back to the beginning. You basically started, you wanted to be an actress, right?Christina Beck:Yes, yes. Yeah. So I grew up here in Hollywood, actually not in Hollywood. I grew up in the Valley. Let's get real about that. So I like to call it the main streets of Studio City. And although it was very different back then, I know today it's a unaffordable, you can't even get in there. But back in the day it was the suburbs, basically. And my folks were in show business. My father was a screenwriter and an actor, and my mother was an actress, a model kind of actress. She ended up studying in New York with some very significant people. Sandy Meisner had a full scholarship for the Neighborhood Playhouse, which was a big deal back in those days. But my beginning with acting really started just as a kid. being extremely bored in the valley and putting on shows. I was that kid. I was putting on shows, arranging the stuffed animals. If we ever had company, they were held hostage to my extravagant. Really? Yeah. It was Cabaret 24 7 and . I know. Yeah. You didn't know that about me. Yep. I didn't know that. Yeah.Michael Jamin:I also didn't know your dad was a screenwriter. I didn't know that as well. Did he work aChristina Beck:Lot? Yes, he didn't work a lot as a screenwriter. He worked a lot as an actor. So when he came out to Hollywood, he's from Texas originally, and he came out to Hollywood and straight away got signed to William Morris, got put under contract at Universal and did a bunch of movies. But then he did westerns. I always played the bad guy on Bonanza andMichael Jamin:Yeah, Christina, I didn't know your Hollywood royalty Well,Christina Beck:A little bit, yeah. Yeah. Oh wow. Definitely the lineage is there. Yeah. But his real love was screenwriting. He didn't love acting. He really did fall into it. And he had a great look and he was a cowboy, so he played a cowboy, but he wasn't even really a cowboy. He's just from Texas. But yeah, there's this really great story. So Robert Blake, who some of us know strange stuff all around that guy. But that said, back in the fifties, he was friends with my father was friends with him, and Robert Blake had a part where he had to ride a horse. And my dad said, All right buddy, I'll take you out. And they went to, I think probably, well, I don't know what it's called now, but it used to be called Pickwick, which is in Burbank near Disney. They went out over there and not only did he teach him how to ride a horse, he helped him learn his lines. And because I heard this story later after my father passed Robert said, Your father, he really sat with me in this tiny little apartment and he had me drill my dialogue and I got the roof because of him and just very sweet old school. Wow. Hollywood, stuff like that. But that said, when my father wasn't working as an actor, he was always in his, it was dad's den type, type type, type type. He was always working on screenplays and he loved writing.Michael Jamin:Yeah. Do you feel the same? Do you acting more, writing more for you? Well, are you like your dad orChristina Beck:Not? No. Yeah. No, I'm not like my dad. I, there's bits of me that I like him, but it's more acting was definitely the first bug. And like I said, putting on shows at home. But then I got kind of lucky, I was in the valley still. So on Ventura Boulevard near Vineland there was this place called Moral Landis Dance Studio. And my mother used to go and take a jazz class there. This is the late seventies. And next door was a place called the American National Academy of Performing Arts. So I kind of wandered over there and at this academy place, and I ended up joining an acting class. And my very first acting class, an acting teacher, was a man named Francis Letter. And I didn't notice at the time, so I'm like nine years old, 10 years old, and he is about 80 or maybe seven in his seventies. And so I joined this acting class and then he asked me to be in the adult acting class, and I gotta play all the juicy, the bad seed and just fun stuff like that. Oh wow. And so it turns out that later on I found out that he was a big deal and he was in Pandora's Box, the silent film starring opposite Louise Brooks. And he's, and he did a ton of stuff for a long time. And then he was part of the actor studio in New York, and he was from Eastern Europe, but came over here right before the war, I think, . So that's when I really just was in heaven as a kid acting in this class. And then I also did some commercials with my brother. We were in some commercials. And then I became a teenager, , and then I became really rebellious and mm-hmm got into the punk rock scene and completely fell in love with music and artistry. I mean, really at that time too, this was the early eighties when punk rock wasn't necessarily vi What's so funny,Michael Jamin:Cause I can't picture you doing being into punk rock. I guess it,Christina Beck:I got pictures. I got pictures, and I've actually written the whole show about it. Yeah, I . But all that to say, yeah, I, I never wasn't like the punk rock chick. I more, I liked the artistry of it. I liked the right, And when I say that, I mean there were a lot of wonderful, cool artist people that I'd met mostly, much older than me at the time, but they were musicians and writers and actors. But they were on this kind of rebellious thing where we don't need permission to do anything, we just get to be creative. And that's what I loved mostly about that whole scene. And then there were different facets of it that were cuckoo and, and intense and lots of drugs and lots of alcohol and lots of inappropriate stuff. But then I got cast in a movie, so now it's my late teens.And my best friend, she was well there is a woman named Penelope's Theorists who has made films that we know of Wayne's World and different Hollywood films. But at that time she had made a documentary called The Decline of the Western Civilization, which is a really amazing film even to this day because she really got into that la punk rock scene at that particular time in space. And it was an incredible film. And she wanted to make a narrative film. So she wrote a script and got it produced by a furniture salesman guy. And I think Roger Corman of course. And so I got cast in that. And like I said, I was in my late teens and at that time I was kind of over punk rock and I was like, Eh, don't wanna, this is stupid. But I ended up doing it. And that is where I really was like, okay, this is the way I wanna spend the rest of my life.I loved being on set. And to answer your question, it's really tricky. I love in the realm of all that we do in terms of writing has its moments and then the pre-production, but being on set to me is definitely my favorite. And post is a whole nother exploration. But yeah, so it was from that moment on that I was just like, Okay, this is what I wanna do. And I did a couple more films with Penelope and then I moved to New York City and I wanted to be a real, I also felt like, okay, I didn't really, I need to be a real actor. I really have. And soMichael Jamin:A theatrical actor, is that why you moved toChristina Beck:New York? Well, yeah, I mean I love theater and my very best friend, you might know her, Cynthia, Man. Oh, okay. Yeah, it's Shannon. Familiar . Yeah. So we wereMichael Jamin:Frozen. That's how I met my wife. That's how I met her. I met you through her. I met you honestly, Christina. That was the first time it was really, I met you really on real early on, but go on. When I was with Cynthia. Really? Yeah. Tour or something.Christina Beck:I know, it's so great. Michael Jamin:But go on. AndChristina Beck:So Cynthia was in New York and at that time, for me, I felt like I really wanted to study and be a serious actor because I come from more of a film background. I did study a bit with Francis, but I really wanted to pay my dues as an actor. And I, I studied with a bunch of different great people. I auditioned for everything that was there at the time. AndMichael Jamin:Tell me, I'm gonna interrupt for a second, hold on. But tell me what your thoughts are, the difference between acting for film or television and acting for the stage.Christina Beck:Well, in my experience and what I'm also kind of revisiting lately, well when you're acting in film, it's very subtle. There's a camera and the camera picks up everything. And so when you're on stage, you are playing to the back row. People in the back need to see and understand what's going on. And it's just a very different, and I think most actors can do both. Some are, I guess more comfortable doing one or the other.Michael Jamin:But when you study and you train, do you sometimes study specifically or did you specifically for film versusChristina Beck:No, no, I didn't. No.Michael Jamin:Are are classes like that? Yeah. Just forChristina Beck:Fun. Yeah. Yeah. There's like on camera classes where people, it's for auditions I think, but also to get to practice how you come off on camera. Yeah. I never did that . I never, yeah. Really did that. But here's a weird, maybe creepy thing. Ever since I was a kid though, I always felt like there was a camera on me. , I would visualize, I could almost disassociate a little bit, this is a psychological thing here, but I felt, I would kind of imagine walking to school, what would it be if this character was walking to school? I almost was above myself a little bit watching myself. And that's a weird thing to say cuz actually when you're acting in a film, you really shouldn't be watching yourself. But that's where I am also a director. SoMichael Jamin:In other words, you were visualizing visualize how you would shoot yourself or is it more of Yeah. Was it more of a fantasy thing or how would I appear on, I wanna shoot myself if I was walking down the street?Christina Beck:Yeah, it's more the that one. And of course a little bit of fantasy, but it was escapism. But it was also, I was sort of able to take myself little Christina walking to school fifth grade out of it and see it from this other angle. And I don't know what that's about, but I do now I I see things that way all the time.Michael Jamin:Really How you would shoot it, where you would place the camera Christina Beck:Or where is the camera? Yeah. And it's such a funny thing cuz we live in a world now where everyone has a phone and everyone is documenting, everyone is shooting themselves. And that's a little different. But I guess it's similar in a way.Michael Jamin:Did you have film equipment when you were that Young? Christina Beck:I mean, Well my dad I none. We really didn't. My dad, no, my dad did my made some super great films and actually. Yeah, we did a lot of home movies when I was little. So I was usedMichael Jamin:To with sound.Christina Beck:No, no sound. No, it'sMichael Jamin:Interesting.Christina Beck:So yeah, yeah, being tied up on a tree and then my brother coming up on a horse and all sorts of me crying. Yeah, I got it. I got it all.Michael Jamin:Wow. Then so after New York, so how long were you in New York?Christina Beck:Three years. I was there for three years. AndMichael Jamin:Then what made you decide to come back?Christina Beck:Well, I wrote a play and that's kind of what happened. So I'm in New York, I'm studying, I'm auditioning for Everything film. I remember that there was one year where I really went out for everything that was shot in New York or anywhere around there and didn't get anything. And at the time I was studying with a woman at Playwrights Horizons who was a writer and an actress. And she said, Listen, you guys really should start writing characters that you feel you could play or just more of an empowerment in terms of instead of waiting around for everyone to give you a role, write something. So a bunch of us did, and it really started out by writing monologues. So I was in a group of women and we formed a little theater company and so we wrote characters and monologues for these characters and then we put it up and that was really great. And then I gotMichael Jamin:You. Don't skip that step. How did you put it up? How do people stage playsChristina Beck:You a lot of time? Well, at that time, at that time, which was a long time ago we raised a little bit of money, kind of similar to a lot of independent film stuff. But we raised a little money, family and friends type of thing. We actually did it at the Samuel Beckett Theater, which was where Playwright Horizon, I think they're still there on 42nd Street, I think eighth and ninth, 42nd Street, . And we put it up for a weekend and we got reviewed and we got in. It was great. It was super fun. And it also felt like I started to feel more complete as stuff that I could do as an actress. I always, I didn't, waiting around, I don't waiting for, I just felt like I have more to do and I was always journaling and stuff as a kid and as I got in my teens.And so writing to me didn't feel that far off from what I was already doing. And coming into it as an actor, I knew I've read enough plays and I've read enough monologues to understand how to write in that form. So I ended up when I was living in New York, I'd come back to LA and visit in the summers. Cause summers are horrific in Manhattan. So there were some musicians that I met that were doing some kind of cool stuff. And this one guy played, he had a character that he did. And so I wrote a play. I kind of inspired me to write this play about him. He was playing a lounge singer and he, his friend had this group and it was kind of rock and roll stuff, but then they would go into a lounge sort of thing. And I thought, oh, that would be funny to, what would it be if these lounge singers had a kid and tried to live their life? And it was a little autobiographical, the father's alcoholic and the mother's sort of obsessed with her beauty. And so these themes started to come up in my work. So I wrote this full length play and there was music in it too. And then we also shot some video footage, so it was sort of like a multimedia thing. So I kind of had to come back to LA to do that.Michael Jamin:So you staged it?Christina Beck:Yes. I didn't direct it, so I wrote it and I starred in it. But a friend of mine this woman named Modi, who I met from the punk rock days, but also she was Penelope's assistant on some of the film stuff I worked on with her and was a video director in her own. And so she came in and she directed it and it was great. It was amazing. It was.Michael Jamin:And how do you even get the theater to put it up?Christina Beck:We raced a little bit of money and then we got producers and they put it up up.Michael Jamin:What do you mean? How does that work? You got producers, what doesChristina Beck:That mean? Yeah, so the woman who played my mother in this is an amazing singer, artist, actor. Her name is Jane Cotillion. And so she loved the play and she said, Oh, I know this guy Billy DeModa and he's a casting director and maybe he could produce it. And he didMichael Jamin:. This is just from being out here, just from honestly, just meeting people, being in circles, taking acting classes and because that's the thing about la everyone's trying to do something right?Christina Beck:Absolutely, yeah. I mean think it's now because of Zoom and different things in the world and there's so much more accessibility. I think it's possible to collaborate and not be here. But all that said, especially at that time, you had to be here. And I do think it's still important to be in the place where you wanna be if you can. And these people I knew, so I knew about the guy, his name is Manny Chevrolet and he and his friend had this act and they were opening up for the Red Hot Chili Peppers and I knew them from suburbia, which was the movie I did with Penelope I knew. And so it was kinda a group of people that I already knew. And then the musical directors, this guy named Tree, who's good friends with, and they were just all these people that kind of organically came on board.Michael Jamin:Interesting. And tell me, but how do, you're also, obviously you've written and directed and produced a bunch of movies, indie movies, some are shorts, some are full length, but do you go about, alright, so you work on the script. How long do you work on the script and when do you know it's done?Christina Beck:Yeah, that's a great question. And then everything's a little bit different. So with short films, well I'm teaching a course right now, so I feel like I already have this in my mind. Short film is one idea and that script can take a long time to write. It's not easy to write a short film because basically you're trying to squeeze in this one idea in a way that has a beginning, middle, and end. So you don't have the luxury of necessarily three acts, but you have to have this.Michael Jamin:How long is it short for you? Well,Christina Beck:Okay, so that's another great question because what I have learned now, I think a sweet spot for a short is anywhere from 10 to 12 minutes. I think if you can sit, do it in a shorter amount of time, even better because depending on what you wanna do with it. So there's a whole film festival world, which is pretty much the best place for your shorts to be seen if you can get them produced. So it's a matter of programming these films. So if you have a film that's 20, 25 minutes, that obviously takes up more time. And most film festivals, they program the short films in a block. So they're literally trying to pack in as many as they can and good ones. And it's all different too because the academy nominated films, they can be up to 40 minutes. But even again,Michael Jamin:When you say program, when they're looking for blocks, what is their intention?Christina Beck:Well, they'reMichael Jamin:Showcasing what I mean, you have to understand that right as well. How does the film festival, how do they make money so that they would want you?Christina Beck:Right. Well that's a whole other thing. So there's different kind of aspects to that. So there's short films that are star driven, meaning you can put a star name in it. Now that always brings money and cache to a festival but not you can make a great short film and not have a star in it, is really what I wanna say. Because a good short film is something that has a very original idea. Again, it's short enough where you want more basically. And it's not making a feature and then picking a scene from the feature and making a short out of it. Sometimes you can create characters or create a separate script. So I made a short film for Fox Searchlight, I got in this new director's program with a feature script and they would not let us just take us a scene from the feature.They were like, no, no, no, you have to make a short on its own, but with the same characters and the same relative premise. So that's kind of how I learned about that trap. But to answer your question the short films that get noticed at festivals or can even get into a festival are ones that are very authentic to whatever the genre is and the writer's vision. What are you talking about? Is it something, And that's also a weird trap too, because as a writer, I don't wanna be thinking about a festival, you know? I mean that's way down the line. But you have to live in both of those realities in a way. Because if this is a calling card as a writer or as a director of Indy films you have, it's good to keep in mind, okay, I'm not gonna write a 45 minute short film and expect it to be programmed. That would set myself up to fail if I could write. WhenMichael Jamin:You say programmed, you mean, what do you mean by programmed? Are they gonna play for that weekend?Christina Beck:Yeah, so in a film festival, they have a program of films they have, whether the festival is a week long or a weekend , depending on what festival it is. But for instance, let's just say Sundance, I believe a week. So there's some pretty intense statistics that I just found out from a friend of mine. So they had the largest amount of submissions of short films this past year than ever over 10,000 short films. And they only program 59 films. So wow. like, oh my God. And Sundance is wonderful and amazing and if you can get in, great, It's not the only festival. There's a gazillion festivals and anyone is a great experience to get in and go to have that festival experience. But to answer your question about programming , are we there? The people that program the festivals are people that watch the films and decide, we have a three short film programs, A, B, and C. This is just making this up, but it's kind of how they do it. We have 30 minutes in each block, so I gotta squeeze. It all depends. Sometimes there's a film that's a little longer, but they really like it, so they're gonna put that in there. And then there's less room for other films.Michael Jamin:. And how much does it cost to submit to a festival? Usually?Christina Beck:It varies. It definitely varies and it varies. Sometimes they have early submissions that are always a little cheaper. Also depending on you can always ask for a waiver. Sometimes they give them to you, sometimes they don't. So it can be anywhere from 20 bucks to 75 to 150 bucks. It definitely can add up.Michael Jamin:When you make a film, how many festivals will you submit to?Christina Beck:Again, that all depends. There's certain festivals that you can target for. Again, there's the big five seven festivals, Sundance and Berlin and Toronto Telluride and then those are kind of the biggies. But then there's everything that tears down from there. So yeah, it can get very expensive and super daunting. And that's a whole other conversation. The film festival world. Huge, big.Michael Jamin:Now let's say you get into a festival into a big prestigious one. What is the goal? Eventually I And what is the goal? You got, you're short, eight minute film is in Sundance. What are you hoping?Christina Beck:Right, right. Well you're hoping for Eyes on the Film and that's a really also interesting question that you asked because back when those festivals, especially Sundance is a very different festival today than it was when it first started as most things are. But those, that would be the eyes, all the, everyone would be there and you would get would just get the cache of this is a Sundance film. It would give you opportunities to meet agents and if you don't have representation it'll help with that. And it's still, those things can still happen, but now you can get eyes on your film, on the internet, you know, can generate that if that's what you really want, if that's your goal. So know we need those things, but we don't as much anymore. It's a very different business today. But initially you wanna get eyes on your film people to see your work, hire you for more stuff.Michael Jamin:And when you say on the internet, you mean YouTube or Vimeo or what's the platform? Both.Christina Beck:Yeah, I think YouTube is, I don't know if Jimmy I don't know how many people, I mean you can certainly send people there, but I think YouTube a little more, right,Michael Jamin:People find right. But what do you tell your kids in your class today? Are you telling to do more on social media? Are you like a TikTok or what else are you telling to get found?Christina Beck:Well don't more talking about the actual craft of the work, whether it's directing or screenwriting. I don't come up with all of that in terms of my work is as a writer director when I made my feature, I was very fortunate to I submitted the script to well I got into that Fox Searchlight program, which no longer exists. But there are other programs, there's lots of diversity programs, different studios have programs for emerging writers. And that one at the time I was one of two women, there were all men. There was like 40 men and two women. And nowadays it's definitely even doubt a lot. But all that to say that helped with, oh she was in that program, so let's take a look at her script. And then I submitted to an organization in New York called the If P, which now is called Gotham, but they do the spirit awards and Filmmaker magazine, which is something that I started reading very early on and I got nominated for best screenplay. So from that I got on their radar. So it's kind of just taking steps to be seen. It's always about people. Knowing what you're doing and what your vision is for this work,Michael Jamin:Do you go to a lot of film festivals even when you're not in them? Do you go just to watch or to meet people or anything?Christina Beck:I do in town. Yeah, in LA I will. I went to right Berlin when I didn't have anything in Berlin sadly. But I was there, I for a meeting with some European producers and then just happened to watch some amazing films. Film festivals are great cuz you meet like-minded people, whether it's people in the industry but also you meet other filmmakers, other writers, other directors, people that are maybe a little above you, maybe you've done a little more than them, but it's a really cool, cause the energy at most festivals I went to Can God, when was it 2006? I was trying to get my feature made and I was very naive. I made a short film version of my feature and I went to Can and I had my DVDs and I had my little pitch idea and I didn't really know that these meetings that they have, cuz there's a film market, some festivals have a film market and that's always really great. Berlin has one there's a film market here at afm. Kind of different energy though for sure, but can, it was like, oh my god, I was so lost. I was just like, what am I doing here? It was amazing and it was horrible and it was like that within each hour I just felt like I was in, was so over my head and yet really cool, wonderful things happened and I met people there that I'm still in touch with today.Michael Jamin:Hey, it's Michael Jam. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You could unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michael jamin.com/watchlist. People ask me this a lot, but do you find from where are that, it's that right meeting writers and actors and directors. Do you feel it's like collaborative or is it competitive?Christina Beck:Well, I think it's collaborative and you can kind of sniff out people that are competitive. I, I've been in quite a few groups of women especially, so back a couple, one when my first short film screened with the American Cinema Tech, not my very first short film, but the first short that I directed. And I met a woman there named Kim Adelman and she's amazing. She's written a book about short films. She's incredible and she supports a lot of female directors. And her and this guy named Andrew Crane created a program at the cinema tech. And so through that we made this thing called the Female Filmmaking Collective. And so we would bring other women directors and this was kind of, well this is like 15, 16 years ago. And then there's been other women's filmmaking groups. The film Fatals, a member of the a w Alliance of Women Directors.So all that to say there's, for the most part, the energy is very much like, yay, how can I help you? And then there's a few people that are anywhere in the world. It is, it's their personalities, the spirit of, I try to stay in the spirit of that there's enough for all of us. Cause otherwise that makes me uptight and I don't wanna be uptight. But definitely, yeah, I think I don't write with other people. I haven't yet. I've tried to in different increments, but it just hasn't quite felt right. But I do collaborating for sure. And especially filmmaking when you're actually getting in production that's like all about collaboration,Michael Jamin:Especially with the good dp, you know, What are you shooting? What do you like to shoot on? Or do you care that much? What kind of camera?Christina Beck:Well, I like things to look like film . I mean, we shot my first short that I wrote Disco Man that was shot on 16. And my dp, I found him at USC Film School and he's a really good friend and we just shot something this last spring. So that was a long time ago. He became chair of the film school that I teach at now. But all that to say, yeah, again, it's the people that you meet here, you meet them there, we're all still here and still love film making. So that said, my DP for Perfection, my feature, his name's Robert Psal and he's amazing. Cause this guy, not only is he super talented, we shot that film for two years on the weekends, two and a half years. So to get someone to literally, okay, we got a little more money, Rob, come over, we gotta shoot this other would. And then a lot of times just he and I would jump on a bus and I'd borrow a camera from a friend. We had prime lenses, which if you put that on digital cameras, it gives a more cinematic look. So we had those for a while. We shot that film literally in four different formats, meaning four different cameras. And I DidMichael Jamin:You find it matched? Okay, Did itChristina Beck:Worked for the film? I don't know. Recently someone asked to see it, this wonderful DP that I was talking to, he lives in France and I felt a little self, cause I'm like, Oh my God, he's gonna see how, And he is like, Oh, it's shot so beautifully. And I'm like, wow, nobody knowsMichael Jamin:All this.Christina Beck:Yeah,Michael Jamin:Why you don't have to worry about that stuff. Well, and what aboutChristina Beck:It's gotta be in focus, let's put it that way, . Yeah. And sound is a big deal too,Michael Jamin:For sure. Absolutely. That's huge. It's hugely important if you can't hear it. Right. But what about how concerned are you when you shoot the stuff crossing the line or the cameras? Are you relying your DP for that, making sure that you know, don't have these jump cuts because the character's looking the wrong way? AndChristina Beck:IsMichael Jamin:That your concern or you let the DP handle that?Christina Beck:Well, because so far I've been mostly acting in the stuff that I've shot. I definitely rely on my DP as well as my script supervisor. . I mean, I can tell myself when we're setting up a shot and then sometimes you can cross that line and it's okay, it's not gonna be an editing nightmare, but you sort of have to gauge it. And I don't make those kind of decisions by myself. And I really do rely so much on my DP and my script D because it's, it's that funny thing for me. What the reason I became a director in film was because I made a short that another different short besides Disco Man that it's called Blow Me. And I didn't direct it. And I did a lot of directorial stuff on that project. And my director at the time was busy with other things.And so we weren't really able to finish the film for a long time. And actually my co-star was an editor as well. So he kind of got the film and he edited and we worked on it together. And what I learned, and this goes back to the film festival thing. So in film director has the say in everything in terms of how final say on music and different stuff. And being a screenwriter and an actor and even a producer, I didn't have the same access to the vision that I had. So I thought, ooh, I need to direct this stuff . SoMichael Jamin:Yeah,Christina Beck:That's how that shifted. HowMichael Jamin:Do you go about, but how do you go about fundraising for all this stuff and what kind of budget do you usually try to get?Christina Beck:Well, it's tricky. That's the hardest part. And I just was at a film festival here in la, it's the American French Film Festival. They have it every year at the dga. And I was listening to a panel of producers and directors and from Europe and the UK and Los Angeles. And the thing is, those foreign countries, they have film funding built into their system, literally the government. And there are different types of ways that those more character driven films. This is what I'm pretty much more interested in what we would call art house films. , especially right now, there's just this huge divide, which is very mm-hmm , much like the whole world that we're in right now. So there's tiny budgets and huge budgets and the middle size budget isn't really around anymore. No support for it. And it's happening in Europe too right now. So I was listening to see, okay, are they going through it too? So that said, yeah, there's different ways. And I would say for first time directors that are making a feature or a short film for the first time, Crowdfunding's great, there's amazing platforms. I did that with a company called Seed and Spark and they were really supportive and helpful. And we haveMichael Jamin:Some, Well what do they do? What do they do that's better than putting it up on what's some crowdfunding site?Christina Beck:Well they are a crowdfunding site, butMichael Jamin:Why not just use your own, I don't know what's the difference between, well go fund me or whatever.Christina Beck:Well I don't, yeah, get, well go Fund Me I thought was more for donations. Yeah, so there's fiscal sponsorship, which is something you'd need so that people that are donating to your project get an actual tax write off that's properly done. So you wanna do that but they help curate and they have a platform. I mean, look, you've written the thing, you're doing all this work. Are you gonna set up a website so people can give you money? So, and maybe you're really good at that. Places. Well indeed, Gogo and Kickstarter, and I mentioned Student Spark because they're someone that I did it with, but all those places haven't already. It's like, why reinvent the wheel? They've done all that work. So literally you can just send people there. They take a small percentage of whatever you get and different platforms have different things. I don't know. I know there's one that if you don't make your gold then you don't get any of the money. So I didn't do that one , butBut going back to someone who's starting out and wants to make something a short or a feature and hasn't already exhausted their family and friends, there's nothing wrong with doing that. Also there's grants and And those aren't easy to come by, but they're there. And depending on, there's different places. There's like in San Francisco, there's the San Francisco Film Society has very specific grants for people that shoot in the Bay Area. And a lot of films have gotten made through that grant. They give a significant amount of money. So there are ways, and it's not easy. I mean really, ideally a private investor is great and there's gonna be a loss. So now most of the indie films, and these aren't Es, and I'm not an expert, I'm just speaking from my own experience. But an indie film may not get a theatrical release. I did not with my feature. What I did get is I got the theatrical experience in film festivals and I was lucky to be programmed in Los Angeles through the American Cinema Tech. And I got to see my film at the Egyptian Theater, which was heaven. And I was there for that. You were there. So, and now it's available to stream. So most projects go to streaming and huge projects go to streaming now. So it's just in this very differentMichael Jamin:World. Is it, where is your playing, where is the streaming now?Christina Beck:On Tubby? Tubby . AndMichael Jamin:This is per perfectionist. Which one isChristina Beck:Yes. Perfection.Michael Jamin:Which, yeah,Christina Beck:Yeah. Okay. And all that's on my website. Christina Beck do com.Michael Jamin:Christina beck.com. Interesting. Wow, that's interest. ButChristina Beck:This is, and my shorts are on there too.Michael Jamin:All your short. Is there a down, getting to a big festival, that's gotta be a game changer. But can a little festival help you?Christina Beck:Well, yes, because again, you see your film on a big screen, you see your film with an audience, you meet other filmmakers and yeah, as you know, Mr. Jamin, everything in this business is preparation and luck. So you're honing your craft , you're doing what you love. There's no slam dunk guarantee. Even with the bigger festivals. I know people that have gotten into huge festivals and got big representation and then a year later nothing. So it's like nothing. Yeah. Yeah. I guess I always say to my students, pick stories that you love. Pick stories that you feel like you have to tell because you're gonna be living with that story and pitching that story way beyond the script. You're gonna be pitching it for grants, you're gonna be pitching it for festivals, you're gonna be pitching it for people to watch it online. You're forever pitching these stories.But to say something visually is powerful. I think it can change minds and hearts. So I come to it with that. And it is frustrating. I have a feature that I wrote last year that I have not made yet. We shot a few scenes in the spring with some of my students and my first dp, me, Kyle to kind of see where it lands and figure out do we wanna do a crowdfunding thing? Do we wanna try to get in Grant? Like what? And I don't know honestly, I don't know if I have the bandwidth to go through that hustle for getting financing right now. Right now. BecauseMichael Jamin:If not that, Oh well I was gonna say, if not that, then what? You know.Christina Beck:Well, right. Well, I mean look, ideally if we were all Henry Ja or somebody who has a trust fund, independent filmmaking is for people that have a trust fund basically.Michael Jamin:Or can fund, right? Or you,Christina Beck:Yeah, I'm teasing, right? Yeah.Michael Jamin:, how many, when you shoot, how many people on set, How many crew members do you wanna have? What's your skeleton crew?Christina Beck:My skeleton is probably 12 peopleMichael Jamin:That I'm surprised it's that big. So who,Christina Beck:WellMichael Jamin:Let's walk. You mean you've gotta skip supervisor DPChristina Beck:Happens fist. Yeah. Okay. Scripty, dp, ac sound mixer, boom. Makeup, hair. That could be one person blah. Who am I forgetting? Producer. Of courseMichael Jamin:You're gonna want someone with the lights.Christina Beck:Well, right. Lights, gaffer, grip. Then we have,Michael Jamin:How many cameras are you rolling at once?Christina Beck:Oh, one . Yeah, one. Okay. Yeah. Okay. Yeah. This isn't like tv, but I did actually, I made a short film with three cameras. Once I did that one I did for search site. Yeah, that's true. But that was a, people were like, Why did you do that?Michael Jamin:But that's still not even year 12. That might be, I don't know. I lost count.Christina Beck:Well, I'm missing people. I'm on the spot here. I'm trying to think. I'm totally missing people. I mean, there's craft service,Michael Jamin:Right?Christina Beck:Oh my God. Probably like the most You got people person, Yeah. Anyways, yeah. 10 to 12. It just adds a pa. You need a pa you need, yeah. Yes. But yes, you can do it with five people. I've done it with three. I mean,Michael Jamin:Are you pulling any permits or are you sort of shootingChristina Beck:That? I do permits when I am renting equipment. And I have, I've also completely gorilla so many things.Michael Jamin:Wait, if you have, why do you have to have a permit if you rent co equipment they requireChristina Beck:Because yeah, you have to have insurance and there's film LA and yeah, there's a whole thing that needsMichael Jamin:To happen. Yeah. People get paid off. Yeah.Christina Beck:. Well, it's kinda a, Yeah,Michael Jamin:It's hard and happens. Yeah, it's hard. It's a hustle. But you do it cuz you love doing it, right?Christina Beck:Yes. Yes. That is true. Right? That is true.Michael Jamin:And how many scripts do you have that are just sitting around that? Are you, I guess I won't even try with that one or,Christina Beck:Yeah, I know that breaks my heart cuz I was at a ratio of, at one point having everything produced. I was like, I don't remember everything's been produced. But now I've written more scripts. I like, Yeah, I have probably, but not a ton. I have a couple features and I've written a few series, so yeah, Not yet. Not yet. ButMichael Jamin:What about just something you could do and now we'll wrap it up cause I don't wanna keep for chill up. But what about doing something where you could just shoot it in your apartment? Write it specifically for your apartment?Christina Beck:Yeah, well I would still need to get permission from my landlord. I'd still need to get equipment. Cause you can't shoot without permission if you wanna have insurance and you have to have insurance. Now look, my , my feature perfection in my old apartment, I actually did have permission from my landlord, but we shot so much of it just really running gun. And that can be done. That can have, But you still, And also I wanna pay people. I'm at a place where I can't ask people to work for free. Now if it's your first project and stuff, I encourage everybody to ask people to work for free if you treat them well. And if they're newbies too and it's a shared experience of discovery and stuff and they feel connected to the work and you feed 'em well, you gotta feed well. You gotta giveMichael Jamin:'em some very, But it seems like you have the perfect person for that because you have a bunch of students who wanna just get their names on stuff.Christina Beck:That's true. That's true. Yeah. Well, and I would probably and probably will end up shooting this feature with, And look, my students are amazing. They are so talented and professional when I get on their set. So this year I've had two students cast me in their short films. So I got to show up really as an actor on these. That's fun. Well, it's great because I was talking to the other film professors, because we work with them on the scripts and we sign off the scripts and then they go off and shoot. So these, they're kind, they're on their own, they're chaperoned and then they come back and bring, and we work on the edit and stuff, but we don't know what really goes on in those sets. So I was saying to this other professor the other day, I'm like, Yeah, I was there. I gotta be there and see what, And the truth is these students are wildly professional and I wouldn't really honestly wanna work with anyone else. But then they are so good. SoMichael Jamin:Someone called me up a student, I don't wanna say where they needed a 50 year old man. Now I don't play 50. We all know that. I play mid thirties ofChristina Beck:Course.Michael Jamin:But I was like, right, I didn't really wanna do it. I was like, all right. And then he goes couple weeks later he's like he's like, Yeah, well we're gonna need you to read . I wasChristina Beck:Like,Michael Jamin:I'm off only . Oh my God. I didn't want it that bad. But I think that was part of the experience that they wanted to have was they wanted actors. I'm not reading dude Christina Beck:Great. Well they're trying out their stuff I guess. Who knows? In terms of, Yeah, but wrong guy. They got the wrong guy with you.Michael Jamin: offer only.Christina Beck:That's right. That's right. Mr. Jam .Michael Jamin:How funny. Yeah. So, alright. This is so fascinating cuz this is a world I know nothing about this whole people cause people ask me all the time I got India. I don't know, Ask Christina. So where do people follow Christina back on? How do they learn more about what you're doing?Christina Beck:Well, like I said, my website and then myMichael Jamin:Give it to you again so that,Christina Beck:Okay. It's christina beck.com. There you go. And yeah, and then I'm on Instagram X Beck. AndMichael Jamin:What do you mean wait, X dyna? How do you spell that?Christina Beck:X I don't remember that. T I n a.Michael Jamin:Oh it. So it's X.Christina Beck:Yeah.Michael Jamin:I dunno why you said Ina. We'll work on this later. Christina Beck:Put a little thing up there. We don't have to talk about it. Yeah, yeah. And I just wanna say lastly, I am so not an expert on this. Please. I've been just finding my way as I go. But you know, I've watched other writers, The path is just, it's just not a straight line. And I think to stay connected to purpose and okay, I feel like I gotta tell certain stories. And when I talk to my students about this, okay, why do you have to tell this story? And we ask ourselves those questions and why now and all those things. Which in as far as indie film goes, I feel like we're in a little bit of a dip right now where the character driven independent films, at least in America, are not being celebrated as they once were. . And I believe that that'll shift.And I talk, I've talked to many people about this and we've gone through so many different, you know, can look back in the 1970s where Paramount was like studios were making beautiful character driven films. And I don't know if we'll ever go back to that, but I do think like you said, you can have a tiny crew and you could make something. I could make something in my living room. Absolutely. And one of my favorite filmmakers is a woman named Barbara Loden. She sadly passed away a long time ago. She was an actress. She actually was married to Ilie Kaza and she made a film called Wanda. And it's an amazing film and you can find it online. It's on the Criterion Channel and different places like that. But she had a tiny crew. She had maybe six people. And , sometimes people besides the attacks right off, they wanna contribute. They wanna be a part of it. They wanna be a part of this passion storytelling.Michael Jamin:Sometimes they also wanna give you their notes. Right?Christina Beck:WellMichael Jamin:Sometimes that money goes and comes with strengthsChristina Beck:Or here's the other thing. Yeah. Find an actor who really wants a great part that has some dough that wants to coce or something. And you guys can collaborate on that and you can write something that's really great for them that they would never get cast in. There's a lotMichael Jamin:Of you recommended. That's a great idea. That's a great idea. You recommended to me to watch Thunder Road. Remember that? Oh yeah,Christina Beck:I watch that. The short.Michael Jamin:And I loved it That and I loved, and I didn't realize I didn't, it was actually, I watched the scene from it, but it was actually, I guess a feature or whatever, but the scene stood on its own. I go, this is a beautiful it short. But it was a beautiful scene.Christina Beck:Oh, so you watched from the feature or did you watch the short film?Michael Jamin:Yeah. Yeah. Cuz I think you gave me the link to Vimeo or something. OhChristina Beck:Okay.Michael Jamin:I just watched that one church scene where he wasChristina Beck:Like, Yeah, yeah.Michael Jamin:So over,Christina Beck:Yes. That guy is amazing. He's the real deal. He's a guy to follow. Cause he's Joe Independent film. He, Jim is his name actually . And he makes stuff and he works as an actor. He'll do commercials, whatever. And then he'll take that money and that's what caves did. Caves made whatever he was working in television stuff he wasn't crazy about. And then he would take that money and then he would just make the films he wanted to make. So maybe it hasn't changed at all. It just goes back to that thing again where if you have this story you gotta tell and it does start with theMichael Jamin:Story. What kinda stories do you feel you have to tell?Christina Beck:Well I feel like I almost keep telling the same story, but I, I'm reallyMichael Jamin:Love different versions ofChristina Beck:It. That's right. That's, as I get older, I get this different perspectives of it. But I do, I love the story of people, characters that have perceived limitations or real ones and they slowly find their way out of that predicament. And yeah, I like happy and things. I like to see the journey of someone of starting off in a place where they don't feel and they get a little better.Michael Jamin:And you said before I cut you off, you was, it all starts, the focus has to be on the script.Christina Beck:It's all about the script. That's the blueprint. That is the blueprint. Especially if you're shooting with no money and no time. And because you don't have the luxury and we never have the luxury. You see it all the time and any budget level. But the truth is, the script really is everything starts there. That's how you get anybody on board. That's how you can refer if a DP who's maybe a great DP and wants to do something small because he loves the story or he loves the subject matter and that script should be tight and ready to shootMichael Jamin:. Right. And because you could shoot something and you get the biggest crew and the biggest budget and it looks like a movie. But if the script sucks, so what? No, it's not anyone's gonna wanna watch it, but it may look like a movie. Yeah,Christina Beck:Yeah, that's right. And then it won't get programmed really in festivals cuz there's so much competition. I just think that thing that we kind of all know, make it a personal story, doesn't have to be autobiographical, but make it something that you really connect to or a topic that really you do have some experience in that you can bring something that maybe we haven't seen yet or we haven't seen from that angle, like you said. Yeah. That's the stuff that's really gold. I love that Thunder Road short. It's such a great example of a guy who just took a very, very simple premise. And the other kind of novelty of that short is he shot it in one take, which is pretty cool. That's not easy to do.Michael Jamin:That's not easy. What I'm saying. He did it and that's a novelty. But as you pointed that out, I forgot. I like the story of it.Christina Beck:Well that's the thing, you should just be looking at it like, oh, where's the cut? No, we wanna be engaged. And that was very engaging and that was a very personal story. I mean, I don't know about his personal story, but I know that I felt that in his work. Yeah,Michael Jamin:Yeah. It's all about that. It's all about being vulnerable and about sharing something that's that only you can do, right?Christina Beck:Yeah. Yeah. I mean hopefully, I mean, I don't know, I think it's two, there's too many topics now that people are dealing with in terms that need to, voices that need to be heard in the world, I believe. And yeah, this is a powerful way to get our voices out,Michael Jamin:But that means writing. So that's what I think cuz everyone's looking for diverse voices and voices that have been underrepresented. So that means writing about, I think your experience, that's what we want from youChristina Beck:Because Well, I think so too.Michael Jamin:Yeah. Now's your shot.Christina Beck:Yeah, I think so too. No one can steal your idea. That's a whole thing too. Sometimes people are like, Oh no, someone's gonna steal this idea. Well there's real, there's not that many ideas really when you think about it, the same story over and over. I'm still telling the story of someone overcoming. I love characters that overcome their limitation or their perceived limitations or their background. I come from alcoholism and all sorts of other things. And that doesn't mean that I'm gonna keep getting it on the nose with those topics, but it informs the way I look at the world growing up in that environment. And today I'm really grateful for that. But when I started writing, I was still very tortured by that. So , but keeping it, that process of keeping it personal and having that point of view with those circumstances makes it only something that I can sayMichael Jamin:I Christina, I think everyone should start taking your class one of either your classes, but the LMU one is a little difficult cause they have to enroll, but the other one Yeah.Christina Beck:Well, yes, is different. Yeah. I mean, I'm also, I do workshops too sometimes, so,Michael Jamin:Oh, you do private workshops?Christina Beck:I do screenwriting workshops.Michael Jamin:And Is that on your website as well?Christina Beck:Yeah, not right now, , but it was, Oh,Michael Jamin:How would that basically work? Yeah.Christina Beck:Well, I've worked, so I've done six weeks workshops where we really start off with, Okay, what's the story you wanna tell that's most personal to you? And so it's literally creating a character or that story from the point of view of the storyteller and the steps to take, whether it would turn into a series or a short film, or a feature or a play.Michael Jamin:And it's six weeks and it meets once a week or something.Christina Beck:Correct.Michael Jamin:That sounds really good. How many people are in that course, or outta time?Christina Beck:Well, it's different times I, It's been usually pretty intimate. Not a ton of people , but now we can do stuff on Zoom, which is great. Right.Michael Jamin:Wow, that sounds pretty cool. Yeah, people should check you. Yeah, you better put that up once this, IChristina Beck:Guess. I guess I'm Do that. Yeah, I guess so. ButMichael Jamin:Tell people where to find that again, so in case that you make that happen, that sounds like a beautiful thing.Christina Beck:Oh, thanks. Yes. Christinabeck.com.Michael Jamin:Christinabeck.com. Christina, thank you so much for joining me. This is a good talk. I thought this wasChristina Beck:Really helpful. Thanks, Mr. JaminMichael Jamin:Now I wanna be an independent filmmaker.Christina Beck:No, you don'tMichael Jamin:. No, you don't.Christina Beck:If you wanna make money. No. There are some that make money. There are some that make money, right? Yes, yes, yes, yes. But yeah, thank you. Thank you so much. It's so fun to talk with you, Mr.Michael Jamin:Yeah. Thank you. Thank you. I'm gonna sign up, right? Everyone, Thank you for listening. And yeah, for make sure you get on my free weekly newsletter michaeljamin.com/watchlist. What else we gotta talk about? We have a course. Yeah, we can check out my course at michaeljamin.com/course. And if we post this in time, I don't know, but I'll be doing two shows in Boston, November 12th and 13th from a paper orchestra. It's my stage reading, and then two shows in December 10th and 11th. And for tickets, go to michaeljamin.com/live. All right. Thank you again, Christina. Wonderful.Christina Beck:My pleasure. Thank you. Thank you. Thanks for asking. Yeah.Michael Jamin:Hey, it's Michael. One more thing. Come see me perform. I'm going to be in Boston area, actually, Amesbury, Massachusetts on November 12th and 13th at the Actor studio, performing my show, a paper orchestra. And then I'm gonna be back in Los Angeles on December 10th and 11th again at the Moving Arts Theater Company. So tickets are on sale. Go get 'em at michaeljamin.com/live. It's a small, intimate venue. I'm gonna be performing for my collection of personal essays, and each one's gonna be followed by like a 20 minute q and a. We get to talk about the work. It's a fun event. So I hope to see you there. Go get them tickets again are at michaeljamin.com/live, and of course, sign up to my weekly newsletter that's called the watchlist at michaeljamin.com/watchlist.Phil Hudson:This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving a review ,and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhillaHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

Der Europäischen Menschenrechtsgerichtshofs (EGMR) verurteilt die Schweiz wegen der Diskriminierung von Witwern. Männer erhalten hierzulande keine Witwerrenten mehr, sobald Kinder volljährig sind, Frauen hingegen schon. Das sei rechtswidrig, befindet das Gericht in Strassburg. Weitere Themen: Während im Iran die Regierung weiter rigoros gegen Demonstrierende vorgeht, erheben Politikerinnen und Iran-Beobachter weltweit ihre Stimmen. Die Schweiz nahm erst Ende letzter Woche Stellung zur Gewalt. Warum ist das so? Die nachhaltige Finanzindustrie erlebt gerade ihren ersten richtigen Härtetest. So hat beispielsweise der US-Bundesstaat Texas angekündigt, Investmentbanken wie die UBS auf eine Sanktionsliste zu setzten. Ihre Nachhaltigkeitsstrategie setze die für Texas wichtige Öl- und Gas-Industrie unter Druck.

Strassburg rügt Schweiz: Witwer werden diskriminiert, IWF senkt globale Wachstumsprognose, Schweiz: Gefälschte Corona-Tests – 20 Millionen Volksschaden

Die Grosse Kammer des Europäischen Menschenrechtsgerichtshofs (EGMR) verurteilt die Schweiz wegen der Diskriminierung von Witwern. Aktuell bekommen Männer keine Witwerrenten mehr, sobald Kinder volljährig sind, Frauen hingegen schon. Das sei rechtswidrig, befindet das Gericht in Strassburg. Weitere Themen: - Rezession & Sparpolitik: Folgt auf Energie- die Eurokrise? - Schweiz zögert mit Reaktion auf Proteste in Iran - Frankreich: «Der nächste Waldbrand ist nur eine Frage der Zeit» - Tagesgespräch: Navid Kermani: «Ereignisse sind überraschend»

Die ukrainische Armee hat in den letzten Tagen erneut dutzende Ortschaften von den russischen Besatzern zurückerobert. Viele davon befinden sich in den Gebieten, die Russland zuletzt völkerrechtswidrig annektiert hat. Wie bedeutsam sind die Gebietsgewinne der ukrainischen Armee? Weitere Themen: In Schweizer Spitälern kommt es momentan immer wieder zu Engpässen bei der Beschaffung von medizinaltechnischen Produkten. Gründe dafür sind Lieferkettenausfälle durch Corona, aber auch das gescheiterte Rahmenabkommen mit der EU. Wie die Spitäler die Lücken dennoch schliessen, zeigt ein Besuch im Kantonsspital Aarau. Die Justiz gehört, zusammen mit der Regierung und dem Parlament, zu den drei Grundpfeilern eines demokratischen Staates. Doch wie gut funktioniert sie? Der Europarat in Strassburg hat das in seinen Mitgliedländern untersuchen lassen; mit teilweise überraschenden Ergebnissen.

Marokko in seiner Zerrissenheit zwischen kolonialem Erbe und autoritärer Monarchie in Leïla Slimanis Roman «Schau, wie wir tanzen» und die Umbrüche im Leben eines Mannes in Lorenz Langeneggers «Was man jetzt noch tun können» – dies die Themen im BuchZeichen. «Schaut, wie wir tanzen» von Leïla Slimani ist der zweite Teil einer Romantrilogie, die auf Slimanis eigener Familiengeschichte beruht. Im Sommer 1968 kehrt Aïcha nach vier Jahren Medizinstudium in Strassburg nach Marokko zurück. Zu Hause trifft sie auf eine Familie, die in Auflösung begriffen ist. Doch die Begegnung mit einem jungen Wirtschaftsstudenten stellt sie vor ein Dilemma. Soll sie dieser Liebe nachgeben? Denn Aïcha träumt von einem unabhängigen Leben. Ein Lesegenuss, findet Annette König. Manuel, die Hauptfigur in Lorenz Langeneggers Roman «Was man jetzt noch tun kann» ist einer, der am Schreibtisch sitzt und sich fragt, was das Leben noch bringt. Dann erreicht ihn die Nachricht vom plötzlichen Tod seines Vaters. Manuel muss sein Elternhaus ausräumen, eine bankrotte Firma für Schlüssel auflösen und irgendwie drei Tonnen Rohschlüssel loswerden. Darin steckt der Versuch eines Neuanfangs, den der Schweizer Autor Lorenz Langenegger warmherzig und mit Achtsamkeit für das Alltagsglück erzählt. Ein Buch über einen Durchschnittstypen, das weit über literarischem Durschnitt liegt, sagt Tim Felchlin. Der Tipp der Woche kommt heute von Michael Luisier. Er empfiehlt Hans ten Doornkaats Mundartgedichtesammlung «Tschäderibumm – Mundartgedichte für Kinder von 45 Autor:innen». Buchhinweise: Leïla Slimani. Schaut, wie wir tanzen. 384 Seiten. Luchterhand, 2022. Lorenz Langenegger. Was man jetzt noch tun kann. 272 Seiten. Jung und Jung, 2022. Hans ten Doornkaat (Hrsg.) Tschäderibumm - Mundartgedichte für Kinder von 45 Autor:innen. Illustriert von Elena Knecht. 190 Seiten. Der gesunde Menschenversand, 2022.

durée : 00:05:02 - Près de chez vous - France Bleu Elsass - Découvrez toutes les nouveautés de la 90 è édition de la foire européenne de Strasbourg du 2 au 11 septembre 2022 ! Entdecke sie alle neiichkeiten von die 90e édition des Europaïsches Messe von Strassburg wo vom2 bis am11/09/22 statt findet .

Am Mittwoch landete ein russisches Flugzeug mit einer Sondergenehmigung auf dem Euroairport. Nun stellt sich heraus, dass damit wahrscheinlich ehemalige Mitglieder des Europarats in Strassburg nach Russland gebracht wurden.  Ausserdem:  * Nach Benzidin-Messungen der Gemeinde Allschwil: Pharma-Firmen sehen keinen Handlungsbedarf bei der Deponie Roemisloch. 

'The Cathedral Clock' is a story from Strassburg all about corrupt politicians and a truly magnificent piece of horology. Host Dan Scholz Find out where to subscribe to The Folktale Project at http://folktaleproject.com/subscribe Support The Folktale Project https://www.folktaleproject.com/support

Um 20 Uhr schliessen in Frankreich die Wahllokale. Dann werden die ersten Hochrechnungen publiziert. Unser Sonderkorrespondent hat sich vorher im Wahllokal 420 in Strassburg bei den Wählerinnen und Wählern umgehört. Und unser Frankreich-Korrespondent gibt eine erste Einschätzung aufgrund der Wahlbeteiligung. Weitere Themen: (05:50) Richtungswahl in Frankreich (13:27) Deutschland darf keine Schweizer Munition in die Ukraine liefern (19:14) Australiens Arroganz hat die Nachbarinseln enttäuscht

Emmanuel Macron oder Marine Le Pen? Frankreich entscheidet heute in einer Stichwahl, wer für die nächsten fünf Jahre als Präsident oder Präsidentin das Land führt. Mit der Wahl zwischen Macron und Le Pen tun sich manche schwer und für andere ist es eine Vernunftentscheidung, wie die Reportage vom Wahltag aus Strassburg zeigt. Ausserdem in der Sendung: Deutschland will Munition aus Schweizer Produktion an die Ukraine liefern. Aber die Schweiz verhindert eine solche Lieferung. Als Gründe nennt der Bund die Schweizer Neutralität und das Kriegsmaterialgesetz.

Die Schweiz hat am Dienstag ein überraschendes Urteil vom Europäischen Gerichtshof für Menschenrechte (EGMR) erhalten. Die Richter in Strassburg befanden, dass die Schweiz im Frühjahr des ersten Pandemiejahres 2020 zu weit gegangen ist mit dem Verbot von öffentlichen Kundgebungen. Die Entscheidung der Regierung sei nicht auf ihre Verhältnismässigkeit überprüft worden. Weitere Themen: - Eklat im russischen Staatsfernsehen - Schweizer Banken im Fokus - Dringliche Armeedebatte im Bundeshaus - SBB schreibt grossen Verlust - Chinas Null-Covid-Strategie kommt an ihre Grenzen - Tagesgespräch: SBB-Chef Vincent Ducrots Weg aus dem Krisenmodus

Tristan und Isolde (Tristan and Isolde), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work, not as an opera, but called it "eine Handlung" (literally a drama, a plot, or an action).Purchase the music (without talk) at:Wagner: Tristan und Isolde (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Themen dieser Sendung: (01:15) Bundesrat verlängert Homeoffice-Pflicht (08:06) Kann Boris Johnson den Kopf noch aus der Schlinge ziehen? (17:17) Ein Präsident, zwei Hüte: Emmanuel Macron in Strassburg (21:27) Mängel bei Swisstransplant: Politiker sehen Handlungsbedarf (25:28) Basel: Sind Grundrechte von Affen bald in der Verfassung? (36:36) Schweizer Kommunikationsagentur will in Europa wachsen (40:03) Das Geheimnis des brasilianischen Börsenstars Nubank

durée : 00:23:57 - Circuit Bleu - Côté saveurs avec France Bleu Elsass - Allez, il n'est pas trop tard pour en faire quelques-uns ! Marguerite de Strasbourg vous donne sa recette !

ÖVP-Dissident Othmar Karas zwischen Wien, Strassburg und Brüssel. Der Vizepräsident des Europaparlaments über die rechtsrechte Bedrohung für die EU, seine Sicht auf die türkise ÖVP und die Zukunft der liberalen Demokratie in Europa. Im Falter-Sommergespräch mit Tessa Szyszkowitz und Raimund LöwLesen Sie den FALTER vier Wochen lang kostenlos: https://abo.falter.at/gratis Diese Debatte können Sie ab Freitag auch auf https://www.falter.tv sehen See acast.com/privacy for privacy and opt-out information.

Descarga Cultura UNAM y Gerardo Kleinburg presenta "Tristán e Isolda de Wagner - 2a parte" En este episodio de Detrás del Telón, escucharán una charla presentada por Gerardo Kleinburg y amablemente compartida por la Universidad Nacional Autónoma de México y Descarga Cultura UNAM. Richard Wagner (Leipzig, Alemania, 1813 - Venecia, Italia, 1883). Compositor, director de orquesta, poeta y dramaturgo. Su empeño por lograr una “obra de arte total” lo condujo a revolucionar las artes escénicas y plasmar en cada una de sus óperas matices de poesía, filosofía y música. Incorporó en sus obras las transiciones melódicas con las cuales rompió las estructuras tradicionales del lenguaje musical. Es autor de importantes obras como El holandés errante, El anillo del nibelungo, El oro del Rin y La Valquiria. En esta nueva entrega de Hablemos de ópera, Gerardo Kleinburg lleva al escucha a conocer desde las características estéticas generales de la ópera Tristán e Isolda, hasta detalles como la necesidad de Wagner de vivir sus obras como si él mismo fuera uno de sus personajes. Basada en textos medievales como los de Gottfried von Strassburg, las ideas de Arthur Schopenhauer y la poesía de Novalis, Wagner logra una obra revolucionaria que conjuga la estructura narrativa y la música para emular sentimientos de amor, angustia, ira y sensualidad. Conoce más sobre esta magnífica composición. ------------------------------------------------------------------------------------------------ Descarga Cultura UNAM and Gerardo Kleinburg present "Wagner's Tristan and Isolde – Part 2” On this episode of Behind the Curtain, you'll be listening to a talk presented by Gerardo Kleinburg and graciously shared by the National Autonomous University of Mexico and Descarga Cultura UNAM. Richard Wagner (Leipzig, Germany, 1813 - Venice, Italy, 1883). Composer, conductor, poet and playwright. His determination to achieve a “total work of art” led him to revolutionize the performing arts and to capture in each of his operas nuances of poetry, philosophy and music. He incorporated in his works the melodic transitions with which he broke the traditional structures of musical language. In this new installment, Gerardo Kleinburg takes the listener from knowing about the general aesthetic characteristics of the opera Tristan and Isolde to details such as Wagner's need to “live” his works as if he were one of its characters. Based on medieval texts such as those by Gottfried von Strassburg, the ideas of Arthur Schopenhauer and the poetry of Novalis, Wagner achieves a revolutionary work that combines narrative structure and music to emulate feelings of love, anguish, anger and sensuality. Learn more about this magnificent composition.

Descarga Cultura UNAM y Gerardo Kleinburg presenta "Tristán e Isolda de Wagner - 1a parte" En este episodio de Detrás del Telón, escucharán una charla presentada por Gerardo Kleinburg y amablemente compartida por la Universidad Nacional Autónoma de México y Descarga Cultura UNAM. Richard Wagner (Leipzig, Alemania, 1813 - Venecia, Italia, 1883). Compositor, director de orquesta, poeta y dramaturgo. Su empeño por lograr una “obra de arte total” lo condujo a revolucionar las artes escénicas y plasmar en cada una de sus óperas matices de poesía, filosofía y música. Incorporó en sus obras las transiciones melódicas con las cuales rompió las estructuras tradicionales del lenguaje musical. Es autor de importantes obras como El holandés errante, El anillo del nibelungo, El oro del Rin y La Valquiria. En esta nueva entrega de Hablemos de ópera, Gerardo Kleinburg lleva al escucha a conocer desde las características estéticas generales de la ópera Tristán e Isolda, hasta detalles como la necesidad de Wagner de vivir sus obras como si él mismo fuera uno de sus personajes. Basada en textos medievales como los de Gottfried von Strassburg, las ideas de Arthur Schopenhauer y la poesía de Novalis, Wagner logra una obra revolucionaria que conjuga la estructura narrativa y la música para emular sentimientos de amor, angustia, ira y sensualidad. Conoce más sobre esta magnífica composición. ------------------------------------------------------------------------------------------------ Descarga Cultura UNAM and Gerardo Kleinburg present "Wagner's Tristan and Isolde – Part 1” On this episode of Behind the Curtain, you'll be listening to a talk presented by Gerardo Kleinburg and graciously shared by the National Autonomous University of Mexico and Descarga Cultura UNAM. Richard Wagner (Leipzig, Germany, 1813 - Venice, Italy, 1883). Composer, conductor, poet and playwright. His determination to achieve a “total work of art” led him to revolutionize the performing arts and to capture in each of his operas nuances of poetry, philosophy and music. He incorporated in his works the melodic transitions with which he broke the traditional structures of musical language. In this new installment, Gerardo Kleinburg takes the listener from knowing about the general aesthetic characteristics of the opera Tristan and Isolde to details such as Wagner's need to “live” his works as if he were one of its characters. Based on medieval texts such as those by Gottfried von Strassburg, the ideas of Arthur Schopenhauer and the poetry of Novalis, Wagner achieves a revolutionary work that combines narrative structure and music to emulate feelings of love, anguish, anger and sensuality. Learn more about this magnificent composition.

Prinz Philip gestorben, Streit um Moscheebau in Strassburg, Ziegen für Zoom-Konferenzen

Prinz Philip gestorben, Streit um Moscheebau in Strassburg, Ziegen für Zoom-Konferenzen

The Science Is In. The world needs radical, inclusive, constructive change if it is to win the climate challenge, the species extinction crisis, the refugee challenge, and so much more. How do we build the bridge out of today's mounting environmental crises and prevent all of the things they incur? Chris and Jared come at the solution from different, but complimentary directions. Jared, a psychotherapist and Zen Buddhist priest in California and Chris, a globally-strategic conservation advocate in Texas, share their thoughts on how rescuing our shared future requires all of us to do both inner (Jared's focus) and outer (Chris' focus) work. "I've seen how much of the problem is mental and emotional. It's not just about the ecosystem." -- Jared"Seizing the biodiversity solution most beneficially effects the majority of challenges today and prevents environmental collapse." -- Chris*Listen to "The Interconnectedness interview" referred to in this conversation: here.Visual synopses1) Infinity symbol, Jared's main idea, "Activism" left loop: "Inner" spiritual, psychological right loop: "Outer" right actions 2) Planet Earth, Chris' main idea, "Biosphere""Rescue & regrow the bio-physical life support system"CitationsKey studies supporting Chris' "brass tacks" vision:  Global Priority Areas for Ecosystem Restoration. (Strassburg, et al. Nature, 2020) Connecting Habitats to Prevent Species Extinctions. (Pimm, Jenkins. American Scientist, 2019) A Global Deal for Nature. (Dinerstein, et al. Science, 2019) Primary Production of the Biosphere. (Field, Behrenfeld, Randerson, Falkowski. Science, 1998) How to protect half of Earth to be sure it protects sufficient biodiversity. (Pimm, Jenkins, Li, 2018) Trees, Forests and Water: Cool Insights for a Hot World. (Ellison, et al. Global Environmental Change, 2017) The Systemic Climate Solution. (Searles, 2016) Study #1 shows where the greatest productivity gains can be made from restoration on lands. Study #2 explains the need to prioritize corridorization. Study #3 is the UN's current focus, "30x30." The map in #4, "Fig. 1, Global Annual NPP", published 1998, shows global biospheric productivity; i.e. that tropical forests and lands are the most productive ecosystems on Earth, followed by temperate rainforests.  Note that ocean productivity is concentrated along coastlines, around the Equator and in high northern and southern regions (mostly). Compare the map from study #4 with the map in #5, "Fig. 1, Protected areas (green)," to get a sense of how well Earth's most productive ecosystems are protected today. Study #6 gives the best synopsis of the significance of land-based, physical life-support system's most powerful infrastructure, forests, to the global climate system. Forests offer the most concentrated suite of climate stabilization services. Study #7 is Chris's synopsis on the value of tropical forests to the global climate and biodiversity solutions. WebsitesLearn more about Jared's work: jaredmichaels.comLearn more about Chris's work: biointegrity.netMusicThanks so much to the beautiful and wonderful, Alice Spencer, Chris' wife, for her song, "I Wanna Be a Buddhist," heard as our theme at the beginning and end of this episode. Enjoy Alice's full performance of the song here. 

Kaiser Karl von Habsburg glaubte auch nach dem Zerfall der k.u.k. Monarchie an seinen gottgegebenen Anspruch auf die Herrschaft in Österreich und Ungarn und begann sofort nach dem Ersten Weltkrieg konspirativ tätig zu werden und die Fühler nach der Entente auszustrecken, ob nicht was mit einer Rückkehr an die Macht ginge. Am 24. März versuchte er einen ersten Putschversuch in Ungarn, das ja nach dem Bürgerkrieg vom konservativen Monarchisten Horthy autokratisch verwaltet wurde. Zunächst ging Karl zu Fuß von seinem Westschweizer Wohnort Prangins über die Grenze nach Frankreich, von wo er per Zug über Strassburg nach Wien und weiter nach Ungarn fuhr. Da Karl keinen Reisepass besaß, erfolgte die Einreise illegal unter falschem Namen. Was nach einem Masterplan klingt, entpuppte sich doch rasch als dilettantischer Versuch, der scheiterte. Daher schrammt der Bericht im Vorwärts vom 30. März auch nur knapp an einer Humoreske vorbei. Paula Leu liest.

The tenth song in this collection, “Zu Strassburg auf der Schanz” (At Strasbourg on the battlement), starts with a very colorful piano entrance marked “as a folk tune” and “imitating the shawm.” As Donald Mitchell points out, this is of a type very characteristic of Mahler in his vocal as well as symphonic output: the slow farewell song or funeral march…We have a relatively simple example of the kind, remarkable chiefly for the piano's imitation of the “Schalmei,” the chalumeau or herdsman's pipe, which lures the homesick soldier into swimming the Rhine by night. There is also the imitation, in the left hand, of the military drums that accompany his capture, his conviction as a deserter, and the march to his execution. Mahler explicitly instructs the right hand to play “like a chalumeau,” and notes for the left: “In all those low trills the sound of muted drums is to be imitated by means of the pedal,” a clear indication that he was moving towards a song form with orchestra.---A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Zu Strassburg Auf Der Schanz with Lew Smoley.

Nesse episódio, Hian Sousa (Filosofia - UFPA) e Gabriel Carvalho (Ciências Sociais - UNIVASF) recebem Emmanuel Salanskis, PhD em filosofia alemã pela Universidade de São Paulo e professor associado na Universidade de Strassburg na França, para falar sobre a eugenia no pensamento de Friedrich Nietzsche, seus fundamentos filosóficos e implicações políticas.

Die UBS will bis im März gut jede fünfte Filiale schliessen. Die Idee dahinter: Leute sollen mittels e-banking ihre Geschäfte erledigen. Zudem sinkt bei der UBS die Hemmschwelle für Negativ-Zinsen. Wer mehr als 250'000 Franken auf dem Konto hat, muss dafür bezahlen. Weitere Themen: Wer weder im Militär noch im Zivilschutz dient und auch keinen Zivildienst leistet, zahlt in der Schweiz die Wehrpflichtersatzabgabe. Dagegen haben die Richter des Europäischen Gerichtshof für Menschenrechte in Strassburg nun zum zweiten Mal gegen die Schweiz entschieden. Die Welt hat die wohl grösste Impfaktion der Geschichte gestartet. Seit mehr als 200 Jahren gibt es Impfungen. Impfen hat Menschen vor zahlreichen Krankheiten geschützt und auch schon Pandemien beendet. Doch es gab auch Pannen. Und solange geimpft wird, gibt es auch Bedenken dagegen.

Tristan und Isolde (Tristan and Isolde), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hof- und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung" (literally a drama, a plot or an action). Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1104/Wagner%3A_Tristan_und_Isolde_%28Tristan_and_Isolde%29%2C_WWV_90.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

For the final episode of the season, we have another joint interview! Prof. Miguel Anjos and Dr. Lars Schewe both work in the field of mathematical optimisation, looking at different aspects of energy networks. They dive into how optimisation can be used to solve problems at any scale, from sorting out your local bus route to managing the decarbonisation of a country's energy system. And ultimately (spoiler alert!) we conclude that maths is everywhere. Find out more about the Edinburgh Research Group in Optimization, a collaboration within the University of Edinburgh School of Mathematics. You can also visit Miguel's website to find out more about his work. The paper that Tom mentioned is Strassburg et al. (2020) Global priority areas for ecosystem restoration, Nature 586, 724-729. Not Another Science Podcast is co-created by Helena Cornu (@helenacornu) and Tom Edwick (@edwicktom), brought to you by Edinburgh University Science Magazine (EUSci). Our podcast logo was designed by Apple Chew (@_applechew). The podcast cover art was designed by Heather Jones (@heatherfrancs). We'll be back next semester with a whole new series, so stay tuned. In the meantime, you can visit our website at www.eusci.org.uk to check out the latest issue of the magazine, a ton of other cool science content by our student journalists, and to see how to get involved. We're also on Facebook, Instagram, LinkedIn, and Twitter. All podcast episodes and transcripts can be found at www.eusci.org.uk/podcasts/. Music by Kevin Macleod: https://incompetech.filmmusic.io/song/3788-funkorama; https://incompetech.filmmusic.io/song/3787-funk-game-loop http://creativecommons.org/licenses/by/4.0/

durée : 00:03:13 - La nouvelle éco de France Bleu Elsass - Nous sommes aujourd'hui dans le quartier de la Krutenau à Strasbourg pour en apprendre plus sur la Résidence Abrapa Krutenau

Bom ciclo rotacional!Neste sétimo episódio, eu e a Fonoaudióloga Isadora Strassburg, do podcast Fono Também Fala, conversamos sobre o diagnóstico fonoaudiológico, além de como e por que iniciar a terapia, mesmo sem termos todas as informações médicas dos pacientes. Venha conferir essa conversa!Apoie o Fonoaudiocast entrando em apoia.se/fonoaudiocastNão deixe de acompanhar minhas redes sociais:twitter: @IvoPellicanoInstagram: @fonoaudiocastFacebook: facebook.com/fonoaudiocaste-mail: fonoaudiocast@gmail.comSupport the show (https://apoia.se/fonoaudiocast)

Millo, so heisst der fünfjährige Esel von Passugg. Und Millohat einen grossen Plan. Im Frühling will er ein Zeichen setzen für den Klimaschutz und 2500 Kilometer weit wandern. Angesteckt von den Klimaprotesten der Jugend will Millomit seinem Freund, dem dreijährigen Esel Aron, und begleitet von Markus Balzer, dem Besitzer der Passugger Esel, fünf Länder Europas bereisen.Von Passugg wird Milloaus fünf Mineralquellen je zwei Liter Wasser mit auf die Reise nehmen. Dieses soll dann in einem symbolischen Akt in den Ärmelkanal geleert werden. Danach will Milloam 21. Juni 2020 in Stonehenge die Sonnenwende feiern.Von Südengland führt die Reise wieder zurück in die Schweiz nach Passugg. Auf dem Rückweg machen die drei halt in London, Brüssel, Bonn, Strassburg und Bern.Wann die Reise beginnt, wie viele Kilometer sie pro Tag zurücklegen wollen und wie man auf Social Media die Reise mitverfolgen kann, darüber reden wir im «RSO im Gspröch».

Israel kritisieren? Das ist ein Muss, findet der israelische Journalist Michel Warschawski – und zwar im Interesse seiner Enkel. Warschawski ist in Strassburg als Sohn des dortigen Oberrabiners geboren, ging mit 16 nach Israel, studierte Talmud, entwickelte sich politisch zum Linksradikalen, gründete das Alternative Information Center und arbeitet als Journalist. Martin Heule und ich fragten Warschawski an jenem 7. Mai 2019 zuerst, wie er die letzten Tage – die Raketen auf Israel und die Bomben auf Gaza – erlebt habe? Foto: Claude Truong-Ngoc / Wikimedia Commons - cc-by-sa-3.0

Samtökin 78 auglýstu á dögunum smokkainnpökkun. Hvað kemur eiginlega til? Daníel E. Arnarsson, framkvæmdastjóri samtakanna, kíkti til okkar og átti við okkur smá smokkaspjall. Enn berast fregnir sem benda til þess að hinn alræmdi Brexit samningur sé langt í frá klárað mál. Nú virðist þingið hafa tekið völdin af ríkisstjórn Theresu May, sem rær lífróður fyrir pólitískri framtíð sinni. Eva Heiða Önnudóttir stjórnmálafræðingur fór yfir nýjustu sviptingar með okkur. Í hádeginu í dag fer fram viðburður í Náttúrufræðistofu Kópavogs þar sem Sigrún Thorlacius líffræðingur og vöruhönnuður fer yfir það hvernig sveppir geta eytt mengun úr jarðveginum. Sigrún sagði okkur meira um þetta mál. Skiptar skoðanir eru um breyttar reglur um höfundarrétt sem samþykktar voru í gær hjá Evrópuþinginu í Strassburg. Píratar eru á móti þessum breytingum og telja meðal annars að þær skerði frelsi fólks á netinu. Margir réttahafar á tónlist, bíómyndum og sjónvarpsefni fagna hinsvegar breytingunni. Smári McCarthy, alþingismaður, og Guðrún Björk Bjarnadóttir, framkvæmdastjóri STEFS komu til okkar. Guðmundur Jóhannsson var á sínum stað með tæknipistil og ræddi þar nýjustu kynningu Apple sem er á leið inn á streymisveitu markaðinn. Tónlist: Heiða Ólafs - Ekki nema von. Júníus Meyvant - Love child. Suede - Lazy. E.L.O. - Telephone line. Monotown - Peacemaker. The Marcus King Band - Homesick. Manic Street Preachers - You love is not enough (ft. Nina Person).

Neuigkeiten zum Anschlag in Strassburg; Beitrag zu Stadtpräsidium Romanshorn Wahl

Neuigkeiten zum Anschlag in Strassburg; Beitrag zu Stadtpräsidium Romanshorn Wahl

Begleite uns nach Straßburg auf den „Salon des Vins“ der unabhängigen Winzer Frankreichs und höre, warum diese Messe eine gute Gelegenheit für dich ist, deinen Weinkeller aufzufüllen. Fast 600 Winzer aus allen Anbaugebieten Frankreichs boten ihre Weine zum Probieren an! Ein paar davon und Messebesucher kommen selbst zu Wort. Sie sagen dir, warum du Anfang Februar diesen Event in deinen Kalender eintragen solltest. Auf unserer Verkostungstour durch die Gänge A bis E haben wir uns inspirieren lassen, Neuentdeckungen zu machen und sind Empfehlungen von anderen Messebesuchern erwartungsfroh gefolgt. Wir liefern dir alle wichtigen Infos zur Messe und sagen dir auch, welche Genüsse deinen Gaumen gekonnt als Zwischenspiel begleiten, wenn dich der kleine oder große Hunger überfällt. Du hörst, was die Vorteile sind, am Freitag oder Samstag auf die Messe zu gehen und warum auch der Sonntag ein idealer Tag dafür ist. Betina war auf der Suche nach dem ultimativen Viognier, ihre weiße Lieblingsrebsorte. Ob sie ihn gefunden hat und warum Burkhard einen Elsässer umarmen wollte, erfährst du in dieser Podcastfolge. Hör jetzt rein und nimm die wichtigsten Informationen mit, damit dein Messebesuch im nächsten Jahr gelingt und du nicht die gleichen Anfängerfehler machst wie wir vor ganz vielen Jahren. Viel Spaß beim Hören und Genießen! Wenn du zwei Tage einplanen möchtest, dann könntest du im Hotel-Restaurant Hirsch in Kehl-Kork übernachten. Hier kannst du nach der Messe noch gemütlich und sehr gut essen, um anschließend ganz zufrieden ins Bett zu fallen :-) Die Links zur heutigen Show: Zur Messe https://www.vigneron-independant.com/25ème-salon-des-vins-des-vignerons-indépendants-strasbourg Die „Unabhängigen Winzer“ Frankreichs https://www.vigneron-independant.com Château du Breuil http://www.chateaudubreuil.eu Chateau Vignol http://www.famille-doublet.fr Château l’Amiral http://www.chateaulamiral.fr Château Fontbaude http://www.chateaufontbaude.com/Vins Domaine de Lanzac www.domainedelanzacvindetavel.com Château Magondeau http://chateaumagondeau.com/allemand/vins_fronsac.htm Das Hotel-Restaurant „Hirsch“ in Kehl-Kork: https://www.hirsch-kork.de/de/     Mehr findest du auf: www.feinschmeckertouren.de https://www.facebook.com/feinschmeckertouren/ https://www.youtube.com/channel/UCa_CkAeidqAQ98nKFa0HZcg/featured?view_as=public https://www.instagram.com/feinschmeckertouren/   ****************************************************** Hier geht dein Genusserlebnis weiter! Komm rüber auf unsere Homepage www.feinschmeckertouren.de. Dort findest du Impressionen und Foto´s, Blogbeiträge und zusätzliche Informationen. Verpass keine Neuigkeiten mehr und trag dich dort am besten gleich in unseren Newsletter ein. ****************************************************** In unserem Genuss-Cast lernst du Food- und Feinkostadressen, Weine und Winzer, Restaurants und Spezialitäten-Manufakturen kennen. Als Individualisten entdecken wir auf unseren Reisen gerne Neues aus der Welt der Kulinarik. Begleite uns dabei und profitiere von unseren persönlichen Impressionen und Insidertipps jenseits vom Mainstream-Tourismus! Neben Weinverkostungen und Tipps für die Kombination mit passenden Speisen hörst du hier kurzweilige Geschichten über Wein, Olivenöl, Grappa, Obstbrände, Käse, Gewürze und Co. Du bekommst Impulse über gastronomische Highlights mit außergewöhnlicher Küche und urtypischem Flair, egal ob Sterneküche oder Trattoria. Außerdem erfährst du Unterhaltsames über Städte und Regionen. In den Interviews mit „Genusshandwerkern“ geht es um die Menschen hinter den Produkten und ihre individuelle Story. Du bekommst Einblicke in die Geheimnisse ihrer Produktphilosophie sowie die Herstellung und Veredelung, Umgebung oder Zubereitung ihrer Lebens- und Genussmittel. Mit Geschichten von unseren Entdeckertouren, auch aus den mediterranen Ländern Italien, Frankreich und Spanien, wollen wir dich inspirieren, das Leben mit kulinarischen Highlights zu genießen! Wenn auch du Produkte mit eigener Handschrift, die Vielfalt der Aromen von natürlichen Lebensmitteln und deren intensiven Genuss liebst, dann bist du in dieser Show genau richtig. Viel Spass beim Hören und Genießen!